Q1 2021 Dolby Laboratories Inc Earnings Call on January 28, 2021 / 10:00PM
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Heos CLI Protocol Specification Version 1 16
HEOS CLI Protocol Specification 1. Overview 1.1 Supported music services 2. Connection 2.1 Controller Design Guidelines 2.1.1 Driver Initialization 2.1.2 Caveats 2.1.2.1 Compatibility 2.1.2.2 Issues & Solutions 2.1.3 Miscellaneous 3. Command and Response Overview 3.1 Commands 3.2 Responses 4. Command and Response Details 4.1 System Commands 4.1.1 Register for Change Events 4.1.2 HEOS Account Check 4.1.3 HEOS Account Sign In 4.1.4 HEOS Account Sign Out 4.1.5 HEOS System Heart Beat 4.1.6 HEOS Speaker Reboot 4.1.7 Prettify JSON response 4.2 Player Commands 4.2.1 Get Players 4.2.2 Get Player Info 4.2.3 Get Play State 4.2.4 Set Play State 4.2.5 Get Now Playing Media 4.2.6 Get Volume 4.2.7 Set Volume 4.2.8 Volume Up 4.2.9 Volume Down 4.2.10 Get Mute 4.2.11 Set Mute 4.2.12 Toggle Mute 4.2.13 Get Play Mode 4.2.14 Set Play Mode 4.2.15 Get Queue 4.2.16 Play Queue Item 4.2.17 Remove Item(s) from Queue 4.2.18 Save Queue as Playlist 4.2.19 Clear Queue 4.2.20 Move Queue 4.2.21 Play Next 4.2.22 Play Previous 4.2.23 Set QuickSelect [LS AVR Only] 4.2.24 Play QuickSelect [LS AVR Only] 4.2.25 Get QuickSelects [LS AVR Only] 4.2.26 Check for Firmware Update 4.3 Group Commands 4.3.1 Get Groups 4.3.2 Get Group Info 4.3.3 Set Group 4.3.4 Get Group Volume 4.3.5 Set Group Volume 4.2.6 Group Volume Up 4.2.7 Group Volume Down 4.3.8 Get Group Mute 4.3.9 Set Group Mute 4.3.10 Toggle Group Mute 4.4 Browse Commands 4.4.1 Get Music Sources 4.4.2 Get Source Info 4.4.3 Browse Source 4.4.4 Browse Source Containers 4.4.5 Get Source Search Criteria 4.4.6 Search 4.4.7 Play Station 4.4.8 Play Preset Station 4.4.9 Play Input source Limitations for the system when used multi devices. -
Tidal Customer QA
Q & A Cisco Integrated Customer Experience Cisco Services Q&A for Cisco Tidal Software Products Contents Introduction .................................................................................................................................................................... 1 Cisco Services for Tidal Software Products ................................................................................................................... 1 Cisco Technical Assistance Center Support .................................................................................................................. 2 Cisco Software Application Support plus Upgrades ....................................................................................................... 4 Warranty ........................................................................................................................................................................ 5 Advanced and Other Services ....................................................................................................................................... 5 Introduction This document provides answers to some of the most common questions regarding service offerings and technical support for Cisco® Tidal software products now that Tidal Software is a part of Cisco. Cisco Services for Tidal Software Products Q. What are the Cisco Advanced Services, Technical Services, and Training Services that correspond to legacy Tidal services? A. Below are the services: Advanced Services Cisco Tidal S ervices Name Original -
Hifi Und Musik
44 44Anker HIFI UND MUSIK 44 August 2019 / Juli ■ 8. Jahrgang ■ Für anspruchsvolle Hörer. Für anspruchsvolle Leser. anspruchsvolle Für Hörer. anspruchsvolle Für 04/2019 S 151 SKR S 151 ■ CH 20,60CH SFR ■ 04/2019 A/IT/BENELUX 14,40 € A/IT/BENELUX 14,40 ■ HIFI UND MUSIK 12,50 € D EDITORIAL DEAR READERS DEAR READERS, Anker Carsten Barnbeck Photography: FIDLEITY It’s those rare experiences that raise up all sorts of questions and every system deserves to have the optimal performance teased out of suddenly force you to see the world anew. Only a few weeks ago, I was it. And when we’ve finally got everything running perfectly, the system enveloped again. I had the exclusive honor and pleasure of spending an is left alone – to properly warm up and burn-in, of course. Then, even intimate hour with German manufacturer Tidal Audio’s top-of-the-line when we sit down with it again, we become enslaved to the intensive system. Simply put, it blew me away. Completely enveloped, I forgot processes of a listening test. everything going on around me for that blissful hour – all the details of which start on page 142 of this issue. But that sublime moment really With all this in mind, I’ve decided to add to my New Year’s resolutions got me thinking: why do I so seldom find myself fully and effortlessly for 2019: spend considerably more time simply sitting in front of the immersed in music nowadays? A question that seems strange to me, system with goosebumps. -
TIDAL EVENTS and GALACTIC ACTIVITY J .B.Hutchings Dominion
