DOCSLIB.ORG

Copertina MODERNA:Layout 3 6-10-2008 9:02 Pagina 1 Pagina 9:02 6-10-2008 3 MODERNA:Layout Copertina Boetto MODERNA 1 Copia:Layout 1 3-10-2008 14:49 Pagina 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Copertina MODERNA:Layout 3 6-10-2008 9:02 Pagina 1 Pagina 9:02 6-10-2008 3 MODERNA:Layout Copertina Boetto MODERNA 1 Copia:Layout 1 3-10-2008 14:49 Pagina 1 copertina MODERNA:Layout 3 6-10-2008 9:02 Pagina 1 Aste Boetto Aste Boetto ARTE MODERNA E CONTEMPORANEA Martedì 28 Ottobre 2008 Arte Moderna e Contemporanea Martedì 28 Ottobre 2008 boetto MODERNA 1 copia:Layout 1 3-10-2008 14:49 Pagina 1 Arte Moderna e Contemporanea Martedì 28 Ottobre 2008 1a sessione - lotti 501 - 695 ore 14,30 2a sessione - lotti 696 - 865 ore 18,00 Esposizione mercoledì 22 ottobre 10 - 12,30 / 15,00 - 19 giovedì 23 ottobre 10 - 19 venerdì 24 ottobre 10 - 12,30 / 15,00 - 19 sabato 25 ottobre 10 - 12,30 / 15,00 - 19 domenica 26 ottobre 10 - 12,30 / 15,00 - 19 Aste Boetto srl Via Garibaldi, 3 16124 Genova Tel. +39 010 2541314 Fax +39 010 2541379 E-mail: [email protected] www.asteboetto.it boetto MODERNA 1 copia:Layout 1 3-10-2008 14:49 Pagina 2 Direzione Artistica Marco Canepa Fotografia Claudio Grimaldi (Art in Progress Consulting) Impaginazione e Grafica Carola Sessarego I nostri esperti Antiquariato e Pittura del sec. XIX Marco Capozzi [email protected] Arte Moderna e Contemporanea Marco Canepa [email protected] Design e Arti Decorative del sec. XX Sergio Montefusco [email protected] Fotografia Maura Parodi [email protected] boetto MODERNA 1 copia:Layout 1 3-10-2008 14:49 Pagina 3 PRIMA SESSIONE MARTEDÌ ORE 14,30 LOTTI 501-695 boetto MODERNA 1 copia:Layout 1 3-10-2008 14:49 Pagina 4 boetto MODERNA 1 copia:Layout 1 3-10-2008 14:49 Pagina 5 501 502 501 COMANDUCCI 503 EMILIO GRECO 505 GIORGIO DE CHIRICO Comanducci Catania 1913 - Roma 1995 Volo (Grecia) 1888 - Roma 1978 5 volumi sulla pittura italiana Amanti Conversazione nei bagni ottimo stato acquaforte p.a. cm 50x70 acquaforte acquatinta 86/99 cm 70x50 € 250/300 f.to b.a d. f.to b.a d. € 150/200 certificato di garanzia AR.CO.IT (MI) 502 SALVADOR DALI' € 900/1.000 Figueras (Spagna) 1904 - 1989 504 FRANCESCO MESSINA Divina Commedia Linguaglossa (ME) 1900 - Milano 1995 506 VICTOR VASARELY 6 volumi con illustrazioni di S.Dalì Cavallo Pecs 1908 - Parigi 1997 E.I.A.S Salani litografia 69/100 cm 50x70 S.T. 1969 ottimo stato f.to b.a s. serigrafia 71/100 cm 47x62 € 250/300 € 45/50 f.ta in b. a ds. provenienza Denis Renè Paris € 50/100 505 506 Arte Moderna e Contemporanea 5 boetto MODERNA 1 copia:Layout 1 3-10-2008 14:49 Pagina 6 507 507 CARLA BADIALI Novedrate (CO) 1907 Como 1992 S.T. 1970 matita e pastello su carta da lucido 22x25 f.to b.al centro autentica dell'artista sul retro € 900/1.000 508 508 REGINA Mede 1894 - 1974 S.T. 1960 collage su carta cm 25,5x35,5 f.to e d.to b.a d. timbro galleria B2 GE pubblicato pag. 103 Electa Vibra il cupo fogliame € 900/1.000 509 BICE