DOCSLIB.ORG

Showroom Space Available Leasing Information Where the World’S Best Brands Meet the Industry’S Best Buyers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Showroom Space Available Leasing Information Where the World’S Best Brands Meet the Industry’S Best Buyers 41Madison.com Showroom Space Available Leasing Information Where the World’s Best Brands Meet the Industry’s Best Buyers. With over 40 years experience as the American headquarters of the luxury Tabletop industry, 41 Madison offers 21 floors of showrooms from over 90 leading manufacturers representing over 200 brands. The featured categories are china, crystal, dinnerware flatware, glassware, hotelware, lighting, gift, objet d’ art, and bespoke pieces. Home of the bi-annual New York Tabletop Show®, the building welcomes retailers, interior designers, chefs, restaurateur, architects, media, and other tabletop professionals from around the globe to meet and experience new offerings from the industry’s finest brands. Lobby Registration Deck Showroom Features and Amenities Include Newly renovated public areas and an management team with daily liaisons elegant sense of space throughout. between showrooms. Located in the desired Flatiron District The ofce of the Director is available to directly across from Madison Square assist exhibitors with their leasing and Park and its world-renowned art marketing needs, as well as help brands exhibitions. promote upcoming markets through events, newsletters, social media, Dramatic Manhattan, park and river views. e-blasts, and public relations counsel. Outstanding design and quality Open daily registration desk. construction of customized spaces. 24 hour security. Committed and supportive 41Madison.com 200+ Tabletop Brands Across 21 Showroom Floors 10 Strawberry Street Circle Glass LLC Hall China Company, Luca Andrisani By Lenox Poole Pottery Spode Alain Saint-Joanis Couzon The Hampton Forge, Ltd. Luigi Bormioli Portmeirion Spode Home Alberto Pinto CraftKitchen Hampton Signature Luminarc Price & Kensington Squish Alessi Creative Home Candles Haviland Luzerne Prima Donna Design, Inc. Steve Dolce Marketing Alice Goldsmith Cristal d’Arques Paris Hepp Margaritaville Prouna Fine Bone China Studio Cuisine American Atelier Cristal de Paris Herdmar Flatware USA Marchesa By Lenox PS Portmeirion Studio Studio American Silk Mills Crystal Clear Herend Porcelain Mario Luca Giusti Puiforcat Silversmiths Anchor Hocking Crystal House International Hering- Berlin Martin’s Herend Imports Qualia Glass Inc. Sunbeam Andrea by Sadek Crystalite Bohemia, Inc. Hermès Mason Cash R Squared/Zrike Brands S.V Casa Anna Weatherley Designs Danesco Home Essentials & Beyond MATCH Pewter RAK Porcelain USA Syracuse Annieglass Dansk Homer Laughlin China Co. Maxwell & Williams Ralph Lauren Home Table Art Arabia Daum Hutschenreuther Mealplak Raynaud Table & Bath Accessories ARC Cardinal Degrenne North America Iittala Medard De Noblat Red Vanilla Tafelstern Arc International Delco Isaac Mizrahi Meissen Reed & Barton TarHong Arcoroc Denby USA Limited J. Seignolles Mepra S.p.A Reed & Barton Foodservice Tassen Argent Orfèvres Deshoulières J.L Coquet Michael Wainwright REVOL Thirstystone Arthur Krupp DeVine Corp. Jaune de Chrome Missoni Ricci Argentieri Thomas Artland Inc. Disney Jay Companies Mogogo Ricci At Home Thomas O’Brien Arzberg Dogale Venetian Glass Jay Hospitality Collection Moser Crystal Ricci Casa Tomodachi B.I.A Cordon Bleu Inc. Domino by Lenox Joseph Joseph Inc. Mottahedeh Richard Ginori 1735 Tracy Porter Big & Awesome Dudson Johnson Brothers Mr.Christmas, Inc. Riedel Crystal of America Typhoon Homewares Bing and Grondahl Duralrx John Jenkins & Sons Ltd. Nachtmann Robert Haviland & C. Parlon Tzeng Shyn Industries Co., Inc. Bodo Sperlein for Kikko Èclat Cristal d’Arques Paris John Jenkins Glassware for Nikko Ceramics, Inc. Robinson Home Products Ultimate Homeware Borcam Bakeware Elle Décor Hotels & Restaurants Noritake Rogaska Varga Art Crystal Bormioli Rocco Glass Emsa Juliska Nude Glass Rookwood for Mottahedeh Versace Buffalo Erbario Toscano Kaiser Odiot Rörstrand VIETRI, Inc. Buffet Euro Ercolano USA, Inc. Kiyasa Group Oleg Cassini Rosenthal Vista Alegre USA Corp Burleigh Ercuis Kiyasa Signature Oneida Royal Albert Villeroy & Boch