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The Gandavyuha-Sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative
The Gandavyuha-sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative Douglas Edward Osto Thesis for a Doctor of Philosophy Degree School of Oriental and African Studies University of London 2004 1 ProQuest Number: 10673053 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10673053 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract The Gandavyuha-sutra: a Study of Wealth, Gender and Power in an Indian Buddhist Narrative In this thesis, I examine the roles of wealth, gender and power in the Mahay ana Buddhist scripture known as the Gandavyuha-sutra, using contemporary textual theory, narratology and worldview analysis. I argue that the wealth, gender and power of the spiritual guides (kalyanamitras , literally ‘good friends’) in this narrative reflect the social and political hierarchies and patterns of Buddhist patronage in ancient Indian during the time of its compilation. In order to do this, I divide the study into three parts. In part I, ‘Text and Context’, I first investigate what is currently known about the origins and development of the Gandavyuha, its extant manuscripts, translations and modern scholarship. -
Nomenclature of Post Graduate Courses in Buddhist Studies
UNIVERSITY OF JAMMU CHOICE BASED CREDIT SYSTEM FORPOST GRADUATE PROGRAMME IN THE DEPARTMENT OF BUDDHIST STUDIES W.E.F. THE ACADEMIC YEAR 2020-21 Nomenclature of Post Graduate Courses in Buddhist Studies Nomenclature of courses will be done in such a way that the course code will consist of eleven characters. The first character ‘P’ stands for Post Graduate. The second character ‘S’ stands for Semester. Next two characters will denote the Subject Code. Subject Subject Code Buddhist Studies BS Next character will signify the nature of the course. T- Theory Course D- Project based Courses leading to dissertation (e.g. Major, Minor, Mini Project etc.) L- Training S- Independent Study V- Special Topic Lecture Courses Tu- Tutorial The succeeding character will denote whether the course is compulsory “C” or Elective “E”. The next character will denote the Semester Number. For example: 1 will denote Semester— I, and 2 will denote Semester— II Last two characters will denote the paper Number. Nomenclature of P G Courses PSBSTC101 P POST GRADUATE S SEMESTER BS BUDDHIST STUDIES (SUBJECT CODE) T THEORY (NATURE OF COURSE) C COMPULSORY 1 SEMESTER NUMBER 01 PAPER NUMBER O OPEN 1 Semester wise Distribution of Courses and Credits SEMESTER- I (December 2018, 2019, 2020 & 2021) Course code Paper Credits PSBSTC101 History of Buddhism in India 6 PSBSTC102 Fundamentals of Buddhist Philosophy 6 PSBSTC103 Pali Language and History 6 PSBSTC104 Selected Pali Sutta Texts 6 SEMESTER- II (May 2019, 2020 and 2021) Course code Paper Credits PSBSTC201 Vinaya -
Kunsthandel Klefisch
& KUNSTHANDEL KLEFISCH ASIATISCHE KUNST 9.6.2016 亚洲古董珍玩 2016年6月9日 Auktionstermine Frühjahr 2016 Schmuck und Uhren 12. Mai 2016 ASIATISCHE KUNST Alte Kunst 13. Mai 2016 Europäisches Kunstgewerbe 14. Mai 2016 Inkl. Sammlung Ingrid Loosen-Grillo & Sammlung Gaston Choron ASIAN ART Vorbesichtigung: 6.–10. Mai 2016 Moderne Kunst 2. Juni 2016 Zeitgenössische Kunst 2. Juni 2016 375. AUKTION Discoveries 1. Juni 2016 Sonderkatalog Joseph Beuys 1. Juni 2016 Vorbesichtigung: 27. – 30. Mai 2016 9.6.2016 Asiatische Kunst 9. Juni 2016 Vorbesichtigung: 4. – 8. Juni 2016 Achenbach Art Auction – Part IV 18. Juni 2016 Vorbesichtigung: 11. – 16. Juni 2016 VORBESICHTIGUNG Auktionstermine Herbst 2016 PREVIEW Schmuck und Uhren 17. November 2016 4.– 8.6.2016 Alte Kunst 18. November 2016 Europäisches Kunstgewerbe 19. November 2016 Vorbesichtigung: 11. – 15. November 2016 Moderne Kunst 30. November + 1. Dezember 2016 Zeitgenössische Kunst 30. November + 1. Dezember 2016 Discoveries 30. November + 1. Dezember 2016 亚洲古董珍玩 Vorbesichtigung: 25.– 28. November 2016 Asiatische Kunst 8. Dezember 2016 第375屆拍卖会 Teppiche + Tapisserien 9. Dezember 2016 Vorbesichtigung: 3.