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The Gandavyuha-Sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative
The Gandavyuha-sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative Douglas Edward Osto Thesis for a Doctor of Philosophy Degree School of Oriental and African Studies University of London 2004 1 ProQuest Number: 10673053 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10673053 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract The Gandavyuha-sutra: a Study of Wealth, Gender and Power in an Indian Buddhist Narrative In this thesis, I examine the roles of wealth, gender and power in the Mahay ana Buddhist scripture known as the Gandavyuha-sutra, using contemporary textual theory, narratology and worldview analysis. I argue that the wealth, gender and power of the spiritual guides (kalyanamitras , literally ‘good friends’) in this narrative reflect the social and political hierarchies and patterns of Buddhist patronage in ancient Indian during the time of its compilation. In order to do this, I divide the study into three parts. In part I, ‘Text and Context’, I first investigate what is currently known about the origins and development of the Gandavyuha, its extant manuscripts, translations and modern scholarship. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
Annual Report 2010–11
ANNUAL REPORT 2010–11 ANNUAL REPORT 2010–11 The National Gallery of Australia is a Commonwealth (cover) authority established under the National Gallery Act 1975. Thapich Gloria Fletcher Dhaynagwidh (Thaynakwith) people The vision of the National Gallery of Australia is the Eran 2010 cultural enrichment of all Australians through access aluminium to their national art gallery, the quality of the national 270 cm (diam) collection, the exceptional displays, exhibitions and National Gallery of Australia, Canberra programs, and the professionalism of Gallery staff. acquired through the Founding Donors 2010 Fund, 2010 Photograph: John Gollings The Gallery’s governing body, the Council of the National Gallery of Australia, has expertise in arts administration, (back cover) corporate governance, administration and financial and Hans Heysen business management. Morning light 1913 oil on canvas In 2010–11, the National Gallery of Australia received 118.6 x 102 cm an appropriation from the Australian Government National Gallery of Australia, Canberra totalling $50.373 million (including an equity injection purchased with funds from the Ruth Robertson Bequest Fund, 2011 of $15.775 million for development of the national in memory of Edwin Clive and Leila Jeanne Robertson collection and $2 million for the Stage 1 South Entrance and Australian Indigenous Galleries project), raised $27.421 million, and employed 262 full‑time equivalent staff. © National Gallery of Australia 2011 ISSN 1323 5192 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. -
Latest Japanese Sword Catalogue
! Antique Japanese Swords For Sale As of December 23, 2012 Tokyo, Japan The following pages contain descriptions of genuine antique Japanese swords currently available for ownership. Each sword can be legally owned and exported outside of Japan. Descriptions and availability are subject to change without notice. Please enquire for additional images and information on swords of interest to [email protected]. We look forward to assisting you. Pablo Kuntz Founder, unique japan Unique Japan, Fine Art Dealer Antiques license issued by Meguro City Tokyo, Japan (No.303291102398) Feel the history.™ uniquejapan.com ! Upcoming Sword Shows & Sales Events Full details: http://new.uniquejapan.com/events/ 2013 YOKOSUKA NEX SPRING BAZAAR April 13th & 14th, 2013 kitchen knives for sale YOKOTA YOSC SPRING BAZAAR April 20th & 21st, 2013 Japanese swords & kitchen knives for sale OKINAWA SWORD SHOW V April 27th & 28th, 2013 THE MAJOR SWORD SHOW IN OKINAWA KAMAKURA “GOLDEN WEEKEND” SWORD SHOW VII May 4th & 5th, 2013 THE MAJOR SWORD SHOW IN KAMAKURA NEW EVENTS ARE BEING ADDED FREQUENTLY. PLEASE CHECK OUR EVENTS PAGE FOR UPDATES. WE LOOK FORWARD TO SERVING YOU. Feel the history.™ uniquejapan.com ! Index of Japanese Swords for Sale # SWORDSMITH & TYPE CM CERTIFICATE ERA / PERIOD PRICE 1 A SADAHIDE GUNTO 68.0 NTHK Kanteisho 12th Showa (1937) ¥510,000 2 A KANETSUGU KATANA 73.0 NTHK Kanteisho Gendaito (~1940) ¥495,000 3 A KOREKAZU KATANA 68.7 Tokubetsu Hozon Shoho (1644~1648) ¥3,200,000 4 A SUKESADA KATANA 63.3 Tokubetsu Kicho x 2 17th Eisho (1520) ¥2,400,000 -
