Without Prejudice
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Santa Fe Daily New Mexican, 07-06-1896 New Mexican Printing Company
University of New Mexico UNM Digital Repository Santa Fe New Mexican, 1883-1913 New Mexico Historical Newspapers 7-6-1896 Santa Fe Daily New Mexican, 07-06-1896 New Mexican Printing Company Follow this and additional works at: https://digitalrepository.unm.edu/sfnm_news Recommended Citation New Mexican Printing Company. "Santa Fe Daily New Mexican, 07-06-1896." (1896). https://digitalrepository.unm.edu/ sfnm_news/5356 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Santa Fe New Mexican, 1883-1913 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. SANTA. FE DAILY NEW-MEXICA- N VOL.33. SANTA FE, N. Mm MONDAY, JULY G, 1896- - NO. 110 assembling from the several states take THE WAR IS ON. 4en. Young Dead. A..T.& S. F. EARNINGS. Highest of all in Leavening Power. Latest U. S. Gov't Report ON CHICAGO A ALL EYES ARE immediate aotion looking to the preserva- Washington, July 6. dispatch re tion of our party from destruction. The ceived at the Btate y an A War Fires on An Am- department from the Keceivera I'pon the exigencies of the situation admit neither Spanish Ship that Gen. Pierce M. B. Figures would erican Boat-Ure- at Excitement nonnced Young, Two How It Looks on the Eve of the Great of delay or compromise. If we U. S. minister to Gnstamala and Hon' Last Years' Operations.' we must aot. now un- at Key West. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
STORM Report the STORM Report Is a Compilation of Up-And-Coming Bands and Explores the Increasingly Popular Trend Artists Who Are Worth Watching
Hungry Like The Wolf: Artists as Restauranteurs SYML Maggie Rogers Sam Bruno Angus & Julia Stone Fox Stevenson and more THE STORM ISSUE NO. 49 REPORT NOVEMBER/DECEMBER 2017 TABLE OF CONTENTS 4 EYE OF THE STORM Hungry Like The Wolf: Artists as Restauranteurs 5 STORM TRACKER Post Malone, Ty Dolla $ign, St. Vincent, and Courtney Barnett 6 STORM FORECAST What to look forward to this month. Holiday Season, Award Season, Rainy Day Gaming and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Marshmello. Photo courtesy of management. ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA It’s almost Thanksgiving in the US, and so this special edition of the STORM report The STORM Report is a compilation of up-and-coming bands and explores the increasingly popular trend artists who are worth watching. Only those showing the most of artists and food with our featured promising potential for future commercial success make it onto our article “Hungry Like the Wolf: Artists as monthly list. Restauranteurs.” From Sammy Hagar’s Cabo Wabo to Jimmy Buffet’s Margaritaville to How do we know? Justin Timberlake’s Southern Hospitality, artists are leveraging their brand equity to Through correspondence with industry insiders and our own ravenous create extensions that are not only lucrative, media consumption, we spend our month gathering names of artists but also delicious! Featured on this month’s who are “bubbling under”. We then extensively vet this information, cover is one of our favorite STORM alumni, analyzing an artist’s print & digital media coverage, social media Marshmello (STORM #39), whose very growth, sales chart statistics, and various other checks and balances to name sounds like it would go well with ensure that our list represents the cream of the crop. -
Q1 2021 Dolby Laboratories Inc Earnings Call on January 28, 2021 / 10:00PM
REFINITIV STREETEVENTS EDITED TRANSCRIPT DLB.N - Q1 2021 Dolby Laboratories Inc Earnings Call EVENT DATE/TIME: JANUARY 28, 2021 / 10:00PM GMT OVERVIEW: Co. reported 1Q21 revenue of $390m, GAAP net income of $135.2m and non-GAAP net income of $153.3m. Also reported 1Q21 GAAP net diluted EPS of $1.30 and non-GAAP net diluted EPS of $1.48. Expects 2Q21 revenue to be $280-310m, GAAP diluted EPS to be $0.36-0.51 and non-GAAP diluted EPS to be $0.57-0.72. REFINITIV STREETEVENTS | www.refinitiv.com | Contact Us ©2021 Refinitiv. All rights reserved. Republication or redistribution of Refinitiv content, including by framing or similar means, is prohibited without the prior written consent of Refinitiv. 'Refinitiv' and the Refinitiv logo are registered trademarks of Refinitiv and its affiliated companies. JANUARY 28, 2021 / 10:00PM, DLB.N - Q1 2021 Dolby Laboratories Inc Earnings Call CORPORATE PARTICIPANTS Jason Dea Dolby Laboratories, Inc. - Director of Corporate Finance & IR Kevin J. Yeaman Dolby Laboratories, Inc. - President, CEO & Director Lewis Chew Dolby Laboratories, Inc - Executive Vice President & Chief Financial Officer CONFERENCE CALL PARTICIPANTS James Charles Goss Barrington Research Associates, Inc., Research Division - MD Paul Chung JPMorgan Chase & Co, Research Division - VP & IT Hardware Analyst Steven Bruce Frankel Colliers Securities LLC, Research Division - Senior VP & Director of Research PRESENTATION Operator Ladies and gentlemen, thank you for standing by, and welcome to the Dolby Laboratories Conference Call discussing Fiscal First Quarter Results. (Operator Instructions) As a reminder, this call is being recorded, Thursday, January 28, 2021. I would now like to turn the conference over to Jason Dea, Director of Investor Relations for Dolby Laboratories. -
