Annual Report 2003 Annual Report 2003

THE CLEVELAND MUSEUM OF ART

ANNUAL REPORT 2003 ANNUAL REPORT 2003

ARcover2003.p65 1 6/1/2004, 11:41 PM Annual Report 2003

ARpp01-21.p65 1 6/1/2004, 11:45 PM The Cleveland Cover: School The Annual Report The type is Bembo right in the United 46, 68, 72, 82, 87, 92, Museum of Art children are enthralled was produced by the and TheSans adapted States of America or 100; Becky Bristol: p. 11150 East with the ten litho- External Affairs for this publication. abroad and may not 95; Philip Brutz: pp. Boulevard graphs in Color division of the Composed with be reproduced in any 90 (right), 96; © Cleveland, Ohio Numeral Series (cour- Cleveland Museum of Adobe PC form or medium Disney/Pixar: p. 94; 44106-1797 tesy Margo Leavin Art. PageMaker 6.5. without permission Gregory M. Donley: Copyright © 2004 Gallery, Los Angeles), Narrative: Gregory Photography credits: from the copyright pp. 9 (left), 12, 13, on view in the holders. The follow- 37, 39, 44 (top), 45 The Cleveland M. Donley Works of art in the Museum of Art landmark exhibition ing photographers are (bottom), 47 (bot- Jasper Johns: Numbers. Editing: Barbara J. collection were pho- acknowledged: tom), 49 (top), 67, All rights reserved. Bradley and Kathleen tographed by museum Frontispiece: The Howard Agresti: pp. 71, 77, 79, 80, 89 No portion of this Mills photographers 1, 7, 8 (all), 10 (both), (all); Ann Koslow: p. publication may be museum and lagoon Howard Agriesti and in winter. Design: Thomas H. 36, 38, 40, 43, 44 71 (left); Shannon reproduced in any Barnard Gary Kirchenbauer; (middle and bottom), Masterson: p. 86; form whatsoever the photographs are 48, 50, 84 (both), 85; Deirdre Vodanoff: p. without the prior Production: Charles copyright by the Szabla Thomas H. Barnard: 49 (bottom); Hunter written permission of Cleveland Museum of p. 90 (left); David Walter: p. 47 (top and Printing: Great Lakes the Cleveland Art. The works of art Brichford: cover, pp. middle). Lithograph Museum of Art. themselves may also 6 (bottom), 9 (top), be protected by copy- 35 (all), 42, 45 (top),

When prominent Cleveland interior designer Nicholas J. Velloney died in August, he left his entire estate to the museum. In addition to valuable real estate, the estate included a remarkable collection of decorative objects and works on paper, from which he stipulated that the museum be given any works that it wished to accession, with the balance to be sold and any remaining profit donated to the museum. These two ice- cream coolers are among the delightful objects that now make their home in the museum, thanks to Mr. Velloney’s generous gift.

Factory of Jacob-Petit (French, 1830–65). Pair of Covered Ice Cream Pails, about 1840; gilt porcelain; 42.5 x 27.3 x 27 cm and 42.5 x 27.7 x 26.6 cm; Bequest of Nicholas J. Velloney 2003.250.1.a–c; 2003.250.2.a–b.

ARpp01-21.p65 2 6/8/2004, 4:29 PM 4 Board of Trustees 5 Trustee Committees 6 Director 10 Chairman 11 President 14 Collections 38 Exhibitions 48 Community Support 82 Education, Public Programs, and Outreach 96 Staff 101 Financial Report 102 Treasurer

ARpp01-21.p65 3 6/8/2004, 4:29 PM Board of Trustees

Officers Standing Trustees Trustees Emeriti Honorary Trustees James T. Bartlett, Virginia N. Barbato Peter B. Lewis Mrs. Noah L. Butkin President James T. Bartlett Michael Sherwin Mrs. Ellen Wade Michael J. Horvitz, Charles P. Bolton Chinn Chairman Life Trustees Sarah S. Cutler Mrs. John B. Ellen Stirn Mavec, Elisabeth H. Dempsey Robert W. Gillespie Vice President Alexander Joseph M. Erdelac George Gund III William R. Quentin Alexander Mrs. John Flower Robertson, Vice Michael J. Horvitz Leigh Carter President Mrs. Robert I. George M. James H. Dempsey Jr. Gale Jr. Katharine Lee Reid, Humphrey II Mrs. Edward A. Director, CEO, and Robert D. Gries Anne Hollis Ireland Kilroy Jr. Secretary Mrs. John Hildt Adrienne Lash Jones Jon A. Lindseth Janet Ashe, Treasurer Ward Kelley Robert M. Kaye Morton L. Mandel Roberto A. Prcela, Dr. Sherman E. Lee Nancy F. Keithley Assistant Secretary George Oliva Jr. Milton Maltz William P. Madar Mrs. Alfred M. Tamar Maltz Ellen Stirn Mavec Rankin Eleanor Bonnie S. Sterling Donna S. Reid McCoy McMillan III Edwin M. Roth Mary Schiller Myers Rev. Dr. Otis Moss Jr. Frances P. Taft Mrs. R. Henry Stephen E. Myers Dr. Paul J. Vignos Jr. Norweb Jr. Alfred M. Rankin Jr. Alton W. Barbara S. Robinson James A. Ratner Whitehouse Viktor William R. Dr. Norman W. Schreckengost Robertson Zaworski Laura Siegal Elliott L. Schlang Evan Hopkins Eugene Stevens Turner Richard T. Watson

Ex Officio Daniel F. Austin, Corporate Council Janet W. Coquillette, Womens Council David Gottesman, Young Friends Katharine Lee Reid, Director

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Standing Collections Advisory Helen Forbes Fields Fine Arts Garden Ad Hoc Committees Elliott L. Schlang, Committees Giesele Greene, M.D. Ruth Eppig, Committees Chairman Chairman Executive Accessions Bert Laurelle G. Holt Board of Trustees Charles P. Bolton Advisory Bracy Lewis Elisabeth H. Building Oversight James T. Bartlett, Alexander Chairman George Gund III Elliott L. Schlang, Franklin Martin Michael J. Horvitz, Robert M. Kaye Chairman Terri Hamilton Chairman Anne Hollis Ireland Rev. Marvin Brown Jon A. Lindseth Nancy F. Keithley Elisabeth H. McMickle James T. Bartlett Alexander Perrin Carpenter William P. Madar Jon A. Lindseth A. Grace Lee Mims Alfred M. Rankin Jr. Quentin Alexander Mrs. Ellen Wade Ellen Stirn Mavec Ellen Stirn Mavec Steven A. Minter Chinn Donna S. Reid Katherine Bolton Alfred M. Rankin Jr. Stephen E. Myers Rev. Dr. Otis Moss Jr. Jennifer Coleman Elliott L. Schlang Mrs. Noah L. Butkin Donna S. Reid Alfred M. Rankin Jr. Sharon Patton Fluker Katharine Lee Reid, Mrs. Joseph Ceruti ex officio William R. Donna S. Reid Greg Reese Mrs. Allen Ford Helen Forbes Fields Robertson Eugene Stevens Dr. Lawrence Mrs. Morley Campaign Cabinet Michael J. Horvitz, James T. Bartlett, Mrs. John Hildt Simpson Hitchcock Planning ex officio ex officio Marguerite B. Andrew Venable Brian Holley Ellen Stirn Mavec, Katharine Lee Reid, Katharine Lee Reid, Humphrey James T. Bartlett, John G. Michalko II Chairman ex officio ex officio Robert H. Jackson ex officio Donald Morrison James T. Bartlett Mrs. Edward A. Katharine Lee Reid, Natalie Saiklay Robert W. Gillespie Committee on Investment Kilroy Jr. ex officio Trustees Clara D. Sherwin Michael J. Horvitz Alfred M. Rankin Tamar Maltz William R. Jr., Chairman Education Charles Weller Anne Hollis Ireland Mary Schiller Myers Robertson, Michael J. Horvitz Adrienne Lash Jones, Dr. Norman W. William P. Madar Chairman Mrs. Alfred M. Chairman Zaworski Anne Hollis Ireland Rankin Alfred M. Rankin Jr. Robert W. Gillespie Virginia N. Barbato James T. Bartlett, S. Sterling Edwin M. Roth Donna S. Reid Anne Hollis Ireland McMillan III James S. Berkman ex officio Mark Schwartz Katharine Lee Reid, Adrienne L. Jones James A. Ratner Jeanette Grasselli Katharine Lee Reid, ex officio Frances P. Taft ex officio Jon A. Lindseth William R. Brown Dr. Paul J. Vignos Jr. Legislative Affairs Ellen Stirn Mavec Robertson Leigh Carter Information Jon A. Lindseth, Richard T. Watson Elliott L. Schlang Dr. Norman W. Sr. Maureen Doyle Technology Zaworski Chairman James T. Bartlett, Richard T. Watson Carol S. Franklin Bruce V. Mavec, James T. Bartlett, Charles P. Bolton ex officio James T. Bartlett, Debra Guren Chairman ex officio George M. Michael J. Horvitz, ex officio Sylvie Bon Katharine Lee Reid, Bert Laurelle G. Holt Humphrey II ex officio Katharine Lee Reid, Dr. Delos M. ex officio George M. William P. Madar ex officio Humphrey II Cosgrove III Finance Ellen Stirn Mavec African-American Susan W. MacDonald Jennie S. Hwang William P. Madar, Compensation Advisory Rev. Dr. Otis Moss Jr. Chairman S. Sterling Trevor Jones James T. Bartlett, Committee Donna S. Reid Robert M. Kaye Chairman McMillan III Joseph P. Keithley Adrienne Lash Jones, Elliott L. Schlang Nancy F. Keithley William P. Madar Chairman Rev. Dr. Otis Moss Jr. William Mulligan Katharine Lee Reid, Frances P. Taft Linda Rae William R. Michael J. Horvitz, Montrie Rucker ex officio Robertson ex officio Adams Susan H. Turben Richard T. Watson James T. Bartlett, June S. Antoine Dr. Paul J. Vignos Jr. James T. Bartlett, ex officio Emma Benning Sally H. Wertheim ex officio Katharine Lee Reid, Albert Bright James T. Bartlett, Katharine Lee Reid, ex officio ex officio Margot James ex officio Copeland Katharine Lee Reid, James Crosby ex officio

ARpp01-21.p65 5 6/8/2004, 4:11 PM From the Early in the year, the museum introduced Rafael Viñoly’s exciting designs Director for the museum expansion. As this process has evolved, it has become more and more apparent that this project is about much more than simply creating more and better space within the walls of this institution. It is about building this community. The arts in northeastern Ohio generate more than a billion dollars in business activity annually, and in an increasingly knowledge-based economy, they are critical for attracting and retaining talented and highly educated people. The predominance of such people among our citizenry, in turn, further strengthens the environment for all those involved in creative life. The museum has a central role to play in fostering a vital arts community here. To understand how this role has evolved over the years and envision how we can shape its future, it is necessary to recall where we began and retrace our steps. The museum’s founding plan was visionary and straight- forward: to play a major civic role in Cleveland and to establish this city among the great metropolises of the country. Our founders created a beautiful building, filled it with great art from around the world, presented it with grandeur and clarity, and opened the doors for all to enjoy. As demand grew for space for galleries, classrooms, and offices, the original museum evolved into a mosaic of buildings through additions built in 1958, 1971, and 1983. Today, we have a comprehensive collection of art renowned the world over, but our building complex is a maze-like amal- gamation that is confusing for our visitors. The expansion project is driven not only by the need for more space, but by the notion that physical spaces should do everything possible to help visitors connect with art. In shaping our plans, community involvement was a priority. Two public events in 2003 were designed to engage the citizens of our region

The installation of the Draped in Splendor exhibition offered the opportunity to present great Renaissance textiles and related paintings from the permanent collection.