India Radio 14-66
(PAPfRS'l~ bE L~LD bN TM~ T-PrBL~ 1)(: LbkSAPJf1A )R.IiJ'j~j Pr&t(f) AUTH eNTIc..A:rI2]) 1\ ~\~5- (LbL R.A-'TVAVARD hAN Q.PrTH D~e ( f2.-e.kP)) M t N J ~ Tl2" ~ () C- ST ATE Po (( 1N H> r<. 10 Ii-T IoN A-N !) . Col Rajyava~~~a(I:;tore (Retd) e, ·t<o t+j) LA--! T J ~ ~ 2- I I I II I Prasar Bharati –India’s Public Service Broadcaster 03-13 All India Radio 14-66 Doordarshan 67-120 Annual Plans 121-140 All India Radio 121-135 Doordarshan 136-140 Audited Annual Accounts 141-163 Prasar Bharati – The Corporation INTRODUCTION Prasar Bharati being the only public service broadcaster in the country reaching remote parts of the country ensures that it carries forward the social responsibility of informing, educating and entertaining the people of India. It has the widest network through both Radio and TV, with All India Radio and Doordarshan as its constituents. Prasar Bharati came into being on November 23, 1997 by an Act of the Parliament. The Act gave Prasar Bharati the mandate to organize and conduct public broadcasting services to inform, educate and entertain the public while ensuring balanced development of broadcasting in the country. Prasar Bharati has a phenomenal reach, covering even the remote and far-flung areas of the country. To do this, it maintains one of the largest broadcasting infrastructure networks in the world. It has about 1968 terrestrial transmitters for 450 TV and Radio stations of Doordarshan and All India Radio as well as 40 Earth Stations. -
Living Traditions Tribal and Folk Paintings of India
Figure 1.1 Madhubani painting, Bihar Source: CCRT Archives, New Delhi LIVING TRADITIONS Tribal and Folk Paintings of India RESO RAL UR U CE LT S U A C N D R O T R F A E I N R T I N N G E C lk aL—f z rd lzksr ,oa izf’k{k.k dsUn Centre for Cultural Resources and Training Ministry of Culture, Government of India New Delhi AL RESOUR UR CE LT S U A C N D R O T R F A E I N R T I N N G E C lk aL—f z rd lzksr ,oa izf’k{k.k dsUn Centre for Cultural Resources and Training Ministry of Culture, Government of India New Delhi Published 2017 by Director Centre for Cultural Resources and Training 15A, Sector 7, Dwarka, New Delhi 110075 INDIA Phone : +91 11 25309300 Fax : +91 11 25088637 Website : http://www.ccrtindia.gov.in Email : [email protected] © 2017 CENTRE FOR CULTURAL RESOURCES AND TRAINING Front Cover: Pithora Painting (detail) by Rathwas of Gujarat Artist unknown Design, processed and printed at Archana Advertising Pvt. Ltd. www.archanapress.com All Rights Reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the Director, CCRT. Photo Credits Most of the photographs used in this publication are from CCRT Archives. We also thank National Museum, New Delhi; National Handicrafts & Handlooms Museum (Crafts Museum), New Delhi; North Zone Cultural Centre (NZCC), Patiala; South Central Zone Cultural Centre (SCZCC), Nagpur; Craft Revival Trust, New Delhi and Sanskriti Museum, New Delhi for lending valuable resources. -
An Ethnographic Study of Tattooing in Downtown Tokyo
一橋大学審査学位論文 Doctoral Dissertation NEEDLING BETWEEN SOCIAL SKIN AND LIVED EXPERIENCE: AN ETHNOGRAPHIC STUDY OF TATTOOING IN DOWNTOWN TOKYO McLAREN, Hayley Graduate School of Social Sciences Hitotsubashi University SD091024 社会的皮膚と生きられた経験の間に針を刺す － 東京の下町における彫り物の民族誌的研究－ ヘィリー・マクラーレン 一橋大学審査学位論文 博士論文 一橋大学大学院社会学研究科博士後期課程 i CONTENTS CONTENTS ................................................................................................................................... I ACKNOWLEDGEMENTS ........................................................................................................ III NOTES ........................................................................................................................................ IV