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Topograf. Título Nombre Autor
Topograf. Id. Título Nombre Autor TB 1 463 JOURNEY TO ENLIGHTENMENT MATTIU RICARD 2 196 NACIDO EN TIBET CHÖGYAM TRUNGPA 3 197 VIDA DE MILAREPA IÑAKI PRECIADO YDOETA 4 879 THE RAINMAKER DR. MARSA WOOLF 5 462 KARMAPA URGYEN TRINLEY DORJE 6 441 MILAREPA OU JETSUN-KAHBUM LAMA KAZI DAWA-SAMDUP 7 494 MY LIFE AND LIVES KHYONGLA RATO 8 489 LA HIJA DEL TIBET RINCHEN DOLMA TARING 9 878 LA VIE DE NAROPA. TONNERRE DE GRANDE BEATITUDE MARC ROZETTE 10 789 TILOPA THE XIITH KHENTIN TAI SITUPA 11 1538 OSEL MARIA TORRES 12 880 ENTRONEMENT CELEBRATION KYABJE KALU RINPOCHE 13 877 LA RELIAISON GABRIELLE STAVOLONE 14 874 THE BOOK OF TIBETAN ELDERS SANDY JOHNSON 15 67 MEMORIES OF A POLITICAL OFFICER'S WIFE IN TIBET, SIKKIM AND B MARGARET D. WILLIAMSON 16 2372 REENCARNACION: EL CASO DEL NIÑO LAMA V. MACKENZIE 17 396 BUDA ROBERT ALLEN MITCHELL 18 432 LA VIDA DE DHARDO RIMPOCHE DHARMACHARI SUVAJRA 19 811 EL GRAN YOGI MILAREPA DEL TIBET EVANS-WENTZ 20 965 MUJERES DE SABIDURIA TSULTRIM ALLIONE 21 970 LES REBELS DE L`HIMALAIA PHILIPPE BROUSSARD 22 973 LES REBLES DE L'HIMÀLIA BROUSSARD, PHILIPPE 23 952 BUDA EMILIO RIBAS 24 1008 VIDA DE MILAREPA I. PRECIADO YDOETA 25 926 GUESHE LOBSANG TSULTRIM. VIDA Y ENSEÑANZAS DE UN LAMA TIB 26 182 VIDA Y ENSEÑANZAS DE UN LAMA TIBETANO GUESHE LOBSANG TSULTRIM 27 374 LA VIDA Y ENSEÑANZA DE NAROPA HERBERT V. GUENTHER 28 326 EL PRINCIPE SIDARTA JONATHAN LANDAW Y JANET BROOKE 29 932 EL PRINCIPE SIDARTA JONATHAB LANDAW Y JANET BROOKE 30 113 PRINCE SIDDHARTHA JONATTHAN LANDAW AND JANET BROOKE 32 1009 LAS MONTAÑAS DE BUDA JAVIER MORO 33 175 SIDDHARTA HESSE 34 217 SIDDHARTA HERMANN HESSE 35 1094 MEJERES DE SABIDURIA TSULTRIM ALLIONE 36 1086 KUNDUN MARY CRAIG 37 1084 MADRE DEL TIBET JETSUN PEMA 38 1186 DIE WELT DES DALAI LAMA GILL FARRER-HALLS 39 1195 MEMOIRS OF A TIBETAN LAMA LOBSANG GYATSO viernes, 01 de junio de 2012 Página 61 de 89 Topograf. -
The Gandavyuha-Sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative
The Gandavyuha-sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative Douglas Edward Osto Thesis for a Doctor of Philosophy Degree School of Oriental and African Studies University of London 2004 1 ProQuest Number: 10673053 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10673053 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract The Gandavyuha-sutra: a Study of Wealth, Gender and Power in an Indian Buddhist Narrative In this thesis, I examine the roles of wealth, gender and power in the Mahay ana Buddhist scripture known as the Gandavyuha-sutra, using contemporary textual theory, narratology and worldview analysis. I argue that the wealth, gender and power of the spiritual guides (kalyanamitras , literally ‘good friends’) in this narrative reflect the social and political hierarchies and patterns of Buddhist patronage in ancient Indian during the time of its compilation. In order to do this, I divide the study into three parts. In part I, ‘Text and Context’, I first investigate what is currently known about the origins and development of the Gandavyuha, its extant manuscripts, translations and modern scholarship. -
Kunsthandel Klefisch
& KUNSTHANDEL KLEFISCH ASIATISCHE KUNST 9.6.2016 亚洲古董珍玩 2016年6月9日 Auktionstermine Frühjahr 2016 Schmuck und Uhren 12. Mai 2016 ASIATISCHE KUNST Alte Kunst 13. Mai 2016 Europäisches Kunstgewerbe 14. Mai 2016 Inkl. Sammlung Ingrid Loosen-Grillo & Sammlung Gaston Choron ASIAN ART Vorbesichtigung: 6.–10. Mai 2016 Moderne Kunst 2. Juni 2016 Zeitgenössische Kunst 2. Juni 2016 375. AUKTION Discoveries 1. Juni 2016 Sonderkatalog Joseph Beuys 1. Juni 2016 Vorbesichtigung: 27. – 30. Mai 2016 9.6.2016 Asiatische Kunst 9. Juni 2016 Vorbesichtigung: 4. – 8. Juni 2016 Achenbach Art Auction – Part IV 18. Juni 2016 Vorbesichtigung: 11. – 16. Juni 2016 VORBESICHTIGUNG Auktionstermine Herbst 2016 PREVIEW Schmuck und Uhren 17. November 2016 4.– 8.6.2016 Alte Kunst 18. November 2016 Europäisches Kunstgewerbe 19. November 2016 Vorbesichtigung: 11. – 15. November 2016 Moderne Kunst 30. November + 1. Dezember 2016 Zeitgenössische Kunst 30. November + 1. Dezember 2016 Discoveries 30. November + 1. Dezember 2016 亚洲古董珍玩 Vorbesichtigung: 25.