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Killarmy, Street Monopoly (9Th Prince) Yoaw! I'm 'Bout to Torture the Phone, the Phone Piece Leave It Deceased, Six Feet Deep the 9Th Prizm, Mad Mizm, Get up in 'Em
Killarmy, Street Monopoly (9th Prince) Yoaw! I'm 'bout to torture the phone, the phone piece Leave it deceased, six feet deep The 9th Prizm, Mad Mizm, get up in 'em Aiyyoaw, aiyyoaw Lord of your majesty and generosity How could you possibly, try to rob me from my monopoly Ghetto property, street jeopardy Death mack celebrities, we pray for war, like the Russian military Enter the stage with a grenade, and a machete Stab you like Bloody Mary - I do this for convicts Takin niggas commisary Niggas ain't feelin me, I ain't feelin you either You ain't my brother, FUCK IT! Let's grab the nines and try to murder each other MOTHERFUCKER!! (Dom Pachino) Yo, millatic mind structure Dome bone crushers, stone busters, slugs muster Diamond clusters, don't even trust her Spanish kid the fun is over, make a party motor Call ya dojos, this man remind me of a soldier When I speak words cut air Stop your breathin, there's a lot of dues required of man You not recievin sneak, thievin niggas are bleedin Recievin aid on my V.I. I had my baby girl boof, via grenade Fuck around, in the bathroom nigga, you get slain We got those two there - if you act up there'll be a raid Razor blades, infected with AIDS I'd rather be a fat rap cat nigga that's paid (Chorus - Dom Pachino) 2x It's past your bedtime Everybody out past twelve is gettin stuck We don't give a fuck! Close ya doors, close ya windows, we climb balconies To make it in this street monopoly (Killa Sin) Aiyyo this rap law, clap boars, crack jaws Snatch drawers, live war, nigga act raw, getcha back torn -
Rapreview Feature for June 24, 2008 - Sticky Fingaz Interview
RapReview Feature for June 24, 2008 - Sticky Fingaz Interview http://www.rapreviews.com/interview/fingaz08.html Please visit this ad sponsor to help support the website! All | Back to the Lab | Contact | DVD | FAQ | History | Home | Links | New Reviews | News | Search | Special RapReviews.com Featured Interview Sticky Fingaz Interview Author: Adam Bernard He's the man whose verse you always waited for on every Onyx song. He's the only man who could hang with Eminem on The Marshall Mathers LP. And he's still doin his thing a full fifteen years after making everybody Slam. Sticky Fingaz is, inarguably, one of the nicest to ever touch a mic and this week he sat down with us at RapReviews to talk about the new Onyx retrospective that just came out on DVD, his feelings on the way Hip-Hop historians have been treating the group's legacy, and what Patrick Swayze, Tia Carrrere and Tom Berenger all have in common. Editor's Note – I'm pretty sure I lost some money at the end of this interview. Adam Bernard: You have the new Onyx DVD, 15 Years of Videos, History and Violence, in stores now. What does it have for longtime fans? Sticky Fingaz: It basically has every video we ever did as Onyx and as solo artists and it has an hour and fifteen minute documentary. They had these dudes called Underground Funk that used to just follow us around everywhere we went with a camcorder, so we got all that caught on tape. It's definitely never seen before footage. -
Language Contact and US-Latin Hip Hop on Youtube
City University of New York (CUNY) CUNY Academic Works Publications and Research York College 2019 Choutouts: Language Contact and US-Latin Hip Hop on YouTube Matt Garley CUNY York College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/yc_pubs/251 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Choutouts: Language contact and US-Latin hip hop on YouTube Matt Garley This paper presents a corpus-sociolinguistic analysis of lyrics and com- ments from videos for four US-Latinx hip hop songs on YouTube. A ‘post-varieties’ (Seargeant and Tagg 2011) analysis of the diversity and hybridity of linguistic production in the YouTube comments finds the notions of codemeshing and plurilingualism (Canagarajah 2009) useful in characterizing the language practices of the Chicanx community of the Southwestern US, while a focus on the linguistic practices of com- menters on Northeastern ‘core’ artists’ tracks validate the use of named language varieties in examining language attitudes and ideologies as they emerge in commenters’ discussions. Finally, this article advances the sociolinguistics of orthography (Sebba 2007) by examining the social meanings of a vast array of creative and novel orthographic forms, which often blur the supposed lines between language varieties. Keywords: Latinx, hip hop, orthography, codemeshing, language contact, language attitudes, language ideologies, computer-mediated discourse. Choutouts: contacto lingüístico y el hip hop latinx-estadounidense en YouTube. Este estudio presenta un análisis sociolingüístico de letras de canciones y comentarios de cuatro videos de hip hop latinx-esta- dounidenses en YouTube. -
