Shyheim I Declare War
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Black Youth in Urban America Marcyliena Morgan Harvard
“Assert Myself To Eliminate The Hurt”: Black Youth In Urban America Marcyliena Morgan Harvard University (Draft – Please Do Not Quote) Marcyliena Morgan [email protected] Graduate School of Education Human Development & Psychology 404 Larsen Hall 14 Appian Way Cambridge, Massachusetts 02138 Office:617-496-1809 (617)-264-9307 (FAX) 1 Marcyliena Morgan Harvard University “Assert Myself To Eliminate The Hurt”: Black Youth In Urban America Insert the power cord so my energy will work Pure energy spurts, sporadic, automatic mathematic, melodramatic -- acrobatic Diplomatic, charismatic Even my static, Asiatic Microphone fanatic 'Alone Blown in, in the whirlwind Eye of the storm, make the energy transform and convert, introvert turn extrovert Assert myself to eliminate the hurt If one takes more than a cursory glance at rap music, it is clear that the lyrics from some of hip hop’s most talented writers and performers are much more than the visceral cries of betrayed and discarded youth. The words and rhymes of hip hop identify what has arguably become the one cultural institution that urban youth rely on for honesty (keeping it real) and leadership. In 1996, there were 19 million young people aged 10-14 years old and 18.4 million aged 15-19 years old living in the US (1996 U.S. Census Bureau). According to a national Gallup poll of adolescents aged 13-17 (Bezilla 1993) since 1992, rap music has become the preferred music of youth (26%), followed closely by rock (25%). Though hip hop artists often rap about the range of adolescent confusion, desire and angst, at hip hop’s core is the commitment and vision of youth who are agitated, motivated and willing to confront complex and powerful institutions and practices to improve their 2 world. -
Q1 2021 Dolby Laboratories Inc Earnings Call on January 28, 2021 / 10:00PM
REFINITIV STREETEVENTS EDITED TRANSCRIPT DLB.N - Q1 2021 Dolby Laboratories Inc Earnings Call EVENT DATE/TIME: JANUARY 28, 2021 / 10:00PM GMT OVERVIEW: Co. reported 1Q21 revenue of $390m, GAAP net income of $135.2m and non-GAAP net income of $153.3m. Also reported 1Q21 GAAP net diluted EPS of $1.30 and non-GAAP net diluted EPS of $1.48. Expects 2Q21 revenue to be $280-310m, GAAP diluted EPS to be $0.36-0.51 and non-GAAP diluted EPS to be $0.57-0.72. REFINITIV STREETEVENTS | www.refinitiv.com | Contact Us ©2021 Refinitiv. All rights reserved. Republication or redistribution of Refinitiv content, including by framing or similar means, is prohibited without the prior written consent of Refinitiv. 'Refinitiv' and the Refinitiv logo are registered trademarks of Refinitiv and its affiliated companies. JANUARY 28, 2021 / 10:00PM, DLB.N - Q1 2021 Dolby Laboratories Inc Earnings Call CORPORATE PARTICIPANTS Jason Dea Dolby Laboratories, Inc. - Director of Corporate Finance & IR Kevin J. Yeaman Dolby Laboratories, Inc. - President, CEO & Director Lewis Chew Dolby Laboratories, Inc - Executive Vice President & Chief Financial Officer CONFERENCE CALL PARTICIPANTS James Charles Goss Barrington Research Associates, Inc., Research Division - MD Paul Chung JPMorgan Chase & Co, Research Division - VP & IT Hardware Analyst Steven Bruce Frankel Colliers Securities LLC, Research Division - Senior VP & Director of Research PRESENTATION Operator Ladies and gentlemen, thank you for standing by, and welcome to the Dolby Laboratories Conference Call discussing Fiscal First Quarter Results. (Operator Instructions) As a reminder, this call is being recorded, Thursday, January 28, 2021. I would now like to turn the conference over to Jason Dea, Director of Investor Relations for Dolby Laboratories. -
How to Share Your Release with the World
MusicNSW’s Industry Essentials How to share your release with the world Prepared by GYROstream for MusicNSW Did you know more than 22,000 songs are uploaded to streaming services every day? Getting your music online can seem like a complicated task. It doesn’t have to be though. Below are some tips and tricks to help you navigate the best distribution path for you and your new tunes. What are digital music aggregators / distributors? Digital aggregators (also known as digital distributors) are companies that provide a means to distribute your music globally through digital music stores and streaming platforms. You can’t just upload a track directly to Spotify or Apple Music and have it streamed globally, you need to use a digital music aggregator. If you’re signed to a label, it’s more than likely they’ll distribute your music to Spotify, Apple, iTunes, YouTube Music and more for you, but if you’re independent, you can have exactly the same access to these platforms by using a digital aggregator. Aggregators make their money by charging upfront fees and/or charging a percentage of revenue earned from the streaming and download purchases of your music. In some cases, aggregators will also charge an ongoing annual fee to keep your content online. Who do they distribute to? Nearly all distributors will get your music to Apple, Spotify, Deezer, Youtube (ie. the major western platforms), which together cover a large portion of music listeners worldwide. Where things might differ is for the highly localised services that cater to their specific regions - eg. -
