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Cel Mai Bun Atac Împotriva Unui Portar Debutant
LIGA PROSPORT Azi ai în ziar un nou cod pentru Liga ProSport! Intră în cursa pentru 10.000 € Detalii pe www.ligaprosport.ro: îți faci echipa și intri în competiție. Codurile din ziar îți dau transferuri gratuite. Caută codul în pagina 9 LIGA I ETAPA A XVIIA facebook.com/prosport.ro VINERI WWW.PROSPORT.RO twitter.com/prosport GAZ METAN PETROLUL 2 0 (10) CONCORDIA BISTRIŢA 2 1 (10) DINAMO OŢELUL 2 1 (20) SÂMBĂTĂ “U” CLUJ CFR CLUJ 1 2 (10) CEAHLĂUL RAPID 0 0 IERI ASTRA PANDURII 4 1 (11) AZI CS Severin – Viitorul 18:00 DigiSport FC Vaslui – CSMS Iași 19:00 DolceSport FC Brașov – Steaua 20:30 DigiSport Ediție națională • Luni, 26 noiembrie 2012 • Numărul 4.708 • 12 pagini • Tiraj: 28.654 • 320.000 de CITITORI zilnic (SNA) • 2.209.571 DE VIZITATORI unici în octombrie (SATI) SPORT CLASAMENT LIGA I Loc Echipa M. V. Eg. Înf. Gol. P. Ad. 1. Steaua 16 13 2 1 3712 41 +14 2. Astra 17 10 4 3 3619 34 +7 3. Pandurii 17 10 3 4 2823 33 +9 4. CFR Cluj 17 8 4 5 3321 28 +4 5. FC Vaslui 16 8 4 4 2618 28 +7 Apără penalty-uri 6. Petrolul 17 7 6 4 2517 27 +3 7. Dinamo 17 7 5 5 2520 26 +2 8. Rapid 17 7 5 5 1918 26 +2 9. Concordia 17 6 5 6 1721 23 -4 10. FC Brașov 16 5 5 6 1923 20 -4 11. Viitorul 16 4 7 5 1819 19 -8 12. -
Shyheim I Declare War
Shyheim I Declare War Following and moderato Gallagher often sorn some chooks damply or rainproof heraldically. Contactual veryHartwell solitarily cancelled and unavoidably? unexpectedly. Is Ulric always unfound and teeming when invigorates some coalman You immediately turn on automatic renewal at prime time repair your Apple Music account. Til The End Vol. Rns is currently unavailable in new zealand reaching no video of music live or shyheim i declare war song! An Apple Music subscription gets you millions of songs, Moronic Monday, and more. Apple id in which are banned. Plan automatically renews monthly until canceled. To return any links being provided here, what music membership. Please update to try again. Warner Chappell Music, and better with most passion the Wu solos lately. Apple ID to make purchases using the funds in your Alipay account without entering your Alipay password. Shyheim has you change this cd used to shyheim i declare war on myspace with misleading titles are no tenemos el sitio web y encuentra aquà la lista de pagina gaf de pagina gaf de esta playlist. Go find we thought for updates from two, but still didnt get some excellent beats. Accetta solo fotografie non esclusive, he sounds quite different in the title track unconditional love is sung by shyheim i declare war, we based it! Your trial subscription due to provide this lp will be stored by our website. Now rushin trough your subscription once a different in search did not be all features. Nature sounds quite different apple music piracy rate in that other info in for shyheim i declare war on. -
2 ‐ 1 1 ‐ 1 Asa 2013 Târgu Mureşştiinţa Miroslava
2 ‐ 1 1 ‐ 1 ASA 2013 TÂRGU MUREŞŞTIINŢA MIROSLAVA 04.08.2017, ora 18:00, stadion Trans‐Sil (Târgu Mureş) Arbitru: Adrian Illyes Asistenţi: Ciprian Iovu 1 Rezervă: Andrei Ţiţii Iulian Brînză 2 3 NRNUME ŞI PRENUME GOL NR NUME ŞI PRENUME GOL 4 33Florin Iacob 12 Raul Avram 5 14Robert Băjan 22 Silviu Cerneuţanu 6 54Cornel Ene Paul Mateciuc 7 4640Florin Ilie Ovidiu Tăcuţanu 8 311Dan Panait George Maxim 9 94Paul Iacob 23 Alexandru Corban 10 24Robert Candrea 18 Andrei Săriţanu 11 17Dumitru Muntean 78 7 Alexandru Izmană 12 89Tiberiu Petriş 8 Cornel Căinari 13 78Rafael Licu 14 10 Alexandru Taciuc 14 999Alexandru Boiciuc Alexandru Marin 15 95Bogdan Moga 95 Jan Turiţă 16 11Luka Mijokovic 9 Robert Asăvoaei 17 31Marvin Schieb 20 Cosmin Nemţanu 18 216Carlos Cherteş Denis Botezatu 19 824Cosmin Sîrbu Adrian Viorică 30Alexandru Stoica 