My Name Is Mike Christie. I'm a Multi-Skilled TV Director And
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Baggie Shorts
“you just don’t seem to understand” BAGGIE SHORTS ISSUE 9 - SEASON 2016/17 WEST BROMWICH ALBION LONDON SUPPORTERS CLUB Welcome... department and the dietician. Having celebrated virtually every member of Arsenal Inc., the announcer said “and ...to the latest edition of Baggie Shorts. At the time of a big welcome to our guests, West writing, we have reached the magic 40 points and have A day in the life of an Albion Bromwich Albion” and then the referee arrived at that point in the season when Sam Field gets to fan aged 13 and a half blew the whistle and the carnage com- play for three minutes and the usual doubts set in. 4 by Anthony Nash menced. Happy Days! In an effort to illuminate those doubts, we’ve commis- Arsenal v West Bromwich Happy Days also for Patrick Fahey (The Albion Match Report sioned Albion-nut and statistician Jon Want to analyse story of an Executive Steward), who tells by Aidan Rose the empirical data (see The Pulis Effect: What the Stats 6 us how he secured his dream match Say). Jon’s appearance in these pages is thanks largely day job and for Anthony Nash (Foot- to the dogged determination of Glenn Hess, for it was The story of an Executive ball Through The Ages: In search of the Glenn’s plan to lure Jon to The Exmouth Arms and thence Steward Golden Age) who shares his memories to cause his inebriation by the liberal application of ales, 7 by Patrick Fahey of his first Albion away day and reflects the better to secure his cooperation. -
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'. -
Kort Introduktion Til Parkour Og Freerunning
Kort introduktion til Parkour og Freerunning Parkour 'Parkour' eller 'Le Parkour' er en bevægelsesaktivitet, som handler om at udvikle sig fysisk og mentalt gennem naturlige og ekspressive bevægelser. Den grundlæggende ide bag bevægelserne er at bevæge sig gennem omgivelserne hurtigt og effektivt i flow, dvs. at komme fra punkt A til B, mest effektivt og hurtigst muligt, udelukkende ved brug af kroppen. Miljøet er oftest bymæssigt. Bygninger, gelænder, vægge anvendes til fremdrift på en alternativ måde. Det handler om at se udfordring og muligheder der hvor andre ser begrænsninger og funktionalitet. Parkourudøverne kaldes ’traceurs’, hvilket kan oversættes til projektil eller kugle, som henleder til udøvernes kontinuerlige bevægelser. En rigtig traceur har gjort parkour til en central del af hans livsstil, og lever derved efter filosofien om at opleve frihed. Parkour startede som en subkultur, der udviklede sig i de franske forstæder, men har siden spredt sig ud i hele verden via Internettet. Oprindelse Franskmanden David Belle betegnes som grundlæggeren af parkour. Belles far, Raymond Belle, var løjtnant i Vietnamkrigen. Til at træne sine soldater til at bevæge sig effektivt rundt i junglen, anvendte han træningssystemet ’methode naturalle1’, der grundlagdes af Georg Hébert (1875- 1957).2 Methode naturelle er kort fortalt et system af filosofiske idéer og fysiske metoder, der ontologisk knytter sig til Jean-Jacques Rousseaus (1712-1778) og Johan Gutsmuths (1759-1839) filantropiske tanker om at vende tilbage til naturen og dannelse af det hele menneske3. Systemet bygger på en holistisk verdensforståelse, og tager udgangspunkt i effektivitet, flow og hurtighed.4 Raymond Belle introducerede David Belle for ideerne bag dette træningssystem, hvilket han tog med ud på gaderne i de franske forstæder. -
Parkour/Freerunning As a Pathway to Prosocial Change
CORE Metadata, citation and similar papers at core.ac.uk Provided by ResearchArchive at Victoria University of Wellington Parkour/Freerunning as a Pathway to Prosocial Change: A Theoretical Analysis By Johanna Herrmann Supervised by Prof Tony Ward A thesis submitted to the Victoria University of Wellington in partial fulfilment of the requirements for the degree of Master of Science in Forensic Psychology Victoria University of Wellington 2016 ii iii Acknowledgements Special thanks to my supervisor Prof Tony Ward for his constant support and constructive feedback throughout the pleasures and struggles of this project. His readiness to offer an alternative perspective has provided me with many opportunities to grow as a critical thinker, researcher, and as a person. I am grateful to Prof Devon Polaschek, Dr Clare-Ann Fortune, and all members of their lab for encouraging me to pursue an innovative research project, as well as for providing