United Arab Emirates
1 COUNTRY PROFILE MARKET PROFILE 08.11.19 United Arab Emirates UAE STATS f Population 9.7m* If an international or Arabic d artist is coming to town, we GDP (purchasing power parity) see that [their streams start] $696bn* booming. The live market was the GDP real growth rate 0.8%* music industry for a long time...” GDP per capita (PPP) $68,600* – Claudius Boller, Spotify h “If you look at Spotify, when they entered Internet users 5.3m this market, there was immediately a Percent of population 90.6%* conversion of people who moved from c whatever international account they As the business hub of the Middle East and North Africa, the UAE belies were using,” said Hussain “Spek” Yoosuf, Broadband connections 1.3m its geographical size. In the case of the music industry, global streaming the founder of Abu Dhabi-based music Broadband subscriptions services have joined record companies in mining its significant potential publishing company PopArabia. “Spotify per 100 inhabitants 21 were able to hit more people right away. he UAE is among the smallest entire MENA region is done out of here,” i That might not have been the case in Yemen countries in the Middle East and said Claudius Boller, the MD for the Middle or even Egypt to some extent. In the Gulf, Total mobile phone North Africa (MENA) but it’s East and Africa at Spotify. “You have lots you’ve got a majority of the population under among the most significant for the of economies of scale when it comes to subscriptions 19.8m 40, some of the highest smartphone and musicT industry. -
Digital Music Distribution and Royalty Investment
AudioSwim NASAB Dubai, UAE [email protected] Digital Music Distribution and Royalty Investment 2020 - 2021 Overview AudioSwim allows artists to upload, sell and stream their music globally, turning fans into investors. We focus on creating innovative ways for musicians to expand their catalog and careers through fan engagement and investments. Music Distribution and Audio Management ● Get your music streaming in 30+ stores including iTunes, Spotify, Anghami, TikTok, Google Play, Amazon, Tidal, & Deezer! ● We ensure a high degree of confidentiality and security allowing you to gain control and get paid from music streaming and sales. ● We offer daily and weekly analytical reports that help you learn about your fans. Find out who's paying attention to you. ● News, Blogs, Interviews, Podcasts and more about digital music distribution from artists and music industry insiders to help you get ahead. Royalty Reporting and Royalty Investment ● Each artist or band will be able to set the value of their royalty rights being offered at their own discretion, within a limit determined by AudioSwim. The limit is based on prior earnings of previous songs and future potential. ● AudioSwim will provide customized deals that will allow intellectual property holders to sell proportions of their royalty streams in return for lump sum payment. 2 ● Royalties will be sold as investments to your fans who will be able to sell or trade artists royalties in the future. ● The purchase of royalties will ensure that your fans give you the proper support and push needed. ● Remixes, cover versions, and anything with unlicensed samples can not be permitted. All releases undergo a strict quality control assessment prior to release. -
Without Prejudice
05 Tools WARM 06–07 Campaigns Vita Bergen, Courtney Barnett/ Kurt Vile, U2, Black Eyed Peas 08–11 Behind The Campaign- Cecilia Bartoli DECEMBER 6 2017 sandboxMUSIC MARKETING FOR THE DIGITAL ERA ISSUE 193 PLAYLISTEN WITHOUT PREJUDICE WHERE NEXT FOR PLAYLISTS? COVERFEATURE Playlists are the new albums/new radio [delete as applicable] and will only grow in power next year. We spoke to those building playlists and those pitching to them about how they have shifted the promotional centre of gravity for the record business and where they will move next. Is it just an Apple/Spotify duopoly? What are the other services doing to close the gap? Is the label-led playlist brand an exercise in futility? As algorithms become more refined, what will that mean for editorial playlists? And is everything going to be blown apart when smart speakers really hit the mass market? 2018 will be a critical year for the playlists and those hoping to dominate on them. f you want an indication of how labels contacted Music Ally to point out important playlists have become to the error. Imusic marketers, witness the almighty In 2018, a year in which paid streaming’s PLAYLISTEN kerfuffle at the start of November when “surge” phase of rapid growth in revenue a glitch in the Spotify system led to a and subscriber base looks set to continue, drop in follower counts for a number of the importance of playlist marketing is only the platform’s playlists. The technical going to increase, creating both dazzling WITHOUT gremlins were swiftly resolved, but not opportunities and nagging headaches for PREJUDICE before several rather nervous major marketers and DSPs alike. -
