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1 Frères Daum. Nancy. France. Art Nouveau. Circa 1890 ‐ 1896

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1 Frères Daum. Nancy. France. Art Nouveau. Circa 1890 ‐ 1896 1 Frères Daum. Nancy. France. Art Nouveau. Circa 1890 ‐ 1896. Pink frosted glass jug, with acid engraved thistle leaves and flowers decoration, with black, red and gold enamelling. There is a gold painted signature on the base: Daum Nancy with the Cross of Lorraine. Origin: Purchased in Paris in the late 19th century. It has been with the same family since then. 9 x 9,5 x 4,5 cm. Estimate: 800 / 1.800 euros 2 Frères Daum. Nancy. France. Art Nouveau. Circa 1890 ‐ 1896. Small frosted glass perfume bottle, in graduated shades of whites, greens and ochres, acid engraved and with enamelled decoration of thistle flowers and leaves in greens, red and gold. Pineapple shaped stopper with delicate enamelled decoration in red, blue, black and gold, the same as on the neck. There is a gold painted signature on the base: Daum Nancy with the Cross of Lorraine. Origin: Purchased in Paris in the late 19th century. It has been with the same family since then. Height: 13,5 cm. Estimate: 800 / 1.800 euros 3 Frères Daum. Nancy. France. Art Nouveau. Circa 1890 ‐ 1896. Frosted glass sweets jar with acid engraved decoration and gold and red enamelling on a green background. Silver embossed lid with vermeil interior. There is a gold painted signature on the base: Daum Nancy with the Cross of Lorraine. Origin: Purchased in Paris in the late 19th century. It has been with the same family since then. 5,5 x 8,5 cm. Estimate: 800 / 1.800 euros 4 Frères Daum. Nancy. France. Art Nouveau. Circa 1890 ‐ 1896. Frosted, acid engraved double glass jug with enamelled thistle leaf and flower decoration in greens, red and gold. There is a gold painted signature on the base: Daum Nancy with the Cross of Lorraine. Origin: Purchased in Paris in the late 19th century. It has been with the same family since then. 14,5 x 13,5 cm. Estimate: 1.000 / 2.000 euros 5 Clément Massier (1844 ‐ 1917) Large Iridescent Glazed Earthenware Vase enamelled with green, ochre, blue and purple tones, with metallic lustre on an iridescent background. With a conical base and long tubular neck. Swarming bees decoration. Glazed signature "Clément Massier Golfe Juan" on the base. 26 x 11,5 x 11,5 cm. Estimate: 2.000 / 4.000 euros 6 Clément Massier (1844 ‐ 1917) An Iridescent Glazed Earthenware Vase, lustre glazed in green, tan and violet tones with metallic lustre on an iridescent background. Tapered body with a circular and square base, lightly coiled in the upper part. Rich decoration of seaweed on a marine background. Four small, high relief applications give the jug more of a sculptural look. Glazed signature on the base. Circa 1900. 9,5 x 8 x 8 cm. Estimate: 600 / 1.200 euros 7 Clément Massier (1844 - 1917) Small Iridescent Glazed Earthenware Vase, lustre glazed in green, copper and violet tones with metallic lustre on an iridescent background. Globe shaped. Water decoration. Glazed signature on the base. "CM Golfe Juan AM". Circa 1900. 7 x 5 x 5 cm. Estimate: 600 / 1.200 euros 8 Clément Massier (1844 - 1917) An Iridescent Glazed Earthenware Vase, lustre glazed in green, gold and violet tones with metallic lustre on an iridescent background. It has a globular base and a spindle shaped trunk, topped with two triangles on either side of the opening. Floral decoration on a meandering background. Glazed signature “Clement Massier AM" and incised "Clement massier Golfe Juan A. M.", on the base. Circa 1900. 15 x 9,5 x 9,5 cm. Estimate: 800 / 1.600 euros 9 Clément Massier (1844 - 1917) An Iridescent Glazed Earthenware Vase, lustre glazed in green and violet tones with metallic lustre on an iridescent background. Glazed signatures "Clement Massier Golfe Juan Llevi AH" on the base. Circa 1900. 14 x 9 x 9 cm. Estimate: 800 / 1.600 euros 10 Clément Massier (1844 - 1917) Large Iridescent Glazed Earthenware Vase, lustre glazed in green, gold, blue and violet tones with metallic lustre on an iridescent background. Tapered body with leaf decoration. Glazed signature "Clement Massier Golfe Juan AM" and and incised "Clement Massier Golfe Juan" on the base. Circa 1900. 22 x 12 x 12 cm. Estimate: 1.200 / 2.000 euros 11 Clément Massier (1844 - 1917) Large Iridescent Glazed Earthenware Vase lustre glazed in green, purple and violet tones with metallic lustre on an iridescent background. Cylindrical shape with thistle flower and leaf decoration. Glazed signature "CM Golfe Juan" and incised "Clement massier Golfe Juan" on the base. Circa 1900. 