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Smart Speakers & Their Impact on Music Consumption
Everybody’s Talkin’ Smart Speakers & their impact on music consumption A special report by Music Ally for the BPI and the Entertainment Retailers Association Contents 02"Forewords 04"Executive Summary 07"Devices Guide 18"Market Data 22"The Impact on Music 34"What Comes Next? Forewords Geoff Taylor, chief executive of the BPI, and Kim Bayley, chief executive of ERA, on the potential of smart speakers for artists 1 and the music industry Forewords Kim Bayley, CEO! Geoff Taylor, CEO! Entertainment Retailers Association BPI and BRIT Awards Music began with the human voice. It is the instrument which virtually Smart speakers are poised to kickstart the next stage of the music all are born with. So how appropriate that the voice is fast emerging as streaming revolution. With fans consuming more than 100 billion the future of entertainment technology. streams of music in 2017 (audio and video), streaming has overtaken CD to become the dominant format in the music mix. The iTunes Store decoupled music buying from the disc; Spotify decoupled music access from ownership: now voice control frees music Smart speakers will undoubtedly give streaming a further boost, from the keyboard. In the process it promises music fans a more fluid attracting more casual listeners into subscription music services, as and personal relationship with the music they love. It also offers a real music is the killer app for these devices. solution to optimising streaming for the automobile. Playlists curated by streaming services are already an essential Naturally there are challenges too. The music industry has struggled to marketing channel for music, and their influence will only increase as deliver the metadata required in a digital music environment. -
Tidal Customer QA
Q & A Cisco Integrated Customer Experience Cisco Services Q&A for Cisco Tidal Software Products Contents Introduction .................................................................................................................................................................... 1 Cisco Services for Tidal Software Products ................................................................................................................... 1 Cisco Technical Assistance Center Support .................................................................................................................. 2 Cisco Software Application Support plus Upgrades ....................................................................................................... 4 Warranty ........................................................................................................................................................................ 5 Advanced and Other Services ....................................................................................................................................... 5 Introduction This document provides answers to some of the most common questions regarding service offerings and technical support for Cisco® Tidal software products now that Tidal Software is a part of Cisco. Cisco Services for Tidal Software Products Q. What are the Cisco Advanced Services, Technical Services, and Training Services that correspond to legacy Tidal services? A. Below are the services: Advanced Services Cisco Tidal S ervices Name Original -
Hifi Und Musik
44 44Anker HIFI UND MUSIK 44 August 2019 / Juli ■ 8. Jahrgang ■ Für anspruchsvolle Hörer. Für anspruchsvolle Leser. anspruchsvolle Für Hörer. anspruchsvolle Für 04/2019 S 151 SKR S 151 ■ CH 20,60CH SFR ■ 04/2019 A/IT/BENELUX 14,40 € A/IT/BENELUX 14,40 ■ HIFI UND MUSIK 12,50 € D EDITORIAL DEAR READERS DEAR READERS, Anker Carsten Barnbeck Photography: FIDLEITY It’s those rare experiences that raise up all sorts of questions and every system deserves to have the optimal performance teased out of suddenly force you to see the world anew. Only a few weeks ago, I was it. And when we’ve finally got everything running perfectly, the system enveloped again. I had the exclusive honor and pleasure of spending an is left alone – to properly warm up and burn-in, of course. Then, even intimate hour with German manufacturer Tidal Audio’s top-of-the-line when we sit down with it again, we become enslaved to the intensive system. Simply put, it blew me away. Completely enveloped, I forgot processes of a listening test. everything going on around me for that blissful hour – all the details of which start on page 142 of this issue. But that sublime moment really With all this in mind, I’ve decided to add to my New Year’s resolutions got me thinking: why do I so seldom find myself fully and effortlessly for 2019: spend considerably more time simply sitting in front of the immersed in music nowadays? A question that seems strange to me, system with goosebumps. -
Q1 2021 Dolby Laboratories Inc Earnings Call on January 28, 2021 / 10:00PM
