DOCSLIB.ORG

Avanti 2442 News

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Avanti 2442 News P.O. BOX 173 BLUE POINT NY 11715 LIBERTY - EQUALITY – FRATERNITY [email protected] DECEMBER 2017 VOLUME 4 ISSUE 12 AVANTI 2442 NEWS Editor: Angela Donato, con piacere, with pleasure OSDIA National Pearl Harbor Remembrance Day, also referred to as Pearl Harbor Day, is observed annually in the United States on December 7, to remember and honor the 2,403 citizens of the United States who were killed in the Japanese surprise attack on Pearl Harbor Hawaii on December 7, 1941. From the Presidents desk, Dear Lodge Brothers & Sisters, I hope you had a great Thanksgiving. The Christmas Season has started, and we will celebrate together at our Christmas Party. Please try to attend, it is a chance for us to socialize and get to know each other better. Looking forward to seeing you there. Thank you Lodge Sisters Regina Allen and Dorothy Curto for Chairing this event. Coming up in January, we will attend the NYS Plenary Session January 27th at the Brumidi Lodge, Deer Park. Everyone is welcome to see how the Business of the Order is conducted. Breakfast and Lunch is served. I am working on a possible Legislative proposal in response to the Columbus Day Issue. A nominating committee has been formed and will meet Dec. 11th at 1 Ram Court Patchogue 7 pm, to begin the 2018 election process. While all positions STOP BY AT 6:45 FOR COFFEE & DESSERT are available, we have a few empty slots for officers that must be filled. It is WEAR YOUR UGLY CHRISTMAS SWEATER imperative that we find a new Treasurer and Delegates to attend the NYS convention in June. Please consider joining the Board. LEARN ABOUT LEONARDO A special Thanks to Madeline & Carlo Matteucci and District Deputy Ciro PAY FOR THE CHRISTMAS PARTY Capano for another wonderful Museum Luncheon and Presentation of the Flags for the Veterans at the Museum. DONATE TO THE TOY DRIVE Merry Christmas and Happy Holidays to all. President Bob THERE WILL BE A SURPRISE GUEST NOVEMBER GENERAL MEETING Lodge Brother Carlo, lent a helping hand. Lodge Brother Larry collecting his 50/50 winnings from Lodge Brother Pete 1. Larry Filippino 2 Jacqueline Fischer 3. James Gallo 4. Jennifer LoCasio 5. Helaine Witt THERESA SAREO- LED US SINGING THE NATIONAL ANTHEMS OF AMERICA & ITALY JOY BRUNO, NATIONAL OVERSEER FROM CALIFORNIA CARLO MATTEUCCI, STATE PAST PRESIDENT & NATIONAL FOUNDATION TRUSTEE CAROLYN RERES, STATE IPP & NATIONAL HISTORIAN - PETER ZUZOLO, NATIONAL PAST PRESIDENT JOANCCE STROLLO, NATIONAL PAST PRESIDENT MADELINE MATTEUCCI, MUSEUM CHAIRPERSON - JOE DITRAPANI, NATIONAL FOUNDATION PRESIDENT JOE SCIAME, MUSEUM CEO - NANCY DIFIORE QUINN, NATIONAL FIRST VICE PRESIDENT 200 PEOPLE, 50 PRIZES, THOMAS LJUPO, NATIONAL TREASURER & STATE PAST PRESIDENT. OUR LODGE WON 6. WE ROCK!!!!!! LODGE SISTER ROSE MANCUSO TOOK THIS PERFECT PHOTO OF THE FLAGS ON DISPLAY AT THE MUSEUM. My mothers maiden name: Gucciardo, from Castelvetrano, Sicily. My maiden name: Elia, from Palo del Colle, Bari And my married name: Donato, from Bari, Italy -Angela Margaret & Frank Tripoli, Friends of LODGE MEMBERS, RAE & JIM FLAHERTY donated over 130 books to our cause. READY FOR DELIVERY TO THE CONNETQUOT LIBRARY, ALONG WITH A LETTER FROM OUR LODGE. President Bob had to bring a hand truck to move the boxes from the car to the Childrens Desk. When we arrived at the Childrens Desk, I told the ladies behind the counter that we had a donation. They could not see the boxes on the handcart from behind their tall desk. They told me to put the books in the basket, and I said “oh I don’t think these are all going to fit, and there are more in the car. They came around from behind the desk, and were very surprised and