ARpp01-21.p65 6 6/1/2004, 11:45 PM in shaping the expansion project. First, Rafael Viñoly discussed his designs in a February 6 forum, coordinated by Cleveland Public Art, at the Ohio Theatre. The plan shows a significant increase in space, but the configuration of that space is perhaps just as important. Not only is the gallery circulation more rational, but the strategic incorporation of windows provides views into our beautiful parkland setting as well as natural light, enhancing the beauty of interior spaces and offering an important aid to navigation. The effect of the expansion on the surrounding neighborhood will be impressive, with new emphasis given to the western edge of the building and the landscape toward Martin Luther King Jr. Drive. A resto-

Children in museum art classes take an inspirational stroll through the galleries before heading to the studio to create their own works of art.

ration of this lovely park area, viewable through banks of windows looking out from above the wooded hillside, will create a striking new public space for the citizens of greater Cleveland. All parking is in an expanded facility, with some surface area reclaimed as parkland. The overall attitude expressed in the design is one of openness toward and participation in the life of the neighborhood; this is a public space that invites people to commune with works of art and with each other. The response to this first presentation was enthusiastic and encouraging. On November 19, about 500 friends of the arts filled Gartner Audito- rium for a multimedia presentation on the interior of their new museum. During the year, the museum’s curators and I worked with the architects to refine the ways in which the space is used within the established “footprint.” As a result, the team found resourceful ways of using the allotted area and creative ways of presenting the collections to their best advantage

ARpp01-21.p65 7 6/1/2004, 11:45 PM The MetaScape exhibition introduced the Project 244 gallery.

in greatly improved galleries. The total gross area of the current museum complex is about 389,000 square feet; Viñoly’s plan now provides approximately 585,000 square feet. Perhaps more important than the increase in gross area is the use of that space. The current museum has net usable area of about 58% of the total square footage, while the Viñoly plan achieves 62%—a remarkable spatial efficiency. The number of covered

Left to right: Council- Daniel Windham, West- parking spaces will climb from 495 to approximately 650. The thoughtful woman Patricia Britt, ern Reserve Historical and constructive response to this forum was both immensely useful and Cleveland Public Library Society director Patrick director Andrew Reymann, and council- deeply gratifying. I know it will result in a better museum for the future. Venable, Cleveland woman Sabra Pierce mayor Jane Campbell, Scott march in Parade Thinking of this bright future is wonderfully exciting, but the Cleveland Music School the Circle. museum’s present-day activity brings its own share of satisfaction. The Settlement director year saw some wonderful acquisitions, from the monumental Neoclassical paintings of Charles Meynier and the large canvas by Lee Krasner, to delightful objects of more intimate scale, such as Jean Dubuffet’s collage in- corporating butterfly wings and the engaging bust of a young boy by Augusta Savage. Exhibitions covered their usual broad territory, introducing to Cleve- land audiences all manner of unexpected treasures. Special events such as the multimedia Fast Forward party in November and our participation in Cleveland Public Art’s LuminoCity event in the Cleveland Trust Building

Deputy Director for downtown in December demonstrated our ongoing appeal to young and Collections and broad audiences. We will continue to present and collaborate in innova- Programs Charles Venable (right) with tive events in the future. Heather Hodges, The year was not without its difficulties. The protracted dip in the ambassador to Moldova, and Robert value of the museum’s endowments and trusts, combined with the effects Sopplesa, curator, Art in Embassies Program. of the overall weakness in the regional economy, strained the operating budget. The situation was exacerbated by the long 1990s economic boom, because the value of the endowments and trusts grew uninterrupted for

ARpp01-21.p65 8 6/8/2004, 4:11 PM Celebrate Africa Day coincided with the reopening of the gallery of the art of sub-Saharan Africa.

more than eight years so that, even within the constrictions of the museum’s conservative spending rule, funds were generated to expand existing efforts and create new initiatives throughout the 1990s. Certainly the museum was able to undertake efforts that would not have been possible in a more typical economic climate. But, with the end of the boom, the museum inevitably ended up with higher operating expenses than it could responsibly sustain, and, in July 2003, it was necessary to undertake the painful task of laying off staff and eliminating unfilled positions. Be- cause the spending rule operates on a five-year average, the operating budget will remain tight for some years even though the value of the endowments and trusts rebounded significantly during 2003. Despite these challenges, I am pleased to report that the museum continues to be free to all, with all its galleries and educational resources open and available so that the efforts of the past decade have paid off for the public. All the im- Students in Susan portant new programs the museum created and improved during that time Gray Bé’s painting class work in the continue to thrive today. At year’s end, the museum’s operating budget medieval galleries. was in the black, with a surplus of about $55,000. My heartfelt thanks go to our trustees’ support and to our staff, who individually managed resources with special care and worked even harder and longer to keep this museum in its solid financial condition. That strong base—economic and human—will be the foundation for a bright future.

Katharine Lee Reid Director

ARpp01-21.p65 9 6/8/2004, 4:12 PM From the The museum’s ambitious renovation and expansion plans continued to Chairman take shape during 2003, as trustees and staff worked with the architects to finalize the design. Our vision for this great institution remains un- changed, and this vision guides and informs all our decisions. We intend to make our facilities as great as the works of art they house and the communities they serve. The world knows that this city has a great collection of art. When the building project is concluded, it will also know that Cleveland has one of the greatest museum experiences in the world and that the museum truly is a beacon of creativity for the entire region. The enhancement of the Cleveland Museum of Art will dramatically improve our visitors’ experience, beginning with their approach to the museum and extending through every facet of their visit. A renovated and restored Breuer building will be rededicated to its original educational function and will house a state-of-the-art Lifelong Learning Center. The landmark 1916 building will be completely renovated. Redesigned gallery space will allow each object on view to stand out, and new interpretive aids will enrich the stories art can tell. Visitors will also be able to enjoy a new restaurant, a more inviting retail space, and easier parking. What will not change is the opportunity to experience the highest level of artistic creativity across centuries and cultures. Although the renovation and expansion plans intensified in 2003, the museum continued to bring our community extraordinary opportunities to experience art and culture through diverse exhibitions and programs. All of us appreciate the community’s continued support of these ongoing activities, especially in a challenging economic time. This museum is one of the great assets of Cleveland and northeast Ohio. We thank all who contributed to a successful 2003 for their generosity and dedication. Your support helps ensure that the Cleveland Museum of Art will remain a treasure for future generations.

Michael J. Horvitz Chairman

ARpp01-21.p65 10 6/1/2004, 11:45 PM From the The year 2003 was one of transition and challenge for the Cleveland Mu- President seum of Art, yet it ended on a high note of progress and accomplishment. As we entered the year, we faced a sobering situation: The value of our endowments, whose earnings fund about two-thirds of operating expenses, continued to fall in weak markets. The regional and national economy were still weak, putting additional pressures on our revenues, donor support, and attendance. Meanwhile, although much progress had been made, plans for our visionary renovation and expansion were far from complete, and the staff faced yet another year living dual lives: running the museum on a daily basis, and simultaneously devoting enormous energy and intellectual resources to designing the future. The latter is a particularly formidable task, since there is no “off the shelf” solution: The Cleveland Museum of Art is unique in so many ways that its future configuration demands careful thought at every level of detail. Finally, with open positions yet to be filled and a few retirements on the horizon, we anticipated significant change in our curatorial ranks. Looking back, one of our most crucial tasks was to ensure the strength and stability of this most important resource during a period of transition. Happily, by the year’s end, few of these concerns lingered. Our endowment had a strong recovery, the economy was much improved, and our donors lent incredible support financially and otherwise. Curatorial work has continued apace. The building design, meanwhile, had pro- gressed to a near-final vision, a relief to those working on the project and to the Board as well. From the Board perspective, we are deeply grateful to Katharine Reid and her staff, who provided vital input to the building project in its final design phase while continuing to meet the highest standards in providing visitor and educational services—all on a constrained budget. Many staff members worked long hours and contributed key insights in an extraordinary show of support for the long-term vision of the institution. Despite the clouded horizon when we entered the year, we emerged from 2003 a much stronger, more tightly managed, and vibrant institution. In 2004 we embark from this higher plateau. We are nearing the end of the design phase of the building; we are making steady progress in the “silent phase” of our capital campaign; and our programs have never been more robust or well received. We continue to attract more than 100,000 students to the museum for guided tours each year and to reach tens of thousands more through outreach and distance learning programs, both live and via the Internet. Our attendance hovers near the half-million mark despite a continuing sluggish Cleveland economy. Finally, the museum finished the year with a small operating surplus.

ARpp01-21.p65 11 6/1/2004, 11:45 PM Instructor Karen Levinsky leads a fifth- grade class from Canterbury Elementary School in Cleveland Heights.

As we survey the landscape of art museums in the United States, we find many, like Cleveland, are embarked upon expansion projects whose origins date to the prosperous 1990s. However, many of our peer institutions are severely hampered in these efforts by operating deficits brought on by funding pressures in the weakened economy; most are not as fortunate as Cleveland in terms of its strong financial position and level of community support. Simply stated, we are in an enviable situation. We intend to continue to capitalize on our strengths and deliver to our community a new vision for the building, which will include wonderfully stimulating and refreshing ways of interpreting and presenting our world-class collections. At the same time, we shall continue our long tradition of providing educational programs and events that reflect our desire to serve our community at the highest level of quality. It is an exciting time to be involved in this museum. I hope you share that excitement, and that you will continue your generous and thoughtful support.

James T. Bartlett President

ARpp01-21.p65 12 6/1/2004, 11:45 PM Architecture Forums

Two public events in 2003 were worked with the architects to refine designed to engage the citizens of our the ways in which the space is used region in shaping the museum expan- within the established “footprint.” As sion project. First, Rafael Viñoly a result, the team found resourceful discussed his designs in a February 6 ways of using the allotted area and forum, coordinated by Cleveland Public achieved a major increase in gallery Art, at the Ohio Theatre. A large model space. In the weeks before the forum, of the entire museum site, including the Viñoly office in New York worked the Fine Arts Garden and lagoon, filled on computer-generated renderings of the stage, and an array of remote- selected spaces. Views included a controlled video cameras allowed the high-tech-but-inviting family learning architect to give the audience a “tour” center, a sample interpretive gallery, of his model. In a question-and-answer and various other gallery and exhibi- session after the presentation, Viñoly tion spaces. The audience was par- and director Katharine Lee Reid ticularly engaged by the simulated discussed the key goals of the plan: journey around the museum exterior, to increase space, rationalize the circu- which culminated in a promenade lation scheme, and help open the through the new museum entrance, museum up to the surrounding com- into the sunlit, glass-covered great munity. At the end of the evening, the court. Another fringe benefit of the audience was invited to come on stage design refinements was the creation and examine the model. The technical of glass-walled galleries at the ends of prowess of the museum’s Information the new east and west wings. These Technology staff not only made the spaces help create the illusion that the evening possible, but has allowed Web new and old portions of the building site visitors to relive the forum online. don’t actually touch; they also offer On November 19 in Gartner Audito- the opportunity to display sculpture in rium, the second forum was built plain view of passersby outside, repre- around a multimedia presentation on senting in a particularly direct way the the interior of the new museum. simple but powerful idea of bringing During the year, staff members had art to the community.

Attendees at a February forum at the Ohio Theatre examine Rafael Viñoly’s dramatic scale model showing how the museum and its site will look when the expansion project is complete.

1313

ARpp01-21.p65 13 6/1/2004, 11:45 PM Charles Meynier (French, 1768–1832). Clio, Muse of History, 1800; oil on canvas; 273 x 176 cm; Severance and Greta Millikin Purchase Fund 2003.6.5.

ARpp01-21.p65 14 6/8/2004, 4:12 PM Collections

Early in the year, the During 2003, 523 works of art came into the collection. Highlights museum acquired a suite of five grand paintings by among them are two 19th-century carved figures from the Democratic the French Neoclassical artist Charles Meynier, Republic of the Congo; Gamin, a hand-painted plaster bust by the making the CMA the only Harlem Renaissance artist Augusta Savage; and a ceramic Oculate Being U.S. musuem posessing such an ensemble. The Mask made between 300 BC and 1 AD in present-day coastal Peru. The context of our great bequest of Nicholas J. Velloney brought many objects to the collection, strength in late 18th- and early 19th-century French from Sèvres porcelain and British silver by Paul Storr to earthenware painting makes this acquisition especially from the Josiah Wedgwood Factory. Entering the Asian collections were important. Depicting notable calligraphic scrolls from Mr. and Mrs. Robert T. Gow. prominent mythological figures, the large canvases Former CMA gallery designer William Ward gave his large and were created starting in impressive collection of Indian Kalighat paintings; the museum now 1798 on commission for a patron whose fortunes possesses the single largest collection of these “folk” paintings in the ran dry before the artist could complete the set. United States. Miraculously, the group The year’s biggest acquisitions of paintings were literally the largest: of five remained intact and in remarkable condition. a suite of five floor-to-ceiling compositions on mythological subjects by the French Neoclassical painter Charles Meynier and the expansive 1960 canvas Celebration by the American artist Lee Krasner—the first painting by her to join the collection. The museum also added works on paper by André Breton, Kenneth Dingwall, Jean Dubuffet, Jean-Auguste-Dominique Ingres, Jean-François Millet, Henry G. Keller, and Alfred Maurer (three gouaches, a gift from Tommy and Gill LiPuma); five illuminated manuscripts from the Jeanne Miles Blackburn Collection; photographs given by the George Gund Foundation in honor of David Bergholz as well as a fine collection of photographs by Judith K. McMillan; and prints by, among others, Gustave Baumann, James Ensor, Donald Judd, Henri Rivière, Walter Sickert, and Cleveland artist Mabel Hewit, who learned the white line woodcut technique from Blanche Lazzell (subject of an exhibition here in 2002)—the first of several donations of material that will culminate in an exhibition in summer 2005. Notable textiles included a floral silk from Iran’s Safavid dynasty (1501-1722), and a resist-dyed raffia palm fiber man’s garment from the Ivory Coast. The activities and accomplishments of the curators varied greatly this year. Sylvain Bellenger was awarded the Chevalier des Arts et Lettres by the French government for his contribution to French culture and will be knighted in 2004. Michael Bennett received the Award of Achievement

ARpp01-21.p65 15 6/1/2004, 11:45 PM Color Proofing: Call Dean YOder 231-7880

Charles Meynier (French, 1768–1832). Polymnia, Muse of Eloquence, 1800; oil on canvas; 275 x 177 cm; Severance and Greta Millikin Purchase Fund 2003.6.1.

