Linley Sambourne's Diary 1902
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Reporting the Death of Charles Kingsley: the Early Biographical Reaction in Newspapers and Magazines
Linguæ & Rivista di lingue e culture moderne 2 2018 Nota sugli Autori 7 Roberta Mullini 9 Nota editoriale James Krasner 11 Torture, Literature, and History in Arthur Conan Doyle’s “The Leather Funnel” Jan Marten Ivo Klaver 23 Reporting the Death of Charles Kingsley: The Early Biographical Reaction in Newspapers and Magazines Luca Renzi 39 A proposito di alcuni scrittori dell’Alto Adige e non: Joseph Zoderer, Sabine Gruber, Francesca Melandri Andrea Carnevali 57 Dialogo intorno alle immagini di Bruno Mangiaterra Angela Daiana Langone 83 Brevi riflessioni sull’uso della letteratura nella didattica della lingua araba Linguæ & – 2/2018 http://www.ledonline.it/linguae/ - Online ISSN 1724-8698 - Print ISSN 2281-8952 5 Cristina Solimando 99 Web-Arabic as Lingua Franca (WALF): Variation and Standard in Teaching Arabic as Foreign Language (TAFL) Francesco Saverio Sani 113 Va in scena il crack finanziario. La crisi economica del 2008 nella drammaturgia inglese e italiana Cristina Pezzolesi 133 Polifonia, uso ironico del linguaggio e ‘poetica della relazione’ nella poesia di Benjamin Zephaniah RECENSIONI 153 In base alla classificazione dell’ANVUR,Linguæ & è collocata nella classe A per tutti i settori dell’Area 10. Questo fascicolo di Linguæ & è finanziato con fondi di docenti afferenti al Dipartimento di Scienze della Comunicazione, Studi Umanistici e Internazionali, dell’Università degli Studi di Urbino Carlo Bo. Linguæ & – 2/2018 http://www.ledonline.it/linguae/ - Online ISSN 1724-8698 - Print ISSN 2281-8952 6 Jan Marten Ivo Klaver Università degli Studi di Urbino Carlo Bo Reporting the Death of Charles Kingsley: The Early Biographical Reaction in Newspapers and Magazines * DOI: https:doi.org/10.7358/ling-2018-002-klav [email protected] Charles Kingsley was a man eminently worthy of a biography. -
Downloaded from Pubfactory at 09/26/2021 08:05:38AM Via Free Access 296 Verleger Als Vermittler Von Lesekultur
4 Verleger als Vermittler von Lesekultur Ausgangspunkt für den zweiten Teil der vorliegenden Studie sind die rekonstru- ierten Lesebiographien der Verleger. Wie Frank Swinnerton betonte, erforderte die Verlegertätigkeit ein gewisses Maß an literacy. Die Verleger der Fallstudien haben sich in ihren Autobiographien als kompetente Leser dargestellt, die über unterschiedliche Leseerfahrungen verfügten. Sie haben prägende Leseerlebnisse und Ansprüche präsentiert, die im Zusammenhang mit ihrer beruflichen Ent- wicklung standen. Im Folgenden wird der Entwicklung der Verleger Rechnung getragen und ihr Einfluss auf die Herausbildung eines distinkten Verlagspro- grammes resultierend aus der persönlichen Einstellung zu Buch und Lesen, auch unter Berücksichtigung der eigenen Autorentätigkeit, herausgearbeitet. 4.1 Die Chambers-Brüder: „Publishers for the People“ Zentrale Aspekte der Lesesozialisation von William und Robert Chambers lassen sich auch in ihrem beruflichen Werdegang nachvollziehen.Self-reliance und self- improvement sowie der gesellschaftlich begründete Anspruch, über Kultur und Bildung den Anschluss an die Mittelschicht halten zu können, fanden ebenso Ausdruck in ihrem Selbstverständnis wie ihr pragmatisches Nützlichkeitsprinzip und spiegelten sich in der eigenen Autorentätigkeit und im Verlagsprofil wider. Auch wenn die Brüder in einer gemeinsamen Fallstudie betrachtet werden, so ist es dennoch sinnvoll, die Berufswahl von William und Robert Chambers zunächst getrennt darzustellen. 4.1.1 Die Berufsfindung der Chambers-Brüder 4.1.1.1 William Chambers: „What would I be?“ Die berufliche Entwicklung der Brüder war eng mit der wirtschaftlichen Situa- tion der Familie verknüpft. Mit dem Verlust der Weberei 1812, den wechselnden Anstellungen des Vaters und schließlich dessen Arbeitsunfähigkeit 1816 wurde es notwendig den ältesten Sohn William in eine Ausbildung zu schicken, die ihm ein finanzielles Auskommen bot und auch zum Familieneinkommen beitrug. -