thrilled at the abundance of books. ABBONDANZA Our Lodge did a very good deed for those in need. Thank you for all your donations. WE WERE LUCKY ENOUGH TO ENJOY THE VOICES OF HUSBAND & WIFE - -VINCENT & EMILY RICCIARDI - AT THEIR PERFORMANCE IN THE CONNETQUOT LIBRARY IN NOVEMBER. VINCENT ALSO ENTERTAINED THOSE WHO ATTENDED THE ISLIP TOWN “TASTE OF ITALY EVENT”. He is pictured with our Lodge Sister Jackie, who gets credit for the photo. TRIO RESTAURANT SUNDAY DECEMBER 10 2005 Route 112 MEDFORD $42. Per person 1-4 pm $42.00 Make checks payable to BASILONE LODGE, Give or mail check to CHAIRLADY Regina Allen 281 SWAN LAKE DRIVE Patchogue NY 11772 654-3152 Or GIVE TO Dottie Curto at Meeting HOMEMADE MOZZARELLA w/ sliced TOMATO & LEMON BASIL DRESSING CLASSIC CAESAR SALAD BRUSSEL SPROUTS PENNE w/ SWEET ITALIAN SAUSAGE, BRUSCHETTA, BASI, (FISH) CHICKEN FRANCAISE, HERB ROASTED POTATOES, SLICED STEAK w/ CRISPY FRIED ONIONS and WARM STEAK SAUCE, ASSORTED DESSERTS SODA COFFEE YOU MAY PARTICIPATE IN A GIFT EXCHANGE ($15 APPROX. VALUE) GIFT MUST BE SUITABLE FOR MALE & FEMALE. GIFT CARDS, FOOD, MAYBE A NICE ITALIAN COLORS APRON!!! Makes 2 dozen cookies FOR THE FILLING: 1. Filling: 1. Put the figs in a bowl and cover them with Vanilla 1 pound dry figs Rum. Let them soak for two days. vanilla rum 2. After two days, put the figs, the walnuts and the 1/2 cup walnuts raisins in a blender and chop finely. 1/4 cup raisins 3. Put the mix in a pan, add the 1/4 cup of sugar and 1/4 cup sugar cook until the liquids dry up. Set aside to cool off. FOR THE DOUGH: 2. Dough: 1. In a bowl, mix all the dough ingredients and add as 2 pounds 00 flour or all purpose flour much milk as necessary to make the dough soft and 1/2 pound lard or Crisco elastic. Cover it and let it rest for 30 mins. 1 cup sugar 2. Spread the dough into a thin long flat strip about 3" 1 bag Vanillina Pane Degli Angeli or 1 teaspoon vanilla extract wide. 1 lemon, zest only 3. Spread the filling at the center of the dough and 4 large eggs close it into a long roll. 1 tablespoon baking powder 4. Cut the roll every 2" and then make an indentation milk, as much on one side of the cut piece. milk as needed - about 1/4 cup 5. Bake all your cookies at 375F for about 10 Min. 6. Garnish with powdered sugar. FUN IDEA from Lodge Sister Dottie Curto 2018 IS AROUND THE CORNER, IF YOU WERE GOING TO MOVE OFF LONG ISLAND IN THE NEW YEAR, WHAT WOULD YOU MISS THE MOST? IT CAN BE A GENERAL THING, OR A SPECIFIC PLACE. SEND ME AN E-MAIL, I WILL POST THE ANSWERS NEXT MONTH. I AM GOING TO GO FIRST: I WOULD MISS MY LODGE SISTERS & BROTHERS 1. WHAT DID ITALIAN AMERICAN, VINCENT CICCONO, INVENTOR OF THE BLOW POP INVENT TO COMBAT THE EFFECTS OF THE COMMON COLD? 2. GIUSEPPI GARIBALDI, GIUSEPPI MAZZINI, CAMILLE BENSO CAVOUR WERE HIGHLY INFLUENTIAL GREAT ITALIAN STRUGGLE OF THE 19TH CENTURY? 3. IN 166 A,D, ROMAN EMPOROR MARCUS AURELIUS SENT AN EMBASSY TO WHAT FAR OFF CIVILIZATION? 4. THIS MAJOR ITALIAN CITY DID NOT ORIGINALLY JOIN THE KINGDOM OF ITALY WHEN ITALY WAS UNIFIED IN 1861. HOWEVER THE CITY DID JOIN IN 1871 WHEN OCCUPYING FRENCH FORCES SUBSEQUENTLY LIBERATED THE CITY FROM FOREIGN RULE. NAME THE CITY. 5. THE LANTERNA IS THE FIRST LIGHTHOUSE BUILT AFTER THE GREAT LIGHTHOUSE OF ALEXANDRIA, A WONDER OF THE ANCIENT WORLD. WHERE WAS THE LANTERNA LIGHTHOUSE LOCATED? https://www.facebook.com/groups/domenicainsiemewckg/?ref=gs&fref=gs&hc_location=group DOMENICA INSIEME! SUNDAY TOGETHER Two hours of Italian culture and rockin' music with Pat and John, every Sunday. Go to the link to get updates and join a beautiful Italian community. You can listen to the program on your computer. WE ARE COLLECTING ITEMS FOR A SPRING YARD SALE. START BOXING UP THOSE GOODIES THAT NEED A NEW HOME. CALL BOB IF YOU NEED PICKUP. 