ARpp01-21.p65 16 6/8/2004, 4:13 PM in the cultural exhibition category for the 2002 exhibition Magna Graecia: Greek Art from South Italy and Sicily from Northern Ohio Live. He also helped establish an endowed lecture called The John and Helen Collis Lecture, which will cover topics related to ancient Greek and Byzantine art; the lectures begin in 2004. Susan Bergh worked with the organizing committee to create the American Association of Museum Curators. She and Heather Lemonedes represent the museum on the AAMC Council. Stan Czuma was local curator for the national exhibition The Sensuous and the Sacred: Chola Bronzes from South India. Carter Foster completed a fel- lowship at the Clark Art Institute in Williamstown in May and June to research images of life classes in 18th-century France and mounted the exhibition Jasper Johns: Numbers. Jane Glaubinger organized the exhibition Against the Grain: Woodcuts from the Collection. Louise Mackie curated the experimental exhibition Draped in Splendor: Renaissance Textiles and the Church and worked with the New Media department to develop the touch-screen interactive “How to Look at Textiles.” Constantine Petridis completed the reinstallation of the Art of Sub-Saharan Africa gallery

Iran, Safavid dynasty (1501–1722). Floral Silk on a Golden Ground, 1650–1700; complementary weft-faced twill with inner warps (samit); silk, gilt-metal and silver-metal thread; 50.1 x 27.5 cm; John L. Severance Fund 2003.96.

ARpp01-21.p65 17 6/1/2004, 11:45 PM South Coast, Peru, (which opened on October 12) and the catalogue South of the Sahara: Paracas (Cavernas) style (700 BC–AD 1). Selected Works of African Art. Jeffrey Grove and Carter Foster co-curated Oculate Being Mask, 300 BC–AD 1; ceramic, the exhibition Drawing Modern: Works from the Agnes Gund Collection. resin-based paint; The publications office simultaneously produced three ambitious books: diam. 23.9 cm; Purchase from the J. H. Drawing Modern: Works from the Agnes Gund Collection; Jasper Johns: Wade Fund 2003.39. Numbers; and South of the Sahara: Selected Works of African Art, all published in October. The museum hired two new staff members in the collections and programs area. Holger Klein, the first Robert P. Bergman Curator of Medieval Art, starts in the fall of 2004, and a new Asian paintings conservator, Jennifer Perry, will work at the Freer Gallery in Washington, D.C. as part of a new collaboration program with that institution. Cross-departmental teams also worked hard to shape ideas for the museum expansion project, including, among other things, a high-tech family learning center. A team of curators and educators took a whirlwind “field trip” to see what a number of the most technologically advanced museums are using now and planning for the coming years. One glimpse into the future appeared in the museum’s new gallery of Sub-Saharan African art: a video-interactive device simultaneously provides contextual information for gallery visitors, contains in-depth lesson plans designed to be accessed by teachers who are leading classes in the gallery, and allows

ARpp01-21.p65 18 6/1/2004, 11:45 PM Augusta Savage (American, 1892–1962). Gamin, about 1929–30; hand-painted plaster; 44.5 x 24.2 x 20.4 cm; Purchase from the J. H. Wade Fund 2003.40.

ARpp01-21.p65 19 6/8/2004, 4:13 PM for live, real-time videoconferencing with scholars or students at remote sites. Also employing technology in inventive ways was the touch-screen interactive display in the Draped in Splendor exhibition that enables visitors to learn all about the construction and uses of Renaissance textiles. The museum’s Web site was enhanced with thousands of additional records of objects from the permanent collection, all accessible through a searchable database. A total of 268 objects were lent to 62 exhibitions at 83 different venues. Among the numerous works treated in the conservation labs, of particular note was the so-called Schlägl altarpiece depicting the Passion of Christ. One exciting conservation project took place across the Atlantic Ocean via an Internet 2 video-data connection that allowed Cleveland conservators and their colleagues at the Centre de Recherche et de Restauration des Musées de France at the Louvre in Paris to collaborate on research of rare French ceramics.

Late Shang–early Western Zhou period (1200–1000 BC). Ding; bronze; h. 57.4 cm; Severance and Greta Millikin Purchase Fund 2003.2.

ARpp01-21.p65 20 6/1/2004, 11:45 PM Lee Krasner (American, 1908– Lee Krasner 1984). Celebration, The museum was fortunate to acquire emotional states. Celebration recon- 1960; oil on canvas; 234.3 x 468.6 cm; its largest Abstract Expressionist ciles both in a single, vibrant work. Un- Purchase from the painting this year, when Lee Krasner’s like the more purely abstract paintings J. H. Wade Fund expansive Celebration came into the of her iconic husband, Jackson Pollock, 2003.227. collection. Associate Curator of Con- Krasner’s work incorporates figural temporary Art Jeffrey Grove says the representation and nonobjective painting “expresses powerful emo- gestures in counterpoint, creating a tional energy, alternately ferocious layered, complex composition, full of and lyrical.” With arcs of pigment that tension and vitality. drip and splatter across its surface, the Krasner was the only female mem- work exemplifies “action painting,” in ber of the first generation of Abstract which the finished work expresses the Expressionist painters. She created an accumulation of the energetic physical influential series of large-scale action movements the artist made in the paintings between 1957 and 1962. Ab- process of dispersing paint over the stract Expressionism is a term coined canvas. The work is a unique state- to characterize the work of artists who ment in Krasner’s career—indeed, struggled to reconcile the formal ele- it is actually two paintings in one. ments of European modernists—such Originally painted in 1957 and titled as Matisse and Picasso—with an ex- Upstream #2, the canvas was marked ploration of philosophical and psycho- by a lush palette and interlocking logical impulses through nonobjective organic forms. In 1960, the artist images. Celebration is an eloquent repainted it using more somber tones summation of the goals of that move- of umber, cream, and white to refine ment and an engaging, even joyful and reshape the composition. These image: a wonderful addition to the different groups of gestures, made at museum’s collection. different times, reflect conflicting

ARpp01-21.p65 21 6/1/2004, 11:45 PM Acquisitions ceramic; diam. 35.1 cm, h. 15 cm; Gift of Frances and David Dickenson in memory of Sarah Dickenson and Jeffrey Cudlip 2003.347. Joy Navasie (Frog Woman) (Arizona, Tewa- Hopi, b. 1919). Vessel, about 1960(?); ceramic; diam. 15.2 cm, h. 12.2 cm; Gift of Frances and David Dickenson in memory of Sarah Dickenson and Jeffrey Cudlip 2003.349. Nathan Youngblood (New Mexico, Santa Clara Pueblo, b. 1954). Plate, late 1900s; Democratic Republic ceramic; diam. 29.1 cm, h. 5.3 cm; Gift of of the Congo, possibly Frances and David Dickenson in memory of Yombe people. Mother Sarah Dickenson and Jeffrey Cudlip 2003.346. and Child Figure (pfemba), mid to late Chinese Art 1800s; wood; 26 cm; Late Shang–early Western Zhou period (1200– Andrew R. and Martha 1000 BC). Ding; bronze; h. 57.4 cm; Severance Holden Jennings Fund and Greta Millikin Purchase Fund 2003.2. 2003.35. Jiangxi Province, Song dynasty (960–1279). Cloud-shaped Pillow: Qingbai Ware, 1100s; glazed porcelain; w. 17.6 cm, h. 10 cm; Gift of various donors to the Department of Asian Art (by exchange) 2003.88. Yuan dynasty (1279–1368). Two hanging scrolls; ink on silk; 134.3 x 62.6 cm; The Severance and Greta Millikin Purchase Fund. Ink Bamboo in Four Seasons: Spring; 2003.87.1. Ink Bamboo in Four Seasons: Autumn; 2003.87.2. Qing dynasty (1644–1911). Portrait of Buddhist Monks of Obaku Sect, 1600s; hanging scroll; African Art ink and color on paper; 134 x 77.5 cm; Gift of Democratic Republic of the Congo, possibly Mr. and Mrs. Robert T. Gow 2003.352. Yombe people. Mother and Child Figure Qing dynasty. Tree Root, before 1800s; wood (pfemba), mid to late 1800s; wood; 26 cm; with carved base; h. 82 cm (with base); Gift of Andrew R. and Martha Holden Jennings Fund various donors to the Department of Asian Art 2003.35. (by exchange) 2003.44. Democratic Republic of the Congo, Hungaan Qing dynasty, Kangxi mark and period (1662– people. Male Figure, mid to late 1800s; wood; 1722). Jar with Flowers, Rocks, and Pheasants; 68 cm; Andrew R. and Martha Holden enameled porcelain, with susancai (plain three- Jennings Fund 2003.36. color) decoration; h. 42.3 cm, diam. 35.5 cm; Bequest of Nicholas J. Velloney 2003.258. Art of the Ancient Americas Qing dynasty, Yongzheng mark and period South Coast, Peru, Paracas (Cavernas) style (1723–35). Bequest of Nicholas J. Velloney. (700 BC–AD 1). Oculate Being Mask, 300 BC– Small Dish with Yellow Enamel; enameled por- AD 1; ceramic, resin-based paint; diam. 23.9 celain; diam. 7.7 cm, h. 1.8 cm; 2003.260. Pair cm; Purchase from the J. H. Wade Fund of Bowls with Yellow Glaze; glazed porcelain; 2003.39. diam. 14.8 cm, h. 6.7 cm; 2003.259.1–2. Lucy Martin Lewis (New Mexico, Acoma Qing dynasty, Qianlong mark and period Pueblo, about 1900–1992). Vessel, 1900s; (1736–95). Bequest of Nicholas J. Velloney. ceramic; diam. 15.7 cm, h. 11.7 cm; Gift of Dish with Green Glaze and Carved Floral De- Frances and David Dickenson in memory of signs; glazed porcelain; diam. 27.7 cm, h. 5.3 Sarah Dickenson and Jeffrey Cudlip 2003.345. cm; 2003.262. Small Dish with Yellow Enamel; María Martinez (New Mexico, San Ildefonso enameled porcelain; diam. 8.8 cm, h. 3 cm; Pueblo, about 1887–1980). Vessel, 1900s; 2003.261. ceramic; diam. 9.5 cm, h. 7 cm; Gift of Qing dynasty, Daoguang mark and period Frances and David Dickenson in memory of (1821–50). Bequest of Nicholas J. Velloney. Democratic Republic Sarah Dickenson and Jeffrey Cudlip 2003.350. Bowl with Yellow Glaze; glazed porcelain; diam. of the Congo, María Martinez (New Mexico, San Ildefonso 14.7 cm, h. 6.8 cm; 2003.263. Large Bowl with Hungaan people. Male Pueblo, about 1887–1980) and Popovi Da Yellow Enamel; enameled porcelain; diam. 38.5 Figure, mid to late (New Mexico, San Ildefonso Pueblo, 1921– cm, h. 16.5 cm; 2003.264. 1800s; wood; 68 cm; 1971). Plate, after 1955; ceramic; diam. 30 cm, Andrew R. and Martha Hung Hsien (Chinese-American, b. 1933). h. 5.6 cm; Gift of Frances and David Frozen Landscape, 1985–90; hanging scroll; ink Holden Jennings Fund Dickenson in memory of Sarah Dickenson and 2003.36. and color on paper; 107.3 x 62.2 cm; Gift of Jeffrey Cudlip 2003.348. Dr. and Mrs. Ju-hsi Chou 2003.286. Helen Naha (Naja) (Feather Woman) (Ari- Yushan Daozong (Chinese, 1629–1709). Gift zona, Tewa-Hopi, 1922–1993). Vessel, 1900s; of Mr. and Mrs. Robert T. Gow. Calligraphy