By Jay Euro Ceramica Inc. Kate Spade New York Oneida Strata Royal Copenhagen Viners Cambridge Silversmiths Ltd. FDG Brands Kelloggs Oneida Foodservice Royal Crown Derby Waterford CAPDECO Fiesta® Kilner Orrefors Kosta Boda Royal Doulton Wax Lyrical Capucine De Wulf Fifth Avenue Crystal Kosta Boda Over & Back LLC Royal Limoge Wedgwood Cardinal International Fisher Home Products Laguiole Rossignol Paderno Royal Worcester Williamsburg Caribbean Joe Outdoor Fiskars Living Laura Ashley Pasabahce Glassware Saint-Louis William Yeoward Collection Geoffrey Zakarian Pro for Home Le Thiers Patina Vie Sambonet WMF Casa Alegre Gibson Overseas Inc. Lee’s Group International. Philip Whitney Sant’ Andrea Wine Stemware Certified International Gien Lehmann Glass Pickard China Schöwald World Tableware Ceska Giobagnara Lenox Pimpernel Signature Housewares Inc. Yamazaki Tableware, Inc. Charge It! Godinger Libbey Pinto Paris Silit Zest Chef & Sommelier Gorham Libbey Foodservice Plaground Skandia Zing Chip Chip Gourmet Settings, Inc. L’O B J E T Poc a Poc Smithsonian Zrike Christofle Greggio Silver LSA International Porcel Fine China USA Spiegelau (U.S.A Only) Zrike Brands Newly Renovated Lobby Area Exterior Building Entrance.
Load more

Recommended publications
  • 9. Ceramic Arts
    Profile No.: 38 NIC Code: 23933 CEREMIC ARTS 1. INTRODUCTION: Ceramic art is art made from ceramic materials, including clay. It may take forms including art ware, tile, figurines, sculpture, and tableware. Ceramic art is one of the arts, particularly the visual arts. Of these, it is one of the plastic arts. While some ceramics are considered fine art, some are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artifacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery".[1] In a one-person pottery studio, ceramists or potters produce studio pottery. Most traditional ceramic products were made from clay (or clay mixed with other materials), shaped and subjected to heat, and tableware and decorative ceramics are generally still made this way. In modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat. It excludes glass and mosaic made from glass tesserae. There is a long history of ceramic art in almost all developed cultures, and often ceramic objects are all the artistic evidence left from vanished cultures. Elements of ceramic art, upon which different degrees of emphasis have been placed at different times, are the shape of the object, its decoration by painting, carving and other methods, and the glazing found on most ceramics. 2.
    [Show full text]
  • Glass Verrerie Européenne 1920-2000 from One Property
    Glass Verrerie Européenne 1920-2000 from one property MERCREDI 7 FÉVRIER 2018 PIASA Contact du département Design Contact presse PIASA Cécile Demtchenko Woringer Frédéric Chambre Tél. : +33 1 53 34 12 95 [email protected] [email protected] Nicolas Denis [email protected] Tél. : +33 1 45 44 43 54 Martin Jalabert [email protected] Tél. : +33 1 53 34 10 06 Alix de Saint-Hilaire Tél. : +33 1 45 44 12 71 [email protected] Pascale Humbert Tél. : +33 1 53 34 10 19 [email protected] Estelle Laporte Tél. : +33 1 53 34 12 80 [email protected] Clémence Paris [email protected] Tél. : +33 1 45 44 43 53 Glass Verrerie Européenne 1920-2000 from one property one from Notre consultant en Belgique pour le département Commissaires-priseurs Arts Décoratifs et Design habilités Thierry Belenger Frédéric Chambre Tél : +32 4 75 98 40 38 Carole Siméons [email protected] Enchérissez en direct sur www.piasa.fr Glass Verrerie Européenne 1920-2000 from one property Vente : mercredi 7 février 2018 à 18h PIASA 118 rue Faubourg Saint-Honoré 75 008 Paris Exposition publique Vendredi 2 février 2018 de 10 à 18 heures Samedi 3 février 2018 de 11 à 18 heures Lundi 5 février 2018 de 10 à 18 heures Mardi 6 février 2018 de 10 à 18 heures Mercredi 7 février 2018 de 10 à 12 heures Téléphone pendant l’exposition et la vente +33 1 53 34 10 10 Enchérissez en direct sur www.piasa.fr France • Gabriel Argy Rousseau (1885-1953) • Georges Chevalier (1894-1987) pour la manufacture de Baccarat • Aristide Colotte (1885-1959) • Paul Daum (1888-1944) pour la Manufacture Daum Nancy France • Pierre Gaillard (XXème) • Jean Luce (1895-1964) • André Thuret (1898-1965) VERRERIE EUROPÉENNE : D.R.
