Notes on the Avatamsaka Sutra
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The Microcosmic Alchemical Tantrik Architecture of Hangseshwari Temple तेज ो यत्ते रूपं कल्य
The Microcosmic Alchemical Tantrik Architecture of Hangseshwari Temple तेजो यते रपं कलाणतमं तते पशािम योऽसावसौ पुरषः सोऽहमिस ॥१६॥ tejo yat te rūpaṃ kalyāṇatamaṃ tat te paśyāmi yo 'sāv [asau puruṣaḥ] so'ham asmi "The light which is thy fairest form, I see it. I am what He is" ~ Isha Upanishad (verse 16), One of the most beautiful, alchemical, castle-like temples is the Hangseshwari Temple of the Hoogy District of Bengal. It is the spiritual center of a Tantrik astral dream sect that inspired a King to build this temple in a dream, combining the Mother Goddess with his own mother's symbolic name into one of the most beautiful Tantrik temples in the world. We use this temple and its symbolism to introduce key teachings, practices and symbols and invite those interested to inquire for further details in our alchemical missionary work. The Hangeshwari Temple has been called the abode of “Our Lady of the Cosmic Goose” by scholars aware of the alchemical significance. This name combines alchemically with the Black Virgin in the Western Tradition, as well as the alchemical immortals of diverse traditions. This temple is a true example of “Tantrik Satchakrabhed" or the “sat-chakra-bhed or piercing of the chakra nerve plexuses.” This is sacred Tantrik architecture expressing the microcosm in the temple's structure, which is symbolic of the Human Body. Built by wise sthapatis (temple architects), these temples encode the divine proportions and inner secrets of the microcosm and subtle body in sacred architectural principles dating back to the Vastu Shastra, which may be the oldest known architectural treatise in the world. -
HONEN SHONIN and the PURE LAND MOVEMENT by Edmund Theron Gilday B.A., University of Wisconsin, 1973 a THESIS SUBMITTED in PARTIA
HONEN SHONIN AND THE PURE LAND MOVEMENT by Edmund Theron Gilday B.A., University of Wisconsin, 1973 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES DEPARTMENT OF RELIGIOUS STUDIES UNIVERSITY OF BRITISH COLUMBIA We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA March, 1980 (c) Edmund Theron Gilday, 1980 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be al1 owed without my written permission. Department of Religious Studies The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 ii ABSTRACT In this study of Honen Shonin and his relation to the institutionali• zation of an independent Japanese Pure Land school, I have attempted to isolate the religious and doctrinal issues which affected the evolution of Pure Land salvationism in general and Japanese Buddhism in particular. The background for this:analysis is provided in Part One, which is a discussion of the religious background to Honen and his ideas, and a summary.of the immediate historical and religious circumstances, put of which Honen's Pure Land soteriology emerged. Part Two consists of a detailed analytical description of the Senchaku^shu (jff/jf )? Honen's major dissertation on Pure Land doctrine. -
The Meanings of the Term Mudra and a Historical Outline of "Hand
The Meanings of the term Mudra T h e M and a Historical Outline of ae n ni "Hand gestures" g s o f ht e Dale Todaro t re m M u d 梗 概 ar a この 拙 論 は2部 に分 か れ る。 n d 第1部 は"mudra"と い う語 の最 も一 般 的 な 定 義 を 扱 う。仏 教 ・ヒ ン ドゥー 教 a H を 研 究 して い る学 者 や東 洋 の 図像 学 の専 門 家 は、 大 抵、"皿udra"の さ ま ざ まな 意 i torical Outline味 を 知 って い る。 しか し、特 に タ ン トラ にお い て 使 用 され た"mudr翫"の す べ て の 定 義 が、 どん な 参考 文 献 に も見 つ か るわ け で は な い。 従 って、 第1部 は これ ら 種 々の、 一 般 的 な"mudra"の 語 法 を集 め る よ う試 み た。 又、 イ ン ドの舞 踏 や 劇 につ いて 書 いた 人 が、"hasta"と い う語 を 使 用 す べ きで あ るの に、 専 門的 に言 え ば 誤 って"mudra"を 用 いて い る。 それ に つ いて も説 明 を試 み た。 fo " 第1部 よ りも長 い 第2部 で は、"印 契(手 印)"と い う意 味 で使 用 され た"mu- H a dra"の 歴 史 の あ らま しを、 系 統 的 に述 べ た。 印契 の歴 史 上 異 な った 使 用 と意 味 n d g は、 次 の4に お い て 顕著 にみ られ る。 即 ち、1)ヴ ェー ダ の儀 礼、2)規 格 化 され た se ut イ ン ドの舞 踏、3)イ ン ドの彫 刻(仏 教、 ヒ ン ド ゥー 教、 ジ ャイ ナ教)、4)タ ン ト r s"e ラの 成 就 法、 で あ る。 これ ら4の 分 野 は す べ て、 共 通 して、 イ ン ドで 使 用 され た 印 契 の 伝統 か ら由 来 して い る。 そ しで、 い くつか の事 例 に お いて、 イ ン ドか ら 日 本 密 教 の 伝 統 まで に わ た って、 特 定 の"mudra"が 驚 くほ ど継 続 して 使 用 され て い るこ とが、 証 明 で き る。 Introduction The goal of this short essay is twofold. -