631-589-5517. HAVE A WONDERFUL BIRTHDAY MARIO MINITTI-born December 8, 1577 was an Italian artist active in Sicily after 1606. Born in Syracuse, Sicily, he arrived in Rome in 1593, where he became the friend, collaborator and model of the key Baroque painter Michelangelo Merisi da Caravaggio. His main fame today is his work as a model in many of Caravaggio’s early works, including Boy with a Basket of Fruit, The Fortune Teller, The Musicians, Boy Bitten by a Lizard, The Lute Player and more. It is clear that he brought to Sicily the lessons he had learned from Caravagio, in particular the use of dramatic chiaroscuro and the depiction of scenes seized at the moment of greatest dramatic intensity. CARAVAGGIO’S BOY WITH A BASKET The Five Signs, workshop of Mario Minniti, showing characteristic CHIAROSCURO (an effect of contrasted light and shadow created by light falling unevenly or from a particular direction on something) and use of color. Agira (Enna), Sicily – Church of Sant'Antonio. FRANCESCO MESSINA was an Italian Sculptor of the 20th Century. Francesco was born December 14, 1900 in the commune of Linguaglossa in the Province of Catania. He was from a very poor family. Growing up in Genoa, where he also studied and lived until he was 32, he then moved to Milan. His sculptures are shown in the worlds most famous museums. He died September 13, 1995 THE FRANCESCO MESSINA MUSEUM IN THE FORMER CHURCH OF SAINT SIXTUS, MILAN Ira Fischer is an accomplished master woodworker with over 35 years of experience. All of the pens designed and created are made with the highest quality of workmanship and materials – from the inner brass tube to the exotic imported and domestic hardwoods (including Cocobolo, Red Heart, Purple Heart, Figured Walnut, Zebra Wood, Bocote, Pau Fero, Spalted Oak, Spalted Maple, Padauk, Osage Orange, Lignum Vitae, Marble Wood and others).
Load more

Recommended publications
  • Francesco Messina”, “LANX” 24 (2016), Pp
    E. Calafato, Coroplastica ellenistica nella Collezione Archeologica “Francesco Messina”, “LANX” 24 (2016), pp. 1-85 ELENA CALAFATO Coroplastica ellenistica nella Collezione Archeologica “Francesco Messina” Abstract Oggetto del presente studio è il gruppo di terracotte figurate di epoca ellenistica e, solo in un caso, tardo-classica, appartenenti alla Collezione Archeologica “Francesco Messina”. Il materiale rappresenta un nucleo piuttosto omogeneo e il più cospicuo fra quelli individuabili nella raccolta. Le terracotte sono prive di dati di provenienza e/o acquisizione e per questo motivo la datazione dei singoli pezzi è basata solo su confronti e dati stilistici, indicati volta per volta nelle schede tecniche dei materiali. I pezzi presi in esame sono 23 (principalmente figure femminili, un esiguo nucleo di figure maschili e alcune figure riferibili all'universo dionisiaco). Ad un’introduzione generale sul valore e le funzioni della coroplastica segue il catalogo dei fittili, presentati per gruppi tipologici: alle schede dei materiali di ogni gruppo si è fatta precedere una breve introduzione che consenta di inquadrare in maniera generale la singola tipologia. This paper represents the last step of the study of a group of Hellenistic and, in one case, late classical terracottas from the Francesco Messina’s Archaeological Collection. The terracottas represents a rather homogeneous group and the most conspicuous among the ones that form the collection. The terracottas lack of any kind of information about their origins and this is why the dating and interpretation of every piece is based exclusively on the comparison with other materials and on stylistic analysis (of which the author provides explanation and justification in the technical records).
