Absolut Warhola" in Der Gedenkstätte Berliner Mauer Mit Stanis Aw Mucha (Regisseur) Und Doris Liebermann (Journalistin)

Total Page：16

File Type：pdf, Size：1020Kb

22. März 2012 Pressemitteilung Was hat Andy Warhol mit der Mauer zu tun? Filmabend "Absolut Warhola" in der Gedenkstätte Berliner Mauer mit Stanis aw Mucha (Regisseur) und Doris Liebermann (Journalistin) Die Gedenkstätte Berliner Mauer präsentiert am 22. März den Film Absolut Warhola (2001, 77 min.). Der Dokumentarfilm begibt sich auf Spurensuche nach Andy Warhols Wurzeln im äußersten Nordosten der Slowakei. Dabei stößt er auf skurrile und liebenswerte Verwandte, die hinter dem Eisernen Vorhang nur wenig vom Ruhm des amerikanischen Stars mitbekommen haben. Nicht nur in Pittsburgh gibt es ein Andy-Warhol-Museum, sondern auch in dem kleinen Karpatenstädtchen Medzilaborce in der Slowakei. Nur wenige Kilometer von hier entfernt, in der Gemeinde Miková, wurden die Eltern des amerikanischen Pop-Art-Künstlers Andy Warhol geboren. Noch vor dem Ersten Weltkrieg wanderte der Vater in die USA aus, Jahre später auch die Mutter. Ihr Sohn Andy kam 1928 in Pittsburgh zur Welt. Muchas humorvoller Film zeichnet zum einen Warhols Lebensweg nach, und beschreibt zum anderen eine arme Gegend im Dreiländereck von Slowakei, Polen und der Ukraine, in der die Zeit still zu stehen scheint. Der Film "Absolut Warhola" wurde mehrfach ausgezeichnet (u.a. Grimme-Preis 2003) und auf zahlreichen Filmfestivals zum Publikumsliebling erklärt. Stanis aw Mucha, 1970 in Nowy Targ / Polen geboren, studierte Schauspiel in Krakau und Regie an der Hochschule für Film und Fernsehen in Potsdam-Babelsberg. Er lebt in Berlin und arbeitet gegenwärtig an einer Filmreihe zum Schwarzen Meer. Filmvorführung mit anschließender Diskussion „Absolut Warhola“ Donnerstag, 22. März 2012, 19.00 Uhr Besucherzentrum der Gedenkstätte Berliner Mauer Bernauer Straße 119, 13355 Berlin Eintritt frei, barrierefrei zugänglich Pressekontakt: Hannah Berger Gedenkstätte Berliner Mauer, Bernauer Straße 111, 13355 Berlin Tel. 030 / 467 9866 61 [email protected] .

Copy Link

Recommended publications

Cata2006.Pdf
SOMMAIRE/CONTENTS S PARTENAIRES/PARTNERS & SPONSORS 005 ÉDITORIAUX/EDITORIALS 006 PRIX/PRIZES 030 JURYS/JURIES 033 jury de la compétition internationale/international competition jury 034 jury de la compétition française/french competition jury 040 jury son/soundtrack jury 046 jury GNCR, jury Marseille Espérance, jury des Médiathèques GNCR jury, Marseille Espérance jury and Public libraries jury 050 SÉLECTION OFFICIELLE/OFFICIAL SELECTION 051 éditorial/editorial 052 compétition internationale/international competition 057 film d’ouverture/opening film 058 compétition française/french competition 097 ÉCRANS PARALLÈLES/PARALLEL SCREENS 113 rétrospective harmut bitomsky / harmut bitomsky retrospective 115 rétrospective joaquin jordá / joaquin jordá retrospective 129 robert morin, fais-le toi-même ! / robert morin, do it yourself ! 141 be with me – la fiction avec le documentaire / be with me – fiction with documentary 157 toutes les nuits (en six jours) / all kinds of nights (in six days) 179 fenêtre allemande, tübingen / a glimpse of germany, tübingen 191 les sentiers / paths 195 SÉANCES SPÉCIALES/SPECIAL SCREENS 229 TABLES RONDES/ROUND TABLES 235 FIDMarseille AVEC/FIDMarseille WITH 237 VIDÉOTHÈQUE/VIDEO LIBRARY 245 ÉQUIPE ARTISTIQUE/ARTISTIC TEAM 261 REMERCIEMENTS/ACKNOWLEDGEMENTS 265 C.A. et ÉQUIPE FIDMarseille / FIDMarseille MANAGEMENT COMMITTEE and STAFF 266 INDEX/INDEX index des films / film index 267 index des réalisateurs / filmmaker index 269 index des producteurs / film producer index 270 004 PARTENAIRES/PARTNERS & SPONSORS Pa