ARpp22-37.p65 22 6/1/2004, 11:50 PM in Cursive Style; horizontal scroll; ink on paper; France, Paris. Neoclassical Three-Branch Candela- Factory of Jacob-Petit (French, 1830–65). Pair 28.5 x 65.5 cm; 2003.353. Calligraphy in Cursive brum with Shade, about 1800; gilt bronze and of Covered Ice Cream Pails, about 1840; gilt Style; hanging scroll; ink on paper; 128 x 28.5 iron; 74.5 x 41.5 x 39.9 cm; Bequest of porcelain; 42.5 x 27.3 x 27 cm and 42.5 x 27.7 cm; 2003.354. Nicholas J. Velloney 2003.257.a–b. x 26.6 cm; Bequest of Nicholas J. Velloney United States, probably. Place Setting (five 2003.250.1.a–c; 2003.250.2.a–b. Contemporary Art glasses, bowl, and plate), about 1890–1920; Samuel Kirk (American, 1793–1872). Neo Robert Gober (American, b. 1954). Untitled, glass; h. 20.3, 19.9, 17.8, 16, 15.2 cm (glasses); Rococo Coffee Pot, about 1840; silver and ivory; 1990; wax, wood, leather shoe, cotton fabric, 6 x 12 cm (bowl); 1.7 x 16.6 cm (plate); Be- 30.4 x 23.5 x 12 cm; Bequest of Nicholas J. human hair; 29.6 x 16 x 51.2 cm; Dorothea quest of Nicholas J. Velloney 2003.252.1–7. Velloney 2003.246. Wright Hamilton Fund 2003.226. Rick Dillingham (American, 1952–1994). Maison Cardeilhac (French). Dessert Knife and Lee Krasner (American, 1908–1984). Celebra- Vessel: Mad 85-1, 1985; ceramic, diam. 28 cm, Fork, about 1880; gilt silver and ivory; knife tion, 1960; oil on canvas; 234.3 x 468.6 cm; h. 19.1 cm; Gift of Frances and David 25.2 x 1.9 x 1.3 cm; fork 21.4 x 2.1 x 1.9 cm; Purchase from the J. H. Wade Fund 2003.227. Dickenson in memory of Sarah Dickenson and Bequest of Nicholas J. Velloney 2003.245.1–2. Frank Stella (American, b. 1936). Gray Scramble Jeffrey Cudlip 2003.351. Jean Prouvé (French, 1901–1984). Compass (Single), VIII, 1968; synthetic polymer paint on Elkington & Co. (British). Neo-Rococo Coffee Armchair, about 1950; steel, aluminum, wood, canvas; 175.2 x 175.2 cm; Anonymous Gift Pot, about 1850; silver and ivory; 32 x 23.8 x and plastic; 78 x 59 x 52 cm; The Mary 2003.355. 15.4 cm; Bequest of Nicholas J. Velloney Spedding Milliken Memorial Fund, gift of the 2003.243. Foster Family Foundation and the Trideca Decorative Arts Daubron frères (French). Charger, 1878; glazed Society in honor of Henry Hawley 2003.93. England. Figure, about 1800; earthenware; 47.5 and gilt earthenware; diam. 33 cm; Gift of Sèvres Factory (French, est. 1756). Cream Jug, x 39.2 x 18.6 cm; Bequest of Nicholas J. Charles L. Venable and Martin K. Webb in designed 1788, made 1831–34; gilt porcelain; Velloney 2003.249. honor of Henry H. Hawley 2003.52. 17.1 x 9.2 x 12.1 cm; Bequest of Nicholas J. England, Staffordshire. Tea Caddy with Lid, Georges Jacob (French, 1739–1814). Bequest Velloney 2003.251. about 1750–1800; earthenware; with cover 13 of Nicholas J. Velloney. Fire Screen, about Paul Storr (British, 1771–1844). Dessert Fork x 8.5 x 6.4 cm; Bequest of Nicholas J. Velloney 1780; gilded wood; 100.5 x 70.4 x 41 cm; and Spoon with Hunt Scenes, 1822; gilt silver; 2003.247.a–b. 2003.253. Oval Stool, about 1780; gilded fork 21.1 x 3 x 3 cm; spoon 22.5 x 4.6 x 3.5 France, Paris. Centerpiece, about 1830–50; gilt wood; 40.6 x 47.2 cm; 2003.254. cm; Bequest of Nicholas J. Velloney bronze with enamel flowers; 51 x 38.2 x 26.4 2003.244.1–2. cm (with flowers); Bequest of Nicholas J. Velloney 2003.256.a–b.

Yuan dynasty (1279– 1368). Two hanging scrolls; ink on silk; each 134.3 x 62.6 cm; The Severance and Greta Millikin Purchase Fund. Ink Bamboo in Four Seasons: Spring; 2003.87.1. Ink Bamboo in Four Seasons: Autumn; 2003.87.2.

ARpp22-37.p65 23 6/1/2004, 11:50 PM Designed by Kem Weber (American, b. Ger- Will Barnet (American, b. 1911). The Dream, many, 1889–1963), manufactured by Grand 2002; “carbon pencil” and oil paint; 69.2 x Rapids Chair Company. Armchair and Sideboard 47.3 cm; Gift of The Print Club of Cleveland from “The Kem Weber Group,” 1928–29; chair: 2003.61. painted wood with synthetic leather; 105.4 x Carl Bloch (Danish, 1834–1890). Standing 53.4 x 50.8 cm; sideboard: painted wood; Woman and Child, 1850–90; pen and brown 83.9 x 182.8 x 48.3 cm; The Mary Spedding ink, brush and brown wash; 27.8 x 15.9 cm; Milliken Memorial Fund 2003.4.1–2. James Parmelee Fund 2003.229. Josiah Wedgwood Factory (British, est. 1759). Cecco Bravo (Italian, 1607–1661). Study of a Wicker-Work Covered Basket on Stand, about Standing Male Nude, with a Study of Head in 1780–1840; earthenware; 18 x 19.7 x 19.7 cm; Three-Quarter Profile, about 1640; red chalk; Bequest of Nicholas J. Velloney 2003.248.a–c. 40.2 x 25 cm; Gift of Mr. and Mrs. Theodore Alfred in memory of Carey Croneis 2003.288. Drawings André Breton (French, 1896–1966). Portrait of Anonymous (British?). Crouching Male Nude, Joyce Mansour, about 1935; ink on coated 1900–1950; red chalk; 28.7 x 39.2 cm; calendered paper (décalcomanie), three parts; Bequest of Nicholas J. Velloney 2003.272. John L. Severance Fund. 22 x 10.2 cm; Anonymous (British?). Seated Female Nude from 2003.95.a. 22 x 10 cm; 2003.95.b. 22 x 9.6 the Rear, 1900–1950; red chalk; 39.4 x 29.1 cm; 2003.95.c. cm; Bequest of Nicholas J. Velloney 2003.270. Jules Chapoval (French, 1919–1951). Untitled, Anonymous (British?). Standing Male Nude, 1945; charcoal; 30.3 x 23.9 cm. Gift of Sylvain 1900–1950; red chalk; 39.1 x 27.9 cm; Bellenger in honor of Carter Foster and in Bequest of Nicholas J. Velloney 2003.271. recognition of their friendship and collabora- Anonymous (French). Compositional Sketches tion 2003.356. after Raphael and Other Artists, 1700s; graphite; Kenneth Dingwall (Scottish, b. 1938). Behind Bequest of Nicholas J. Velloney. 19.3 x 23.1 the Mirror, 2001; graphite and casein; 33.5 x cm; 2003.276.a. 19.2 x 23.1 cm; 2003.276.b. 48.4 cm, Gift of the artist 2003.97. Anonymous (Italian). Three Head Studies, Jean Dubuffet (French, 1901–1985). Untitled, 1600s; red and black chalk; 8.4 x 18.6 cm; 1957; collage (butterfly wings and india ink); Bequest of Nicholas J. Velloney 2003.275. Qing dynasty (1644– 26.8 x 36.2 cm; Gift from the Trust of Frank H. Porter 2003.291. 1911). Portrait of Buddhist Monks of Obaku Sect, 1600s; hanging scroll; ink and color on paper; 134 x 77.5 cm; Gift of Mr. and Mrs. Robert T. Gow 2003.352.

Frank Stella (American, b. 1936). Gray Scramble (Single), VIII, 1968; synthetic polymer paint on canvas; 175.2 x 175.2 cm; Anonymous Gift 2003.355.

ARpp22-37.p65 24 6/1/2004, 11:50 PM Robert Gober c. 1720–30; bound volume of 34 drawings and (American, b. 1954). reproductive engravings; 56.7 x 43.7 x 4.4 cm; Untitled, 1990; wax, Gift of Mr. and Mrs. Theodore Alfred in wood, leather shoe, memory of Carey Croneis 2003.290.a–hh. cotton fabric, human Joseph Vernet (French, 1714–1789). Sheet of hair; 29.6 x 16 x 51.2 Studies: Seated Man, Head of a Dog, Seated cm; Dorothea Wright Woman, 1700s; red chalk (seated man); pen Hamilton Fund and brown ink over black chalk (seated 2003.226. woman); black chalk (head of dog); 12.4 x 12.7 cm; Bequest of Nicholas J. Velloney 2003.265. Max Weber (American, 1881–1961). Study of Four Female Nudes, 1912; watercolor and graphite; 31.9 x 20.6 cm; Gift of Richard and Edward Feinberg, from the collection of Dr. Isadore Feinberg and Dr. Rose S. Hartmann Feinberg 2003.82. Attributed to Federico Zuccaro (Italian, 1540/ 2–1609). Genre Scene of Young Men Playing a Game; pen and brown ink and brush and brown wash over graphite; 13.7 x 20.1 cm; Gift of Mr. and Mrs. Theodore Alfred in memory of Carey Croneis 2003.289.

Indian and South East Asian Art India, Deccan, Aurangabad. Gujari Ragini (Krishna with Gopis Playing the Flute), from the “Ragamala Series,” about 1750; painting, ink and color on paper; 24.3 x 14 cm; Gift of Jack and Jeanette Walton in memory of his grandparents, Dr. and Mrs. E. K. Zaworski 2003.344. Marcantonio Franceschini (Italian, 1648– Anton Mauve, Dutch (1838–1888). Shepherd India, Calcutta. Kalighat painting, 1800s; Gift 1729). Study of a Young Woman Playing a Tam- with His Flock, about 1870; pen and brown ink; of William E. Ward in memory of his wife, bourine, and Studies of an Arm, Hands, and Feet 10.2 x 16.5 cm; Gift of Mr. and Mrs. Evelyn Svec Ward. Unknown subject; black (Studies for “Miriam Leading the Chorus of Theodore Alfred in memory of Carey Croneis ink, color, and graphite underdrawing on Women Who Give Thanks for the Routing of 2003.287. paper; 30.4 x 25.5 cm; 2003.109.a. Unknown subject; black ink, color, and graphite under- Pharoah”), about 1711; red chalk; 25.3 x 35.1 Jean-François Millet (French, 1814–1875). drawing on paper; 25.3 x 30.3 cm; 2003.124. cm; Gift of Nancy West 2003.7. Portrait of Narcisse Virgile Diaz de la Peña, 1848; Unknown subject; woodcut with black ink on Ellen Gallagher (American, b. 1965). Bouffant black chalk with heightening in pale green- paper; 27.8 x 41.7 cm; 2003.139. Anantasayan Pride, 2003; handmade collage, cutout, paint- blue chalk; 61.4 x 48.7 cm; John L. Severance (Vishnu Reclining on Servant Anata); woodcut ing and photogravure on rag paper; 34.3 x Fund 2003.41. with black ink on paper; 26.5 x 40.8 cm; 25.5 cm; Mr. and Mrs. James A. Saks Fund William McGregor Paxton (American, 1869– 2003.140. Balarma and Krishna; black ink, 2003.340. 1941). Bequest of Nicholas J. Velloney. Female color, and graphite underdrawing on paper; Jean-Auguste-Dominique Ingres (French, Nude Seen from the Rear, about 1913; graphite; 45.3 x 27.9 cm; 2003.168. A Barber Cleaning 1780–1867). Studies of Hands and Study of a 30.2 x 22.3 cm; 2003.268. Female Nude with the Ear of a Courtesan; black ink, color, and Foot (Studies for Windows in the Chapel of Saint Outstretched Arms, about 1913; graphite; 30.2 x silver paint on paper; 45.3 x 28.4 cm; Ferdinand, Paris), 1842; graphite with traces of 22.5 cm; 2003.269. Nude Child Seen from the 2003.117. A Barber Cleaning the Ear of a Courte- white heightening; 31.2 x 23.5 cm; Purchase Rear, 1913; graphite; 35.3 x 25 cm; 2003.267. san; woodcut with black ink on paper; 45.5 x from the J. H. Wade Fund 2003.37. Charles Paul Renouard (French, 1845–1924). 28.2 cm; 2003.118. Battle Scene; black ink and Henry G. Keller (American, 1869–1949). The Standing Woman, about 1900; black crayon; hand-colored with yellow, red, and green on Beach at Sunnyside, Ohio, late 1930s; water- 20.8 x 12 cm; Bequest of Nicholas J. Velloney paper; 26.8 x 41.6 cm; 2003.111.b. Calcutta color; 35.5 x 51.1 cm; Gift of Katherine 2003.266. “Man about Town” Smoking Marsela Pipe; black Prescott in memory of Clara E. Lucioli George Richmond (British, 1809–1896). Two ink, color, silver paint, and graphite under- 2003.56. Male Figures, about 1829; pen and brown ink; drawing on paper; 45.7 x 28 cm; 2003.145. Alfred Maurer (American, 1868–1932). Effie, 14.9 x 16 cm; James Parmelee Fund 2003.228. Das Avataras, Ten Incarnations of Vishnu; black about 1929; gouache; 54.6 x 45.7 cm; Gift of ink and hand-colored with red, green, and Attributed to Antonio Tempesta (Italian, yellow on paper; 28.3 x 42.7 cm; 2003.114.b. Tommy and Gill LiPuma in loving memory of 1555–1630). Rearing Horse and Rider (two Sam and Rose LiPuma 2003.53. Tan Still Life, Diana or Artemis; black ink, color, silver paint, works), about 1600; Bequest of Nicholas J. and graphite underdrawing on paper; 45.4 x about 1932; gouache; 25.4 x 37.9 cm; Gift of Velloney. Red chalk; 20.6 x 17.1 cm; Tommy and Gill LiPuma in loving memory of 27.8 cm; 2003.147. Durga; black ink, color, 2003.273. Red chalk counterproof; 19.5 x silver paint, and graphite underdrawing on Josephine LiPuma Kestner 2003.55. Two 16.7 cm; 2003.274. Heads, about 1931; gouache with brown/black paper; 45.6 x 27.6 cm; 2003.157.b. Durga and ink and oil paint; 52.9 x 44.7 cm; Gift of Robert van Audenaerd (Dutch, 1663–1743). Her Lion Killing Maheshasura; black ink, color, Tommy and Gill LiPuma in loving memory of Van Audenaerd Album (after Carlo Maratti), and silver paint on paper; 45.8 x 28.3 cm; Sam and Rose LiPuma 2003.54. 2003.103. Durga or Ganesha Janani(?); ink,