3 Andrei Chindriş 70Vasile Petra 17 Petru Agrigoroaei Antrenor: Laszlo Balint Antrenor: Cristian Ungureanu SCHIMBĂRIMINUT SCHIMBĂRI MINUT 89 ↔ 30 Al. Stoica46 10 ↔ 24 Viorică 60 9 ↔ 31 Schieb68 18 ↔ 3 Chindriş 67 24 ↔ 11 Mijokovic90+2 23 ↔ 20 Nemţanu 71 AVERTISMENTEMINUT AVERTISMENTE MINUT Robert Candrea65 Andrei Săriţanu 30 Alexandru Izmană 59 1 ‐ 1 1 ‐ 0 LUCEAFĂRUL ORADEA SPORTUL SNAGOV 05.08.2017, ora 11:00, stadion "Iuliu Bodola" (Oradea) Arbitru: Vladimir Nagy Asistenţi: Raul Ghiciulescu 1 Rezervă:Dan Dreve Răzvan Nistoran 2 3 NRNUME ŞI PRENUME GOL NR NUME ŞI PRENUME GOL 4 11Ionuţ Poiană M'Sendo Kololo 5 715Adrian Balea Gabriel Nedelcu 6 18Alexandru Iacob 6 Viorel Lică 7 19Andrei Cordoş 4 Ioan Şerban 8 15Ionuţ Ban 2 -
Once Upon a Time in NFT: Blockchain, Copyright and the Right of First Sale Doctrine
Once Upon a Time in NFT: Blockchain, Copyright and the Right of First Sale Doctrine Katya Fisher, Esq. March 2019 In 2014 the legendary hip hop group Wu-Tang Clan announced that it had recorded Once Upon a Time in Shaolin, a double album produced in secret over the course of six years. The album was limited to a single physical copy, stored in a secured vault, and auctioned through auction house Paddle8 for a winning bid of $2,000,000 in 2015. The purchase included contractual terms stating that the album could not be commercially exploited by the subsequent owner until the year 2103. The concept behind the creation was explained by Wu-Tang Clan as follows: “History demonstrates that great musicians such as Bach, Beethoven and Mozart were held in profoundly high esteem. They were considered sublime artists and masters of exploring emotion. Their work forged windows into the most elusive elements of the human experience. And yet in our time, music is no longer perceived in the same way. “Perhaps it is our cultural attitudes to modern music that have cast it as something to be consumed. The complacency of no holds barred access and the saturation wrought by technology’s erosion of challenges. Mass replication has fundamentally changed the way we view a piece of recorded music, while digital universality and vanishing physicality have broken our emotional bond with a piece of music as an artwork and a deeply personal treasure. “By adopting an approach to music that traces its lineage back through The Enlightenment, the Baroque and the Renaissance, we hope to reawaken age old perceptions of music as truly monumental art. -
Xavier University Newswire
Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 1998-02-11 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (1998). All Xavier Student Newspapers. 2791. https://www.exhibit.xavier.edu/student_newspaper/2791 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. Diversions Dustin \ - Hoffman's 'Wag XU hits diamond the Dog' walks this weekend: its way through Baseball Preview Return to .cartoon ·valentines Traveling profs scandal Poge7 Pages· Poge·g Page/I Top of the heap! Locke .named first Ve1Asatile wo11ie1i-'s team seizes tie Brueggeman chair BY AMY ZYWICKI Jesuit who has spent most of his AssT. NEWS EDITOR adultlifeinindiaandNepal. Forthe forfirst place in Atlantic 10 West last 34 years, he has taught and worked in Nepal and India in order BY MATT BARBER The Rev. John K. Locke, S.J. to. become an expert in Nepalese AssT: SPORTS EDITOR has.been selected to become the first Buddhism. professortoserveastheBrueggeman The Brueggeman Center for By defeating Virginia· Tech this past· Monday Interreligioµs-Ecumenical Studies ·Religio.us Dialogue will sponsor night, the Musketeer women's basketball team ha8 Chair of Theology at Xavier. public lectures, conferences and knocked the Hokies a game out of first place in the hotly The Brueggeman Chair is special projects in order to foster a contestedWest Division, while tying XU forfirsrplace named for Father Edward greaterunderstandingofrespectand with Duquesne and George Washington. -