    [Show full text]
  • Etch Imitation System for Porcelain and Bone China (One-Fire-Decal-Method)
    Etch Imitation System for Porcelain and Bone China (One-Fire-Decal-Method) 1 General Information Etched decorations belong to the richest, most valuable precious metal designs to be found on tableware. However, etched decorations are not only work-intensive and expensive but they also require working with aggressive acids. Instead, producers work with etching imitation systems in which first a decal with a matt underlay and a bright relief on top is produced, applied onto the substrate to be decorated, and fired. Secondly, a liquid precious metal is applied by brush on top of the relief and the item is fired for a second time. With this Technical Information, Heraeus Ceramic Colours introduces a one-fire-etch imitation system for decals. The new decoration system consists of carefully adjusted components: special underlay, special medium, relief, precious metal paste. The perfect harmony of these components allows the production of an imitation etching in one decal, which only needs to be transferred and fired once! 2 Firing Conditions Substrate Firing Condition s Porcelain 800 - 820°C (1470-1508°F), 2 to 3 hours cold/cold Bone China 800 - 820°C (1470-1508°F), 2 to 3 hours cold/cold Worldwide there are many different glazes. The firing conditions differ from producer to producer. Pre-tests under own individual conditions are absolutely necessary. 3 Characteristics of the Products The product composition and the production process determine the major product characteristics of the components of the decoration system. Testing each production lot guarantees a constant product quality. With regard to the bright precious metal pastes of the system we regularly check the viscosity, the printing characteristics, the outline of printed test decorations as well as the precious metal colour shade and the brightness of the decoration after firing on a defined test substrate.
    [Show full text]
  • New Glass Review 10.Pdf
    'New Glass Review 10J iGl eview 10 . The Corning Museum of Glass NewG lass Review 10 The Corning Museum of Glass Corning, New York 1989 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1988 calendar year. innerhalb des Kalenderjahres 1988 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1989 Alle Rechtevorbehalten, 1989 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-119-X ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 er Wunsch zu verallgemeinern scheint fast ebenso stark ausgepragt Jury Statements Dzu sein wie der Wunsch sich fortzupflanzen. Jeder mochte wissen, welchen Weg zeitgenossisches Glas geht, wie es in der Kunstwelt bewer- tet wird und welche Stile, Techniken und Lander maBgeblich oder im Ruckgang begriffen sind. Jedesmal, wenn ich mich hinsetze und einen Jurybericht fur New Glass Review schreibe (dies ist mein 13.), winden he desire to generalize must be almost as strong as the desire to und krummen sich meine Gedanken, um aus den tausend und mehr Dias, Tprocreate.
    [Show full text]
  • Chromaphobia | Chromaphilia Presenting KCAI Alumni in the Ceramic Arts
    Chromaphobia | Chromaphilia Presenting KCAI Alumni in the Ceramic Arts Kansas City Art Institute Gallery March 16 – June 3, 2016 Exhibition Checklist Chromaphobia Untitled Chromaphilia Lauren Mabry (’07 ceramics) 2015 Curved Plane Laura De Angelis (’95 sculpture) Silver plated brass and porcelain Cary Esser (‘78 ceramics) 2012 Hybrid Vigor 13 x 16 x 20 inches Chromaphilia Veils Red earthenware, slips, glaze 2012 Courtesy of the Artists 2015-2016 24 x 60 x 15 inches Ceramic, encaustic, fresh water pearls Glazed earthenware Dick and Gloria Anderson Collection, 20.5 x 16 x 9 inches Nathan Mabry (’01 ceramics) 16 x 79 x .75 inches Lake Quivira, Kansas Courtesy of Sherry Leedy Vanitas (Banana) Courtesy of Sherry Leedy Contemporary Art, Kansas City 2007 Contemporary Art, Kansas City and Fragmented Cylinder Cast rubber the Artist 2012 Teri Frame (’05 ceramics; art history) 8 x 8 x 8 inches red earthenware, slips, glaze Sons of Cain Lithophane #1 Courtesy of Cherry and Martin, Los Christian Holstad (’94 ceramics) 20 x 24 x 22 inches 2016 Angeles and the Artist Ouroboros 6 (Red with green and yellow snake) Dick and Gloria Anderson Collection, Bone china, walnut 2012 Lake Quivira, Kansas 9 x 7 x .25 inches Nobuhito Nishigawara Vintage glove, fiberfill and antique obi Courtesy of the Artist (’99 ceramics) 39 x 17 x 16 inches Pipe Form Untitled - Manual 3D Like Printer Courtesy of the Artist and Andrew 2014 Sons of Cain Lithophane #2 2013 Kreps Gallery, New York Red earthenware, slips and glaze 2016 Clay 20 x 28 x 28 inches Bone china, walnut 23 x
    [Show full text]
  • Clay: Form, Function and Fantasy
    4 Ceramics Monthly Letters to the Editor................................................................................. 7 Answers to Questions............................................................................... 9 Where to Show.........................................................................................11 Suggestions ..............................................................................................15 Itinerary ...................................................................................................17 Comment by Don Pilcher....................................................................... 23 Delhi Blue Art Pottery by Carol Ridker...............................................31 The Adena-Hopewell Earthworks by Alan Fomorin..................36 A Gas Kiln for the Urban Potter by Bob Bixler..................................39 Clay: Form, Function and Fantasy.......................................................43 Computer Glazes for Stoneware by Harold J. McWhinnie ...................................................................46 The Three Kilns of Ken Ferguson by Clary Illian.............................. 47 Marietta Crafts National........................................................................ 52 Latex Tile Molds by Nancy Skreko Martin..........................................58 Three English Exhibitions...................................................................... 61 News & Retrospect...................................................................................73
    [Show full text]
  • Glass Circle Publications
    INDEXOF GLASS CIRCLE PUBLICATIONS by Hazel Bell Incorporating and modifying the previous indexes by Peter Lole Indexed publications Key Glass Circle News Issues 1-140 (1977–2016) 1.1 (Issue no.page no(s);) The Glass Circle Journal 1-11 (1972-2009) JL The Centenary Supplement (2004) CS GCN (2004) Ex. ExFromcerpts Palace from to the Parlour first 99(2003) issues of PP The Glass Circle Diamond Jubilee 1937–1997 DJ Glass Collectors and their Collections (1999) Col. Strange and Rare: 50th Anniversary Exhibition 1937–1987 SR Major references to a topic are given in bold type Abbreviations used: c. GCN for Glass Circle News. Notesexh. for exhibition; for century; GC for Glass Circle; Short forms of article and book titles are used. Article titles, and titlesin ofitalics talks reported, are given ‘in quotes’ under the names of the speakers. Book titles are given under the names of the authors, except for multi-author books, listed under their titles. GlassReviewers Circle of books,News andreferences writers of are letters given and in obituaries, the form: are rarely included. Issue number.page number(s) with the Issue numbers followed by stops; page numbers in the same issue separated by commas; Issue numbers separated by semi-colons. Newsletters for April and July 1983 are both numbered 26; references to those issues are given in the index as 26A and 26Jy. The first page of Issue 115, 2 June 2008, shows Issue number as 114. Announcements of coming events, advertisements, auctions, fairs, and sales reports are not indexed; of exhibitions, only major ones are indexed.
