The Gandavyuha-Sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative
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The Gandavyuha-sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative Douglas Edward Osto Thesis for a Doctor of Philosophy Degree School of Oriental and African Studies University of London 2004 1 ProQuest Number: 10673053 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10673053 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract The Gandavyuha-sutra: a Study of Wealth, Gender and Power in an Indian Buddhist Narrative In this thesis, I examine the roles of wealth, gender and power in the Mahay ana Buddhist scripture known as the Gandavyuha-sutra, using contemporary textual theory, narratology and worldview analysis. I argue that the wealth, gender and power of the spiritual guides (kalyanamitras , literally ‘good friends’) in this narrative reflect the social and political hierarchies and patterns of Buddhist patronage in ancient Indian during the time of its compilation. In order to do this, I divide the study into three parts. In part I, ‘Text and Context’, I first investigate what is currently known about the origins and development of the Gandavyuha, its extant manuscripts, translations and modern scholarship. Next, using a relative chronology based on current research into the origins of the Mahayana, I argue for the 3rd century CE, as likely time of origin, and suggest Dhanyakataka/Dharanikota as the place of origin for the text. In part II, ‘Structures’, I examine the text’s worldview and narrative structures. In chapter 3, I investigate the notions of reality, society and the individual. In chapter 4 ,1 outline some key concepts developed by the Dutch naixatologist Mieke Bal (1997) and demonstrate how these concepts may be utilised in an analysis of the Gandavyuha. I begin part III, ‘Forces’, by considering Derrida’s (2001) notion of ‘force’ as a critique of structuralism’s overly ‘geometric’ model in the study of narrative. In an attempt to synthesise structure and force in part III, I examine the various structures outlined in previous chapters in relation to the themes of wealth, gender and power, as they unfold chronologically within the narrative From this study, I conclude that in the Gandavyuha, wealth functions as a sign of spiritual status, the significant number of royal female kalyanamitras reflects the importance of female patrons at the time of the text’s compilation, and the spiritual hierarchy within the story mirrors the political hierarchies of Buddhism’s Middle Period in India. 2 Contents Abbreviations ...............................................................................................................7 Acknowledgements ..................................................................................................... 8 Dedication....................................................................................................................9 Introduction..................................................................................................................10 Narratology........................................................................................ 10 Worldview .......................................................................................... 12 Modernism...........................................................................................17 Textual Ontology................................................................................ 20 Scriptures and Canons.........................................................................23 Chapter Outline................................................................................. 24 Part I: Text and Context 1. A Genealogy of the Gandavyuha-sutra......................................................29 Chinese Sources.................................................................................. 29 Tibetan Sources ...................................................................................32 Sanskrit Manuscripts and Editions..................................................... 34 Modern Scholarship...........................................................................36 2. The Indian Context................................... ................................................ 52 Literary References and Title of Gandavyuha................................... 52 Dates of the Gandavyuha................................................................... 54 Geographical Origin of the Gandavyuha............................................60 The Middle Period.............................................................................. 61 The Gandavyuha in the Middle Period.............................................. 66 Part II: Structures 3. The Worldview ............................................................................................74 ‘Reality’ in Indian Buddhist Thought................................................75 ‘Reality’ in the Gandavyuha...............................................................81 Dharmadhatu as a Building................................................................84 Dharmadhatu and Dharmakdya .................................. .....................88 Society............................................................................................... 92 Kalyanamitra in the Gandavyuha.......................................................95 Devotionalism as a Spiritual Path in the Gandavyuha.......................96 The True Identity of the Kalyanamitras .............................................98 Kalyanamitras as a Spiritual Society..................................................100 Individual ........................................ 102 The Individual in the Gandavyuha..................................................... 105 4. Narrative Structures .....................................................................................110 3 Is the Gandavyuha a Mahay ana Avadanal ......................................... 110 Structural Narratology......................................................................... 113 Text..........................................................................................114 Fabula ...................................................................................... 116 Story........................................................................................ 117 Position and Weight................................................................ 118 Characters................................................................................119 Space....................................................................................... 121 Focalization............................................................................. 122 Style and Formulae..............................................................................123 1) Question Formula.............................................................124 2) Go and Ask Formula ........................................................ 125 3) Departing Formula........................................................... 126 4) Approach Formula............................................................127 5) Statement of Attainment and Ignorance Formula........... 127 Part HI: Forces Introduction to Part III.....................................................................................130 Wealth..................................................................................................132 Gender................................................................................................. 136 Power...................................................................................................138 5. Setting the Stage: The Nidana-parivarta ....................................................141 The Spiritual Hierarchy.......................................................................141 The Buddha’s Samadhi ......................................................... 144 Gathering of the Bodhisattvas .............................................................150 The Experience of theMahdsrdvakas .................................................152 Recitation of Verses............................................................................ 154 The Buddha’s Light Ray.....................................................................155 Manjusxi’s Verses................................................................................156 Textual Symmetry............................................................................. 157 The Magical Creations of the Bodhisattvas ........................................157 6. Manjusri, Monks and the Merchant-Banker’s Son .....................................160 The Conversion of the Monks .............................................................160 Why is Sudhana called ‘Good Wealth’?.............................................162 Manjusri Sends Sudhana on his Quest................................................167 7. The Authority of Monks ..............................................................................170