DOCSLIB.ORG

Literary Studies

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

LITERARY 2020 STUDIES LITERARY STUDIES Contents Gothic 2 Periodical & Print Culture 39 Shakespeare & Renaissance 7 Theory 41 Eighteenth Century & Romanticism 13 Postcolonial 48 Victorian 17 American & Atlantic 49 Modernism 24 Scottish 57 Twentieth Century 33 Arabic 65 Poetry 36 How to Order 71 Music & Sound 37 Letter from the team We’re kicking 2020 off with the publication of a new textbook in American and Atlantic Literature, Transatlantic Rhetoric: Speeches from the American Revolution to the Suffragettes by Tom Wright (pg 52), which presents over 70 speeches from a range of activists, politicians, fugitive slaves and preachers. We’re thrilled to be expanding our Edinburgh Companions to Literature and the Humanities series with volumes in the fields of Gothic Studies (pg 4), Modernism (pg 25), Refugee Studies (pg 33) and Music & Sound (pg 38). Our Edinburgh Critical Studies in Victorian Culture series is bustling with 11 new volumes as well as 8 releasing in paperback (pg 20-23). Look out for The Edinburgh History of Reading publishing in April 2020 in 4 volumes: Early Readers, Modern Readers, Subversive Readers and Common Readers (pg 40). Providing a cultural history and political critique of Scottish Devolution, Scott Hames brings us the thought-provoking The Literary Politics of Scottish Devolution: Voice, Class, Nation (pg 58). PS. Check out the new volumes in the critical editions of Scottish writers John Galt, John Gibson Lockhart, James Boswell as well as Walter Scott’s Poetry (pg 60 onwards). Jackie Jones Michelle Houston Ersev Ersoy Carla Hepburn Kirsty Andrews Editorial Editorial Editorial Marketing Marketing James Dale Eliza Wright Rebecca Mackenzie Production Production Design Cover image: Reading on a Windy Day, Illustration by Bila in ‘Blanco y Negro’. 7 July 1928 © Mary Evans Picture Library 2 edinburghuniversitypress.com GOTHIC Backlist highlights Key Concepts Twenty-First-Century in the Gothic Children’s Gothic William Hughes From the Wanderer to Nomadic Subject Chloé Germaine Buckley PB, HB & Ebook PB, HB & Ebook £14.99 | $19.95 £19.99 | $29.95 208 pages 232 pages 9781474405539 9781474430180 Literary Studies 3 GOTHIC Tales of the Troubled Dead Ghost Stories in Cultural History Catherine Belsey Considers the ways ghost stories appeal to our uneasy relationship with conventional good sense What do they want, the ghosts that, even in the age of science, still haunt our storytelling? Catherine Belsey’s answer to the question traces Gothic writing and tales of the uncanny from the ancient past to the present – from Homer and the Icelandic sagas to Lincoln in the Bardo. Taking Shakespeare’s Ghost in Hamlet as a turning point in the history of the genre, she uncovers the old stories the play relies on, as well as its influence on later writing. This ghostly trail is vividly charted through accredited records of apparitions and fiction by such writers as Ann Radcliffe, Washington Irving, Emily Brontë, Nathaniel Hawthorne, Henry James, M. R. James and Susan Hill. In recent blockbusting movies, too, ghost stories bring us fragments of news from the unknown. ‘an engaging examination of the persistence of these shivery tales in the western canon’ Erica Wagner, The Financial Times PB £14.99 | $19.95 September 2019 288 pages 9781474417372 10 b&w illustrations Also available in HB & Ebook The Edinburgh Companion to Gothic and the Arts Edited by David Punter, University of Bristol Provides new definitions of the Gothic in a variety of artistic contexts The Gothic in all its artistic forms and ramifications is traced from the medieval to the twenty-first-century. From architecture, painting and sculpture through music, ballet, opera and dance to installation art and the graphic novel, each of the 33 chapters reflects on and weighs in on the ways in which the Gothic is taken up in the art forms and modes under examination. An Introduction discusses Gothic as a changing cultural form across the centuries with deep psychological roots. This is followed by sections on: architectural arts; the visual arts; music and the performance arts; the literary arts; and media and cultural arts. HB £150 | $220 September 2019 520 pages 9781474432351 55 b&w and 18 colour illustrations Also available in Ebook Series: Edinburgh Companions to Literature and the Humanities 4 edinburghuniversitypress.com Edinburgh Companions SERIES to the Gothic Series Editors: Andrew Smith and William Hughes edinburghuniversitypress.com/series/EDCG This series provides a comprehensive overview of the Gothic from the eighteenth-century to the present day. Each volume takes either a period, place or theme and explores their diverse attributes, contexts and texts via completely original essays. The volumes provide