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Belfast Waterfront / Ulster Hall
Appendix B Ulster Hall - Programming Policy 1. Introduction The Ulster Hall will reopen in March 2009 following a major refurbishment. This is the second phase of the refurbishment work (Phase I 2005-06) and will see major changes to the venue including: Ulster Orchestra taking residency in the venue Addition of interpretive displays Launch of an education and community outreach programme Opportunity for the venue to actively programme and promote a range of events. Since 2004 the venue has been managed alongside Belfast Waterfront and it is envisaged that existing expertise within the Waterfront staff structure will inform and direct the relaunch of the Ulster Hall. This document addressed the programming policy for the ‘new’ Ulster Hall, identifying the changes in the venue’s operation and management and taking into account the overall marketplace in which the venue operates. 2. Context This policy is based on the following assumptions about how the Ulster Hall will operate in the future: A receiving house and programming venue Programming will have a mix of commercial and developmental objectives Opportunity for business use of the venue will be exploited In-house PA and lighting facilities will be available Premises will be licensed – alcohol consumption permitted in the main space for standing concerts An improved environment – front of house facilities, seating, dressing rooms Hire charges will need to be set appropriately to reflect these changes in order to compete within the market, whilst acknowledging a previously loyal client base 90683 - 1 - 3. Historical and Current Position Historical Position Typically the Ulster Hall has hosted around 150 events each year. -
BBC Music Booklet Celebrating 80 Years of Music.Pdf
Celebrating Years of Music A Serenade to Music “We are the music-makers And we are the dreamers of dreams…” (Arthur William Edgar O’Shaughnessy, Ode) The story of BBC Northern Ireland’s involvement in nurturing and broadcasting local musical talent is still in the making. This exhibition provides a revealing glimpse of work in progress at the BBC’s Community Archive in documenting the programmes and personalities who have brought music in all its different forms to life, and looks at how today’s broadcasters are responding to the musical styles and opportunities of a new century. It celebrates BBC NI’s role in supporting musical diversity and creative excellence and reflects changes in fashion, technology and society across 80 years of local broadcasting. “ Let us celebrate the way we were and the way we live now. Much has been achieved since 2BE’s first faltering (and scarcely heard) musical broadcast in 1924. Innovation has Let us celebrate the ways we will be... been a defining feature of every decade from early radio concerts in regional towns and country halls to the pioneering work of Sean O’Boyle in recording traditional music and Sam Hanna Bell’s 1950s programmes of Belfast’s Let us count the ways to celebrate. street songs.The broadcasts of the BBC Wireless Orchestra and its successors find their contemporary echo in the world-class performances of the Ulster Orchestra and BBC NI’s radio and television schedules continue to Let us celebrate.” reverberate to the diverse sounds of local jazz, traditional and country music, religious services, brass bands, choirs, (Roger McGough - Poems of Celebration) contemporary rock, pop and dance music. -
Conferencing & Events
CONFERENCING & EVENTS This internationally famous hotel is superbly located in the heart of Belfast, convenient to the business and commercial districts, and ideally positioned amongst the entertainment and shopping areas. Since its opening, the Europa has remained favourite among the capital’s meeting places, and this cosmopolitan hotel offers spacious elegance, luxury and style. With 272 Bedrooms including 1 Presidential Suite, 5 Junior Suites and 92 Executive Bedrooms, the Europa is the largest hotel in Northern Ireland. hastingshotels.com Conferencing & Events Location Access for all - The Europa is situated in the heart of the City Centre Hastings Hotels understands that every customer has different needs on Great Victoria Street. and we aim to make our hotel facilities available and accessible to all of - Belfast City Airport is 3 miles from the Hotel, and the our guests equally. In rare instances where this is not possible we will International Airport just 16 miles. endeavour to offer a range of facilities for guests with a perspective on disability including: - Great Victoria Street Railway Station adjoins the Hotel. - Accessible entrance - The Europa Bus Centre is located behind the Hotel. - Special car parking - A multi-storey car park for 500 cars is adjacent to the Hotel. - Accessible toilets - The link road for the M1 and M2 motorways is half a mile away, and Belfast Ferry terminals are less than - Accessible bedrooms a 5 minute drive. - Induction loops can be arranged with advanced notice. Things to See and Do Event Enhancements - Titanic Belfast. - The Grand Ballroom is one of Northern Ireland’s largest hotel function suites, suitable for large conferences, exhibitions, banquets - Belfast City Centre – shopping, theatre, museums, and televised events. -