ARpp22-37.p65 25 6/1/2004, 11:50 PM color, and silver paint on paper; 44.2 x 27.9 Yumna; black ink, color, and silver paint on cm; 2003.169. Dusmanta Garlanding paper; 45.8 x 27.6 cm; 2003.129.a. Krishna Shakumtala; black ink, color, silver paint, and Ferrying Radha across the Yumna with an Old graphite underdrawing on paper; 13.6 x 8.7 Woman; black ink, color, silver paint, and cm; 2003.141. Gajalakshmi; black ink, color, graphite underdrawing on paper; 44.5 x 28.3 and silver paint, and graphite underdrawing on cm; 2003.130. Krishna Stroking Radha’s Feet; paper; 43 x 27.7 cm; 2003.149. Ganesha; black black ink, color, and graphite underdrawing on ink, color, and graphite underdrawing on pa- paper; 45.4 x 27.9 cm; 2003.133.b. Krishna per; 45.3 x 27.5 cm; 2003.166. Ganesha; black Stroking Radha’s Feet; woodcut with black ink ink, color, silver paint, and graphite under- on paper; 40.6 x 26.6 cm; 2003.136. Krishna drawing on paper; 43 x 27.4 cm; 2003.98. Stroking Radha’s Feet; black ink, color, and Garuda Carrying Balarama and Krishna; black silver paint on paper; 40.4 x 28 cm; 2003.138. ink, color, silver paint, and graphite under- Krishna Weighted against Precious Objects(?); drawing on paper; 45.2 x 27.8 cm; 2003.134.b. black ink and hand-colored with green, Gaur and Nitai; black ink, color, and some yellow, and red on paper; 28.5 x 45 cm; graphite underdrawing on paper; 27.8 x 21.3 2003.107.b. Lakshmi and Sarasvati; black ink, cm; 2003.115. The Goddess Ganga; black ink, color, and graphite drawing on paper; 30.1 x color, and graphite underdrawing on paper; 25.5 cm; 2003.121. Lakshmi and Sarasvati; 29.8 x 22.5 cm; 2003.127. The Goddess Ganga; black ink, color, and silver paint on paper; 45.3 black ink, color, silver paint, and graphite x 28.4 cm; 2003.150.b. Lav and Kush, Sons of underdrawing on paper; 45.1 x 27.6 cm; Rama(?); black ink, color, silver paint, and 2003.158. Hanuman with Rama and Lakshmana graphite underdrawing on paper; 45.4 x 27.8 on His Shoulders; black ink, color, and silver cm; 2003.154. Mahant of Tarakeshwar Rides on paint on paper; 45.7 x 29.4 cm; 2003.120. an Elephant; black ink, color, silver paint, and Hari-Hara; black ink, color, silver paint, and graphite underdrawing on paper; 45.4 x 27.8 graphite underdrawing on paper; 45.2 x 27.8 cm; 2003.104. Manasa, the Snake Goddess; cm; 2003.99. Hari-Hara; black ink, color, and black ink, color, silver paint, and graphite silver paint on paper; 45.6 x 28.4 cm; underdrawing on paper; 33 x 25.3 cm; 2003.100.a. Jagannatha Trio; black ink, color, 2003.106. Matsya, Fish Avatara of Vishnu, black Banwari (Indian). The silver paint, and graphite underdrawing on ink, color, silver paint, and graphite under- Game of Wolf Running paper; 45.5 x 28 cm; 2003.135.b. Jailer Receiv- drawing on paper; 44.9 x 27.2 cm; 2003.102. in Tabriz, a Folio from ing Mahant of Tarakeshwar in Prison; black ink, Megha-Nada (Indrajit, Son of Radha); black ink, a Third Set of Akbar color, silver paint, and graphite underdrawing color, silver paint, and graphite underdrawing Nama (History of on paper; 45 x 28 cm; 2003.105. Jatayu on paper; 45.5 x 27.6 cm; 2003.119. The Mu- Akbar), about 1595– (Rama’s Mythical Bird) Hinders Ravana’s tiny Heroine Rani Lakshmi Bai of Shansi; black 1600; ink and color on Chariot, Trying to Prevent the Abduction of Sita; ink, color, silver paint, and graphite under- paper; 32.2 x 19.2 cm black ink, color, and silver paint, and graphite drawing on paper; 45.5 x 28 cm; 2003.146. (image), 35.2 x 23.8 cm underdrawing on paper; 45.5 x 28.2 cm; Parvati Placing a Wedding Garland on Shiva; (leaf); Alma Kroeger 2003.109.b. Jatayu (Rama’s Mythical Bird) black ink, color, silver paint, and graphite Fund 2003.38. Hinders Ravana’s Chariot, Trying to Prevent the underdrawing on paper; 45.6 x 28 cm; Abduction of Sita; woodcut with black ink on 2003.108.a. Parvati Placing a Wedding Garland paper; 40.6 x 26.5 cm; 2003.111.a. Kalaketu on Shiva; black ink, color, silver paint, and Receiving a Boon from the Goddess Chandi; black graphite underdrawing on paper; 45.5 x 27.4 ink, color, silver paint, and graphite under- cm; 2003.129.b. Pravira Kneeling at the Feet of drawing on paper; 13.6 x 8.8 cm; 2003.143. Jana; black ink, color, silver paint, and graphite Kali; black ink and color paint on paper; 28 x underdrawing on paper; 15 x 10.3 cm; 21.5 cm; 2003.116. Kali; black ink, color, and 2003.142. Prostitutes; black ink, color, and silver paint on paper; 45.9 x 28 cm; silver paint on paper; 45.8 x 27.9 cm; 2003.110.a. Kali; black ink, color, silver paint, 2003.107.a. Radha and Krishna; black ink, and graphite underdrawing on paper; 45.4 x 28 color, silver paint, and graphite underdrawing cm; 2003.163. Kali; black ink, color, silver on paper; 45.6 x 27.7 cm; 2003.156.b. Radha paint, and graphite underdrawing on paper; and Krishna; black ink, color, silver paint, and 44.8 x 27.8 cm; 2003.164. Kali Standing on graphite underdrawing on paper; 40.4 x 27.9 Shiva; black ink and color on paper; 30 x 25.5 cm; 2003.167. Radha Stroking Krishna’s Feet; cm; 2003.110.b. Kaliyahi-Marddaka-Krishna woodcut with black ink on paper; 40.6 x 26.5 (Krishna Destroying Snake-Demon Kaliya); black cm; 2003.137. Rai Raja; black ink, color, and ink, color, and graphite underdrawing on graphite underdrawing on paper; 30.2 x 25.2 paper; 25.4 x 20.4 cm; 2003.113.a. Kartika cm; 2003.123. Raja Riding a Horse; black ink, (Karttikeya); black ink, color, silver paint, and color paint, and graphite underdrawing on graphite underdrawing on paper; 45.8 x 28.2 paper; 45.4 x 27.8 cm; 2003.161. Rama and cm; 2003.151. Krishna Standing by Radha Who Hanuman Holding an Uprooted Tree, Rescues Sita; Is Seated on a Chair; black ink, color, silver black ink and color on paper; 35 x 25.9 cm; paint, and graphite underdrawing on paper; 2003.150.a. Rama and Sita; black ink, color, 45.4 x 27.7 cm; 2003.155. Krishna as Kali Wor- and graphite underdrawing on paper; 31 x 25.6 shiped by Radha; black ink, color, and silver cm; 2003.134.a. Rama and Sita Enthroned with paint on paper; 45.7 x 27.8 cm; 2003.113.b. Lakshmana and Hanumanan Attending; black Krishna in His Childhood Asking for Butter from ink, color, and graphite underdrawing on pa- Yoshoda; black ink, color, silver paint, and per; 45.5 x 27.5 cm; 2003.152. Rama and Sita graphite underdrawing on paper; 45.7 x 28 in Royal Palace; woodcut with black ink and cm; 2003.112. Krishna Ferrying Radha across the handcolored with yellow, green, and red paint

ARpp22-37.p65 26 6/1/2004, 11:50 PM on paper; 27 x 38.6 cm; 2003.156.a. Ravana; Medieval Art American Painting and Sculpture black ink, color, silver paint, and graphite South Flanders. Leaf from an Antiphonary: Initial Ralph Earl (American, 1751–1801). Moses underdrawing on paper; 45.1 x 27.7 cm; Q with Saints Peter and Paul, about 1325; ink, Seymour, Jr., 1789; oil on canvas; 120.7 x 90.2 2003.148. Seven Heroes or Warriors Killing tempera, and gold on vellum; 32.3 x 21.9 cm; cm; Gift of Mrs. George S. Lockwood Jr. in Abhimanya, Son of Arjuna; black ink, color, The Jeanne Miles Blackburn Collection loving memory of her husband 2003.285. silver paint, and graphite underdrawing on 2003.171. paper; 45.6 x 27.7 cm; 2003.144. Shiva and Augusta Savage (American, 1892–1962). Parvati; black ink, color, silver paint, and Noël Bellemare (French, Paris, active 1520– Gamin, about 1929–30; hand-painted plaster; graphite underdrawing on paper; 45.5 x 27.6 1546) and the 1520s Hours Workshop. Two 44.5 x 24.2 x 20.4 cm; Purchase from the J. H. cm; 2003.162. Shiva Bearing Aloft the Body of Leaves from a Book of Hours: David in Prayer and Wade Fund 2003.40. His Spouse Who Has Died in Childbirth; black a Text Leaf with an Illuminated Border, about European Painting and Sculpture ink, color, silver paint, and graphite under- 1530–35; ink, tempera, and liquid gold on drawing on paper; 45.6 x 27.8 cm; 2003.131. vellum; 11.2 x 6.4 cm (each leaf ); The Jeanne Edouard Detaille (French, 1848–1912). Sitala, Goddess of Smallpox; black ink, color, Miles Blackburn Collection 2003.174.1–2. Soldiers, about 1892; oil on panel; 20.7 x 17.2 silver paint, and graphite underdrawing on Attavante degli Attavanti (Italian, Florence, cm; Gift of John Bonebrake 2003.357. paper; 45.5 x 27.7 cm; 2003.157.a. 1452–1520/25) and Workshop. Leaf from a Charles Meynier (French, 1768–1832). Oil on Trivikramapada (Three Steps of Vishnu); black Gradual: Initial P with the Nativity, about 1500; canvas; Severance and Greta Millikin Purchase ink, color, silver paint, and graphite under- ink, tempera, and gold on vellum; 59.8 x 4.1 Fund. Apollo, God of Light, Eloquence, and Fine drawing on paper; 45.6 x 27.9 cm; 2003.165. cm; The Jeanne Miles Blackburn Collection Arts with Urania, Muse of Astronomy, 1798; Vaishnva Devotee with Two Women; black ink, 2003.173. 275 x 235 cm; 2003.6.3. Calliope, Muse of Epic color, silver paint, and graphite underdrawing Henri d’Orquevaulx (French, Metz, active Poetry, 1798; 275 x 177 cm; 2003.6.4. Clio, on paper; 45.4 x 27.8 cm; 2003.101. Vastra- about 1420–1430). Leaf from a Book of Hours: Muse of History, 1800; 273 x 176 cm; 2003.6.5. havan (Krishna Steals the Clothes of the Milk- The Visitation, about 1420; ink, tempera, and Erato, Muse of Lyrical Poetry, 1800; 273 x 176 maids); black ink, color, silver paint, and graph- gold on vellum; 16.1 x 12.5 cm; The Jeanne cm; 2003.6.2. Polymnia, Muse of Eloquence, ite underdrawing on paper; 45.5 x 28 cm; Miles Blackburn Collection 2003.172. 1800; 275 x 177 cm; 2003.6.1. 2003.114.a. Vasudeva (Krishna’s father) Fleeing Seneca Master (Italian, active about 1307– Frans Pourbus the Younger (Flemish, 1569– with the Infant Krishna Encounters a Cobra; black 1325). Medallion from the Border of a Latin Bible: 1622). Louis XIII (1601–1643) as a Child, ink, color, silver paint, and graphite under- The Expulsion of Adam and Eve from Paradise, 1611; oil on canvas; 159.3 x 95.3 cm; Mr. and drawing on paper; 45 x 27.7 cm; 2003.153. early 1300s; tempera on vellum; diam. 7 cm; Mrs. William H. Marlatt Fund 2003.225. Vasudeva (Krishna’s father) Fleeing with Krishna The Jeanne Miles Blackburn Collection Encounters a Cobra and a Jackal; black ink, color, 2003.170. and silver paint on paper; 45.5 x 28.2 cm; 2003.100.b. Vishnu and Lakshmi; black ink, Frans Pourbus the color, silver paint, and graphite underdrawing Younger (Flemish, on paper; 45.6 x 27.7 cm; 2003.132. Vishnu in 1569–1622). Louis XIII Female Form of Mohini Carrying Amrita for the (1601–1643) as a Child, Gods; black ink and color on paper; 29.5 x 25 1611; oil on canvas; cm; 2003.122. Winged Apsara with a Horn; 159.3 x 95.3 cm; Mr. black ink, color, silver paint, and graphite and Mrs. William H. underdrawing on paper; 45.5 x 27.8 cm; Marlatt Fund 2003.135.a. Woman Playing Music; black ink, 2003.225. color, and graphite underdrawing on paper; 30.7 x 25.7 cm; 2003.133.a. Worship of the Infant Krishna; black ink, color, and silver paint on paper; 29 x 25 cm; 2003.128. Yasoda and Krishna; black ink, color, silver paint, and graphite underdrawing on paper; 42 x 26 cm; 2003.159. Yasoda and Krishna; black ink, color, silver paint, and graphite underdrawing on paper; 45 x 27.8 cm; 2003.160. Yasoda Churn- ing Butter; black ink, color, silver paint, and graphite underdrawing on paper; 45.6 x 28.6 cm; 2003.108.b. Yasoda Holding Krishna and Radha; black ink, color, silver paint, and graphite underdrawing on paper; 30.1 x 25.2 cm; 2003.125. Yasoda Taking the Infant Krishna for a Walk; black ink, color, and graphite underdrawing on paper; 29.8 x 25 cm; 2003.126. India, Rajasthan, Mewar School. Krishna and Gopis (Cowherd Girls), about 1660; ink and color on paper; 23.5 x 17.5 cm; Gift of Dr. Norman Zaworski 2003.343. Banwari (Indian). The Game of Wolf Running in Tabriz, a Folio from a Third Set of Akbar Nama (History of Akbar), about 1595–1600; ink and color on paper; 32.2 x 19.2 cm (image), 35.2 x 23.8 cm (leaf); Alma Kroeger Fund 2003.38.