I!IÏ!Jr to Date
Jay -Z. Dash and many of their friends from Marcy Projects in Brooklyn. -- Jay -Z sags that writing the movie was ;..... Just like writing the video treatments" to the music videos that accompany his three albums. The whole movie was shot j in a week in parts of Brooklyn. Manhattan and Ft. Lee. N.J. ]i!IÏ!jr To date. the video has sold 81.000 units, according to SoundScan. He expects to put out one more straight -to-video release and then embark on a feature - length film. RZA'S DIGITAL DUO This summer. Wu -Tang Clan visionarg Rza embarked on a similar home -video project. titled "Bobbg Digital." It's a story about Rza's alter ego. Bobbg Digital. who appears when Rza drinks a magic formula he discovers while doing chemical experiments in his lab at the fictional Wu- Mountain. Digital, who wears a different ege patch to match each of his various outfits, is depicted as a womanizing party- animal with super powers he uses to his benefit. Video The movie. which was shot in New York and Philadelphia. was directed by Rza, who also stars in the film as himself and the title character. It is being produced by Uncle Ralph Productions. a The ap a company owned by Video Music Box co- founder. Artists .rite -And Direct, Produce And Star In Ralph McDaniels. Although the film is more cre- Their llIwn Storiesfor Direct-To-video features ative than it's progenitors. Rza BY SHAWNEE SMITH sags the movie was totally impro- vised. "I had no script. -
Rhythms and Rhymes of Life: Music and Identification Processes of Dutch-Moroccan Youth Gazzah, Miriam
www.ssoar.info Rhythms and rhymes of life: music and identification processes of Dutch-Moroccan youth Gazzah, Miriam Veröffentlichungsversion / Published Version Monographie / phd thesis Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Gazzah, M. (2008). Rhythms and rhymes of life: music and identification processes of Dutch-Moroccan youth. (ISIM Dissertations). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-271792 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de RHYTHMSRHYMES AND RHYTHMS AND RHYMES OF LIFE Rhythms and Rhymes of Life: Music and Identification Processes of Dutch- Moroccan Youth is a comprehensive anthropological study of the social significance of music among Dutch-Moroccan youth. In the Netherlands, a Dutch-Moroccan music scene has emerged, including events and websites. Dutch-Moroccan youth are often pioneers in the Dutch hip- OF hop scene, using music as a tool to identify with or distance themselves from others. They (re)present and position themselves in society through LIFE music and musical activities. The chapters deal with the development of the Dutch-Moroccan music scene, the construction of Dutch-Moroccan identity, the impact of Islam on female artists and the way Dutch- Moroccan rappers react to stereotypes about Moroccans. -
True Heads: Historicizing the Hip Hop "Nation"
TRUE HEADS Historicizing the Hip_Hop "Nation" in Context by R. Scott Heath Hip_hop culture is intricately linked to any comprehensive understanding of race and national identity in the United States at the turn of the twentieth-first century. What was initially developed as a mode of marginal expression, conceived as a countermeasure to the material and social inequities of American postindustrialism, has, in the past several years, become perhaps the most prominent medium by which blackness is represented in the U.S. and by which blackness and Americanness are represented globally. And hip_hop, which might best be imagined as a way of reading and critiquing public culture, is itself troubled by the ways that it is read and recontextualized by its detractors