1
Frères Daum. Nancy. France. Art Nouveau. Circa 1890 ‐ 1896.
Pink frosted glass jug, with acid engraved thistle leaves and flowers decoration, with black, red and gold enamelling. There is a gold painted signature on the base: Daum Nancy with the Cross of Lorraine. Origin: Purchased in Paris in the late 19th century. It has been with the same family since then. 9 x 9,5 x 4,5 cm. Estimate: 800 / 1.800 euros
2
Frères Daum. Nancy. France. Art Nouveau. Circa 1890 ‐ 1896.
Small frosted glass perfume bottle, in graduated shades of whites, greens and ochres, acid engraved and with enamelled decoration of thistle flowers and leaves in greens, red and gold. Pineapple shaped stopper with delicate enamelled decoration in red, blue, black and gold, the same as on the neck. There is a gold painted signature on the base: Daum Nancy with the Cross of Lorraine. Origin: Purchased in Paris in the late 19th century. It has been with the same family since then. Height: 13,5 cm. Estimate: 800 / 1.800 euros
3
Frères Daum. Nancy. France. Art Nouveau. Circa 1890 ‐ 1896.
Frosted glass sweets jar with acid engraved decoration and gold and red enamelling on a green background. Silver embossed lid with vermeil interior. There is a gold painted signature on the base: Daum Nancy with the Cross of Lorraine. Origin: Purchased in Paris in the late 19th century. It has been with the same family since then. 5,5 x 8,5 cm. Estimate: 800 / 1.800 euros
4
Frères Daum. Nancy. France. Art Nouveau. Circa 1890 ‐ 1896.
Frosted, acid engraved double glass jug with enamelled thistle leaf and flower decoration in greens, red and gold. There is a gold painted signature on the base: Daum Nancy with the Cross of Lorraine. Origin: Purchased in Paris in the late 19th century. It has been with the same family since then. 14,5 x 13,5 cm. Estimate: 1.000 / 2.000 euros
5
Clément Massier (1844 ‐ 1917) Large Iridescent Glazed Earthenware Vase enamelled with green, ochre, blue and purple tones, with metallic lustre on an iridescent background. With a conical base and long tubular neck. Swarming bees decoration. Glazed signature "Clément Massier Golfe Juan" on the base. 26 x 11,5 x 11,5 cm. Estimate: 2.000 / 4.000 euros
6
Clément Massier (1844 ‐ 1917)
An Iridescent Glazed Earthenware Vase, lustre glazed in green, tan and violet tones with metallic lustre on an iridescent background. Tapered body with a circular and square base, lightly coiled in the upper part. Rich decoration of seaweed on a marine background. Four small, high relief applications give the jug more of a sculptural look. Glazed signature on the base. Circa 1900. 9,5 x 8 x 8 cm. Estimate: 600 / 1.200 euros
7
Clément Massier (1844 - 1917)
Small Iridescent Glazed Earthenware Vase, lustre glazed in green, copper and violet tones with metallic lustre on an iridescent background. Globe shaped. Water decoration. Glazed signature on the base. "CM Golfe Juan AM". Circa 1900. 7 x 5 x 5 cm. Estimate: 600 / 1.200 euros
8
Clément Massier (1844 - 1917)
An Iridescent Glazed Earthenware Vase, lustre glazed in green, gold and violet tones with metallic lustre on an iridescent background. It has a globular base and a spindle shaped trunk, topped with two triangles on either side of the opening. Floral decoration on a meandering background. Glazed signature “Clement Massier AM" and incised "Clement massier Golfe Juan A. M.", on the base. Circa 1900. 15 x 9,5 x 9,5 cm. Estimate: 800 / 1.600 euros
9
Clément Massier (1844 - 1917)
An Iridescent Glazed Earthenware Vase, lustre glazed in green and violet tones with metallic lustre on an iridescent background. Glazed signatures "Clement Massier Golfe Juan Llevi AH" on the base. Circa 1900. 14 x 9 x 9 cm. Estimate: 800 / 1.600 euros
10
Clément Massier (1844 - 1917)
Large Iridescent Glazed Earthenware Vase, lustre glazed in green, gold, blue and violet tones with metallic lustre on an iridescent background. Tapered body with leaf decoration. Glazed signature "Clement Massier Golfe Juan AM" and and incised "Clement Massier Golfe Juan" on the base. Circa 1900. 22 x 12 x 12 cm. Estimate: 1.200 / 2.000 euros
11
Clément Massier (1844 - 1917)
Large Iridescent Glazed Earthenware Vase lustre glazed in green, purple and violet tones with metallic lustre on an iridescent background. Cylindrical shape with thistle flower and leaf decoration. Glazed signature "CM Golfe Juan" and incised "Clement massier Golfe Juan" on the base. Circa 1900. 21 x 9 x 9 cm. Estimate: 1.200 / 2.000 euros
12
Clément Massier (1844 - 1917)
Large Iridescent Glazed Earthenware Vase lustre glazed in green, ochre and violet tones with metallic lustre on an iridescent background. Wavy globular trunk and conical neck. Decoration of seaweed on a marine background. Glazed signature "CM Golfe Juan AM" and incised "Clement Massier Golfe Juan" on the base. Circa 1900. 21 x 13,5 x 13,5 cm. Estimate: 1.200 / 2.000 euros
13
Louis Comfort Tiffany (New York, 1848 - 1933)
Small iridescent glass jug. Signed on the base, L. C. Tiffany and numbered G1183. 8,4 x 5,8 cm. Estimate: 300 / 450 euros
14
Iridescent wine glass. Possibly Loetz or Tiffany. Circa 1920.