Helens Tower Sleeps 2 - Clandeboye Estate, Bangor, Co Down
Helens Tower Sleeps 2 - Clandeboye Estate, Bangor, Co Down. Situation: Presentation: Helen's Tower perched high above the rolling hills of Co Down, is an enchanting three storey stone tower nestled deep in the woods of the Clandeboye Estate. Standing on top of the world with panoramic views of the surrounding landscape, one can see as far as distant Scottish shores from the top of Helen's Tower. La Tour d’Hélène perchée au-dessus des collines de Co Down, est une charmante tours en pierre à trois étages, niché dans les bois du domaine de Clandeboye. Elle est niché sur le toit du monde avec une vue panoramique sur le paysage environnant, on peut voir aussi loin que les rivages écossais à partir du haut de la tour d'Hélène. History: Built in 1848 by Frederick Lord Dufferin, 5th Baron of Dufferin and Ava in honour of his mother Helen Selina Blackwood, Helen's Tower has since been immortalized by Tennyson in the poem of the same name. Designed by architect William Burn and constructed in 1848-1850 as a famine relief project, Helen's Tower helped relieve unemployment at this time. The tower has taken on an unforeseen poignancy, as an almost exact replica of it, the Ulster Tower, was built at Thiepval in 1921 to honour the men of the 36th (Ulster) Division who fell at the Battle of the Somme. Clandeboye Estate was used for army training during the First World War, and the 36th (Ulster) Division trained beside Helen's Tower before leaving for France. -
History of the Church of Jesus Christ of Latter-Day Saints in Ireland Since 1840
Brigham Young University BYU ScholarsArchive Theses and Dissertations 1968 History of The Church of Jesus Christ of Latter-Day Saints in Ireland Since 1840 Brent A. Barlow Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the European History Commons, History of Christianity Commons, and the Mormon Studies Commons BYU ScholarsArchive Citation Barlow, Brent A., "History of The Church of Jesus Christ of Latter-Day Saints in Ireland Since 1840" (1968). Theses and Dissertations. 4503. https://scholarsarchive.byu.edu/etd/4503 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. 4119 HISTORY OF THE CHURCH OF JESUS CHRIST OF UTTERUTTERDAYLATTERDAYLATTER DAY SAINTS IN IRELANDD SINCE 18101840 A thesis presented to the department of graduate studies in religious instruction brigham young university provo utah in partial fulfillment of the requirements for the degree master of arts by brent aaAa& barlow may 1968 acknowledgments I1 would like to express ravmyraysincere appreciation to the following people for thetheirir valuable assistance and help dr richard 0 cofanocowanocowan chairman of the advisory colitcomitcommitteetee fforroror his many timely suggestions and genuine interest in this research pro- ject dr rodney turner member of the advisory committee -
Brochure Festival 2005.Pdf
BELFAST CHILDREN’S FESTIVAL 24-30 MAY 2005 FREE BROCHURE Booking Tickets Festival Etiquette Many events sold out in last year’s festival We welcome families of all shapes and sizes. However so we ask that you book in advance to for everyone’s enjoyment and safety we ask that you avoid disappointment. observe the age guidelines for each event. Babes in Online: www.belfastchildrensfestival.com arms (under 1s) are admitted free to all events (except Telephone: 028 9031 2264 the Baby Rave). Again parents are asked to respect the In person: Festival Box Office, 15 Church St enjoyment of others attending the same event. (Facing Belfast Cathedral) We also ask that children are accompanied by an adult Family Ticket: For most shows a family ticket is to every event, with the exception of workshops for available. This admits 1 adult and 3 children, children aged 7 years and over. or 2 adults and 2 children. If you are in any doubt about whether an event is suitable for a particular child, please call us on: Schools and Groups 028 9031 2264. Tickets for schools are £3 for workshops and £5 for performances. For all group bookings, Access every eleventh ticket is free. Schools and groups This brochure is available as a pdf download from can get a further 10% discount by paying for www.belfastchildrensfestival.com for enhanced viewing. their tickets before 25 April. Unfortunately some venues have limited access. Please check when making your booking. We will endeavour General Information to accommodate any special requirements. All information is correct at time of going to print. -