TIDAL EVENTS AND GALACTIC ACTIVITY J .B.Hutchings Dominion Astrophysical Observatory, Victoria, B .C., Canada S .G .Neff NASA Goddard Space Flight Center, Greenbelt, MD, USA Summary. We report some results from recent and ongoing work which relate to the connection between nuclear activity and tidal interactions. We suggest that tidal events are in general a necessary but not sufEcient condition for nuclear activation. We also suggest that nuclear activity generally develops at a ‘late stage’ of a tidal encounter, following star- formation and dust evaporation, and when the most obvious morphological disturbances may have disappeared. Table 1 summarizes the quantitative results from four programs which relate to the present topic. The full details are found in the references given. Our summary comments follow: 1. QSO imaging. In an investigation of matched samples of radio-loud and radio- quiet QSOs and radio galaxies, the results (Table 1) indicate disturbances of the host galaxy (indicating tidal encounters) in essentially all radio-luminous objects. (In the QSOs it is harder to see the closest companions and disturbances because of the bright nuclear light source.) The fraction (or strength) of interaction is lower in the radio-quiet QSOs. There is a range of Mv and colour for the host galaxies that makes them significantly different by K-S significance tests. The sense of these differences is consistent with different amounts of star-formation in the three types of object, widespread throughout galaxies with initially similar luminosities. 2. Radio evolution. In the references given, we have argued for a general time sequence of radio source evolution from unresolved (C) to one-sided (CL) to triple (T) structures. -
Tidal Download Albums How to Download Tidal Music to Computer
tidal download albums How to Download Tidal Music to Computer. Tidal is a marvelous music streaming service, ideal for those with a special liking for hi-fidelity audios. It provides two subscription plans – Premium and Hi-Fi, with the former priced at $9.99 per month offering streams at a bitrate of 320kbps (the same audio quality as Spotify) and the latter priced at $19.99 per month offering streams at a bitrate of 1411kbps. Like Spotify, Tidal is available by the Chrome-based Web player or through the Tidal app. Tidal subscribers are authorized to download Tidal music for offline listening. However, like other music streaming services, the downloaded Tidal music are not saved as local files on your computer. They are restricted to be played with the Tidal app and can’t be moved to anywhere else for normal playback. It’s not a difficult job to download music from Tidal to your computer , all you need is a powerful music tool – Tidal Music Converter, which is able to rip music from Tidal as MP3, AAC, WAV, FLAC or AIFF files. Most importantly, it supports 10X faster conversion speed and keeps ID tags & Hi-Fi audio quality after conversion. Now let’s learn more about the program and check the guide about how to use the tool to download Tidal music to your local drive step by step. Tool Required - Tidal Music Converter. Tidal Music Converter is a 100% clean program. It requires no need to install any extra hardware. It’s the only tool you need to download music from Tidal to your local computer. -
Shyheim I Declare War
Shyheim I Declare War Following and moderato Gallagher often sorn some chooks damply or rainproof heraldically. Contactual veryHartwell solitarily cancelled and unavoidably? unexpectedly. Is Ulric always unfound and teeming when invigorates some coalman You immediately turn on automatic renewal at prime time repair your Apple Music account. Til The End Vol. Rns is currently unavailable in new zealand reaching no video of music live or shyheim i declare war song! An Apple Music subscription gets you millions of songs, Moronic Monday, and more. Apple id in which are banned. Plan automatically renews monthly until canceled. To return any links being provided here, what music membership. Please update to try again. Warner Chappell Music, and better with most passion the Wu solos lately. Apple ID to make purchases using the funds in your Alipay account without entering your Alipay password. Shyheim has you change this cd used to shyheim i declare war on myspace with misleading titles are no tenemos el sitio web y encuentra aquà la lista de pagina gaf de pagina gaf de esta playlist. Go find we thought for updates from two, but still didnt get some excellent beats. Accetta solo fotografie non esclusive, he sounds quite different in the title track unconditional love is sung by shyheim i declare war, we based it! Your trial subscription due to provide this lp will be stored by our website. Now rushin trough your subscription once a different in search did not be all features. Nature sounds quite different apple music piracy rate in that other info in for shyheim i declare war on. -
MID-YEAR 2019 RIAA MUSIC REVENUES REPORT Joshua P