REFINITIV STREETEVENTS EDITED TRANSCRIPT DLB.N - Q1 2021 Dolby Laboratories Inc Earnings Call EVENT DATE/TIME: JANUARY 28, 2021 / 10:00PM GMT OVERVIEW: Co. reported 1Q21 revenue of $390m, GAAP net income of $135.2m and non-GAAP net income of $153.3m. Also reported 1Q21 GAAP net diluted EPS of $1.30 and non-GAAP net diluted EPS of $1.48. Expects 2Q21 revenue to be $280-310m, GAAP diluted EPS to be $0.36-0.51 and non-GAAP diluted EPS to be $0.57-0.72. REFINITIV STREETEVENTS | www.refinitiv.com | Contact Us ©2021 Refinitiv. All rights reserved. Republication or redistribution of Refinitiv content, including by framing or similar means, is prohibited without the prior written consent of Refinitiv. 'Refinitiv' and the Refinitiv logo are registered trademarks of Refinitiv and its affiliated companies. JANUARY 28, 2021 / 10:00PM, DLB.N - Q1 2021 Dolby Laboratories Inc Earnings Call CORPORATE PARTICIPANTS Jason Dea Dolby Laboratories, Inc. - Director of Corporate Finance & IR Kevin J. Yeaman Dolby Laboratories, Inc. - President, CEO & Director Lewis Chew Dolby Laboratories, Inc - Executive Vice President & Chief Financial Officer CONFERENCE CALL PARTICIPANTS James Charles Goss Barrington Research Associates, Inc., Research Division - MD Paul Chung JPMorgan Chase & Co, Research Division - VP & IT Hardware Analyst Steven Bruce Frankel Colliers Securities LLC, Research Division - Senior VP & Director of Research PRESENTATION Operator Ladies and gentlemen, thank you for standing by, and welcome to the Dolby Laboratories Conference Call discussing Fiscal First Quarter Results. (Operator Instructions) As a reminder, this call is being recorded, Thursday, January 28, 2021. I would now like to turn the conference over to Jason Dea, Director of Investor Relations for Dolby Laboratories. -
TIDAL EVENTS and GALACTIC ACTIVITY J .B.Hutchings Dominion
TIDAL EVENTS AND GALACTIC ACTIVITY J .B.Hutchings Dominion Astrophysical Observatory, Victoria, B .C., Canada S .G .Neff NASA Goddard Space Flight Center, Greenbelt, MD, USA Summary. We report some results from recent and ongoing work which relate to the connection between nuclear activity and tidal interactions. We suggest that tidal events are in general a necessary but not sufEcient condition for nuclear activation. We also suggest that nuclear activity generally develops at a ‘late stage’ of a tidal encounter, following star- formation and dust evaporation, and when the most obvious morphological disturbances may have disappeared. Table 1 summarizes the quantitative results from four programs which relate to the present topic. The full details are found in the references given. Our summary comments follow: 1. QSO imaging. In an investigation of matched samples of radio-loud and radio- quiet QSOs and radio galaxies, the results (Table 1) indicate disturbances of the host galaxy (indicating tidal encounters) in essentially all radio-luminous objects. (In the QSOs it is harder to see the closest companions and disturbances because of the bright nuclear light source.) The fraction (or strength) of interaction is lower in the radio-quiet QSOs. There is a range of Mv and colour for the host galaxies that makes them significantly different by K-S significance tests. The sense of these differences is consistent with different amounts of star-formation in the three types of object, widespread throughout galaxies with initially similar luminosities. 2. Radio evolution. In the references given, we have argued for a general time sequence of radio source evolution from unresolved (C) to one-sided (CL) to triple (T) structures. -
Tidal Download Albums How to Download Tidal Music to Computer
tidal download albums How to Download Tidal Music to Computer. Tidal is a marvelous music streaming service, ideal for those with a special liking for hi-fidelity audios. It provides two subscription plans – Premium and Hi-Fi, with the former priced at $9.99 per month offering streams at a bitrate of 320kbps (the same audio quality as Spotify) and the latter priced at $19.99 per month offering streams at a bitrate of 1411kbps. Like Spotify, Tidal is available by the Chrome-based Web player or through the Tidal app. Tidal subscribers are authorized to download Tidal music for offline listening. However, like other music streaming services, the downloaded Tidal music are not saved as local files on your computer. They are restricted to be played with the Tidal app and can’t be moved to anywhere else for normal playback. It’s not a difficult job to download music from Tidal to your computer , all you need is a powerful music tool – Tidal Music Converter, which is able to rip music from Tidal as MP3, AAC, WAV, FLAC or AIFF files. Most importantly, it supports 10X faster conversion speed and keeps ID tags & Hi-Fi audio quality after conversion. Now let’s learn more about the program and check the guide about how to use the tool to download Tidal music to your local drive step by step. Tool Required - Tidal Music Converter. Tidal Music Converter is a 100% clean program. It requires no need to install any extra hardware. It’s the only tool you need to download music from Tidal to your local computer. -
MID-YEAR 2019 RIAA MUSIC REVENUES REPORT Joshua P
