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'A Mind to Copy': Inspired by Meissen
‘A Mind to Copy’: Inspired by Meissen Anton Gabszewicz Independent Ceramic Historian, London Figure 1. Sir Charles Hanbury Williams by John Giles Eccardt. 1746 (National Portrait Gallery, London.) 20 he association between Nicholas Sprimont, part owner of the Chelsea Porcelain Manufactory, Sir Everard Fawkener, private sec- retary to William Augustus, Duke of Cumberland, the second son of King George II, and Sir Charles Hanbury Williams, diplomat and Tsometime British Envoy to the Saxon Court at Dresden was one that had far-reaching effects on the development and history of the ceramic industry in England. The well-known and oft cited letter of 9th June 1751 from Han- bury Williams (fig. 1) to his friend Henry Fox at Holland House, Kensington, where his china was stored, sets the scene. Fawkener had asked Hanbury Williams ‘…to send over models for different Pieces from hence, in order to furnish the Undertakers with good designs... But I thought it better and cheaper for the manufacturers to give them leave to take away any of my china from Holland House, and to copy what they like.’ Thus allowing Fawkener ‘… and anybody He brings with him, to see my China & to take away such pieces as they have a mind to Copy.’ The result of this exchange of correspondence and Hanbury Williams’ generous offer led to an almost instant influx of Meissen designs at Chelsea, a tremendous impetus to the nascent porcelain industry that was to influ- ence the course of events across the industry in England. Just in taking a ca- sual look through the products of most English porcelain factories during Figure 2. -
Download the 2021 Guildline Catalog
Table of Contents Check out our BRAND NEW WEBSITE!!!! www.guildlines.com 2) Rush Services 27) Samplers 3) Decorating Techniques 28) Beer 4) Deep Etching 30) Wine & Flutes 5) Nucleation 32) Wine Reserve Renaissance Series 6) NEW for 2021! 32) Birrateque Craft Beer/Wine 8) Ceramic Mugs 33) Travel/Wine/Decanters 20) Red Selections 34) Stemless 21) Sublimation/Four Color Process 35) Specialty 22) Glass Mugs/Glass Shots 36) Beverage & Rocks 23) Shots 38) Travel Items 24) Mixing Glasses 43) Gifts & Appreciation 25) Beer Mugs 44) Standard Color Chart 26) Growlers 44) General Information ASI 43425 Arc International has become known for its PPAI 216756 unparalleled ingenuity, high standards of SAGE 61228 excellence and above all…an unwavering commitment to customers' needs. “Libbey Glass, as America’s Glassmaker since 1818 is working harder than ever to Guildline, since 1979, has always been provide innovative and inspiring glassware regarded as a leader, by offering the latest with solutions to boost your image.” The in glassware trends. Guildline takes pride in variety offers a vast selection of glassware being able to offer a wide variety of popular products. Guildline would appreciate the items and make them readily available opportunity to source and quote your to our customers. There are many more project. Non-catalog items generally require practical and popular glassware items that minimum order quantities of 144 pieces. we could not depict in the Guildline catalog Random samples are generally provided that are readily available through our two at no charge, using your shipper number. domestic glass manufacturers. Please let Special orders for non-catalog items are us know of any ideas you may have that subject to an overrun or underrun of 10%. -
Piñata Coffee Mugs
Piñata Coffee Mugs A COLORFUL COFFEE MUG SET CUSTOMIZED WITH JACQUARD PIÑATA ALCOHOL INKS By: Tanya Alexander With inside access to all things Piñata, it's hard to resist trying to use them on just about everything. From YUPO and clayboard, to canvas, denim and glass, it's been fun exploring different substrates that these vibrant alcohol inks bloom on. When two plain jane coffee mugs and five new Piñata colors showed up in my studio, it only seemed fitting to create something uniquely colorful! — 06.19.19 Jacquard Products | Rupert, Gibbon & Spider, Inc. Piñata Coffee Mugs_Tanya Alexander Mugs_Tanya Piñata Coffee P.O. Box 425, Healdsburg, CA 95448 | 800.442.0455 | Fax: 707.433.4906 www.jacquardproducts.com | [email protected] 1 SuppliesSupplies List:List: • 2 white ceramic mugs • Jacquard Piñata Alcohol Inks: Colors: 004 Golden Yellow, 006 Pink, 008 Coral, 016 Blue-Violet, 020 Teal and 036 Pearl • Jacquard Piñata Claro Extender • Jacquard Piñata Clean Up Solution • 70% Isopropyl Alcohol • Paper Towels • Cotton Swabs • Gloves • 3M Automotive Refinish Masking Tape • Krylon Kamar Spray Varnish • Krylon UV-Resistant Clear Gloss Varnish • Krylon Triple-Thick Clear Glaze RIGHT: The main supplies I used for this project. Sources: Mugs: IKEA 3M Tape, Varnishes: Amazon Piñata Alcohol Inks: Jacquard Products 06.19.19 Jacquard Products | Rupert, Gibbon & Spider, Inc. Piñata Coffee Mugs_Tanya Alexander Mugs_Tanya Piñata Coffee P.O. Box 425, Healdsburg, CA 95448 | 800.442.0455 | Fax: 707.433.4906 www.jacquardproducts.com | [email protected] 2 Project Steps: Hand wash mugs with hot soapy water, rinse 1. well and dry thoroughly. While you wait, prep your work area by protecting the surface and laying out everything you'll need. -
Fabrication Porcelain Slabs
BASIC RECOMMENDATIONS FOR FABRICATING WALKER ZANGER’S SECOLO PORCELAIN SLABS CNC Bridge Saw Cutting Parameters: • Make certain the porcelain slab is completely supported on the flat, level, stable, and thoroughly cleaned bridge saw cutting table. • Use a Segmented Blade - Diameter 400 mm @ 1600 RPM @ 36” /min. We recommend an ADI MTJ64002 - Suitable for straight and 45-degree cuts. • Adjust the water feed directly to where the blade contacts the slab. • Before the fabrication starts, it is important to trim 3/4” from the slab’s four edges to remove any possible stress tension that may be within the slab. (Figure 1 on next page) • Reduce feed rate to 18”/min for the first and last 7” for starting and finishing the cut over the full length of the slab being fabricated. (Figure 2 on next page) • For 45-degree edge cuts reduce feed rate to 24” /min. • Drill sink corners with a 3/8” core bit at 4500 RPM and depth 3/4” /min. • Cut a secondary center sink cut 3” inside the finish cut & remove that center piece first, followed by removing the four 3” strips just inside the new sink edge. (Figure 3 on next page) • Keep at least 2” of distance between the perimeter of the cut-out and the edge of the countertop. • Use Tenax Enhancer Ager to soften the white vertical porcelain edge for under mount sink applications. • For Statuary, Calacata Gold, and Calacata Classic slabs bond mitered edge detail with Tenax Powewrbond in the color Paper White. (Interior & Exterior Applications - Two week lead time) • Some applications may require a supporting backer board material to be adhered to the backs of the slabs. -
Travel Mugs & Bottles
TRAVEL MUGS & BOTTLES Messages that last the distance OUTSTANDING QUALITY THAT MAKES THE RIGHT IMPRESSION It’s estimated that over 38.5 million plastic bottles and around 7 million disposable coffee cups are used in the UK alone every single day. You can help reduce this by offering a reusable alternative for your next campaign. All of our products are retail+ quality with a unique & patented, 360 degree, anti-corrosion outer surface. We rigorously test our products for your peace of mind. The superior quality of materials used in production provide durable, long lasting promotional gifts. CHOOSE INNOVATIVE, SUSTAINABLE & YOUR STYLE... REFRESHINGLY DIFFERENT Eevo-Therm Bottle 8 We are sure you’ll love our exciting collection of sustainable, reusable and highly desirable Tulip Thermal Tumbler 10 insulated bottles, flasks, tumblers, travel mugs Cupani Thermal Tumbler 12 and sports bottles. Stylish new products combined with a Eevo-Sport Bottle 14 selection of unique decoration processes allow you to create some truly unique drinkware. Thermal Flask 16 Aluminium Sports Bottle 18 Rio Travel Mug 20 Ceramic Takeaway Cup 22 Malabar Travel Mug 24 Robusta Travel Mug 26 Sumatra Travel Mug 27 OUTSTANDING PANTONE INNOVATION MATCHED AND QUALITY COLOURCOAT® Our state of the art UK production facility A unique, anti-corrosion outer coating that provides fully personalised products from can be Pantone® matched from just 90 just 30 units. pieces. Choose from a contempory satin or traditional gloss finish, then brand with a A wide range of innovative finishes and durable screen printed design. effects are available. Simply select the options that best suit your corporate A wide selection of our travel products can image or marketing campaign and let us be supplied with the ColourCoat® finish. -
Create Your Own Water Cycle
Create Your Own Water Cycle Objective: You and your child will use household items to create a miniature model that will demonstrate the process of the water cycle. Materials: ● a large bowl (a clear one if you have it to make observations easier) ● a sheet of clear plastic wrap ● a dry cup that will fit inside the bowl (a coffee mug will work) ● a long piece of string or large rubber band ● water Instructions: 1. Pour water into the bowl until it is about ¼ full. 2. Place the cup in the center of the bowl. Be careful not to splash any water into it. 3. Cover the top of the bowl tightly with the plastic wrap. 4. Tie the string or rubber band around the bowl to hold the plastic wrap in place. 5. Place the bowl in a sunny place outside. 6. Now it’s time to wait and watch! What did we learn? Over time you should be able to observe the water cycle in progress! The water in the base of the bowl represents the ocean. Over time the heat from the sun will cause this water to evaporate. The water vapor will rise and condense on the surface of the plastic wrap, which represents the clouds. This will appear as moisture just like a cold glass of water on a hot summer day. As the moisture builds up, water droplets should form and precipitate, or fall like rain back into the bowl. You will know if your experiment has worked because you will now see water in the dry cup that you placed in the bottom of the bowl. -