and proponents alike. For this reason it is imperative that we explore the extent to which hip_hop discourse seems to typify American convention as much as it informs it, particularly in light of recent international events that have reignited some tough discussions about what Americanness means. This project elucidates the challenges of historiography as it concerns a cultural practice that has been racially marked as black and that has been understood as a site of militant, class-based struggle and resistance. Hip_hop and conversations around hip_hop almost necessarily compromise the boundaries of private and public expressive spheres, challenging us as critical thinkers to account for the consistent evidence of alternative intellectualisms and revised epistemolo- gies. The work -
Killarmy, War Face
Killarmy, War Face "Why did you join my beloved core?" "Sir, to kill sir!" "So you're a killer?" "Sir yes sir!" "Let me see your war face." "Sir?" "You got a war face? Aaaahhh! That's war face now let me see your war face." "Aaaaahhhh!!" "Bullshit, you didn't convince me. Let me see your real war face." "AAAAAAAARRRRRHHHHHHH!!!!!!" "You don't scare me, work on it!" Yeah Where the fuck is your war face son? (Burning season niggas) Killarmy (It's not safe no more nigga) Chorus: (2x) Yo I wanna see your war face Soldier where's your war face? Camouflaged inmates collapse war gates (9th Prince) Yo, yo yo yo Check the Killarmy We go to war like tomahawks and Indians From the wilderness of our villages Desert commander live on the gorgeous fortress like the sorceress To build up my heritage Shaolin surrounded by the cruel sea, crabs get stabbed Chemistry lab is filled with motorous vocab That drive niggas crazy like Arabs in Manhatten cabs Lyrics heat up the airplay, give off shockwaves That damage the earways for centuries and decades I be a renegade through rainy days I collect guns to blast off like shooting stars Shot up the charts the soldiers from the dark Stabbin and gatherin dead in the fuckin heart A rhymin alcoholic, I'm bad for your liver Unidentified corpse's thrown in the Ohio River I'm psychotic in the tropic Bullets spark through bulletproof shields of narcotics Killarmy be runnin train on Bobby Steels' tracks Lyrical -
“We Ain't Terrorists, but We Droppin' Bombs”: Language
“WE AIN’T TERRORISTS, BUT WE DROPPIN’ BOMBS”: LANGUAGE USE AND LOCALIZATION OF HIP HOP IN EGYPT BY ANGELA SELENA WILLIAMS THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Linguistics in the Graduate College of the University of Illinois at Urbana-Champaign, 2009 Urbana, Illinois Adviser: Assistant Professor Marina Terkourafi ABSTRACT In this thesis I explore the localization of hip hop in the context of Egypt. I examine the process of localization in terms of the content (issues and topics), forms (language forms) and musical styles that are used in the cases of four Egyptian groups, MTM, Arabian Knightz, Y-Crew and Asfalt. I argue that despite one group’s (Arabian Knightz) frequent use of English, all the groups have become localized in terms of exploiting local themes and language conventions, as well as creating new language practices. I explore how the groups resist established usage conventions and redefine language ideologies. In demonstrating that language choices in hip hop lyrics do not merely reflect the existing social norms and language ideology, it will be seen that English, which usually functions as an ‘elite code’ in Egypt, is actually used in the lyrics to resist the English-speaking world. Through the production of rap music, the groups also change local traditions (i.e. meanings of local language), as well as create a space (via the Internet and media) for these traditions to spread (Pennycook 2007:139). I demonstrate that in regards to hip hop culture, localization is a process that involves local topics and the use of language conventions that authenticate the artists as being legitimate participants of hip hop culture while constructing their own hip hop identities. -