ARpp22-37.p65 27 6/1/2004, 11:50 PM European Painting and Sculpture, Margaret Bourke-White (American, 1904– 16.8 x 42 cm; 2003.307.13. Banyon, Angkor 1900–1945 1971). Terminal Tower, 1928; gelatin silver Wat (lion guards on the principal façade facing east); Jean Hélion (French, 1904–1987). Composition, print; 49.4 x 37.2 cm; Gift of Huntington 16.8 x 42.2 cm; 2003.307.16. Courtyard 1934; oil on canvas; 130.8 x 161.9 cm; Jointly Bank 2003.361. Diptych; 16.8 x 81.4 cm; 2003.307.8. Elephant owned by Dorothy Tremaine Hildt and the Linda Butler (American, b. 1947). 1994; two Terrace, Angkor Wat (facing the Royal Palace); Cleveland Museum of Art 2003.428. gelatin silver prints; The George Gund Foun- 16.8 x 42 cm; 2003.307.21. Exterior in Fog; 16.8 x 41.9 cm; 2003.307.25. Ta Prohm, Jacques Hérold (Romanian, 1910–1987). dation Collection in honor of David Bergholz, The Cleveland Museum of Art. The Cleveland Angkor Wat (diptych, snake tree); 42 x 33.3 cm; Crystallization of the Forest, 1946; oil on panel; 2003.307.5. Ta Prohm, Angkor Wat (portraits 60 x 73 cm; John L. Severance Fund 2003.94. Museum of Art; 34.3 x 26.8 cm; 2003.219. Afro-American Cultural and Historical Society of girls); 16.8 x 41.8 cm; 2003.307.14. Udon (elephant sculpture); 16.7 x 42 cm; 2003.307.17. Photography Museum; 33.8 x 25.9 cm; 2003.220. Gregory Conniff (American, b. 1944). 1996; Shimon Attie (American, b. 1957). Slide Ellen Carey (American, b. 1952). Constructivist two gelatin silver prints; 24.6 x 24.7 cm; The Projection at the Central Train Station, Dresden, Portrait, 1983; gelatin silver print, toned and George Gund Foundation Collection in honor Germany, 1993 (printed 2003); chromogenic painted; 45.7 x 51.5 cm; Gift of Dorothy of David Bergholz, The Cleveland Museum process color print (Ektacolor); ed.1/15; 59.9 x Handelman 2003.309. of Art. East 35th and Cedar; 2003.209. Jefferson 40.8 cm; Anonymous gift in memory of David Lois Conner (American, b. 1951). 1991; 13 and Professor; 2003.208. “Ted” Baiman 2003.342. platinum prints; ed. 1/25; The George Gund Davis Brothers (American). Twin Babies, about Dmitri Baltermants (Russian, 1912–1990). Foundation Collection in honor of David 1870; salted paper print, hand-colored; 24 x Grief, 1942 (printed early 1990s); gelatin silver Bergholz, The Cleveland Museum of Art. 19.2 cm; Gift of Charles Isaacs and Carol print; ed. 17/25; 38.9 x 47.2 cm; Gift of From Chippewa Road Bridge, 16.6 x 42 cm; Nigro 2003.302. Patricia and Mark Stillman 2003.308. 2003.201. From Control Tower near Carter Road Bridge; 16.6 x 42 cm (each), 16.6 x 126 cm Larry Fink (American, b. 1941). 1998; two Dawoud Bey (American, b. 1953). 1993; two (overall); 2003.195.a–d. Guildhall Building gelatin silver prints; The George Gund Foun- gelatin silver prints; The George Gund Foun- (View of Southwestern Cleveland), 16.6 x 42 cm; dation Collection in honor of David Bergholz, dation Collection in honor of David Bergholz, 2003.193. Hillside Road and Canal Road, 16.6 x The Cleveland Museum of Art. Cleveland The Cleveland Museum of Art. Monique and 42 cm; 2003.202. Inner Harbor, 16.6 x 42 cm; School of the Arts; 37.4 x 38.2 cm; 2003.211. Deborah Stover; 13 x 16.6 cm (each), 26.8 x 2003.191. Lower Level of Lorain-Carnegie Bridge, Cleveland School of the Arts; ed. 9/10; 37.4 x 33.9 cm (overall); 2003.205.a–d. Carmen and 16.6 x 42 cm; 2003.190. LTV Steel; 16.6 x 42 37.8 cm; 2003.212. Ricardo Cordero, Larry Green Jr., Petronila Velez, cm (each), 16.6 x 168 cm (overall); Carmen Torres, Jasmine Green; 9.6 x 12.2 cm Lee Friedlander (American, b. 1934). 1995; 2003.196.a–d. Ohio Canal Towpath near Conrail (each), 19.5 x 50.9 cm (overall); 2003.206.a–h. two gelatin silver prints; 26.2 x 26 cm; The Trestle, 16.6 x 42 cm; 2003.198. Ohio Canal George Gund Foundation Collection in honor Jayne Hinds Bidaut (American, b. 1965). Towpath near Conrail Trestle, 16.6 x 42 cm; of David Bergholz, The Cleveland Museum Common Egret (Casmerodius albus), 2001; tin- 2003.199. Riverview Road near Columbia Road, of Art Lincoln Electric; 2003.207. Orlando Baking type; 25.5 x 20.3 cm; Gift of William S. 16.6 x 42 cm; 2003.200. Rooftop—Old River Company; 2003.221. Lipscomb in memory of his father, James S. Road, 16.6 x 42 cm; 2003.192. Under Veterans Lipscomb 2003.8. Memorial Bridge, 16.6 x 42 cm; 2003.194. Un- Terri Garland (American, b. 1953). Two chromogenic process color prints; Gift of Russ Michael Book (American, b. 1951). 1990; 14 der Veterans Memorial Bridge, 16.6 x 42 cm; Anderson Martin Luther King Day, Pulaski, TN, gelatin silver prints; The George Gund Foun- 2003.197. 1990 (printed 1992); ed. 6/35; 27.5 x 41.4 cm; dation Collection in honor of David Bergholz, Lois Conner. Twenty-five gelatin silver prints, 2003.359. McDonough, GA, 1990 (printed The Cleveland Museum of Art. Cleveland; 34.1 toned; AP 3/5; from Angkor Wat, Cambodia 1991); ed. 2/35; 27.2 x 40 cm; 2003.360. x 45.4 cm; 2003.177. Collinwood; East 152nd Vision of the God-Kings, 1993; Gift of Mark and Yorick; 34.2 x 45.4 cm; 2003.178. Schwartz and Bettina Katz. Angkor Wat (artifact Frank Gohlke (American, b. 1942). 1997; Collinwood; Saranac and Pepper; 34.1 x 45.4 cm; from an interior courtyard); 16.8 x 42 cm two gelatin silver prints; ed. 1/10; The George 2003.188. Detroit Shoreway; West 48th and 2003.307.19. Angkor Wat (backlit path to temple); Gund Foundation Collection in honor of Clinton; 34.2 x 45.4 cm; 2003.180. Hough; East 16.6 x 41.9 cm; 2003.307.12. Angkor Wat David Bergholz, The Cleveland Museum of 75th and Lexington; 34.1 x 45.4 cm; 2003.185. (collenade); 16.8 x 42 cm; 2003.307.11. Angkor Art. Breezevale Cove, Rocky River; View North; Hough; East 77th and Lexington; 34.1 x 45.4 Wat (diptych interior courtyard); 42 x 33.4 cm 34.3 x 34.5 cm; 2003.175. Gwinn Estate, cm; 2003.179. Hough; East 79th and La Grange; 2003.307.4. Angkor Wat (diptych of frieze); 16.8 Bratenahl; View North; 24.3 x 34.4 cm; 34.1 x 45.4 cm; 2003.186. Little Italy; 37.3 x x 72.5 cm; 2003.307.10. Angkor Wat (first tier 2003.210. 45.4 cm; 2003.176. Near West Side; Columbus northern aisle); 16.8 x 42 cm; 2003.307.1. David Goldes (American, b. 1947). Water and Franklin; 34.1 x 45.4 cm; 2003.182. Ohio Angkor Wat (library); 16.7 x 42 cm; Balance, 1994 (printed 2002); gelatin silver City; Woodbine and West 31st Place; 34 x 45.4 2003.307.18. Angkor Wat (path by banyan); print; ed. 12/15; 72.1 x 95.7 cm; Gift of cm; 2003.187. Tremont; Starkweather and West 16.7 x 42 cm; 2003.307.15. Angkor Wat (portrait Friends of Photography 2003.14. 7th; 34.2 x 45.4 cm; 2003.184. Tremont; West of monks); 16.5 x 42 cm; 2003.307.9. Angkor Alex Harris (American, b. 1949). Cordova, 5th and Jefferson; 34.3 x 45.5 cm; 2003.189. Wat (single goddess on right); 16.8 x 42 cm; New Mexico, Looking North from Bobby Sanchez’s Union-Miles; Revere and East 112th; 34.1 x 45.4 2003.307.3. Angkor Wat (view of path from above 1964 Chevrolet Impala, June 1987, 1987; cm; 2003.183. Woodland East; East 82nd and the ruins); 16.8 x 42 cm; 2003.307.23. Angkor chromogenic process color print; 46.4 x 58.2 Gill; 34.2 x 45.5 cm; 2003.181. Wat (wall of Apsaras, western entrance); 16.8 x cm; Gift of William S. Lipscomb in memory Barbara Bosworth (American, b. 1953). 2001; 41.9 cm; 2003.307.7. Angkor Wat, Angkor of his father, James S. Lipscomb 2003.306. Thom (alley of giants facing south); 16.6 x 42 cm; two gelatin silver prints; The George Gund Todd Hido (American, b. 1968). Untitled 2003.307.6. Angkor Wat, Bayon (diptych, second Foundation Collection in honor of David #2421, 1999; chromogenic process color level facing south); 44.9 x 33.2 cm; 2003.307.24. Bergholz, The Cleveland Museum of Art. print; ed. 3/19; 96.5 x 76 cm; Norman O. Angkor Wat, Bayon (interior gallery facing north); Bedford Reservation; 24.5 x 19.7 cm (each), 24.5 Stone and Ella A. Stone Memorial Fund 16.5 x 42 cm; 2003.307.2. Angkor Wat, Bayon x 59 cm (overall); 2003.217. South Chagrin 2003.9. Reservation; 24.8 x 19.7 cm (each), 24.8 x 59 (looking south in rain); 16.9 x 42.1 cm; cm (overall); 2003.218. 2003.307.22. Angkor Wat, Preah Khan (tree root consuming ruins); 16.8 x 41.9 cm; 2003.307.20. Banyon, Angkor Wat (central terrace facing west);