an authoritative critical tool for both scholars and students of the Gothic. Available in the series Gothic Film An Edinburgh Companion Edited by Richard J. Hand, University of East Anglia and Jay McRoy, University of Wisconsin • Offers essays exploring Gothic and horror film from early cinema to the present • Extends the field of Gothic film by spanning diverse HB & Ebook historical periods, international contexts and (sub) £80 | $130 genres April 2020 • Structured into 3 sections on History, Traditions and 272 pages Adaptations 9781474448048 Islamic & Middle Eastern Studies 5 GOTHIC & CRIME JOURNALS Gothic Studies Editor: Emily Alder, Edinburgh Napier University Associate Editors: Tim Jones, University of Stirling and Olivia Ferguson, University of Edinburgh Assistant Editor: Fran Thielman, Texas A&M University Reviews Editors: Sorcha Ní Fhlainn, Manchester Metropolitan University and Maisha Wester, Indiana University Considering the field of Gothic studies from the eighteenth- century to the present day, Gothic Studies opens a forum for dialogue and cultural criticism, and provides a specialist journal for scholars working in a field which is today taught or researched in academic institutions around the globe. The journal invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are studies of works across the range of media, beyond the written word. euppublishing.com/loi/gothic Print ISSN: 1362-7937 Online ISSN: 2050-456X Published on behalf of the International Gothic Association Crime Fiction Studies Editor: Fiona Peters, Bath Spa University Assistant Editors: Ruth Heholt, Falmouth University and Eric Sandberg, City University of Hong Kong Crime Fiction Studies is an innovative new journal that provides a much needed, academically rigorous publication within the area of crime fiction that is both focused, interdisciplinary and international. It draws scholars together through a series of themed and general issues which explore the status of the genre today, its history, social and cultural influences and current popularity. The journal also includes an online website (with a blog) and a social media presence that is already established and growing. euppublishing.com/loi/cfs Print ISSN: 2517-7982 Online ISSN: 2517-7990 Published on behalf of the International Crime Fiction Association 6 edinburghuniversitypress.com RENAISSANCE & SHAKESPEARE Key textbooks Tragedies of the The Student’s Guide English Renaissance to Shakespeare An Introduction William McKenzie Goran Stanivukovic, John H. Cameron PB, HB & Ebook PB, HB & Ebook £14.99 | $19.95 £14.99 | $19.95 2018 2017 240 pages 256 pages 9781474419567 9781474413534 Literary Studies 7 SERIES Edinburgh Critical Studies in Shakespeare and Philosophy Series Editor: Kevin Curran edinburghuniversitypress.com/series/ECSST This series takes seriously the speculative and world-making properties of Shakespeare’s art. Maintaining a broad view of philosophy that accommodates foundational questions of metaphysics, ethics, politics and aesthetics, the series also expands our understanding of philosophy to include the unique kinds of theoretical work carried out by performance and poetry itself. These scholarly monographs will reinvigorate Shakespeare studies by opening new interdisciplinary conversations among scholars, artists and students. New in paperback Shakespeare’s Moral Compass Neema Parvini, University of Surrey • Provides comprehensive coverage of moral philosophy in Shakespeare’s time and place, including the impact of the Renaissance, the Reformation and the rise of capitalism • Plots ‘Shakespeare’s moral compass’ on 6 foundations (Authority, Loyalty, Fairness, Sanctity, PB, HB & Ebook Care, Liberty) with a chapter on each £19.99 | $29.95 May 2020 352 pages 9781474432887 Shakespearean Melancholy Philosophy, Form and the Transformation of Comedy J. F. Bernard, Champlain College, Canada • Offers new readings of nine Shakespearean comedies centred on their extensive, interconnected treatments of melancholy PB, HB & Ebook • Underscores Shakespeare’s significant revisions £19.99 | $29.95 of philosophical discourses on melancholy, both May 2020 classical and early modern, while tailoring the 264 pages concept to specific comic purposes 9781474462716 8 edinburghuniversitypress.com SHAKESPEARE & RENAISSANCE Immateriality and Early Modern English Literature Shakespeare, Donne, Herbert James A. Knapp, Loyola University Chicago • Examines literary engagement with immateriality since the ‘material turn’ in early modern studies • Provides case studies of works by Shakespeare, HB & Ebook Donne and Herbert, offering new readings of £90 | $140 important literary texts of the English Renaissance April 2020 440 pages 9781474457101 Conceiving
Recommended publications
  • The History of British Women's Writing, 1920–1945, Volume Eight