10,2 x 12,5 cm. Estimate: 500 / 700 euros
15
Ludwig Moser. Karlsbad. Bohemia. Art Nouveau. Circa 1890.
Small glass jug with enamelled decoration in gold, pink, greens, blues, ochres, red etc. With additional vine leaves, bunches of grapes, a beetle and a bee. Numbered on the base with its original sticker. Height: 9 cm. Estimate: 350 / 500 euros
16
Ludwig Moser. Karlsbad. Bohemia. Art Nouveau. Circa 1890. Small glass jug with enamelled decoration of bunches of flowers in gold, blues, oranges and pinks. Height: 10,2 cm. Estimate: 350 / 500 euros
17
Émile Gallé (1846 ‐ 1904)
Piriform vase with acid engraved and cameo decoration of a "paysage Vosgien" (Vosges landscape) in blue, mauve and green tones on a yellow background. Signed. 20 x 11 x 9,5 cm. Estimate: 1.000 / 1.500 euros
18
Émile Gallé (1846 ‐ 1904)
Glass soliflor with acid engraved and cameo decoration of fallen leaves and green flowers on a slightly mauve grey background. Signed. Height: 17 cm. Estimate: 550 / 900 euros
19
Legras. France. Art Nouveau. Circa 1900.
Glass vase with acid engraved and cameo decoration of brambles in green tones on a translucent white and light green background. Signed. Three applied glass handles. 21 x 8,5 x 8,5 cm. Estimate: 700 / 1.100 euros
20
Émile Gallé (1846 ‐ 1904)
Cameo glass goblet with acid engraved berry decoration on a yellow background. Signed.
5 x 11,5 cm.
Estimate: 450 / 700 euros
21
Émile Gallé (1846 ‐ 1904)
Small cameo glass jug with acid engraved berry decoration on an ochre and brown background. Signed.
8 x 6 cm.
Estimate: 350 / 650 euros
22
Émile Gallé (1846 ‐ 1904)
Cameo glass vase with acid engraved blue daisy decoration on a yellow background. Signed.
32 x 11,5 cm.
Estimate: 1.200 / 1.800 euros
23
Émile Gallé (1846 ‐ 1904)
Cameo glass soliflor with acid engraved decoration of orangey flowers on an opalescent green background. Signed.
Height: 36,5 cm.
Estimate: 1.200 / 1.800 euros
24
Émile Gallé (1846 ‐ 1904)
Cameo glass vase in the shape of a diabolo with acid engraved wild flower decoration in ochre on a pinky and opalescent background, with leaves incised into the base. Signed.
Height: 38 cm.
Estimate: 1.200 / 2.000 euros
25
Émile Gallé (1846 ‐ 1904)
Carved, walnut wood table, with a folding rectangular top inlaid with marquetry in contrasting woods and with thistle flower and leaf and Lorraine Cross decoration. Signed.
76 x 73 x 51 cm.
