B Enefit Gala
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Christian Badea Conductor
CHRISTIAN BADEA CONDUCTOR The Romanian Foundation for Excellence in Music Christian Badea - President www.frem.ro Christian Badea has received exceptional acclaim throughout his career, which encompasses prestigious engagements in the foremost concert halls and opera houses of Europe, North America, Asia and Australia. Equally dividing his time between symphony and opera conducting, Christian Badea has appeared as a frequent guest in the major opera houses of the world. At the Metropolitan Opera in New York he conducted 167 performances in a wide variety of repertoire, including many of the MET international broadcasts. Among the opera houses where Christian Badea has guest conducted, are the Vienna State Opera, the Royal Opera House of Covent Garden in London, the Bayerische Staatsoper in München, the Staatsoper in Hamburg, the Deutsche Oper am Rhein in Düsseldorf, the Grand Théâtre de Genève, the Théâtre Royal de la Monnaie in Brussels, the Netherlands Opera in Amsterdam, the Royal Opera theaters in Copenhagen and Stockholm, the Oslo Opera, the Teatro Regio in Torino and the Teatro 1 Christian Badea at the Metropolitan Opera - New York Comunale in Bologna, the Opera National de Lyon and in North America - the opera companies of Houston, Dallas, Toronto, Montreal and Detroit. In recent years, Christian Badea has received great acclaim for his work at the Budapest State Opera (Tannhäuser, Der fliegende Holländer and Parsifal) , the Sydney Opera with new productions of Tosca, La bohème, Die tote Stadt, Otello and Falstaff, Oslo Opera – a new production of Tannhäuser, collaborating with stage director Stefan Herheim and Goteborg Opera – a new Don Carlo and Turandot. -
In Santa Cruz This Summer for Special Summer Encore Productions
Contact: Peter Koht (831) 420-5154 [email protected] Release Date: Immediate “THE MET: LIVE IN HD” IN SANTA CRUZ THIS SUMMER FOR SPECIAL SUMMER ENCORE PRODUCTIONS New York and Centennial, Colo. – July 1, 2010 – The Metropolitan Opera and NCM Fathom present a series of four encore performances from the historic archives of the Peabody Award- winning The Met: Live in HD series in select movie theaters nationwide, including the Cinema 9 in Downtown Santa Cruz. Since 2006, NCM Fathom and The Metropolitan Opera have partnered to bring classic operatic performances to movie screens across America live with The Met: Live in HD series. The first Live in HD event was seen in 56 theaters in December 2006. Fathom has since expanded its participating theater footprint which now reaches more than 500 movie theaters in the United States. We’re thrilled to see these world class performances offered right here in downtown Santa Cruz,” said councilmember Cynthia Mathews. “We know there’s a dedicated base of local opera fans and a strong regional audience for these broadcasts. Now, thanks to contemporary technology and a creative partnership, the Metropolitan Opera performances will become a valuable addition to our already stellar lineup of visual and performing arts.” Tickets for The Met: Live in HD 2010 Summer Encores, shown in theaters on Wednesday evenings at 6:30 p.m. in all time zones and select Thursday matinees, are available at www.FathomEvents.com or by visiting the Regal Cinema’s box office. This summer’s series will feature: . Eugene Onegin – Wednesday, July 7 and Thursday, July 8– Soprano Renée Fleming and baritone Dmitri Hvorostovsky star in Tchaikovsky’s lushly romantic masterpiece about mistimed love. -
Private Studies with Leif Lauritsen and André Orlowitz 2