LAZZARI Venezia 1900 - Roma 1981 Momento nello spazio 1980 tecnica mista su carta cm 23,3x23 d.to b.a d. f.to b.a d. autentica su foto galleria Arte Centro MI 509 € 900/1.000 6 Aste Boetto boetto MODERNA 1 copia:Layout 1 3-10-2008 14:49 Pagina 7 510 511 512 513 510 VICTOR VASARELY 511 GETULIO ALVIANI 512 GIAMPIERO VIGLINO 513 PIETRO COLETTA Pecs 1908 - Parigi 1997 Udine 1939 1951 Bari 1948 Quasar 1966 S.T. Compusion 2003 S.T 1988 serigrafia 159/200 serigrafia cm 48x48 olio su tela cm 40x40 carboncino su carta cm 67x67 € 50/100 f.to sul retro cm 30x30 etichetta galleria Bertesca € 600/700 f.to b.a.s Genova € 450/500 € 50/100 Arte Moderna e Contemporanea 7 boetto MODERNA 1 copia:Layout 1 3-10-2008 14:49 Pagina 8 514 515 514 EMILIO SCANAVINO Genova 1922 - Milano 1986 Il Battesimo olio su tela cm 30x25 f.to b. a ds. ed intitolato e f.to sul retro pubblicato catalogo generale 1942-7 € 900/1.000 515 HANS RICHTER Berlino 1888 - Locarno 1975 S.T 1965 t.m su carta cm 42x35 f.to b.a.d 516 provenienza Collezione privata (TO) € 1.000/1.200 516 GUIDO BASSO Genova 1923 - 1995 Il Muretto olio su tela cm 46x61 f.to b. a s. e sul retro timbro galleria Rotta sul retro € 150/200 8 Aste Boetto boetto MODERNA 1 copia:Layout 1 3-10-2008 14:49 Pagina 9 517 MARIO RACITI Milano 19/04/1934 Luogo di spiritelli 1968 olio su tela cm 50x70 f.to b. a ds. e sul retro timbro Galleria Morone Milano pubblicato sul catalogo della mostra Galleria L'Ammolita Genova (presenta un buco) € 450/500 517 518 PIERO DORAZIO Roma 1927 - Todi 2005 S.T. 1991 serigrafia 49/120 cm 76x105 f.to e d.to in b. a ds. € 900/1.000 518 519 OMAR GALLIANI Montecchio Emilia (RE) 1954 In modo di dire 1995 matita su carta cm 35x50 autentica dell'artista su foto provenienza Galleria Astuni Fano (PS) € 1.900/2.200 519 Arte Moderna e Contemporanea 9 boetto MODERNA 1 copia:Layout 1 3-10-2008 14:49 Pagina 10 520 523 520 GIANNI DOVA 522 CLAUDIO VERNA Roma 1925 - Pisa 1991 Guardiagrele (CH) 1937 Vele sul mare S.T. 1969 t.m. su carta cm 72x50 serigrafia 20/70 f.to b. a ds. f.to b. a ds. provenienza Galleria Il Punto offerta libera Calice Ligure € 3.600/4.000 523 WIFREDO LAM Sagua La Grande 1902 - Parigi 1982 521 FRANCIS BACON Perrita 1975 Dublino 1909 - Madrid 1992 disegno con dedica cm 16x20 manifesto mostra f.to e d.to in b. a ds. 521 € 200/250 € 150/200 10 Aste Boetto boetto MODERNA 1 copia:Layout 1 3-10-2008 14:49 Pagina 11 524 527 524 MAX ERNST Bruhl 1891 - Parigi 1976 manifesto mostra € 200/250 525 MARC CHAGALL Vitebsk 1887 Saint Paul de Vence 1985 manifesto mostra € 200/250 525 526 MOROSHITA KEIZO Kitakyushu-Shi 1944 Progetto... 