    [Show full text]
  • “Be !Nspired” S P N E B by Jacksons I D “Be !Nspired”
    i r d e“be !nspired” p n s b e by Jacksons i d “be !nspired” Launching our first ever Look Book. Be Inspired is in addition to our existing 2018/19 catalogue. e Hoping we inspire you with the fun and innovative content to discover new ideas for your restaurant, hotel or bar. Working with several new suppliers we have put together this catalogue to show you current trends in the marketplace. r There have been big changes in the last 12 months particularly in china with a move to new textures and colours. We are pleased to have started working with Serax and together with Surrey Ceramics we have some interesting options in stoneware and porcelain plates, i bowls & dishes. Cocktails are more popular and adventurous than ever and we hope that in both the bar accessories and glassware sections there is something to reflect your own innovation and ideas. p Sometimes we forget how easy it is to enhance creativity in the form of accessories and on pages 38-41 we have added colourful and interesting vases and t-light holders. s We have shown several ideas where you can bespoke your presentation working with Royal Crown Derby, Surrey Ceramics & Rosenthal...... where personal design and creativity can come to the forefront. Introducing Studio William, Charingworth & Degrenne gives you leading edge design and award n winning cutlery ranges. One of the best examples is illustrated with the ever popular Mulberry Mirror range on page 117. i PVD cutlery brings a new dimension and exciting finishes in a multitude of colours.
    [Show full text]
  • Download New Glass Review 11
    The Corning Museum of Glass NewGlass Review 11 The Corning Museum of Glass Corning, New York 1990 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within derVoraussetzung ausgewahlt, da(3 sie the 1989 calendar year. innerhalb des Kalenderjahres 1989 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1990 Alle Rechte vorbehalten, 1990 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-122-X ISSN: 0275-469X Library of Congress Catalog Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 9 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 Is das Jury-Mitglied, das seit dem Beginn der New Glass Review Jury Statements A1976 kein Jahr verpaBt hat, fuhle ich mich immer dazu verpflichtet, neueTrends und Richtungen zu suchen und daruber zu berichten, wel- chen Weg Glas meiner Meinung nach einschlagt. Es scheint mir zum Beispiele, daB es immer mehr Frauen in der Review gibt und daB ihre Arbeiten zu den Besten gehoren.
    [Show full text]
  • Historic Narratives
    Historic Narratives Bouke de Vries uses his skills as a conservator to create new work. Simon Martin explains. 1 We decided to bridge past and present by commissioning an installation…that would create new narratives 2 36 CERAMIC REVIEW 257 September/October 2012 As seen in CERAMIC REVIEW THE INTERNATIONAL MAGAZINE FOR CONTEMPORARY AND HISTORICAL CERAMIC ART 1 Leo, from Signs (Metamorphosis), eighteenth-century Derby figure with silver crown and mixed media, 2011, H37cm 2 Aries, from Signs (Metamorphosis), Ming figure of Guan Yin with mixed media, 2011, H35cm 3 Vanitas, exploded Bow porcelain teapot, c1765/2012, Ø28cm 3 As part of the Cultural Olympiad this year there are many Olympic- collection the Gallery could have mounted a worthy, but conventional themed art projects taking place around the country, created by some historic survey exhibition, but instead we decided to bridge past of Britain’s leading contemporary artists such as Anish Kapoor and present by commissioning an installation from a contemporary and Jeremy Deller. Yet there are seemingly few projects involving artist that would create new narratives and connections between ceramics, despite the fact that the site of the Olympic village in the the individual pieces. The notion of inviting contemporary artists Lea Valley in East London is intimately tied to the history of British to engage with historic collections is by no means unique: recent ceramics. In the 1740s this was where Thomas Frye and Edward successful examples have included Grayson Perry at the British Heylyn established the Bow Porcelain Factory on the banks of the Museum, George Shaw’s Graham Sutherland exhibition at River Lea, producing soft-paste porcelain to imitate imported Chinese Modern Art Oxford and, Edmund de Waal at Waddesdon Manor, and Japanese porcelains and rival the wares being produced at Buckinghamshire.
