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Michelangelo's Inner Anatomies

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The Pennsylvania State University Press University Park, Pennsylvania Michelangelo's Inner Anatomies CHRISTIAN K. KLEINBUB Contents List of Illustrations ix Acknowledgments xiii Introduction i 1 THE LIVER AND DESIRE 17 2 THE HEART UNDER SIEGE 53 3 THE LOVE OF THE HEART 83 4 FAITH IN THE HEART io5 5 THE BRAIN, JUDGMENT, AND MOVEMENT 131 Conclusion 163 Notes 183 Bibliography 211 Index 229 Illustrations 1 Michelangelo, Last Judgment, ca. 1536-41 xvi 2 Detail of (a) Michelangelo, Crucijixion of Peter, ca. 1545-50; detail (b) of Michelangelo, The Dream or II Sogno, ca. 1533; detail of (c) Michelangelo, Last Judgment, ca. 1536-41 3 3 Michelangelo, David, ca. 1501-04 6 4 Michelangelo, Pietd, ca. 1498-99 7 5 Detail of Michelangelo, Tomb of Giuliano de Medici, ca. 1525 8 6 (a) Detail of Michelangelo and Pontormo, Venus and Cupid, ca. 1532-33; (b) detail of Michelangelo, Dying Slave, ca. 1513-16; (c) detail of Michelangelo, Brazen Serpent, ca. 1508-12; (d) detail of Michelangelo, Planfor the Church ofSan Giovanni dei Fiorentini, ca. 1559-60 11 7 Michelangelo (attrib.), Rape of Ganymede, ca. 1532 16 8 Michelangelo, Punishment ofTityus, ca. 1532 17 9 Detail of Michelangelo, Resurrection of Christ (verso of Punishment of Tityus), ca. 1532 26 10 Michelangelo, Creation ofAdam, ca. 1508-12 26 11 Michelangelo, The Raising ofLazarus, ca. 1516 26 12 Detail of Michelangelo (attrib.), Rape of Ganymede, ca. 1532 26 13 Detail of Michelangelo, Punishment ofTityus, ca. 1532 28 14 Andreas Vesalius, Anatomized Torso, from De humani corporisfabrica (Basel, 1543) 28 15 Detail of Michelangelo, Punishment ofTityus, ca. 1532 29 16 Detail of Michelangelo, Brazen Serpent, ca. 1508-12 34 17 Detail of Michelangelo, Last Judgment, ca. 1536-41 35 18 Detail of Michelangelo, Last Judgment, ca. 1536-41 36 19 Michelangelo, Dying Slave, ca. 1513-16 41 20 Michelangelo, Rebellious Slave, ca. 1513-16 41 21 Detail of Michelangelo, Dying Slave, ca. 1513-16 43 22 Detail of Michelangelo, Dying Slave, ca. 1513-16 44 23 Detail of the ape head visible behind figure's left knee in Michelangelo, Rebellious Slave, ca. 1513-16 44 24 Michelangelo, Awakening Slave, ca. 1520-23 49 25 Michelangelo, Madonna and Child, ca. 1524-34 50 26 Michelangelo, The Archers, ca. 1530 55 27 Michelangelo, Fortification Drawing, ca. 1528-29 64 28 Francesco di Giorgio Martini, Church-Man, 66 from the Trattato di architettura, ca. 1475-95 29 Francesco di Giorgio Martini, City-Man, ca. 1475-95 67 30 Michelangelo, Fortification Drawing, ca. 1528-29 72 31 Michelangelo, Fortification Drawing, ca. 1528-29 72 32 Michelangelo, Fortification Drawing, ca. 1528-29 73 33 After Francesco di Giorgio Martini, Diagram ofthe Visual Pyramid Entering the Eye ofthe Beholder, from Trattato I 74 34 Michelangelo, Fortification Drawing, ca. 1528-29 75 35 Michelangelo, Fortification Drawing, ca. 1528-29 75 36 Michelangelo, Fortification Drawing, ca. 1528-29 76 37 Michelangelo, Fortification Drawing, ca. 1528-29 (verticalized) 77 38 Leonardo da Vinci, Cross Section of Eye with Visual Rays, from Codex Atlanticus, ca. 1478-1519 77 39 Leonardo da Vinci, Study ofthe Eyes, from Codex Atlanticus, ca. 1478-1519 77 40 Michelangelo, Study ofthe Eyes, ca. 1526 78 41 Teofilo Gallaccini, Fortress in Shape of Human Head, from L'idea della Fortificazione, ca. 1620S-30S 79 42 Michelangelo and Pontormo, Venus and Cupid, ca. 1532-33 82 43 Agnolo Bronzino, Dante, ca. 1532-33 84 44 Giorgione (with Titian), The Sleeping Venus, ca. 1510 84 Detail of and 45 Michelangelo Pontormo, Venus and Cupid, ca. 1532-33 85 Detail of and 46 Michelangelo Pontormo, Venus and Cupid, ca. 1532-33 85 Detail of and 47 Michelangelo Pontormo, Venus and Cupid, ca. 1532-33 86 Detail of and 48 Michelangelo Pontormo, Venus and Cupid, ca. 1532-33 88 49 Michelangelo, Victory, ca. 1532-34 88 Detail of and 50 Michelangelo Pontormo, Venus and Cupid, ca. 1532-33 89 51 Michelangelo, Venus and Cupid, ca. 1532 89 Palma il 52 Vecchio, Venus Disarming