– 28. November 2016 Asiatische Kunst 8. Dezember 2016 第375屆拍卖会 Teppiche + Tapisserien 9. Dezember 2016 Vorbesichtigung: 3.–6. Dezember 2016 2016年6月9日 預展時間 2016年6月4日–8日 Einlieferungen von Sammlungen, Nachlässen und Einzel stücken sind bis zwei Monate vor den Auktionen möglich. Unsere Experten informieren Sie gerne über die aktuelle Marktsituation und geben Ihnen kostenlose Einschätzungen für Ihre Kunstwerke. Wir freuen uns auf Ihren Anruf, Ihre EMail bzw. Ihre Post. Abbildung Titel: Nr. 2112 THANGKA DES BUDDHA AMITAYUS UND 108 BUDDHAS Abbildung Rückseite: Nr. 2514 INRÔ. TSUBA MIT SCHWALBEN. Unsere Experten Unser Service Auktionen im Internet Termine Our Specialists Our Service Sales on the Internet Dates Christoph Bouillon Auktionatoren Katalogbestellungen Online bieten Vorbesichtigung Auktion Katalogredaktion Markus Eisenbeis, öffentl. -
Going for Refuge to the Three Jewels Handbook Version
Going for Refuge to the Three Jewels Study material for your retreat at Tiratanaloka Page 1 of 43 Edited by Vandananjyoti, Version 2:1, July 2020 Table of Contents Introduction to the Handbook Study Area 1. Centrality of Going for Refuge to the Three Jewels Study Area 2. Going for Refuge to the Three Jewels Study Area 3. Opening of the Dharma Eye and Stream Entry Study Area 4. Going Forth Study Area 5. The Altruistic Dimension of Going for Refuge and Joining the Order Page 2 of 43 Edited by Vandananjyoti, Version 2:1, July 2020 Introduction to the Handbook The purpose of this handbook is to give you the opportunity to look in depth at the material that we will be studying on the Going for Refuge to the Three Jewels retreat at Tiratanaloka. In this handbook we give you material to study for each area we’ll be studying on the retreat. We will also have some talks on the retreat itself where the team will bring out their own personal reflections on the topics covered. As well as the study material in this handbook, it would be helpful if you could read Sangharakshita’s book ‘The History of My Going for Refuge’. You can buy this from Windhorse Publications. There is also some optional extra study material at the beginning of each section. Some of the optional material is in the form of talks that can be downloaded from the Free Buddhist Audio website at www.freebuddhistaudio.com. These aren’t by any means exhaustive - Free Buddhist Audio is growing and changing all the time so you may find other material equally relevant! For example, at the time of writing, Vessantara has just completed a series of talks called ‘Aspects of Going for Refuge’ (2016) at Cambridge Buddhist Centre. -
FD-2019-Annual-Report.Pdf
FutureDharma Gratitude Report 912019/20 Cherish the Doctrine, Live united, Radiate love Dhardo Rimpoche 2019/20 Report Gratitude FutureDharma In 2019 your donations made possible 17 Triratna projects that are helping all of us to live out Dhardo Rimpoche’s famous entreaties. In 1962 Bhante took the Bodhisattva ordination from his great friend and teacher. We all benefit from the worldwide Buddhist movement that blossomed from those vows. And now you are passing on those precious gifts of Buddha, Dharma and Sangha to a world that is still on fire. This report is our chance to express our gratitude to you. On behalf of the many thousands of people around the world and in your sangha who are transforming their minds and lives with your help – thank you. The FutureDharma team and trustees Cherish the Cherish the Doctrine, united, Live love Radiate Bhante and Dhardo Rimpoche, Kalimpong, 1966 1 / Cherishing the Doctrine It’s important but not enough for Triratna to be a friendly and positive Dharma group. Our task is to deepen our individual and collective practice such that we develop real wisdom to offer the world. In spite of the excruciating economic and political context that they live in, with your help members Triratna’s Indian Youth of the Venezuelan sangha are continuing to do this. Project is wholly funded by Last year the first two Mitras to train there were your gifts. It has changed ordained: Abhayasara and Achalamati. Vicki Potpose’s life. ‘I used to drink, gamble, abuse people. I started ▼ Indian Youth Project Retreat, 2019 attending Triratna Youth Workshops and grew confident that I could practise the Dhamma. -