–6. Dezember 2016 2016年6月9日 預展時間 2016年6月4日–8日 Einlieferungen von Sammlungen, Nachlässen und Einzel stücken sind bis zwei Monate vor den Auktionen möglich. Unsere Experten informieren Sie gerne über die aktuelle Marktsituation und geben Ihnen kostenlose Einschätzungen für Ihre Kunstwerke. Wir freuen uns auf Ihren Anruf, Ihre EMail bzw. Ihre Post. Abbildung Titel: Nr. 2112 THANGKA DES BUDDHA AMITAYUS UND 108 BUDDHAS Abbildung Rückseite: Nr. 2514 INRÔ. TSUBA MIT SCHWALBEN. Unsere Experten Unser Service Auktionen im Internet Termine Our Specialists Our Service Sales on the Internet Dates Christoph Bouillon Auktionatoren Katalogbestellungen Online bieten Vorbesichtigung Auktion Katalogredaktion Markus Eisenbeis, öffentl. -
Kesariya Stupa: Recently Excavated Architectural Marvel
Proceeding of the International Conference on Archaeology, History and Heritage, Vol. 1, 2019, pp. 27-31 Copyright © 2019 TIIKM ISSN 2651-0243online DOI: https://doi.org/10.17501/26510243.2019.1103 KESARIYA STUPA: RECENTLY EXCAVATED ARCHITECTURAL MARVEL Ishani Sinha Deccan College Post Graduate and Research Institute, Pune, Maharashtra, India Abstract: The early Buddhist texts record that Buddha announced his approaching nirvana to the monks at vaishali. According to historical traditions, monks followed him as he departed from Vaishali after delivering the last sermon. Buddha persuaded them to return back and presented his alms-bowl to them as memorial. To commemorate that event a stupa was built there which is now identified with kesariya stupa (in Bihar) and which falls en route from Vaishali to Kushinagar (in eastern Uttar Pradesh) where Buddha attained nirvana. This stupa finds reference in the travelogues of Fa Xian and Xuan Zang, the two celebrated Chinese monks of fifth and seventh century CE respectively. Briefly mentioned by Alexander Cunningham in 1861-62, the stupa mound at Kesariya was subjected to meticulous excavation from 1997-98 onwards by Archaeological Survey of India which is still continuing. The unearthed brick stupa is datable to Gupta period (5th-6th century CE) although an earlier phase datable to Sunga-Satavahana period (1st-2nd century CE) was also traced below it. The stupa is a six terraced structure with a cylindrical drum atop and a group of cells, with intervening polygonal designs, on each terrace enshrining stucco image of Buddha. With an extant height of about 31.5 metres and a diameter of about 123 metres, it is undoubtedly one of the tallest and most voluminous stupas in India. -
The Nibbāna of Mahākassapa the Elder: Notes on a Buddhist Narrative Transmitted in Thai and Lao Literature François Lagirarde
The Nibbāna of Mahākassapa the Elder: Notes on a Buddhist Narrative Transmitted in Thai and Lao Literature François Lagirarde To cite this version: François Lagirarde. The Nibbāna of Mahākassapa the Elder: Notes on a Buddhist Narrative Transmit- ted in Thai and Lao Literature. Buddhist Legacies in Mainland Southeast Asia, 2006. hal-01955848 HAL Id: hal-01955848 https://hal.archives-ouvertes.fr/hal-01955848 Submitted on 21 Dec 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. François Lagirarde The Nibbāna of Mahākassapa the Elder: Notes on a Buddhist Narrative Transmitted in Thai and Lao Literature THIS LEGEND OF MAHākassapa’S NIBBāNA from his last morning, to his failed farewell to King Ajātasattu, to his parinibbāna in the evening, to his ultimate “meeting” with Metteyya thousands of years later—is well known in Thailand and Laos although it was not included in the Pāli tipiṭaka or even mentioned in the commentaries or sub-commentaries. In fact, the texts known as Mahākassapatheranibbāna (the Nibbāna of Mahākassapa the Elder) represent only one among many other Nibbāna stories known in Thai-Lao Buddhist literature. In this paper I will attempt to show that the textual tradition dealing with the last moments of many disciples or “Hearers” of the Buddha—with Mahākassapa as the first one—became a rich, vast, and well preserved genre at least in the Thai world. -
