From Believers to Bodhisattvas
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
English Index of Taishō Zuzō
APPENDIX 2: TEXTS CITED FROM THE TZ. TZ. (Taisho Zuzobu) is the iconographic section of the Taisho edition of the Chinese Tripitaka. The serial numbers of the Hobogirin are given in brackets. Volume 1 1. (2921) Hizoki ‘Record kept secretly’: 1. Kukai (774-835). 2. Mombi (8th cent.). 2. (2922) Daihi-taizd-futsu-daimandara-chu - Shoson-shuji-kyoji-gydso-shoi-shosetsu-fudoki ‘Observations on the bljas, symbols, forms, and disposition of the deities in the Garbhadhatu-mandala’, by Shinjaku (886-927). 3. (2923) Taizo-mandara-shichijushi-mon ‘Seventy-four questions on the Garbhadhatu’, by Shinjaku (886-927). 4. (2924) Ishiyama-shichi-shu ‘Collection of seven items at Ishiyama’, by Junnyu (890-953). The seven items are: Sanskrit name, esoteric name, blja, samaya symbol, mudra, mantra and figure. 5. (2925) Kongokai-shichi-shu ‘Collection of seven items of the Vajradhatu’, by Junnyu (890-953). 6. (2926) Madara-shd ‘Extract from mandala’, by Ninkai (955-1046). No illustration. 7. (2927) Taizo-sambu-ki ‘Note on three families of the Garbhadhatu’ by Shingo (934-1004). 8. (2928) Taiz5-yogi ‘Essential meaning of the Garbhadhatu’, by Jojin (active in 1108). No illustration. 9. (2929) Ryobu-mandara-taiben-sho ‘Comparison of the pair of mandalas’, by Saisen (1025-1115). No illustration. 10. (2930) Taizokai-shiju-mandara-ryaku-mo ndo ‘Dialogue on the fourfold enclosures of the Garbhadhatu’, by Saisen (1025-1115). No illustration. 11. (2931) Kue-hiyo-sho ‘Extract of the essentials of the nine mandalas’, author unknown. 12. (2932) Ryobu-mandara-kudoku-ryakusho ‘Extract on the merit of the pair of mandalas’, by Kakuban (1095-1143). -
The Gandavyuha-Sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative
The Gandavyuha-sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative Douglas Edward Osto Thesis for a Doctor of Philosophy Degree School of Oriental and African Studies University of London 2004 1 ProQuest Number: 10673053 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10673053 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract The Gandavyuha-sutra: a Study of Wealth, Gender and Power in an Indian Buddhist Narrative In this thesis, I examine the roles of wealth, gender and power in the Mahay ana Buddhist scripture known as the Gandavyuha-sutra, using contemporary textual theory, narratology and worldview analysis. I argue that the wealth, gender and power of the spiritual guides (kalyanamitras , literally ‘good friends’) in this narrative reflect the social and political hierarchies and patterns of Buddhist patronage in ancient Indian during the time of its compilation. In order to do this, I divide the study into three parts. In part I, ‘Text and Context’, I first investigate what is currently known about the origins and development of the Gandavyuha, its extant manuscripts, translations and modern scholarship. -
Srimad-Bhagavatam – Canto Ten” by His Divine Grace A.C
“Srimad-Bhagavatam – Canto Ten” by His Divine Grace A.C. Bhaktivedanta Swami Prabhupada. Summary: Srimad-Bhagavatam is compared to the ripened fruit of Vedic knowledge. Also known as the Bhagavata Purana, this multi-volume work elaborates on the pastimes of Lord Krishna and His devotees, and includes detailed descriptions of, among other phenomena, the process of creation and annihilation of the universe. His Divine Grace A.C. Bhaktivedanta Swami Prabhupada considered the translation of the Bhagavatam his life’s work. COPYRIGHT NOTICE: This is an evaluation copy of the printed version of this book, and is NOT FOR RESALE. This evaluation copy is intended for personal non- commercial use only, under the “fair use” guidelines established by international copyright laws. You may use this electronic file to evaluate the printed version of this book, for your own private use, or for short excerpts used in academic works, research, student papers, presentations, and the like. You can distribute this evaluation copy to others over the Internet, so long as