    The History of British Women's Writing, 1920–1945, Volume Eight

    The History of British Women's Writing, 1920-1945 Volume Eight Maroula Joannou ISBN: 9781137292179 DOI: 10.1057/9781137292179 Palgrave Macmillan Please respect intellectual property rights This material is copyright and its use is restricted by our standard site license terms and conditions (see http://www.palgraveconnect.com/pc/connect/info/terms_conditions.html). If you plan to copy, distribute or share in any format including, for the avoidance of doubt, posting on websites, you need the express prior permission of Palgrave Macmillan. To request permission please contact [email protected]. The History of British Women’s Writing, 1920–1945 Copyright material from www.palgraveconnect.com - licensed to University of Strathclyde - PalgraveConnect - 2015-02-12 - PalgraveConnect of Strathclyde - licensed to University www.palgraveconnect.com material from Copyright 10.1057/9781137292179 - The History of British Women©s Writing, 1920-1945, Edited by Maroula Joannou The History of British Women’s Writing General Editors: Jennie Batchelor and Cora Kaplan Advisory Board: Isobel Armstrong, Rachel Bowlby, Carolyn Dinshaw, Margaret Ezell, Margaret Ferguson, Isobel Grundy, and Felicity Nussbaum The History of British Women’s Writing is an innovative and ambitious monograph series that seeks both to synthesize the work of several generations of feminist scholars, and to advance new directions for the study of women’s writing. Volume editors and contributors are leading scholars whose work collectively reflects the global excellence in this expanding
  • PDF (Volume 1)

    PDF (Volume 1)

    Durham E-Theses Girls' school and college friendships in twentieth-century British ction Wilkinson, Sheena Maria How to cite: Wilkinson, Sheena Maria (1998) Girls' school and college friendships in twentieth-century British ction, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4779/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk GIRLS" SCHOOL AMD COLLEGE FRIENDSHIPS IN TOEKTIETB-CEWTURY BRITISH FICTION Sheena Maria Wilkinson Submitted for the degree of Ph.D. University of Durham, School of English Studies, 1998 f he copyright of this thesis rests A'ith the author. No quotation from t should be published without the written consent of the author an nformation derived from it should >e acknowledged. 2 h AUG 1990 ABSTRACT GIRLS' SCHOOL AND COLLEGE FRIENDSHIPS IN TWENTIETH- CENTDRY BRITISH FICTION Sheena Maria Wilkinson, University of Durham, 1998 This study examines in detail a variety of adolescent female friendships in twentieth-century British novels, written for both the 'adult' and 'juvenile' reading public, a distinction which I argue is arbitrary, since the relationship between the two is an exceptionally close one.
  • Delmore Schwartz Papers, 1923-1966