CV of David Danholt, Tenor Born in Faaborg, Denmark Education: Private studies with Leif Lauritsen and André Orlowitz 2002-2005: The Opera Academy at the Royal Opera House, Copenhagen 2005-2007: The Soloist Class, The Royal Academy of Music, Copenhagen 2007-: Private studies with Tonny Landy, Gregory Lamar and Klavs Lewinsky OPERA: 2004: Lysander, A Midsummer Night's Dream, Royal Opera House, Copenhagen, DK 2005: A Messenger, Aida, Royal Opera House, Copenhagen, DK Eurimaco, Il Ritorno d'Ulisse in Patria, Royal Opera House, Copenhagen, DK Don Ottavio, Don Giovanni, The Rialto Theatre, Copenhagen, DK 2006: Gastone, La Traviata, Royal Opera House, Copenhagen, DK 2007: The Fisherman, Le Rossignol, Bramstrup, DK 2008: Faust, National Opera, Århus Steuerman, Der fliegende Holländer, National Opera, Århus, DK Tamino, Die Zauberflöte, National Opera, Århus, DK 2009: Nemorino, L'Elisir d'Amore, National Opera, Århus, DK Alfredo, La Traviata, National Opera, Århus, DK 2010: Idomeneo, National Opera, Århus, DK SS-Officer and cover the role of Walter, Die Passagierin, Bregenzer Festspiele, AU Hans, The Bartered Bride, Staatstheater Mainz, DE 2012: Don Ottavio, Don Giovanni, National Opera, Århus, DK Idomeneo, Grange Park Opera, UK Junger Seemann & Hirte, Tristan & Isolde, National Opera, Århus, DK 2013: Claudio, Das Liebesverbot (Wagner), Oper Leipzig/Bayreuther Festspiele, DE Arindal, Die Feen (Wagner), Chelsea Opera Group, London (Concert performance), UK 2014: Claudio, Das Liebesverbot (Wagner), Oper Leipzig, DE Arindal, Die Feen (Wagner), -
Program Book
J U L Y 1 6 T H , 2 0 2 1 M U S I C A N D B E Y O N D P R O G R A M B O O K Live Concert PPRROOGGRRAAMM// PPRROOGGRRAAMMMMEE Claude Debussy (1862-1918) arr. Caroline Lizotte and Kathleen Bride En Bateau Caroline Léonardelli – harp / harpe Alicia Miguelez – harp / harpe Camille Saint-Saëns (1835-1921) The Cuckoo in the Depths of the Woods (from The Carnival of the Animals) / Le Coucou au fond des bois (tiré du Carnaval des animaux) Kimball Sykes – clarinet / clarinette Frédéric Lacroix – piano Carson Becke – piano Antonin Dvořák (1841 – 1904) Song to the Moon (from Rusalka) Meghan Linsday – soprano Carson Becke – piano Johann Sebastian Bach (1685-1750) Toccata and Fugue in D minor, BWV 565 / Toccata et fugue en ré mineur, BWV 565 Matthew Larkin – organ / orgue Gabriel Fauré (1845-1924) Piano Quartet no. 1 in C minor, op. 15 / Quatuor avec piano no 1 en do mineur, op. 15 Marc Djokic – violin / violon Juan-Miguel Hernandez – viola / alto Julian Armour – cello / violoncelle Frédéric Lacroix – piano EEVVEENNTT SSAAFFEETTYY GGUUIIDDEELLIINNEESS Carleton Dominion-Chalmers Centre 355 Cooper St. July 16th, 2021 Schedule: 7:00 - Doors open and check-in begins 8:00 - Concert begins 9:00 - Concert ends All guests must enter from the Lisgar Street doors (parking lot entrance). Please note that indoor line-ups will not be permitted. All seating is pre- assigned. Guests must wear face masks at all times while inside the venue. Guests without masks will be provided with one or asked to leave the event. -
Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected]
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-15-2018 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Bourne, Thaddaeus, "Male Zwischenfächer Voices and the Baritenor Conundrum" (2018). Doctoral Dissertations. 