The Walls of Jericho; a Play in Four Acts
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Shakespeare, Madness, and Music
45 09_294_01_Front.qxd 6/18/09 10:03 AM Page i Shakespeare, Madness, and Music Scoring Insanity in Cinematic Adaptations Kendra Preston Leonard THE SCARECROW PRESS, INC. Lanham • Toronto • Plymouth, UK 2009 46 09_294_01_Front.qxd 6/18/09 10:03 AM Page ii Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2009 by Kendra Preston Leonard All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Leonard, Kendra Preston. Shakespeare, madness, and music : scoring insanity in cinematic adaptations, 2009. p. cm. Includes bibliographical references and index. ISBN 978-0-8108-6946-2 (pbk. : alk. paper) — ISBN 978-0-8108-6958-5 (ebook) 1. Shakespeare, William, 1564–1616—Film and video adaptations. 2. Mental illness in motion pictures. 3. Mental illness in literature. I. Title. ML80.S5.L43 2009 781.5'42—dc22 2009014208 ™ ϱ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed -
Dramatic Opinions and Essays with an Apology by Bernard Shaw
DRAMATIC OPINIONS AND ESSAYS WITH AN APOLOGY BY BERNARD SHAW CONTAINING AS WELL A WORD ON THE DRAMATIC OPINIONS AND ESSAYS OF BERNARD SHAW BY JAMES HUNEKER VOLUME ONE NEW YORK: BRENTANO‟S, MCMXXII CONTENTS A Word on the Dramatic Opinions and Essays of Bernard Shaw by James Huneker The Author‟s Apology by Bernard Shaw Slaves of the Ring Two New Plays King Arthur Poor Shakespeare! An Old New Play and a New Old One Mr. Pinero‟s New Play The Independent Theatre Repents L‟Œuvre At the Theatres Two Bad Plays Spanish Tragedy and English Farce Mr. Irving Takes Paregoric The Two Latest Comedies A New Lady Macbeth and a News Mrs. Ebbsmith Sardoodledom Two Plays Duse and Bernhardt La Princesse Lointaine Mr. Daly Fossilizes Poor Shakespeare! Toujours Daly The Season‟s Moral 2 Romeo and Juliet Pinero As He Is Acted The Chili Widow More Masterpieces The New Magdalen and the Old Trilby and “L‟Ami des Femmes” The Case for the Critic-Dramatist Manxsome and Traditional The Divided Way Told You So The Old Acting and the New Mr. John Hare One of the Worst New Year Dramas Plays of the Week Michael and His Lost Angel Church and the Stage Dear Harp of My Country! The Tailor and the Stage Two Plays Pinero and Grundy on G.B.S. The Return of Mrs. Pat Boiled Heroine Mary Anderson 3 Nietzsche in English Two Easter Pieces Punch and Judy Again The Immortal William The Farcical Comedy Outbreak Henry IV Resurrection Pie G.B.S. on Clement Stone 4 A WORD ON THE DRAMATIC OPINIONS AND ESSAYS OF BERNARD SHAW BY JAMES HUNEKER THIS book is composed of selections from the dra- matic criticisms of Bernard Shaw, which ap- peared in the London Saturday Review, begin- ning January 5th, 1895, and ending May 21st, 1898— a notable period in the history of that journal, for it inaugurated the regime of Frank Harris, and the ad- vent of such brilliant writers as Shaw, Harris, MacColl, Runciman, Cunninghame Graham, and other distin- guished spirits. -
University Miaonlms International
INFORMATION TO USERS Tins reproduction was made from a copy o f a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality o f the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “ target" for pages apparently lacking from the document photographed is “ Missing Pagc(s)". If it was possible to obtain the missing pagc(s) or section, they arc spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication o f either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image o f the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part o f the material being photographed, a definite method o f “ sectioning" the material has been followed. It is customary to begin filming at the upper left hand comer o f a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again-beginning below the first row and continuing on until complete. -
Fashion Behind the Footlights: the Influence of Stage
FASHION BEHIND THE FOOTLIGHTS: THE INFLUENCE OF STAGE COSTUMES ON WOMEN'S FASHIONS IN ENGLAND FROM 1878-1914 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Karen Adele Recklies, B.A., M.A. * * * * * The Ohio State University 1982 Reading Committee: Approved By Alan Woods George Crepeau Firman Brown, Jr. Advisor Department of Theatre Copyright Karen Adele Recklies 1982 I I I l I ~ ACKNOWLEDGMENTS I would like to thank the following, people for their help in preparing the dissertation: my advisor Alan Woods, George Crepeau, Firman Brown, Jr., Mary Millican, and my husband Don for his preparation of the illustrations. ii VITA 1971 ...................... B.A., Kent State University, Kent, Ohio 1971-72................... Teaching Assistant, Department of Theatre, Kent State Univer sity, Kent, Ohio 1974 ............... M.A., Kent State University, Kent, Ohio 1976-80 ................. Graduate Teaching Associate, Graduate Administrative Associ ate, Department of Theatre, The Ohio State University, Columbus, Ohio 1981-82 ................. Graduate Administrative Associ ate, Center for Medieval and Renaissance Studies, The Ohio State University, Columbus, Ohio PUBLICATIONS AND PRESENTATIONS "Lillie Langtry's Stage Costumes: Examples of Contemporary Fashions in England and America, 1895-1900." Part of the Competitive Costume Panel at the American Theatre Association National Convention, August 1981. "Lillie Langtry's Stage Costumes: Examples of Contemporary Fashions in England and America, 1895-1900." Accepted for publication in Theatre Studies. FIELDS OF STUDY Major Field; Theatre Studies in Costume Design and Costume History. Professor Michelle Guillot Studies in Literature and Criticism. Professor John Morrow Studies in History. -
Forty Years on the Stage ; Others (Principally) and Myself
1 • UV L ^ ' Jturvfo^^ 7^ &L ebi Cb^^ * A^- flur* ,-Ox^ccyxcw lC (J, el' T9_ .c* o VCSS J FORTY YEARS ON THE STAGE OTHERS {PRINCIPALLY) JND MYSELF [Frontispiece 3. II. HAKNKS ( I S74) FORTY YEARS ON THE STAGE OTHERS {PRINCIPALLY) AND MYSELF BY J. H. BARNES LONDON CHAPMAN AND HALL, Ltd. 1914 Richard Ci.ay tz Sons, Limited, RRCNBWICK STREET, STAMFORD STREET «. E. AND BDNOAT. SUFFOLK. LIST OF ILLUSTRATIONS To fact 'page J. H. BARNES (1874) Frontispiece JOHN BARNES OF WATLINGTON (OXON) 3 J. C. M. BELLEW .... 5 AUGUSTUS HARRIS THE ELDER (STAGE MANAGER, COVENT GARDEN OPERA) ..... 12 MISS ADELAIDE NEILSON .... 19 WILLIAM TERRISS (1872) .... 19 MRS. WYNDHAM AND R. H. WYNDHAM (OF EDINBURGH) 28 MRS. SCOTT SIDDONS 31 H. J. (HARRY) MONTAGUE 33 CHARLES MATHEWS 33 THE ORIGINAL CAST OF " THE AMERICAN LADY " WITH WHICH THE CRITERION OPENED, 1874 40 J. H. BARNES AS CLAUDIO (" MEASURE FOR MEASURE") 56 SAMUEL PHELPS 67 SALVINI .... 79 J. H. BARNES AS SERJEANT TROY (" FAR FROM THE MADDING CROWD ") 134 MADAME RISTORI . 136 J. H. BARNES AS INGOMAR 145 MISS MARY ANDERSON AS GALATEA 146 J. H. BARNES AS PYGMALION . 147 VI LIST OF ILLUSTRATIONS • J. M. BARNES IN "A PRISONER FOB 1.UT." . 150 FRED ARCHES (1885) ...... 158 CHARLES ii. E, BROOKFIELD as TRIPLET . 155 KR8. JOHN DREW AS MRS. KALAPROP . 190 I'.nniN BOOTH ....... 193 J. 11. BARNES AS MICHAEL DENNIS (" HER ADVOCATE ") 205 J. II. BARNES AS HINDERS (" PROFESSOR'S LOVE STORY ") 20G J. II. BARNES AS W.M.. DRURY LANE LODGE, NO. 2127, i.a.m 244 J. -
Xerox University Microfilms
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The Story of My Life by Ellen Terry</H1>
The Story of My Life by Ellen Terry The Story of My Life by Ellen Terry Produced by Suzanne Shell, Linda Cantoni and PG Distributed Proofreaders [Illustration: Ellen Terry drawn from photographs by Albert Sterner] THE STORY OF MY LIFE RECOLLECTIONS AND REFLECTIONS BY ELLEN TERRY [Illustration] page 1 / 522 ILLUSTRATED NEW YORK DOUBLEDAY, PAGE & CO. MCMIX _1908, The McClure Company_ 1907, 1908, The S.S. McClure Company 1907, 1908, Ellen Terry TO EDY CONTENTS INTRODUCTION page 2 / 522 I. A CHILD OF THE STAGE, 1848-56 The Charles Keans, 1856 Training in Shakespeare, 1856-59 II. ON THE ROAD, 1859-61 Life in a Stock Company, 1862-63 1864 III. ROSSETTI, BERNHARDT, IRVING, 1865-67 My First Impressions of Henry Irving IV. A SIX-YEAR VACATION, 1868-74 V. THE ACTRESS AND THE PLAYWRIGHT, 1874. Portia, 1875 Tom Taylor and Lavender Sweep VI. A YEAR WITH THE BANCROFTS VII. EARLY DAYS AT THE LYCEUM VIII. WORK AT THE LYCEUM IX. LYCEUM PRODUCTIONS page 3 / 522 X. LYCEUM PRODUCTIONS (_continued_) XI. AMERICA: THE FIRST OF EIGHT TOURS What Constitutes Charm XII. SOME LIKES AND DISLIKES XIII. THE MACBETH PERIOD XIV. LAST DAYS AT THE LYCEUM My Stage Jubilee Apologia The Death of Henry Irving Alfred Gilbert and others "Beefsteak" Guests at the Lyceum Bits From My Diary INDEX LIST OF ILLUSTRATIONS Ellen Terry page 4 / 522 Mr. and Mrs. Benjamin Terry Charles Kean and Ellen Terry in 1856 Ellen Terry in 1856 Ellen Terry at Sixteen "The Sisters" (Kate and Ellen Terry) Ellen Terry at Seventeen George Frederick Watts, R.A. -
Linley Sambourne's Diary 1902
LINLEY SAMBOURNE'S DIARY 1902 Loose sheets inside front cover: Score card for shoot as Easton Park Notes made at Easton Park, Wickham Market Notes made at Apethorp Hall, Wansford. Notes and addresses on preliminary pages: Store Ticket for 1902: 89162 Miss M.M.Dangerfield, Bars Kimming, Mauchline, Ayrshire. Army & Navy Stores, Managing Director, W.Pheysey Esq. Bylaugh Park Shoot, Nov 99, Jany 1901. Athenaeum Secretary, Henry R.Tedder. G.D.Armour, Etchilhampton House, Devizes. A.Bellini's, Hanover Hotel & Restaurant, 6 & 8 Mill Street, W. Day, Lehmann Schipperke. Maurice de Bonvoisin, 53 Rue Pierre Charron. Sir Benjamin Baker, Bowden Green, Pangbourne, Berks. Camera Club. Secy, M.Cromack. L.R.Gotz, 215 Shaftesbury Avenue, W.C. Easton Park Shoot, Jany '97, Oct '97, Jany '00, Jany '02. George Grossmith's Secy, Cecil Breton Esquire. Earls Court Exhibition, Gordon Hunter Esquire. Motor Car. Wolff's. Societé Anonyma des Automobiles. Peugeut. Lille (Nord). Constuction Breveté, S.C.D.G. No 1339. Agent, Friswell, 48 Holborn Viaduct. P.Meagher, 172 Pentonville road, W.C. Cap'n Adrian Jones, 147 Church Street, Chelsea, S.W. Lamb Hotel, Ely. Frank Moyes, P. McIlvaine, Clarence W. 32 Portland Place, W. P.Meagher, 299 Goldhawk Road W. B.Morris. 'The Citizen', 15 Copthall Avenue, E.C. William Spooner, 379 in the Strand, W.C. L.Raven Hill, Battle House, Bromham, Nr Chippenham, Wilts. John I.Thorneycroft & Co, Church Wharf, Chiswick. Thorneycroft, Donaldson Esq, 19 West Cliff Road, Ramsgate. Stace, 46 Carminia Road, Bedford Hill, Balham, S.W. Taxes. Late Mr Fisher. George Howe, Office of Surveyor of Taxes, Wrights Lane. -
W. Graham Robertson Papers: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/tf4290033c No online items W. Graham Robertson Papers: Finding Aid Processed by Jean f. Preston in February 1976; supplementary encoding and revision supplied by Xiuzhi Zhou and Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org © 2000 The Huntington Library. All rights reserved. W. Graham Robertson Papers: mssWR 1-707 1 Finding Aid Overview of the Collection Title: W. Graham Robertson Papers Dates (inclusive): 1875-1948 Collection Number: mssWR 1-707 Creator: Robertson, W. Graham (Walford Graham), 1866-1948. Extent: 1,606 pieces in 17 boxes and 1 envelope. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org Abstract: This collection consists of correspondence both to and from English painter and writer W. Graham Robertson (1866-1948), including letters from literary and theatrical persons and fan mail regarding his published reminiscences, Time was (1931). There are approximately 800 letters from Robertson to Kerrison Preston and also 15 notebooks and sketchbooks of Robertson's. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. -
German Influences on the British Stage, 1890-1918
THE MODERN CATALYST: GERMAN INFLUENCES ON THE BRITISH STAGE, 1890-1918 A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nicholas John Dekker, M.A. ***** The Ohio State University 2007 Doctoral Examination Committee: Approved by Dr. Thomas Postlewait, Adviser Dr. Lesley Ferris __________________________________ Adviser Dr. Joy Reilly Graduate Program in Theatre ABSTRACT This dissertation examines the role of German culture – theatre, music, opera, politics, and philosophy – as a catalyst to the modernist transformations of London theatre between 1890 and 1918. It explores the ways British theatre engaged German culture, whether by emulation, adaptation, or resistance, and focuses on four major figures in the Edwardian Theatre: J. T. Grein, William Archer, Bernard Shaw, and Harley Granville Barker. Impresario J. T. Grein (1862-1935) established German theatre companies in London to introduce British theatre to the works of great German writers, actors, and directors. Scottish