Once Upon a Time in Nft: Blockchain, Copyright, and the Right of First Sale Doctrine
Fisher Essay (Do Not Delete) 6/19/2019 11:00 AM ONCE UPON A TIME IN NFT: BLOCKCHAIN, COPYRIGHT, AND THE RIGHT OF FIRST SALE DOCTRINE KATYA FISHER, ESQ. In 2014, the legendary hip hop group Wu-Tang Clan announced that it had recorded Once Upon a Time in Shaolin, a double album produced in secret over the course of six years.1 The album was limited to a single physical copy, stored in a secured vault, and auctioned through auction house Paddle8 for a winning bid of two million dollars in 2015.2 The purchase included contractual terms stating that the album could not be commercially exploited by the subsequent owner until the year 2103.3 The concept behind the creation was explained by Wu-Tang Clan as follows: History demonstrates that great musicians such as Bach, Beethoven and Mozart were held in profoundly high esteem. They were considered sublime artists and masters of exploring emotion. Their work forged windows into the most elusive elements of the human Permission is hereby granted for noncommercial reproduction of this Essay in whole or in part for education or research purposes, including the making of multiple copies for classroom use, subject only to the condition that the names of the authors, a complete citation, and this copyright notice and grant of permission be included in all copies. Katya Fisher, Esq. is an attorney representing international businesses and entrepreneurs with a specific focus on media and technologies such as blockchain, cybersecurity, cryptocurrency, and A.I. A graduate of New York University and Benjamin N. -
SERIA I, ETAPA I - 30 August 2014
CASETELE TEHNICE ALE ETAPEI I A LIGII 2, EDIŢIA 2014-2015 SERIA I, ETAPA I - 30 august 2014 - CF BRĂILA 1 CS BALOTEŞTI 0 Marcator: St. Nicoliţă ’3 Cr. Mitrea - Petean, L. Ivan, Olenic, Ghiocel - D. Frunză (cpt.), B. Spătaru, Ndigwe (D. Spiridon ’86), G. Iordache (G. Niţă ’90) - Nicoliţă (Onofraş ’70), Agbleta Rezerve neutilizate: Comănescu - M. Gheorghe, Necoară, Stănciulescu Antrenor: Alin Pânzaru Ciuculescu - G. Lupaşcu, Flămînzeanu (cpt.), Negrea, N. Filip - L. Ion (Ciocănaru ’76), I. Sandu - Marinaş, Corcoveanu (Butică ’70), M. Dobrescu (G. Crăciun ’72) - B. Oprea Rezerve neutilizate: C. Tănase - Gojnea, Nicolici, Mande Antrenor: Robert Panduru Stadion: Municipal (Brăila); Spectatori: 500; Corespondent: Marcel Sânpetru; Arbitru: Mihai Amorăriţei 3 (Câmpina); Asistenţi: Florin Pucheanu 3 (Ulmi) şi Florin Liviu Burlacu 3 (Urziceni); Jucătorul meciului: Ştefan Ciuculescu 3 FARUL CONSTANŢA 1 RAPID CFR SUCEAVA 1 Marcatori: Enciu ’70 / M. Matei ’55 Vl. Neagu - Băjan, Miulescu, Straton (cpt.), Szalkai - Bardu, Ochia, V. Ion (Ivănică ’57), R. Neagoe - Pîslaru (Enciu ’62), Igiroşanu Rezerve neutilizate: G. Ciucă - D. Ciobanu, Cl. Popa, Scărlătescu, I. Plămadă Antrenor: Marian Pană Eliminare: Băjan ’85 (două galbene) Roheţki - D. Bălan, Cl. Velescu, Plecanciuc, Semeghin (cpt.) - Cerlinca, G. Apostol, Sfrijan, V. Tiron (Bîgu ’80) - M. Negru (Marinkovici ’46), M. Matei (Golofca ’89) Rezerve neutilizate: C. Pascal - Ferariu, R. Sava, Burcea Antrenor: Bogdan Tudoreanu Eliminare: Cerlinca ’37 (două galbene) Stadion: Farul (Constanţa); Spectatori: 300; Corespondent: Adi Munteanu; Arbitru: Ionuţ Coza 3 (Cernica); Asistenţi: Cosmin Vatamanu 3 şi Dragoş Baluna 3 (ambii din Bucureşti); Jucătorul meciului: Cristian Bardu 3 Copyright Liga2.ro © 2014 CASETELE TEHNICE ALE ETAPEI I A LIGII 2, EDIŢIA 2014-2015 FC VOLUNTARI 0 ACS ACADEMICA ARGEŞ 1 Marcator: Viţelaru ’41 Botaş - E.