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The Origins of the Underline As Visual Representation of the Hyperlink on the Web: a Case Study in Skeuomorphism
The Origins of the Underline as Visual Representation of the Hyperlink on the Web: A Case Study in Skeuomorphism The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Romano, John J. 2016. The Origins of the Underline as Visual Representation of the Hyperlink on the Web: A Case Study in Skeuomorphism. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33797379 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Origins of the Underline as Visual Representation of the Hyperlink on the Web: A Case Study in Skeuomorphism John J Romano A Thesis in the Field of Visual Arts for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2016 Abstract This thesis investigates the process by which the underline came to be used as the default signifier of hyperlinks on the World Wide Web. Created in 1990 by Tim Berners- Lee, the web quickly became the most used hypertext system in the world, and most browsers default to indicating hyperlinks with an underline. To answer the question of why the underline was chosen over competing demarcation techniques, the thesis applies the methods of history of technology and sociology of technology. Before the invention of the web, the underline–also known as the vinculum–was used in many contexts in writing systems; collecting entities together to form a whole and ascribing additional meaning to the content. -
April 2019 Downtown Events Calendar
Downtown is Calling APRIL Good Times 2019 Await Galleries, Museums & Library Riverside Live ART WORKS GALLERY HENRY W. COIL, SR. AND ALICE EDNA COIL 3741 Sixth Street • Contact: (951) 683-1279 SCHOOL FOR THE ARTS CONCERT HALL www.coilschoolforthearts.com or BACK TO THE GRIND / UNDER THE GRIND GALLERY 951-222-8793 3575 University Avenue • Contact: (951) 784-0800 Oboe and Strings Concert Monday, April 15 from 7 pm to 9 pm CENTER FOR SOCIAL JUSTICE AND CIVIL LIBERTIES Guitar Ensemble Concert Wednesday, April 17 from 7 pm to 9 pm 3855 Market Street • Contact: (951) 222-8846 Live! On Campus Concert Series presents: Trumpet Studio Recital DIVISION 9 GALLERY Tuesday, April 23 from 12:50 pm to 1:50 pm 3850 Lemon Street • Contact Cosme Cordova: (951) 965-4392 GOPA - GALLERY OF PROGRESSIVE ART Live! On Campus Concert Series presents: Student Recital 3595 University Avenue, Suite A • Contact: (909) 561-2487 Wednesday, April 24 from 7 pm to 9 pm INLANDIA INSTITUTE Live! On Campus Concert Series presents: Flute and Basoon Studio Recital www.inlandiainstitute.org • Contact: (951) 369-1564 Tuesday, April 30 from 12:50 pm to 1:50 pm LIFE ARTS STUDIOS 3485 University Avenue • Contact: (951) 784-5849 MISSION INN MUSEUM Special Events 3696 Main Street • Contact: (951) 788-9556 MONDAY NIGHT RUPO – OPEN MIC RIVERSIDE COMMUNITY ARTS ASSOCIATION Every Monday from 9 pm to 11 pm at Back to the Grind 3860 Lemon Street • Contact: (951) 682-6737 Info at http://www.back2thegrind.com/main.html T. E. STUDIO & GALLERY 3594 Main Street • Contact: (951) 686-6740 COUNTY -
UNIVERSITY of CALIFORNIA, IRVINE Measurement of Online
UNIVERSITY OF CALIFORNIA, IRVINE Measurement of Online Social Networks DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Networked Systems by Minas Gjoka Dissertation Committee: Athina Markopoulou, Chair Carter T. Butts Scott Jordan 2010 c 2010 Minas Gjoka TABLE OF CONTENTS Page LIST OF FIGURES v LIST OF TABLES x ACKNOWLEDGMENTS xi CURRICULUM VITAE xii ABSTRACT OF THE DISSERTATION xiii 1 Introduction 1 1.1 Motivation ................................... 1 1.1.1 Overview of Online Social Networks ................ 1 1.1.2 Why study Online Social Networks? ................. 3 1.1.3 Why sample Online Social Networks? ................ 5 1.2 Contributions ................................. 6 1.2.1 Social graph sampling ........................ 