George Orwell and His Relevance to the Twenty-First Century
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George Orwell's Down and out in Paris and London
/V /o THE POLITICS OF POVERTY: GEORGE ORWELL'S DOWN AND OUT IN PARIS AND LONDON THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For-the Degree of MASTER OF ARTS By Marianne Perkins, B.A. Denton, Texas May, 1992 Perkins, Marianne, The Politics of Poverty: George Orwell's Down and Out in Paris and London. Master of Arts (Literature), May, 1992, 65 pp., bibliography, 73 titles. Down and Out in Paris and London is typically perceived as non-political. Orwell's first book, it examines his life with the poor in two cities. Although on the surface Down and Out seems not to be about politics, Orwell covertly conveys a political message. This is contrary to popular critical opinion. What most critics fail to acknowledge is that Orwell wrote for a middle- and upper-class audience, showing a previously unseen view of the poor. In this he suggests change to the policy makers who are able to bring about improvements for the impoverished. Down and Out is often ignored by both critics and readers of Orwell. With an examination of Orwell's politicizing background, and of the way he chooses to present himself and his poor characters in Down and Out, I argue that the book is both political and characteristic of Orwell's later work. TABLE OF CONTENTS Chapter Page I. ORWELL'S PAST AND MOTIVATION. ......... Biographical Information Critical Reaction Comparisons to Other Authors II. GIVING THE WEALTHY AN ACCURATE PICTURE ... .. 16 Publication Audience Characters III. ORWELL'S FUTURE INFLUENCED BY HIS PAST... -
Down and out in Aragon: George Orwell's Near
Down and out in Aragon: George Orwell’s near-fatal wounding in the Spanish Civil War 8 /Winter 2020 Orwell in the Home Guard. UCL: © Orwell Archive, UCL Library Special Collections The Pharos Michael D. Shulman, MD, PhD Dr. Shulman (AΩA, The Perelman School of Medicine at the General Franco’s Falangists. He was assigned to a ragtag University of Pennsylvania, 1982) is a retired nephrologist. regiment made up of 80 poorly nourished soldiers and “several dogs.” 3 No bomb that ever burst Weeks passed during which Orwell’s regiment was hun- Shatters the crystal spirit kered down in the sticky clay of Aragon, exchanging occa- — George Orwell1 sional pot shots with the enemy. The mosquitos, as Orwell languidly notes, were “becoming a nuisance.” 3 The battle n a famous 1944 essay, George Orwell begins by re- losses took on an element of farce. The first five casualties marking on a German plane sketching vapor trails in in Orwell’s unit had been shot by their compatriots when the placid sky far above him, imagining the bombar- their weapons discharged accidentally. Soon ammunition Idier as a civilized fellow who bears no ill will.2 As Orwell grew scarce for both sides, and any vestigial political fervor knows, if the enemy is lucky, he will drop his bombs on was swallowed up by the unceasing misery and monotony the very place Orwell sits savoring his tea, but he cannot of trench warfare. be resented merely for that. The enemy is a functionary, Six months after his arrival in Spain, Orwell lay hid- and he arouses no emotion because he possesses no hu- den in a muddy trench awaiting the start of another day man features. -
Department of Economic and Social History
HS3112/EH3612 The life and times of George Orwell 1903-50 Academic session 2003/04 SCHOOL OF HISTORICAL STUDIES The Life and Times of George Orwell 1903-50 A moral history of the first half of the 20th century Module Description Eric Blair was born on 25 June 1903 at Motihari, in Bengal, and died of pulmonary tuberculosis at University College hospital London on 26 January 1950. This is his centenary year. The life he lived was mainly a writer’s life but it was also an active life where he got involved in the things that mattered to him. ‘Getting involved’, and then writing about it, Blair did in the guise of ‘George Orwell’. Blair was an intensely serious and well-read man who in his guise of George Orwell pretended not to be. Instead he pretended to be ordinary, and it was as the ordinary and broadest Englishman that he put his moral self on the line. Orwell’s literary achievements alone would have made him interesting to historians. But in the personality he adopted, and in the moral issues he was interested in, and faced down, Orwell was more than a good writer. He is a way into the century’s dilemmas. This module considers Orwell in history. It considers also the moral and political battle over his reputation. Module Objectives We will endeavour to learn something of Orwell’s life and times; to reflect critically on those times; to read selected works by Orwell and about him; to discuss the moral issues of his day; to understand that there are varieties of ways of interpreting those issues and the history behind them; to construct arguments and deploy supporting data; and most importantly to write and talk about all these things clearly and accurately - much as Orwell himself tried to do. -
