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The History of British Women's Writing, 1920–1945, Volume Eight The History of British Women's Writing, 1920-1945 Volume Eight Maroula Joannou ISBN: 9781137292179 DOI: 10.1057/9781137292179 Palgrave Macmillan Please respect intellectual property rights This material is copyright and its use is restricted by our standard site license terms and conditions (see http://www.palgraveconnect.com/pc/connect/info/terms_conditions.html). If you plan to copy, distribute or share in any format including, for the avoidance of doubt, posting on websites, you need the express prior permission of Palgrave Macmillan. To request permission please contact [email protected]. The History of British Women’s Writing, 1920–1945 Copyright material from www.palgraveconnect.com - licensed to University of Strathclyde - PalgraveConnect - 2015-02-12 - PalgraveConnect of Strathclyde - licensed to University www.palgraveconnect.com material from Copyright 10.1057/9781137292179 - The History of British Women©s Writing, 1920-1945, Edited by Maroula Joannou The History of British Women’s Writing General Editors: Jennie Batchelor and Cora Kaplan Advisory Board: Isobel Armstrong, Rachel Bowlby, Carolyn Dinshaw, Margaret Ezell, Margaret Ferguson, Isobel Grundy, and Felicity Nussbaum The History of British Women’s Writing is an innovative and ambitious monograph series that seeks both to synthesize the work of several generations of feminist scholars, and to advance new directions for the study of women’s writing. Volume editors and contributors are leading scholars whose work collectively reflects the global excellence in this expanding field of study. It is envisaged that this series will be a key resource for specialist and non- specialist scholars and students alike. Titles include: Liz Herbert McAvoy and Diane Watt (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 700–1500 Volume One Caroline Bicks and Jennifer Summit (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1500–1610 Volume Two Mihoko Suzuki (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1610–1690 Volume Three Ros Ballaster (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1690–1750 Volume Four Jacqueline M. Labbe (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1750–1830 Volume Five Maroula Joannou (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1920–1945 Volume Eight History of British Women’s Writing Series Standing Order ISBN 978–0–230–20079–1 hardback - 2015-02-12 - PalgraveConnect of Strathclyde - licensed to University www.palgraveconnect.com material from Copyright (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above. Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire RG21 6XS, England 10.1057/9781137292179 - The History of British Women©s Writing, 1920-1945, Edited by Maroula Joannou The History of British Women’s Writing, 1920–1945 Volume Eight Edited by Maroula Joannou Copyright material from www.palgraveconnect.com - licensed to University of Strathclyde - PalgraveConnect - 2015-02-12 - PalgraveConnect of Strathclyde - licensed to University www.palgraveconnect.com material from Copyright 10.1057/9781137292179 - The History of British Women©s Writing, 1920-1945, Edited by Maroula Joannou Selection, introduction and editorial matter © Maroula Joannou 2013 Individual chapters © contributors 2013 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2013 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978–0–230–28279–7 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress. 10 9 8 7 6 5 4 3 2 1 22 21 20 19 18 17 16 15 14 13 Printed and bound in Great Britain by CPI Antony Rowe, Chippenham and Eastbourne - 2015-02-12 - PalgraveConnect of Strathclyde - licensed to University www.palgraveconnect.com material from Copyright 10.1057/9781137292179 - The History of British Women©s Writing, 1920-1945, Edited by Maroula Joannou To the Memory of Julia Briggs (1943–2007) Copyright material from www.palgraveconnect.com - licensed to University of Strathclyde - PalgraveConnect - 2015-02-12 - PalgraveConnect of Strathclyde - licensed to University www.palgraveconnect.com material from Copyright 10.1057/9781137292179 - The History of British Women©s Writing, 1920-1945, Edited by Maroula Joannou This page intentionally left blank Copyright material from www.palgraveconnect.com - licensed to University of Strathclyde - PalgraveConnect - 2015-02-12 - PalgraveConnect of Strathclyde - licensed to University www.palgraveconnect.com material from Copyright 10.1057/9781137292179 - The History of British Women©s Writing, 1920-1945, Edited by Maroula Joannou Contents Series Editors’ Preface ix Acknowledgements x Notes on the Contributors xi Chronology 1920–1945 xiv Introduction: Modernism, Modernity, and the Middlebrow in Context 1 Maroula Joannou Part I Mapping Modernism 1 Gender in Modernism 23 Bonnie Kime Scott 2 Exemplary Intermodernists: Stevie Smith, Inez Holden, Betty Miller, and Naomi Mitchison 40 Kristin Bluemel 3 Virginia Woolf and the Aesthetics of Modernism 57 Jane Goldman 4 The Art of Bi- Location: Sylvia Townsend Warner 78 Maud Ellmann Part II Cultural Hierarchy 5 The Feminine Middlebrow Novel 97 Nicola Humble 6 Women and Comedy 112 Sophie Blanch 7 The Woman’s Historical Novel 129 Diana Wallace 8 ‘Queens of Crime’: The ‘Golden Age’ of Crime Fiction 144 Cora Kaplan - 2015-02-12 - PalgraveConnect of Strathclyde - licensed to University www.palgraveconnect.com material from Copyright Part III Gendered Genres 9 Poetry, 1920–1945 161 Jane Dowson 10 Drama, 1920–1945 182 Rebecca D’Monté vii 10.1057/9781137292179 - The History of British Women©s Writing, 1920-1945, Edited by Maroula Joannou viii Contents 11 The Woman Journalist, 1920–1945 199 Catherine Clay Part IV The Mobile Woman 12 Caught in the Triple Net? Welsh, Scottish, and Irish Women Writers 217 Katie Gramich 13 Women’s Writing in the Second World War 233 Gill Plain 14 Women Writing Empire 250 Lisa Regan 15 Women Writing the City 264 Deborah Longworth 16 Myths of Passage: Paris and Parallax 275 Tory Young Electronic Resources 291 Select Bibliography 292 Index 304 Copyright material from www.palgraveconnect.com - licensed to University of Strathclyde - PalgraveConnect - 2015-02-12 - PalgraveConnect of Strathclyde - licensed to University www.palgraveconnect.com material from Copyright 10.1057/9781137292179 - The History of British Women©s Writing, 1920-1945, Edited by Maroula Joannou Series Editors’ Preface One of the most significant developments in literary studies in the last quarter of a century has been the remarkable growth of scholarship on women’s writing. This was inspired by, and in turn provided inspiration for, a postwar women’s movement, which saw women’s cultural expression as key to their emancipation. The retrieval, republication and reappraisal of women’s writing, beginning in the mid-1960s have radically affected the literary curriculum in schools and universities. A revised canon now includes many more women writers. Literature courses that focus on what women thought and wrote from antiquity onwards have become popular undergraduate and postgraduate options. These new initiatives have meant that gender – in language, authors, texts, audience, and in the history of print culture more generally – are cen- tral questions for literary criticism and literary history. A mass of fascinating research and analysis extending over several decades now stands as testimony to a lively and diverse set of debates, in an area of work that is still expanding. Indeed so rapid has this expansion been, that it has become increasingly difficult for students and academics to have a comprehensive view of the wider field of women’s writing outside their own period or specialism. As the research on women has moved from the margins to the confident centre of literary studies it has become rich in essays and monographs
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