21 x 9 x 9 cm. Estimate: 1.200 / 2.000 euros 12 Clément Massier (1844 - 1917) Large Iridescent Glazed Earthenware Vase lustre glazed in green, ochre and violet tones with metallic lustre on an iridescent background. Wavy globular trunk and conical neck. Decoration of seaweed on a marine background. Glazed signature "CM Golfe Juan AM" and incised "Clement Massier Golfe Juan" on the base. Circa 1900. 21 x 13,5 x 13,5 cm. Estimate: 1.200 / 2.000 euros 13 Louis Comfort Tiffany (New York, 1848 - 1933) Small iridescent glass jug. Signed on the base, L. C. Tiffany and numbered G1183. 8,4 x 5,8 cm. Estimate: 300 / 450 euros 14 Iridescent wine glass. Possibly Loetz or Tiffany. Circa 1920. 10,2 x 12,5 cm. Estimate: 500 / 700 euros 15 Ludwig Moser. Karlsbad. Bohemia. Art Nouveau. Circa 1890. Small glass jug with enamelled decoration in gold, pink, greens, blues, ochres, red etc. With additional vine leaves, bunches of grapes, a beetle and a bee. Numbered on the base with its original sticker. Height: 9 cm. Estimate: 350 / 500 euros 16 Ludwig Moser. Karlsbad. Bohemia. Art Nouveau. Circa 1890. Small glass jug with enamelled decoration of bunches of flowers in gold, blues, oranges and pinks. Height: 10,2 cm. Estimate: 350 / 500 euros 17 Émile Gallé (1846 ‐ 1904) Piriform vase with acid engraved and cameo decoration of a "paysage Vosgien" (Vosges landscape) in blue, mauve and green tones on a yellow background. Signed. 20 x 11 x 9,5 cm. Estimate: 1.000 / 1.500 euros 18 Émile Gallé (1846 ‐ 1904) Glass soliflor with acid engraved and cameo decoration of fallen leaves and green flowers on a slightly mauve grey background. Signed. Height: 17 cm. Estimate: 550 / 900 euros 19 Legras. France. Art Nouveau. Circa 1900. Glass vase with acid engraved and cameo decoration of brambles in green tones on a translucent white and light green background. Signed. Three applied glass handles. 21 x 8,5 x 8,5 cm. Estimate: 700 / 1.100 euros 20 Émile Gallé (1846 ‐ 1904) Cameo glass goblet with acid engraved berry decoration on a yellow background. Signed. 5 x 11,5 cm. Estimate: 450 / 700 euros 21 Émile Gallé (1846 ‐ 1904) Small cameo glass jug with acid engraved berry decoration on an ochre and brown background. Signed. 8 x 6 cm. Estimate: 350 / 650 euros 22 Émile Gallé (1846 ‐ 1904) Cameo glass vase with acid engraved blue daisy decoration on a yellow background. Signed. 32 x 11,5 cm. Estimate: 1.200 / 1.800 euros 23 Émile Gallé (1846 ‐ 1904) Cameo glass soliflor with acid engraved decoration of orangey flowers on an opalescent green background. Signed. Height: 36,5 cm. Estimate: 1.200 / 1.800 euros 24 Émile Gallé (1846 ‐ 1904) Cameo glass vase in the shape of a diabolo with acid engraved wild flower decoration in ochre on a pinky and opalescent background, with leaves incised into the base. Signed. Height: 38 cm. Estimate: 1.200 / 2.000 euros 25 Émile Gallé (1846 ‐ 1904) Carved, walnut wood table, with a folding rectangular top inlaid with marquetry in contrasting woods and with thistle flower and leaf and Lorraine Cross decoration. Signed. 76 x 73 x 51 cm. Estimate: 1.300 / 2.200 euros 26 Salvador Dalí (Figueres, 1904 - 1989) "Necrophiliac fountain from a grand piano” or “The Surrealist Piano” and “Design to cover radiators” Magnificent pencil drawing with touches of watercolour and ink on cardboard. There is a pencil drawing on the back. The theme of the spring, as well as a spring flowing from a piano, are two recurring themes in Salvador Dalí´s work. The piano is one of the instruments that most commonly appears in Dalí´s artistic imagery. When he was young, Dalí accompanied Ramón Pichot on his excursions in a small boat, on which he took his grand piano, playing for the astonished inhabitants of Cadaqués, a small town on the Catalan coast. The old piano is kept in the loft at Dalí´s house in Portlligat. This drawing could be a sketch for the surrealist or necrophiliac piano which appears in paintings such as: "Necrophiliac Spring Flowing from a grand piano”, c. 1932; "The Mysterious Source of Harmony", c. 1932/33; "The Seven Lively Arts. The Art of the Concert", 1944, as well as "The Surealist Piano,", 1937, a charcoal drawing which Dalí did for a film project with the Marx brothers. The piano which appears is always the same, cracked, emanating water and with a decaying, corpse-like look, just as in the drawing we have here. On the back is a pencil drawing of the designs of models for covering radiators planned for the sitting room and dining room at Púbol Castle. In the bottom margin are handwritten indications in ballpoint pen, written by Gala. In our opinion, these sketches are from a later period, perhaps re-using the cardboard on which the drawing of the piano appears. Gala´s hostility towards radiators was well known. She was obsessed with disguising them or hiding them from view.
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