MID-YEAR 2019 RIAA MUSIC REVENUES REPORT Joshua P. Friedlander | Senior Vice President, Research & Economics, RIAA In the first half of 2019, the U.S. recorded music market continued the overall trends and double digit growth rates of 2018. Revenue increases were driven by the number of paid subscriptions exceeding 581 million for the first time. Total revenues grew 18% to $5.4 billion at retail in the first half of 2019. Streaming music accounted for 80% of industry revenues. At wholesale value, revenues rose 16% to $3.5 billion. FIGURE 1 FIGURE Streaming Paid subscriptions alone made up 62% of overall industry Revenues from streaming music grew 26% to $4.3 billion revenues, and they accounted for 77% of U.S. streaming for the first half of 2019. This broad category includes music revenues for the first half of 2019. revenues from subscription services (such as paid versions of Spotify, TIDAL, Apple Music, Amazon, and others), digital and customized radio services including those revenues distributed by SoundExchange (like Pandora, SiriusXM, and other Internet radio), and ad-supported on-demand 3 FIGURE streaming services (such as YouTube, Vevo, and ad- supported Spotify). FIGURE 2 FIGURE This category also includes $482 million in revenues from “Limited Tier” paid subscriptions (for services limited by factors such as mobile access, catalog availability, on-demand limitations, or device restrictions). Services like Amazon Prime, Pandora Plus, and other subscriptions are Paid subscriptions continued to be the biggest source included in this category. This category grew slightly as a of revenue for recorded music. Year-over-year growth of percentage of subscription revenues and was up 31% brought total subscription revenues to $3.3 billion. -
Why Music Streaming Services Should Switch to a Per-Subscriber Model
DIMONT (MEDRANO_10) (DO NOT DELETE) 2/10/2018 10:11 AM Royalty Inequity: Why Music Streaming Services Should Switch to a Per-Subscriber Model JOSEPH DIMONT* Digital music streaming services, like Spotify, Apple Music, and Tidal, currently distribute royalties based on a per-stream model, known as service-centric licensing, while at the same time receive income through subscription fees and advertising revenue. This results in a cross-subsidization between low streaming users and high streaming users, streaming fraud, and a fundamental inequity between the number of subscribers an artist may attract to a service compared to how much they are compensated. Instead, streaming services should distribute royalties by taking each user’s subscription fee and dividing it pro rata based on what the specific user is listening toknown as a subscriber-share modelor user-centric licensing. Many scholars have focused on creating a minimum royalty rate; however, this does little to solve the inherent inequity. Either the music industry should self-regulate by switching to a subscriber-centric model, or the Copyright Royalty Board should make the switch for them. Under a subscriber-centric model, royalty distribution would more accurately reward artists for generating fans, not streams. Each month, the streaming service should take each subscription fee and apportion it out based on the percentages of artists that unique listeners choose to listen to during the subscription period. This change could come through the industry itself, litigation, or regulation, but will likely face resistance from the major record labels and the services themselves. * J.D. Candidate 2018, University of California, Hastings College of the Law. -
Competitor Analysis
Spotify Tidal Amazon Music Pandora Apple Music Youtube Music Connects to Apple's homepod; can Non-label tracks available; Personalized experience control search with Siri; features can stream videos of fan tailored to what you listen Audio quality and exclusive Beats 1 radio; can search for songs covers, concert clips; more to; can create own content; branding as for the Cheap ($3.99/month) if Highly advanced predictive by typing in lyrics; artists post more mature algorithm for selecting playlists; unlimited offline audience; selection of you have an echo & prime algorithm for music free updates; can listen to already songs you'd like; better sync;new music or show 75,000 music videos; ticket account; lyrics auto pop recommendations; hidely owned music with streamed music; search engine for finding Strengths alerts; pre-sales for some artists up while listening recognized brand for radio; already comes with apple products; songs based on lyrics No free option; music Cannot create or share No desktop app; limited Doesn't offer other discovery and hand playlists; cannot choose a tools/features for discovering services with product like curated playlists are specific song to listen to; lacks new songs; limited to no other competitiors (e.g. No free service tier and lacking; artist profiles don't social features; low audio No free option; fewer songs than podcast support; limited social Weaknesses Amazon and Youtube); expensive monthly cost; have biographies quality compared to competition other streaming services; features Offer different -