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Transcultural Studies 2016.1 121 Local Agency in Global Movements: Negotiating Forms of Buddhist Cosmopolitanism in the Young Men’s Buddhist Associations of Darjeeling and Kalimpong Kalzang Dorjee Bhutia, Grinnell College Introduction Darjeeling and Kalimpong have long played important roles in the development of global knowledge about Tibetan and Himalayan religions.1 While both trade centres became known throughout the British empire for their recreational opportunities, favourable climate, and their famous respective exports of Darjeeling tea and Kalimpong wool, they were both the centres of a rich, dynamic, and as time went on, increasingly hybrid cultural life. Positioned as they were on the frontier between the multiple states of India, Bhutan, Sikkim, Tibet, and Nepal, as well as the British and Chinese empires, Darjeeling and Kalimpong were also both home to multiple religious traditions. From the mid-nineteenth century onwards, Christian missionaries from Britain developed churches and educational institutions there in an attempt to gain a foothold in the hills. Their task was not an easy one, due to the strength of local traditions and the political and economic dominance of local Tibetan-derived Buddhist monastic institutions, which functioned as satellite institutions and commodity brokers for the nearby Buddhist states of Tibet, Sikkim, and Bhutan. British colonial administrators and scholars from around the world took advantage of the easy proximity of these urban centres for their explorations, and considered them as museums of living Buddhism. While Tibet remained closed for all but a lucky few, other explorers, Orientalist 1 I would like to thank the many people who contributed to this article, especially Pak Tséring’s family and members of past and present YMBA communities and their families in Darjeeling, Kalimpong, and Sikkim; L. -
Pali-Prakrit) (The Course Applicable to Students of the University Departments) from the Academic Year 2016-2017 Approved by B.O.S
Choice Based Semester Pattern Syllabus for M.A. (Pali-Prakrit) (The course applicable To Students of the University Departments) From the Academic Year 2016-2017 Approved by B.O.S. in PALI- PRAKRIT SEMESTER I (Core Papers) Core Paper 1T1: History of Pali Language and Literature Core Paper1T2: SuttaLiterature:Dhammapad and Suttanipat Core Paper1T3: VinayaLiterature:Mahavagga. Core Paper1T4: Pali Grammar and Translation SEMESTER II (Core Papers) Core Paper 2T1: Anupitak Literature – Milind Panho Core Paper2T2: Sutta Literature – Sanyutta Nikay and AnguttarNikay. Core Paper2T3: Vinaya Literature :Cullavagga Core Paper2T4: Visuddhimagga (SilaNiddesa): Anupitak Literature. SEMESTER III (Core Papers) Core Paper3T1: Sutta Literature :Digha Nikay and Majjhima Nikaya Core Paper 3T2: Pali Poetry :Thergatha and Therigatha. (Core Elective-I ) Elective Paper 3T3: –A):Abhidhamma Literature :Abhidhammatthasangaho OR Elective Paper 3T3: –B):Vipassana in Modern Age OR Elective Paper 3T3: - C) Psychology in Pali Literature Paper – IV (For those Students who do not adopt the foundation Paper of other subject) Core Paper 3T4 A): Vansa Literature and Buddhist History OR Core Paper 3T4 B): Pali Literature & Thinkers Foundation Paper - IV(Only for regular Students of other Departments ) Foundation Paper– 3T4 : Buddha and His Teachings SEMESTER - IV (Compulsory Papers) Core Paper4T1 : Sutta Literature : Digha Nikaya – Mijjhima Nikaya Core Paper 4T2: Pali Poetry :Khuddaka Nikay (Pali Gatha) 1 (Core Elective-II ) Elective Paper 4T3: –A) Vinaypitaka – Patimokkha OR Elective Paper 4T3: –B) Modern Pali Literature OR Elective Paper 4T3: - C) Atthakatha Literature Paper – IV (For those Students who do not adopt the foundation Paper of other subject) Core Paper 4T4: -A): Comparative Linguistics and Essay OR Core Paper 4T4: -B): Propagation of Pali Literature Foundation Paper - IV(Only for regular Students of other Departments ) Foundation Paper - 4T4: - Pali Language and Literature University of Rashtrasant Tukadoji Maharaj Nagpur M.A. -
Special Exhibition Buddhist Statues Along Sagami