[Show full text]
By Stanislaw Mucha
BY HOPE STANISLAW MUCHA HOPE SYNOPSIS HOPE BY STANISLAW MUCHA When a deeply moral and well-respected art historian steals an invaluable painting from a church, righteous and fanatic Francis records the crime on video to blackmail the perpetrator. Much to the thief’s bafflement, the young man is not interested in money but demands that the piece of art be returned to its original place. The borders between idealism and madness blur when it is revealed that Francis’ brother is in jail and his girlfriend has to tolerate Francis’ bizarre self-afflicted tests of courage … STANISLAW MUCHA DIRECTOR Born in 1970 in Nowy Targ, Poland, Stanislaw Mucha studied acting at the Federal Theater Academy “Ludwik Solski” in Krakow´ . After initial successes as an actor, Mucha left Poland to study directing at the The Film & Television Academy (HFF) “Konrad Wolf” in Potsdam-Babelsberg. He became well-known for his quirky documentary ABSOLUT WARHOLA (2001) tracing the origins of the US pop artist Andy Warhol to Poland, Slovakia and the Ukraine. HOPE is Mucha’s first feature film. DIRECTOR’S COMMENTS CAST DIRECTOR’S HOPE Franciszek/Francis HOPE is the story of extortion. An acclaimed art historian and moral authority steals a RAFAL FUDALEJ precious painting from a church… and is caught by a young fanatical do-gooder. Klara/Clare KAMILLA BAAR Hope. You know: “the mother of the stupid”, “hope springs eternal”, etc. I think that Benedykt/Benedict hope is an indispensable element of life. In every life; in my life too. While observing WOJCIECH PSZONIAK reality I feel as if there is no hope, as if it should be invented as fast as you can.
[Show full text]
Oregon Humanities Center | Spring 2005 Calendar : Page C1
Oregon Humanities Center | spring 2005 Calendar : page C1 Spring 2005 Calendar /OHC (co-sponsored by the Oregon Humanities Center) Ongoing Events The Jordan Schnitzer Museum of Art: MusEvenings! Wednesday evenings from 5 to 8 p.m. Donations accepted. For more infor- mation, call 346-3027. The Jordan Schnitzer Museum of Art presents free admission to everyone the ﬁrst Friday of each month. March 3 Judaic Studies presents the Singer Family Lecture with Jonathan Sarna, Joseph H. and Belle R. Braun 29 Art History presents Art History 206 Film Series: Professor of American Jewish History, Brandeis The Thomas Crown Affair (1999) at 7:30 p.m. in 177 University, and author of American Judaism, speak- Lawrence Hall. For information, call 346-3675. ing on “350 Years of American Jewish History” at 7:30 29 The School of Music presents a Guest Artist p.m. in 182 Lillis Hall. Sponsored by the Georgianne Recital with Park Stickney, jazz harp, and Rüdiger and Dr. Kenneth Singer and Ms. Roberta Singer Oppermann, jazz harp, playing music by Miles Family Fund in Judaic Studies with the support of Davis, Duke Ellington, Sting, Stickney & Oppermann the Department of History. Free. For information, call at 8 p.m. in Beall Hall. $9, $5. For information, call 346-5288. /OHC 346-5678. 5 The Residential Academy presents a Community 30 The School of Music presents a master class with Conversations panel on “Abortion” at 7:30 p.m. in Matthias Ziegler, ﬂute, at 7 p.m. in Beall Hall. $5. For the Ramey Room, Carson Hall. Airs on Channel 23 information, call 346-5678.