Notes Notes to Pages 17 to 20
NOTES NOTES TO PAGES 17 TO 20 ABBREVIATIONS USED IN NOTES Adams: personal collection of Mr Frederick B. Adams, Jr. DCM: Dorset County Museum, Dorchester, Dorset. Personal Writings: Harold Orel, ed., Thomas Hardy's Personal Writ ings (Lawrence, Kansas, 1966) Purdy: Richard Little Purdy, Thomas Hardy: A Biblio graphical Study (London, 1954, 1968) Purdy colI. : personal collection of Professor Richard L. Purdy. PRELUDE The Poor Man and the Lady I. Q!totations in this paragraph from Early Life, p. 41. 2. Chambers's Journal, March 18, 1865, [161]; repr. Personal Writings, P·159· 3· Early Life, p. 75· 4. Simon NowelI-Smith, ed., Letters to Macmillan (London, 1967), pp. [129]-130. 5. W. R. Rutland, Thomas Hardy: A Study ofHis Writings and Their Background (Oxford, 1938; reissued, New York, 1962), pp. 114-133. 6. Charles Morgan, The House of Macmi//an (I843-I943) (London, 1943), pp. 87-88. 7. Purdy, p. 276. 8. Q!toted Purdy, p. 275. 9. The case is, however, grossly overstated by Carl J. Weber in the introduction to his edition of Indiscretion (Baltimore, 1935; re issued, New York, 1965), pp. 1-20: cf. S. Niemeier, 'Indiscretion and The Poor Man' (unpublished M.A. thesis, Univ. of Toronto, [1944])· 10. Morgan, The House ofMacmillan, pp. 88,88-89. II. Morgan, pp. 88, 89. 12. Morgan, p. 90. NOTES TO PAGES 21 TO 34 13. Tinsleys' Magazine, 11 (December 1872), 496-497. Since the rele vant portion of the manuscript of A Pair ofBlue Eyes (Berg Collec tion, New York Public Library) is unfortunately missing, it is impossible to look for physical evidence of the incorporation of material from an earlier manuscript. -
The Editor, the Preface, and the Eighteenth-Century Edition: A
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2009 The ditE or, the Preface, and the Eighteenth- Century Edition: A Critical Bibliographic Study Jessica Jost-Costanzo Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Jost-Costanzo, J. (2009). The dE itor, the Preface, and the Eighteenth-Century Edition: A Critical Bibliographic Study (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/715 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. THE EDITOR, THE PREFACE, AND THE EIGHTEENTH-CENTURY EDITION: A CRITICAL BIBLIOGRAPHIC STUDY A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Jessica M. Jost-Costanzo December 2009 Copyright by Jessica M. Jost-Costanzo 2009 iii THE EDITOR, THE PREFACE, AND THE EIGHTEENTH-CENTURY EDITION: A CRITICAL BIBLIOGRAPHIC STUDY By Jessica M. Jost-Costanzo Approved November 18, 2009 ______________________________ ______________________________ Dr. Susan Kubica Howard Dr. Laura Engel Associate Professor of English Assistant Professor of English (Dissertation Director) (First Reader) ______________________________ Dr. Anne Brannen Associate Professor of English (Second Reader) ______________________________ ______________________________ Dr. Christopher M. Duncan Dr. Magali Cornier Michael Dean, McAnulty Graduate School Chair, Department of English Associate Professor of English iv ABSTRACT THE EDITOR, THE PREFACE, AND THE EIGHTEENTH-CENTURY EDITION: A CRITICAL BIBLIOGRAPHIC STUDY By Jessica M. -
GILBERT and SULLIVAN PAMPHLETS† Number Two
1 GILBERT AND SULLIVAN PAMPHLETS † Number Two CURTAIN RAISERS A Compilation by Michael Walters and George Low First published October 1990 Slightly revised edition May 1996 Reprinted May 1998. Reformatted and repaginated, but not otherwise altered. INTRODUCTION Very little information is available on the non Gilbert and Sullivan curtain raisers and other companion pieces used at the Savoy and by the D’Oyly Carte Opera Company on tour in their early years. Rollins and Witts give a brief list at the back of their compilation, and there are passing references to some of the pieces by Adair-Fitz- gerald and others. This pamphlet is intended to give some more data which may be of use and interest to the G&S fraternity. It is not intended to be the last word on the subject, but rather the first, and it is hoped that it will provoke further investigation. Perhaps it may inspire others to make exhaustive searches in libraries for the missing scores and libretti. Sources: Cyril Rollins & R. John Witts: 1962. The D’Oyly Carte Opera Company in Gilbert and Sullivan Operas. Cyril Rollins & R. John Witts: 1971. The D’Oyly Carte Opera Company in Gilbert and Sullivan Operas. Second Supplement. Privately printed. p. 19. J.P. Wearing: 1976. The London Stage, 1890-1899. 