    [Show full text]
  • The Restoration Project for the Monumento Ai Mille by Eugenio Baroni (1915) Genoa-Quarto Dei Mille
    9th International Conference on NDT of Art, Jerusalem Israel, 25-30 May 2008 For more papers of this publication click: www.ndt.net/search/docs.php3?MainSource=65 THE CONSERVATION OF OUTDOOR BRONZE MONUMENTS: THE RESTORATION PROJECT FOR THE MONUMENTO AI MILLE BY EUGENIO BARONI (1915) GENOA-QUARTO DEI MILLE Ines Maria Marcelli1, Marica Mercalli1 1Central Restoration Institute, Rome, Italy ABSTRACT The Monumento ai Mille, located near Quarto’s rock (Genoa) in memory of Garibaldi’s expedition, realized by Eugenio Baroni and inaugurated in 1915, is a monument representative of the complex problems connected with the exposure and conservation of outdoor bronze monuments, especially in marine environment. After a complex diagnostic study, managed by ICR chemical laboratory in cooperation with CNR-ISMAR of Genoa, a didactic workshop has been organized in Genoa in September-October 2007. This experience has represented an important moment to give to ICR students of Hight School of Restoration a training chance to study, to point out and to carry out a conservative intervention; during the work a complete restoration plan of the Monument has been elaborated. The goal of this activity has been to define the restoration project and the maintenance activity guidelines, in accordance with the historic data, technical survey, and non-destructive investigatios. In particular the measurement of wet corrosion rate and EDXRF analyses for the studio of the patinas allowed us to choose the best double layer coating (acrylic resin + blend of microcrystalline waxes). This sandwitch has been used and tested in a representative area of the monument: the Garibaldi’s figure.
    [Show full text]
  • Scultura Italian A
    J liZ. SCULTURA ITALIANA CATALOGUE NO. ARTIST TITLE NO . ARTIST TITLE Giacomo Benevelli Winged Assemblage 31 Marino Marini Portrait of Henry Miller 2 Floriano Bodini Mystique 32 Marino Marini IL Miracolo 3 Floriano Bodini The wife of the Frenchman 33 Arturo Martini Preparatory bust for a monument to Sforza 4 Corrado Cagli Ranieri 34 Marcello Mascherini Archangel Gabriel 5 Aida Calo Bi-form. bronze 35 Marcello Mascherini Small chimera 6 Aida Calo Bi-form. bronze and crystal, unique 36 Umberto Mastroianni Figure composition (not illustrated) 7 Angelo Canevari Horse 37 Umberto Mastroianni Constellation 8 Cosima Carlucci Medium-sized progression 38 Umberto Mastroianni Portrait 9 Pietro Cascella Mechanical love 39 Francesco Messina Ten horses 10 Pietro Cascella Caryatid 40 Umberto Milani Encounter 11 Pietro Cascell a Phoenix 41 Luciano Minguzzi Memory of the man in the concentration camp 12 Pietro Consagra Dream of the hermit 42 Basaldella Mirko Ancestral image 13 Roberto Crippa Animal 43 Basaldella Mirko Lare 14 Pericle Fazzini The sibyl 44 Basaldella Mirko Soothsayer 15 Pericle Fazzini Diver (cover) 45 Mario Negri Metope 16 Nino Franchina Ouetzalcoal 46 Augusto Perez Praying man 17 Franco Garelli Difficult Europe 47 Augusto Perez King 18 Quinto Ghermandi Small bronze no. 4 48 Arnalda Pomodoro The book of signs 19 Emilio Greco lfigenia 49 Gio Pomodoro Head 20 Emilio Greco Olympia 50 Medardo Rosso Ecce Puer 21 Emilio Greco Large bather no. 4 51 Giuditta Scalini Dancers 22 Berta Lardera Ancient goddess Ill 52 Giuditta Scalini The friends 23 Berta Lardera Ancient goddess II 53 Giuditta Scalini Mother and son II 24 Edgardo Mannucci Sculpture 54 Giuditta Scalini The warrior 25 Giacomo Manzu Crucifix 55 Giuditta Scalini The pole 26 Giacomo Manzu Head of Jnge 56 Giuditta Scalini Figure with birds 27 Giacomo Manzu Artist and model 57 Lorena Sguanci Harmony and tension 28 Giacomo Manzu Nude 58 Francesco Somaini Affirmation II 29 Giacomo Manzu Nymph and Faun 59 Alberto Viani Chi mera 30 Giacomo Manzu Model undressing no.