[Show full text]
German Films Quarterly 2 · 2004
German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS.
[Show full text]
Framedokumentárny Film
2/2007 kritický obcasníkˇ študentov filmovej vedy frame FTF VŠMU Dokumentárny film Obsah DOKUMENTÁRNY FILM Katarína Martincová: 100 % pure reality 219 Robert Horňanský: Leni Riefenstahl: z norimbergských tribún do podmorského sveta 221 Tomáš Hudák: Rané dokumenty Michelangela Antonioniho 224 Peter Závadský: Z UFA do ruín Pompejí 226 Ivana Šlosárová: Do Medzilaboriec je cesta dlhá, alebo Borod – Miková – Medzilaborce 230 Žofia Bosáková: Obrazové inosvety 232 Michala Burcáková: Stalo sa to v Rakúsku 234 Matej Lauko: Jeden pohľad na Stoku 235 Nina Nováková: Sedem hriechov sedem dní 237 Pavel Smejkal: Konvencie sú ako prášky na spanie 240 11. čeSkoSlovenSká filmologická konferencia našimi očami Roman Jurčák: krpáčovo 242 Dokumentárny film Eva Perďochová: na aljašku! 244 Juraj Hoppan, Robert Horňanský, Katarína Martincová, Peter Závadský: Spoločná reportáž 246 keď dvaJa robia to iSté, nie Je to to iSté... Eva Perďochová: fantóm vo fialových šatách 249 Roman Jurčák: Morgiana 250 Katarína Martincová: Juraj Herz: morgiana. vizuálna lahôdka alebo psychoanalytický podvod? 252 218 frame 2/2007 100 % pure reality Katarína Martincová Nevšedný dokument Miroslava Janeka blbosť a odmietnutý hneď v prvých minútach, Portréty neznámych detí – Chačipe sleduje alebo dôjde k strate koncentrácie divákov očami detí z detských domovov ich súkrom- niekde v polovici filmu. opäť chybná hypo né radosti i traumy. Je smutno-smiešnym téza! téma filmu tak zarezonovala, že napriek pohľadom na ich osud a na svet okolo nich. mojej výzve, aby dej komentovali, urobili tak Vnútorný svet detí, citové strádanie aj len dvaja chlapci. Prvý tým našiel spôsob ako veľký emocionálny potenciál odkrýva film sa odosobniť od námetu filmu a nenechať prostredníctvom rozhovorov, švankmaje- sa vtiahnuť do hry so svojím súkromným rovských animácií, inscenovaných scénok prežívaním; v prípade druhého chlapca jeho o alkoholizme, bezdomovectve a veciach, poznámky súviseli s reálne nižším iQ (dieťa ktoré tieto deti vnímajú odlišne ako deti alkoholikov, narodené rodičom vyššieho vyrastajúce v rodine.
[Show full text]
Annual Report 2003 Annual Report 2003
THE CLEVELAND MUSEUM OF ART ANNUAL REPORT 2003 ANNUAL REPORT 2003 1 ARcover2003.p65 1 6/1/2004, 11:41 PM Annual Report 2003 ARpp01-21.p65 1 6/1/2004, 11:45 PM The Cleveland Cover: School The Annual Report The type is Bembo right in the United 46, 68, 72, 82, 87, 92, Museum of Art children are enthralled was produced by the and TheSans adapted States of America or 100; Becky Bristol: p. 11150 East with the ten litho- External Affairs for this publication. abroad and may not 95; Philip Brutz: pp. Boulevard graphs in Color division of the Composed with be reproduced in any 90 (right), 96; © Cleveland, Ohio Numeral Series (cour- Cleveland Museum of Adobe PC form or medium Disney/Pixar: p. 94; 44106-1797 tesy Margo Leavin Art. PageMaker 6.5. without permission Gregory M. Donley: Copyright © 2004 Gallery, Los Angeles), Narrative: Gregory Photography credits: from the copyright pp. 9 (left), 12, 13, on view in the holders. The follow- 37, 39, 44 (top), 45 The Cleveland M. Donley Works of art in the Museum of Art landmark exhibition ing photographers are (bottom), 47 (bot- Jasper Johns: Numbers. Editing: Barbara J. collection were pho- acknowledged: tom), 49 (top), 67, All rights reserved. Bradley and Kathleen tographed by museum Frontispiece: The Howard Agresti: pp. 71, 77, 79, 80, 89 No portion of this Mills photographers 1, 7, 8 (all), 10 (both), (all); Ann Koslow: p. publication may be museum and lagoon Howard Agriesti and in winter. Design: Thomas H. 36, 38, 40, 43, 44 71 (left); Shannon reproduced in any Barnard Gary Kirchenbauer; (middle and bottom), Masterson: p.