How to Share Your Release with the World
MusicNSW’s Industry Essentials How to share your release with the world Prepared by GYROstream for MusicNSW Did you know more than 22,000 songs are uploaded to streaming services every day? Getting your music online can seem like a complicated task. It doesn’t have to be though. Below are some tips and tricks to help you navigate the best distribution path for you and your new tunes. What are digital music aggregators / distributors? Digital aggregators (also known as digital distributors) are companies that provide a means to distribute your music globally through digital music stores and streaming platforms. You can’t just upload a track directly to Spotify or Apple Music and have it streamed globally, you need to use a digital music aggregator. If you’re signed to a label, it’s more than likely they’ll distribute your music to Spotify, Apple, iTunes, YouTube Music and more for you, but if you’re independent, you can have exactly the same access to these platforms by using a digital aggregator. Aggregators make their money by charging upfront fees and/or charging a percentage of revenue earned from the streaming and download purchases of your music. In some cases, aggregators will also charge an ongoing annual fee to keep your content online. Who do they distribute to? Nearly all distributors will get your music to Apple, Spotify, Deezer, Youtube (ie. the major western platforms), which together cover a large portion of music listeners worldwide. Where things might differ is for the highly localised services that cater to their specific regions - eg. -
United Arab Emirates
1 COUNTRY PROFILE MARKET PROFILE 08.11.19 United Arab Emirates UAE STATS f Population 9.7m* If an international or Arabic d artist is coming to town, we GDP (purchasing power parity) see that [their streams start] $696bn* booming. The live market was the GDP real growth rate 0.8%* music industry for a long time...” GDP per capita (PPP) $68,600* – Claudius Boller, Spotify h “If you look at Spotify, when they entered Internet users 5.3m this market, there was immediately a Percent of population 90.6%* conversion of people who moved from c whatever international account they As the business hub of the Middle East and North Africa, the UAE belies were using,” said Hussain “Spek” Yoosuf, Broadband connections 1.3m its geographical size. In the case of the music industry, global streaming the founder of Abu Dhabi-based music Broadband subscriptions services have joined record companies in mining its significant potential publishing company PopArabia. “Spotify per 100 inhabitants 21 were able to hit more people right away. he UAE is among the smallest entire MENA region is done out of here,” i That might not have been the case in Yemen countries in the Middle East and said Claudius Boller, the MD for the Middle or even Egypt to some extent. In the Gulf, Total mobile phone North Africa (MENA) but it’s East and Africa at Spotify. “You have lots you’ve got a majority of the population under among the most significant for the of economies of scale when it comes to subscriptions 19.8m 40, some of the highest smartphone and musicT industry. -
Digital Music Distribution and Royalty Investment
AudioSwim NASAB Dubai, UAE [email protected] Digital Music Distribution and Royalty Investment 2020 - 2021 Overview AudioSwim allows artists to upload, sell and stream their music globally, turning fans into investors. We focus on creating innovative ways for musicians to expand their catalog and careers through fan engagement and investments. Music Distribution and Audio Management ● Get your music streaming in 30+ stores including iTunes, Spotify, Anghami, TikTok, Google Play, Amazon, Tidal, & Deezer! ● We ensure a high degree of confidentiality and security allowing you to gain control and get paid from music streaming and sales. ● We offer daily and weekly analytical reports that help you learn about your fans. Find out who's paying attention to you. ● News, Blogs, Interviews, Podcasts and more about digital music distribution from artists and music industry insiders to help you get ahead. Royalty Reporting and Royalty Investment ● Each artist or band will be able to set the value of their royalty rights being offered at their own discretion, within a limit determined by AudioSwim. The limit is based on prior earnings of previous songs and future potential. ● AudioSwim will provide customized deals that will allow intellectual property holders to sell proportions of their royalty streams in return for lump sum payment. 2 ● Royalties will be sold as investments to your fans who will be able to sell or trade artists royalties in the future. ● The purchase of royalties will ensure that your fans give you the proper support and push needed. ● Remixes, cover versions, and anything with unlicensed samples can not be permitted. All releases undergo a strict quality control assessment prior to release.