you keep this copyright information intact. You may not reproduce more than ten percent (10%) of this book in any media without the express written permission from the copyright holders. Reference any excerpts in the following way: “Excerpted from “Srimad-Bhagavatam” by A.C. Bhaktivedanta Swami Prabhupada, courtesy of the Bhaktivedanta Book Trust International, www.Krishna.com.” This book and electronic file is Copyright 1977-2003 Bhaktivedanta Book Trust International, 3764 Watseka Avenue, Los Angeles, CA 90034, USA. All rights reserved. For any questions, comments, correspondence, or to evaluate dozens of other books in this collection, visit the website of the publishers, www.Krishna.com. -
AVALOKITESVARA Loka Nat Worship in Myanmar
AVALOKITESVARA Loka Nat Worship in Myanmar A Gift of Dhamma AVALOKITESVARA Loka Nat Tha Worship In Myanmar “(Most venerated and most popular Buddhist deity)” Om Mani Padme Hum.... Page 2 of 12 A Gift of Dhamma Maung Paw, California Bodhisatta Loka Nat (Buddha Image on her Headdress is Amithaba Buddha) Loka Nat, Loka Byu Ha Nat Tha in Myanmar; Kannon, Kanzeon in Japan; Chinese, Kuan Yin, Guanshiyin in Chinese; Tibetan, Spyan-ras- gzigs in Tabatan; Quan-am in Vietnamese Page 3 of 12 A Gift of Dhamma Maung Paw, California Introduction: Avalokitesvara, the Bodhisatta is the most revered Deity in Myanmar. Loka Nat is the only Mahayana Deity left in this Theravada country that Myanmar displays his image openly, not knowing that he is the Mahayana Deity appearing everywhere in the world in a variety of names: Avalokitesvara, Lokesvara, Kuan Yin, Kuan Shih Yin and Kannon. The younger generations got lost in the translation not knowing the name Loka Nat means one and the same for this Bodhisatta known in various part of the world as Avalokitesvara, Lokesvara, Kuan Yin or Kannon. He is believed to guard over the world in the period between the Gotama Sasana and Mettreyya Buddha sasana. Based on Kyaikhtiyoe Cetiya’s inscription, some believed that Loka Nat would bring peace and prosperity to the Goldenland of Myanmar. Its historical origin has been lost due to artistic creativity Myanmar artist. The Myanmar historical record shows that the King Anawratha was known to embrace the worship of Avalokitesvara, Loka Nat. Even after the introduction of Theravada in Bagan, Avalokitesvara Bodhisattva, Lokanattha, Loka Byuhar Nat, Kuan Yin, and Chenresig, had been and still is the most revered Mahayana deity, today. -
The Bhutanese Iconography of Vaisravana
THE BHUTANESE ICONOGRAPHY 0F VAISRAVANA Thesis for the Degree of M. A. MICHIGAN STATE UNIVERSITY BONNIE HERMAN SIGREN 1969 ‘4 amomcav ' II unnsasm ; annx mum mo. LIBRARY BINDERS ' SIIIIMII. IICII‘g \ LIVV W ABSTRACT THE BHUTANES , ICONOGRAPHY 0F VAI RAVANA/ by Bonnie Sigren I/ The Lokfipala. Vaisravana. originated in India from the indi- genous popular beliefs in Yaksas. These were powerful earth deities whom the Asian peoples regularly propitiated and appeased in order to avert calamities and acquire good fortune. Vaisifivana was their ruler and the custodian of riches. When the Iryan invaders. and later- Buddhism, adopted him into their.cosmology. VaierVana became the Guardian of the North. His iconography in India continued in the form of a Yiksa. In central Asia and Tibet. VaierVana was assimilated into the figure of the warrior King from the North“ Indigenous papular religious be- liefs from Tibet and Bhutan added other iconographical elements. He was identified with the God of Wealth and with the cult of the moun-w tain gods. His subjects became the Himalayan earth deities. further enriching his iconography. Other aspects of iconographical associations developed from Buddhist doctrines and symbolism. Some conventions were derived from the general body of Buddhist symbols; others were based on the god's attributes and functions in Buddhist_cosmologyo The elements from popular traditions were recognized by'Buddhismrand assimilated into Bonnie H. Sigren the god's iconography. There is a possibility that some iconographi- cal elements are disguised symbols relating to yogic practice and, as such,fully understood only by the initiated. THE BHUTANES ICONOGRAPHY 0F VAI RAVANA by Bonnie Herman Sigren A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Department of Art History 1969 For the Buddha faced by foemen His disciples don their armour. -