ARpp22-37.p65 28 6/1/2004, 11:50 PM William Henry Jackson (American, 1843– print, toned; ed. 15/25; 22.9 x 17.7 cm; 2003.215. The Free Medical Clinic of Greater 1942). Echo Cliffs, Grand River Canyon, 1890s; 2003.233. Optic Exploration: Papaver somniferum Cleveland; 2003.216. photochrome; 26.7 x 52.7 cm; Gift of Charles (Opium Poppy), 1998; gelatin silver print, Tokihiro Sato ( Japanese, b. 1957). Horned Isaacs and Carol Nigro 2003.292. toned; ed. 8/25; 22.8 x 17.9 cm; 2003.232. Melon, 1994; gelatin silver prints; 42.8 x 145.8 Douglas Lucak (American, b. 1959). 1999; two Optic Exploration: Paphiopedlium (Paph Orchid), cm; Gift of Charles Isaacs and Carol Nigro gelatin silver prints, toned; ed. 1/10; The 1999; gelatin silver print, toned; ed. 8/15; 46.9 2003.58. George Gund Foundation Collection in honor x 36.9 cm; 2003.231. Optic Exploration: Polygonatum biflorum (Solomon’s Seal), 2001; Judith Joy Ross (American, b. 1946). 1992; of David Bergholz, The Cleveland Museum of two gold-toned printing-out paper prints; The Art. Kinsman and Woodland Hill; 8.7 x 8.6 cm; gelatin silver print, toned; ed. 5/25; 22.8 x 17.9 cm; 2003.235. Unnoticed Landscape #52- George Gund Foundation Collection in honor 2003.214. Mt. Pleasant and Corletts; 8.6 x 8.6 of David Bergholz, The Cleveland Museum of cm; 2003.213. 11, 1992; platinum paladium print; 9.5 x 12 cm; 2003.238. Unnoticed Landscape #59-9, Art. Svyatoslav Gera; 24.5 x 19.4 cm; 2003.204. Judith K. McMillan (American, b. 1945). 1992; platinum paladium print; 9.4 x 12 cm; Yusra Kazmi; 24.4 x 19.5 cm; 2003.203. Norman O. Stone and Ella A. Stone Memorial 2003.237. Arthur Rothstein (American, 1915–1985). Fund. Balto’s Friends: Cicadas, 1994 (printed Judith K. McMillan. 1994 (printed 2000); two Fifteen gelatin silver prints (printed 1981) from 2000); gelatin silver print, toned; ed. 4/25; Arthur Rothstein portfolio; Gift of Alan and 20.8 x 16.5 cm; 2003.236.1. Balto’s Friends: gelatin silver prints, toned; ed. 2/25; Gift of the artist. Balto’s Friends: Beetles; 21 x 16.4 cm; Monah L. Gettner. At a Charity Ball, New York Moles, 1994 (printed 2000); gelatin silver print, City, 1951; 23.5 x 22.9 cm; 2003.57.14. toned; ed. 1/25; 20.8 x 16.5 cm; 2003.236.3. 2003.236.6. Balto’s Friends: Millipedes; 20.8 x 16.5 cm; 2003.236.5. American Soldiers in Nightclub, Vienna, Austria, Balto’s Friends: Scarlet Tanager, 1994 (printed 1947; 30.7 x 22.7 cm; 2003.57.13. Boy with 2000); gelatin silver print, toned; ed. 2/25; DoDo Jin Ming (Chinese, b. 1955). 2001; Chicken, Hungjao, China, 1945; 30.4 x 22.9 cm; 20.9 x 16.5 cm; 2003.236.4. Balto’s Friends: three gelatin silver prints; Gift of Friends of 2003.57.5. Burial of Famine Victim, Hengyang, Stick Insects and Mantis, 1994 (printed 2000); Photography. Free Element V; ed. 9/15; 37.4 x China, 1946; 30.5 x 22.8 cm; 2003.57.8. The gelatin silver print, toned; ed. 3/25; 20.9 x 48.7 cm; 2003.12. Free Element IX; ed. 1/15; Burma Road, 1945; 22.7 x 22.4 cm; 2003.57.6. 16.5 cm; 2003.236.2. Optic Exploration: 36.7 x 48.2 cm; 2003.10. Free Element XXIX; Coal Miners, Wales, 1947; 30.8 x 22.9 cm; Bugmansia x candida (Angel’s Trumpet), 2000; ed. 1/15; 36.9 x 48.6 cm; 2003.11. 2003.57.9. Famine Victim, Hengyang, China, gelatin silver print, toned; ed. 3/15; 46.9 x Nicholas Nixon (American, b. 1947). 2000; 1946; 30.7 x 22.7 cm; 2003.57.7. Farmers in the 36.9 cm; 2003.230. Optic Exploration: Corylus two gelatin silver prints; 24.5 x 19.6 cm; The Market, Tocco, Italy, 1947; 20.7 x 30.3 cm; avellana “contorta” (Harry Lauder’s Walking George Gund Foundation Collection in honor 2003.57.11. George Washington Carver, Stick), 2000; gelatin silver print, toned; ed. 2/ of David Bergholz, The Cleveland Museum of Tuskegee, Alabama, 1941; 30.5 x 23.1 cm; 25; 22.8 x 17.9 cm; 2003.234. Optic Explora- Art. The Free Medical Clinic of Greater Cleveland; 2003.57.4. Hotel de Paris, Exterior, Georgetown, tion: Nymphaea (Water Lily), 1998; gelatin silver Colorado, 1939; 22.7 x 29.4 cm; 2003.57.2.

Margaret Bourke- White (American, 1904–1971). Terminal Tower, 1928; gelatin silver print; 49.4 x 37.2 cm; Gift of Huntington Bank 2003.361.

ARpp22-37.p65 29 6/1/2004, 11:50 PM Young Coal Miner, Wales, 1947; 30.3 x 22.8 Unidentified photographer (American). Young 27.5 x 24.5 cm; 2003.242.7. Ochre; 27.5 x cm; 2003.57.10. John Marin in His Studio, Woman in Bloomers, about 1855; daguerreo- 24.5 cm; 2003.242.2. Pink; 6.7 x 21.7 cm; Hoboken, New Jersey, 1949; 23.2 x 30.4 cm; type, tinted and gilted highlights, half-plate; 2003.242.8. Pink, blue, green, ochre, and 2003.57.12. Pool Hall, Culp, Illinois, 1940; 23 x 14 x 10.8 cm; Gift of Charles Isaacs and Carol black; 27.5 x 24.5 cm; 2003.242.9. 30.5 cm; 2003.57.3. Rockland, Maine, 1937; Nigro 2003.297. John Biggers (American, 1924–2001). The Four 20.4 x 30.5 cm; 2003.57.15. Sheepherder’s Unidentified photographer (American, Seasons, 1990; lithograph printed in black and Camp, Montana, 1939; 22.9 x 30.7 cm; Harrison?). Allegorical Study of a Woman, late brown; 57.2 x 78.8 cm; John L. Severance 2003.57.1. 1850s; salted paper print from a wet collodion Fund 2003.33. Jerry N. Uelsmann (American, b. 1934). Life/ negative; 18.7 x 13.5 cm; Gift of Charles Isaacs Louis-Marin Bonnet (French, 1736–1793). Metaphor, 2002; gelatin silver print; 30.8 x 26.3 and Carol Nigro 2003.305. 1774; two color chalk-manner etchings and cm; Gift of Friends of Photography 2003.13. Unidentified photographer (Japanese). Untitled, engraving with applied gold leaf; Carole W. Oliver H. Willard (American, d. 1875, active about 1870s; albumen print from wet collo- and Charles B. Rosenblatt Endowment Fund. 1850s–1870s). Young Man in Athletic Outfit, dion negative, hand colored; 40.2 x 52.2 cm; The Woman ta King Coffee; 28.5 x 23.3 cm; about 1857; salted paper print from wet collo- Gift of Mitzie Verne 2003.358. Hérold 294; 2003.49. The Milk Woman; 28.3 x dion negative; 21.5 x 16.5 cm; Gift of Charles 23.3 cm; Hérold 295; 2003.50. Isaacs and Carol Nigro 2003.304. Prints Pierre Brébiette (French, c. 1598–c. 1650). Jeffrey A. Wolin (American, b. 1951). Sako Anonymous (Dutch). Copy of Cornelis Cort: St. George Preparing for His Martyrdom (after Hoffman, b. 1930, Buenos Aires, Argentina, Christ Giving the Key of the Church to St. Veronese), 1600s; engraving and etching; 34.1 1992–94 (printed mid 1990s); gelatin silver Peter (after Girolamo Muziano), about 1567; x 23.5 cm; Fonds Français II.48; Gift of Mr. print, toned; ed. 5/6; 37.9 x 47.3 cm; Anony- etching and engraving; 27.5 x 20.4 cm (sheet); and Mrs. Theodore Alfred in memory of mous gift in memory of David “Ted” Baiman Gift of Mr. and Mrs. Theodore Alfred in Carey Croneis 2003.310. 2003.341. memory of Carey Croneis 2003.312. Bolton Brown (American, 1864–1963). Figures Unidentified photographer (American). Boy Ron Adams (American, b. 1934). Blackburn, on Road through Woods, about 1920?; litho- with Cigar, about 1855; daguerreotype, tinted, 2002; color lithograph; 63.2 x 88.7 cm; John graph; 10.5 x 16.1 cm; Adams 1022; Gift of sixth-plate; 8.3 x 7 cm; Gift of Charles Isaacs L. Severance Fund 2003.34. Carole W. and Charles B. Rosenblatt and Carol Nigro 2003.298. Andrew F. Affleck (British, 1874–1935). 2003.332. Unidentified photographer (American). Girl Palazzo Contanni, Venice, 1920–29; etching Karl Ludwig Bernhard Buchhorn (German, with Doll, 1850s; daguerreotype, sixth-plate; and drypoint; 35.2 x 19 cm; Gift of Carole W. 1770–1856). The Young Beggars (Die 8.3 x 7 cm; Gift of Charles Isaacs and Carol and Charles B. Rosenblatt 2003.334. Bettlerjugend), about 1800; eight aquatints; Nigro 2003.300. Frank Armington (Canadian, 1876–1941). Nagler 9; John L. Severance Fund. 23.7 x 18.4 Unidentified photographer (American). The Rain, Place de la Concorde, Paris (La Pluie, Place cm; 2003.25. 25.3 x 19.6 cm; 2003.26. 25.1 x Hold-Up, 1880s; tintype, whole-plate; 21.6 x de la Concorde, Paris), 1924; drypoint; 21.1 x 19.5 cm; 2003.27. 25.2 x 20 cm; 2003.28. 25.1 16.5 cm; Gift of Charles Isaacs and Carol 28.8 cm; Gift of Carole W. and Charles B. x 19.4 cm; 2003.29. 25.4 x 20; 2003.30. 25.2 x Nigro 2003.299. Rosenblatt 2003.333. 19.5 cm; 2003.31. 25.3 x 19.9 cm; 2003.32. Unidentified photographer (American). Mother John Taylor Arms (American, 1887–1953). Marc Chagall (Russian, 1887–1985). The and Child, about 1860; ambrotype, tinted, Two etchings; Gift of Richard and Edward Fables of Jean de La Fontaine: Death and the sixth-plate; 8.3 x 7 cm; Gift of Charles Isaacs Feinberg, from the collection of Dr. Isadore Woodcutter (La Fontaine Fables: Le Mort et le and Carol Nigro 2003.293. Feinberg and Dr. Rose S. Hartmann Feinberg. Bucheron), 1952; etching, hand-colored with French Church Series: Notre Dame Du Val, watercolor; 29.3 x 23.7 cm; Cramer 22, pl. 8; Unidentified photographer (American). Portrait Gift of Richard and Edward Feinberg, from of Man Leaning away from Camera, late 1840s; Provins, 1931; 22.1 x 13.2 cm; Fletcher 240, state II/II; 2003.64. French Church Series: the collection of Dr. Isadore Feinberg and daguerreotype, quarter-plate; 10.8 x 8.3 cm; Dr. Rose S. Hartmann Feinberg 2003.65. Gift of Charles Isaacs and Carol Nigro Rocamadour, 1927; 34.8 x 25.3 cm; Fletcher 2003.296. 186, state I/II; 2003.63. Nicolas-François Chifflart (French, 1825– 1901). Melancholy (Le Mélancolie), etching; 27.9 Unidentified photographer (American). Post- Will Barnet (American, b. 1911). The Dream, 2002; two color lithographs; The Print Club of x 19 cm; Gift of Sylvain Bellenger in honor of Mortem on Pillow, Vertical, about 1850; ambro- Heather Lemonedes 2003.414. type, tinted, sixth-plate; 7 x 8.3 cm; Gift of Cleveland Publication No. 81, 2003. Gift of Charles Isaacs and Carol Nigro 2003.294. The Print Club of Cleveland. BAT 61.5 x Eugène Delâtre (French, 1854–1938). The 40.6 cm; 2003.59. 61.5 x 40.6 cm; 2003.60. Solferino Bridge: Nocturnal Effect (Le Pont de Unidentified photographer (American). Statue Solférino: Effet Nocturne), about 1898; color of a Youth in Large Hat (from a John R. Johnston Gustave Baumann (American, b. Germany, 1881–1971). Summer Clouds, 1924 (printed aquatint and etching; 32.6 x 49.8 cm; John L. album), before 1857; salted paper print from Severance Fund 2003.20. wet collodion negative; 17.8 x 12.9 cm; Gift 1956); John L. Severance Fund. Color wood- of Charles Isaacs and Carol Nigro 2003.301. cut; 26.5 x 23.6 cm; 2003.240. Six wood Marcellin Gilbert Desboutin (French, 1823– blocks. Black; 29.2 x 25.2 cm; 2003.241.6. 1902). Jules Jacquemart, about 1900; etching; Unidentified photographer (American). Two Blue; 29.3 x 25.2 cm; 2003.241.1. Green; 27.2 x 19.2 cm; Gift of John Bonebrake Men Staging a Fight in a Studio, about 1860; 29.2 x 25.2 cm; 2003.241.3. Pink; 29.3 x 25.5 2003.405. tintype, sixth-plate in full case; 6.7 x 8 cm; cm; 2003.241.5. Purple; 29.3 x 25.3 cm; Louis Desplaces (French, 1682–1739). Rape Gift of Charles Isaacs and Carol Nigro 2003.241.2. Yellow; 29.2 x 25.2 cm; 2003.303. of the Sabines (after Charles Joseph Natoire), 2003.241.4. Ten progressive proofs. Black; 1700s; engraving; 32.8 x 19.9 cm; Fond Unidentified photographer (American). Two 26.7 x 23.5 cm; 2003.242.1. Black and ochre; Français VII.96; Gift of Mr. and Mrs. Oxen and Driver, 1850s; daguerreotype, sixth- 27.5 x 24.5 cm; 2003.242.3. Blue; 26 x 23.5 Theodore Alfred in memory of Carey Croneis plate; 7 x 8.3 cm; Gift of Charles Isaacs and cm; 2003.242.4. Blue, ochre, and black; 27.5 x 2003.311. Carol Nigro 2003.295. 24.5 cm; 2003.242.5. Gray; 17.1 x 23.8; Edouard Detaille (French, 1848–1912). Gift of Unidentified photographer (American). 2003.242.10. Green; 6.7 x 23.7 cm; 2003.242.6. Green, blue, ochre, and black; John Bonebrake. Riflemen (Fuseliers Marins), Unititled, about 1855; tintype; 5.9 x 4 cm; Gift 1887; color photogravure enhanced with of Charles Isaacs and Carol Nigro 2003.298.a. roulette; 29.7 x 21.3 cm; 2003.410. An Uhlan (Un Uhlan); etching and drypoint; 31.4 x 23.6 cm; Béraldi 1; 2003.411.