    [Show full text]
  • Siciliano D'origine, Trapiantato a Genova E Milanese D'adozione, Francesco Messina Domina La Scena Artistica Del Novecento D
    ARTE SICILIA CONTEMPORANEA. Francesco Messina. Suggestioni ed echi dall’antica Naxos Taormina. Palazzo Ciampoli. 15 aprile – 15 giugno 2019 Biografia Francesco Messina [Linguaglossa (Ct) 1900 – Milano 1995] Siciliano d’origine, trapiantato a Genova e milanese d’adozione, Francesco Messina domina la scena artistica del Novecento da un’angolazione precisa, con un’attenzione specifica ai problemi del proprio tempo e un’acuta sensibilità verso l’arte del passato. Nasce nel 1900 a Linguaglossa, paesino siciliano alle pendici dell’Etna che Messina abbandonerà presto insieme ai genitori nell’intento di emigrare in America. Agli inizi dell’anno seguente la famiglia si imbarca alla volta di Genova, ma a causa delle precarie condizioni economiche è costretta a stabilirsi nella città ligure che diverrà la culla della formazione artistica dello scultore. «Avevo circa otto anni quando sentii nascere il desiderio di affondare le mani nella mota, tentare il marmo con scalpelli, scarabocchiare carte con matite, per trarne le forme più disparate, inconsce. Una specie di puerile espressionismo» Con queste parole Messina racconta nell’autobiografia “Poveri giorni”, come la vocazione alla manualità e all’espressione artistica si manifestò in lui sin da bambino. È il 1907, infatti, quando egli si ritrova ad operare tra marmi e manovali presso le botteghe degli scultori genovesi Callegari e Rigacci. La perfezione classica che contraddistingue l’opera di Messina si fonda sul solido mestiere appreso dall'anziano maestro Giovanni Scanzi, attivissimo scultore del Cimitero Monumentale di Staglieno, a Genova. Presso la sua bottega Messina acquisisce la tecnica scultorea iniziando a sviluppare un linguaggio personale, in apparenza accademico, ma di magistrale abilità tecnica.
    [Show full text]
  • COVID-19 Disease Map, Building a Computational Repository of SARS
    www.nature.com/scientificdata OPEn COVID-19 Disease Map, building CommenT a computational repository of SARS-CoV-2 virus-host interaction mechanisms Marek Ostaszewski 1, Alexander Mazein 1, Marc E. Gillespie 2,3, Inna Kuperstein4, Anna Niarakis 5, Henning Hermjakob 6, Alexander R. Pico7, Egon L. Willighagen 8, Chris T. Evelo8,9, Jan Hasenauer10,11,12, Falk Schreiber13,14, Andreas Dräger 15,16,17, Emek Demir18, Olaf Wolkenhauer19,20, Laura I. Furlong21, Emmanuel Barillot 4, Joaquin Dopazo 22,23,24,25, Aurelio Orta-Resendiz 26,36, Francesco Messina 27,28, Alfonso Valencia29,30, Akira Funahashi 31, Hiroaki Kitano32,33,34, Charles Aufray 35, Rudi Balling1 & Reinhard Schneider 1 ✉ Researchers around the world join forces to reconstruct the molecular processes of the virus- host interactions aiming to combat the cause of the ongoing pandemic. 1Luxembourg Centre for Systems Biomedicine, University of Luxembourg, Belvaux, Luxembourg. 2Ontario Institute for Cancer Research, Toronto, Canada. 3College of Pharmacy and Health Sciences, St. John’s University, Queens, NY, USA. 4Institut Curie, PSL Research University, Mines Paris Tech, Inserm, Paris, France. 5Department of Biology, Univ. Évry, University of Paris-Saclay, Genopole, 91025, Évry, France. 6European Molecular Biology Laboratory, European Bioinformatics Institute (EMBL-EBI), Hinxton, UK. 7Institute of Data Science and Biotechnology, Gladstone Institutes, San Francisco, United States. 8Department of Bioinformatics-BiGCaT, NUTRIM, Maastricht University, Maastricht, The Netherlands. 9Maastricht Centre for Systems Biology, Maastricht University, Maastricht, The Netherlands. 10Helmholtz Zentrum München, Institute of Computational Biology, Neuherberg, Germany. 11Center for Mathematics, Technische Universität München, Garching, Germany. 12Faculty of Mathematics and Natural Sciences, University of Bonn, Bonn, Germany. 13University of Konstanz, Department of Computer and Information Science, Konstanz, Germany.