[Show full text]
Universidade Do Estado Do Rio De Janeiro Centro De Educação Em Humanidades Instituto De Letras
Universidade do Estado do Rio de Janeiro Centro de Educação em Humanidades Instituto de Letras Juliana Carvalho de Araujo de Barros A vida como obra de arte: de Andy Warhol a Chacal ou do A ao C e de volta ao A/C Rio de Janeiro 2018 Juliana Carvalho de Araujo de Barros A vida como obra de arte: de Andy Warhol a Chacal ou do A ao Z e de volta ao A/C Tese apresentada, como requisito parcial para obtenção do título de Doutor, ao Programa de Pós-Graduação em Letras, da Universidade do Estado do Rio de Janeiro. Área de concentração: Teoria da Literatura e Literatura Comparada Orientadora: Prof.ª Dra. Ana Cristina de Rezende Chiara Rio de Janeiro 2018 CATALOGAÇÃO NA FONTE UERJ/REDE SIRIUS/BIBLIOTECA CEH/B B277 Barros, Juliana Carvalho de Araujo de. A vida como obra de arte: de Andy Warhol a Chacal ou do A ao Z e de volta ao A/C / Juliana Carvalho de Araujo de Barros.- 2018. 203 f. : il. Orientadora: Ana Cristina de Rezende Chiara. Tese (doutorado) – Universidade do Estado do Rio de Janeiro, Instituto de Letras. 1. Escritores e artistas – Teses. 2. Chacal, 1951- - Biografia – Teses. 3. Warhol, Andy, 1928-1987 – Biografia – Teses. 4. Performance (Arte) – Teses. 5. Criação (Literária, artística, etc.) – Teses. I. Chiara, Ana Cristina. II. Universidade do Estado do Rio de Janeiro. Instituto de Letras. III. Título. CDU [82:7]:92 Bibliotecária: Eliane de Almeida Prata. CRB7 4578/94 Autorizo, apenas para fins acadêmicos e científicos, a reprodução total ou parcial desta tese, desde que citada a fonte.
[Show full text]
Titel Kino 1/2002
EXPORT-UNION OF GERMAN CINEMA 1/2002 AT BERLIN opening film in competition HEAVEN by Tom Tykwer ACCEPT DIVERSITY Interview with Dieter Kosslick GERMAN BOX OFFICE RECORD Michael ”Bully“ Herbig’s MANITOU’S SHOE SPECIAL REPORT Film Funding in Germany: The Big Six Kino Giovanni Ribisi,Giovanni GmbH) Cate Blanchett Pool (photo © X Filme Creative GERMAN CINEMA Illustration: Angela Hawkins Foto/AD: Werner Schauer Werner Angela Hawkins Foto/AD: Illustration: The Broadway to Business. European Film Market · debis Haus · Mercedes-Benz Showroom phone 0 30-2 53 58-3 72/-3 73 · fax 0 30-2 53 58-3 74 Export-Union des Deutschen Films · Munich · phone: +49-89-5 99 78 70 · Filmförderungsanstalt · Berlin · phone: +49-30-27 57 70 BERLINALE 2002 Willkommen auf der Berlinale 2002 – zu dem Event der Filmbranche. Erleben Sie Stars und Sternchen, tauchen Sie ein in die schillernde Szene und genießen Sie die Faszination Film. KODAK Meeting Point Treffen Sie Kodak im Meyerbeer Coffee-Shop, im Gebäude der Berliner Volksbank, Eichhornstraße 1, direkt neben dem European Film Market. Welcome to the Berlinale 2002 – a very special event for the film industry. Experience stars and starlets. Enjoy the glamorous scene and the fascination of film. KODAK Meeting Point Come join the KODAK team at Meyerbeer- Coffee-Shop, in the Volksbank Berlin building, Eichhornstr. 1, right next to the European Film Market. WELCOME thereʼs more to the story KODAK GMBH · Geschäftsbereich Entertainment Imaging © Eastman Kodak 2002 70324 Stuttgart · www.kodak.de/go/motion KINO 1/2002 32 Das
[Show full text]