A Qualitative Study of How Non-Native Interactants Manage Misunderstanding in A
Linköping University Department of Culture and Communication Master’s Program Language and Culture in Europe “Misunderstanding in Telephone Interaction” A Qualitative Study of how Non-native Interactants Manage Misunderstanding in a Mediated Communication Obaidullah Anwar Autumn 2010 Supervisor: Ali Reza Majlesi Table of Contents 1 Introduction 2 1.1 Aims 3 1.2 Participants 3 2 Theoretical Background 5 2.1 Research Background; An Overview 5 2.1.1 Misunderstanding and Non-understanding 5 2.1.2 Miscommunication in Intercultural Communication 6 2.1.3 Telephone Conversation 8 2.2 Theoretical Framework 9 2.2.1 Ethnomethodology and CA as Theory 9 2.2.2 Methods of CA 10 3 Methodology 13 3.1 Description of Data 13 4 Analysis 15 4.1 Misunderstanding Due to Pronunciation 15 4.2 Misunderstanding Due to Grammatical Structure 16 4.3 Misunderstanding Due to Names 20 4.4 Misunderstanding Due to Pace of Utterance 22 4.5 Misunderstanding Due to Mother Tongue Effect 23 4.6 Misunderstanding Due to Non Clarity and Pitch 26 5 Concluding Discussion 31 5.1 Findings and Conclusions 32 6 References 34 7 Appendix 36 1 1. Introduction Miscommunications, misconceptions and misunderstandings are a common part of everyday human interaction. People, despite their desires to communicate successfully, misunderstand each other’s words, silences, gestures or other social actions many often times. Such incidents not only keep happening between interlocutors having different language and culture backgrounds, but also between fellows, spouses, grown-ups and children, medical doctors and their patients, and teachers and their students off and on. Tzanne (2000: 1) is of the view that such misunderstandings may have trivial, entertaining, unpleasant and even catastrophic consequences. -
Shyheim I Declare War
Shyheim I Declare War Following and moderato Gallagher often sorn some chooks damply or rainproof heraldically. Contactual veryHartwell solitarily cancelled and unavoidably? unexpectedly. Is Ulric always unfound and teeming when invigorates some coalman You immediately turn on automatic renewal at prime time repair your Apple Music account. Til The End Vol. Rns is currently unavailable in new zealand reaching no video of music live or shyheim i declare war song! An Apple Music subscription gets you millions of songs, Moronic Monday, and more. Apple id in which are banned. Plan automatically renews monthly until canceled. To return any links being provided here, what music membership. Please update to try again. Warner Chappell Music, and better with most passion the Wu solos lately. Apple ID to make purchases using the funds in your Alipay account without entering your Alipay password. Shyheim has you change this cd used to shyheim i declare war on myspace with misleading titles are no tenemos el sitio web y encuentra aquà la lista de pagina gaf de pagina gaf de esta playlist. Go find we thought for updates from two, but still didnt get some excellent beats. Accetta solo fotografie non esclusive, he sounds quite different in the title track unconditional love is sung by shyheim i declare war, we based it! Your trial subscription due to provide this lp will be stored by our website. Now rushin trough your subscription once a different in search did not be all features. Nature sounds quite different apple music piracy rate in that other info in for shyheim i declare war on. -
How to Share Your Release with the World
MusicNSW’s Industry Essentials How to share your release with the world Prepared by GYROstream for MusicNSW Did you know more than 22,000 songs are uploaded to streaming services every day? Getting your music online can seem like a complicated task. It doesn’t have to be though. Below are some tips and tricks to help you navigate the best distribution path for you and your new tunes. What are digital music aggregators / distributors? Digital aggregators (also known as digital distributors) are companies that provide a means to distribute your music globally through digital music stores and streaming platforms. You can’t just upload a track directly to Spotify or Apple Music and have it streamed globally, you need to use a digital music aggregator. If you’re signed to a label, it’s more than likely they’ll distribute your music to Spotify, Apple, iTunes, YouTube Music and more for you, but if you’re independent, you can have exactly the same access to these platforms by using a digital aggregator. Aggregators make their money by charging upfront fees and/or charging a percentage of revenue earned from the streaming and download purchases of your music. In some cases, aggregators will also charge an ongoing annual fee to keep your content online. Who do they distribute to? Nearly all distributors will get your music to Apple, Spotify, Deezer, Youtube (ie. the major western platforms), which together cover a large portion of music listeners worldwide. Where things might differ is for the highly localised services that cater to their specific regions - eg. -