    [Show full text]
  • Pieta Will Be Repaired K of C to Open 4
    Before and after damage 'Vandalized' Pieta will be repaired By JAMES C. O'NEILL VATICAN CITY - (NC) - Michelan- gelo's masterpiece, the Pieta, severely damaged by a hammer-wielding Hungarian will be restored as faithfully as possible to its original beauty but will remain forever flawed. The 6,700-pound statue carved from a single block of white Cararra marble was smashed by several hammer blows shortly before noon Pentecost Sunday, May 20, in its side chapel in St. Peter's Basilica. The statue, portraying the sorrowing Virgin holding the limp, dead body of Christ, is world famous and considered perhaps the most valued treasure of the Vatican. ACCORDING to visitors in the church at the time, a bearded man leaped over a low marble railing of the chapel, jumped on a table in front of the statue and began flailing away with a mason's hammer. In the rain of blows on the figure, of the Virgin the (continued on page 21) CHE PIETA," by Michelangelo, is shown left in 1964 as it was photographed during »e New York World's Fair. At right, damage to the fqmous sculpture is evident after a tan, who shouted, "I'm Jesus Christ," attacked it with a hammer severing the left rm of the Virgin and chipping some marble from Virgin's face and nose. Official ••• Appointments Archdiocese of Miami The Chancery announces that Archbishop Carroll has VOL. XIV No. 11 May 26, 1972 made the following appointments effective on the dates indicated. *•/ *! T ' . ' • THE MOST REVEREND RENE H. j ; GRACIDA — to Chairman of Arehdiocesan £.
    [Show full text]
  • Copertina MODERNA:Layout 3 6-10-2008 9:02 Pagina 1 Pagina 9:02 6-10-2008 3 MODERNA:Layout Copertina Boetto MODERNA 1 Copia:Layout 1 3-10-2008 14:49 Pagina 1
    copertina MODERNA:Layout 3 6-10-2008 9:02 Pagina 1 Aste Boetto Aste Boetto ARTE MODERNA E CONTEMPORANEA Martedì 28 Ottobre 2008 Arte Moderna e Contemporanea Martedì 28 Ottobre 2008 boetto MODERNA 1 copia:Layout 1 3-10-2008 14:49 Pagina 1 Arte Moderna e Contemporanea Martedì 28 Ottobre 2008 1a sessione - lotti 501 - 695 ore 14,30 2a sessione - lotti 696 - 865 ore 18,00 Esposizione mercoledì 22 ottobre 10 - 12,30 / 15,00 - 19 giovedì 23 ottobre 10 - 19 venerdì 24 ottobre 10 - 12,30 / 15,00 - 19 sabato 25 ottobre 10 - 12,30 / 15,00 - 19 domenica 26 ottobre 10 - 12,30 / 15,00 - 19 Aste Boetto srl Via Garibaldi, 3 16124 Genova Tel. +39 010 2541314 Fax +39 010 2541379 E-mail: [email protected] www.asteboetto.it boetto MODERNA 1 copia:Layout 1 3-10-2008 14:49 Pagina 2 Direzione Artistica Marco Canepa Fotografia Claudio Grimaldi (Art in Progress Consulting) Impaginazione e Grafica Carola Sessarego I nostri esperti Antiquariato e Pittura del sec. XIX Marco Capozzi [email protected] Arte Moderna e Contemporanea Marco Canepa [email protected] Design e Arti Decorative del sec. XX Sergio Montefusco [email protected] Fotografia Maura Parodi [email protected] boetto MODERNA 1 copia:Layout 1 3-10-2008 14:49 Pagina 3 PRIMA SESSIONE MARTEDÌ ORE 14,30 LOTTI 501-695 boetto MODERNA 1 copia:Layout 1 3-10-2008 14:49 Pagina 4 boetto MODERNA 1 copia:Layout 1 3-10-2008 14:49 Pagina 5 501 502 501 COMANDUCCI 503 EMILIO GRECO 505 GIORGIO DE CHIRICO Comanducci Catania 1913 - Roma 1995 Volo (Grecia) 1888 - Roma 1978 5 volumi sulla pittura italiana Amanti Conversazione nei bagni ottimo stato acquaforte p.a.