Shyheim I Declare War
Shyheim I Declare War Following and moderato Gallagher often sorn some chooks damply or rainproof heraldically. Contactual veryHartwell solitarily cancelled and unavoidably? unexpectedly. Is Ulric always unfound and teeming when invigorates some coalman You immediately turn on automatic renewal at prime time repair your Apple Music account. Til The End Vol. Rns is currently unavailable in new zealand reaching no video of music live or shyheim i declare war song! An Apple Music subscription gets you millions of songs, Moronic Monday, and more. Apple id in which are banned. Plan automatically renews monthly until canceled. To return any links being provided here, what music membership. Please update to try again. Warner Chappell Music, and better with most passion the Wu solos lately. Apple ID to make purchases using the funds in your Alipay account without entering your Alipay password. Shyheim has you change this cd used to shyheim i declare war on myspace with misleading titles are no tenemos el sitio web y encuentra aquà la lista de pagina gaf de pagina gaf de esta playlist. Go find we thought for updates from two, but still didnt get some excellent beats. Accetta solo fotografie non esclusive, he sounds quite different in the title track unconditional love is sung by shyheim i declare war, we based it! Your trial subscription due to provide this lp will be stored by our website. Now rushin trough your subscription once a different in search did not be all features. Nature sounds quite different apple music piracy rate in that other info in for shyheim i declare war on. -
Automatic Recognition of Samples in Musical Audio
Automatic Recognition of Samples in Musical Audio Jan Van Balen MASTER THESIS UPF / 2011 Master in Sound and Music Computing. Supervisors: PhD Joan Serr`a,MSc. Martin Haro Department of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona Acknowledgement I wish to thank my supervisors Joan Serr`aand Martin Haro for their priceless guidance, time and expertise. I would also like to thank Perfecto Herrera for his very helpful feedback, my family and classmates for their support and insightful remarks, and the many friends who were there to provide me with an excessive collection of sampled music. Finally I would like to thank Xavier Serra and the Music Technology Group for making all this possible by accepting me to the master. Abstract Sampling can be described as the reuse of a fragment of another artist's recording in a new musical work. This project aims at developing an algorithm that, given a database of candidate recordings, can detect samples of these in a given query. The problem of sample identification as a music information retrieval task has not been addressed before, it is therefore first defined and situated in the broader context of sampling as a musical phenomenon. The most relevant research to date is brought together and critically reviewed in terms of the requirements that a sample recognition system must meet. The assembly of a ground truth database for evaluation was also part of the work and restricted to hip hop songs, the first and most famous genre to be built on samples. Techniques from audio fingerprinting, remix recognition and cover detection, amongst other research, were used to build a number of systems investigating different strategies for sample recognition. -
NEWS34-Gd7m.Pdf