Eleven Essays
ELEVEN ESSAYS GEORGE ORWELL eknizky.sk Eleven Essays by eknizky.sk is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted. Obsah THE SPIKE 1 A HANGING 11 BOOKSHOP MEMORIES 17 SHOOTING AN ELEPHANT 23 DOWN THE MINE 33 NORTH AND SOUTH 47 SPILLING THE SPANISH BEANS 59 MARRAKECH 69 BOYS' WEEKLIES AND FRANK RICHARDS'S 77 REPLY CHARLES READE 107 THE ART OF DONALD MCGILL 113 125 v THE SPIKE It was late-afternoon. Forty-nine of us, forty-eight men and one woman, lay on the green waiting for the spike to open. We were too tired to talk much. We just sprawled about exhaustedly, with home-made cigarettes sticking out of our scrubby faces. Overhead the chestnut branches were covered with blossom, and beyond that great woolly clouds floated almost motionless in a clear sky. Littered on the grass, we seemed dingy, urban riff-raff. We defiled the scene, like sardine-tins and paper bags on the seashore. What talk there was ran on the Tramp Major of this spike. He was a devil, everyone agreed, a tartar, a tyrant, a bawling, blasphemous, uncharitable dog. You couldn’t call your soul your own when he was about, and many a tramp had he kicked out in the middle of the night for giving a back answer. When You, came to be searched, he fair held you upside down and shook you. If you were caught with tobacco there was bell to. Pay, and if you went in with money (which is against the law) God help you. -
The Censorship of George Orwell's Essays in Spain1
The Censorship of George Orwell's Essays in Spain1 ALBERTO LÁZARO (Universidad de Alcalá) While much of George Orwell's popularity rests on bis political fiction, particularly Animal Farm (1945) and Nineteen Eighty-Four (1949), his achievements as an essayist have also been widely celebrated. Apart from his books of extended reportage published in the 1930s - Down and Out in Paris and London (1933), The Road to Wigan Pier (1937) and Homage to Catalonia (1938) - Orwell's literary production of the 1940s inc1uded a very large number of reviews, artic1es and essays that appeared in a wide variety of periodical publications, such as the Observer, London Tribune, Manchester Evening News, The Listener, Partisan Review, Horizon, Left News and New Leader. Orwell only published two important collections of essays during bis lifetime, lnside the Whale (1940) and Critical Essays (1946), but irnmediately after bis death in 1950 several other volumes were produced, wbich gave English-speaking readers access to a wide variety of bis autobiographical, literary, political, sociological and cultural essays. In 1968 the four-volume Collected Essays, Joumalism and Letters oi George Orwell' edited by Sonia Orwell and Ian Angus, arrived as a brilliant c1imaxto Orwell's literary production, and gave further weight to the c1aimthat here indeed was a perceptive critic with a keen analytical eye and a persistent ability to tell unpleasant truths. During the Cold War period his essays were a much-quoted source in discussions of the threat of totalitarianism, imperialism in the East, the hypocrisy of intellectuals or the manipulation of the press during the Spanish Civil War. -
Fragments on the Deathwatch
Digital Commons @ Touro Law Center Scholarly Works Faculty Scholarship 1992 Fragments on the Deathwatch Louise Harmon Touro Law Center, [email protected] Follow this and additional works at: https://digitalcommons.tourolaw.edu/scholarlyworks Part of the Law Commons Recommended Citation 77 Minn. L. Rev. 1 (1992-1993) This Article is brought to you for free and open access by the Faculty Scholarship at Digital Commons @ Touro Law Center. It has been accepted for inclusion in Scholarly Works by an authorized administrator of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Fragments on the Deathwatch Louise Harmon* TABLE OF CONTENTS Section I: Deathwatches ................................... 1 Section II: Paintiffs, Procedure, and the Limits of Law W ishes .............................................. 35 Left Hemisphere Interlude ............................ 84 Section III: Moving up the Brainstem ..................... 86 Section IV: Death Thought, Death Talk, and the Eviden- tiary Implications of Taboo .............................. 91 Section V: Law and the Architecture of Ritual Space .... 129 Right Hemisphere Coda ............................... 160 I. DEATHWATCHES The other night I saw a documentary on television about some elephants in Botswana.1 The herd was in trouble. Water was scarce, and the elephants were on the move. They trav- elled north to the Linyanti River, following the ancient paths of their ancestors. An elderly cow staggered behind the others, weakened from starvation, dehydration, and advanced age. Suddenly she slipped in the sand. The wind blew so fiercely across the hot, dry land that when she fell only a muffled cry could be heard over the white howl of air in motion. It was like * Associate Professor of Law, Jacob D. -