9. Ceramic Arts
Profile No.: 38 NIC Code: 23933 CEREMIC ARTS 1. INTRODUCTION: Ceramic art is art made from ceramic materials, including clay. It may take forms including art ware, tile, figurines, sculpture, and tableware. Ceramic art is one of the arts, particularly the visual arts. Of these, it is one of the plastic arts. While some ceramics are considered fine art, some are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artifacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery".[1] In a one-person pottery studio, ceramists or potters produce studio pottery. Most traditional ceramic products were made from clay (or clay mixed with other materials), shaped and subjected to heat, and tableware and decorative ceramics are generally still made this way. In modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat. It excludes glass and mosaic made from glass tesserae. There is a long history of ceramic art in almost all developed cultures, and often ceramic objects are all the artistic evidence left from vanished cultures. Elements of ceramic art, upon which different degrees of emphasis have been placed at different times, are the shape of the object, its decoration by painting, carving and other methods, and the glazing found on most ceramics. 2. -
Ming Dynasty Porcelain Plate Laura G
Wonders of Nature and Artifice Art and Art History Fall 2017 Blue-and-White Wonder: Ming Dynasty Porcelain Plate Laura G. Waters '19, Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/wonders_exhibit Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Fine Arts Commons, History of Science, Technology, and Medicine Commons, Industrial and Product Design Commons, and the Intellectual History Commons Share feedback about the accessibility of this item. Waters, Laura G., "Blue-and-White Wonder: Ming Dynasty Porcelain Plate" (2017). Wonders of Nature and Artifice. 12. https://cupola.gettysburg.edu/wonders_exhibit/12 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/wonders_exhibit/12 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Blue-and-White Wonder: Ming Dynasty Porcelain Plate Abstract This authentic Ming Dynasty (1368-1644) plate is a prime example of early export porcelain, a luminous substance that enthralled European collectors. The eg nerous gift of oJ yce P. Bishop in honor of her daughter, Kimberly Bishop Connors, Ming Dynasty Blue-and-White Plate is on loan from the Reeves Collection at Washington and Lee University in Lexington, Virginia. The lp ate itself is approximately 7.75 inches (20 cm) in diameter, and appears much deeper from the bottom than it does from the top. -
PORCELAIN TILE PORCELAIN TILE INDEX Moodboard .02 Color Palette .03 Colors & Sizes
PORCELAIN TILE PORCELAIN TILE INDEX moodboard .02 color palette .03 colors & sizes . 1 8 sizes, finishes and packaging .22 field tile application areas .23 tile performance data .23 theconcept COLLECTION With its unique style, 4est offers an original take on wood: a mix of colors and graphic patterns that move away from the traditional canons of beauty, for a modern, eye-catching mash-up. A porcelain stoneware collection with excellent technical performance, where natural and recycled wood blend together into a mood with a raw yet supremely contemporary flavor, giving rise to intense patterns and colors. 4EST collection is designed in Italy and manufactured in USA Photographed samples are intended to give an approximate idea of the product. Colors and textures shown are not binding and may vary from actual products. Samples can be ordered from Mirage U.S.A. website: www.mirageusa.net/samples inspiredMOODBOARD by paletteCOLOR Available in both warm and cold shades, is embodied by the Curry and Indigo the combination of colors with wood nuances, offering a variety of style options. 2 | | 3 curry ET01 indigo ET02 Photographed samples are intended to give an approximate idea of the product. Colors and textures shown are not binding and may vary from actual products. 4 | curry | 5 FLOOR: curry ET01 8”x40” NAT NOT RECT WALL: scraped HM20 Brick 3”x12” NAT NOT RECT 6 | | 7 curry FLOOR: curry ET01 8”x40” NAT NOT RECT WALL: scraped HM20 Brick 3”x12” NAT NOT RECT 8 | | 9 indigo FLOOR: indigo ET02 8”x40” NAT NOT RECT WALL: maioliche light taupe HM -
Etch Imitation System for Porcelain and Bone China (One-Fire-Decal-Method)