This Project by Patricia J
TEACHING ADULT EFL LEARNERS IN JAPAN FROM A JAPANESE PERSPECTIVE SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE MASTER OF ARTS IN TEACHING DEGREE AT THE SCHOOL FOR INTERNATIONAL TRAINING BRATTLEBORO, VERMONT BY PATRICIA JEAN GAGE SEPTEMBER 2004 © PATRICIA JEAN GAGE 2004 This project by Patricia J. Gage is accepted in its present form. The author hereby grants the School for International Training the permission to electronically reproduce and transmit this document to the students, alumni, staff, and faculty of the World Learning Community. © Patricia Jean Gage, 2004. All rights reserved. Date _________________________________ Project Advisor _________________________________ (Paul LeVasseur) Project Reader _________________________________ (Kevin O’Donnell) Acknowledgements There are so many people that contributed to this project and without their help this project would not have been possible. First, I would like to thank my Sakae and Taiyonomachi classes for always being patient with me and for taking time out of their busy schedules to write feedback about each of the topics. Second, I am very grateful to Toshihiko Kamegaya, Mayumi Noda, Katsuko Usui, Terukazu Chinen and Naoko Ueda for providing the anecdotes in the section titled “Voices from Japan.” Third, I would like to give a special thanks to Paul LeVasseur, my advisor and teacher, whose Four Skills class inspired me to do this project and whose insightful comments about this paper were invaluable. I would also like to thank the summer faculty at SIT for their dedication and commitment to the teaching profession and to their students. Next, I would like to acknowledge my reader, Kevin O’Donnell, for guiding me in the right direction and for spending time, in his already hectic schedule, to read my paper. -
United Arab Emirates
1 COUNTRY PROFILE MARKET PROFILE 08.11.19 United Arab Emirates UAE STATS f Population 9.7m* If an international or Arabic d artist is coming to town, we GDP (purchasing power parity) see that [their streams start] $696bn* booming. The live market was the GDP real growth rate 0.8%* music industry for a long time...” GDP per capita (PPP) $68,600* – Claudius Boller, Spotify h “If you look at Spotify, when they entered Internet users 5.3m this market, there was immediately a Percent of population 90.6%* conversion of people who moved from c whatever international account they As the business hub of the Middle East and North Africa, the UAE belies were using,” said Hussain “Spek” Yoosuf, Broadband connections 1.3m its geographical size. In the case of the music industry, global streaming the founder of Abu Dhabi-based music Broadband subscriptions services have joined record companies in mining its significant potential publishing company PopArabia. “Spotify per 100 inhabitants 21 were able to hit more people right away. he UAE is among the smallest entire MENA region is done out of here,” i That might not have been the case in Yemen countries in the Middle East and said Claudius Boller, the MD for the Middle or even Egypt to some extent. In the Gulf, Total mobile phone North Africa (MENA) but it’s East and Africa at Spotify. “You have lots you’ve got a majority of the population under among the most significant for the of economies of scale when it comes to subscriptions 19.8m 40, some of the highest smartphone and musicT industry. -
21St September 2018 Submission to the House Standing Committee on Communications and the Arts Inquiry Into Factors Contributing