2 vols. J.P. Wearing: 1981. The London Stage, 1900-1909. 2 vols. Allardyce Nicoll: A History of English Drama 1660-1900, vol. 5. (1959) Late Nineteenth Century Drama 1850-1900. Kurt Ganzl: 1986. The British Musical Theatre. 2 vols. S.J. Adair-Fitzgerald: 1924. -
London Musicals 1920-1924.Pub
1920 1 MEDORAH London run: Alhambra, January 22 nd – March 13 th (60 performances) Music: Vada Ennem Book & Lyrics Denn Spranklin English adaptation: Rupert Hazell English lyrics : Adrian Ross Additional numbers : John Ansell Director: E. Dagnell Choreographer: Will Bishop Musical Director : John Anstell Cast: Leo Stormont ( Sultan), Ada Reeve (Medorah), W.S. Percy ( Dadoolah), Jamieson Dodds (Vernon Grant ), Leslie Stiles ( Ambassador Manston), Margaret Campbell ( Mrs Manston) Songs: Tomorrow’s Another Day, There’s Always a Drawback, Like a Dream. Wonderful Joy, Hope Again, Love and My Soul Alone Story: In Caravanistan beauty is measured in physical bulk, the heavier the better. The Sultan’s eldest daughter, Medorah, is thin, too thin to be an eligible bride. Chancellor Dadoolah suggests she is sent to America for the purposes of putting on weight – a suggestion that delights her because she has fallen in love with Vernon Grant, the man who accompanied the American ambassador and his wife to a reception in the Sultan’s palace. They meet again in Washington, and when she is summoned back to Caravanistan , Vernon secretly follows. Meantime, after various adventures, Vernon is captured and forced to work as a slave in the Sultan’s household. With no hope of marrying his underweight daughter to a prince, the Sultan condemns her to marry his new slave – and thus Medorah and Vernon are happily united. Notes: The original publicity declared that “Medorah” was jointly produced by Mr. Bernard J. Hishin and Sir Oswald Stoll, but within a week of opening, the show was subject to a legal dispute in the Court of Chancery, with Violet Melnotte claiming (and winning) half-ownership in the copyright of the English version of this Dutch original. -
Thomas-Hardy-A-Biography-Revisited-Pdfdrivecom-45251581745719.Pdf
THOMAS HARDY This page intentionally left blank THOMAS HARDY MICHAEL MILLGATE 1 3 Great Clarendon Street, Oxford 2 6 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Michael Millgate 2004 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2004 First published in paperback 2006 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data applied for Typeset by Regent Typesetting, London Printed in Great Britain on acid-free paper by Antony Rowe, Chippenham ISBN 0–19–927565–3 978–0–19–927565–6 ISBN 0–19–927566–1 (Pbk.) 978–0–19–927566–3 (Pbk.) 13579108642 To R.L.P. -
Maurice Farkoa Was Born on 23 April 1864 at Smyrna, Turkey, the Son Of
Maurice Farkoa Maurice Farkoa was born on 23 April 1864 at Smyrna, Turkey, the son of a French father and an English mother, his maternal grandfather being Sir Robert Wilkinson, the local English consul. After varied succes in his youth, including singing at private functions (at which he has always welcome throughout the remainder of his life). Farkoa was selected by George Edwardes to fulfil the part of Carbonnet in An Artist’s Model (Daly’s, London, 2 February 1895 ; transferred to the Lyric, London, 28 May 1895), during the run of which his songs included ‘Le Fou Rire’ (which he first recorded for Berliner in Washington DC in 1896, and again in London in 1898, 1899 and 1905 ; see below) and Leslie Stuart’s ‘Triby