1970 acrilici su tela cm 40x30 f.to sul retro etichetta studio Marconi (MI) € 700/800 527 SANDRO CHIA Firenze 1946 S.T 1987 acquerello su carta cm 47x38 f.to b. a ds. € 5.400/6.000 526 Arte Moderna e Contemporanea 11 boetto MODERNA 1 copia:Layout 1 3-10-2008 14:49 Pagina 12 528 PAOLO ICARO Torino 1936 S.T 1989 t.m su carta cm 48x33 f.to e d.to b.a.d € 700/800 529 FRANCESCO MESSINA Linguaglossa (ME) 1900 - Milano 1995 Nudo matita su carta cm 63x44 f.to b.a d. autentica di Paola Messina su foto € 1.300/1.500 530 ROCCO BORELLA Genova 1920 - 1994 La famiglia del pescatore 1953 t.m. su carta intelata 528 529 cm 59x39 f.to in b. a s. etichetta Biennale del mare Rimini 1953 € 450/500 531 GIUSEPPE CHIARI Firenze 1926 - 2007 S.T. spartiti musicali cm 68x48,5 f.to b.a d. autentica dell'artista su foto € 400/450 530 531 12 Aste Boetto boetto MODERNA 1 copia:Layout 1 3-10-2008 14:50 Pagina 13 532 533 532 TANO FESTA 534 TOTI SCIALOJA Roma 1938 - 1988 Roma 1914 - 1998 Da Michelangelo 1979 S.T-1966 smalto su legno ed emulsione fotografica serigrafia 76/90 cm 60x46,5 cm 160x130 f.to b. a ds. f.to e d.to sul retro offerta libera Archivio Tano Festa Studio Soligo Roma 7916031/445 535 RENZO VESPIGNANI provenienza Galleria Tornabuoni Firenze Roma 1924 - 2001 pubblicato sul catalogo Tornabuoni Arte del 2000 pag. 104 Due litografie cm 80x60 € 7.200/8.000 f.te € 150/200 533 SANDRO CHIA Firenze 1946 Uomo con le foglie 2002 mosaico cm 80x61 f.to sul retro mostra personale Museo Archeologico (FI) autentica dell'artista su foto € 19.800/22.000 Arte Moderna e Contemporanea 13 boetto MODERNA 1 copia:Layout 1 3-10-2008 14:50 Pagina 14 536 536 EMILIO TADINI Milano 1927 - 2002 S.T. t.m. su carta intelata cm 58x80 f.to b. al centro 537 autentica G.Marconi su foto € 1.800/2.000 537 LUCIO DEL PEZZO Napoli 1933 lo specchio 2004 acrilico e sabbia oro in foglia su cartone cm 57,6x76 f.to b.al centro autentica dell'artista su foto etichetta Galleria Vinciana Mi € 1.300/1.500 538 PIERLUIGI DE LUTTI Monfalcone 1959 S.T. olio su tela cm 40x50 f.to sul retro autentica dell'artista su foto 538 € 900/1.000 14 Aste Boetto boetto MODERNA 1 copia:Layout 1 3-10-2008 14:50 Pagina 15 539 EMILIO SCANAVINO Genova 1922 - Milano 1986 Storia in tre tempi 1986 acrilico su cartone cm 60x46 f.to b. a ds. pubblicato sul catalogo generale con il n.1986-46 pag. 915 già Galleria Valente Finale Ligure € 8.100/9.000 540 STUART BERKELEY Londra 1944 S.T. acquarello su carta cm 70x50 € 250/300 539 541 EMILIO VEDOVA Venezia 1919 - 2006 Rosso-pagine per oltre 2/7 1990 gouache su carta cm 22x21,8 f.to b. a ds. autentica dell'artista su foto archivio n.1438 € 13.900/15.500 542 EMANUELE LUZZATI Genova 1921 - 2007 Utopica dei bambini fine anni '70 tempera su carta cm 66x48 f.to b. a s. € 200/250 541 Arte Moderna e Contemporanea 15 boetto MODERNA 1 copia:Layout 1 3-10-2008 14:50 Pagina 16 543 MARIO CHIANESE Genova 1928 Paesaggio 1964 olio su tela cm 100x60 f.to sul retro autentica dell'artista su foto € 450/500 544 GIOVANNI GAROZZO Catania 1938 Per una ascensione 1966 olio su tela cm 59x39 f.to sul retro autentica dell'artista su foto timbro Galleria Rotta sul retro € 50/100 545 EUGENIO CARMI Genova 1920 Sul quadrato 1988 olio su tela cm 24x24 f.to sul retro € 1.800/2.000 546 GUGLIELMO ACHILLE CAVELLINI Brescia 1914 - 1990 S.T.