An Examination of Andy Warhol's Extraordinary Commercial Success
- Fifteen minutes and then some: an examination of Andy Warhol's extraordinary commercial success. Reed, Alycia Faith https://iro.uiowa.edu/discovery/delivery/01IOWA_INST:ResearchRepository/12730536030002771?l#13730816480002771 Reed, A. F. (2012). Fifteen minutes and then some: an examination of Andy Warhol’s extraordinary commercial success [University of Iowa]. https://doi.org/10.17077/etd.2qhyy95z https://iro.uiowa.edu Copyright © 2012 Alycia Faith Reed Downloaded on 2021/09/25 15:17:11 -0500 - FIFTEEN MINUTES AND THEN SOME: AN EXAMINATION OF ANDY WARHOL’S EXTRAORDINARY COMMERCIAL SUCCESS by Alycia Faith Reed A thesis submitted in partial fulfillment of the requirements for the Master of Arts degree in Art History in the Graduate College of The University of Iowa May 2012 Thesis Supervisor: Professor Craig Adcock Copyright by ALYCIA FAITH REED 2012 All Rights Reserved Graduate College The University of Iowa Iowa City, Iowa CERTIFICATE OF APPROVAL MASTER’S THESIS This is to certify that the Master’s thesis of Alycia Faith Reed has been approved by the Examining Committee for the thesis requirement for the Master of Arts degree in Art History at the May 2012 graduation. Thesis Committee: Craig Adcock, Thesis Supervisor Dorothy Johnson Julie Berger Hochstrasser ! To Mom, who loved Andy first. ! ii! Some company recently was interested in buying my “aura.” They didn’t want my product. They kept saying, “We want your aura.” I never figured out what they wanted. But they were willing to pay a lot for it. Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again) ! iii! ACKNOWLEDGEMENTS I would like to thank my thesis advisor, Professor Craig Adcock, for his support and guidance, and for allowing me to write about Andy Warhol as much as possible over the course of my time at the University of Iowa.
[Show full text]
Slovákov a Čechov, Ktorí Chcú O Sebe Vedieť Ročník 14 / Cena 20 Kč
Listy_06_2007:Listy_03_2007 4.7.2007 17:32 Page 1 listy6 2007 Slovákov a Čechov, ktorí chcú o sebe vedieť Ročník 14 / Cena 20 Kč Divadlo je zhrnutím doby, je jej stručnou kronikou Mirjana Šišoláková Hľadá sa Peter Bilý (?) Ján Chovanec Slovensko nie je len Bratislava Peter Mayer Šesťdesiat rokov slovenskej evanjelickej cirkvi v Prahe Jozef Gáfrik Z histórie a súčasnosti Klubu slovenskej kultúry v Prahe (5. časť) Helena Nosková Slovo o knihách Igor Otčenáš Martin Gregor, herec s vášňou Jozef Leikert Historik Dušan Kováč navštívil Prahu Lucia Satinská Absolut WARHOLa Zuzana Pauková Modrá stránka Program KSK Oriešok Príloha časopisu Listy Listy_06_2007:Listy_03_2007 4.7.2007 17:32 Page 2 Klub slovenskej kultúry v spolupráci: Slovenský inštitút v Prahe, Český svaz bojovníků za svobodu, Československá obec legionářská, Historická skupina priamych účastníkov SNP, SZ Limbora, Detvan, Ruský kulturní svaz Praha a ďalší TRADIČNÁ PLAVBA PO VLTAVE k 63. výročiu SNP a k 30. výročiu KLUBU SLOVENSKEJ KULTÚRY štvrtok 30. 8. 2007 od 18.00 do 23.00 Loď EURÓPÉ vypláva z prístaviska Na Františku, Praha 2. Tradičná spoločenská pripomienka bude spojená s bohatým kultúrnym programom. Akcia sa koná aj vďaka podpore Úradu pre Slovákov žijúcich v zahraničí a Ministerstva kultúry ČR. Vstupenky si môžete rezervovať na telefónnych číslach: 224 215 085, 776 138 859 a 724 025 170 od pondelka 23. 