Cupid, ca. 1523-24 89 53 Agnolo Bronzino, with Venus and Allegory Cupid, ca. 1544-45 91 54 Jan Saenredam (after Hendrick Venus and Goltzius), Cupid, ca. 1592 92 Titian, Venus ca. 55 ofUrbino, 1538 ^g 56 Detail of Michelangelo and Pontormo, Venus and Cupid, ca. 1532-33 99 Sandro 57 Botticelli, Venus and Mars, ca. 1485 I00 Sandro 58 Botticelli, Pallas and the ca. Centaur, 1482 IOI and 59 Michelangelo Pontormo, Noli me ca. tangere, 1531—32 104 60 Fra Angelico, Noli me tangere, ca. 1438-50 IQy 61 Sandro Botticelli, Noli me tangere, ca. 1490 I0g x ILLUSTRATIONS 62 Andrea del Sarto, Noli me tangere, ca. 1510 108 Detail of and 63 Michelangelo Pontormo, Noli me tangere, ca. 1531-32 109 Noli 64 Titian, me Tangere, ca. 1511-12 hi Detail of 65 Michelangelo, Last Judgment, ca. 1536-41 hi 66 Michelangelo, Pieta, ca. 1547-53 112 Albrecht Noli me 67 Diirer, tangere, ca. 1509-11 n3 68 Andrea del Verrocchio, Incredulity of Saint Thomas, finished 1472 114 69 Titian, Mary Magdalen, ca. 1532-34 127 Brazen 70 Michelangelo, Serpent, ca. 1508-12 133 7i Detail of Michelangelo, Brazen Serpent, ca. 1508-12 136 72 Michelangelo, Brazen Serpent, ca. 1520-25 137 73 Michelangelo, Self-Portrait on Scaffold, ca. 1509-10 138 74 Augustus of Ancona, Opusculum perutile de cognitione animae (Bologna, 1503) 140 75 Johannes de Ketham, Disease Man, from Fasiculo di medicina (Venice, 1494) 141 76 Detail of Baccio Bandinelli, Hercules and Cacus, ca. 1527-34 r43 77 Detail of Agnolo Bronzino, Allegory with Venus and Cupid, ca. 1545 I43 78 Leonardo da Vinci, Studies ofthe Brain, ca. 1493-94 I43 79 Michelangelo, The Dream or II Sogno, ca. 1533-34 H4 80 Detail of Michelangelo, The Dream or II Sogno, ca. 1533-34 145 8i Sebastiano del Piombo (with Michelangelo), Raising ofLazarus, ca. 1517-19 146 82 Albrecht Diirer, Standing Figures, from Four Books on Human Proportion (Nuremberg, 1528) 152 83 Michelangelo, Conversion of Saul, ca. 1542-50 155 84 Michelangelo, Crucifixion of Peter, ca. 1542-50 156 85 Detail of Michelangelo, Conversion of Saul, ca. 1542-50 x57 86 Detail of Michelangelo, Conversion of Saul, ca. 1542-50 158 87 Detail of Michelangelo, Crucifixion of Peter, ca. 1542-50 !59 88 Detail of Michelangelo, Crucifixion of Peter, ca. 1542-50 *59 89 Detail of Michelangelo, Crucifixion of Peter, ca. 1542-50 161 90 Detail of Michelangelo, Crucifixion of Peter, ca. 1542-50 161 9i Agnolo Bronzino (designer), Joseph and Potiphar's Wife, ca. 1545-53 164 92 Detail of Agnolo Bronzino (designer), Joseph Interprets the Dream of Pharaoh, ca. 1545-53 164 93 Detail of Agnolo Bronzino (designer), Joseph Receiving Benjamin, ca. 1545-53 165 94 Andreas Vesalius, Musculature Structure ofa Man, from De humani corporisfabrica (Basel, 1543) 166 ILLUSTRATIONS xi Muscles the Male 95 Andreas Vesalius, Front View ofthe Deeper of Human Body, from De humani corporis fabrica (Basel, 1543) 96 Andreas Vesalius, Anatomized Bodyfrom Left Side, from J66 De humani corporis fabrica (Basel, 1543) libri XV 97 Realdo Colombo, frontispiece, De re anatomica (Venice, 1559) I^7 98 fitienne Duperac, View ofthe Campidoglio as Re-designed by Michelangelo, from Speculum Romanae Magnificentiae (Rome, 1569) 167 Giovanni dei 99 Michelangelo, Planfor the Church of San Fiorentini, J68 ca. 1559-60 too Fra Filippo Lippi, Annunciation, ca. 1440 17° 101 Fra Filippo Lippi, Annunciation, ca. 1450-53 17° 102 Marcello Venusti (after Michelangelo), Annunciation, after 1546 171 103 Michelangelo (attrib.), Annunciation, ca. 1546 172 104 Marcello Venusti (after Michelangelo), The Annunciation, ca. 1551-55 173 105 Michelangelo, Annunciation, ca. 1551-55 173 106 Michelangelo, Annunciation, ca. 1545-46 174 107 Michelangelo, Annunciation, ca. 1545-46 174 108 Michelangelo, The Virgin Annunciate, ca. 1545-51 175 109 Michelangelo, The Angel ofthe Annunciation, ca. 1545-51 175 no Andreas Vesalius, frontispiece, De humani corporisfabrica (Basel, 1543) 180 i i i Andreas Vesalius, second frontispiece, De humani corporisfabrica (Basel, 1555) 180 ii2 Michelangelo, Ignudo, ca. 1508-12 181 xi i ILLUSTRATIONS.
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