Load more

Recommended publications
  • Global Demand for Italian Art: Milan Modern and Contemporary
    Press release | Milan FOR IMMEDIATE R E L E A S E | 22 M a r c h 2 0 1 6 GLOBAL DEMAND FOR ITALIAN ART: MILAN MODERN AND CONTEMPORARY ALIGHIERO BOETTI (1940-1994) Mappa Executed in 1983 €800,000-1,200,000 Milan – Christie’s will present the annual sale of Milan Modern and Contemporary on 5 & 6 April 2016 at Palazzo Clerici, Milan. Following the strong results of last year’s auction, which was 100% sold in the evening section, realising over €20 million – a record for this category in Italy – and saw bidders from over 20 countries, this year continues to meet the ever-growing appetite for Italian art. The auction will offer a wide array of the great Post-War figures including Lucio Fontana, Alberto Burri, Enrico Castellani and Piero Manzoni; favourites from the Arte Povera canon – Alighiero Boetti, Pier Paolo Calzolari and Giulio Paolini; Pop art pioneers Mimmo Rotella and Tano Festa; as well as Modern classics by Gino Severini and Giacomo Balla. Highlights include an intricate and colourful embroidery, which forms part of Alighiero Boetti’s most famous ‘Mappe’ (Maps) series of artworks (1983, estimate: €800,000-1,200,000, illustrated above). Renato Pennisi, Director and Senior Specialist, Head of Sale, Christie's Italy: "We are pleased to present a rich array of works, which show the great variety of twentieth century Italian art movements. We are offering masterpieces ranging from early Futurism, Arte Povera icons through to the Masters of the Second World War - Fontana, Burri and Manzoni - and sections devoted to Pop art and Optical art." FUTURISMO: THE FIRST AVANT-GARDE Headlining the auction are a pair of works that epitomise the revolutionary nature of the Futurist movement; Gino Severini’s Tango Argentino (executed in 1913, estimate: €400,000- 700,000, pictured above) and Giacomo Balla’s Complesso colorato di frastuono + velocitá (c.1914, estimate: €400,000-600,000, pictured right) are presented alongside works by Roberto Marcello Iras Baldessari and Gerardo Dottori.
    [Show full text]
  • Robert Morris, Minimalism, and the 1960S
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 1988 The Politics of Experience: Robert Morris, Minimalism, and the 1960s Maurice Berger Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1646 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book.
    [Show full text]
  • Francesco Messina”, “LANX” 24 (2016), Pp
    E. Calafato, Coroplastica ellenistica nella Collezione Archeologica “Francesco Messina”, “LANX” 24 (2016), pp. 1-85 ELENA CALAFATO Coroplastica ellenistica nella Collezione Archeologica “Francesco Messina” Abstract Oggetto del presente studio è il gruppo di terracotte figurate di epoca ellenistica e, solo in un caso, tardo-classica, appartenenti alla Collezione Archeologica “Francesco Messina”. Il materiale rappresenta un nucleo piuttosto omogeneo e il più cospicuo fra quelli individuabili nella raccolta. Le terracotte sono prive di dati di provenienza e/o acquisizione e per questo motivo la datazione dei singoli pezzi è basata solo su confronti e dati stilistici, indicati volta per volta nelle schede tecniche dei materiali. I pezzi presi in esame sono 23 (principalmente figure femminili, un esiguo nucleo di figure maschili e alcune figure riferibili all'universo dionisiaco). Ad un’introduzione generale sul valore e le funzioni della coroplastica segue il catalogo dei fittili, presentati per gruppi tipologici: alle schede dei materiali di ogni gruppo si è fatta precedere una breve introduzione che consenta di inquadrare in maniera generale la singola tipologia. This paper represents the last step of the study of a group of Hellenistic and, in one case, late classical terracottas from the Francesco Messina’s Archaeological Collection. The terracottas represents a rather homogeneous group and the most conspicuous among the ones that form the collection. The terracottas lack of any kind of information about their origins and this is why the dating and interpretation of every piece is based exclusively on the comparison with other materials and on stylistic analysis (of which the author provides explanation and justification in the technical records).