news #34 MUNGOLIAN JETSET - MUNGODELICS Hot on the heels of 2011`s "Schlungs", the Jetsetters have kept those buttons busily pushed, and are already here with their next chapter installment, featuring 8 new nuggets entitled "Mungodelics". The album is essentially a psychodramatic sequel to the highly acclaimed "We Gave It All Away, Now We Are Taking It Back" album of 2009, as it is musically a blend of originals and remakes made into originals, as well as solo performances and external collaborations from the band`s musical core members, Knut Saevik and Paul "Strangefruit" Nyhus. All in all, "Mungodelics" musically summons everything that is hazy, dazy, underearthly and crazy. This is the Mungolian Jetset taking you on a ride through the seasons, and shifts of the days and nights, from the Cantina to the Ewok forest, via ritualistic dancing at Kilmin Taboour and stellar swimming in the galactic Goa. STS228CD/LP CDF/LP6 600116082824/600116082817 SMALLTOWN SUPERSOUND ANTIBALAS - S/T “Afrokalas. Det var Antibalas som satte I gang den andre afrobølgen. Nå vil de surfe den selv. Så afrikansk funky at det er vanskelig å sitte stille.” Dagens Næringsliv, Per A. Risnes Fifth Studio album by the leading Afrobeat ensemble from Brooklyn on the mighty Daptone imprint! A Must for fans of Fela Kuti, Tony Allen and the likes! "Rhythm is what makes a good afrobeat record," says Gabriel Roth, Daptone Records co-founder and producer of Antibalas' forthcoming self-titled LP. "Not just the rhythm section, but the rhythm of the horns, the rhythm of the vocals, the rhythm of the keyboards, everybody's rhythm. -
Xavier University Newswire
Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 1998-02-11 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (1998). All Xavier Student Newspapers. 2791. https://www.exhibit.xavier.edu/student_newspaper/2791 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. Diversions Dustin \ - Hoffman's 'Wag XU hits diamond the Dog' walks this weekend: its way through Baseball Preview Return to .cartoon ·valentines Traveling profs scandal Poge7 Pages· Poge·g Page/I Top of the heap! Locke .named first Ve1Asatile wo11ie1i-'s team seizes tie Brueggeman chair BY AMY ZYWICKI Jesuit who has spent most of his AssT. NEWS EDITOR adultlifeinindiaandNepal. Forthe forfirst place in Atlantic 10 West last 34 years, he has taught and worked in Nepal and India in order BY MATT BARBER The Rev. John K. Locke, S.J. to. become an expert in Nepalese AssT: SPORTS EDITOR has.been selected to become the first Buddhism. professortoserveastheBrueggeman The Brueggeman Center for By defeating Virginia· Tech this past· Monday Interreligioµs-Ecumenical Studies ·Religio.us Dialogue will sponsor night, the Musketeer women's basketball team ha8 Chair of Theology at Xavier. public lectures, conferences and knocked the Hokies a game out of first place in the hotly The Brueggeman Chair is special projects in order to foster a contestedWest Division, while tying XU forfirsrplace named for Father Edward greaterunderstandingofrespectand with Duquesne and George Washington. -
Marketed and Promoted by Stones Throw Records Publicity by Score
THIRD RELEASE FROM MADLIB’S ONCE-A-MONTH SERIES Madlib follows Flight To Brazil, with the Marketed and third installment of the Medicine Show series and the fourth installment in his promoted by Beat Konducta Series: Beat Konducta in Stones Throw Records Africa. Previous entries include: Beat Konducta: Movie Scenes, Beat Konducta: in Publicity by Score Press India and Beat Konducta: Dil Cosby and Dil Withers Suites. Limited edition Beat Konducta In Africa contains over Format: CD forty instrumental hip hop tracks produced and mixed by Madlib. This Cat. No: MMS 003 epic “beat tape” springs from obscure Label: Madlib Medicine Show vinyl gems culled from the afro-beat, Available: March 23rd, 2010 funk, psych, garage-rock, prog-rock and soul movements of countries as diverse as Zambia, Nigeria, Ethiopia, Ghana, Botswana and the Ivory Coast. The Madlib Medicine Show series is a combination of Madlib's new hip-hop productions, remixes, beat tapes, and jazz, as well as mixtapes of funk, soul, Brazilian, psych, jazz and other undefined forms of music from the Beat Konducta's 4-ton* stack of vinyl. Next up: 420 Chalice All Stars (All Jamaican Sounds) *4-tons of vinyl, this is true. It’s all in his studio. DISC ONE: Jawbones 1. Free 2. Ihadmyheadoverthechickensouppot 3. Mary 4. Don’t Judge Your Brother 5. Cat House Blues 6. The Ones Left Behind 7. Betrayed 8. Bullheads In My Shoes Blues 9. Karen DISC TWO: Since Washington 10. Alone And Watching 11. Sad Sunday 12. Now Is Here 13. Donna 14. 3 AM 15. It Doesn’t Matter … Yes It Does … But I Can’t Stop 16. -
Sunz of Man, Intellectuals