MASARYK UNIVERSITY Nonconformity and Antiheroism In
MASARYK UNIVERSITY FACULTY OF EDUCATION Department of English Language and Literature Nonconformity and Antiheroism in Orwell’s early novels Diploma thesis Brno 2017 Supervisor: Mgr. Jaroslav Izavčuk Written by: Bc. Jiří Hrabovský Declaration I hereby declare that this diploma thesis is my own work and that the information I used has been fully acknowledged in the text and included in the reference list. I agree with putting the thesis on public display at Masaryk University for study purposes. Prohlášení Prohlašuji, že jsem diplomovou práci vypracoval samostatně, s využitím pouze citovaných literárních pramenů, dalších informací a zdrojů v souladu s Disciplinárním řádem pro studenty Pedagogické fakulty Masarykovy univerzity a se zákonem č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon), ve znění pozdějších předpisů. ………………………………… Bc. Jiří Hrabovský Bibliografický záznam HRABOVSKÝ, Jiří. Nonconformity and antiheroism in Orwell’s early novels. Brno: Masarykova univerzita, Fakulta pedagogická, Katedra anglického jazyka a literatury, 2017. Vedoucí diplomové práce Mgr. Jaroslav Izavčuk. Annotation Diploma thesis Nonconformity and Antiheroism in Orwell’s early novels deals with the analysis of different approaches the main heroes apply regarding their crises of identity. This thesis emphasizes the aspect of unconventional solutions of various life situations, aiming at both the inner dynamics of the characters, the same as the dynamics between these two fictional individuals. Anotace Diplomová práce s názvem Nonkonformita a Antihrdinství v raných Orwellových románech se zabývá analýzou různých přístupů hlavních hrdinů k jejich krizím osobnosti. Důraz je kladen na aspekt nekonvenčích řešení různých životních situací s cílem hledat jak dynamiku v jejich postojích vzhledem k získávaným zkušenostem, tak dynamiku mezi těmito fiktivními postavami samými. -
Forbidden to Dream Again: Orwell and Nostalgia
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Birkbeck Institutional Research Online Forbidden To Dream Again: Orwell and Nostalgia Joseph Brooker There is even a tendency to talk nostalgically of the days of the V1. The good old doodlebug did at least give you time to get under the table, etc. etc. Whereas, in fact, when the doodlebugs were actually dropping, the usual subject of complaint was the uncomfortable waiting period before they went off. Some people are never satisfied. ‘As I Please’, 1 December 1944 (CEJL 3: 320) The Orwell century closed as the anniversary of his birth was marked in 2003. As it recedes, it is appropriate to think about the forms taken by retrospect. Andreas Huyssen has argued that contemporary culture is pervaded by commemoration. Memory, private or public, has been a theoretical focus and a political battlefield, in an era of controversial monuments and ‘memory wars’.1 In what Roger Luckhurst has dubbed the Traumaculture of recent years, the relation of individuals and groups to the past has often been staged as grieving and self-lacerating.2 But the flipside of the traumatic paradigm of memory has gone comparatively unexplored, despite its own weight in contemporary society. Nostalgia is vital to the appeal of the retro culture of the last twenty years, in cinema, literature and other arts.3 It remains politically contentious: regularly involved, and often used as an accusation, in arguments over Englishness, social change, national decline. Yet the topic has yet to receive the attention accorded to darker forms of memory.4 This essay aims to enhance our thinking about it via a reading of George Orwell. -
Bookshop Memories Revisited 1 Who Are
Bookshop Memories Revisited Who are we? 1 Bookshop Memories Revisited About The Letterpress Project At The Letterpress Project we believe that there is something very special about reading books. Holding them in your hands, turning the pages, catching the smell of paper old and new, marveling at the skills of the illustrator and letting the weight of all those pages settle in your hand or on your lap – it’s an invitation to a journey that can take you anywhere. We think that books are a gateway to ideas and adventures that expand our understanding of the world and ourselves. All reading can do that but nothing does it better than the collation of paper and ink bound between two covers that, when you open it, transforms into a relationship between you and the author. The Letterpress Project is a not-for-profit initiative. The project’s constitution and details of the Management Committee can be found on our website: http://www.letterpressproject.co.uk/about/what-we-do 2 Bookshop Memories Revisited Bookshop Memories Revisited 3 Bookshop Memories Revisited Acknowledgments The Letterpress Project would like to thank all the contributors – professional authors and amateur writers alike - who have given their time and effort for no financial reward but have shown a remarkable willingness to meet our probably unreasonable demands with good grace. We would also like to thank the members of the project management committee who have given advice and support and thanks in particular to Brian Homer, Senior Consultant at Homer Creative, who has made a vital contribution to the design and production of this publication. -