    [Show full text]
  • Conceptual Art: a Critical Anthology
    Conceptual Art: A Critical Anthology Alexander Alberro Blake Stimson, Editors The MIT Press conceptual art conceptual art: a critical anthology edited by alexander alberro and blake stimson the MIT press • cambridge, massachusetts • london, england ᭧1999 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval)without permission in writing from the publisher. This book was set in Adobe Garamond and Trade Gothic by Graphic Composition, Inc. and was printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Conceptual art : a critical anthology / edited by Alexander Alberro and Blake Stimson. p. cm. Includes bibliographical references and index. ISBN 0-262-01173-5 (hc : alk. paper) 1. Conceptual art. I. Alberro, Alexander. II. Stimson, Blake. N6494.C63C597 1999 700—dc21 98-52388 CIP contents ILLUSTRATIONS xii PREFACE xiv Alexander Alberro, Reconsidering Conceptual Art, 1966–1977 xvi Blake Stimson, The Promise of Conceptual Art xxxviii I 1966–1967 Eduardo Costa, Rau´ l Escari, Roberto Jacoby, A Media Art (Manifesto) 2 Christine Kozlov, Compositions for Audio Structures 6 He´lio Oiticica, Position and Program 8 Sol LeWitt, Paragraphs on Conceptual Art 12 Sigmund Bode, Excerpt from Placement as Language (1928) 18 Mel Bochner, The Serial Attitude 22 Daniel Buren, Olivier Mosset, Michel Parmentier, Niele Toroni, Statement 28 Michel Claura, Buren, Mosset, Toroni or Anybody 30 Michael Baldwin, Remarks on Air-Conditioning: An Extravaganza of Blandness 32 Adrian Piper, A Defense of the “Conceptual” Process in Art 36 He´lio Oiticica, General Scheme of the New Objectivity 40 II 1968 Lucy R.
    [Show full text]
  • Avanti 2442 News
    P.O. BOX 173 BLUE POINT NY 11715 LIBERTY - EQUALITY – FRATERNITY [email protected] DECEMBER 2017 VOLUME 4 ISSUE 12 AVANTI 2442 NEWS Editor: Angela Donato, con piacere, with pleasure OSDIA National Pearl Harbor Remembrance Day, also referred to as Pearl Harbor Day, is observed annually in the United States on December 7, to remember and honor the 2,403 citizens of the United States who were killed in the Japanese surprise attack on Pearl Harbor Hawaii on December 7, 1941. From the Presidents desk, Dear Lodge Brothers & Sisters, I hope you had a great Thanksgiving. The Christmas Season has started, and we will celebrate together at our Christmas Party. Please try to attend, it is a chance for us to socialize and get to know each other better. Looking forward to seeing you there. Thank you Lodge Sisters Regina Allen and Dorothy Curto for Chairing this event. Coming up in January, we will attend the NYS Plenary Session January 27th at the Brumidi Lodge, Deer Park. Everyone is welcome to see how the Business of the Order is conducted. Breakfast and Lunch is served. I am working on a possible Legislative proposal in response to the Columbus Day Issue. A nominating committee has been formed and will meet Dec. 11th at 1 Ram Court Patchogue 7 pm, to begin the 2018 election process. While all positions STOP BY AT 6:45 FOR COFFEE & DESSERT are available, we have a few empty slots for officers that must be filled. It is WEAR YOUR UGLY CHRISTMAS SWEATER imperative that we find a new Treasurer and Delegates to attend the NYS convention in June.