Ensayos En Honor De María Teresa Román Fundador Y Primer Director - Founding Member: Eloy Rada García (UNED)
ENSAYOS EN HONOR DE MARÍA TERESA ROMÁN Fundador y Primer Director - Founding Member: Eloy Rada García (UNED) Director – Editor in Chief:: Jesús Pedro Zamora Bonilla (UNED) Editora Ejecutiva – Managing Editor: Piedad Yuste Leciñena (UNED) Secretaría de Redacción – Editorial Secretariat: Cristina Rodríguez Marciel (UNED) Kilian Lavernia Biescas (UNED) Consejo de Redacción - Editorial Board - Comité Editeur: Julio Armero San José (UNED) María García Alonso (UNED) Jesús M. Díaz Álvarez (UNED) María Paz Moreno Feliú (UNED) Huberto Marraud (UAM) Eloy Rada García (UNED) Jacinto Rivera de Rosales (UNED) Concha Roldán (CSIC) David Teira Serrano (UNED) Carlos Thiebaut (Univ. Carlos III) María José Callejo Hernán (UCM) Consejo Asesor - Advisory Board - Conseil Consultatif: Juan José Acero (Univ. Granada) Juan R. Álvarez Bautista (Univ. León) Eduardo Bustos (UNED) Camilo J Cela (Univ. Palma de Mallorca) Adela Cortina (Univ. Valencia) Manuel Fraijó (UNED) Miguel Ángel Granada (Univ. Barcelona) Otfried Höffe (Universität Tübingen) Emilio Lledó (Real Academia de la Lengua) G.E.R Lloyd (Univ. Cambridge) Mª Carmen López Saénz (UNED) Javier de Lorenzo (Univ. Valladolid) Simón Marchán (UNED) Andrés Martínez Lorca (UNED) Ulises Moulines (Univ. Munich) Javier Muguerza (UNED) León Olivé (UNAM-México) Joao Pina Cabral (Univ. Lisboa) Sergio Pérez Cortés (Mx-Iztapalapa) M. A. Quintanilla (Univ. Salamanca) Wolf Reick (Babraham Institute) Rosaura Ruiz (UNAM, México) José M. Sagüillo (Univ. Sant. de Comp.) V. Stiopin (Inst. de Filosofía -ACR) Ubaldo M. Veiga (UNED) Marcello Zanatta (Università Calabria) Revisión de estilo en lengua inglesa - English corrections: Nancy Konvalinka Dirección postal - Mailing address: Facultad de Filosofía. UNED. Paseo Senda del Rey, nº 7. Madrid 28040. España. Tf. (34) 91.398 69 44. -
Special Exhibition Buddhist Statues Along Sagami
Special Exhibition Buddhist Statues Along Sagami Special/Collection Exhibitions Room, Kanagawa Prefectural Museum of Cultural History October 10 (Sat)-November 29 (Sun), 2020 List of Works ・The order of items in the catalogue may not necessarily be the same as in the exhibition. ・◎=Important Cultural Property 〇=Cultural Property Designated by the Kanagawa prefecture □=City and Town-level Designated Cultural Property ・Cities in the "Owner" column with no mention of the prefecture are located in Kanagawa prefecture. ・Some objects may be rotated during the exhibition. ・Works are on view throughout the exhibition period unless otherwise indicated. ・Works in the exhibition are subject to change. Number Designa Material, Century, Exhibition № Title, Region, Artist of Period Owner tion Technique Year Period Objects Prologue: From Kofun (burial mounds) to Buddhist Temples Bronze mirror with triangular rim and design 1 of four divinities and two beasts Bronze 1 3rd century Tokyo National Museum (Shindo Otsuka-yama Kofun, Hiratsuka city) Bronze Scissors 2 Bronze 6 Kofun period 4th century Tokyo National Museum (Shindo Otsuka-yama Kofun, Hiratsuka city) Bronze Whorl Ornament 3 Bronze 2 Kofun period 4th century Tokyo National Museum (Shindo Otsuka-yama Kofun, Hiratsuka city) Round Eaves-end Roof Tile 4 1 Nara period 8th century Chigasaki City Board of Education (Shimoterao-haiji site, Chigasaki city ) Demon-shaped Roof Tile Kanagawa Prefecture Board of 5 1 Nara period 8th century (Shimoterao-haiji site, Chigasaki city ) Education Hanging Image of -
Tape 176: My Eight Main Teachers by Sangharakshita