Will Be True’. The latter was written in the wake of the craze after the publication of George Du Maurier’s successful novel of that name. Farkoa reprised the part when An Artist’s Model was produced at the Broadway Theatre, New York, on 23 December 1895, following by a short tour. ‘London, February 9 (1895) - … Owen Hall’s new play, An Artist’s Model, was produced on Saturday night last at Daly’s theater. For this production, as already cabled, George Edwardes gathered together the strongest cast ever seen in a similar production, including Marie tempest, Lottie Venne, Lettie Lind, Leonara Braham, the original Patience of Gilbert & Sullivan’s opera of that name ; Marie Studholme, Hayden Coffin, William Blakeley, Eric Lewis and others and the prettiest and most celebrated choristers in London… ‘A capital succes was earned by Maurice Farkoa, a well known society entertainer, but a newcomer on the London stage, who is under a two years’ engagement to Mr Edwardes. -
Dramatic Opinions and Essays with an Apology by Bernard Shaw
DRAMATIC OPINIONS AND ESSAYS WITH AN APOLOGY BY BERNARD SHAW CONTAINING AS WELL A WORD ON THE DRAMATIC OPINIONS AND ESSAYS OF BERNARD SHAW BY JAMES HUNEKER VOLUME ONE NEW YORK: BRENTANO‟S, MCMXXII CONTENTS A Word on the Dramatic Opinions and Essays of Bernard Shaw by James Huneker The Author‟s Apology by Bernard Shaw Slaves of the Ring Two New Plays King Arthur Poor Shakespeare! An Old New Play and a New Old One Mr. Pinero‟s New Play The Independent Theatre Repents L‟Œuvre At the Theatres Two Bad Plays Spanish Tragedy and English Farce Mr. Irving Takes Paregoric The Two Latest Comedies A New Lady Macbeth and a News Mrs. Ebbsmith Sardoodledom Two Plays Duse and Bernhardt La Princesse Lointaine Mr. Daly Fossilizes Poor Shakespeare! Toujours Daly The Season‟s Moral 2 Romeo and Juliet Pinero As He Is Acted The Chili Widow More Masterpieces The New Magdalen and the Old Trilby and “L‟Ami des Femmes” The Case for the Critic-Dramatist Manxsome and Traditional The Divided Way Told You So The Old Acting and the New Mr. John Hare One of the Worst New Year Dramas Plays of the Week Michael and His Lost Angel Church and the Stage Dear Harp of My Country! The Tailor and the Stage Two Plays Pinero and Grundy on G.B.S. The Return of Mrs. Pat Boiled Heroine Mary Anderson 3 Nietzsche in English Two Easter Pieces Punch and Judy Again The Immortal William The Farcical Comedy Outbreak Henry IV Resurrection Pie G.B.S. on Clement Stone 4 A WORD ON THE DRAMATIC OPINIONS AND ESSAYS OF BERNARD SHAW BY JAMES HUNEKER THIS book is composed of selections from the dra- matic criticisms of Bernard Shaw, which ap- peared in the London Saturday Review, begin- ning January 5th, 1895, and ending May 21st, 1898— a notable period in the history of that journal, for it inaugurated the regime of Frank Harris, and the ad- vent of such brilliant writers as Shaw, Harris, MacColl, Runciman, Cunninghame Graham, and other distin- guished spirits. -
The International Scientific Series and the Communication of Darwinism∗
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Apollo Journal of Cambridge Studies 27 The International Scientific Series and the Communication of ∗ Darwinism Bernard LIGHTMAN York University Abstract: In this paper I examine whether or not the International Scientific Series (ISS) disseminated Darwinian views of the relationship between science and religion throughout its existence as a unique experiment in publishing. Initially, the key players were Thomas Henry Huxley, John Tyndall, Herbert Spencer, and Edward Youmans, all evolutionary naturalists, and they shared a complex perspective on the relationship between science and religion. Although the ISS began as a publishing project devoted to the dissemination of evolutionary naturalism, I will argue that by the early 1880’s a new course had been set when the original founders of the series were no longer in control. Key Words: Darwinism, evolutionary naturalism, International Scientific Series ∗ This article is