    [Show full text]
  • Read Renato Casaro's Biography
    RENATO CASARO SCENERY Since its inception, film poster painting was considered a "minor art" but it had a great, even cultural, impact and a profound effect on the emergence of a new collective imagination, to such an extent that cinema won over the masses, bringing success to new legends and narratives. This phenomenon exploded in Europe and Italy in particular after the Second World War as people, eager to forget the recent past, felt the need to cultivate a more worldly and modern attitude, thanks in part to the widespread love of cinema which was in constant evolution, creating a new mass culture based primarily on visual images. Most people were drawn by what they saw on the screen but the images which spilled out of the dark cinemas onto the roads and towns in the shape of posters and flyers could be found everywhere in towns, cities and provinces. The cinematographic text, namely the film, was now accompanied by a huge amount of other material, commonly known as ‘paratext’ (flyers, posters and advertising), which often had a greater effect on people’s imagination than the film itself, creating icons and popular legends. Soon the so-called major arts realised the potential of these dynamics, especially the nouveau réalisme movement founded by art critic Pierre Restany. One of its followers was the German artist Wolf Vostell, who probably invented décollage, the practice of tearing posters from the walls and turning them into works of art, a technique which was also used by Jacques Villeglé and Mimmo Rotella in Italy. There has always been a certain amount of overlap between major arts and minor arts, but there is no doubt that thanks to this unusual and prolific short circuit, the works of minor arts, like film posters, have physically entered the halls of the major arts through the front door; this phenomenon exploded with Pop Art and continues even today.
    [Show full text]
  • Appendix 7: Exhibition
    Appendix 7: Exhibition 'Programme lnternational Cooperation on the Conservation of Modern Art' (961412092\ Contempora.ry Art: modern materials, old problems rc p roj e as f, o the F o undati o n fo r t he Co ruerv ati o n of Modern Art ^ Since the t95os, many artists have been probÍem is now being exposed from two using modern materials such as plastics, different angles. The practical and theoret- neon and electrical eguipment as well as ical problems surrounding ten different other materials that were seldom used in objects from Dutch museums are being art before this time: beeswax, chocolate, investigated in working parties.This exhi- sausagg, felt, scrap meral and rubbish. bition provides a report on the findingp of As a comment on industrial develop- this research. The real work must now ments, various artists made'useless' begin, One piece was easily restored - the maóines Others became fascinated with refrigeration elementwas broken. Many of the'beaugr' ofthese new materials and the other objects have such complex prob- gave them a place in theirwork lems that itwill be sometime before they can be seen'normalf in the museum. ln the second halfofthis century, art not One work is so damaged that it can no only took on a new significance but also longer be considered an art work The another form. This introduced new prob- exhibition aimsto provide an insigfit into lems for preserv-ation. The experience the questions that confront many muse- restorers had acquired in the conservation ums.These are old problems- how do of paintings and sculparres tumed outto )rou preserve an?-fiorwhió new solu- be no longer sufficient where contempo- tions have to be found.
    [Show full text]
  • Export / Import: the Promotion of Contemporary Italian Art in the United States, 1935–1969
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Export / Import: The Promotion of Contemporary Italian Art in the United States, 1935–1969 Raffaele Bedarida Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/736 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by RAFFAELE BEDARIDA A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 RAFFAELE BEDARIDA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy ___________________________________________________________ Date Professor Emily Braun Chair of Examining Committee ___________________________________________________________ Date Professor Rachel Kousser Executive Officer ________________________________ Professor Romy Golan ________________________________ Professor Antonella Pelizzari ________________________________ Professor Lucia Re THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by Raffaele Bedarida Advisor: Professor Emily Braun Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process.