inspiration, insights and connections to other specialist research areas in offender rehabilitation. The German Academic Exchange Service deserves special mention for the financial support that allowed me to take up my dream course of study in the country that is farthest away from my home. Finally, I would like to thank Damien Puddle and Martini Miller for lively discussions, valuable feedback, and sharing the passion regarding research, parkour/freerunning, as well as youth development. iv v Abstract Parkour/freerunning is a training method for overcoming physical and mental obstacles, and has been proposed as a unique tool to engage youth in healthy leisure activities (e.g., Gilchrist & Wheaton, 2011). Although practitioners have started to utilise parkour/freerunning in programmes for youth at risk of antisocial behaviour, this claim is insufficiently grounded in theory and research to date. -
The Contemporary Sublime and the Culture of Extremes: Parkour and Finding the Freedom of the City
Amanda du Preez the contemporary sublime and the culture of extremes: parkour and finding the freedom of the city BIOGRAPHY Amanda du Preez completed her Doctoral studies at the University of South Africa in 2002 with the title Gendered Bodies and New Technologies. The thesis has one founding premise, namely that embodiment constitutes a non-negotiable prerequisite for human life. Over the past 15 years she has lectured at the University of Pretoria, University of South Africa, the Pretoria Technikon, and the Open Window Art Academy, on subjects ranging from Art History, Visual Communication, and Art Therapy to Open and Distance Learning. She is currently a Senior Lecturer at the University of Pretoria, in the Department of Visual Arts, and teaches Visual Culture and Art History. In 2005 she co-authored South African Visual Culture with J. van Eeden (Van Schaik: Pretoria). The following publications are forthcoming: Gendered Bodies and New Technologies: Re-thinking Embodiment in a Cyber Era (Unisa Press) and Taking a Hard Look: Gender and Visual Culture (Cambridge Scholars Press). Her field of expertise includes gender and feminist theories, virtual and cyber culture, bio-politics, new technologies, and film and 16 visual culture. → The aim is to explore and probe the possible ways in which the discourse of the sublime, as a modern aesthetic category, has mutated and morphed into the postmodern contemporary visual culture of extremes - extreme sports, extreme adventures, and extreme entertainment. The extreme activity of Le Parkour or obstacle-coursing, described by David Belle, its ‘founder’, as finding new and often dangerous ways through the city landscape – scaling walls, roof-running and leaping from building - to building, is identified as an interesting prospect for teasing out the postmodern contemporary visual culture of extremes. -
SRTRC-ANN-REV-2010.Pdf
ANNUAL REVIEW 2010 www.theredcard.org SHOW RACISM THE RED CARD MAJOR SPONSORS: SHOW RACISM THE RED CARD DVD and education pack £25 (inc p&p) The DVD is a fast moving and engaging 22 minutes exploration of racism, its origins, causes and practical ways to combat it. The film includes personal experiences of both young people and top footballers, such as Ryan Giggs, Thierry Henry, Rio Ferdinand and Didier Drogba. The education pack is filled with activities and discussion points complete with learning outcomes, age group suitability and curriculum links. SPECIAL OFFER: Buy ‘SHOW RACISM THE RED CARD’ with ‘ISLAMOPHOBIA/ A SAFE PLACE’ for a special price of £45 including p&p. For more information or to place an order email www.theredcard.org ANNUAL REVIEW 2010 FOREWORD CONTENTS Shaka Hislop, Honorary President Foreword by Shaka Hislop 1 What a year it has been for Show Racism the Red Card. Football crowds and club revenues continue to rise steadily Introduction by Ged Grebby 3 despite much of the world still gripped by the recession. Many people believe, and will say out loud, that football has Sponsorship 4 its own world. As the growing crowds also show an increase in the number of minority groups regularly attending games every weekend, a few ask ‘why the need Website 5 for an organisation such as Show Racism The Red Card?’ The stats speak for themselves. This has been a record year Leroy Rosenior 6 in terms of revenues raised and staff growth at well over 15%. The website also continues to show amazing growth Hall of Fame 7 and popularity and even on Facebook the fan numbers are very pleasing indeed. -
Racism and Anti-Racism in Football