Tape 176: My Eight Main Teachers by Sangharakshita [Note b = Bhikkhu] I think most of you are already aware that all my life I've been a great reader. And quite a few years ago, I think I must have been in my teens, I read a work by Hegel called The Philosophy of History. And in the course of The Philosophy of History, Hegel says that history moves from east to west. I may not exactly embody history, but I think I can say that in recent years, in recent decades, I have moved from east to west. 40 years ago today I was very much in India, as you've been reminded I was receiving my bhikku ordination. And 20 years ago I was back in England, moving from east to west. Manjuvajra's reminiscences by the way start from some of my own, because I do remember that retreat 20 years ago at, I think Keffolds in Sussex actually. I remember it very well, I remember it I'm afraid, I'm sorry to say, not because I met Manjuvajra, in fact I can't remember meeting him (laughter) - honesty is the best policy - I can't remember meeting him, for me that easter retreat for which I came back specially from the States, was rather overshadowed by the fact that I was very ill, and in fact I'm told I nearly died on that occasion. I recovered and went back to the States to do whatever I was doing there, and yes that was 20 years ago. -
Shinto Gods, Buddhist Deities and Ogres in Kunisaki
Chapter 3 Shinto Gods, Buddhist Deities and Ogres in Kunisaki In ancient times, Rokugo-manzan inspired religious culture not found in other regions traditional culture faith as a place where Shinto gods, Buddhist deities and passed down since the Asuka Period and the latest cul- ogres coexisted. Numerous Shinto and Buddhist statues, tural influences from Nara and Kyoto areas combined to which were born of an effort to syncretize Shinto and stimulate and challenge their creators. The Shujo-onie Buddhism, have been passed down in this land, where ritual, which continues to this day, is a ritual that brings many Tendai temples were built under the influence of together Shinto gods, Buddhist deities and ogres, serv- Usa Jingu Shrine. The diversity of form exhibited by ing as a living witness to the development of those tra- those statues derives from the formation of a unique ditions. Tangible cultural property designated by Oita Pref. Minami-churomon Gate, Usa Jingu Shrine Usa Jingu Shrine is the head shrine of the designated as a National Treasure because Shrine because it appears to be the main more than 40,000 shrines throughout it is a representative example of the ancient gate when visitors enter the shrine. It is Japan dedicated to the deity Hachiman. hachiman-zukuri style (a traditional Japa- actually the southern main gate on the The main hall consists of three shrine nese architectural style used at Hachiman inner bailey of the shrine, and it is typically buildings. From left to right, the first shrines.). kept closed. It is also known as the impe- shrine is dedicated to Hachiman Okami, rial envoy gate because only the Emperor, the second to Hime Okami, and the third The Minami-churomon Gate stands tall in members of the Imperial family, and their to Jingu Kogo. -
Seven Papers by Subhuti with Sangharakshita
SEVEN PAPERS by SANGHARAKSHITA and SUBHUTI 2 SEVEN PAPERS May the merit gained In my acting thus Go to the alleviation of the suffering of all beings. My personality throughout my existences, My possessions, And my merit in all three ways, I give up without regard to myself For the benefit of all beings. Just as the earth and other elements Are serviceable in many ways To the infinite number of beings Inhabiting limitless space; So may I become That which maintains all beings Situated throughout space, So long as all have not attained To peace. SEVEN PAPERS 3 SEVEN PAPERS BY SANGHARAKSHITA AND SUBHUTI 2ND EDITION (2.01) with thanks to: Sangharakshita and Subhuti, for the talks and papers Lokabandhu, for compiling this collection lulu.com, the printers An A5 format suitable for iPads is available from Lulu; for a Kindle version please contact Lokabandhu. This is a not-for-profit project, the book being sold at the per-copy printing price. 4 SEVEN PAPERS Contents Introduction 8 What is the Western Buddhist Order? 9 Revering and Relying upon the Dharma 39 Re-Imagining The Buddha 69 Buddhophany 123 Initiation into a New Life: the Ordination Ceremony in Sangharakshita's System oF Spiritual Practice 127 'A supra-personal force or energy working through me': The Triratna Buddhist Community and the Stream of the Dharma 151 The Dharma Revolution and the New Society 205 A Buddhist Manifesto: the Principles oF the Triratna Buddhist Community 233 Index 265 Notes 272 SEVEN PAPERS 5 6 SEVEN PAPERS SEVEN PAPERS 7 Introduction This book presents a collection of seven recent papers by either Sangharakshita or Subhuti, or both working together. -