    [Show full text]
  • 127-San Pietro in Vaticano.Pages
    Saint Peter’s Basilica Vatican City The Papal Basilica of Saint Peter (Latin: Basilica Sancti Petri), officially known in Italian as the Basilica Papale di San Pietro in Vaticano and commonly known as Saint Peter's Basilica, is located within the Vatican City. Saint Peter's Basilica has the largest interior of any Christian church in the world, holding 60,000 people. It is the symbolic "Mother church" of the Catholic Church and is regarded as one of the holiest Christian sites. It has been described as "holding a unique position in the Christian world" and as "the greatest of all churches of Christendom". In Catholic tradition, it is the burial site of its namesake Saint Peter, who was one of the twelve apostles of Jesus and, according to tradition, first Bishop of Rome and therefore first in the line of the papal succession. Tradition and some historical evidence hold that Saint Peter's tomb is directly below the altar of the basilica. For this reason, many Popes have been interred at St Peter's since the Early Christian period. There has been a church on this site since the 4th century. Construction of the present basilica, over the old Constantinian basilica, began on April 18, 1506 and was completed on November 18, 1626. Saint Peter's is famous as a place of pilgrimage, for its liturgical functions and for its historical associations. It is associated with the papacy, with the Counter-reformation and with numerous artists, most significantly Michelangelo. As a work of architecture, it is regarded as the greatest building of its age.
    [Show full text]
  • 150- Sant'eugenio.Pages
    (150/01) Sant'Eugenio Sant'Eugenio is a minor basilica, a mid 20th century parish and titular church near the Villa Giulia in the Pinciano quarter. The dedication is to St Eugenius, a 7th century Pope. History The church was commissioned as a personal project by Pope Pius XII (Eugenio Pacelli), and dedicated to his baptismal patron saint. The funds were taken from gifts which he received on the Silver Jubilee of his episcopate on 13 March 1942. Land was donated by the Knights of Columbus, and construction began in the same year with the excavation of foundations and the the crypt void. The pope laid the dedication stone on 28 June 1943 in the latter. This stone was tratto dalle mistiche oscurità delle grotte vaticane ("pulled from the mystic darkness of the Vatican grottoes") under St Peter’s. In other words, it was removed from its context during the archaeological investigations authorized by the pope to investigate the Tomb of St Peter. The architects were Enrico Pietro Galeazzi and Mario Redini, the former being the representative at Rome of the Knights, and on-site supervision of the structural elements was by Giuseppe Nicolosi. Unfortunately, the war situation meant that work was stopped in the autumn of 1943 and was not resumed for four years. However it then progressed quickly, and the high altar was finally consecrated by Pope Pius on 2 June 1951. He had already erected the parish, and declared the church to be a minor basilica. (150/01) The artists responsible for the decorative elements of the interior were supervised by Aldo Nati.
    [Show full text]
  • Albert Hirschman Legacy Conference in Berlin
    Luca Meldolesi and Nicolea Stame eds. A PASSION FOR THE POSSIBLE EXCERPTS FROM THE THIRD CONFERENCE ON HIRSCHMAN LEGACY A COLORNI-HIRSCHMAN INTERNATIONAL INSTITUTE AND BERLIN SCHOOL OF ECONOMICS AND LAW BERLIN, 24TH-25TH OCTOBER, 2019 A Passion for the Possible Excerpts from the Third Conference on Hirschman Legacy Luca Meldolesi and Nicoletta Stame, eds. A Colorni-Hirschman International Institute and Berlin School of Economics and Law Berlin, 24th-25th October, 2019 Luca Meldolesi and Nicoletta Stame, eds. A PASSION FOR THE POSSIBLE 1a edizione aprile 2020 disponibile anche in formato e-book su www.amazon.it ©Italic Digital Editions S.R.L. 2016 Via Benedetto Croce 34 – 00142 Roma www.italicdigitaleditions.it ISBN: 9788898156603 Table of content Preface ............................................................................................... 9 Welcome Back Albert! .................................................................. 11 Marianne Egger de Campo: Introduction to the Third Albert Hirschman Legacy Conference in Berlin ..........................................13 Luca Meldolesi: Introduction: Three Points on Possibilism ......19 Claus Offe: Albert Hirschman: Introductory Remarks .................27 Marta Petrusewicz: My Interview with Albert Hirschman .........35 Lucie Tesnière: My Great-grandparents Forged Albert’s Identity Card ..........................................................................................41 PART I ............................................................................................