6 1.2.2 Multigraph sampling ......................... 7 1.2.3 Crawlers ............................... 7 1.2.4 Facebook applications ........................ 8 1.3 Thesis Outline ................................. 8 2 Related Work 9 2.1 Graph sampling techniques .......................... 9 2.2 Characterization studies of OSNs ....................... 13 3 Crawling Online Social Networks 17 3.1 What is crawling? ............................... 17 3.2 Data Collection ................................ 18 3.2.1 Legal Considerations ......................... 19 3.2.2 Challenges .............................. 19 3.2.3 Implementation ............................ 21 3.3 Summary ................................... 24 ii 4 Social graph sampling 26 4.1 Overview -
Glyphs! Data Communication for Primary Mathematicians. REPORT NO ISBN-1-56417-663-0 PUB DATE 97 NOTE 68P
DOCUMENT RESUME ED 401 134 SE 059 203 AUTHOR O'Connell, Susan R. TITLE Glyphs! Data Communication for Primary Mathematicians. REPORT NO ISBN-1-56417-663-0 PUB DATE 97 NOTE 68p. AVAILABLE FROM Good Apple, 299 Jefferson Road, P.O. Box 480, Parsippany, NJ 07054-0480 (GA 1573). PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS *Communication Skills; *Data Analysis; *Data Interpretation; Elementary Education; Learning Activities; *Mathematics Instruction; Teaching Methods; Thinking Skills ABSTRACT Glyphs, a way of representing data pictorially, are a new way for elementary students to collect, display, and interpret data. This book contains a number of glyph activities that can be used as creative educational tools -for grades 1=-3. Each glyph_has three essential construction elements: the glyph survey (the questions that are asked), the glyph directions (tell what to draw based on the answers given), and the glyph pattern (a reproducible provided in this book or a shape that is hand drawn on a sheet of paper). Glyph activities begin with the collection of data followed by displaying the data by following a series of directions. Once glyphs are created they can be analyzed and interpreted' in many ways. In the process of exploring their glyphs students are provided' with opportunities to communicate their mathematical thinking both orally and in writing. Along with building data analysis and communication skills, glyphs also stimulate students' mathematical reasoning as they compare, contrast, and draw conclusions. (JRH). *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. -
Kahk' Uti' Chan Yopat
Glyph Dwellers Report 57 September 2017 A New Teotiwa Lord of the South: K’ahk’ Uti’ Chan Yopat (578-628 C.E.) and the Renaissance of Copan Péter Bíró Independent Scholar Classic Maya inscriptions recorded political discourse commissioned by title-holding elite, typically rulers of a given city. The subject of the inscriptions was manifold, but most of them described various period- ending ceremonies connected to the passage of time. Within this general framework, statements contained information about the most culturally significant life-events of their commissioners. This information was organized according to discursive norms involving the application of literary devices such as parallel structures, difrasismos, ellipsis, etc. Each center had its own variations and preferences in applying such norms, which changed during the six centuries of Classic Maya civilization. Epigraphers have thus far rarely investigated Classic Maya political discourse in general and its regional-, site-, and period-specific features in particular. It is possible to posit very general variations, for example the presence or absence of secondary elite inscriptions, which makes the Western Maya region different from other areas of the Maya Lowlands (Bíró 2011). There are many other discursive differences not yet thoroughly investigated. It is still debated whether these regional (and according to some) temporal discursive differences related to social phenomena or whether they strictly express literary variation (see Zender 2004). The resolution of this question has several implications for historical solutions such as the collapse of Classic Maya civilization or the hypothesis of status rivalry, war, and the role of the secondary elite. There are indications of ruler-specific textual strategies when inscriptions are relatively uniform; that is, they contain the same information, and their organization is similar. -