    [Show full text]
  • U-3 Auction Asta 25
    A U C T I O N H O U S E U-3 AUCTION ASTA 25 MILANO - 3 DICEMBRE 2020 L’appuntamento con i 152 lotti della prossima asta U-3 Under 3k euros è fissato per giovedì 3 dicembre 2020 alle ore 16:30. Il catalogo si apre con quattro seridécollage di Mimmo Rotella dal gusto spiccatamente pop e in cui si ritrovano i soggetti cari all’artista, dall’intramontabile Marilyn Monroe ai manifesti dei classici cinematografici della grande Hollywood, come Caccia al ladro e Vacanze romane. Segue una ricca selezione di astrazione geometrica, introdotta da un significativo collage di Juraj Dobrović datato 1968- 1972, periodo tra i più interessanti all’interno della produzione dell’artista croato, che proprio in quegli anni proponeva le sue strutture e forme plastiche in alcuni tra i più prestigiosi palcoscenici dell’arte mondiale, come la Biennale di Venezia del 1972 e la Biennale di San Paolo dell’anno successivo. Degno di nota anche Carrés permutables di Luis Eduardo Arnal, in cui l’artista pare voglia sfidare lo spettatore/fruitore a modificare l’opera tramite lo spostamento delle tessere magnetiche di cui è composta, ottenendo risultati sempre nuovi. Si continua con due pezzi unici di rilievo dei sudamericani Carmelo Arden-Quin, presente con una tecnica mista su carta, e Hugo Demarco, con una tempera in cui la geometria ben determinata tradisce l’interesse dell’artista nella continua ricerca di un colore vibrante capace di sprigionare quanta più luce possibile. Tra le sculture si evidenziano La dualità e l’uno di Arnaldo Pomodoro, un bronzo in quattro elementi scomponibili di Andrea Cascella e Quadrato a tre dimensioni, opera in resina in cui la forma bidimensionale è capace di trasmutarsi in diverse soluzioni tridimensionali, in modo che, citando le parole dello stesso Bruno Munari, possa «vivere con noi nel nostro ambiente, sensibile all’atmosfera della realtà».
    [Show full text]
  • The Restoration Project for the Monumento Ai Mille by Eugenio Baroni (1915) Genoa-Quarto Dei Mille
    9th International Conference on NDT of Art, Jerusalem Israel, 25-30 May 2008 For more papers of this publication click: www.ndt.net/search/docs.php3?MainSource=65 THE CONSERVATION OF OUTDOOR BRONZE MONUMENTS: THE RESTORATION PROJECT FOR THE MONUMENTO AI MILLE BY EUGENIO BARONI (1915) GENOA-QUARTO DEI MILLE Ines Maria Marcelli1, Marica Mercalli1 1Central Restoration Institute, Rome, Italy ABSTRACT The Monumento ai Mille, located near Quarto’s rock (Genoa) in memory of Garibaldi’s expedition, realized by Eugenio Baroni and inaugurated in 1915, is a monument representative of the complex problems connected with the exposure and conservation of outdoor bronze monuments, especially in marine environment. After a complex diagnostic study, managed by ICR chemical laboratory in cooperation with CNR-ISMAR of Genoa, a didactic workshop has been organized in Genoa in September-October 2007. This experience has represented an important moment to give to ICR students of Hight School of Restoration a training chance to study, to point out and to carry out a conservative intervention; during the work a complete restoration plan of the Monument has been elaborated. The goal of this activity has been to define the restoration project and the maintenance activity guidelines, in accordance with the historic data, technical survey, and non-destructive investigatios. In particular the measurement of wet corrosion rate and EDXRF analyses for the studio of the patinas allowed us to choose the best double layer coating (acrylic resin + blend of microcrystalline waxes). This sandwitch has been used and tested in a representative area of the monument: the Garibaldi’s figure.