Farewell to a Man, and to an Era
September 2009 VOL. 20 #9 $1.50 Boston’s hometown journal of Irish culture. Worldwide at bostonirish.com All contents copyright © 2009 Boston Neighborhood News, Inc. FAREWELL TO A MAN, AND TO AN ERA Cardinal Sean O’Malley, Archbishop of Boston, walked around the casket with incense before it left the church after the funeral Mass for Sen. Edward M. Kennedy at Our Lady of Perpetual Help Basilica in Boston on Sat., Aug. 29. (AP Photo/Brian Snyder, Pool) BY CAROL BEGGY the United States Senate” that family was celebrated for its bors on Caped Cod to world to come to Boston,” Cowen told SPECIAL TO THE BIR stretched from his corner of deep Irish roots. As the Boston leaders including Irish Prime the Boston Irish Reporter’s Joe From the moment the first Hyannis Port to Boston, Wash- Globe’s Kevin Cullen wrote, Minister Brian Cowen. Leary at the Back Bay Hotel, news bulletins started crackling ington, Ireland, the home of his the senator himself was slow “We’re very grateful for the formerly the Jurys Hotel. on radios and popping up on ancestors, the British Isles, and in embracing his Irish heritage, great dedication of Senator Ken- Michael Lonergan had barely BlackBerries late on the night beyond. but once he did, he made it his nedy to Ireland and its people,” sat in his seat as the new Consul of Tuesday, Aug. 25, the death This youngest brother of the mission to help broker peace in Cowen said at an impromptu General of Ireland in Boston of Senator Edward M. -
“Rory Played the Greens, Not the Blues”: Expressions of Irishness on the Rory Gallagher Youtube Channel
This is a repository copy of “Rory played the greens, not the blues”: expressions of Irishness on the Rory Gallagher YouTube channel. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/175392/ Version: Published Version Article: O'Hagan, L. orcid.org/0000-0001-5554-4492 (2021) “Rory played the greens, not the blues”: expressions of Irishness on the Rory Gallagher YouTube channel. Irish Studies Review. ISSN 0967-0882 https://doi.org/10.1080/09670882.2021.1946919 Reuse This article is distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) licence. This licence only allows you to download this work and share it with others as long as you credit the authors, but you can’t change the article in any way or use it commercially. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Irish Studies Review ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/cisr20 “Rory played the greens, not the blues”: expressions of Irishness on the Rory Gallagher YouTube channel Lauren Alex O’Hagan To cite this article: Lauren Alex O’Hagan (2021): “Rory played the greens, not the blues”: expressions of Irishness on the Rory Gallagher YouTube channel, Irish Studies Review, DOI: 10.1080/09670882.2021.1946919 To link to this article: https://doi.org/10.1080/09670882.2021.1946919 © 2021 The Author(s). -
Popular Music Stuart Bailie a Troubles Archive Essay
popular music A Troubles Archive Essay Stuart Bailie Cover Image: Victor Sloan - Market Street, Derry From the collection of the Arts Council of Northern Ireland About the Author Stuart Bailie was on the staff of the NME (New Musical Express) from 1988 to 1996, rising to Assistant Editor in his last three years there. Since then, he has worked as a freelance journalist for Mojo, Uncut, Q, The Times, The Sunday Times and Hot Press. He has written sleevenotes for U2 and wrote the authorised story of Thin Lizzy, The Ballad Of The Thin Man in 1997. He has been presenting a BBC Radio Ulster show each Friday evening since 1999. He has been Associate Producer of several BBC TV music programmes, including the story of Ulster rock and pop: ‘So Hard To Beat’ in 2007. He has also been the scriptwriter / researcher for a series of BBC Radio 2 documentaries on U2, Thin Lizzy and Elvis Costello. Stuart is now CEO of Oh Yeah, a dedicated music centre in Belfast. Popular Music In September 1968 Van Morrison was in NewYork, recording a series of songs about life back in Belfast. This was his Astral Weeks album, one of his most important works. It was also a vivid snapshot of Northern Ireland just before the climate changed dramatically with the outbreak of the Troubles. In Morrison’s sentimental picture, there were youthful voices, parties and high-spirits; flamboyant figures such as Madame George cruised the streets of Belfast as the post-war generation challenged social conventions. The hippy ideals were already receding in America, but Belfast had experienced a belated Summer of Love and a blossoming social life. -
Age-Friendly Belfast Baseline Report May 14