International Trends
Wedding Cultures INTERNATIONAL TRENDS - Jean Oosthuzien Weddings – All Around the World INTERNATIONAL WEDDING TRENDS Agenda Recap of Christian Weddings Other Wedding Customs Chinese Weddings Pakistan Weddings German Weddings Planning a Wedding Creating a Budget Case study of the budget How do we go about a themed Christian wedding ? Let’s take… John and Jane’s wedding THE PARK HYATT, DEIRA, DUBAI 14TH FEBRUARY 2016 2.30 PM Themes Valentine’s Day Hearts Colour Schemes Reds Creams Whites * Flowers and Colours Red Roses for bride’s bouquet. Red Rose corsage for groom’s lapel. White Rose bouquets for the bridesmaids. Bridesmaids will wear red dresses. Groom will wear a red tie. Bridal Wear – Vintage Parisienne Glamour. Food and Drink French champagne with strawberries for drinks reception. Dinner Menu: Duck Foie Gras, peach chutney, brioche – Panfried Beef Tenderloin – Grand crus chocolate mille feuille – tea, coffee and petit fours. French macaroon wedding cake The top table will seat 10 people: The Bride and Groom, Basic Floor Plan Bride’s Mother and Father, Groom’s Mother and Father, 2 Bridesmaids and 2 Groomsmen. Top Table Each round table will seat 10 guests. The central round table will display the cake and will be moved after cutting of the cake to make way for a central dance floor. The band will be positioned near the top table in the evening. * Event Flow Summary N.b. civil ceremony has already taken place in prior to this celebration so the couple are legally married. 1.45 Groom arrives at Marina Garden for ceremony with his Groomsmen and parents. -
Investor Relations I August 2015 Company Mission & Business Area
Investor Relations I August 2015 Company Mission & Business Area A Mobile Lifestyle Platform Daum Kakao provides mobile lifestyle services that make everyday connections boundless and better Our mission is to “Connect Everything” Connecting users, businesses, and more together on our platform in a way that touches every aspect of our lives Communication & Search & Media & Commerce & Taxi & Community Recommendation Content Games Fintech Others Media 2 Created Through the Merger of Leading Internet & Mobile Platforms Feb 1995 1999 2005 2009 2013 Established Daum Café Daum Blog Map. Mobile Global Utility Apps Daum “Tistory” Service “SolMail” Communications “SolCalendar” 1997 2000 2006 Jun 2015 Daum E-mail Daum Search Daum TV Kakao#Search Jan 2015 May 2015 “Hanmail” “TV Pot” KakaoChannel K Venture Group Path KakaoTV Mobile Lifestyle Platform Oct. 1, 2014 Merger between Daum and Kakao Nov 2014 Mar 2015 May 2015 BankWalletKakao KakaoTaxi LOC&ALL (KimGiSa) Mar 2010 Mar 2012 Aug 2014 KakaoTalk KakaoStory YellowID Dec 2006 Sep 2010 Jul 2012 Sep 2014 Established Changed company KakaoGames KakaoPay IWILAB Name to Kakao 3 Diversified Platform Leveraging Content, Social Graph and User Traffic Daum Kakao’s Assets and Expertise Diverse Platforms Leading to Growth and Monetization #1 Communications Kakao Kakao Kakao Contents & Community Talk Story Hello #2 Advertising Kakao Platform Daum Story YellowID #3 Assets Recommendation Daum Kakao(#) KakaoTalk & Search Search Search Channel Social by advertising monetizing Traffic Graph User &engagementand base growth #4 Media & Content Daum Media KakaoTV KakaoPage n Contents: 14 years of accumulated contents of Daum #5 Search and continued creation of contents by Kakao Games Kakao Kakao Daum platforms including KakaoStory, Brunch, Plain, etc. -