Part 1 Yoga and Psychotherapy Yoga Practices in A
LifeForce Yoga Healing Institute Awakening Your Agenda ~ Part 1 Client’s Inner Pharmacy The Safe Container Part 1 Yogic View of Depression Therapy Training Boston, 2012 Meeting the Mood Yoga Tools Amy Weintraub, MFA, ERYT 500 Author of Yoga for Depression; Yoga Skills in The Evidence Psychotherapy The Practice www.yogafordepression.com How Yoga Skills Enhance Therapy Strengthens the Therapeutic Alliance Yoga and Psychotherapy Helps Client focus Helps Client access feeling states Provides tools for mood regulation Self-Study (Svadhyaya) Provides tools for self-care Compassion (Karuna) Helps in management of Bipolar Disorder & schizophrenia (Visceglia, 2011) “The highest spiritual practice is self- Increases self-efficacy observation with compassion.” Nondual Strategies for working with difficult emotions Provides tools and language to access a larger Self ~Krishnamurti “You are more than your mood, more than your beliefs about yourself and the world.” Yoga Practices in a clinical setting The Safe Container Psychologist and LifeForce Yoga® Practitioner Dr. Deborah Lubetkin with a client, Lotus Mudra “Crying is one of the highest spiritual practices. One who knows crying knows yoga.” ~Swami Kripalu ©2011, rev.2012 Amy Weintraub www.yogafordepression.com 1 LifeForce Yoga Healing Institute Centering with imagery, sound & Therapeutic Bond – Rituals & breath Practices Soothing Image Lighting of a candle Hand gesture A hand gesture (mudra) Inhale through the nostrils for 4 counts A simple yoga breath (pranayama) Hold the breath with the image for 4 A soothing image of sanctuary or peace counts. (bhavana) Exhale with the mantra “so-hum” A soothing universal tone (mantra) Yogic Three-Part Breath A cleansing breath (kriya) Intention Client’s intention reveals itself (sankalpa) Therapeutic Bond Yoga and Psychotherapy Meta-analysis of over 400 manualized 1. -
Lankavatara-Sutra.Pdf
Table of Contents Other works by Red Pine Title Page Preface CHAPTER ONE: - KING RAVANA’S REQUEST CHAPTER TWO: - MAHAMATI’S QUESTIONS I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX XL XLI XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX L LI LII LIII LIV LV LVI CHAPTER THREE: - MORE QUESTIONS LVII LVII LIX LX LXI LXII LXII LXIV LXV LXVI LXVII LXVIII LXIX LXX LXXI LXXII LXXIII LXXIVIV LXXV LXXVI LXXVII LXXVIII LXXIX CHAPTER FOUR: - FINAL QUESTIONS LXXX LXXXI LXXXII LXXXIII LXXXIV LXXXV LXXXVI LXXXVII LXXXVIII LXXXIX XC LANKAVATARA MANTRA GLOSSARY BIBLIOGRAPHY Copyright Page Other works by Red Pine The Diamond Sutra The Heart Sutra The Platform Sutra In Such Hard Times: The Poetry of Wei Ying-wu Lao-tzu’s Taoteching The Collected Songs of Cold Mountain The Zen Works of Stonehouse: Poems and Talks of a 14th-Century Hermit The Zen Teaching of Bodhidharma P’u Ming’s Oxherding Pictures & Verses TRANSLATOR’S PREFACE Zen traces its genesis to one day around 400 B.C. when the Buddha held up a flower and a monk named Kashyapa smiled. From that day on, this simplest yet most profound of teachings was handed down from one generation to the next. At least this is the story that was first recorded a thousand years later, but in China, not in India. Apparently Zen was too simple to be noticed in the land of its origin, where it remained an invisible teaching. -
Beyond Mind II: Further Steps to a Metatranspersonal Philosophy and Psychology Elías Capriles University of the Andes