Estimate: 1.300 / 2.200 euros
26
Salvador Dalí (Figueres, 1904 - 1989) "Necrophiliac fountain from a grand piano” or “The Surrealist Piano” and “Design to cover radiators”
Magnificent pencil drawing with touches of watercolour and ink on cardboard. There is a pencil drawing on the back. The theme of the spring, as well as a spring flowing from a piano, are two recurring themes in Salvador Dalí´s work. The piano is one of the instruments that most commonly appears in Dalí´s artistic imagery. When he was young, Dalí accompanied Ramón Pichot on his excursions in a small boat, on which he took his grand piano, playing for the astonished inhabitants of Cadaqués, a small town on the Catalan coast. The old piano is kept in the loft at Dalí´s house in Portlligat. This drawing could be a sketch for the surrealist or necrophiliac piano which appears in paintings such as: "Necrophiliac Spring Flowing from a grand piano”, c. 1932; "The Mysterious Source of Harmony", c. 1932/33; "The Seven Lively Arts. The Art of the Concert", 1944, as well as "The Surealist Piano,", 1937, a charcoal drawing which Dalí did for a film project with the Marx brothers. The piano which appears is always the same, cracked, emanating water and with a decaying, corpse-like look, just as in the drawing we have here. On the back is a pencil drawing of the designs of models for covering radiators planned for the sitting room and dining room at Púbol Castle. In the bottom margin are handwritten indications in ballpoint pen, written by Gala. In our opinion, these sketches are from a later period, perhaps re-using the cardboard on which the drawing of the piano appears. Gala´s hostility towards radiators was well known. She was obsessed with disguising them or hiding them from view. These designs by Dalí were planned to be made from wicker by a Catalan company, but finally were never produced. Origin: Directly from the family of wicker craftsmen who received the designs from Dalí himself. The daughters recently found the drawings which appear in this auction. 18 x 23 cm. Estimate: 7.000 - 9.000 euros
27
Salvador Dalí (Figueres, 1904 - 1989)
Pencil drawing of a design to cover radiators planned for the dining room at the Castle of Púbol. Origin: Directly from the family of wicker craftsmen who received the designs from Dalí himself. The daughter recently found the drawings which appear in this auction. Grouped with the previous lot. 34 x 25 cm. Estimate: 900 / 1.500 euros
28
Salvador Dalí (Figueres, 1904 - 1989)
Felt tip pen drawing on paper. Signed twice and dated in 1974. Drawn on a double page of the book "Pujols y Dalí". Published by Ariel Fundació Picasso-Raventós, Barcelona 1974. 30,4 x 47 cm. Estimate: 900 / 1.400 euros
29
Salvador Dalí (Figueres, 1904 - 1989)
Ink drawing on paper. Signed and dated in 1951. Drawn on the second page of the book "Dalí 50 secretos mágicos para pintar" (50 Secrets of Magic Craftsmanship). 30,8 x 22,2 cm. Estimate: 1.800 / 2.500 euros
30
Salvador Dalí (Figueres, 1904 - 1989)
Ballpoint pen drawing on pen. Signed and dated in 1965. Drawn on a loose sheet of the book "La Divine Cómedie". Dedicated on one of the other sides of the loose sheet. 32,5 x 26 cm. Estimate: 1.800 / 3.000 euros
31
Salvador Dalí (Figueres, 1904 - 1989)
Felt tip pen drawing on a photograph. Signed and dated in 1972. Photograph by Carlo Cisventi. On the back is Carlo Cisventi´s stamp. 29 x 23 cm. Estimate: 600 / 1.200 euros
32
Salvador Dalí (Figueres, 1904 - 1989)
Felt tip pen drawing on a photograph. Signed and dated in 1954. Photograph by Philippe Halsman. 23,5 x 17,5 cm. Estimate: 600 / 1.000 euros
33
Salvador Dalí (Figueres, 1904 - 1989)
Ballpoint pen autograph on a stamped envelope, which was created for the inauguration of the Dalí Theatre and Museum. 9,3 x 16,6 cm. Estimate: 275 / 400 euros
34
Photograph of Andy Warhol by Andrè Cromphout. Signed. 29 x 19,5 cm. Estimate: 300 / 600 euros
35
Salvador Dalí (Figueres, 1904 - 1989) "Dix recettes d'Immortalité"
Artist´s book - sculpture. Published by Audouin-Descharnes, Paris, 1973. Complete collection of 11 engravings (Eau-forte, drypoint, heliogravure, some in colors or gilt, multiples in card, metal, plastic.). The etchings on Auvergne with watermark designed by the artist.
Each of them is signed by the artist in pencil, numbered and has a notary seal. Some of them are pop-up. This copy is numbered 138 and is one of a limited edition of 210. The justification is signed in pencil by Dalí, the editors Audouin and Descharnes and the notary Jean- Louis Bichon. In its original packaging, which consists of the original paper wrapper cover with gilt title, and a methacrylate case, with a metallic telephone as a handle, with the artist's name Original locks, keys and keyring. It comes with a certificate from the Sala Gaspar gallery in Barcelona. Michler-Löpsinger 567-577; Field 73-20 58,4 x 64,8 x 10 cm.
Estimate: 9.000 / 12.000 euros
36
Salvador Dalí (Figueres, 1904 - 1989) "Christ of Saint John the Cross"
Gilded bronze sculpture. Signed and numbered 107/250. The join between the cross and the base has been restored. Height without plinth: 52 cm. Estimate: 3.000 / 4.000 euros
37
Salvador Dalí (Figueres, 1904 - 1989) "Saint Narcissus of the Flies"
Bronze sculpture. Signed and numbered 78/300. With Exmundart warranty card. 13 x 7 x 8 cm. Estimate: 650 / 900 euros
38
Raoul Dufy (Le Havre, 1877 - Forcalquier, 1953) and Llorens Artigas (Barcelona,1892 - 1980) "Woman with mantilla"
Glazed pottery. Signed and dated 9th November 1924 in Charenton le Pont. Dedicated "à Jane Mortier". On the back are the marks of the ceramic factory "Loebnitz Paris". Llorens Artigas, while he was in Paris, worked with material from Faiencerie Loebnitz. Jane Mortier was a famous pianist who was passionate about Liszt. She moved in early 20th century Parisian literary and artistic circles. There, thanks to her husband, the painter Robert Mortier, she associated with avant-garde artists and met the poet Guillaume Apollinaire, who invited them to his house in Nice several times in 1914. At the Musée des Arts Décoratifs in Paris, there is a portrait of Emilienne Dufy by Dufy and Artigas which was done on the same day as the sculpture shown here. The museum also has other artworks which the two artists collaborated on. 13,8 x 14 cm.
Estimate 12.000 / 18.000 euros
39
Esphyr Slobodkina (Chelyabinsk, Russia, 1908 ‐ New York, 2002)
Oil on canvas. Signed and dated 1932. It has been patched once on the back.
Slobodkina was an internationally renowned avant‐guarde artist in the mid‐20th century. She was born in Chelyabinsk, Russia in 1908. She emigrated with her family to Harbin, Manchuria (China), during the Russian Revolution in 1917, and studied art and architecture. Later she emigrated to the United States in 1928, where she joined the National Academy of Design. She was one of the first American artists to explore the abstract and the first to use collage in American story books. It was there that she met her husband, Ilya Bolotowsky. Both were founding members of the American Abstract Artists group. Abstract expressionism moved the world centre of the art world from Paris to New York, where it remains to this day, and Esphyr and her contemporaries were the torchbearers, establishing the abstract as a viable form of expression in America. From the 40s and 50s she mostly dedicated herself to writing and illustrating children´s stories. The best‐known of these is “Caps for Sale”
Her work appears in important collections in museums all over the USA, in the Metropolitan Museum in New York; the Smithsonian; the Philadelphia Museum of Art, the Whitney Museum in New York, the Boston and the New York Public Library. 40,5 x 50,5 cm.
Estimate: 3.000 / 8.000 euros
40
Antoni Clavé (Barcelona, 1913 - Saint Tropez, 2005) "En Capri nació un amor" (“All Men are Enemies”)
Oil, ink and collage on paper glued to canvas. Signed. 1933 -1934. Original painting to publicise the film at cinema entrances. Measurements: 156 x 108 cm. Estimate: 6.000 / 9.000 euros
41
Pere Pruna (Barcelona 1904 - 1977)
Oil on canvas. Signed and dated 1951. Measurements: 117 x 89 cm. Estimate: 6.000 / 9.000 euros
42
Eduardo Arroyo (Madrid, 1937)
Watercolour on paper. Signed and dated 1982. On the back is a gallery sticker from Editions Karl Flinter, Paris. 52 x 40 cm. Estimate: 1.200 / 2.000 euros
43
Manuel Viola (Zaragoza, 1916 - El Escorial, 1987)
Oil on hardboard. Signed. With a certificate by Ms. Encarnación Viola Iché. 100 x 80,5 cm. Estimate: 1.900 / 2.500 euros
44
Manuel Viola (Zaragoza, 1916 - El Escorial, 1987)
Oil on hardboard. Signed. With a certificate by Ms. Encarnación Viola Iché. 100 x 80,5 cm. Estimate: 1.900 / 2.500 euros
45
Albert Porta "Zush" "Evru" (Barcelona 1946 - 1997) "Casi Evru XVIII" (Almost Evru XVIII)
Mixed media on paper. Signed on the back, with the title and dated 2003. Stamped by the Joan Prats Gallery, Barcelona. 30 x 21 cm. Estimate: 2.000 / 2.500 euros