Baseline Report 2014 ACKNOWLEDGEMENTS 1 Age-friendly Belfast Baseline Report CONTENTS EXECUTIVE SUMMARY ............................................................................................ 1 1. INTRODUCTION AND CONTEXT ....................................................................... 7 2. DEMOGRAPHY ............................................................................................... 166 3. DEPRIVATION AND POVERTY ...................................................................... 222 4. OUTDOOR SPACES & BUILDINGS ................................................................. 29 5. TRANSPORTATION .......................................................................................... 34 6. HOUSING .......................................................................................................... 43 7. SOCIAL PARTICIPATION ................................................................................. 56 8. RESPECT & SOCIAL INCLUSION .................................................................... 61 9. CIVIC PARTICIPATION & EMPLOYMENT ....................................................... 66 10. COMMUNICATION & INFORMATION ........................................................... 74 11. COMMUNITY SUPPORT & HEALTH SERVICES ......................................... 78 12. STRATEGIC CONTEXT ................................................................................. 90 13. CONCLUSIONS AND RECOMMENDATIONS .............................................. 95 APPENDICES APPENDIX 1 SOAs with -
The Cultural and Economic Contribution of Live Entertainment Events in Ireland
LET’S CELEBRATE 2017 Le t’s The Cultural and Economic Contribution of Live Entertainment Events in Ireland 1 LET’S CELEBRATE Irish people's collective adeptness The cultural impact of live at weaving our rich artistic heritage entertainment is unique in into the events that we stage is one that it not only allows for of the major reasons why our cultural footprint audiences to witness the craft of all is so well travelled. Time and again we witness those bringing art and culture to life iconic live events that capture all that is great but, more importantly, brings audiences about Irish culture and identity and see it together to discuss and mediate what shared around the world.“ has unfolded before them.“ Mary Davis, Global CEO, Special Moya Doherty, Riverdance Producer & Olympics International Chairperson of the RTE Board Croke Park Riverdance, Croke Park Photo credit: Paulo Goncalves Photo credit: Tyrone Productions 2 LET’S CELEBRATE Playing in Ireland is always one of the highlights of my tours. I always look forward to coming to Ireland, the crowd is always amazing and there seems to be an incredible connection between audience and performer. Ireland has a special place in it’s heart for live music.” Robbie Williams Robbie Williams, Aviva Stadium Photo credit: Paulo Goncalves Results of 5,764 Customer Contents Research Data Executive Summary Importance, Quality & Recommendations p.23 A special message from Michael Bublé p.4 p.25 Number of Bed Nights, Distance Travelled, Introduction by Justin Green, and Time Spent p.27 Wide Awake -
The Stone Roses Music Current Affairs Culture 1980
Chronology: Pre-Stone Roses THE STONE ROSES MUSIC CURRENT AFFAIRS CULTURE 1980 Art created by John 45s: David Bowie, Ashes Cinema: Squire in this year: to Ashes; Joy Division, The Empire Strikes Back; N/K Love Will Tear Us Apart; Raging Bull; Superman II; Michael Jackson, She's Fame; Airplane!; The Out of My Life; Visage, Elephant Man; The Fade to Grey; Bruce Shining; The Blues Springsteen, Hungry Brothers; Dressed to Kill; Heart; AC/DC, You Shook Nine to Five; Flash Me All Night Long; The Gordon; Heaven's Gate; Clash, Bankrobber; The Caddyshack; Friday the Jam, Going Underground; 13th; The Long Good Pink Floyd, Another Brick Friday; Ordinary People. in the Wall (Part II); The d. Alfred Hitchcock (Apr Police, Don't Stand So 29), Peter Sellers (Jul 24), Close To Me; Blondie, Steve McQueen (Nov 7), Atomic & The Tide Is High; Mae West (Nov 22), Madness, Baggy Trousers; George Raft (Nov 24), Kelly Marie, Feels Like I'm Raoul Walsh (Dec 31). In Love; The Specials, Too Much Too Young; Dexy's Fiction: Midnight Runners, Geno; Frederick Forsyth, The The Pretenders, Talk of Devil's Alternative; L. Ron the Town; Bob Marley and Hubbard, Battlefield Earth; the Wailers, Could You Be Umberto Eco, The Name Loved; Tom Petty and the of the Rose; Robert Heartbreakers, Here Ludlum, The Bourne Comes My Girl; Diana Identity. Ross, Upside Down; Pop Musik, M; Roxy Music, Non-fiction: Over You; Paul Carl Sagan, Cosmos. McCartney, Coming Up. d. Jean-Paul Sartre (Apr LPs: Adam and the Ants, 15). Kings of the Wild Frontier; Talking Heads, Remain in TV / Media: Light; Queen, The Game; Millions of viewers tune Genesis, Duke; The into the U.S.