International Journal of Transpersonal Studies Volume 25 | Issue 1 Article 3 1-1-2006 Beyond Mind II: Further Steps to a Metatranspersonal Philosophy and Psychology Elías Capriles University of the Andes Follow this and additional works at: https://digitalcommons.ciis.edu/ijts-transpersonalstudies Part of the Philosophy Commons, Psychology Commons, and the Religion Commons Recommended Citation Capriles, E. (2006). Capriles, E. (2006). Beyond mind II: Further steps to a metatranspersonal philosophy and psychology. International Journal of Transpersonal Studies, 25(1), 1–44.. International Journal of Transpersonal Studies, 25 (1). http://dx.doi.org/ 10.24972/ijts.2006.25.1.1 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in International Journal of Transpersonal Studies by an authorized administrator of Digital Commons @ CIIS. For more information, please contact [email protected]. Beyond Mind II: Further Steps to a Metatranspersonal Philosophy and Psychology Elías Capriles University of The Andes Mérida, Venezuela Some of Wilber’s “holoarchies” are gradations of being, which he views as truth itself; however, being is delusion, and its gradations are gradations of delusion. Wilber’s supposedly universal ontogenetic holoarchy contradicts all Buddhist Paths, whereas his view of phylogeny contradicts Buddhist Tantra and Dzogchen, which claim delusion/being increase throughout the aeon to finally achieve reductio ad absur- dum. Wilber presents spiritual healing as ascent; Grof and Washburn represent it as descent—yet they are all equally off the mark. -
The Gandavyuha-Sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative
The Gandavyuha-sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative Douglas Edward Osto Thesis for a Doctor of Philosophy Degree School of Oriental and African Studies University of London 2004 1 ProQuest Number: 10673053 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10673053 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract The Gandavyuha-sutra: a Study of Wealth, Gender and Power in an Indian Buddhist Narrative In this thesis, I examine the roles of wealth, gender and power in the Mahay ana Buddhist scripture known as the Gandavyuha-sutra, using contemporary textual theory, narratology and worldview analysis. I argue that the wealth, gender and power of the spiritual guides (kalyanamitras , literally ‘good friends’) in this narrative reflect the social and political hierarchies and patterns of Buddhist patronage in ancient Indian during the time of its compilation. In order to do this, I divide the study into three parts. In part I, ‘Text and Context’, I first investigate what is currently known about the origins and development of the Gandavyuha, its extant manuscripts, translations and modern scholarship. -
The Classification of Buddhism Bukkyo Kyohan
Bruno Petzold The Classification of Buddhism Bukkyo Kyohan Comprising The Classification of Buddhist Doctrines in India, China and Japan In collaboration with Shinsho Hanayama edited by Shohei Ichimura 1995 Harrassowitz Verlag • Wiesbaden Table of Contents PREFACE ' xiii EDITOR'S INTRODUCTION xix PARTI GENERAL INTRODUCTION : 3 CHAPTER ONE Classification in General As Found in the Natural and Moral World 5 §1. Definition of the Concept of "Classification" 5 §2. Popular Classifications: Spontaneous and Conscious 6 §3. Scientific Classifications, Artificial and Natural 8 §4. Erroneous and Fallacious Classifications 22 §5. Appreciation of the Classifications 28 §6. The Classification of Religions 29 CHAPTER TWO Buddhist Classifications and Classifying Thought 33 §1. Origin and Intent of the Buddhist Classifications 33 §2. The Classificatory Concept in Buddhism Compared with that of Christianity 42 CHAPTER THREE Hon-gaku-Mon and Shi-kaku-Mon 50 §1. Buddhist Endeavours at Classification, Past and Modern 50 §2. Hon-gaku-mon: the Fountainhead of