critic William Archer (1856-1924) used Germany as a model for his campaign to translate and produce the plays of Henrik Ibsen in London. He also advocated the formation of England’s National Theatre, using German examples of state- funded repertory theatres. Bernard Shaw (1856-1950) introduced English audiences to Richard Wagner’s operas, ideas, and productions. Shaw’s plays also enjoyed a rich production history in Germany through his working relationship with his translator, Siegfried Trebitsch. Director Harley Granville Barker (1877-1946) closely followed the careers of German directors Max Behrend and Max Reinhardt. In 1912 and 1914, Barker produced three of Shakespeare’s plays, The Winter’s Tale, Twelfth Night, and A Midsummer Night’s Dream, in which audiences and critics quickly noticed German ii influences. -
2 Female Networks Collecting Contacts with Gabrielle Enthoven
2 Female networks Collecting contacts with Gabrielle Enthoven Kate Dorney In her Times obituary Gabrielle Enthoven (née Romaine)1 (1868–1950) was described as an ‘archivist of the theatre’ and an amateur actor who had ‘some success as a dramatic author’.2 For Who’s Who in the Theatre she described herself as a theatre historian and dramatic author […] for many years a prominent amateur actress appearing with the Old Stagers, Windsor Strollers etc. and author of Montmartre, Alhambra 1912; Ellen Young (with Edmund Goulding), Savoy 1916; The Honeysuckle (from D’Annunzio’s play), Lyceum, New York in 1921. (Parker, 1930: 318–19) More colloquially, she was described as ‘the theatrical encyclopedia’ – initially a one-woman, one-stop shop for information on the where, when and how of theatre; by the time she died, the instigator and over- seer of the Victoria and Albert Museum’s (V&A) theatre collection.3 Persuading the museum to accept the collection was no easy task, despite Enthoven’s social and professional connections to a range of influential figures, and this chapter examines the ways in which she used her con- nections to further her work as a practitioner, collector and spokesper- son and what this can tell us about women’s influence in the theatrical sphere and in public life. It also reflects further on my motivation for excavating Enthoven from the obscurity she apparently sought. As I have discussed elsewhere, despite, or perhaps because of, her evident talents as a preserver of theatre history and as a worker for the British Red Cross’s missing persons units in the First and Second World Wars, Gabrielle Enthoven is an elusive biographical subject (Dorney, 2014a; 2014b). -
Souvenirs of the Theatre - MSS 792.09421 S729
Souvenirs of the Theatre - MSS 792.09421 S729 Souvenir given At which Name of Play, etc. & for which London Date of Principal What form does the Souvenir No. Author Performance Theatre Souvenir/Performance Actor/Actress take? Other Notes Shakespeare's Plays 1 Much Ado About Nothing Not Stated St. James 1898 ? Oldest Souvenir 2 King John 60th Consecutive Her Majesty's 13/11/1899 H. Beerbohm Tree Photos of Performance 3 Midsummer Night's 120 ? And 3rd Dream Anniversary of Opening Her Majesty's 28/04/1900 "" "" 4 Henry V Lewis Waller?, Lily 50th Performance Lyceum 20/02/1901 Hanbury 11 Photographs 5 Twelfth Night 50th Performance Her Majesty's 20/03/1901 H. B. Tree 6 Othello J. Forbes- Robertson.,Gertur Not Stated Lyric 15/12/1902 de Elliot Play and pictures of performance 7 King Richard II H.B. Tree, Oscar Scroll, in colour of all the performers 50th Performance His Majesty's 28/10/1903 Asche and copy of ? 8 The Tempest J.H. Leigh, Mrs. 50th Performance Royal Court 5/12/1903 J.H. Leigh Photos of personae and story 9 The Tempest Acting Edition for 50th Performance? His Majesty's 1904 H.B. Tree Play and photos 10 Hamlet H.B. Irving, Oscar Asche, Mrs. Tree, 4 very large photos (spoilt at edge of Stored in Map Not Stated Adelphi 23/05/1905 Lily Brayton mounting) - In map cabinet Cabinet 11 The Merchant of Venice Violet Vanbrugh, Pictures of personae and 100th Performance Garrick 11/10/1905 Arthur Bourchier Commentary 12 As You Like It Oscar Asche, Lily Leather bound book of play and 2 Autumn Season His Majesty's 7/10/1907 Brayton upper circle tickets 13 Romeo and Juliet Photos etc.