Etch Imitation System for Porcelain and Bone China (One-Fire-Decal-Method) 1 General Information Etched decorations belong to the richest, most valuable precious metal designs to be found on tableware. However, etched decorations are not only work-intensive and expensive but they also require working with aggressive acids. Instead, producers work with etching imitation systems in which first a decal with a matt underlay and a bright relief on top is produced, applied onto the substrate to be decorated, and fired. Secondly, a liquid precious metal is applied by brush on top of the relief and the item is fired for a second time. With this Technical Information, Heraeus Ceramic Colours introduces a one-fire-etch imitation system for decals. The new decoration system consists of carefully adjusted components: special underlay, special medium, relief, precious metal paste. The perfect harmony of these components allows the production of an imitation etching in one decal, which only needs to be transferred and fired once! 2 Firing Conditions Substrate Firing Condition s Porcelain 800 - 820°C (1470-1508°F), 2 to 3 hours cold/cold Bone China 800 - 820°C (1470-1508°F), 2 to 3 hours cold/cold Worldwide there are many different glazes. The firing conditions differ from producer to producer. Pre-tests under own individual conditions are absolutely necessary. 3 Characteristics of the Products The product composition and the production process determine the major product characteristics of the components of the decoration system. Testing each production lot guarantees a constant product quality. With regard to the bright precious metal pastes of the system we regularly check the viscosity, the printing characteristics, the outline of printed test decorations as well as the precious metal colour shade and the brightness of the decoration after firing on a defined test substrate. -
From Our Hands to Yours from Our Hands to Yours—
making pottery locally for 69 years in BENNINGTON VERMONT from our hands to yours From our hands to yours— The Famous Trigger Mug For almost 70 years the mug that made mugs famous has been making Bennington Potters famous too. Well balanced and comfortable to hold, this is an enduring classic. 4"H 11 oz #1340 $16--$20 (price varies by glaze) American Classic Mug Strong, capacious, this classic holds twice the usual cuppa. The wide mouth allows double duty for soup, cereal, ice cream. 3¾"H 16 oz #9925 $20--$24 (price varies by glaze) Original Mug David Gil designed this mug while he was a student. A mid-century classic, the design still feels fresh and new. We offer them in original glazes, matte black and matte white. good design: see it made 3"H 12 oz #1365B $20 Tankard Mug Wide bottomed with a graceful tapered shape, this sturdy yet elegant mug features the big handle and rolled rim so many people ask for. 4"H 12 oz #S1 $18--$22 (price varies by glaze) Painted Ladies Luminous, hand-painted, each one unique and hand signed — our Mt Equinox mug offers the collectability of art pottery and the utility you always get from Bennington Potters. 3¾"H 16 oz #9925ME $28 Oval Baker 9"W, 13"L 1¾ qt #1954 $36 Rectangular Baker 8"W, 16"L 3 qt because the #1889 $50 best bakeware is stoneware cooks love Bennington Square Baker 8"W, 8"L 1½ qt #1888 $34 We hear it again and again: the pleasure of cooking with Bennington begins when you pick up the pot. -
Ford Ceramic Arts Columbus, Ohio
The Journal of the American Art Pottery Association, v.14, n. 2, p. 12-14, 1998. © American Art Pottery Association. http://www.aapa.info/Home/tabid/120/Default.aspx http://www.aapa.info/Journal/tabid/56/Default.aspx ISSN: 1098-8920 Ford Ceramic Arts Columbus, Ohio By James L. Murphy For about five years during the late 1930s, the combination of inventive and artistic talent pro- vided by Walter D. Ford (1906-1988) and Paul V. Bogatay (1905-1972), gave life to Ford Ceramic Arts, Inc., a small and little-known Columbus, Ohio, firm specializing in ceramic art and design. The venture, at least in the beginning, was intimately associated with Ohio State University (OSU), from which Ford graduated in 1930 with a degree in Ceramic Engineering, and where Bogatay began his tenure as an instructor of design in 1934. In fact, the first plant, begun in 1936, was actually located on the OSU campus, at 319 West Tenth Avenue, now the site of Ohio State University’s School of Nursing. There two periodic kilns produced “decorated pottery and dinnerware, molded porcelain cameos, and advertising specialties.” Ford was president and ceramic engineer; Norman M. Sullivan, secretary, treasurer, and purchasing agent; Bogatay, art director. Subsequently, the company moved to 4591 North High Street, and Ford's brother, Byron E., became vice-president. Walter, or “Flivver” Ford, as he had been known since high school, was interested primarily in the engineering aspects of the venture, and it was several of his processes for producing photographic images in relief or intaglio on ceramics that distinguished the products of the company.