21st September 2018 Submission to the House Standing Committee on Communications and The Arts Inquiry into factors contributing to the growth and sustainability of the Australian Music Industry https://www.aph.gov.au/Parliamentary_Business/Committees/House/Communications/ Australianmusicindustry INTRODUCTION Thank you for considering this submission, which is in collaboration with the Australian Association of Musicians (AM). My name is Andrew Barnum, as a PhD candidate at UTS in the Faculty of Arts and Social Science, my study is investigating the cultural contexts of Identity, Artifact and Change through the lens of Australian Song in the age of digital music. To date I’ve interviewed thirty-five Australian songwriters (genders and music genres) to understand the conditions in which their practice exists in Australia. In consideration of the terms of reference stated for this inquiry, it’s important to start with some unifying statements as drivers of purpose for this submission. WHAT ARE OUR COMMON BELIEFS AS AUSTRALIANS? As a community of Australian artists and citizens, we are informed by the belief that our nation should strive to be a productive nation - empathic, respectful, imaginative, industrious, adaptive, open and successful. (Creative Australia 2013) In this submission we are considering the reasons why our Association should support these beliefs as central to our strategy to re-invigorate The Australian music Industry, which is both a cultural and commercial Australian enterprise, locally and globally. This submission considers the factors that will grow and sustain our uniquely Australian Music Industry, as a proud Cultural and Creative Industry, and in doing so, confirm our sense of self as Australian musical entrepreneurs, our desire to feel we belong here in our birthplace as Australian artists, producers and copyright holders, and can sustain livelihood and opportunity at home, as productive members of the field of cultural production in Australia. -
Digital Music Distribution and Royalty Investment
AudioSwim NASAB Dubai, UAE [email protected] Digital Music Distribution and Royalty Investment 2020 - 2021 Overview AudioSwim allows artists to upload, sell and stream their music globally, turning fans into investors. We focus on creating innovative ways for musicians to expand their catalog and careers through fan engagement and investments. Music Distribution and Audio Management ● Get your music streaming in 30+ stores including iTunes, Spotify, Anghami, TikTok, Google Play, Amazon, Tidal, & Deezer! ● We ensure a high degree of confidentiality and security allowing you to gain control and get paid from music streaming and sales. ● We offer daily and weekly analytical reports that help you learn about your fans. Find out who's paying attention to you. ● News, Blogs, Interviews, Podcasts and more about digital music distribution from artists and music industry insiders to help you get ahead. Royalty Reporting and Royalty Investment ● Each artist or band will be able to set the value of their royalty rights being offered at their own discretion, within a limit determined by AudioSwim. The limit is based on prior earnings of previous songs and future potential. ● AudioSwim will provide customized deals that will allow intellectual property holders to sell proportions of their royalty streams in return for lump sum payment. 2 ● Royalties will be sold as investments to your fans who will be able to sell or trade artists royalties in the future. ● The purchase of royalties will ensure that your fans give you the proper support and push needed. ● Remixes, cover versions, and anything with unlicensed samples can not be permitted. All releases undergo a strict quality control assessment prior to release. -
Grassroots Britain's Party Members
Mile End Institute Grassroots Britain’s party members: who they are, what they think, and what they do January 2018 Tim Bale Paul Webb Monica Poletti mei.qmul.ac.ukwww.mei.qmul.ac.uk 1 Contents About the Party Members Project 5 Chapter One: What do party members look like? 7 Chapter Two: Ideology, issues and policies 11 Chapter Three: Joining: the why and the how 21 Chapter Four: The upsides and downsides of party membership 25 Chapter Five: Choosing MPs and other privileges 34 Chapter Six: Campaigning 36 Conclusion 38 Appendix 40 About the authors 41 2 www.mei.qmul.ac.uk www.mei.qmul.ac.uk 3 About the Party Members Project Party membership is vital to the health of This pamphlet reports the results of our representative democracy. Members surveys we conducted just after the contribute significantly to election General Election in June 2017, in campaigns and to party finances. They are particular those covering the members of the people who pick party leaders. They the Conservatives, Labour, the Lib Dems constitute the pool from which parties and the SNP. Each sample is a mix of choose their candidates. And they help party members we were able to re-contact anchor the parties to the principles and from our earlier surveys plus members people they came into politics to promote who have joined the parties since then and protect. (see Appendix). Beginning just after the 2015 General Although we will also be putting a version Election, and with funding from the UK’s on our project’s webpage, we thought it social science research council, the ESRC, would be handy to produce something we have, with the help of YouGov, been in hard copy that can be easily read and surveying the members of the country’s passed around the office.