46
Albert Porta "Zush" "Evru" (Barcelona 1946 - 1997) "Ovrud a futro"
Mixed media on paper. 1992. 20 x 30 cm. Estimate: 2.000 / 2.500 euros
47
Joan Miró (Barcelona,1893 – Palma, Majorca 1983)
Small drawing and autograph on an old postcard of Casa Milà in Barcelona. 9 x 13,5 cm. Estimate: 800 / 1.000 euros
48
Josep Cusachs (Montpellier, 1851 - Barcelona, 1908)
Autograph with a dedication on a postcard of Diagonal Street in Barcelona. 9 x 13,5 cm. Estimate: 150 / 250 euros
49
Joaquin Mir Trinxet (Barcelona, 1873 -1940)
Autograph with a dedication on a postcard of Rambla de Canaletas Street in Barcelona. 9 x 13,5 cm. Estimate: 150 / 250 euros
50
Lluis Graner Arrufi (Barcelona, 1863 - 1929)
Autograph with a dedication on a postcard of Hospital Sant Pau in Barcelona. 9 x 13,5 cm. Estimate: 150 / 250 euros
51
Marceliano Santa María (Burgos, 1866- Madrid, 1952)
Autograph with a dedication on a postcard of Cuenca. 9 x 13,5 cm. Estimate: 150 / 250 euros
52
Mariano Benlliure y Gil (Valencia, 1862 - Madrid, 1947)
Autograph with a dedication on a postcard of Cordoba Cathedral. 9 x 13,5 cm. Estimate: 150 / 250 euros
53
Roberto Domingo (París, 1883 - Madrid, 1958)
Autograph with a dedication on a postcard. 9 x 13,5 cm. Estimate: 150 / 250 euros
54
Laureano Barrau (1863-1957) "La cisterna" (The Cistern) Oil on canvas. Signed and dated 1929. Small patches on the back. 220 x 167 cm. Bibliography: Catalogued in the book: "Laureà Barrau" by Isabel Coll. Published by Lunwerg Editores, Barcelona, 2003 (p. 186) 220 x 165 cm. Estimate: 25.000 / 30.000 euros
55
Segundo Matilla (Madrid, 1862 - Teià, 1937)
Oil on canvas. Signed. ??¡ x ??¡ cm. Estimate: 9.000 / 12.000 euros
56
Francesc Miralles (Valencia, 1848 - Barcelona, 1901) "En el palco" (In the loge)
Oil on canvas. Signed. With a certificated by Mr. Rafael Santos Torroella. Has been restored. 92 x 73 cm. Estimate: 9.000 / 11.000 euros
57
Domingo Gallegos (19th century) "El puerto de Valencia" (Valencia port)
Oil on canvas. Signed and dated 1859. Some restoration work. 92 x 145 cm. Estimate: 750 / 1.500 euros
58
Ricard Martí Aguiló (Barcelona, 1858 - 1936) "La vendimia" (The wine harvest)
Oil on canvas. Signed. Slightly torn. 123 x 69 cm. Estimate: 2.000 / 2.500 euros
59
Ramón Martí Alsina (Barcelona, 1826 - 1894) "Retrato de dama" (Portrait of a lady)
Oil on canvas. Signed. 23 x 18,7 cm. Estimate: 450 / 600 euros
60
Josep María Sert (Barcelona, 1874 - 1945) "Boceto para los decorados de L'Annonce faite à Marie" (Sketch for the scenery of L´Annonce faite à Marie”) by Paul Claudel, 1938. Charcoal and wash on paper stuck to board. The project did not come to fruition. ??' x ??' cm. Estimate: 3.000 / 5.000 euros
61
Josep María Sert (Barcelona, 1874 - 1945) "Boceto para los decorados de L'Annonce faite à Marie" (Sketch for the scenery of L´Annonce faite à Marie”) by Paul Claudel, 1938.
Charcoal and wash on paper stuck to board. The project did not come to fruition. ??' x ??' cm. Estimate: 3.000 / 5.000 euros
62
Joaquín Terruella Matilla (Barcelona, 1891 - 1956) "Llança - Costa Brava"
Oil on canvas. Signed. On the back is its title and it is signed and dated 1953. 54 x 65 cm. Estimate: 2.000 / 4.000 euros
63
Francesc Torrescasana (Barcelona, 1845 - 1918) "Escena campestre" (Country scene)
Oil on canvas. Signed and dated 1882. 41 x 32 cm. Estimate: 1.000 / 1.200
64
Johanna Wilhelmina Von Stein-Callenfels (The Netherlands 1831 - 1916) "Man with umbrella".
Oil on canvas. Signed and dated 1884. 43 x 31 cm. Estimate: 600 / 900 euros
65
Attributed to José María Estrada (Guadalajara, Jalisco, 1764 - ?, 1860)
Oil on canvas. Inscription on the back: "Da. Antonia de Pardo García Malavier retratada el 31 de mayo de 1853" (Mrs. Antonia de Pardo García Malavier, portrait painted on the 31st May 1853) In its original period frame. Two patches on the back. 112 x 90 cm. Estimate: 2.000 / 3.000 euros
66
Edward Ladell (1821 - 1886) "Still life"
Oil on canvas. 71 x 108 cm. Estimate: 1.800 / 2.000 euros
67
Pair of vases made of painted opaline glass and bronze. France. 19th century.