1779. https://opencommons.uconn.edu/dissertations/1779 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus James Bourne, DMA University of Connecticut, 2018 This study will examine the Zwischenfach colloquially referred to as the baritenor. A large body of published research exists regarding the physiology of breathing, the acoustics of singing, and solutions for specific vocal faults. There is similarly a growing body of research into the system of voice classification and repertoire assignment. This paper shall reexamine this research in light of baritenor voices. After establishing the general parameters of healthy vocal technique through appoggio, the various tenor, baritone, and bass Fächer will be studied to establish norms of vocal criteria such as range, timbre, tessitura, and registration for each Fach. The study of these Fächer includes examinations of the historical singers for whom the repertoire was created and how those roles are cast by opera companies in modern times. The specific examination of baritenors follows the same format by examining current and -
Boston Symphony Orchestra Concert Programs, Season 114, 1994-1995
Seiji Ozawa /£T) rs t * / * - i ^/ -^=< ** ^5X-$\ 4* 2Ll4 /994^7nn// eason When you know your worth Omega Constellation 18K gold and stainless steel ladies' watch .with diamond bezel. Scratch-resistant sapphire crystal. Water resistant. Swiss made since 1848. OMEGA (fa ALPHA OMEGA sign of excellence The AMERICA'S WATCH SPECIALISTS Harvard Square-57 J.F.K. Street ©1994 Omega,8 a division of SZ27 (US) Inc. Cambridge, MA 02138 1-800-447-4367 (617) 864-1227 -**. Seiji Ozawa, Music Director One Hundred and Fourteenth Season, 1994-95 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barge r, Chairman Nicholas T. Zervas, President Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Harlan E. Anderson Nader F Darehshori Julian T. Houston Mrs. August R. Meyer Peter A. Brooke Deborah B. Davis Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Nina L. Doggett Allen Z. Kluchman Peter C. Read John F. Cogan, Jr. Dean W. Freed Harvey Chet Krentzman Carol Scheifele-Holmes Julian Cohen Avram J. Goldberg George Krupp Richard A. Smith William F. Connell Thelma E. Goldberg R. Willis Leith, Jr. Ray Stata William M. Crozier, Jr. Trustees Emeriti Vernon R. Alden AbramT. Collier Mrs. George I. Kaplan Mrs. George Lee Sargent Philip K. Allen Nelson J. Darling, Jr. George H. Kidder Sidney Stoneman David B. Arnold, Jr. Archie C. Epps Thomas D. Perry, Jr. John Hoyt Stookey Allen G. Barry Mrs. Harris Fahnestock Irving W. Rabb John L. Thorndike Leo L. Beranek Mrs. John L. Grandin Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Daniel R. -
Joseph Rouleau (1929-2019)
Joseph Rouleau (1929-2019) Joseph Rouleau, world-renowned operatic bass, 2004 Governor General’s Performing Arts Award laureate and 2014 Mentorship Program mentor passed away on July 12. Mr. Rouleau was a visionary in the world of opera. He performed on the world’s most prestigious stages. Throughout his lifetime he remained committed to teaching and mentoring youth starting out in the opera world. Mr. Rouleau was born in Matane, Quebec. He honed his voice while studying under many notable Canadian and Italian singers. In 1956 Mr. Rouleau joined the Royal Opera House in London where he took part in 850 performances. He rose to international fame and performed with Pavarotti, Domingo, and Maria Callas, to name a few. His notable roles include parts in Don Carlos , The Barber of Seville and Faust . Mr. Rouleau supported many causes that were close to his heart. He was president of the board of directors of Jeunesses Musicales du Canada. He was instrumental to Orchestre Métropolitain du Grand Montréal and the Opéra de Montréal, and to the establishment of the Centre Pierre-Péladeau. Mr. Rouleau taught voice at Université du Québec à Montréal for 18 years. Since receiving a Governor General’s Performing Arts Award for Lifetime Artistic Achievement in 2004, Mr. Rouleau’s support of the Awards never wavered. He and his wife Renée attended the GGPAA Gala, laureate announcement and related receptions as often as possible. In 2014 Mr. Rouleau mentored tenor Jean-Philippe Fortier-Lazure. In their Legacy Interview with then GGPAA Foundation co-chair Paul- André Fortier, Mr. Rouleau spoke of how honoured he was when given the opportunity to mentor a young artist. -