Fragments on the Deathwatch Louise Harmon
University of Minnesota Law School Scholarship Repository Minnesota Law Review 1992 Fragments on the Deathwatch Louise Harmon Follow this and additional works at: https://scholarship.law.umn.edu/mlr Part of the Law Commons Recommended Citation Harmon, Louise, "Fragments on the Deathwatch" (1992). Minnesota Law Review. 1853. https://scholarship.law.umn.edu/mlr/1853 This Article is brought to you for free and open access by the University of Minnesota Law School. It has been accepted for inclusion in Minnesota Law Review collection by an authorized administrator of the Scholarship Repository. For more information, please contact [email protected]. Fragments on the Deathwatch Louise Harmon* TABLE OF CONTENTS Section I: Deathwatches ................................... 1 Section II: Paintiffs, Procedure, and the Limits of Law W ishes .............................................. 35 Left Hemisphere Interlude ............................ 84 Section III: Moving up the Brainstem ..................... 86 Section IV: Death Thought, Death Talk, and the Eviden- tiary Implications of Taboo .............................. 91 Section V: Law and the Architecture of Ritual Space .... 129 Right Hemisphere Coda ............................... 160 I. DEATHWATCHES The other night I saw a documentary on television about some elephants in Botswana.1 The herd was in trouble. Water was scarce, and the elephants were on the move. They trav- elled north to the Linyanti River, following the ancient paths of their ancestors. An elderly cow staggered behind the others, weakened from starvation, dehydration, and advanced age. Suddenly she slipped in the sand. The wind blew so fiercely across the hot, dry land that when she fell only a muffled cry could be heard over the white howl of air in motion. It was like * Associate Professor of Law, Jacob D. -
Heart Failure -- Diary of a Third Year Medical Student Medical School Resources by Michael Greger, MD
Heart Failure -- Diary of a Third Year Medical Student Medical School Resources by Michael Greger, MD Heart Failure - Diary of a Third Year Medical Student Preface Acknowledgments Pediatrics - Failure to Thrive Surgery - A Cut Below the Rest Psychiatry - One Flew Into the Cuckoo's Nest Obstetrics/Gynecology - Miscarriage of Justice Internal Medicine - Shortness of Breath Epilogue Appendices About the Author Anti-copyright 1999 Michael Greger Please feel free to use in any (nonprofit) way. file:///C|/Heart%20Failure/index.htm [7/22/02 1:22:03 PM] Heart Failure - Preface Heart Failure - Preface by Michael Greger, MD To all the students who went to bed crying or woke up screaming. To all those who needed to leave their hearts at the door. Besides medical school, there is probably no other four-year experience - unless it be four year's service in a war - that can so change the cognitive content of one's mind and the nature of one's relationships with others. - F.D. Moorse, Harvard Medical School This is the School of Babylon And at its hand we learn To walk into the furnaces And whistle as we burn. - Thomas Blackburn I just graduated with honors from Tufts University School of Medicine, the class of 1999. I don't feel honorable, though. I have become disillusioned - disgusted even - by medical training and medicine as a whole. I want to help others dispel their illusions as well. Medical school is four years long. The first two years are basic science lectures, more like an extension of college. The last two years, however, third year and fourth year, involve rotations through hospitals. -
THE LITERARY MOODS OP GEORGE ORWELL by Sister M. Aquiline Babiarz
76 UNIVERSITY D'OTTAWA - ECOLE DES GRADUES THE LITERARY MOODS OP GEORGE ORWELL by Sister M. Aquiline Babiarz Dissertation presented to the Faculty ©f Arts of the University of Ottawa through the Department of English as partial ful fillment of the requirements for the degree of Doctor of Philosophy, 0 UBRARKS * y y Ottawa, Canada, I960 UNIVERSITY OF OTTAWA SCHOOL OF GRADUATE STUDIES UMI Number: DC53586 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform DC53586 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 UNIVERSITY D'OTTAWA ~ ECOLE DES GRADUES ACKNOWLEDGMENT I am indebted to the faculty of the University of Ottawa and, in particular, to Dr. Eramett O'Grady, Head of the English Department, for his interest and co-operation. Gratitude is also due to Reverend Mother Mary Aloysius, Councilor General of the Sisters of Nazareth, for giving me the privilege of continuing ray education. UNIVERSITY