    Delmore Schwartz Papers, 1923-1966

    http://oac.cdlib.org/findaid/ark:/13030/kt6g50078g No online items Finding Aid for the Delmore Schwartz papers, 1923-1966 Processed by Josh Fiala, March 2012; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2002 The Regents of the University of California. All rights reserved. Finding Aid for the Delmore Schwartz 1005 1 papers, 1923-1966 Descriptive Summary Title: Delmore Schwartz papers Date (inclusive): 1923-1966 Collection number: 1005 Creator: Schwartz, Delmore, 1913-1966 Extent: 70 boxes (35 linear ft.) Abstract: Delmore David Schwartz (1913-1966) was an English professor, editor (1943-47) and associate editor (1947-55) of the Partisan Review, and the poetry editor of the New republic (1955-57). He also wrote poetry, plays, essays, translations, and stories, including In dreams begin responsibilities (1938), The world is a wedding (1948), and Summer knowledge: new and selected poems, 1938-1958 (1959), which won the Bollingen Prize in poetry and the Shelley Memorial Award in 1960. The collection consists of books and journals from Schwartz's library, most of which are heavily-annotated with his notes, nine holographic notebooks, and correspondence. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information.
  • PRPL Master List 6-7-21

    PRPL Master List 6-7-21

    Author Title Publication Info. Call No. Abbey, Edward, 1927- The serpents of paradise : a reader / Edward Abbey ; edited by New York : H. Holt, 813 Ab12se (South Case 1 Shelf 1989. John Macrae. 1995. 2) Abbott, David, 1938- The upright piano player : a novel / David Abbott. London : MacLehose, Abbott (East Case 1 Shelf 2) 2014. 2010. Abe, Kōbō, 1924-1993. Warau tsuki / Abe Kōbō [cho]. Tōkyō : Shinchōsha, 895.63 Ab32wa(STGE Case 6 1975. Shelf 5) Abe, Kōbō, 1924-1993. Hakootoko. English;"The box man. Translated from the Japanese New York, Knopf; Abe (East Case 1 Shelf 2) by E. Dale Saunders." [distributed by Random House] 1974. Abe, Kōbō, 1924-1993. Beyond the curve (and other stories) / by Kobo Abe ; translated Tokyo ; New York : Abe (East Case 1 Shelf 2) from the Japanese by Juliet Winters Carpenter. Kodansha International, c1990. Abe, Kōbō, 1924-1993. Tanin no kao. English;"The face of another / by Kōbō Abe ; Tokyo ; New York : Abe (East Case 1 Shelf 2) [translated from the Japanese by E. Dale Saunders]." Kodansha International, 1992. Abe, Kōbō, 1924-1993. Bō ni natta otoko. English;"The man who turned into a stick : [Tokyo] : University of 895.62 Ab33 (East Case 1 Shelf three related plays / Kōbō Abe ; translated by Donald Keene." Tokyo Press, ©1975. 2) Abe, Kōbō, 1924-1993. Mikkai. English;"Secret rendezvous / by Kōbō Abe ; translated by New York : Perigee Abe (East Case 1 Shelf 2) Juliet W. Carpenter." Books, [1980], ©1979. Abel, Lionel. The intellectual follies : a memoir of the literary venture in New New York : Norton, 801.95 Ab34 Aa1in (South Case York and Paris / Lionel Abel.
  • Lesbian Modernism I Hannah Roche