Special Exhibition Buddhist Statues Along Sagami Special/Collection Exhibitions Room, Kanagawa Prefectural Museum of Cultural History October 10 (Sat)-November 29 (Sun), 2020 List of Works ・The order of items in the catalogue may not necessarily be the same as in the exhibition. ・◎=Important Cultural Property 〇=Cultural Property Designated by the Kanagawa prefecture □=City and Town-level Designated Cultural Property ・Cities in the "Owner" column with no mention of the prefecture are located in Kanagawa prefecture. ・Some objects may be rotated during the exhibition. ・Works are on view throughout the exhibition period unless otherwise indicated. ・Works in the exhibition are subject to change. Number Designa Material, Century, Exhibition № Title, Region, Artist of Period Owner tion Technique Year Period Objects Prologue: From Kofun (burial mounds) to Buddhist Temples Bronze mirror with triangular rim and design 1 of four divinities and two beasts Bronze 1 3rd century Tokyo National Museum (Shindo Otsuka-yama Kofun, Hiratsuka city) Bronze Scissors 2 Bronze 6 Kofun period 4th century Tokyo National Museum (Shindo Otsuka-yama Kofun, Hiratsuka city) Bronze Whorl Ornament 3 Bronze 2 Kofun period 4th century Tokyo National Museum (Shindo Otsuka-yama Kofun, Hiratsuka city) Round Eaves-end Roof Tile 4 1 Nara period 8th century Chigasaki City Board of Education (Shimoterao-haiji site, Chigasaki city ) Demon-shaped Roof Tile Kanagawa Prefecture Board of 5 1 Nara period 8th century (Shimoterao-haiji site, Chigasaki city ) Education Hanging Image of -
In Buddhist Studies
Dr. B.R. Ambedkar University of Social Sciences Dr. Ambedkar Nagar (Mhow), Indore (M.P.) M.A. (MASTER OF ARTS) IN BUDDHIST STUDIES SYLLABUS 2018 Course started from session: 2018-19 M.A. in Buddhist Studies, Session: 2018-19, Dr. B.R. Ambedkar University of Social Sciences, Mhow Page 1 of 19 ikB~;Øe ifjp; (Introduction of the Course) ,e-,- ¼ckS) v/;;u½ ,e-,- (ckS) v/;;u) ikB~;Øe iw.kZdkfyd f}o"khZ; ikB~;Øe gSA ;g ikB~;Øe pkj l=k)ksZa (Semesters) rFkk nks o"kksZ ds Øe esa foHkDr gSA ÁFke o"kZ esa l=k)Z I o II rFkk f}rh; o"kZ esa l=k)Z III o IV dk v/;kiu fd;k tk;sxkA ikB~;dze ds vUrxZr O;k[;kuksa] laxksf"B;ksa] izk;ksfxd&dk;ksZ] V;wVksfj;Yl rFkk iznÙk&dk;ksZ (Assignments) vkfn ds ek/;e ls v/;kiu fd;k tk;sxkA izR;sd l=k)Z esa ckS) v/;;u fo"k; ds pkj&pkj iz'u&i= gksaxsA izR;sd iz'u&i= ds fy, ik¡p bdkb;k¡ (Units) rFkk 3 ØsfMV~l fu/kkZfjr gksaxsA vad&foHkktu ¼izfr iz'u&i=½ 1- lS)kfUrd&iz'u & 60 (Theoretical Questions) 2- vkUrfjd& ewY;kadu & 40 (Internal Assessment) e/;&l=k)Z ewY;kadu + x`g dk;Z + d{kk esa laxks"Bh i= izLrqfr ¼20 + 10+ 10½ ;ksx % & 100 ijh{kk ek/;e % ckS) v/;;u fo"k; fgUnh ,oa vaxzsth nksuksa ek/;e esa lapkfyr fd;k tk,xk A lS)kfUrd iz'u&i= dk Lo#i (Pattern of Theatrical Question paper) nh?kksZŸkjh; iz'u 4 x 10 & 20 vad y?kqŸkjh; iz'u 6 x 5 & 30 vad fVIi.kh ys[ku 2 x 5 & 10 vad ;ksx & 60 M.A. -
Shinto Gods, Buddhist Deities and Ogres in Kunisaki
Chapter 3 Shinto Gods, Buddhist Deities and Ogres in Kunisaki In ancient times, Rokugo-manzan inspired religious culture not found in other regions traditional culture faith as a place where Shinto gods, Buddhist deities and passed down since the Asuka Period and the latest cul- ogres coexisted. Numerous Shinto and Buddhist statues, tural influences from Nara and Kyoto areas combined to which were born of an effort to syncretize Shinto and stimulate and challenge their creators. The Shujo-onie Buddhism, have been passed down in this land, where ritual, which continues to this day, is a ritual that brings many Tendai temples were built under the influence of together Shinto gods, Buddhist deities and ogres, serv- Usa Jingu Shrine. The diversity of form exhibited by ing as a living witness to the development of those tra- those statues derives from the formation of a unique ditions. Tangible cultural property designated by Oita Pref. Minami-churomon Gate, Usa Jingu Shrine Usa Jingu Shrine is the head shrine of the designated as a National Treasure because Shrine because it appears to be the main more than 40,000 shrines throughout it is a representative example of the ancient gate when visitors enter the shrine. It is Japan dedicated to the deity Hachiman. hachiman-zukuri style (a traditional Japa- actually the southern main gate on the The main hall consists of three shrine nese architectural style used at Hachiman inner bailey of the shrine, and it is typically buildings. From left to right, the first shrines.). kept closed. It is also known as the impe- shrine is dedicated to Hachiman Okami, rial envoy gate because only the Emperor, the second to Hime Okami, and the third The Minami-churomon Gate stands tall in members of the Imperial family, and their to Jingu Kogo. -