    [Show full text]
  • Scultura Italian A
    J liZ. SCULTURA ITALIANA CATALOGUE NO. ARTIST TITLE NO . ARTIST TITLE Giacomo Benevelli Winged Assemblage 31 Marino Marini Portrait of Henry Miller 2 Floriano Bodini Mystique 32 Marino Marini IL Miracolo 3 Floriano Bodini The wife of the Frenchman 33 Arturo Martini Preparatory bust for a monument to Sforza 4 Corrado Cagli Ranieri 34 Marcello Mascherini Archangel Gabriel 5 Aida Calo Bi-form. bronze 35 Marcello Mascherini Small chimera 6 Aida Calo Bi-form. bronze and crystal, unique 36 Umberto Mastroianni Figure composition (not illustrated) 7 Angelo Canevari Horse 37 Umberto Mastroianni Constellation 8 Cosima Carlucci Medium-sized progression 38 Umberto Mastroianni Portrait 9 Pietro Cascella Mechanical love 39 Francesco Messina Ten horses 10 Pietro Cascella Caryatid 40 Umberto Milani Encounter 11 Pietro Cascell a Phoenix 41 Luciano Minguzzi Memory of the man in the concentration camp 12 Pietro Consagra Dream of the hermit 42 Basaldella Mirko Ancestral image 13 Roberto Crippa Animal 43 Basaldella Mirko Lare 14 Pericle Fazzini The sibyl 44 Basaldella Mirko Soothsayer 15 Pericle Fazzini Diver (cover) 45 Mario Negri Metope 16 Nino Franchina Ouetzalcoal 46 Augusto Perez Praying man 17 Franco Garelli Difficult Europe 47 Augusto Perez King 18 Quinto Ghermandi Small bronze no. 4 48 Arnalda Pomodoro The book of signs 19 Emilio Greco lfigenia 49 Gio Pomodoro Head 20 Emilio Greco Olympia 50 Medardo Rosso Ecce Puer 21 Emilio Greco Large bather no. 4 51 Giuditta Scalini Dancers 22 Berta Lardera Ancient goddess Ill 52 Giuditta Scalini The friends 23 Berta Lardera Ancient goddess II 53 Giuditta Scalini Mother and son II 24 Edgardo Mannucci Sculpture 54 Giuditta Scalini The warrior 25 Giacomo Manzu Crucifix 55 Giuditta Scalini The pole 26 Giacomo Manzu Head of Jnge 56 Giuditta Scalini Figure with birds 27 Giacomo Manzu Artist and model 57 Lorena Sguanci Harmony and tension 28 Giacomo Manzu Nude 58 Francesco Somaini Affirmation II 29 Giacomo Manzu Nymph and Faun 59 Alberto Viani Chi mera 30 Giacomo Manzu Model undressing no.
    [Show full text]
  • Siciliano D'origine, Trapiantato a Genova E Milanese D'adozione, Francesco Messina Domina La Scena Artistica Del Novecento D
    ARTE SICILIA CONTEMPORANEA. Francesco Messina. Suggestioni ed echi dall’antica Naxos Taormina. Palazzo Ciampoli. 15 aprile – 15 giugno 2019 Biografia Francesco Messina [Linguaglossa (Ct) 1900 – Milano 1995] Siciliano d’origine, trapiantato a Genova e milanese d’adozione, Francesco Messina domina la scena artistica del Novecento da un’angolazione precisa, con un’attenzione specifica ai problemi del proprio tempo e un’acuta sensibilità verso l’arte del passato. Nasce nel 1900 a Linguaglossa, paesino siciliano alle pendici dell’Etna che Messina abbandonerà presto insieme ai genitori nell’intento di emigrare in America. Agli inizi dell’anno seguente la famiglia si imbarca alla volta di Genova, ma a causa delle precarie condizioni economiche è costretta a stabilirsi nella città ligure che diverrà la culla della formazione artistica dello scultore. «Avevo circa otto anni quando sentii nascere il desiderio di affondare le mani nella mota, tentare il marmo con scalpelli, scarabocchiare carte con matite, per trarne le forme più disparate, inconsce. Una specie di puerile espressionismo» Con queste parole Messina racconta nell’autobiografia “Poveri giorni”, come la vocazione alla manualità e all’espressione artistica si manifestò in lui sin da bambino. È il 1907, infatti, quando egli si ritrova ad operare tra marmi e manovali presso le botteghe degli scultori genovesi Callegari e Rigacci. La perfezione classica che contraddistingue l’opera di Messina si fonda sul solido mestiere appreso dall'anziano maestro Giovanni Scanzi, attivissimo scultore del Cimitero Monumentale di Staglieno, a Genova. Presso la sua bottega Messina acquisisce la tecnica scultorea iniziando a sviluppare un linguaggio personale, in apparenza accademico, ma di magistrale abilità tecnica.
    [Show full text]