DOCSLIB.ORG

Greek and Roman Perceptions of the Afterlife in Homer's

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Greek and Roman Perceptions of the Afterlife in Homer's McNair Scholars Journal Volume 11 | Issue 1 Article 2 2007 Greek and Roman Perceptions of the Afterlife in Homer’s Iliad and Odyssey and Virgil’s Aeneid Jeff Adams Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/mcnair Recommended Citation Adams, Jeff (2007) Gr" eek and Roman Perceptions of the Afterlife in Homer’s Iliad and Odyssey and Virgil’s Aeneid," McNair Scholars Journal: Vol. 11: Iss. 1, Article 2. Available at: http://scholarworks.gvsu.edu/mcnair/vol11/iss1/2 Copyright © 2007 by the authors. McNair Scholars Journal is reproduced electronically by ScholarWorks@GVSU. http://scholarworks.gvsu.edu/ mcnair?utm_source=scholarworks.gvsu.edu%2Fmcnair%2Fvol11%2Fiss1%2F2&utm_medium=PDF&utm_campaign=PDFCoverPages Greek and Roman Perceptions of the Afterlife in Homer’s Iliad and Odyssey and Virgil’s Aeneid Abstract Homer’s Odyssey says that death “is the This study is a literary analysis of way of mortals, whenever one of them Homer’s Iliad and Odyssey and Virgil’s should die, for the tendons no longer Aeneid. Of specific interest are the hold flesh and bones together, but the interactions of Achilles, Odysseus, strong might of blazing fire destroys and Aeneas with their beloved dead. these things as soon as the spirit has left I focused on what each party, both the the white bones, and the soul, having living and the dead, wanted and the flown away like a dream, hovers about.”1 results of their interaction. Methods People have always been fascinated by included reading passages from the death and the afterlife. From scholarly ancient Greek and Latin texts and inte- research to American cinema, everyone grating these with historical evidence of has his or her own idea of the afterlife. beliefs in the mid-eighth century BC for For example, the movie What Dreams the Greeks, and in the late first century May Come serves as one modern take BC for the Romans. Homer significantly on a classical theme: Robin Williams’ influenced the religious beliefs of the character can interact with his wife after Greeks, while Virgil did not similarly his death and he is even able to travel to affect Roman religion. the underworld from heaven to save her. Jeff Adams The concept of the living interacting with McNair Scholar the dead is still a salient topic in our age. We can easily see how present depictions of the interactions between the living and the dead affect our ideas and behaviors regarding death, and it is also important to understand how ancient literature affected ancient societal beliefs. In order to understand how Homer’s Iliad and Odyssey and Virgil’s Aeneid affected their respective societies, I examined the interactions of central characters, both living and dead, and how these actions were reflected in their respective society’s beliefs. In addition, however, the Homeric epics heavily influenced the religious beliefs of the contemporary Greeks, affecting their ideas of the dead, the prevalence of hero cults, and their burial methods. Although Diane Rayor, Ph.D. the Romans had religious ideas that Faculty Mentor were represented in the Aeneid, Virgil’s portrayal of the Homeric view of the underworld depicted in the Aeneid had no similar effect on their beliefs. The different impacts that these epics had were reflected at varying levels of society – from deep spiritual movements to political manipulation. The Greek idea of the underworld was more typical of the account from the Odyssey than the Iliad. Alan Segal notes, “The Greeks apparently concluded that 1. Homer, Odyssey 11.218-222, trans. Jeff Adams. GVSU McNair Scholars Journal VOLUME 11, 2007 5 since death comes to all, Hades was the M. C. Toynbee states that “the dead and in as much detail as the Odyssey, this final destination for all. … The virtu- living can affect one another mutually. does not mean that the beliefs were ous and the sinners all lead the same life … They [Manes or spirits] were capable different. According to Zaidman and in Hades.”2 However, Segal’s view of of aiding their descendents, but were Pantel, “The Greeks certainly had a the afterlife is the Homeric description harmful and spiteful to the living if graphic and often geographical con- shown in the Iliad, which is interesting kinless and neglected.”6 The purpose of ception of the world of the dead.”10 because it does not take Greek Mystery worshipping the Manes was to appease While the Greeks believed in the Cults into consideration, especially the them so that they would not harm the idea of this afterlife, the Romans Eleusinian Mysteries. This mystery family.7 However, these beliefs were did not. R. M. Ogilvie declares: religion was very popular in practiced set down long before Virgil’s Aeneid. Greek religion beginning in the eighth According to Denis Feeney, Virgil was We are too apt to think of the century BC.3 And according to Walter “interested in making the Homeric expe- Greek myths of Styx and the Burkert, the mysteries were an aim at rience part of the Roman experience.”8 kingdom of Hades. This (despite some form of salvation through closeness The representations of the underworld its use by Virgil in Aeneid VI) with particular gods.4 So contrary to the by Virgil mimic Homer’s idea of the was certainly not taken seriously statement by Segal, the archaic Greeks underworld and afterlife. Once again, by Virgil’s contemporaries. … did believe in special treatment or pun- while there are major differences in the But most people, while rejecting ishment of the dead in the underworld representations of the underworld in the Greek vision of the after-life, as is represented in Homer’s Odyssey. the Iliad and in the Odyssey, Virgil was cautiously accepted the hope or Though there is not obvious evidence clearly inspired by Homer in his rendi- the fear that the spirit did in some depicting Homer’s influence on mystery tion. In Homer’s epics, the underworld is sense survive.11 cults, we should never disregard the im- represented as being a tangible location, portance of the Greek mystery religions. where living men are able to travel. Ogilvie clearly states the Romans While it appears that Homer’s writ- Virgil took the concept of the tangible did not believe in the representation of ings had a direct effect on the beliefs underworld and ran with it, depicting a the afterlife depicted in Virgil’s Aeneid. of the Greeks, the inverse was true for heaven and hell hidden from the average Though their beliefs were not the same the Aeneid – the beliefs of the Romans mortal. In book six of the Aeneid, Aeneas as in the epic, the Romans had a vast had more of an effect on the writings of travels into the hidden entrance of the variety of ancestral rituals and festivals Virgil. Homer’s works had a profound underworld only with the help of the that embodied their spiritual enthusiasm influence on the ideas of what became prophetic priestess Sibyl.9 In the Odys- and proved to be quite complicated: of the soul after death. The Homeric sey, Homer describes the underworld as representation of the psukhe, or the having different areas for the different The religious ideas expressed in mirrored image of the dead, became the types of deceased. For instance, Menel- [Virgil’s] poetry are highly com- predominant view of the dead.5 Homer aos will spend eternity in the Elysian plex. Book VI, for instance, com- depicts the spirits of the dead as transpar- Fields because he is Helen’s husband, the bines a wide range of traditional ent images of their former earthly bodies. son-in-law of Zeus. The Elysian Fields, elements from Homer, Pindar, and Homer’s Iliad and Odyssey influenced situated at the ends of the earth with the Plato together with the mystic idea the Greeks’ idea of what occurred after rest of the underworld, was considered to of a descent to Hades, … and fuses death, but also went so far as to reach be paradise where the privileged resided. all these with specifically Roman into many other aspects of the religious Also in the Odyssey is the representa- beliefs and practices. The resulting beliefs of the Greeks in the eighth tion of the mortals Tityos, Sisyphus, and vision would have puzzled most century BC. The Roman conceptions Tantalos, whose punishments carry over Romans.12 of the living interacting with the dead into death, where they are continuously remained an important belief, even with tortured. Even though the underworld is It would be difficult to fit an entire the rejection of the Greek view of the mentioned by Patroklus in book 23 of description about the vastness of Roman afterlife. Although the Romans rejected the Iliad, he never mentions anything religion at this historical point within this this view of the afterlife, they held a concerning other levels or special areas analysis, but descriptions of the estab- similar idea of the spirits of the dead of Hades’ kingdom. Although in the lished practices are useful in exemplify- and how they could affect the living. J. Iliad the underworld is not described ing the relationship between the literature 2 Segal, Alan F. Life After Death: A History of the Afterlife in the Religions of the West. New York: Doubleday, 2004. 3 The Homeric Hymns: Translation, With Introduction and Notes. Translated by Diane Rayor. Berkeley and Los Angeles: University of California Press, 2004. 4 Burkert, Walter. Ancient Mystery Cults. Cambridge: Harvard University Press, 1987. 5 Zaidman, Bruit, and Schmitt Pantel. Religions of the Ancient Greek City.
Load more

Recommended publications
  • Alexander the Great and Hephaestion
    2019-3337-AJHIS-HIS 1 Alexander the Great and Hephaestion: 2 Censorship and Bisexual Erasure in Post-Macedonian 3 Society 4 5 6 Same-sex relations were common in ancient Greece and having both male and female 7 physical relationships was a cultural norm. However, Alexander the Great is almost 8 always portrayed in modern depictions as heterosexual, and the disappearance of his 9 life-partner Hephaestion is all but complete in ancient literature. Five full primary 10 source biographies of Alexander have survived from antiquity, making it possible to 11 observe the way scholars, popular writers and filmmakers from the Victorian era 12 forward have interpreted this evidence. This research borrows an approach from 13 gender studies, using the phenomenon of bisexual erasure to contribute a new 14 understanding for missing information regarding the relationship between Alexander 15 and his life-partner Hephaestion. In Greek and Macedonian society, pederasty was the 16 norm, and boys and men did not have relations with others of the same age because 17 there was almost always a financial and power difference. Hephaestion was taller and 18 more handsome than Alexander, so it might have appeared that he held the power in 19 their relationship. The hypothesis put forward here suggests that writers have erased 20 the sexual partnership between Alexander and Hephaestion because their relationship 21 did not fit the norm of acceptable pederasty as practiced in Greek and Macedonian 22 culture or was no longer socially acceptable in the Roman contexts of the ancient 23 historians. Ancient biographers may have conducted censorship to conceal any 24 implication of femininity or submissiveness in this relationship.
    [Show full text]
  • The Song Elite's Obsession with Death, the Underworld, and Salvation
    BIBLID 0254-4466(2002)20:1 pp. 399-440 漢學研究第 20 卷第 1 期（民國 91 年 6 月） Visualizing the Afterlife: The Song Elite’s Obsession with Death, the Underworld, and Salvation Hsien-huei Liao＊ Abstract This study explores the Song elite’s obsession with the afterlife and its impact on their daily lives. Through examining the ways they perceived the relations between the living and the dead, the fate of their own afterlives, and the functional roles of religious specialists, this study demonstrates that the prevailing ideas about death and the afterlife infiltrated the minds of many of the educated, deeply affecting their daily practices. While affected by contem- porary belief in the underworld and the power of the dead, the Song elite also played an important role in the formation and proliferation of those ideas through their piety and practices. Still, implicit divergences of perceptions and practices between the elite and the populace remained abiding features under- neath their universally shared beliefs. To explore the Song elite’s interactions with popular belief in the underworld, several questions are discussed, such as how and why the folk belief in the afterlife were accepted and incorporated into the elite’s own practices, and how their practices corresponded to, dif- fered from, or reinforced folk beliefs. An examination of the social, cultural, * Hsien-huei Liao is a research associate in the Department of East Asian Languages and Civilizations at Harvard University, U.S.A. 399 400 漢學研究第20卷第1期 and political impact on their conceptualization of the afterlife within the broad historical context of the Song is key to understand their beliefs and practices concerning the underworld.
    [Show full text]
  • The Fall of Satan in the Thought of St. Ephrem and John Milton
    Hugoye: Journal of Syriac Studies, Vol. 3.1, 3–27 © 2000 [2010] by Beth Mardutho: The Syriac Institute and Gorgias Press THE FALL OF SATAN IN THE THOUGHT OF ST. EPHREM AND JOHN MILTON GARY A. ANDERSON HARVARD DIVINITY SCHOOL CAMBRIDGE, MA USA ABSTRACT In the Life of Adam and Eve, Satan “the first-born” refused to venerate Adam, the “latter-born.” Later writers had difficulty with the tale because it granted Adam honors that were proper to Christ (Philippians 2:10, “at the name of Jesus, every knee should bend.”) The tale of Satan’s fall was then altered to reflect this Christological sensibility. Milton created a story of Christ’s elevation prior to the creation of man. Ephrem, on the other hand, moved the story to Holy Saturday. In Hades, Death acknowledged Christ as the true first- born whereas Satan rejected any such acclamation. [1] For some time I have pondered the problem of Satan’s fall in early Jewish and Christian sources. My point of origin has been the justly famous account found in the Life of Adam and Eve (hereafter: Life).1 1 See G. Anderson, “The Exaltation of Adam and the Fall of Satan,” Journal of Jewish Thought and Philosophy, 6 (1997): 105–34. 3 4 Gary A. Anderson I say justly famous because the Life itself existed in six versions- Greek, Latin, Armenian, Georgian, Slavonic, and Coptic (now extant only in fragments)-yet the tradition that the Life drew on is present in numerous other documents from Late Antiquity.2 And one should mention its surprising prominence in Islam-the story was told and retold some seven times in the Koran and was subsequently subject to further elaboration among Muslim exegetes and storytellers.3 My purpose in this essay is to carry forward work I have already done on this text to the figures of St.
    [Show full text]
  • The Cosmic Myths of Homer and Hesiod
    Oral Tradition, 2/1 (1987): 31-53 The Cosmic Myths of Homer and Hesiod Eric A. Havelock I HOMER’S COSMIC IMAGERY Embedded in the narratives of the Homeric poems are a few passages which open windows on the ways in which the Homeric poet envisioned the cosmos around him. They occur as brief digressions, offering powerful but by no means consistent images, intruding into the narrative and then vanishing from it, but always prompted by some suitable context. A. Iliad 5.748-52 and 768-69 The Greeks in battle being pressed hard by the Trojans, assisted by the god Ares; the goddesses Hera and Athene decide to equalize the encounter by descending from Olympus to help the Greeks. A servant assembles the components of Hera’s chariot: body, wheels, spokes, axle, felloe, tires, naves, platform, rails, pole, yoke are all itemized in sequence, comprising a formulaic account of a mechanical operation: Hera herself attaches the horses to the car. Athene on her side is provided by the poet with a corresponding “arming scene”; she fi nally mounts the chariot and the two of them proceed: 748 Hera swiftly with whip set upon the horses 749 and self-moving the gates of heaven creaked, which the seasons kept 750 to whom is committed great heaven and Olympus 751 either to swing open the thick cloud or to shut it back. 752 Straight through between them they kept the horses goaded-and-driven. 32 ERIC A. HAVELOCK 768 Hera whipped up the horses, and the pair unhesitant fl ew on 769 in midspace between earth and heaven star-studded.
    [Show full text]
  • Death and the Afterlife in Homer
    Death and the Afterlife in Homer Death and what happens after death are universal concerns for humanity; around the world different cultures and religions contemplate our existence, and try to make sense of both our place in the world and our deaths. Although we no longer (for the most part) follow the religious beliefs of the ancient Greeks and Romans, their exploration of mortality and the afterlife can nonetheless be emotionally powerful and meaningful for us. In what follows, we will consider the presentation of death and the afterlife in some of the earliest Greek literature, Homer’s Iliad and Odyssey. The most common name for the underworld was Hades, a personified god and brother of Zeus, but also a place to which the souls of departed mortals go. Hades is in fact far more commonly mentioned as the underworld than as a personified god in Greek literature, although we do see him as an actual character in some myths, most famously in the story of the abduction of Persesphone by Hades, a tale told in the Homeric Hymn to Demeter. In post-classical times, the term Hades was adopted by Christian authors, including the early Church Fathers, Dante and Milton, to refer to the Christian concept of Hell. The term used is the same, but it is important to distinguish between the Christian conception of Hell and Hades. For Christians, Hell is a place to which the souls of the wicked descend after death, whereas the souls of the good are taken to Heaven to be with God. The ancient Greek concept is extremely different.
    [Show full text]
  • The Burial of the Urban Poor in Italy in the Late Republic and Early Empire
    Death, disposal and the destitute: The burial of the urban poor in Italy in the late Republic and early Empire Emma-Jayne Graham Thesis submitted for the degree of Doctor of Philosophy Department of Archaeology University of Sheffield December 2004 IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, LS23 7BQ www.bl.uk The following have been excluded from this digital copy at the request of the university: Fig 12 on page 24 Fig 16 on page 61 Fig 24 on page 162 Fig 25 on page 163 Fig 26 on page 164 Fig 28 on page 168 Fig 30on page 170 Fig 31 on page 173 Abstract Recent studies of Roman funerary practices have demonstrated that these activities were a vital component of urban social and religious processes. These investigations have, however, largely privileged the importance of these activities to the upper levels of society. Attempts to examine the responses of the lower classes to death, and its consequent demands for disposal and commemoration, have focused on the activities of freedmen and slaves anxious to establish or maintain their social position. The free poor, living on the edge of subsistence, are often disregarded and believed to have been unceremoniously discarded within anonymous mass graves (puticuli) such as those discovered at Rome by Lanciani in the late nineteenth century. This thesis re-examines the archaeological and historical evidence for the funerary practices of the urban poor in Italy within their appropriate social, legal and religious context. The thesis attempts to demonstrate that the desire for commemoration and the need to provide legitimate burial were strong at all social levels and linked to several factors common to all social strata.
    [Show full text]
  • The Underworld Krater from Altamura
    The Underworld Krater from Altamura The Underworld krater was found in 1847 in Altamura in 1 7 Persephone and Hades Herakles and Kerberos ITALY southeastern Italy. The ancient name of the town is unknown, Hades, ruler of the Underworld, was the brother of Zeus (king of the gods) and Poseidon (god of The most terrifying of Herakles’s twelve labors was to kidnap the guard dog of the Underworld. APULIA Naples but by the fourth century bc it was one of the largest fortified Altamura the sea). He abducted Persephone, daughter of the goddess Demeter, to be his wife and queen. For anyone who attempted to leave the realm of the dead without permission, Kerberos (Latin, Taranto (Taras) m settlements in the region. There is little information about Although Hades eventually agreed to release Persephone, he had tricked her into eating the seeds Cerberus) was a threatening opponent. The poet Hesiod (active about 700 BC) described the e d i t e r of a pomegranate, and so she was required to descend to the Underworld for part of each year. “bronze-voiced” dog as having fifty heads; later texts and depictions give it two or three. r a what else was deposited with the krater, but its scale suggests n e a n Here Persephone sits beside Hades in their palace. s e a that it came from the tomb of a prominent individual whose community had the resources to create and transport such a 2 9 substantial vessel. 2 The Children of Herakles and Megara 8 Woman Riding a Hippocamp Map of southern Italy marking key locations mentioned in this gallery The inhabitants of southeastern Italy—collectively known as The Herakleidai (children of Herakles) and their mother, Megara, are identified by the Greek The young woman riding a creature that is part horse, part fish is a puzzling presence in the Apulians—buried their dead with assemblages of pottery and other goods, and large vessels inscriptions above their heads.
    [Show full text]
  • THE ARGONAUTIKA He'd Gone on His Vain Quest with Peirithoos: That Couple Would Have Made Their Task's Fulfillment Far Easier for Them All
    Book I Starting from you, Phoibos, the deeds ofthose old-time mortals I shall relute, who by way ofthe Black Sea's mouth and through the cobalt-dark rocks, at King Pelias 's commandment, in search of the Golden Fleece drove tight-thwarted Argo. For Pelias heard it voiced that in time thereafter a grim fate would await him, death at the prompting of the man he saw come, one-sandaled, from folk in the country: and not much later-in accordance with your word-Jason, fording on foot the Anauros's wintry waters, saved from the mud one sandal, but left the other stuck fast in the flooded estuary, pressed straight on to have his share in the sacred feast that Pelias was preparing for Poseidon his father, and the rest of the gods, though paying no heed to Pelasgian Hera. The moment Pelias saw him, he knew, and devised him a trial of most perilous seamanship, that in deep waters or away among foreign folk he might lose his homecoming. ,\row singers before 7ny time have recounted how the vessel was fashioned 4 Argos with the guidance of Athena. IW~cctIplan to do now is tell the name and farnib of each hero, describe their long voyage, all they accomplished in their wanderings: may the Muses inspire mnj sinpng! First in our record be Orpheus, whom famous Kalliope, after bedding Thracian Oikgros, bore, they tell us, 44 THE XRGONAUTIKA hard by Pimpleia's high rocky lookout: Orpheus, who's said to have charmed unshiftable upland boulders and the flow of rivers with the sound of his music.
    [Show full text]
  • The Chaplet of St. Michael
    The Chaplet of St. Michael O God, come to my assistance. O Lord, make haste to help me. Glory be to the Father, etc. 1. By the intercession of St. Michael and the celestial Choir of Seraphim may the Lord make us worthy to burn with the fire of perfect charity. Amen. Our Father and three Hail Marys 2. By the intercession of St. Michael and the celestial Choir of Cherubim may the Lord grant us the grace to leave the ways of sin and run in the paths of Christian perfection. Amen. Our Father and three Hail Marys 3. By the intercession of St. Michael and the celestial Choir of Thrones may the Lord infuse into our hearts a true and sincere spirit of humility. Amen. Our Father and three Hail Marys 4. By the intercession of St. Michael and the celestial Choir of Dominations may the Lord give us grace to govern our senses and overcome any unruly passions. Amen. Our Father and three Hail Marys 5. By the intercession of St. Michael and the celestial Choir of Virtues may the Lord preserve us from evil and falling into temptation. Amen. Our Father and three Hail Marys 6. By the intercession of St. Michael and the celestial Choir of Powers may the Lord protect our souls against the snares and temptations of the devil. Amen. Our Father and three Hail Marys 7. By the intercession of St. Michael and the celestial Choir of Principalities may God fill our souls with a true spirit of obedience. Amen. Our Father and three Hail Marys 8.
    [Show full text]
  • Book 10 – the Kingdom of the Dead Hades (1) God of the Dead, Ruler of the Underworld, Which Was Accordingly Known As Hades
    Book 10 – The Kingdom of the Dead Hades (1) God of the dead, ruler of the Underworld, which was accordingly known as Hades. In various adventures, Hades abducted the maiden Persephone, tricked the heroes Theseus and Peirithous and managed to get himself handcuffed by Sisyphus. The god Hades was a dread figure to the living, who were quite careful how they swore oaths in his name. To many people, simply to utter the word "Hades" was a frightening proposition. Realm of the dead, either underground or in the far West of the world known to the early Greeks - or both. Named for the god Hades, its ruler. Hades (2) As is not surprising, the ancient Greeks did not know what to expect after death. Notions of the afterlife were various and conflicting. Some thought that great heroes lucked out by traveling to the Elysian Fields, where they could hunt and feast and socialize in pleasant company for eternity, while commoners were consigned to a lifeless and boring abode in the Fields of Asphodel. First they'd drink the waters of Lethe, which caused them to lose all memory of their former lives and thus lack anything to talk about. In its earlier depictions, the underworld kingdom of Hades was such a dank and dark and moldering place that were it laid open to the heavens, the gods themselves would turn away in disgust. Persephone Beautiful daughter of Zeus and Demeter; sometimes considered an Olympian. While gathering flowers in a field one day, Persephone was abducted to the Underworld by Hades, who arose in his chariot from a fissure in the ground.