Buddhist Religiosity ; 62 §3. Hon-gaku-mon and Shi-kaku-mon Compared with Western Religious and Philosophical Conceptions 70 PART II INDIAN BUDDHISM AND CLASSIFICATION 87 CHAPTER FOUR The Original Source of Classifications in the Works of Indian Buddhist Masters 89 §1. A Contrast between Indian and Chinese Mentality as to the Principles of Classification 89 §2. Rudimentary Classifications in Ancient Indian Buddhism 90 §3. Classifications Introduced or Influenced by Non-Chinese Scholar-Monks 95 PART III CHINESE BUDDHISM: PRIMITIVE CHINESE CLASSIFICATIONS 101 vi Table of Contents CHAPTER FIVE Introduction to the Five Groups of Classification in the Namboku-cho Era 103 §1. Buddhism in the Southern and Northern Dynasties 103 §2. -
K. Lim Studies in Later Buddhist Iconography In
K. Lim Studies in later Buddhist iconography In: Bijdragen tot de Taal-, Land- en Volkenkunde 120 (1964), no: 3, Leiden, 327-341 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com10/03/2021 12:58:57AM via free access STUDIES IN LATER BUDDHIST ICONOGRAPHY 1. The Vajradhütu-mandala of Nganjuk n interesting study by F. D. K. Bosch on Buddhist iconography was published in 1929 under the title: Buddhistische Gegevens uitA Balische Handschriften,1 in which by manuscripts are meant: I. the Sang hyang Nagabayusütra 2; II. the Kalpabuddha.3 No. 1 is a prayer to the five Jinas mentioning their names with their corresponding jnanas, colours, mudras, simhasanas, paradises, krodha-forms, Taras, Bodhisattvas and mystic syllables. The Kalpabuddha (in Old-Javanese) contains an enumeration of the principal qualities and characteristics of the five Jinas which for the greater part correspond with those of the Sang hyang Nagabayusütra. However, the names of their krodha- forms are lacking, instead of which one finds the names of their emblems (sanjatas = weapons), of their cosmic places, of their saktis, of the sense-organs, and of the places in the body having relations with the quintet. Both mss. are closely allied and treat on the same subject, except some points in which they complement each other. In comparing them with the Sang hyang KamahaySnikan Bosch stated that both mss. are independant of this text, and that, where other sources keep silent, they contain the complete list of the paradises of the five Jinas, viz. Sukhavatï of Amitabha, Abhirati of Aksobhya, Ratnavatï of Ratnasam- bhava, Kusumitaloka of Amoghasiddha and Sahavatiloka of Vairocana. -
Use of Theses
THESES SIS/LIBRARY TELEPHONE: +61 2 6125 4631 R.G. MENZIES LIBRARY BUILDING NO:2 FACSIMILE: +61 2 6125 4063 THE AUSTRALIAN NATIONAL UNIVERSITY EMAIL: [email protected] CANBERRA ACT 0200 AUSTRALIA USE OF THESES This copy is supplied for purposes of private study and research only. Passages from the thesis may not be copied or closely paraphrased without the written consent of the author. THE PRATYUTPANNA-BUDDHA-SAMMUKHAVASTHITA- SAMADHI-SUTRA AN ANNOTATED ENGLISH TRANSLATION OF THE TIBETAN VERSION WITH SEVERAL APPENDICES A Thesis submitted for the Degree of Doctor of Philosophy in the Australian National University August, 1979 by Paul Harrison This thesis is based on my own research carried out from 1976 to 1979 at the Australian National University. ABSTRACT The present work consists of a study of the Pratyutpanna-buddha- sammukhavasthita-samadhi-sutra (hereafter: PraS), a relatively early example of Mahayana Buddhist canonical literature. After a brief Intro duction (pp. xxi-xli), which attempts to place the PraS in its historical context, the major portion of the work (pp. 1-186) is devoted to an annotated English translation of the Tibetan version of the sutra, with detailed reference to the three main Chinese translations. Appendix A (pp. 187-252) then attempts a resolution of some of the many problems surrounding the various Chinese versions of the PraS. These are examined both from the point of view of internal evidence and on the basis of bibliographical information furnished by the Chinese Buddhist scripture-catalogues. Some tentative conclusions are advanced concerning the textual history of the PraS in China. -