    [Show full text]
  • We Gratefully Acknowledge the Following Authors From
    We gratefully acknowledge the following Authors from the Originating laboratories responsible for obtaining the specimens, as well as the Submitting laboratories where the genome data were generated and shared via GISAID, on which this research is based. All Submitters of data may be contacted directly via www.gisaid.org Accession ID Originating Laboratory Submitting Laboratory Authors EPI_ISL_410545 INMI Lazzaro Spallanzani IRCCS Laboratory of Virology, INMI Lazzaro Spallanzani IRCCS Maria R. Capobianchi, Cesare E. M. Gruber, Martina Rueca, Barbara Bartolini, Francesco Messina, Emanuela Giombini, Francesca Colavita, Concetta Castilletti, Eleonora Lalle, Fabrizio Carletti, Emanuele Nicastri, Giuseppe Ippolito. EPI_ISL_410546 INMI Lazzaro Spallanzani IRCCS Laboratory of Virology, INMI Lazzaro Spallanzani IRCCS Maria R. Capobianchi, Cesare E. M. Gruber, Martina Rueca, Fabrizio Carletti, Barbara Bartolini, Francesco Messina, Emanuela Giombini, Francesca Colavita, Concetta Castilletti, Eleonora Lalle, Emanuele Nicastri, Giuseppe Ippolito. EPI_ISL_412973 Department of Infectious Diseases, Istituto Superiore di Sanità, Virology Laboratory, Scientific Department, Army Paola Stefanelli, Stefano Fiore, Antonella Marchi, Eleonora Benedetti, Concetta Fabiani, Giovanni Faggioni, Antonella Fortunato, Riccardo De Santis, Silvia Fillo, Anna Anselmo, Andrea Ciammaruconi, Stefano Palomba, Florigio Lista Roma , Italy Medical Center EPI_ISL_412974 Department of Infectious Diseases, Istituto Superiore di Sanità, Virology Laboratory, Scientific Department, Army Paola Stefanelli, Stefano Fiore, Antonella Marchi, Eleonora Benedetti, Concetta Fabiani, Giovanni Faggioni, Antonella Fortunato, Silvia Fillo, Riccardo De Santis, Andrea Ciammaruconi, Giancarlo Petralito, Filippo Molinari, Florigio Lista Rome, Italy Medical Center EPI_ISL_413489 Laboratorio di Microbiologia e Virologia, Università Vita-Salute Laboratorio di Microbiologia e Virologia, Università Vita- R.A Diotti, E. Criscuolo, M. Castelli, V. Caputo, R. Ferrarese, M. Sampaolo, E. Boeri, I. Negri, V. Amato, G.
    [Show full text]
  • Trento Longaretti Per L’Impegno Costante Alla Realizzazione Della Mostra
    copertina Longaretti:Layout129-09-200912:33Pagina LONGARETTI LONGARETTI copertina Longaretti:Layout 1 29-09-2009 12:33 Pagina 2 Da sabato 17 maggio a venerdì 13 giugno 2008 Palazzo Credito Bergamasco Bergamo, Largo Porta Nuova, 2 Curatori della mostra Anna Caterina Bellati Angelo Piazzoli Giampietro Rocchetti Progetto allestimento Attilio Gobbi Realizzazione struttura e allestimento ARCO s.r.l. Hanno collaborato all’organizzazione della mostra le seguenti funzioni interne del Gruppo Banco Popolare Segreteria Generale - Credito Bergamasco Relazioni Esterne - Credito Bergamasco Sicurezza - SGS BP Tecnico CB - Banco Popolare Stampa, Comunicazione e Promozione Segreteria Generale - Credito Bergamasco Relazioni Esterne - Credito Bergamasco Testi Anna Caterina Bellati Progetto grafico Drive Promotion Design Art Director Eleonora Valtolina Un ringraziamento particolare a Trento Longaretti per l’impegno costante alla realizzazione della mostra © Copyright 2008 Credito Bergamasco I diritti di traduzione, riproduzione e adattamento totale o parziale, con qualsiasi mezzo, sono riservati per tutti i Paesi Volume LONGARETTI.qxd:interno pagine Longaretti 29-09-2009 12:52 Pagina 1 LONGARETTI Volume LONGARETTI.qxd:interno pagine Longaretti 29-09-2009 12:52 Pagina 2 Volume LONGARETTI.qxd:interno pagine Longaretti 29-09-2009 12:52 Pagina 3 Introduzione La Fondazione Credito Bergamasco è parti- Consiglio della Banca - e “La gente berga- colarmente lieta di presentare una rassegna masca” (“Quelli della pianura”, “Quelli della dedicata a uno dei più noti e apprezzati arti- collina”, “Quelli della città” e “Quelli della sti bergamaschi contemporanei qual è montagna”) - la serie di quattro dipinti a tem- Trento Longaretti, che da quasi un secolo pera su legno, collocati lungo “la scala ricopre il ruolo di straordinario testimone del d’onore” della sede centrale dell’Istituto.
    [Show full text]