based on a paper first delivered at the conference “Darwin in Communication,” held at Peking University, August 26th-28th, 2010. The author is indebted to Professor Michael Collie for providing information on the International Scientific Series. The author would also like to express his appreciation to the University of Chicago Press for allowing him to draw on material from his Victorian Popularizers of Science from chapters 2 and 7, © 2007 by The Universtiy of Chicago. All rights reserved. Volume 5, No. 4 28 1. INTRODUCTION Over three decades ago, historians gauged Darwin’s impact on the relationship between science and religion by pointing to the popularity of John William Draper’s History of the Conflict Between Religion and Science (1874). -
The Walls of Jericho; a Play in Four Acts
BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND THE GIFT OF Iti^nvg M. Sage X891 i,3A^.0A: -.. /s/i;g.a._ Library Cornell University PR6037.U92MV21906 a pla;{^inJou^^ The wans of Jericho; The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013228220 THE WALLS OF JERICHO3 THE WALLS OF JERICHO a ipias in ifour Hcts ALFRED SUTRO Copyright, 1906, by Samuel French London New York ' SAMUEL FRENCH, Ltd. SAMUEL FRENCH 26 Southampton Street PUBLISHER STRAND, LONDON 26 WEST 22D STREET E-.V.a A,^(ii>ifl'?.^ (fl TO Brtbur asourcbier an& Diolet IDanbrugb. The following is a copy of the original Bill THE GARRICK THEATRE Lessee and Manager, Hr. ARTHUR BOURCHIER. On Monday, the 31st of October, 1904, cincl every evening following. A Play in Four Acts, by ALFRED SUTRO ENTITLED THE WALLS OF JERICHO Jack Frobisher Mr. Arthur Bourohier. Hankey Bannister Mr. Sydney Valentine. The Marquis of Steventon Mr. O. B. Olsirence. Lord Drayton Mr. David Domville. Harry Dallas Mr. H. Nye Chart. Bertram Hannaford Mr. J. B. Booth. The Hon. Wilfred Renton Mr. Walter Pearce. Lord Marchmont Mr. Stuart Denison. The Hon. Jasper Twelvetkees. Mr. F. Cecil. Peters Mr. F. G. Knott. SmPSON Mr. Alfred B. Allen. Footmen Mr. Harrison Carter and Mr. D. Imbert. Lady Westerby, Dallas' sister. Miss Kate Sergeantson. Miss Mornington Miss Elfrida Clement. The Duchess of Skye Miss Lena HalliJay. Lady Parchester Miss Mary Tenant. Miss Wyatt Miss June Van Buskirk. -
Autobiography in Rousseau and William Godwin Gary Kelly
Document generated on 09/27/2021 4:24 p.m. Man and Nature L'homme et la nature "The Romance of Real Life": Autobiography in Rousseau and William Godwin Gary Kelly Volume 1, 1982 URI: https://id.erudit.org/iderudit/1011794ar DOI: https://doi.org/10.7202/1011794ar See table of contents Publisher(s) Canadian Society for Eighteenth-Century Studies / Société canadienne d'étude du dix-huitième siècle ISSN 0824-3298 (print) 1927-8810 (digital) Explore this journal Cite this article Kelly, G. (1982). "The Romance of Real Life": Autobiography in Rousseau and William Godwin. Man and Nature / L'homme et la nature, 1, 93–101. https://doi.org/10.7202/1011794ar Copyright © Canadian Society for Eighteenth-Century Studies / Société This document is protected by copyright law. Use of the services of Érudit canadienne d'étude du dix-huitième siècle, 1982 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 9. "The Romance of Real Life": Autobiography in Rousseau and William Godwin To readers in late eighteenth-century England there were two Rousseaus, Rousseau the political and moral philosopher, author of the Discourses, the Social Contract, and Emile, and Rousseau the man and legend, author of Julie, the Rêveries, the Dialogues, and the Confessions.1 Those who were seeking rational solutions to the problems of human nature and society found in the "political" Rousseau new but often "paradoxical" insights into man's individual and social existence; while those in increasing numbers who believed that reason could be at best but a feeble and unreliable guide found in the "autobiographical" Rousseau new and exciting prospects for the sympathetic reconciliation of individual man with nature, his fellow men, and himself.