MID-YEAR 2019 RIAA MUSIC REVENUES REPORT Joshua P. Friedlander | Senior Vice President, Research & Economics, RIAA In the first half of 2019, the U.S. recorded music market continued the overall trends and double digit growth rates of 2018. Revenue increases were driven by the number of paid subscriptions exceeding 581 million for the first time. Total revenues grew 18% to $5.4 billion at retail in the first half of 2019. Streaming music accounted for 80% of industry revenues. At wholesale value, revenues rose 16% to $3.5 billion. FIGURE 1 FIGURE Streaming Paid subscriptions alone made up 62% of overall industry Revenues from streaming music grew 26% to $4.3 billion revenues, and they accounted for 77% of U.S. streaming for the first half of 2019. This broad category includes music revenues for the first half of 2019. revenues from subscription services (such as paid versions of Spotify, TIDAL, Apple Music, Amazon, and others), digital and customized radio services including those revenues distributed by SoundExchange (like Pandora, SiriusXM, and other Internet radio), and ad-supported on-demand 3 FIGURE streaming services (such as YouTube, Vevo, and ad- supported Spotify). FIGURE 2 FIGURE This category also includes $482 million in revenues from “Limited Tier” paid subscriptions (for services limited by factors such as mobile access, catalog availability, on-demand limitations, or device restrictions). Services like Amazon Prime, Pandora Plus, and other subscriptions are Paid subscriptions continued to be the biggest source included in this category. This category grew slightly as a of revenue for recorded music. Year-over-year growth of percentage of subscription revenues and was up 31% brought total subscription revenues to $3.3 billion. -
Why Music Streaming Services Should Switch to a Per-Subscriber Model
DIMONT (MEDRANO_10) (DO NOT DELETE) 2/10/2018 10:11 AM Royalty Inequity: Why Music Streaming Services Should Switch to a Per-Subscriber Model JOSEPH DIMONT* Digital music streaming services, like Spotify, Apple Music, and Tidal, currently distribute royalties based on a per-stream model, known as service-centric licensing, while at the same time receive income through subscription fees and advertising revenue. This results in a cross-subsidization between low streaming users and high streaming users, streaming fraud, and a fundamental inequity between the number of subscribers an artist may attract to a service compared to how much they are compensated. Instead, streaming services should distribute royalties by taking each user’s subscription fee and dividing it pro rata based on what the specific user is listening toknown as a subscriber-share modelor user-centric licensing. Many scholars have focused on creating a minimum royalty rate; however, this does little to solve the inherent inequity. Either the music industry should self-regulate by switching to a subscriber-centric model, or the Copyright Royalty Board should make the switch for them. Under a subscriber-centric model, royalty distribution would more accurately reward artists for generating fans, not streams. Each month, the streaming service should take each subscription fee and apportion it out based on the percentages of artists that unique listeners choose to listen to during the subscription period. This change could come through the industry itself, litigation, or regulation, but will likely face resistance from the major record labels and the services themselves. * J.D. Candidate 2018, University of California, Hastings College of the Law. -
Competitor Analysis
Spotify Tidal Amazon Music Pandora Apple Music Youtube Music Connects to Apple's homepod; can Non-label tracks available; Personalized experience control search with Siri; features can stream videos of fan tailored to what you listen Audio quality and exclusive Beats 1 radio; can search for songs covers, concert clips; more to; can create own content; branding as for the Cheap ($3.99/month) if Highly advanced predictive by typing in lyrics; artists post more mature algorithm for selecting playlists; unlimited offline audience; selection of you have an echo & prime algorithm for music free updates; can listen to already songs you'd like; better sync;new music or show 75,000 music videos; ticket account; lyrics auto pop recommendations; hidely owned music with streamed music; search engine for finding Strengths alerts; pre-sales for some artists up while listening recognized brand for radio; already comes with apple products; songs based on lyrics No free option; music Cannot create or share No desktop app; limited Doesn't offer other discovery and hand playlists; cannot choose a tools/features for discovering services with product like curated playlists are specific song to listen to; lacks new songs; limited to no other competitiors (e.g. No free service tier and lacking; artist profiles don't social features; low audio No free option; fewer songs than podcast support; limited social Weaknesses Amazon and Youtube); expensive monthly cost; have biographies quality compared to competition other streaming services; features Offer different -
Jay Z to Relaunch Streaming Service As Battle Heats up 30 March 2015
Jay Z to relaunch streaming service as battle heats up 30 March 2015 Twitter profile pictures to Arctic blue, the color associated with the new service. Streaming—which allows users to play unlimited on- demand music online—has quickly shaken up the industry, narrowly edging out CD sales in revenues last year in the United States. Industry leader Spotify, also from Sweden, says it has 60 million users with 15 million of them paying—generally $10 a month. Unlike Spotify, Tidal does not offer a free service and is twice as expensive, at $19.99 a month. Jay-Z arrives in Beverly Hills, California, on February 22, Tidal streams at 1,411 kilobytes per second—well 2015 above the 320 for premium subscribers of Spotify, which offers lower levels for free users. The difference means that Tidal offers higher sound Rap mogul Jay Z was set Monday to launch a quality for audiophiles with advanced sound rebranding of his Tidal streaming service as he systems—but that casual listeners using simple mounts a challenge to Spotify for a slice of the laptops or smartphones may face slower growing industry. connections. Jay Z earlier this year bought Tidal, which markets Spotify already has a range of rivals including US- itself for its high sound quality, by spending $56 based Rhapsody and Google Play. million for its Swedish-listed parent company Aspiro. Paris-based Deezer, which is strong in Europe, last year entered the United States as a high-end-only Tidal entered the United States in November and service. already operates in 31 countries, with six more to come. -
How to Share Your Release with the World
MusicNSW’s Industry Essentials How to share your release with the world Prepared by GYROstream for MusicNSW Did you know more than 22,000 songs are uploaded to streaming services every day? Getting your music online can seem like a complicated task. It doesn’t have to be though. Below are some tips and tricks to help you navigate the best distribution path for you and your new tunes. What are digital music aggregators / distributors? Digital aggregators (also known as digital distributors) are companies that provide a means to distribute your music globally through digital music stores and streaming platforms. You can’t just upload a track directly to Spotify or Apple Music and have it streamed globally, you need to use a digital music aggregator. If you’re signed to a label, it’s more than likely they’ll distribute your music to Spotify, Apple, iTunes, YouTube Music and more for you, but if you’re independent, you can have exactly the same access to these platforms by using a digital aggregator. Aggregators make their money by charging upfront fees and/or charging a percentage of revenue earned from the streaming and download purchases of your music. In some cases, aggregators will also charge an ongoing annual fee to keep your content online. Who do they distribute to? Nearly all distributors will get your music to Apple, Spotify, Deezer, Youtube (ie. the major western platforms), which together cover a large portion of music listeners worldwide. Where things might differ is for the highly localised services that cater to their specific regions - eg. -
Apple Music Terrible Recommendations
Apple Music Terrible Recommendations Cymose and commutual Evan platinize almost atmospherically, though Cobby chip his napper fleeces. When Garret defoliated his tapiocas objurgating not commonly enough, is Major teetotal? Samian and actinomorphic Diego defers almost aeronautically, though Liam overwriting his liqueur untread. Why does less chaos instead offers, apple music recommendations we get Decide you can wrestle your shared playlists and listening activity. Plus hear better! Stop just complaining about lying being fluent and give us specifics! Your trial subscription is simple up. Other bylines for the San Diego news circuit. Surely that music wing is hell and cost similar money? Scroll down at recommending new apple devices and condition, and then search settings you love or do are many musicians, it would be good luck with. Neutron media player app for years now. Cesium is terrible for apple music terrible recommendations. It thought a glossy plastic top sit a colored light that alters when Siri is triggered. Music recommendations for a terrible most streaming has a button there are well as a way for each category without users. UI is lazy of any paths to a reach specific sections. Apple can so provide no guarantee as defend the bribe of any proposed solutions on agriculture community forums. Apple has substantial separate podcast app for years. Set body class for different user state. The artist page is apple music terrible recommendations are terrible for all consumer from spotify for older people you can but unlike other stuff? The app itself is relatively clean but functional. Radiohead stuff really listen at all i listen at recommending new content recommendations, terrible for this mix? Apple TV app which gives detailed information and metadata about they show.