Notes on Language .......................................................................................................... iv Notes on Names .............................................................................................................. iv Notes on Textuality ......................................................................................................... iv Notes on Terminology ..................................................................................................... iv LIST OF FIGURES ..................................................................................................................... VI LIST OF WORDS .................................................................................................................... VIII INTRODUCTION ........................................................................................................................ -
A Study of Hindu Concepts About Gods and Goddess Hnin Mar Khin1
58 Dagon University Research Journal 2020, Vol. 11 A Study of Hindu Concepts about Gods and Goddess Hnin Mar Khin1 Abstract This Paper focuses on the general study of Hinduism worship which began in ancient India between 2300 B.C and 1500 B.C. It also attempts to analyze main beliefs and practices of Hinduism from a wide range of traditional sources. The objectives of the paper are to explore the historical data relating to Hinduism, to connect all Hindus worship and to explain about belief in Lakshmi (the goddess of wealth, purity, fortune and prosperity). In revealing the account of Hindu, it is relied on the primary sources and the secondary documents, and the methods of narrating the events and linking the historical facts need to be considered. The study presents two results: discovery of the existence of Hinduism worship which belongs to the Aryans; and realization of the base on the Vedas and belief in dharma, karma, and reincarnation. By studying Hindu concept about god and goddess, it is recognized that Hinduism existed as a major world (world’s oldest) religion, one fundamental principle of the religion is the idea that people’s actions and thoughts directly determine their current life a future lives. Keywords: Account, Context, Hinduism, Historical Events, Worship Goddess Lakshmi Introduction In Myanmar, Hinduism is practiced by 0.5% of the population. Most Hindus in Myanmar are Burmese Indians. Hinduism, along with Buddhism, arrived in Burma during ancient times. Both names of the country are rooted in Hinduism; Burma is the British colonial officials’ phonetic equivalent for the first half of Brahma Desha the ancient name of the region. -
Special Exhibition Buddhist Statues Along Sagami
Special Exhibition Buddhist Statues Along Sagami Special/Collection Exhibitions Room, Kanagawa Prefectural Museum of Cultural History October 10 (Sat)-November 29 (Sun), 2020 List of Works ・The order of items in the catalogue may not necessarily be the same as in the exhibition. ・◎=Important Cultural Property 〇=Cultural Property Designated by the Kanagawa prefecture □=City and Town-level Designated Cultural Property ・Cities in the "Owner" column with no mention of the prefecture are located in Kanagawa prefecture. ・Some objects may be rotated during the exhibition. ・Works are on view throughout the exhibition period unless otherwise indicated. ・Works in the exhibition are subject to change. Number Designa Material, Century, Exhibition № Title, Region, Artist of Period Owner tion Technique Year Period Objects Prologue: From Kofun (burial mounds) to Buddhist Temples Bronze mirror with triangular rim and design 1 of four divinities and two beasts Bronze 1 3rd century Tokyo National Museum (Shindo Otsuka-yama Kofun, Hiratsuka city) Bronze Scissors 2 Bronze 6 Kofun period 4th century Tokyo National Museum (Shindo Otsuka-yama Kofun, Hiratsuka city) Bronze Whorl Ornament 3 Bronze 2 Kofun period 4th century Tokyo National Museum (Shindo Otsuka-yama Kofun, Hiratsuka city) Round Eaves-end Roof Tile 4 1 Nara period 8th century Chigasaki City Board of Education (Shimoterao-haiji site, Chigasaki city ) Demon-shaped Roof Tile Kanagawa Prefecture Board of 5 1 Nara period 8th century (Shimoterao-haiji site, Chigasaki city ) Education Hanging Image of -
Sno Folio Holder Warrant No Div Sha Res B18 Dividend 2 009 2010 B19 Dividend 2 010 2011 B20 Dividend 2011 2012 B21 Dividend 2
WARRANT_ DIV_SHA B18_DIVIDEND_2 B19_DIVIDEND_2 B20_DIVIDEND_ B21_DIVIDEND B22_DIVIDEND B23_DIVIDEND_2 B24_FINAL_ TOTAL_S VALID_SHA SNO FOLIO HOLDER NO RES 009_2010 010_2011 2011_2012 _2012_2013 _2013_2014 014_2015 2015_2016 HARES RES 1 ABL153592 R. JANAKIRAMAN 1912663 717 8604.00 10038.00 11472.00 12906.00 14340.00 16491 17925 3585 3585 2 UTI000295 MANISHA MURAR YEOLEKAR 1901233 300 3600.00 4200.00 4800.00 5400.00 6000.00 6900 7500 1500 1500 3 UTI000319 SNEHALATA SHANKAR PITALE 1901299 300 3600.00 4200.00 4800.00 5400.00 6000.00 6900 7500 1500 1500 4 UTI000430 JAYSHREE R SHAH 1901631 300 3600.00 4200.00 4800.00 5400.00 6000.00 6900 7500 1500 1500 5 UTI001032 J KUMAR 1912693 400 4800.00 5600.00 0.00 0.00 0.00 0 0 2000 2000 6 UTI001168 G C SHARMA 1900224 400 4800.00 5600.00 6400.00 7200.00 8000.00 9200 10000 2000 2000 7 UTI000835 ANOOP BARKER 1901462 400 4800.00 5600.00 6400.00 7200.00 8000.00 9200 10000 2000 2000 8 UTI001716 HANSABEN GOVINDBHAI SWAMI 1906072 100 1200.00 1400.00 1600.00 1800.00 2000.00 2300 2500 500 500 9 UTI002052 SUDHIR V PAI 1901044 400 4800.00 5600.00 6400.00 7200.00 8000.00 9200 10000 2000 2000 10 UTI002427 RAJAN SHANTARAM WAGLE 1901165 400 4800.00 5600.00 6400.00 7200.00 8000.00 9200 10000 2000 2000 11 UTI002428 MEDHA RAJAN WAGLE 1901166 400 4800.00 5600.00 6400.00 7200.00 8000.00 9200 10000 2000 2000 12 UTI002489 DARSHAN HARIKISHAN SHIRANGI 1901186 400 4800.00 5600.00 6400.00 7200.00 8000.00 9200 10000 2000 2000 13 UTI002616 JAGANNATH KHANDERAO JADHAV 1901226 400 4800.00 5600.00 6400.00 7200.00 8000.00 9200 10000 -
Archaeological Journal Japanese Sword Blades
This article was downloaded by: [Northwestern University] On: 29 January 2015, At: 18:47 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Archaeological Journal Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/raij20 Japanese Sword Blades Alfred Dobree Published online: 17 Jul 2014. To cite this article: Alfred Dobree (1905) Japanese Sword Blades, Archaeological Journal, 62:1, 1-18, DOI: 10.1080/00665983.1905.10852983 To link to this article: http://dx.doi.org/10.1080/00665983.1905.10852983 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. -
Asiatika Asian Works of Art Praha 24.10.2010 Kaiserštejnský Palác
ASIATIKA ASIAN WORKS OF ART PRAHA 24.10.2010 KAISERŠTEJNSKÝ PALÁC ASIATIKA ASIAN WORKS OF ART PRAHA 24.10.2010 KaiseršteJNSKÝ PALÁC MÍSTO KONÁNÍ / LOCATION: ZPRACOVÁNÍ KATALOGU: Oldřich Hejtmánek Kaiserštejnský palác REDAKCE KATALOGU: Malostranské náměstí 23/37 Lucie Nepeřená Praha 1 ODBORNÍ PORADCI: Jiří Jákl, M.A. PhD.Lucie Olivová AUKCE / SALE: Jakub Zeman Lenka Gyaltso 24.10.2010, 14:00 JIří Straka FOTOGRAFIE: VÝSTAVA / VIEWING: Oto Palán GRAFICKÁ ÚPRAVA: 22.10.2010, 10:00 - 18:00 Frans Lenzen 23.10.2010, 10:00 - 18:00 GALERIE ARCIMBOLDO 24.10.2010, 10:00 - 12:00 Krupkovo náměstí 3 160 00 Praha 6 www.arcimboldo.cz Další fotografie všech předmětů Dražba se řídí Aukčním uvedených v tomto katalogu řádem, který se nachází najdete na našich webových na konci tohoto katalogu. stránkách www.arcimboldo.cz. Dotazy k draženým předmětům zasílejte na emailovou adresu [email protected], případně na tel. +420 603 811 873. Further detailed images and descriptions of all items presented in this catalog can be found on our website at www.arcimboldo.cz. Inquiries about the items in auction: [email protected], or call +420 603 811 873. 2 arcimboldo asiatika PROVENIENCE DRAŽENÝCH PŘEDMĚTŮ PROVENANCE OF ITEMS IN THIS AUCTION V aukci jsou nabízeny mimo jiné i předměty z kolekcí těchto This auction features, among others, items from the významných českých sběratelů: collections of prominent Czech collectors: PROFESOR BOHUSLAV SLÁNSKÝ (1900 - 1980) PROFESSOR BOHUSLAV SLÁNSKÝ (1900 - 1980) Narozen v Praze, absolvoval studia na Akademii výtvarných Born in Prague, Mr Slánský graduated from the Academy of umění v ateliéru Maxmiliána Pirnera.