An Analysis of Tantrayana (Vajrayana)
An Analysis ofTantrayana (Vajrayana) Prof. P. G. Yogi T antra is a discipline, a method and study. It is based on a rational founda tion, is conceivable in theoretic consciousness and relizeable through Yogik experiences. Ironically, however, there are those who have ignored these points and picked up bits ti'om particular sad hanas, partS of which are apparemly vulgar and obnoxious, and come to the conclusion that Tantrik spiritual practices resort to sexual indulgence. Before entering further into this de bate, it needs to be mentioned here that in the Tantras, the ideal of woman hood has been epiromized and raised to the exalted position of motherhood which in itself is unique in the history of spiritual literature of the world. Moreover, it is dearly stated in the Tantras that the secret of life lies in sexual control and death in sexual indulgence (Maranam Bindu paten, telletam Bindu Dharanat). As against the conventional ascetic disciplines, the Tantras uphold the theory of sublimation in which asceticism has been equated with sexuality. In this theory, desire itself is subjected to rigorous discipline and used to conq uef desire. There are others who subscribe anything ugly, erotic, spiritualistic and magical to tile Tantras. They produce tantastic stories gar nished with absurd episodes relating to astral plane and connect them tQ Tantras. They forget that Tantra is a meta-science (surya-vitnam) dealing with consciousness, variable at every stage of spiritual experience. Further, the realization of supreme Truth which will give a true perspective of the Tantras has been interpreted in various ways. -
Vol.74-76 2003-2005.Pdf
ISSN. 0970-3101 THE JOURNAL Of THE MUSIC ACADEMY MADRAS Devoted to the Advancement of the Science and Art of Music Vol. LXXIV 2003 ^ JllilPd frTBrf^ ^TTT^ II “I dwell not in Vaikunta, nor in the hearts of Yogins, not in the Sun; (but) where my Bhaktas sing, there be /, N arada !” Narada Bhakti Sutra EDITORIAL BOARD Dr. V.V. Srivatsa (Editor) N. Murali, President (Ex. Officio) Dr. Malathi Rangaswami (Convenor) Sulochana Pattabhi Raman Lakshmi Viswanathan Dr. SA.K. Durga Dr. Pappu Venugopala Rao V. Sriram THE MUSIC ACADEMY MADRAS New No. 168 (Old No. 306), T.T.K. Road, Chennai 600 014. Email : [email protected] Website : www.musicacademymadras.in ANNUAL SUBSCRIPTION - INLAND Rs. 150 FOREIGN US $ 5 Statement about ownership and other particulars about newspaper “JOURNAL OF THE MUSIC ACADEMY MADRAS” Chennai as required to be published under Section 19-D sub-section (B) of the Press and Registration Books Act read with rule 8 of the Registration of Newspapers (Central Rules) 1956. FORM IV JOURNAL OF THE MUSIC ACADEMY MADRAS Place of Publication Chennai All Correspondence relating to the journal should be addressed Periodicity of Publication and all books etc., intended for it should be sent in duplicate to the Annual Editor, The journal o f the Music Academy Madras, New 168 (Old 306), Printer Mr. N Subramanian T.T.K. Road, Chennai 600 014. 14, Neelakanta Mehta Street Articles on music and dance are accepted for publication on the T Nagar, Chennai 600 017 recommendation of the Editor. The Editor reserves the right to accept Publisher Dr. -
Buddhist Temple Names in Japan Author(S): Dietrich Seckel Reviewed Work(S): Source: Monumenta Nipponica, Vol