Glass Verrerie Européenne 1920-2000 from One Property
Glass Verrerie Européenne 1920-2000 from one property MERCREDI 7 FÉVRIER 2018 PIASA Contact du département Design Contact presse PIASA Cécile Demtchenko Woringer Frédéric Chambre Tél. : +33 1 53 34 12 95 [email protected] [email protected] Nicolas Denis [email protected] Tél. : +33 1 45 44 43 54 Martin Jalabert [email protected] Tél. : +33 1 53 34 10 06 Alix de Saint-Hilaire Tél. : +33 1 45 44 12 71 [email protected] Pascale Humbert Tél. : +33 1 53 34 10 19 [email protected] Estelle Laporte Tél. : +33 1 53 34 12 80 [email protected] Clémence Paris [email protected] Tél. : +33 1 45 44 43 53 Glass Verrerie Européenne 1920-2000 from one property one from Notre consultant en Belgique pour le département Commissaires-priseurs Arts Décoratifs et Design habilités Thierry Belenger Frédéric Chambre Tél : +32 4 75 98 40 38 Carole Siméons [email protected] Enchérissez en direct sur www.piasa.fr Glass Verrerie Européenne 1920-2000 from one property Vente : mercredi 7 février 2018 à 18h PIASA 118 rue Faubourg Saint-Honoré 75 008 Paris Exposition publique Vendredi 2 février 2018 de 10 à 18 heures Samedi 3 février 2018 de 11 à 18 heures Lundi 5 février 2018 de 10 à 18 heures Mardi 6 février 2018 de 10 à 18 heures Mercredi 7 février 2018 de 10 à 12 heures Téléphone pendant l’exposition et la vente +33 1 53 34 10 10 Enchérissez en direct sur www.piasa.fr France • Gabriel Argy Rousseau (1885-1953) • Georges Chevalier (1894-1987) pour la manufacture de Baccarat • Aristide Colotte (1885-1959) • Paul Daum (1888-1944) pour la Manufacture Daum Nancy France • Pierre Gaillard (XXème) • Jean Luce (1895-1964) • André Thuret (1898-1965) VERRERIE EUROPÉENNE : D.R. -
1 Appalachian Center for Crafts Vince Pitelka, 2016 Glossary of Colored
Appalachian Center for Crafts Vince Pitelka, 2016 Glossary of Colored Clay Techniques Basalt Body: a clay body containing enough metallic oxides to fire to a gray-black or chocolate brown color. Basalt bodies may be fine-grained and smooth, as in Wedgewood black basalt ware, or may be grainy and rough, as in some sculptural works by Peter Voulkos and John Mason. Burnishing: historically the third stage in pottery decoration in almost every culture, after surface impressing and slip painting. Burnishing allows for a smooth, dense, glassy surface on any clay without the use of glazes. Color intensity is enhanced with burnishing almost as effectively as with the “wetting” effect of a clear glaze, and burnishing gives a satin texture achievable through no other method. Burnishing is generally done at the bone dry stage after re-introducing moisture into the clay with a thin coat of lard, glycerin, shortening, or cooking oil. One the lard or oil is absorbed, the surface is rubbed with a smooth hard object such as a shiny pebble or the back of a steel spoon. After firing, burnished wares are often polished further with pure tung-oil (a wood-finishing oil) or furniture polish. Clay Marquetry: similar to marquetry in wood. Small pieces of damp colored clays are assembled on a clay back-up slab (with a spray of vinegar water) to create pictorial imagery. Sometimes the designs are improvised during assembly, often overlapping components. For greater precision and pictorial clarity, an original design may be executed on poster-board, which is then cut up into individual templates. -
AUD AP96 Page 1 of 148 City of Cedar Rapids Accounts Payable Expenditures for the Week Ending May 23, 2017