Height: 45 cm. Estimate: 100 / 300 euros
68
Gilded bronze clock. France. 19th century.
48 x 40 x 15 cm. Estimate: 250 / 600 euros
69
Bronze clock. France. 19th century.
64 x 56 x 29 cm. Estimate: 900 / 1.500 euros
70
Fan with pierced, gilded tortoiseshell sticks and painted and gilded paper leaf. France. 18th-19th century. Flaws and restoration work. Length: 47 cm. Estimate: 200 / 500 euros
71
Fan with pierced, gilded tortoiseshell sticks and paper leaf lithographed with gouache and gilding. France. 18th-19th century. There are flaws in the gilding on the sticks. The leaf has a tear. Length: 48 cm. Estimate: 200 / 500 euros
72
Fan with pierced, gilded mother-of-pearl sticks and paper leaf, lithographed and coloured. France. Late 18th century.
Some small flaws and slight restoration work. Lenght: 50 cm. Estimate: 200 / 500 euros
73
Fan with pierced, gilded and silvered mother of pearl sticks and painted paper leaf. France. 18th century. Some imperfections. Length: 50 cm. Estimate: 200 / 500 euros
74
Fan with pierced, gilded mother-of-pearl sticks and painted and gilded paper leaf. France. 18th-19th century.
Slightly restored. Length: 51 cm. Estimate: 200 / 500 euros
75
Fan with pierced, silvered ivory sticks and lithographed, illuminated and gilded leaf. France. 18th-19th century.
Slight imperfections. Length: 53 cm. Estimate: 200 / 500 euros
76
Pair of polychromed and gilded porcelain cups and saucers. Imperial porcelain manufacturer. Saint Petersburg. Nicholas I period, 1825 - 1855.
Estimate: 200 / 400 euros
77
Polychromed and gilded porcelain cup and saucer. Sèvres. France. Circa 1804.
Estimate: 100 / 200 euros
78
Pair of polychromed and gilded porcelain cups and saucers. Sèvres. France. Circa 1804. Estimate: 150 / 300 euros
79
Pair of polychromed and gilded porcelain cups and saucers. China. East India Company. Circa 1750.
Estimate: 200 / 500 euros
80
Pair of enamelled and gilded Murano glass cups and saucers. Italy. Circa 1860.
Estimate: 150 / 300 euros
81
Polychromed and gilded porcelain cup and saucer. Vienna 1898.
Estimate: 100 / 200 euros
82
Polychromed porcelain. Meissen. Late 19th century.
40 x 19 x 15 cm. Estimate: 1.000 / 2.000 euros
83
Émile Louis Picault (France, 1833 - 1915) "Le Droit prime la Force"
Bronze sculpture. Signed. Height: 53 cm. Estimate: 600 / 800 euros
84
D'après Victor Rousseau (Bélgica, 1865 ‐ 1954) "La Veillée du Forgeron"
Bronze sculpture with lamp. Signed. Circa 1900 ‐ 1910. Height: 48 cm. Estimate: 400 / 600 euros
85
Jean-Louis Gregoire (France, 1840 - 1890) "Le branle-bas" Bronze sculpture. Signed. Height: 64 cm. Estimate: 400 / 600 euros
86
Auguste Moreau (France, 1834 - 1917)
Bronze figure. Signed. Stamped “France” on the back Height: 46 cm. Estimate: 400 / 600 euros
87
Vincent Desiré Faure de Brousse (París, 1876 - 1908) "La dresseuse de chien"
Bronze sculpture. Signed. Height: 64 cm. Estimate: 800 / 1.200 euros
88
Bronze sculpture. Signed G. Demange. France. Circa 1900 ‐ 1910.
Bronze sculpture. Signed. Height: 44 cm. Estimate: 200 - 400 euros
89
Eugène Marioton (1857 - 1933) "Paysan se reposant sur la faux"
Bronze sculpture. Signed. With foundry stamp and “France”.