Racism and Anti-Racism in Football Jon Garland and Michael Rowe Racism and Anti-Racism in Football Also by Jon Garland THE FUTURE OF FOOTBALL: Challenges for the Twenty-First Century (co-editor with D. Malcolm and Michael Rowe) Also by Michael Rowe THE FUTURE OF FOOTBALL: Challenges for the Twenty-First Century (co-editor with Jon Garland and D. Malcolm) THE RACIALISATION OF DISORDER IN TWENTIETH CENTURY BRITAIN Racism and Anti-Racism in Football Jon Garland Research Fellow University of Leicester and Michael Rowe Lecturer in Policing University of Leicester © Jon Garland and Michael Rowe 2001 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2001 by PALGRAVE Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N. Y. 10010 Companies and representatives throughout the world PALGRAVE is the new global academic imprint of St. Martin’s Press LLC Scholarly and Reference Division and Palgrave Publishers Ltd (formerly Macmillan Press Ltd). -
Baggie Shorts
BAGGIE SHORTS West Bromwich Albion London Supporters Club Issue 6 Season 15/16 byEDITORIAL Di Lemma our Baggies Shorts Welsh correspondent Hello Boyos I’m writing this on the 20th March and there are certain burn- ing issues that need to be addressed. Suddenly we had come good----wins against Everton, Palace and Manure and an excellent performance bringing a draw against the leaders Leicester. Followed by a candidate for dross of the season in the match against a very poor Norwich team. Oh, in case you didn’t know, we contrived to lose it 0-1, at the Hawthorns. 1) What are we to do about the future of our Tone? I imagine he was happy to walk in the summer but then along came the tiny (no pun intended) matter of losing 3.5 million squids to that lovely man who runs the Palarse - a real gent. So now he’ll want to stay unless he gets a better offer from a promoted club (or Norwich or Newcastle, if they go). And what do you think of a geezer who trousers 3.5 million and walks and who is definitely not ‘Arry, or his dog? The argu- ments seem to be: he’s kept us up, so shut up all you moaners; you will regret getting rid of him; we will always be safe in the Prem with Tiny; he has never been relegated; teams like us have to survive. Or: like to see some football more than occasionally; what’s happening to the Albion tradition?; if Leicester, Watford, Bournemouth and Stoke (YES STOKE) can not only survive but do well playing attractive footie, why can’t we?; TP and Big Sam are the dinosaurs of modern football, with their giant back 4, normally made up of 4 centre-halves. -
Playing with Fear: Parkour and the Mobility of Emotion
Social & Cultural Geography, Vol. 9, No. 8, December 2008 Playing with fear: parkour and the mobility of emotion Stephen John Saville Institute of Geography and Earth Sciences, Aberystwyth University, Ceredigion SY23 3DB, UK, [email protected] This article engages debates on emotional geography and non-representational theory by considering fear as a distinctly mobile engagement with our environment. Parkour, or freerunning, has exploded into public consciousness through commercial media representations and films. It is depicted as a spectacular urban sport that either can or cannot be done. Through ethnographic research with groups of parkour practitioners I consider what has been excluded from these representations: the emotions involved in trying, experimenting, and gradually learning to be in places differently. In parkour places are ‘done’ or mobilised in tentative, unsure, ungainly and unfinished ways which can be characterised by a kind of play with architecture. I argue that this play is contingent upon an array of fears, which, rather than being entirely negative, are an important way in which practitioners engage with place. Here fears can manifest differently, not only restricting mobility, but in some cases encouraging imaginative and playful forms of movement. Key words: fear, parkour, freerunning, emotional geography, mobility, place, play. On Wednesday 17 May 2006, David Belle, a He was pleased and excited. After the man heralded as a founder of parkour, and ‘fakeness’ of Californian media-appeasing now international celebrity, runs towards a performances, the Frenchman said he felt solid wall that cordons off an underpass. His more ‘real’. movement is purposeful and practised. All This scene, watched and discussed world- eyes are turned towards him. -
Introduction