    Lesbian Modernism I Hannah Roche

    Day One | April 12th Panel 1a | Lesbian Modernism I Hannah Roche (University of York) Conceiving the Lesbian Hero: Radclyffe Hall, Adam’s Breed, and Modernism’s Queer Child. In 1927, just a year before the publication and trial for obscenity of The Well of Loneliness, Radclyffe Hall’s fourth novel achieved the unusual honour of winning both the Prix Femina Vie Heureuse and the James Tait Black Memorial Prize. Adam’s Breed (1926), which probes the psyche of a spiritually starved Italian‐English waiter in Soho, raised Hall’s profile both as a writer and as a curiosity: public attention was drawn to the ‘distinctive figure in the literary world of London [who] is known everywhere for her Eton crop and her monocle’ (Daily News, 4th January 1928). Yet in spite of its considerable commercial success and remarkable critical acclaim, Adam’s Breed could not withstand the knock to Hall’s reputation dealt by the trial of The Well. Almost ninety years and a Virago Modern Classics edition (1985) later, Adam’s Breed has failed to secure a readership beyond the relatively small world of serious Hall criticism. This paper calls for the recognition of Adam’s Breed not only as a significant modern(ist) novel but also as an altogether necessary precursor to The Well. Expanding the category of ‘lesbian writing’, my paper raises important questions about how and why we might read lesbianism as the focus of an ostensibly ‘straight’ (and linear) novel. I explore the ways in which Hall’s preoccupation with breeds, not only as a keen dog‐fancier but more weightily as a proponent of homosexuality as a congenital condition, is played out in Adam’s Breed’s essentialist take on national ‘types’.
  • Bibliography of Woolf Studies Published in 2003 (With Addenda for Previous Years). Updated and Corrected January 2004

    Bibliography of Woolf Studies Published in 2003 (With Addenda for Previous Years). Updated and Corrected January 2004

    Bibliography of Woolf Studies Published in 2003 (with addenda for previous years). Updated and corrected January 2004. Compiled by Mark Hussey Note: To save trees, I have listed only one article pertaining to The Hours. pre-2000 addenda Parker, R. “ Killing the Angel in the House: Creativity, Femininity and Aggression.” The International Journal of Psychoanalysis 79.4 (August 1998): 757-74. Schrecker, T. “Money Matters: A Reality Check with Help from Virginia Woolf.” Social Indicators Research 40.1/2 (1997): 99-123. 2000 Addenda Alexander, S. “Room of One’s Own” 1920s Feminist Utopias.” Women: A Cultural Review 11.3 (1 Oct. 2000): 273-88. Friedrichsen, A. “Magie der Vermahlung–Bermerken zu einer Asthetik der ‘Zwischensphare’ in Virginia Woolfs Lappin and Lapinova und Ilse Aichingers Engel der Nacht.” Orbis Litterarum 55.3 (June 2000): 211-34. Johnson, J. “Literary Geography: Joyce, Woolf and the City.” City: Analysis of Urban Trends, Culture, Theory, Policy, Action 4.2 (1 July 2000): 199-214. Monte, S. “Ancients and Moderns in Mrs. Dalloway.” MLQ: Modern Language Quarterly 61.4 (1 Dec. 2000): 587-616. Scheff, T. J. Multipersonal Dialogue in Consciousness: An Incident in Virginia Woolf’s To the Lighthouse.” Journal of Consciousness Studies 7.6 (2000): 3-19. Usui, Masami. “Miyeko Kamiya’s Encounter with Virginia Woolf: A Japanese Woman Psychiatrist’s Waves of Her Own.” Doshisha Literature 43 (2000): 1-26. -----. “Woolf’s Search for Space in Between the Acts.” Doshisha Studies in English 72 (2000): 25-48. 2001 Addenda–Articles, Book Chapters, Books Aragon, Asuncion. “El genero y sus desfiladeros en el cine actual.” In Mercedes Bengoechea and Marisol Morales, eds.
  • Evelyn Waugh, Graham Greene, and Their Victorian Masters

    Evelyn Waugh, Graham Greene, and Their Victorian Masters

    Ecumenical Craft: Evelyn Waugh, Graham Greene, and their Victorian Masters Item Type text; Electronic Dissertation Authors Holler, Seth C. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 00:46:36 Link to Item http://hdl.handle.net/10150/323220 ECUMENICAL CRAFT: EVELYN WAUGH, GRAHAM GREENE, AND THEIR VICTORIAN MASTERS by Seth C. Holler __________________________ Copyright © Seth C. Holler 2014 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2014 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Seth Holler, titled “Ecumenical Craft: Evelyn Waugh, Graham Greene, and their Victorian Masters” and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _____________________________________________________ Date: May 9, 2014 Gerald Monsman _____________________________________________________ Date: May 9, 2014 Suresh Raval _____________________________________________________ Date: May 9, 2014 Homer Pettey Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement.