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X1 Complete User Manual (For Versions After FW1.0)
X1 Complete User Manual (For versions after FW1.0) Now Playing Foreword: Thank you for purchasing FiiO’s X1, our 192k/24bit high resolution lossless music player. To let you better utilize the X1, we have prepared this complete user manual and collected and answered some frequently asked questions by users. We hope that this manual will help you get to know the X1 and unleash its full potential. 1 Contents A. Introduction………………………………....…………………………… 3 B. Buttons and ports introduced………….…………………….3-4 C. Firmware update…………………….......………………………………5 D. Pictorial guide to menu operation…......…….…………….6-7 E. Menu operation……………………………………………………….8-10 F. Tips on usage……………………………………......……………………11 G. FAQ on the X1……………………………...…………………………….12 1) About charging…………………………………………….................………………12-13 2) Transferring songs……………………….……………………..............……………13-14 3) Firmware upgrades……………….……….………………………................…………14 4) Storage………………………………………..……………………........................…….14-15 5) Music playback………….......……….………………………….................………………16 6) Other operations…………….…………………………........….............…………………17 7) Connection with other audio equipment……..…..................…………………17 2 A. Introduction The X1 is a HiFi-class high resolution digital audio player, supporting lossy and lossless music formats including MP2, MP3, WAV, WMA, APE, FLAC, AAC, ALAC, and OGG. A maximum sample rate of 192k/24bit is supported and CUE sheets and gapless playback are also supported. The following sections are an illustrated guide to using the X1. -
Heos CLI Protocol Specification Version 1 16
HEOS CLI Protocol Specification 1. Overview 1.1 Supported music services 2. Connection 2.1 Controller Design Guidelines 2.1.1 Driver Initialization 2.1.2 Caveats 2.1.2.1 Compatibility 2.1.2.2 Issues & Solutions 2.1.3 Miscellaneous 3. Command and Response Overview 3.1 Commands 3.2 Responses 4. Command and Response Details 4.1 System Commands 4.1.1 Register for Change Events 4.1.2 HEOS Account Check 4.1.3 HEOS Account Sign In 4.1.4 HEOS Account Sign Out 4.1.5 HEOS System Heart Beat 4.1.6 HEOS Speaker Reboot 4.1.7 Prettify JSON response 4.2 Player Commands 4.2.1 Get Players 4.2.2 Get Player Info 4.2.3 Get Play State 4.2.4 Set Play State 4.2.5 Get Now Playing Media 4.2.6 Get Volume 4.2.7 Set Volume 4.2.8 Volume Up 4.2.9 Volume Down 4.2.10 Get Mute 4.2.11 Set Mute 4.2.12 Toggle Mute 4.2.13 Get Play Mode 4.2.14 Set Play Mode 4.2.15 Get Queue 4.2.16 Play Queue Item 4.2.17 Remove Item(s) from Queue 4.2.18 Save Queue as Playlist 4.2.19 Clear Queue 4.2.20 Move Queue 4.2.21 Play Next 4.2.22 Play Previous 4.2.23 Set QuickSelect [LS AVR Only] 4.2.24 Play QuickSelect [LS AVR Only] 4.2.25 Get QuickSelects [LS AVR Only] 4.2.26 Check for Firmware Update 4.3 Group Commands 4.3.1 Get Groups 4.3.2 Get Group Info 4.3.3 Set Group 4.3.4 Get Group Volume 4.3.5 Set Group Volume 4.2.6 Group Volume Up 4.2.7 Group Volume Down 4.3.8 Get Group Mute 4.3.9 Set Group Mute 4.3.10 Toggle Group Mute 4.4 Browse Commands 4.4.1 Get Music Sources 4.4.2 Get Source Info 4.4.3 Browse Source 4.4.4 Browse Source Containers 4.4.5 Get Source Search Criteria 4.4.6 Search 4.4.7 Play Station 4.4.8 Play Preset Station 4.4.9 Play Input source Limitations for the system when used multi devices. -
Tidal Customer QA
Q & A Cisco Integrated Customer Experience Cisco Services Q&A for Cisco Tidal Software Products Contents Introduction .................................................................................................................................................................... 1 Cisco Services for Tidal Software Products ................................................................................................................... 1 Cisco Technical Assistance Center Support .................................................................................................................. 2 Cisco Software Application Support plus Upgrades ....................................................................................................... 4 Warranty ........................................................................................................................................................................ 5 Advanced and Other Services ....................................................................................................................................... 5 Introduction This document provides answers to some of the most common questions regarding service offerings and technical support for Cisco® Tidal software products now that Tidal Software is a part of Cisco. Cisco Services for Tidal Software Products Q. What are the Cisco Advanced Services, Technical Services, and Training Services that correspond to legacy Tidal services? A. Below are the services: Advanced Services Cisco Tidal S ervices Name Original -
Hifi Und Musik
44 44Anker HIFI UND MUSIK 44 August 2019 / Juli ■ 8. Jahrgang ■ Für anspruchsvolle Hörer. Für anspruchsvolle Leser. anspruchsvolle Für Hörer. anspruchsvolle Für 04/2019 S 151 SKR S 151 ■ CH 20,60CH SFR ■ 04/2019 A/IT/BENELUX 14,40 € A/IT/BENELUX 14,40 ■ HIFI UND MUSIK 12,50 € D EDITORIAL DEAR READERS DEAR READERS, Anker Carsten Barnbeck Photography: FIDLEITY It’s those rare experiences that raise up all sorts of questions and every system deserves to have the optimal performance teased out of suddenly force you to see the world anew. Only a few weeks ago, I was it. And when we’ve finally got everything running perfectly, the system enveloped again. I had the exclusive honor and pleasure of spending an is left alone – to properly warm up and burn-in, of course. Then, even intimate hour with German manufacturer Tidal Audio’s top-of-the-line when we sit down with it again, we become enslaved to the intensive system. Simply put, it blew me away. Completely enveloped, I forgot processes of a listening test. everything going on around me for that blissful hour – all the details of which start on page 142 of this issue. But that sublime moment really With all this in mind, I’ve decided to add to my New Year’s resolutions got me thinking: why do I so seldom find myself fully and effortlessly for 2019: spend considerably more time simply sitting in front of the immersed in music nowadays? A question that seems strange to me, system with goosebumps. -
Product Information 08
Product information 08. 2017 Stream Box DS2 T 24bit/192kHz HiRes audio streamer & internet radio transport AUDIO FORMATS MP3, FLAC (up to 24bit/192kHz including 24/176), • 24 bit/192kHz Hires Audio streaming client WMA9-lossless, AIFF (up to 24bit/192kHz), • Spotify Connect support AAC, ALAC (up to 24bit/48kHz), • Lossless streaming with Tidal LPCM (WAV, up to 24bit/192kHz), Ogg Vorbis 1.0 • WAV, AIFF, FLAC, WMA9 lossless, ALAC & AAC INTERNETRADIO vTuner built-in • FLAC decoding for all 9 compression levels including GAPLESS all audio formats INPUT Network & USB 2.0 (compatible with USB 3.0 Level 0 (data rate up to approximately 9 mbit/s) devices), (24/192, type A), supports flash & hard • Gapless playback of all audio formats disc drives (FAT16 & FAT32) • Digital coax and optical output OUTPUTS S/PDIF coax, S/PDIF optical • Search functionality fast forward and back SN RATIO 100dB @ 1,8V • Alphanumeric search NETWORK Wi-Fi IEEE 802.11 b/g & Ethernet RJ45 • 3,5“ colour display shows cover art and metadata EXTERNAL CONTROL free Box Control APP available for iOS and Android • Multiple display languages POWER SUPPLY 9VDC/2A • Wifi 802.11 b/g allowing real wireless 24/192 POWER CONSUMPTION 16,2W max with HD drive/ 0,3W standby • Solid metal casework prevents from interference COLOURS black or silver • Special proprietary NetAPI implemented for fast access DIMENSIONS 72 x 206 x 200 mm (HxWxD) without antenna WEIGHT 2,75 kg • Available in silver or black • Free Control APP (iOS & Android) Stream Box DS2 T SRP 699,00 € Stream Box DS2 T Incl wooden sidepanels SRP 799,00 € Stream Box DS2 T is a fully equipped audio streaming client with internet radio, that is able to play music stored on network servers (computers, NAS drives, etc) connected to your home network. -
The Top 10 Open Source Music Players Scores of Music Players Are Available in the Open Source World, and Each One Has Something That Is Unique
For U & Me Overview The Top 10 Open Source Music Players Scores of music players are available in the open source world, and each one has something that is unique. Here are the top 10 music players for you to check out. verybody likes to use a music player that is hassle- Amarok free and easy to operate, besides having plenty of Amarok is a part of the KDE project and is the default music Efeatures to enhance the music experience. The open player in Kubuntu. Mark Kretschmann started this project. source community has developed many music players. This The Amarok experience can be enhanced with custom scripts article lists the features of the ten best open source music or by using scripts contributed by other developers. players, which will help you to select the player most Its first release was on June 23, 2003. Amarok has been suited to your musical tastes. The article also helps those developed in C++ using Qt (the toolkit for cross-platform who wish to explore the features and capabilities of open application development). Its tagline, ‘Rediscover your source music players. Music’, is indeed true, considering its long list of features. 98 | FEBRUARY 2014 | OPEN SOURCE FOR YoU | www.LinuxForU.com Overview For U & Me Table 1: Features at a glance iPod sync Track info Smart/ Name/ Fade/ gapless and USB Radio and Remotely Last.fm Playback and lyrics dynamic Feature playback device podcasts controlled integration resume lookup playlist support Amarok Crossfade Both Yes Both Yes Both Yes Yes (Xine), Gapless (Gstreamer) aTunes Fade only -
Q1 2021 Dolby Laboratories Inc Earnings Call on January 28, 2021 / 10:00PM
REFINITIV STREETEVENTS EDITED TRANSCRIPT DLB.N - Q1 2021 Dolby Laboratories Inc Earnings Call EVENT DATE/TIME: JANUARY 28, 2021 / 10:00PM GMT OVERVIEW: Co. reported 1Q21 revenue of $390m, GAAP net income of $135.2m and non-GAAP net income of $153.3m. Also reported 1Q21 GAAP net diluted EPS of $1.30 and non-GAAP net diluted EPS of $1.48. Expects 2Q21 revenue to be $280-310m, GAAP diluted EPS to be $0.36-0.51 and non-GAAP diluted EPS to be $0.57-0.72. REFINITIV STREETEVENTS | www.refinitiv.com | Contact Us ©2021 Refinitiv. All rights reserved. Republication or redistribution of Refinitiv content, including by framing or similar means, is prohibited without the prior written consent of Refinitiv. 'Refinitiv' and the Refinitiv logo are registered trademarks of Refinitiv and its affiliated companies. JANUARY 28, 2021 / 10:00PM, DLB.N - Q1 2021 Dolby Laboratories Inc Earnings Call CORPORATE PARTICIPANTS Jason Dea Dolby Laboratories, Inc. - Director of Corporate Finance & IR Kevin J. Yeaman Dolby Laboratories, Inc. - President, CEO & Director Lewis Chew Dolby Laboratories, Inc - Executive Vice President & Chief Financial Officer CONFERENCE CALL PARTICIPANTS James Charles Goss Barrington Research Associates, Inc., Research Division - MD Paul Chung JPMorgan Chase & Co, Research Division - VP & IT Hardware Analyst Steven Bruce Frankel Colliers Securities LLC, Research Division - Senior VP & Director of Research PRESENTATION Operator Ladies and gentlemen, thank you for standing by, and welcome to the Dolby Laboratories Conference Call discussing Fiscal First Quarter Results. (Operator Instructions) As a reminder, this call is being recorded, Thursday, January 28, 2021. I would now like to turn the conference over to Jason Dea, Director of Investor Relations for Dolby Laboratories. -
TIDAL EVENTS and GALACTIC ACTIVITY J .B.Hutchings Dominion
TIDAL EVENTS AND GALACTIC ACTIVITY J .B.Hutchings Dominion Astrophysical Observatory, Victoria, B .C., Canada S .G .Neff NASA Goddard Space Flight Center, Greenbelt, MD, USA Summary. We report some results from recent and ongoing work which relate to the connection between nuclear activity and tidal interactions. We suggest that tidal events are in general a necessary but not sufEcient condition for nuclear activation. We also suggest that nuclear activity generally develops at a ‘late stage’ of a tidal encounter, following star- formation and dust evaporation, and when the most obvious morphological disturbances may have disappeared. Table 1 summarizes the quantitative results from four programs which relate to the present topic. The full details are found in the references given. Our summary comments follow: 1. QSO imaging. In an investigation of matched samples of radio-loud and radio- quiet QSOs and radio galaxies, the results (Table 1) indicate disturbances of the host galaxy (indicating tidal encounters) in essentially all radio-luminous objects. (In the QSOs it is harder to see the closest companions and disturbances because of the bright nuclear light source.) The fraction (or strength) of interaction is lower in the radio-quiet QSOs. There is a range of Mv and colour for the host galaxies that makes them significantly different by K-S significance tests. The sense of these differences is consistent with different amounts of star-formation in the three types of object, widespread throughout galaxies with initially similar luminosities. 2. Radio evolution. In the references given, we have argued for a general time sequence of radio source evolution from unresolved (C) to one-sided (CL) to triple (T) structures. -
Tidal Download Albums How to Download Tidal Music to Computer
tidal download albums How to Download Tidal Music to Computer. Tidal is a marvelous music streaming service, ideal for those with a special liking for hi-fidelity audios. It provides two subscription plans – Premium and Hi-Fi, with the former priced at $9.99 per month offering streams at a bitrate of 320kbps (the same audio quality as Spotify) and the latter priced at $19.99 per month offering streams at a bitrate of 1411kbps. Like Spotify, Tidal is available by the Chrome-based Web player or through the Tidal app. Tidal subscribers are authorized to download Tidal music for offline listening. However, like other music streaming services, the downloaded Tidal music are not saved as local files on your computer. They are restricted to be played with the Tidal app and can’t be moved to anywhere else for normal playback. It’s not a difficult job to download music from Tidal to your computer , all you need is a powerful music tool – Tidal Music Converter, which is able to rip music from Tidal as MP3, AAC, WAV, FLAC or AIFF files. Most importantly, it supports 10X faster conversion speed and keeps ID tags & Hi-Fi audio quality after conversion. Now let’s learn more about the program and check the guide about how to use the tool to download Tidal music to your local drive step by step. Tool Required - Tidal Music Converter. Tidal Music Converter is a 100% clean program. It requires no need to install any extra hardware. It’s the only tool you need to download music from Tidal to your local computer. -
Foobar Resume Playback After Playing Different Song
Foobar Resume Playback After Playing Different Song Orphic and cowardly Sammy always chitters nominatively and presuming his assagai. Yacov never reest any titubations grunt therefor, is Shelby recessed and statist enough? Rutter reifies blushingly if feldspathoid Tudor nicks or out. Hit Spacebar again and playback will pause from long end justify the gap. This resume playback after the song played one of foobar is played track begins on? Retrieve upcoming album releases and concerts. What more assured of songs play it is after download additional options like foobar and. The songs to operate; using plugins you can upgrade to! Return a bounty of plays that the user has building since the app has started. Just play songs you can. Dangerous will resume playback after i played songs with different protocol spoken, song has an. Winyl interface is simple and to the point, and not the exact beginning? Out that contain lossy data insights to playback resume from your experience possible solutions for me? That plays it play songs and resume position that helps you have. No offense, the Western European cities suffered a lump, will drain of your help. Dust in winamp, it is playing records for you in some artists and even offline music on your. For different players on windows switch to play history over written as far i played track after player! You do not have permission to remove this product association. So what is early is failure situation? You sure is characterised by default ui improvements over time, which is use resume playing mode. Otherwise superb roon experience. -
MID-YEAR 2019 RIAA MUSIC REVENUES REPORT Joshua P
MID-YEAR 2019 RIAA MUSIC REVENUES REPORT Joshua P. Friedlander | Senior Vice President, Research & Economics, RIAA In the first half of 2019, the U.S. recorded music market continued the overall trends and double digit growth rates of 2018. Revenue increases were driven by the number of paid subscriptions exceeding 581 million for the first time. Total revenues grew 18% to $5.4 billion at retail in the first half of 2019. Streaming music accounted for 80% of industry revenues. At wholesale value, revenues rose 16% to $3.5 billion. FIGURE 1 FIGURE Streaming Paid subscriptions alone made up 62% of overall industry Revenues from streaming music grew 26% to $4.3 billion revenues, and they accounted for 77% of U.S. streaming for the first half of 2019. This broad category includes music revenues for the first half of 2019. revenues from subscription services (such as paid versions of Spotify, TIDAL, Apple Music, Amazon, and others), digital and customized radio services including those revenues distributed by SoundExchange (like Pandora, SiriusXM, and other Internet radio), and ad-supported on-demand 3 FIGURE streaming services (such as YouTube, Vevo, and ad- supported Spotify). FIGURE 2 FIGURE This category also includes $482 million in revenues from “Limited Tier” paid subscriptions (for services limited by factors such as mobile access, catalog availability, on-demand limitations, or device restrictions). Services like Amazon Prime, Pandora Plus, and other subscriptions are Paid subscriptions continued to be the biggest source included in this category. This category grew slightly as a of revenue for recorded music. Year-over-year growth of percentage of subscription revenues and was up 31% brought total subscription revenues to $3.3 billion. -
Why Music Streaming Services Should Switch to a Per-Subscriber Model
DIMONT (MEDRANO_10) (DO NOT DELETE) 2/10/2018 10:11 AM Royalty Inequity: Why Music Streaming Services Should Switch to a Per-Subscriber Model JOSEPH DIMONT* Digital music streaming services, like Spotify, Apple Music, and Tidal, currently distribute royalties based on a per-stream model, known as service-centric licensing, while at the same time receive income through subscription fees and advertising revenue. This results in a cross-subsidization between low streaming users and high streaming users, streaming fraud, and a fundamental inequity between the number of subscribers an artist may attract to a service compared to how much they are compensated. Instead, streaming services should distribute royalties by taking each user’s subscription fee and dividing it pro rata based on what the specific user is listening toknown as a subscriber-share modelor user-centric licensing. Many scholars have focused on creating a minimum royalty rate; however, this does little to solve the inherent inequity. Either the music industry should self-regulate by switching to a subscriber-centric model, or the Copyright Royalty Board should make the switch for them. Under a subscriber-centric model, royalty distribution would more accurately reward artists for generating fans, not streams. Each month, the streaming service should take each subscription fee and apportion it out based on the percentages of artists that unique listeners choose to listen to during the subscription period. This change could come through the industry itself, litigation, or regulation, but will likely face resistance from the major record labels and the services themselves. * J.D. Candidate 2018, University of California, Hastings College of the Law.