Height: 67 cm. Estimate: 900 / 1.800 euros
90
D'après Benvenuto Cellini. 19th century. " Perseus holding Medusa´s head”
Bronze sculpture from the grand tour period, a retake on the famous sculpture by Benvenuto Cellini at the Loggia dei Lanzi in the Piazza de la Signoria in Florence. Height: 42,5 cm. Estimate: 1.300 / 2.000 euros
Lot 90 A
D'après Guillaume Coustou the younger (Lyon, 1677 ‐ Paris 1746) "Marly Horses"
French sculptor who trained in Paris and in the French Academy in Rome. On his return to Paris in 1704 he joined the Royal Academy of Painting and Sculpture, becoming director. He worked on official commissions for large sculptures for Louis XIV His best‐known work is "Marly Horses", two marble groups, which he sculpted between 1743 and 1745 to be placed at the Marly Palace. Various smaller versions have been made in bronze since then. Signatures: Coustoy on the base. 58 x 46 x 24 cm. y 59 x 49 x 22 cm.
Estimate: 6.000 / 10.000 euros
91
Ivory miniature. Circa 1920.
Signed M. C ‐ Mons. 6,5 x 10,5 cm. Estimate: 90 / 120 euros
92
Ivory miniature. Circa 1800.
Signed Muusoni. With its original bronze frame. 10 x 8,5 cm Estimate: 275 / 350
93
Ivory miniature. Circa 1800.
With its original bronze frame. 10 x 8,5 cm Estimate: 275 / 350
94
Ivory miniature. Circa 1800. "Portrait"
Signed Smith. With its original bronze frame. 10 x 8,5 cm. Estimate: 150 / 180
95
Ivory miniature. Circa 1800. "Portrait"
With its original bronze frame. 7,5 x 11cm. Estimate: 150/180
96
Pewter centrepiece with central ivory miniature. Circa 1900.
27,5 x 19,5 cm. Estimate: 60 / 100 euros
97
Set of 5 mother of pearl cardholders with wooden interior. Late 19th century.
10,5 x 8 cm. each. Estimate: 100 / 300 euros
98
Set of 5 mother of pearl cardholders with wooden interior. Late 19th century. One has a silver lid and coat of arms, dated 1890. Measurements: four measure 10,5 x 8 cm. and one is 8,5 x 5,54 cm. Estimate: 100 / 300 euros
99
Set of four tortoiseshell cardholders, two with mother of pearl appliqués and two with silver appliqués. Early 20th century.
Measurements: two measure 10 x 8 cm. and the other two are 10,5 x 8 cm. Estimate: 100 / 300 euros
100
Set of tortoiseshell and ivory cigarette case and two cardholders, two with silver appliqués. Early 20th century. Cigarette case measurements: 11 x 7,8 cm. Cardholder measurements: 10,2 x 7,5 cm. y 9,1 x 5,7 cm. Estimate:
101
Set of four cardholders in exotic wood, with ivory, ebony and silver marquetry. Bombay, India. XIX century.
Measurements: two measure 11 x 8 cm., one is 9,5 x 7 cm. and the other is 9,3 x 6,5 cm. Estimate: 200 / 300 euros
102
Set of four cardholders in exotic wood, with ivory, ebony and silver marquetry. Bombay, India. XIX century.
Measurements: 10,5 x 7,8 cm., 10,5 x 8 cm., 9 x 6,5 cm. y 9 x 6 cm. Estimate: 200 / 300 euros
103
Cantonese china porcelain centrepiece with bronze mount. Circa 1900.
It has a hairline crack. 28 x 44 x 33 cm. Estimate: 150 / 250 euros
104
Japanese glazed pottery vase. Circa 1900.
Signatures on the base. 31 x 11 cm. Estimate: 125 / 250 euros
105
Enamelled copper hors d´oeuvres set. Oriental work. Circa 1900.
Flaws. Tray diameter: 20,5 cm. Dish measurements: 14 x 15,5 cm. each. Estimate: 90 euros
106
Pair of porcelain vases. Satsuma. Japan. Late 19th century.
With metal mount. Height: 54 cm. Estimate: 600 / 1.000 euros
107
Pair of large porcelain vases. Satsuma. Japan. Meiji period (1868 - 1912).
Height: 56 cm. Estimate: 400 / 800 euros
108
Carved wooden frame with imposing sculpted high-relief decoration. Circa 1900.
Depiction of an exotic landscape, possibly tropical, with palm trees, fern, other plants and branches with various animals. Small flaw in the upper right corner. Frame exterior measurements: 91,5 x 72 cm. Thickness: 18,5 cm. Frame interior measurements: 36,5 x 56,5 cm. Estimate: 900 / 1.400 euros
109
Polychromed calamine lectern. Art Nouveau. Circa 1900.
Marks on the base. 43 x 19 x 23 cm. Estimate: 275 / 350 euros
110
Patinated and polychromed terracotta figure. Signed Maurice Renard. France. Art Nouveau. Circa 1900.