1. Hamsa Sandesam V1
Thirumaliruncholai Thirupathi Thiruvarangam ThiruveLLarai Thirukkacchi Sincere Thanks To: 1. Smt.Krishnapriya for compilation of source document 2. Smt.Jayashree Muralidharan for eBook assembly sadagopan.org C O N T E N T S Introduction 1 Hamsa Sandesam - Rahasyartham 6 sadagopan.org sadagopan.org Swami Desikan - Satyagalam (Thanks:Sri.Laskhminarasimhan Sridhar) . ïI>. ïImte ingmaNtmhadeizkay nm> . INTRODUCTION sadagopan.org I want to share with you the tribute that Swami Desikan paid to Sri Ranganatha through one of his Kavyams known as Hamsa sandesam. The other Kavyams of Swami Desikan are: Subhashitaneevi, Yadavaabhudhyam and Padhuka Sahasram. Hamsa Sandesam is what is known as a Sandesa Kavyam. This Kavyam follows the style of AandaaL and Nammazhwar, when they requested clouds, birds and bees to take a message to their Lord and asked them to help in uniting them with their beloved Lord. In more recent times, Poet Kalidasa Composed Megha Sandesam, where he asks NamperumAL - SrIRangam (Thanks: Sri. Murali BhaTTar) 1 the hurrying clouds to take a message to his beloved one in the Northern region. Swami Desikan sets Hamsa Sandesam as a Kavyam, where Sri Ramachandra languishing from the sorrow of separation from His beloved Sita sights a Raja Hamsam and implores it to take a southward journey to Lankapuri and asks the hamsam to convey to Sita his sense of anguish and inconsolable desolation. There are 110 slokas in this Kavyam set by Swami Desikan in the Mandaakrantha Meter. Sri Rama points out the landmarks that the hamsam will fly over in its southward journey. In this Kavyam, we get a glimpse of the Sarva Tantra Swatantrar’s extraordinary knowledge about the geography of Bharata Desam. -
Using Yoga Mudras in Yoga Sessions Increases the Efficacy of the Yoga Practice
ISSN: 2694-1767 DOI: 10.33552/WJYPR.2019.01.000511 World Journal of Yoga, Physical Therapy and Rehabilitation Opinion Copyright © All rights are reserved by Annapoorni R Using Yoga Mudras in Yoga Sessions Increases the Efficacy of The Yoga Practice Annapoorni R* Department of Mind Body Medicine, USA Received Date: September 16, 2019 *Corresponding author: Annapoorni R, Department of Mind Body Medicine, USA. Published Date: October 16, 2019 Opinion Yoga Mudras are hand gestures which were originally described by Sage Gheranda in the Gheranda Samhita. This late 17th century the kundalini. The positive outcome of that yoga pose is therefore pose with the proper breathing technique or pranayama. text is an important classic text of Yoga. Gheranda Samhita is the intensified due to the proper usage of mudra while performing the original source for most of the Asanas, Mudras, Pranayama, and Shatkarma practiced now in Yoga. Mudras means gestures, these Mudras have direct correlation with acupuncture meridians of can be Hand gestures (Hasta Mudra), or gestures made by head and lungs, which are described in the Traditional Chinese Medicine. some of the vital organs of the body viz heart, small intestines, brain (Mana mudra) or the whole body (Kaya mudra) as in the yoga poses or gestures made in dance forms like Bharatnatyam dance form of From the perspective of Vedic Astrology, each finger represents India (Natya Mudra). Bandhas or locks which are practised in Yoga one element of the Universe. The thumb represents Fire elements, can also be considered as Mudras. Index finger represents the Air element, Middle finger represents Mudras should be made an integral part of a yoga practice Space element, Ring finger represents the Earth element, and the depending on which meridian is stimulated and which element is session.