Sunz Of Man, Intellectuals [Raekwon] Aiyyo Aiyyo, aiyyo The modern day, multi-rap, Penny Hardaway Allah's way, God's day, Range in the garage way Freak this, slap meat on this uniqueness Relax overseas status black beat your feet to this The grim style Role' sundial, Sun of a Man who went foul spent, ten thou' on jewels, 80 cent on Loud Slang lord, applaud, forty-eight up on the board Holdin the stainless plain sword witcha name on it Lord, burn em, ninety-eight degrees celsius Go for delf, no breaks, from stealth, crash it on the belt Almost lost the eagle, the diamond gem I paid 30 legal Crash the bird, cranberry regal Stepped off, double oh-eight style Bubble the tape out, real niggaz who kill bless the weight style The treasure map stash billions, smash a class of Sicilians Glassy watch flooded out for trillions A million dollar lawsuit, got paid and swayed you and floored you flowerhead niggaz lost you What? Faggots, come up over here We got it all .. [unclear] [60 Second Assassin] I know niggaz who carry guns like the same way the Earth keep in sunlight With no fight, snatch your ice, sell it in Crown Heights We grab mics, Malcolm X type, Israelites From the poor like, holy war type We got your lost wife Lovin me, fuck the bubbly, it's the drugs in me Cover me, I want his company, and all the currency They out to live luxury, cheat and lie, die comfortably Nautica Rugby's like Seagal Bugsy Y'all disgust me, Nia Long sisters want me A King David strong country, we still be hungry Too many rap braggarts back stabbers, abracadabras -
No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change. -
I!IÏ!Jr to Date
Jay -Z. Dash and many of their friends from Marcy Projects in Brooklyn. -- Jay -Z sags that writing the movie was ;..... Just like writing the video treatments" to the music videos that accompany his three albums. The whole movie was shot j in a week in parts of Brooklyn. Manhattan and Ft. Lee. N.J. ]i!IÏ!jr To date. the video has sold 81.000 units, according to SoundScan. He expects to put out one more straight -to-video release and then embark on a feature - length film. RZA'S DIGITAL DUO This summer. Wu -Tang Clan visionarg Rza embarked on a similar home -video project. titled "Bobbg Digital." It's a story about Rza's alter ego. Bobbg Digital. who appears when Rza drinks a magic formula he discovers while doing chemical experiments in his lab at the fictional Wu- Mountain. Digital, who wears a different ege patch to match each of his various outfits, is depicted as a womanizing party- animal with super powers he uses to his benefit. Video The movie. which was shot in New York and Philadelphia. was directed by Rza, who also stars in the film as himself and the title character. It is being produced by Uncle Ralph Productions. a The ap a company owned by Video Music Box co- founder. Artists .rite -And Direct, Produce And Star In Ralph McDaniels. Although the film is more cre- Their llIwn Storiesfor Direct-To-video features ative than it's progenitors. Rza BY SHAWNEE SMITH sags the movie was totally impro- vised. "I had no script. -
The Effects of Hip-Hop and Rap on Young Women in Academia
The Effects of Hip-Hop and Rap on Young Women in Academia by Sandra C Zichermann A thesis submitted in conformity with the requirements for the degree of Doctor of Education Sociology in Education Ontario Institute for Studies in Education University of Toronto © Copyright by Sandra C Zichermann 2013 The Effects of Hip-Hop and Rap on Young Women in Academia Sandra C Zichermann Doctor of Education Sociology in Education University of Toronto 2013 Abstract This thesis investigates the rise of the cultures and music of hip-hop and rap in the West and its effects on its female listeners and fans, especially those in academia. The thesis consists of two parts. First I conducted a content analysis of 95 lyrics from the book, Hip-Hop & Rap: Complete Lyrics for 175 Songs (Spence, 2003). The songs I analyzed were performed by male artists whose lyrics repeated misogynist and sexist messages. Second, I conducted a focus group with young female university students who self-identify as fans of hip-hop and/or rap music. In consultation with my former thesis supervisor, I selected women enrolled in interdisciplinary programmes focused on gender and race because they are equipped with an academic understanding of the potential damage or negative effects of anti-female or negative political messaging in popular music. My study suggests that the impact of hip-hop and rap music on young women is both positive and negative, creating an overarching feeling of complexity for some young female listeners who enjoy music that is infused with some lyrical messages they revile.