Xavier University Newswire
Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 1998-02-11 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (1998). All Xavier Student Newspapers. 2791. https://www.exhibit.xavier.edu/student_newspaper/2791 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. Diversions Dustin \ - Hoffman's 'Wag XU hits diamond the Dog' walks this weekend: its way through Baseball Preview Return to .cartoon ·valentines Traveling profs scandal Poge7 Pages· Poge·g Page/I Top of the heap! Locke .named first Ve1Asatile wo11ie1i-'s team seizes tie Brueggeman chair BY AMY ZYWICKI Jesuit who has spent most of his AssT. NEWS EDITOR adultlifeinindiaandNepal. Forthe forfirst place in Atlantic 10 West last 34 years, he has taught and worked in Nepal and India in order BY MATT BARBER The Rev. John K. Locke, S.J. to. become an expert in Nepalese AssT: SPORTS EDITOR has.been selected to become the first Buddhism. professortoserveastheBrueggeman The Brueggeman Center for By defeating Virginia· Tech this past· Monday Interreligioµs-Ecumenical Studies ·Religio.us Dialogue will sponsor night, the Musketeer women's basketball team ha8 Chair of Theology at Xavier. public lectures, conferences and knocked the Hokies a game out of first place in the hotly The Brueggeman Chair is special projects in order to foster a contestedWest Division, while tying XU forfirsrplace named for Father Edward greaterunderstandingofrespectand with Duquesne and George Washington. -
I!IÏ!Jr to Date
Jay -Z. Dash and many of their friends from Marcy Projects in Brooklyn. -- Jay -Z sags that writing the movie was ;..... Just like writing the video treatments" to the music videos that accompany his three albums. The whole movie was shot j in a week in parts of Brooklyn. Manhattan and Ft. Lee. N.J. ]i!IÏ!jr To date. the video has sold 81.000 units, according to SoundScan. He expects to put out one more straight -to-video release and then embark on a feature - length film. RZA'S DIGITAL DUO This summer. Wu -Tang Clan visionarg Rza embarked on a similar home -video project. titled "Bobbg Digital." It's a story about Rza's alter ego. Bobbg Digital. who appears when Rza drinks a magic formula he discovers while doing chemical experiments in his lab at the fictional Wu- Mountain. Digital, who wears a different ege patch to match each of his various outfits, is depicted as a womanizing party- animal with super powers he uses to his benefit. Video The movie. which was shot in New York and Philadelphia. was directed by Rza, who also stars in the film as himself and the title character. It is being produced by Uncle Ralph Productions. a The ap a company owned by Video Music Box co- founder. Artists .rite -And Direct, Produce And Star In Ralph McDaniels. Although the film is more cre- Their llIwn Storiesfor Direct-To-video features ative than it's progenitors. Rza BY SHAWNEE SMITH sags the movie was totally impro- vised. "I had no script. -
DMG Music Distribution Channels
Distribution Channels Stores Store Type Territory Provider Direct Streaming and Akazoo Worldwide Internet Radio Amazon Music Download Worldwide Amazon Prime Streaming Worldwide Amazon Unlimited Streaming Worldwide Anghami Streaming Middle East Apple Music Streaming Worldwide Cyprus, Greece, Audible Magic Content ID Malaysia & Poland AWA Streaming Japan Beatport Download Worldwide BMAT Vericast Content ID Worldwide Africa, Asia & Boomplay Music Streaming Middle East. BPI Anti Piracy Content ID United Kingdom Download and Bugs South Korea Streaming Download and Claro Musica South America Streaming Deezer Streaming Worldwide Deedo Streaming Africa Equal FM Streaming Facebook Social media Worldwide Downloads and Google Play Worldwide Streaming Audio Gracenote Information US Service Hi Res Audio Downloads Germany iHeart Radio All Access Internet Radio US iHeart Radio All Access Internet Radio US Plus iHeart Radio Internet Radio US Download and iMusica Brazil Streaming Instagram Social Media Worldwide iTunes Download Worldwide JioSaavn Streaming India Juno Download Worldwide Me Playlist Streaming Nigeria, Ghana, Monking Me Streaming Kenya, Uganda, Tanzania, South Downloads and Africa, Zimbabwe, Mdundo Streaming UK, North America. LATAM, US, Spain, Dreamscope Media Group Ltd. Music Distribution Channels Page 1 of 5 Stores Store Type Territory Provider Audio Music Reports Information Worldwide Service US, Canada, Austria, Belgium, Finland, France, Germany, Ireland, Italy, Luxembourg, Netherlands, Norway, Portugal, Spain, Sweden, Napster Streaming -