Charles Reiner Collection
Charles Reiner Collection Marvin Duchow Music Library McGill University Montréal, Québec, Canada 2010 Finding Aid Prepared by Elliott Cairns Edited by Cynthia A. Leive Latest Revision: July 2010 Collection Summary Title: Charles Reiner Collection Span Dates: 1924?–2006 Bulk Dates: (bulk 1950–1989) Call No.: Creator: Reiner, Charles, 1924–2006 Size: Language: Collection material in English, French, German, Italian, Spanish, Mandarin, and Hungarian Repository: Marvin Duchow Music Library, Schulich School of Music, McGill University, Montréal, Québec, Canada Abstract: The Charles Reiner Collection consists of correspondence, newspaper reviews and clippings, performance programmes, personal documents including legal material, photographs, writings, published and unpublished music by Reiner and other composers, audio and visual recordings of Reiner and other performers, books, and awards. Of particular interest is correspondence from Rudolf Serkin, Alfred Cortot, and Kurt Waldheim; legal documents from both before and after Reiner’s immigration to Canada; and the extensive collection of programmes and newspaper clippings that document Reiner’s extensive performance career. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalogue. They are grouped by name of person or organisation, by subject or location, and by occupation and listed alphabetically therein. Personal Names Blume, Helmut, 1914–1998—Correspondence. 1 Brott, Alexander, 1915–2005—Correspondence. Brott, Lotte, 1922–1998—Correspondence. Cortot, Alfred, 1877–1962—Correspondence. Duchow, Rebecca—Correspondence. Firkusny, Rudolf, 1912–1994—Correspondence. Janigro, Antonio, 1918–1989—Correspondence. Reiner, Charles, 1924–2006—Archives. Reiner, Charles, 1924–2006—Autographs. Reiner, Charles, 1924–2006—Correspondence. Ricci, Ruggiero, 1918– —Correspondence. Serkin, Irene, 1917–1998—Correspondence. -
Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection. -
2 8764 Couvert Fnal
ORCHESTRE SYMPHONIQUE DE MONTRÉAL Depuis sa fondation en 1934, l’Orchestre sympho- tournée européenne en plus de dix ans (2009). En nique de Montréal s’est illustré à titre de chef septembre 2008, maestro Nagano et sept musiciens de fi le de la vie symphonique canadienne et qué- de l’OSM ont effectué une tournée au Nunavik, dans bécoise. Ambassadeur culturel de premier plan, le Nord du Québec, interprétant L’histoire du soldat l’Orchestre a acquis une réputation des plus de Stravinski, narrée en inuktitut. Également en enviables à l’international par la qualité de ses 2008, Kent Nagano et l’OSM ont fait leurs débuts nombreux enregistrements et tournées. L’OSM conjoints au Carnegie Hall de New York, où l’Or- poursuit cette riche tradition sous la gouverne chestre avait joué presque annuellement de 1982 à de son directeur musical Kent Nagano, tout en 2004 devant des salles combles. Maestro Nagano se distinguant par une programmation novatrice et l’OSM ont joué de nouveau au Carnegie Hall en qui vise à actualiser le répertoire symphonique 2011, puis ils ont pris part au Festival international et consolider l’ancrage de l’Orchestre au sein de d’Édimbourg en août de cette même année, pour la sa communauté. première fois de l’histoire de l’OSM. Après une tour- née en Amérique du Sud acclamée par la critique au L’excellence et la vision de l’OSM ont été façonnées printemps 2013, Kent Nagano et l’OSM effectuaient au fi l des ans par ses directeurs musicaux : Wilfrid en mars 2014 une tournée d’envergure en Europe. -