City of Cedar Rapids Accounts Payable Expenditures for the Week Ending May 23, 2017 Name Vendor Department Name Voucher Invoice Date Description Qty Unit Price Amount 7G Distributiing LLC 0000027306 GLF Ellis Golf Clubhouse 00611267 Prepaid Beer 2017-05-11 Prepaid Beer 1 6,500.00 6,500.00 7G Distributiing LLC 0000027306 GLF Gardner Clubhouse 00611267 Prepaid Beer 2017-05-11 Prepaid Beer 1 6,500.00 6,500.00 7G Distributiing LLC 0000027306 GLF Jones Club House 00611267 Prepaid Beer 2017-05-11 Prepaid Beer 1 3,000.00 3,000.00 7G Distributiing LLC 0000027306 GLF Twin Pines Club House 00611267 Prepaid Beer 2017-05-11 Prepaid Beer 1 5,000.00 5,000.00 7G Distributiing LLC 0000027306 REC Tait Cummins 00611267 Prepaid Beer 2017-05-11 Prepaid Beer 1 6,300.00 6,300.00 A Shaw Investments 8359732346 Water 00008045 8359732346 2017-05-21 UTILITY REFUND 0 0.00 207.56 A1A Sandblasting 0000030259 Swimming Pool Improvements 00608746 44 2017-04-17 Caulking & Painting Services 1 21,890.00 21,890.00 AEC Contracting Inc 0000032798 Admin.-Housing Services 00611205 7428B 2017-05-03 CDBG - 384 19th Street SE 1 6,800.00 6,800.00 AEC Contracting Inc 0000032798 Lead Base Grant 00611204 7428A 2017-05-03 CDBG - 384 19th Street SE 1 19,747.80 19,747.80 AFSCME Local 620 0000000154 Misc Employee Deductions 00611135 AFSCME051 2017-05-19 Union Dues 1 11,175.63 11,175.63 AKM Property Management LLC 0000017300 Leased Housing - HAP 00328290 V1251-1 2017-05-01 Rental Assistance 0 0.00 258.00 ASI Flex 0000021324 Flexible Spending Accounts 00610736 ASIF051517 2017-05-15 2017 FSA -
New Glass Review 10.Pdf
'New Glass Review 10J iGl eview 10 . The Corning Museum of Glass NewG lass Review 10 The Corning Museum of Glass Corning, New York 1989 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1988 calendar year. innerhalb des Kalenderjahres 1988 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1989 Alle Rechtevorbehalten, 1989 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-119-X ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 er Wunsch zu verallgemeinern scheint fast ebenso stark ausgepragt Jury Statements Dzu sein wie der Wunsch sich fortzupflanzen. Jeder mochte wissen, welchen Weg zeitgenossisches Glas geht, wie es in der Kunstwelt bewer- tet wird und welche Stile, Techniken und Lander maBgeblich oder im Ruckgang begriffen sind. Jedesmal, wenn ich mich hinsetze und einen Jurybericht fur New Glass Review schreibe (dies ist mein 13.), winden he desire to generalize must be almost as strong as the desire to und krummen sich meine Gedanken, um aus den tausend und mehr Dias, Tprocreate. -
Thematic Manifestations: an Aesthetic Journey. Jeff Kise East Tennessee State University
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2004 Thematic Manifestations: an Aesthetic Journey. Jeff Kise East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Art and Design Commons Recommended Citation Kise, Jeff, "Thematic Manifestations: an Aesthetic Journey." (2004). Electronic Theses and Dissertations. Paper 877. https://dc.etsu.edu/ etd/877 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Thematic Manifestations: an Aesthetic Journey ______________________ A thesis presented to the faculty of the Department of Art and Design East Tennessee State University ______________________ In partial fulfillment of the requirements for the degree of Master of Fine Arts in Studio Art ______________________ by Jeff Kise May 2004 _____________________ Don Davis, Chair Anita DeAngelis Catherine Murray Keywords: Ceramics, Simplicity, Aesthetics, Saggar Firing, Flash Firing, Naked Raku ABSTRACT Thematic Manifestations: An Aesthetic Journey by Jeff Kise This thesis, in support of the Master of Fine Arts exhibition entitled Thematic Manifestations at East Tennessee State University, Carroll Reece Museum, Johnson City, Tennessee, March 2-12, 2004, describes in detail three aesthetic themes that are manifested in the work exhibited. The artist discusses his journey in establishing a “criterion of aesthetic values” whereby his work is conceptually developed. The three themes – The Paradox of Simplicity, The Decorative Power of Nature, and The Beauty of the Irregular – are founded on historical and contemporary influences and are further described in practical application of form and process.