Embracing Death and the Afterlife: Sculptures of Enma and His Entourage at Rokuharamitsuji
Embracing Death and the Afterlife: Sculptures of Enma and His Entourage at Rokuharamitsuji By Ó 2018 Ye-Gee Kwon Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ___________________________ Chair: Sherry D. Fowler ___________________________ Amy E. McNair ___________________________ Maya Stiller ___________________________ Maki Kaneko ___________________________ Kyoim Yun Date Defended: 5 October 2018 The dissertation committee for Ye-Gee Kwon certifies that this is the approved version of the following dissertation: Embracing Death and the Afterlife: Sculptures of Enma and His Entourage at Rokuharamitsuji ___________________________ Chair: Sherry D. Fowler Date Approved: 5 October 2018 ii Abstract This dissertation investigates a sculptural group of Enma and his entourage that was once enshrined in an Enma hall located within the Kyoto temple Rokuharamitsuji precinct, and hopes to highlight the role that significant yet understudied sculptures played in the development of the cult of Enma and the Ten Kings in premodern Japan. Rokuharamitsuji is of great importance to study the cult of Enma and the Ten Kings not only for its rare early sculptures of Enma and his two assistants created in the thirteenth century when the cult began to flourish in Japan, but also for the later addition of a seventeenth-century Datsueba sculpture, which reveals the evolution of the cult through its incorporation of Japanese popular belief. This study examines how the Rokuharamitsuji sculptural group presented images of hell within a designated space and conveyed messages of salvation to their beholders, responding to the environs of the salvation- oriented temple. -
Ancient Punjab – Volume 7, 2019
62 Ancient Punjab – Volume 7, 2019 SIGNIFICANCE OF MYSTICAL, MAGICAL AND AUSPICIOUS SYMBOLS USED IN ORNAMENTS IN GANDHARA Samia Anwar ABSTRACT The ornaments portray reflection of a society they belong and offers peep into social, political, economical, religious, spiritual and mythical aspects of population there. Some ornaments worn by sculptures suggest that they may have a religious or mystical significance as in case of jewellery worn by Bodhisattvas. Triratna, pipal leaf, lion shaped earrings and necklace composed of mani held in mouths of dragons or makra, abduction of Ganymede by Zeus scene on ornaments, are significant religious symbols and themes. As triratna, for example, symbolizes the Buddha, his teaching (Dharma), and Buddhist community (Sanga). Similarly different parts of shrubs and trees were used to form wreaths for their association with Greek male and female deities as laurel with Apollo, olive with Athena, Oak with Zeus, ivy with Dionysus and Myrtle with marriage (Oliver 1996: p. 271). Floral wreaths were worn to call up God to shower mortal beings with bounties of new vegetation, happiness, peace and hope of life at the end of life etc. (Hermary 2014: p.84). Keywords: Ornaments, Sculptures, Jewellery, Bodhisattvas, Buddha, Buddhist Community, Greek deities, Apollo, Ghandharan Sculptures. INTRODUCTION Jewellery worn by Gandharan sculptures was an index of fashion prevailing there as some ornaments no longer remain in use after a specific time period, whereas jewellery with religious significance were used in continuity. In ancient time ornaments were more than accessory of embellishment, they were connected with every aspect of life of wearer. Jewellery was used as an amulet for purpose of protection, for cure of ailments, to evoke celestial to shower blessings, riches and fertility.