Anghami, the Leading Music Streaming Platform in the Middle East and North Africa, Merges with Vistas Media Acquisition Company Inc
Anghami, the leading music streaming platform in the Middle East and North Africa, merges with Vistas Media Acquisition Company Inc. to become first Arab technology company to list on NASDAQ New York ● Anghami will become the first Arab technology company to list on NASDAQ New York via a merger with Vistas Media Acquisition Company Inc. (NASDAQ: VMAC), a publicly traded special purpose acquisition company. ● The transaction implies an initial pro-forma enterprise valuation of approximately $220 million, or 2.5x 2022 estimated revenues. ● The transaction is expected to close in Q2 of 2021. ● SHUAA Capital psc. (DFM: SHUAA), the UAE’s premier publicly listed asset management and investment banking firm and Vistas Media Capital Singapore, the parent of the sponsor for Vistas Media Acquisition Company Inc., have gathered commitments of a combined $40 million ($30 million from SHUAA and $10 million from Vistas Media Capital) in PIPE financing. SHUAA also led a funding round for Anghami earlier in the year. ● Anghami, headquartered in Abu Dhabi, UAE, is currently backed by leading MENA venture capital firms and strategic shareholders, including media groups and telecommunications companies that collectively own approximately 68% of Anghami, with the balance owned by the founders. ● Anghami is a high growth digital media entertainment technology company, collecting over 56 million data points on its users daily. Anghami uses artificial intelligence and machine learning to improve recommendations, reduce churn, drive engagement and predict user behavior. ● Founded in 2012, Anghami is the first music-streaming platform in the Middle East and North Africa (MENA) and has since built a market-leading platform, offering more than 57 million songs to more than 70 million registered users with around 1 billion streams per month. -
True Heads: Historicizing the Hip Hop "Nation"
TRUE HEADS Historicizing the Hip_Hop "Nation" in Context by R. Scott Heath Hip_hop culture is intricately linked to any comprehensive understanding of race and national identity in the United States at the turn of the twentieth-first century. What was initially developed as a mode of marginal expression, conceived as a countermeasure to the material and social inequities of American postindustrialism, has, in the past several years, become perhaps the most prominent medium by which blackness is represented in the U.S. and by which blackness and Americanness are represented globally. And hip_hop, which might best be imagined as a way of reading and critiquing public culture, is itself troubled by the ways that it is read and recontextualized by its detractors and proponents alike. For this reason it is imperative that we explore the extent to which hip_hop discourse seems to typify American convention as much as it informs it, particularly in light of recent international events that have reignited some tough discussions about what Americanness means. This project elucidates the challenges of historiography as it concerns a cultural practice that has been racially marked as black and that has been understood as a site of militant, class-based struggle and resistance. Hip_hop and conversations around hip_hop almost necessarily compromise the boundaries of private and public expressive spheres, challenging us as critical thinkers to account for the consistent evidence of alternative intellectualisms and revised epistemolo- gies. The work -
Killarmy, War Face
Killarmy, War Face "Why did you join my beloved core?" "Sir, to kill sir!" "So you're a killer?" "Sir yes sir!" "Let me see your war face." "Sir?" "You got a war face? Aaaahhh! That's war face now let me see your war face." "Aaaaahhhh!!" "Bullshit, you didn't convince me. Let me see your real war face." "AAAAAAAARRRRRHHHHHHH!!!!!!" "You don't scare me, work on it!" Yeah Where the fuck is your war face son? (Burning season niggas) Killarmy (It's not safe no more nigga) Chorus: (2x) Yo I wanna see your war face Soldier where's your war face? Camouflaged inmates collapse war gates (9th Prince) Yo, yo yo yo Check the Killarmy We go to war like tomahawks and Indians From the wilderness of our villages Desert commander live on the gorgeous fortress like the sorceress To build up my heritage Shaolin surrounded by the cruel sea, crabs get stabbed Chemistry lab is filled with motorous vocab That drive niggas crazy like Arabs in Manhatten cabs Lyrics heat up the airplay, give off shockwaves That damage the earways for centuries and decades I be a renegade through rainy days I collect guns to blast off like shooting stars Shot up the charts the soldiers from the dark Stabbin and gatherin dead in the fuckin heart A rhymin alcoholic, I'm bad for your liver Unidentified corpse's thrown in the Ohio River I'm psychotic in the tropic Bullets spark through bulletproof shields of narcotics Killarmy be runnin train on Bobby Steels' tracks Lyrical