Seven Papers by Subhuti with Sangharakshita
SEVEN PAPERS by SANGHARAKSHITA and SUBHUTI 2 SEVEN PAPERS May the merit gained In my acting thus Go to the alleviation of the suffering of all beings. My personality throughout my existences, My possessions, And my merit in all three ways, I give up without regard to myself For the benefit of all beings. Just as the earth and other elements Are serviceable in many ways To the infinite number of beings Inhabiting limitless space; So may I become That which maintains all beings Situated throughout space, So long as all have not attained To peace. SEVEN PAPERS 3 SEVEN PAPERS BY SANGHARAKSHITA AND SUBHUTI 2ND EDITION (2.01) with thanks to: Sangharakshita and Subhuti, for the talks and papers Lokabandhu, for compiling this collection lulu.com, the printers An A5 format suitable for iPads is available from Lulu; for a Kindle version please contact Lokabandhu. This is a not-for-profit project, the book being sold at the per-copy printing price. 4 SEVEN PAPERS Contents Introduction 8 What is the Western Buddhist Order? 9 Revering and Relying upon the Dharma 39 Re-Imagining The Buddha 69 Buddhophany 123 Initiation into a New Life: the Ordination Ceremony in Sangharakshita's System oF Spiritual Practice 127 'A supra-personal force or energy working through me': The Triratna Buddhist Community and the Stream of the Dharma 151 The Dharma Revolution and the New Society 205 A Buddhist Manifesto: the Principles oF the Triratna Buddhist Community 233 Index 265 Notes 272 SEVEN PAPERS 5 6 SEVEN PAPERS SEVEN PAPERS 7 Introduction This book presents a collection of seven recent papers by either Sangharakshita or Subhuti, or both working together. -
Compassion and Emptiness in Early Buddhist Meditation Provides a Window Into the Depth and Beauty of the Buddha’S Liberating Teachings
‘This book is the result of rigorous textual scholarship that can be valued not only by the academic community, but also by Buddhist practitioners. This book serves as an important bridge between those who wish to learn about Buddhist thought and practice and those who wish to learn from it.... As a monk engaging himself in Buddhist meditation as well as a professor applying a historical-critical methodology, Bhikkhu Anālayo is well positioned to bridge these two com munities who both seek to deepen their understanding of these texts.’ – from the Foreword, 17th Karmapa Ogyen Trinley Dorje ‘In this study, Venerable Anālayo Bhikkhu brings a meticulous textual analysis of Pali texts, the Chinese Agamas and related material from Sanskrit and Tibetan to the foundational topics of compassion and emptiness. While his analysis is grounded in a scholarly approach, he has written this study as a helpful guide for meditation practice. The topics of compassion and emptiness are often associated with Tibetan Buddhism but here Venerable Anālayo makes clear their importance in the early Pali texts and the original schools.’ – Jetsunma Tenzin Palmo ‘This is an intriguing and delightful book that presents these topics from the viewpoint of the early suttas as well as from other perspectives, and grounds them in both theory and meditative practice.’ – Bhikshuni Thubten Chodron ‘A gift of visionary scholarship and practice. Anālayo holds a lamp to illuminate how the earliest teachings wed the great heart of compassion and the liberating heart of emptiness and invites us to join in this profound training.’ – Jack Kornfield ‘Arising from the author’s long-term, dedicated practice and study, Compassion and Emptiness in Early Buddhist Meditation provides a window into the depth and beauty of the Buddha’s liberating teachings.