F:\2011 Russian Voices Prg Print 2.Wpd
Patrons, Supporters and Friends of Cantata Singers of Ottawa Sponsor ($1000 - $5,000) Friends ($10 - $99) Low, Murchison LLP M.A. Bennett Sanjeev Chowdhury Patrons ($500 - $1000) Rita Cullen Ross Mickelson Marc Fielding Ruth Fortune Supporters ($100 - $499) Eileen Johnson Barbara and Ted Ackison John Kalil Lowell and John Barron Cathy Patton Barbara Clark Margaret Pippy Valerie Douglas W.A. Pollard Margaret and Len Edwards Eileen Reardon Ross Jewell David Lafranchise Frances B. Macdonnell David MacWilliam P.K. Pal Dorothy Rowat Russian Voices Cantata Singers of Ottawa St. Lawrence Choir of Montreal Michael Zaugg, conductor Sunday, October 16, 2011, 4:00 pm St. Joseph’s Church, Ottawa The angel cried out Vasily Titov (c. 1650 - c. 1715) Gladsome light Roman Hurko (b. 1962) All-Night Vigil, Opus 37 Sergei Rachmaninoff (1873 - 1943) 1. Priidite, poklonimsia / Come, let us worship 2. Blagoslovi, dushe moya Ghospoda / Bless the Lord, O my soul 3. Blazhen muzh / Blessed is the man 4. Svete tihiy / Gladsome light 5. Nine otpushchayeshi / Lord, now lettest thou thy servant 6. Bogoroditse Devo / Rejoice, O Virgin Sonia Sasseville, contralto, David Menzies, tenor Now the powers of Heaven Alexander Sheremetev (1859 – 1931) Intermission Rejoice, O Virgin Victor Kalinnikov (1870 - 1927) Rejoice, O Virgin Roman Hurko (b. 1962) All-Night Vigil Sergei Rachmaninoff (1873 - 1943) 8. Hvalite imia Ghospodne / Praise the name of the Lord 9. Blagosloven yesi, Ghospodi / Blessed art Thou, O Lord 10. Voskreseniye Hristovo videvshe / Having beheld the resurrection 11. Velichit dusha moya Ghospoda / My soul magnifies the Lord 12. Slavosloviye velikoye / The great doxology Cherubic Hymn Mikhail Ippolitov-Ivanov (1859 - 1935) All-Night Vigil Sergei Rachmaninoff (1873 - 1943) 15. -
Les Pages Sur Les Festivals D'été
festivalsSummer d’été Une pléiade de festivals de musique classique se disputent chaque été les faveurs des mélomanes. Le plaisir des yeux y rejoint celui des oreilles, les sites étant souvent splendides et totalement dépaysants. La Scena en brosse, ce mois-ci, un portrait pastoral. A growing number of festivals appeal to classical music lovers. They aim to please their patrons’ ears, but also they strive to delight their eyes, being located in bucolic pastures. This month, La Scena attempts to capture their unique appeal. 3 2pm. StAC. Ensemble vocal Joseph-François- über die Folie d’Espagne, Wq. 118/9, H.263 JULY Perrault; Oakville Children’s Choir; Academic (1778); Mozart: Fantaisie in C minor, K.V. 475 12 20h. EcLER. $10-22. Chausson: Quatuor; Brahms: Choir of Adam Mickiewicz University; Bach (1785); 9 Variationen über ein Menuett von Quatuor #3 en sol mineur. Quatuor Kandinsky Children’s Chorus of Scarborough; Prince of Duport, K.V. 573 (1789); Haydn: Variations in F 13 20h. ÉNDVis. $10-22. Piazzolla: “Four for Tango”; Wales Collegiate Chamber Choir; Choral Altivoz minor, Hob. xvii/6 (1793); Beethoven: 6 Castonguay-Prévost-Michaud: “Redemptio” 3 8pm. A&CC. Cantare-Cantilena Ensemble; Young Variations, op.34 (1802). Cynthia Millman-Floyd, (poème Serge-Patrice Thibodeau); Dvorak: Voices of Melbourne; Daughter of the Baltic fortepiano “Cypresses” #6 10 5 12; Chostakovich: 2 Pieces 3 8pm. GowC. St. John’s Choir; Scunthorpe Co- 3 8pm. DAC Sir James Dunn Theatre. $20-25. Guy: for String Quartet; Reinberger: Nonet op.139. Operative Junior Choir; Amabile Boys Choir Nasca Lines. Upstream Orchestra; Barry Guy, bass Quatuor Arthur-LeBlanc; Eric Lagacé, contre- 4 8pm.