Height: 72 cm. Estimate: 475 / 550 euros
111
Attributed to Josep Casanovas
Polychromed terracotta planter. Circa 1900. 15 x 14 x 15 cm. Estimate: 225 / 300 euros
112
Engraved and gilded glass vase with bronze mount. France. Art Nouveau. Circa 1890.
. 38 x 25 x 24 cm. Estimate: 250 / 300 euros
113
Patinated calamine figure. Art Nouveau. Circa 1900.
20 x 35 x 22 cm. Estimate: 325 / 450 euros
114
Silvered tin and carved glass planter. WMF. Art Nouveau. Circa 1900.
Marks on the base. 12,5 x 45,5 x 12 cm. Estimate: 250 / 300 euros
115
Silvered tin centrepiece. WMF. Art Nouveau. Circa 1900.
Marks on the base. 14 x 35 x 26 cm. Estimate: 275 / 350 euros
116
Large iridescent glass soliflor. Pallme-Konig. Austria. Art Nouveau. Circa 1900.
34 x 18 cm. Estimate: 275 / 350 euros
117
Polychromed stucco bust. Art Deco. Signed R. Nelson and dated 1923.
Height: 49 cm. Estimate: 425 / 500 euros
118
Gilded and stuccoed wooden frame. Art Nouveau. Circa 1900.
Exterior frame measurements: 36 x 25 cm. Estimate: 250 / 350 euros
119
Modernist pottery cache-pot. Circa 1900.
19 x 20 cm. Estimate: 180 / 250 euros
120
Alabaster sculpture. Italy. Art Nouveau. Circa 1900.
Signed. Height: 75 cm. Estimate: 2.000 / 4.000 euros
121
Patinated calamine figure. France. Art Deco. Circa 1925.
Marble base. 45 x 35 x 9,5 cm. Estimate: 325 / 450 euros
122
"Lioness". Patinated tin sculpture. France. Art Deco. Circa 1930.
Marble base. 10 x 13,5 x 6,3 cm. Estimate: 225 / 350 euros
123
René Lalique (Ay, France - 1945) "Coquilles" (Shells)
Opalescent moulded glass centrepiece. Signed R. Lalique France and numbered 23200. Bibliography : Félix Marcilhac, «René Lalique», Published by l'Amateur, Paris 1994, reference nº 3210. Reproduced on page 748. 8,5 x 24 cm. Estimate: 275 / 350 euros
124
Sculpted alabaster table lamp with opaline glass lampshade. France. Circa 1925.
Electrical. 25 x 45 x 7 cm. Estimate: 325 / 400 euros
125
Marbled glass vase. Circa 1950.
16 x 16 cm. Estimate: 50 / 90 euros
126
Enamelled bronze vase depicting lilies. Art Deco. Circa 1930.
11 x 11,5 x 3,5 cm. Estimate: 90 / 120 euros
127
Enamelled glass centrepiece. Circa 1920.
13 x 16 cm. Estimate: 60 / 100 euros
128
Folded glass centrepiece. Kosta Boda. Sweden. Circa 1970.
8 x 17,5 cm. Estimate: 60 / 100 euros
129
Chromed metal and leather armchair. France. Art Deco. Circa 1930.
Original studded leather upholstery. 73 x 50 x 60 cm. Estimate: 225 / 350 euros
130
Chromed metal standard lamp with two lights. Italy. Circa 1970.
Adjustable appliqués. Height: 154 cm. Estimate: 190 / 250 euros
131
Pair of meta and carved glass appliqués. Possibly by Gaetano Sciolari. Italy. Circa 1970.
45 x 33 x 12 cm. Estimate: 275 / 350 euros
132
Gilded and patinated metal appliqué. France. Circa 1950.
70 x 54 x 30 cm. Estimate: 225 / 350 euros
133
Green uranium glass vase. Murano. Italy. Circa 1960.
29 x 19 x 20 cm. Estimate: 225 / 350 euros
134
Lacquered metal auxiliary table. France. Circa 1950.
Possibly by Mathieu Mategot. 52 x 35 x 31 cm. Estimate: 180 / 250 euros
135
Oak wood auxiliary table. Denmark. Circa 1960.
62 x 75 x 56 cm. Estimate: 275 / 375 euros
136
Patinated wrought iron plinth with an onyx top. France. Circa 1950.
82 x 33 cm. Estimate: 350 / 500 euros
137
Roger Capron (Vincennes, France, 1922 - 2006)
Wooden coffee table with pottery top. Vallaurís. France. Circa 1960. 32 x 78 x 78 cm. Estimate: 300 / 500 euros
138
Vintage enamelled metal box with advertising for the Coca Cola Company. Circa 1940.
5,5 x 2,5 x 21 cm. Estimate: 150 / 200 euros