    [Show full text]
  • History and Description of English Porcelain Pdf, Epub, Ebook
    HISTORY AND DESCRIPTION OF ENGLISH PORCELAIN PDF, EPUB, EBOOK William Burton | 277 pages | 01 Jun 1988 | E.P. Publishing | 9780854099023 | English | United Kingdom History and Description of English Porcelain PDF Book Twitchett, John. Ltd : Hanley, , earthenware, ironstone, etc. Mackenzie, Sir Compton. Brears, Peter C. Hughes, G. Blue and White Transfer Ware, A Qing plate depicts Christ being baptized by John—with magnolia trees blossoming in the background. Today, one can still marvel at the strange game of decorative, Orientalist telephone that this development created. King, William. Reprint Philadelphia: Seifer, Both the French and the English porcelain of the 18th century is of the artificial kind using powdered glass - with the frequent addition in England of ash from charred bones, beginning the specifically British tradition of bone china. Pine, Lynda and Nicholas Pine. This level of materialism, after all, is never about necessity. During the 17th century imports of china become much more common, particularly of delicate wares to accomodate Europe's new craze of tea-drinking. Spode logo since London: Chapman and Hall, In general a better substance. John, Willliam D. Crown Derby Porcelain. This is despite it being fired at the same high vitrifying temperature as hard-paste porcelain. A Century of Potting in the City of Worcester from I am doing my best to raise the phoenix from the ashes with my ongoing company making English bone china figurines. Another patent was applied for by Frye on 17 November , and the specification was enrolled 17 March Since the site had been a 'potworks' and at the time of the Spode purchase it was described as including: ' potworks potovens pothouses workhouses warehouses compting house… '.
    [Show full text]
  • Wedgwood 2016 Catalogue.Pdf
    AUSTRALIA & NEW ZEALAND CATALOGUE 2016 Customer Service Australia Telephone: (02) 8665 8200 or Toll Free: 1300 852 022 Fax: (02) 9831 1631 Email: [email protected] New Zealand Telephone: (612) 8665 8200 or Toll Free: 0800 442 575 Fax: (612) 9831 1631 Email: [email protected] Address 100 Holbeche Road Arndell Park NSW 2148 Postal Address PO Box 888 Blacktown NSW 2148 Hours Monday - Friday: 9.00am - 5.00pm (EST) Saturday: 10.00am - 4.00pm (EST) Email [email protected] Website www.wedgwood.com.au Social Media www.facebook.com/wedgwoodAU twitter.com/WedgwoodAU instagram.com/wedgwoodau pinterest.com/wedgwoodau Contents Commemorative Collection Chinoiserie Green 58 Lord Wedgwood Commemorative 5 Chinoiserie White 59 Tisbury 60 Tisbury Wood 62 Wedgwood Tableware Expressive Arris 8 Vera Wang Cornucopia 10 Blanc Sur Blanc 68 Hibiscus 12 Grosgrain 70 Renaissance Gold 14 Grosgrain Indigo 72 Vera Lace 74 Floral Vera Colour 76 Vibrance 16 Chime Cutlery 78 Spring Blossom 18 Grosgrain Cutlery 79 Whites Infinity Cutlery 80 Intaglio 19 Night & Day 20 Vera Wang Giftware Everyday Chime Silver 82 Blue Bird 22 Grosgrain Silver 83 Sarah’s Garden 24 Infinity Silver 84 Love Knots Gold & Silver 86 Teaware With Love Gold & Silver 88 Butterfly Bloom 30 With Love Noir 90 Cuckoo 32 With Love Nouveau 92 Tea Garden 34 With Love Treasures 94 Tea 36 Infinity Baby Collection 95 Giftware Vera Wang Crystal Gilded Muse 40 Duchesse 98 Intaglio China 42 Duchesse Encore 99 Intaglio Silver 43 Peplum 100 Little Luxuries 44 Sequin 101 Vibrance Giftware 46 Leaf Vase 102 Wish Silver 47 General Information Nurseryware Care Instructions 105 London Bear 49 Glossary of Terms 106 Peter Rabbit Boy & Girl 50 Assurance Program & Privacy Policy 107 Peter Rabbit Silver 52 General Commercial Terms & Conditions of Trade 108 Trademarks 110 Jasper Conran Platinum Lined 56 Jasper Conran White 57 All prices shown are recommended retail prices effective 14th January 2016 in New Zealand and 28th January 2016 in Australia.
    [Show full text]