Notes Introduction 1. Tribune, December 3, 1943, in Paul Anderson ed. Orwell in Tribune (London: Politico’s, 2006), 57. 2. Margaret Tapster, WW2 People’s War, an online archive of wartime memories con- tributed by members of the public and gathered by the BBC. The archive can be found at bbc.co.uk/ww2peopleswar. http://www.bbc.co.uk/history/ww2peopleswar/stories/ 65/a5827665.shtml Accessed May 30, 2013. 3. Paul Addison, No Turning Back: The Peacetime Revolutions of Post-War Britain (Oxford and New York: Oxford University Press, 2010); Peter Hennessy, Having It So Good: Britain in the Fifties (London: Allen Lane, 2006); David Kynaston Aus- terity Britain, 1945–51 (London, Berlin and New York: Bloomsbury, 2007); David Kynaston, Family Britain, 1951–1957 (London, Berlin, New York: Bloomsbury, 2009); Mark Donnelly, Sixties Britain: Culture, Society and Politics (Harlow: Pearson, 2005); Alwyn W. Turner, Crisis? What Crisis? Britain in the 1970s (London: Aurum Press, 2008); Andy Beckett, When the Lights Went Out: Britain in the Seventies (London: Faber and Faber, 2009); Dominic Sandbrook, Seasons in the Sun: The Battle for Britain, 1974–1979 (London: Allen Lane, 2012); Alwyn W. Turner, Rejoice! Rejoice! Britain in the 1980s (London: Aurum, 2010) and Andy McSmith, No Such Thing as Society: A History of Britain in the 1980s (London: Constable, 2011). 4. British and European resistance to American culture is expounded by Dick Hebdige, Subculture: The Meaning of Style (London and New York: Routledge, 1979); Rob Kroes et al. Cultural Transmissions and Receptions: American Mass Culture in Europe (Amsterdam: VU University Press, 1993) and Rob Kroes, If You’ve Seen One, You’ve Seen the Mall: Europeans and American Mass Culture (Urbana, IL: University of Illinois Press, 1996). -
Stephanie Hemelryk Donald Is Australian Research Council Future Fellow and Professor of Comparative Film and Cultural Studies at the University of New South Wales
P1: KAE Trim: 156mm 234mm Top: 36pt Gutter: 50pt × IBBK090-FM Vecchio May 26, 2014 17:1 Stephanie Hemelryk Donald is Australian Research Council Future Fellow and Professor of Comparative Film and Cultural Studies at the University of New South Wales. Christoph Lindner is Professor of Media and Culture and Director of the Amsterdam School for Cultural Analysis at the University of Amsterdam. P1: KAE Trim: 156mm 234mm Top: 36pt Gutter: 50pt × IBBK090-FM Vecchio May 26, 2014 17:1 P1: KAE Trim: 156mm 234mm Top: 36pt Gutter: 50pt × IBBK090-FM Vecchio May 26, 2014 17:1 Inert Cities Globalization, Mobility and Suspension in Visual Culture Edited by Stephanie Hemelryk Donald and Christoph Lindner P1: KAE Trim: 156mm 234mm Top: 36pt Gutter: 50pt × IBBK090-FM Vecchio May 26, 2014 17:1 Published in 2015 by I.B.Tauris & Co. Ltd 6SalemRoad,LondonW24BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Copyright © Stephanie Hemelryk Donald and Christoph Lindner, 2014 The right of contributors to be identifed as the authors of this work has been asserted by authors in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of -
The Way June 2018 Edition
THE WAY JUNE 2018 EDITION BRIDGE Ministries Issue No. 1 The Beautiful Game! in an era when two of the greatest players in the history of the game are fighting it out to be the undisputed greatest. Both of Occurring every four years, this World them need to lead their team to victory to settle the matter, but Cup (June 14 through July 15) is the only one of them can. The stage is set! twenty-first and, once more, will be the most viewed sporting event in the Who Will Lose? world. Consider that in 2014, when the This is all good fun, for Christians, too. But, to many, football is event was held in Brazil, 3.2 billion so much more than that. It is a religion and an idol (a substitute people out of a world population of for God). The players are the high priests, the game is the savior, over 7 billion tuned in to the tourna- the supporters are the devotees, the chants are the hymns, and ment. Even here in America, where the trifecta of American foot- the money spent on soccer merchandise the tithing. No one has ball, basketball, and baseball predominates, the global appeal of understood or admitted this more than the legendary manager of soccer is felt more and more. (Image: courtesy of FIFA). Liverpool Football Club, Bill Shankly (1913–1981): Who Will Win? “At a football club, there’s a holy trinity: the players, the All over the world, afficionados of the game—men and women, manager, and the supporters.” young children, too—will be offering their opinions about who “Forget the Beatles [who claimed greater popularity than will win.