Buddhist Temple Names in Japan Author(s): Dietrich Seckel Reviewed work(s): Source: Monumenta Nipponica, Vol. 40, No. 4 (Winter, 1985), pp. 359-386 Published by: Sophia University Stable URL: http://www.jstor.org/stable/2384822 . Accessed: 23/11/2012 14:20 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Sophia University is collaborating with JSTOR to digitize, preserve and extend access to Monumenta Nipponica. http://www.jstor.org This content downloaded by the authorized user from 192.168.52.63 on Fri, 23 Nov 2012 14:20:33 PM All use subject to JSTOR Terms and Conditions BuddhistTemple Names in Japan by DIETRICH SECKEL A LTHOUGH thenames of many Buddhist temples, or jigo , arein con- stantuse among Japanese and Westernstudents of Japan's history, religion,and art, theynever seem to have been made the subject of systematicresearch, not even, as far as I know, by the Japanesethemselves. (There exists,however, a shortand not entirelysatisfactory article on jigo in Mochizuki Shinko, ed., Bukkyo Daijiten, 9, pp. 307f.) Justas Christianchur- ches take theirnames mainlyfrom the multitudeof saintsand otherholy per- sons (accordingto theirpatrocinium), from the body of theologicalconcepts, such as Trinity,Holy Spirit, Sacred Heart, etc., and, less frequently,from other spheres of religious thoughtand devotional life, so many Buddhist templesare named aftersacred persons in the 'pantheon' (Buddhas, bodhisatt- v.as, etc.) and importantdoctrinal terms. -
The Mandala: Tantric Symbol of Integration
Aspects of Buddhist Psychology Lecture 45: The Mandala: Tantric Symbol of Integration Reverend Sir and Friends Nowadays we all know quite a lot of people are very much exercised by what they call the problem of communication. Only this morning I happened to look into the window of a bookshop and I noticed a new book - at least, one of which I hadn't heard before - called "The Psychology of Human Communication", which seemed quite an interesting title. One might say it is significant in a way that communication should have become for many people nowadays a problem at all, but that is neither here nor there. We may say, that very broadly speaking, there are two principal means or modes of communication between human beings. First of all, there is the conceptual - communication in terms of thoughts, ideas and so on; and secondly communication in terms of or in the form of images. The first type of communication, that through abstract ideas, through concepts, is addressed more particularly to the rational - even the critical - intelligence. The second mode of communication, that through images, aims rather at the unconscious depths which lie beneath the rational intelligence. The first type of communication (that through concepts, through abstract ideas) is employed by science, by philosophy; whereas the second (through images) is employed by all forms of imaginative literature. Now religion we may say, spiritual traditions, we may say, employ both. They communicate through abstract ideas: they also communicate through images. But perhaps we may say that they tend to rely - certainly in their more popular forms - more on the latter; more on the images - they tend to try to communicate more with the unconscious depths; to move and to stir them. -
The Iconography of Nepalese Buddhism
TheThe IconographyIconography ofof NepaleseNepalese BuddhismBuddhism by Min Bahadur Shakya HAN DD ET U 'S B B O RY eOK LIBRA E-mail: [email protected] Web site: www.buddhanet.net Buddha Dharma Education Association Inc. P H A N I C- ZDH / T A P P H A N / M, T P. O. B N: , K, N e of Nepalese Buddhism M B S v A A Min Bahadur Shakya is a scholar of Newar and Tibetan Buddhism. Among his major publications are hort istory of uddhism in epal, . ntroduction to uddhist onasteries of athmandu alley, . He was elected Vice President of World Fellowship of Buddhist Youth WFBY for the years –. His major re- search work on ife and ontribution of epalese rincess hrikuti evi is shortly forthcoming. Mr. Shakya was nomi- nated by Venerable Master Hsing Yun, Fokuang Shan, Taiwan as Research Associate in Fokuang Shan Chinese Buddhist Research Academy for the years –. In , he was granted a SAARC Fellowship (Buddhist Studies) by the Ministry of Foreign Affairs, impu, Bhutan. Currently he is working as the Chief Editor of uddhist ima- laya, a bi-annual journal dealing with Buddhism in the Hima- layan regions. He has also contributed more a dozen research papers in reputed foreign journals. Since , he is teaching in Engineering Institute, Pulchowk Campus, Lalitpur. Presently he is the Director, Nagarjuna Institute of Exact Methods. F Under the definition of andicrafts there are multiple products. Of them the statues of gods and goddesses of Buddhism and Hinduism stand foremost.eir importance is enhanced not only because of the fact that they are hand made but also that they are made by using meticulously time-consuming traditional tech- v niques: Lost Wax Process, Chiselling, antique finishing and so on. -