7. Vstupenky si potom budete môcť zakúpiť a vyzdvihnúť od pondelka 20. 8. priamo v Klube slovenskej kultúry, v utorok v čase 13.00 – 17.00 a v stredu v čase 12.00 – 17.00. Bližšie informácie sa dozviete na internetových stránkach – www.klubsk.net Podrobnejšie informácie o akcii, ako aj o konkrétnom programe vám prine - sieme v najbližšom vydaní časopisu LISTY Slovákov a Čechov.
[Show full text]
The Ukrainian Weekly, 2018
INSIDE: l A quarter century of Fulbright Ukraine program – page 9 l Andy Warhol at The Ukrainian Museum – page 11 l Lomachenko now holds two lightweight titles – page 17 THEPublished U by theKRAINIAN Ukrainian National Association Inc., a fraternal W non-profit associationEEKLY Vol. LXXXVI No. 50 THE UKRAINIAN WEEKLY SUNDAY, DECEMBER 16, 2018 $2.00 Oleh Sentsov ‘has won,’ cousin Activist fights for freedom of Donbas tells Sakharov Prize ceremony through research, media campaigns RFE/RL Produces short documentaries STRASBROUG, France – The European on pro-Ukrainian Donbas activists Parliament has awarded imprisoned Ukrainian film director Oleh Sentsov its 2018 Sakharov Prize for Freedom of Thought. by Mark Raczkiewycz “Thanks to his action, the entire world has begun speaking about Russian repres- KYIV – On May 4, 2014, Dmytro sions,” Mr. Sentsov’s cousin Natalya Kaplan Tkachenko left his hometown of Donetsk said at the award ceremony in Strasbourg, for a one-day trip to Kyiv. France, on December 12. He took his laptop computer and no “Oleh has drawn a lot of attention to the change of clothing. issue of Ukrainian political prisoners [in It was a typical business trip. One that he Russia]. He has won already,” she under- often took on express trains that link the scored. two cities. This time, he came to present Mr. Sentsov has been imprisoned in survey findings of overwhelming pro- Courtesy of Dmytro Tkachenko Russia since opposing Moscow’s takeover Ukrainian sentiment in the Donbas. Dmytro Tkachenko, co-founder the of his native Crimea in March 2014, and his It was just days before Russian-led prox- Committee of Patriotic Forces of Donbas, absence at the Strasbourg ceremony was ies in the occupied parts of Luhansk and Donetsk regions were to hold sham refer- at a pro-Ukrainian rally in Donetsk on marked by an empty chair at the center of March 4, 2014.
[Show full text]
Understanding Andy Warhol's Relationship with the Visual Image
Graduate Theses, Dissertations, and Problem Reports 2011 The Sacred in the Profane: Understanding Andy Warhol's Relationship with the Visual Image Linda Rosefsky West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Rosefsky, Linda, "The Sacred in the Profane: Understanding Andy Warhol's Relationship with the Visual Image" (2011). Graduate Theses, Dissertations, and Problem Reports. 749. https://researchrepository.wvu.edu/etd/749 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Sacred in the Profane: Understanding Andy Warhol’s Relationship with the Visual Image Linda Rosefsky Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Art History Examining Committee: Kristina Olson, M.A., Chair,
[Show full text]