    [Show full text]
  • Magic in Private and Public Lives of the Ancient Romans
    COLLECTANEA PHILOLOGICA XXIII, 2020: 53–72 http://dx.doi.org/10.18778/1733-0319.23.04 Idaliana KACZOR Uniwersytet Łódzki MAGIC IN PRIVATE AND PUBLIC LIVES OF THE ANCIENT ROMANS The Romans practiced magic in their private and public life. Besides magical practices against the property and lives of people, the Romans also used generally known and used protective and healing magic. Sometimes magical practices were used in official religious ceremonies for the safety of the civil and sacral community of the Romans. Keywords: ancient magic practice, homeopathic magic, black magic, ancient Roman religion, Roman religious festivals MAGIE IM PRIVATEN UND ÖFFENTLICHEN LEBEN DER ALTEN RÖMER Die Römer praktizierten Magie in ihrem privaten und öffentlichen Leben. Neben magische Praktik- en gegen das Eigentum und das Leben von Menschen, verwendeten die Römer auch allgemein bekannte und verwendete Schutz- und Heilmagie. Manchmal wurden magische Praktiken in offiziellen religiösen Zeremonien zur Sicherheit der bürgerlichen und sakralen Gemeinschaft der Römer angewendet. Schlüsselwörter: alte magische Praxis, homöopathische Magie, schwarze Magie, alte römi- sche Religion, Römische religiöse Feste Magic, despite our sustained efforts at defining this term, remains a slippery and obscure concept. It is uncertain how magic has been understood and practised in differ- ent cultural contexts and what the difference is (if any) between magical and religious praxis. Similarly, no satisfactory and all-encompassing definition of ‘magic’ exists. It appears that no singular concept of ‘magic’ has ever existed: instead, this polyvalent notion emerged at the crossroads of local custom, religious praxis, superstition, and politics of the day. Individual scholars of magic, positioning themselves as ostensi- bly objective observers (an etic perspective), mostly defined magic in opposition to religion and overemphasised intercultural parallels over differences1.
    [Show full text]
  • THE PONTIFICAL LAW of the ROMAN REPUBLIC by MICHAEL
    THE PONTIFICAL LAW OF THE ROMAN REPUBLIC by MICHAEL JOSEPH JOHNSON A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Classics written under the direct of T. Corey Brennan and approved by ____________________________ ____________________________ ____________________________ ____________________________ New Brunswick, New Jersey October, 2007 ABSTRACT OF THE DISSERTATION The Pontifical Law of the Roman Republic by MICHAEL JOSEPH JOHNSON Dissertation Director: T. Corey Brennan This dissertation investigates the guiding principle of arguably the most important religious authority in ancient Rome, the pontifical college. Chapter One introduces the subject and discusses the hypothesis the dissertation will advance. Chapter Two examines the place of the college within Roman law and religion, giving particular attention to disproving several widely held notions about the relationship of the pontifical law to the civil and sacral law. Chapter Three offers the first detailed examination of the duties of the pontifical college as a collective body. I spend the bulk of the chapter analyzing two of the three collegiate duties I identify: the issuing of documents known as decrees and responses and the supervision of the Vestal Virgins. I analyze all decrees and responses from the point of view their content, treating first those that concern dedications, then those on the calendar, and finally those on vows. In doing so my goal is to understand the reasoning behind the decree and the major theological doctrines underpinning it. In documenting the pontifical supervision of Vestal Virgins I focus on the college's actions towards a Vestal accused of losing her chastity.
    [Show full text]