Gallery Guide Secrets of Buddhist
Secrets of Buddhist Art Tibet, Japan, and Korea Ingram Gallery | February 10–May 7, 2017 Tibet, Japan, and Korea all practice forms of esoteric Buddhism, in which secret traditions are explained only to initiates. A key to understanding these secrets is to study the complex array of both human and divine figures within esoteric Buddhism, as well as the rich, multilayered vocabularies of motifs that instruct and assist practitioners. This exhibition showcases magnificent and rare works from the world-renowned Newark Museum collection, introducing a general audience to the dazzling aesthetics of Buddhist art and providing a basic understanding of how these objects function within Buddhist practice. The exhibition also encourages comparisons among regional aesthetics while distinguishing aspects unique to each area. A Tibetan sand mandala is being ritually created in the education gallery, connecting the living practice to early works of art. Buddha, Buddhas, and Bodhisattvas Within esoteric Buddhist practices, the historical Buddha, Shakyamuni, who lived in India in the sixth century BCE, and numerous nonhistorical Buddhas, other enlightened beings, are worshipped. Visual representations of both the historical Buddha and nonhistorical Buddhas portray them with relatively simple clothing and no jewelry, demonstrating the renunciation of worldly cares by an enlightened being (see cover). Thirty-four major and eighty minor features are hallmarks of Buddhahood: these include dark, curly hair; an ushnisha, which is a hairstyle or protuberance that covers a brain too big for a regular skull; an urna, which is a forehead mark that emits light; and elongated earlobes, alluding to the historical Buddha’s former status as a prince who once wore heavy earrings. -
Sat-Chakra-Nirupana-Kundalini Chakras.Htm Bāhyapradeśe = in the Space Outside
Bhagavad-Gita:Chapters in Sanskrit BGALLCOLOR.pdf (All 18 chapters in Sanskrit, Transliteration, and Translation.) bg01-Sanskrit bg02-Sanskrit bg03-Sanskrit bg04-Sanskrit bg05-Sanskrit bg06-Sanskrit bg07-Sanskrit bg08-Sanskrit bg09-Sanskrit bg10-Sanskrit bg11-Sanskrit bg12-Sanskrit bg13-Sanskrit bg14-Sanskrit bg15-Sanskrit bg16-Sanskrit bg17-Sanskrit bg18-Sanskrit Bhagavadgita in English BG01 BG02 BG03 BG04 BG05 BG06 BG07 BG08 BG09 BG10 BG11 BG12 BG13 BG14 BG15 BG16 BG17 BG18 HOME PAGE Author: Purnananda-Svami (1526 CE) Commentary: Kalicarana in Sanskrit English Translation: Sir John Woodroffe Source: the Serpent Power Flowcharts, illustrations, Commentary: You have your Google search engine tailored for this site. Please enter the word(s) in the search box; it will take you to the file with that word in this web site. Enjoy your visit here. Search Sat-Chakra-Nirupana Six-Chakra Investigation Description of and Investigation into the Six Bodily Centers By Tantrik Purnananda-Svami (1526 CE) Sat-Chakra Nirupana is the Premier Composition on Kundalini Chakras. The Commentary was by Kalicarana in Sanskrit. This article is about Kundalini Chakras as described by Swami Purnananda. Go to Kundalini Power for more details on Kundalini Yoga. Pūrnānanda a Brahmana of Kasyappa Gotra wrote Sat-Chakra-Nirupana (1526 CE, SAka year 1448) and achieved Siddhi in VasisthAsrama, about seven miles from Gauhati, Assam, India. He wrote many other Tantrik works. This work is part of Sri-Tattva-Cintamani. English translation by Woodroffe (Serpent Power) is full in some verses; short, condensed in some verses; and modified in other verses. Some verses have extensive commentaries and illustrations by me.