ARpp22-37.p65 30 6/1/2004, 11:50 PM Jim Dine (American, b. 1935). Braid (first state), Katsunori Hamanishi (Japanese, b. 1949). 1972; etching; 90 x 60.2 cm; Williams College Untitled; mezzotint; 9.9 x 9.9 cm; Gift of 148; John L. Severance Fund 2003.16. William E. Ward in memory of his wife, Kerr Eby (American, 1889–1946). Hatchet Evelyn Svec Ward 2003.320. Cove, 1937; etching, aquatint, and sandpaper Shigeru Hatsuyama (Japanese, 1897–1973). ground; 22.9 x 35.3 cm; Giardina 194; Kotomo Ni Noborareru Ki, 1960; color wood- Gift of Richard and Edward Feinberg, from cut; 31.7 x 36.2 cm; Gift of William E. Ward the collection of Dr. Isadore Feinberg and in memory of his wife, Evelyn Svec Ward Dr. Rose S. Hartmann Feinberg 2003.66. 2003.315. James Ensor (Belgian, 1860–1949). The Joseph Hecht (French, 1891–1951). Paris: The Cathedral, 1886; etching; 24.2 x 18.8 cm; Eiffel Tower (Paris: La Tour Eiffel), 1933; en- Taevernier 7, state I/III; Gift of The Print graving; 28 x 35.4 cm; Tonneau-Ryckelynck Club of Cleveland 2003.46. and Plumart 234; Gift of Elizabeth Carroll Yoshisuke Funasaka (Japanese, b. 1939). Two Shearer in honor of Jane Glaubinger 2003.324. color screenprints; Gift of William E. Ward in Mabel A. Hewit (American, 1903–1987). Gift memory of his wife, Evelyn Svec Ward. of Mr. and Mrs. William Jurey in memory Lemon, 1970; 54.7 x 42.8 cm; 2003.316. My of Mabel A. Hewit. Around the Camp Stove, Space and My Dimension, 1984; 18 x 17 cm; about 1935; color woodcut; 27.5 x 22.7 cm; 2003.317. 2003.369. Back Fence Gossip, about 1935; color Georges Godin (French, active 1897–1904). woodcut; 30.4 x 20.2 cm; 2003.370. Boy on a The Yellow Evening (Le Soir Jeaune), about 1904; Raft, about 1935; color woodcut; 28.8 x 35.7 color aquatint; 21.3 x 28.1 cm; Gift of Henry cm; 2003.363. Boy on a Raft and Landscape of Ott-Hansen in memory of Anne Buckley Ott- Maurita, about 1935; double-sided woodblock; Hansen 2003.51. 28.3 x 35.9 cm; 2003.364.a–b. Houses, about 1940; color woodcut; 23.5 x 35 cm; 2003.366. Norbert Goeneutte (French, 1854–1894). The Jersey Shore, about 1940; color woodcut; Fancy (Fantaisie), 1877; etching; 29.4 x 20.7 28.7 x 18.8 cm; 2003.367. Out of Doors Paint- cm; Gift of Elizabeth Carroll Shearer in honor James Ensor (Belgian, ing Class, about 1940; color woodcut; 31.5 x 1860–1949). The of Charlotte Trenkamp’s 100th birthday 23.7 cm; 2003.371. Out of Doors Painting 2003.323. Cathedral, 1886; Class and Townscape with Two Trees, about etching; 24.2 x 18.8 cm; Red Grooms (American, b. 1937). Nineteenth- 1940; double-sided woodblock; 31.3 x 23.5 Taevernier 7, state I/III; Century Artists: Rodin, 1976; drypoint; 12.5 x cm; 2003.373.a–b. Sandwich Men, about 1940; Gift of The Print Club 10 cm; Knestrick 58; Gift of Carole W. and color woodcut; 27.2 x 20.6 cm; 2003.372. of Cleveland 2003.46. Charles B. Rosenblatt 2003.336. Sun Bathing, about 1935; color woodcut; 27.7 Henri de Groux (Belgian, 1866–1930). x 30.3 cm; 2003.362. The Village Well, 1955; The Vintages! (Les Vendanges!). Gift of John color woodcut; 27.6 x 21.2 cm; 2003.368. Bonebrake. The Abandoned Vine (La Vigne Woman Washing Clothes, about 1935; color Abondonnée), 1894; lithograph; 34.2 x 23.6 cm; woodcut; 35.6 x 24.4 cm; 2003.365. 2003.400. Place of Devastation (Coin de Howard Hodgkin (British, b. 1932). In the Campagne Devestée), 1894; lithograph; 20.6 x Museum of Modern Art: All Alone in the Museum 26.5 cm; 2003.402. Seven Owls and a Serpent of Modern Art, 1979; softground etching with (Sept hiboux et un serpent), about 1900; litho- hand-coloring; 74.7 x 98.2 cm; Tate Gallery graph; 48.8 x 40.1 cm; 2003.404. Title Page 24; Gift of Phyllis Sloane in memory of David (Page de titre), 1894; lithograph and letterpress; Davis 2003.224. 20.2 x 20.7 cm; 2003.401. The Vintages! (Les Wenceslaus Hollar (Bohemian, 1607–1677). Vendanges!), 1894; letterpress; 59.6 x 42.9 cm; Four etchings; Bequest of Nicholas J. 2003.403. Velloney. Amoenissimae aliquot locorvm . . . : Henri de Groux. Standard Bearer, 1893; litho- Plate 5, Augsburg, 1635; 5.8 x 9.3 cm; graph; 27.6 x 21.5 cm; Stein and Karshan 31; Pennington 699; 2003.280. Moated Town Gate, Gift of John Bonebrake 2003.399. 1676; 5.8 x 13.5 cm; Pennington 781; Charles Guilloux (French, 1866–1946). The 2003.278. Nobilis Mulier Anglica in Vestitu Deluge or Landscape with Poplars (L’inondation or Hiemali, 1643; 9.2 x 6.1 cm; Pennington 1884, Paysage aux Peupliers), 1893; color lithograph; state III/III; 2003.281. The Waterhouse, 1665; 20.7 x 28.8 cm; Stein and Karshan 34; John L. 9.1 x 12.7 cm; Pennington 920, state I/III; Severance Fund 2003.19. 2003.279. Robert Gwathmey (American, 1903–1988). François Houtin (French, b. 1950). Dwellings of Farmer’s Wife, 1954; color screenprint; 43.3 x the Nymph: First Dwelling of the Nymph (Frontis- 33.5 cm; Williams 12; James Parmelee Fund piece) (Nymphées: 1ère Nymphée [Frontispiece]), 2003.239. 2002; etching; 20.4 x 17.8 cm; Armstrong and Broutta 312; Gift of Ray W. Clarke in Francis Seymour Haden (British, 1818–1910). memory of Moselle Taylor Meals 2003.62. Mytton Hall, 1859; drypoint; 11.9 x 25.7 cm; Schneiderman 19, state III/V; Gift of Richard Jules Jacquemart (French, 1837–1880). Four and Edward Feinberg, from the collection of etchings; Gift of John Bonebrake. A Genoise Dr. Isadore Feinberg and Dr. Rose S. (Une Genoise), 1877; 27 x 19.7 cm; Béraldi Hartmann Feinberg 2003.67. 388; 2003.408. Saucer with Rich Enameled Ground and Medallion Representing the Goddess Kouanin, about 1877; 18.9 x 12.8 cm; Gonse

ARpp22-37.p65 31 6/1/2004, 11:50 PM William Henry Claude Lorrain (French, 1604/5–1682). Land- Johnson (American, scape with Brigands (Scène de brigands), 1633; 1901–1970). Fright, etching; 13.1 x 20 cm; Mannocci 11, state 1942–43; color VII/IX; Gift of John Bonebrake 2003.412. screenprint with hand Haku Maki (Japanese, b. 1924). Poem 70-72, coloring; 43.1 x 35 cm; 1970; embossed color relief; 57.6 x 40.5 cm; Dudley P. Allen Fund Gift of William E. Ward in memory of his 2003.1. wife, Evelyn Svec Ward 2003.318. Henri Matisse (French, 1869–1954). Portrait of Claude D, 1946; lithograph on chine collé; 35.2 x 27.5 cm; Dutuit 585; Gift of Julie and Greg Hubert 2003.415. James McBey (British, 1883–1959). Two etchings; Gift of Richard and Edward Feinberg, from the collection of Dr. Isadore Feinberg and Dr. Rose S. Hartmann Feinberg. A Nor- folk Village, 1915; 13.9 x 21.6 cm; Hardie 158, published state; 2003.76. The Pool, 1914; 24.3 x 36.2 cm; Hardie 150, published state; 2003.75. Joan Miró (Spanish, 1893–1983). From Here and There: Figures by the Sea, 1934; color pochoir; 32.8 x 27.5 cm; Dupin 13; John L. Severance Fund 2003.24. Jackson Lee Nesbitt (American, b. 1913). Old Man with Violin, 1955; etching; 32.8 x 27.4 cm; Gift of Carole W. and Charles B. Rosenblatt 2003.335. Bror Julius Olsson Nordfeldt (American, b. Sweden, 1878–1955). The Village Green, Twi- light, 1906; color woodcut; 32.5 x 21.6 cm; Donovan 18; John L. Severance Fund 63; 2003.407. Ivory and Celadon (Ivoire et Armin Landeck (American, 1905–1984). 2003.18. Celadons), 1872; 12.4 x 22.3 cm; 2003.406. Gift of Carole W. and Charles B. Rosenblatt. Gio Pomodoro (Italian, b. 1930). Five color Plants of the Greenhouse (Pates de Serre), 1872; Approaching Storm, Manhattan, 1937; drypoint; lithographs from Tamarind Squares, 1967; Gift 36.4 x 26.6 cm; Gonse 332; 2003.409. 23.2 x 21.5 cm; Kraeft 65; 2003.327. House- of Margo H. Leavin. Tamarind Squares II, Black tops—14th Street, 1937; drypoint and sandpaper Jasper Johns (American, b. 1930). Flags I, Seal; 76.2 x 56.8 cm; Tamarind 2066; ground; 20.9 x 28.6 cm; Kraeft 66; 2003.328. 1973; color screenprint; Field 128; 69.8 x 88.9 2003.417. Tamarind Squares VI, Double Green Restaurant, 1951; engraving; 29.8 x 40.1 cm; cm; Jointly owned by Dorothy Tremaine Seal; 75.9 x 56.5; Tamarind 2070; 2003.418. Kraeft 109; 2003.330. Studio Interior, No. 2, Hildt and the Cleveland Museum of Art Tamarind Squares XIII, Double Red Spiral; 76.3 1936; drypoint; 24.5 x 31 cm; Kraeft 58; 2003.429. x 56.3 cm; Tamarind 2074; 2003.419. Tama- 2003.326. Window on 14th Street, 1949; dry- rind Squares XV, Four Circles I; 76.3 x 56.1 cm; William Henry Johnson (American, 1901– point and engraving; 31.1 x 14.6 cm; Kraeft Tamarind 2076; 2003.420. Tamarind Squares 1970). Fright, 1942–43; color screenprint with 103; 2003.329. hand coloring; 43.1 x 35 cm; Dudley P. Allen XVI, Four Circles II; 56.3 x 76.2; Tamarind Fund 2003.1. Alphonse Legros (French, 1837–1911). The 2076, state II; 2003.421. Pear Thief, No. 1, about 1890; etching; 22.7 x Martin Puryear (American, b. 1941). Untitled, Donald Judd (American, 1928–1994). Untitled, 15.1 cm; Malassis and Thibaudeau 138, state 1999; etching 45.3 x 60.5 cm; John L. 1988; ten woodcuts printed in red; 59.9 x 79.9 III/III; Gift of Richard and Edward Feinberg, Severance Fund 2003.17. cm; Schellmann, Jörg, and Jitta 157–66; Mr. from the collection of Dr. Isadore Feinberg and Mrs. Richard W. Whitehill Art Purchase and Dr. Rose S. Hartmann Feinberg 2003.74. Andrew Raftery (American, b. 1962). Suit Endowment Fund 2003.92.1–10. Shopping: An Engraved Narrative, 2000–2002; Jean Le Pautre (French, 1618–1682). Decorative engraving from four plates on four sheets of Rockwell Kent (American, 1882–1971). Six Urn, 1600s; two etchings; Le Blanc II.536.15– paper (three joined); paper folder; Gift of lithographs; Gift of Richard and Edward 20; Bequest of Nicholas J. Velloney. 23.1 x Friends in memory of Ann Bassett and Tom Feinberg, from the collection of Dr. Isadore 15.3 cm; 2003.282. 23 x 15.8 cm; 2003.283. Feinberg and Dr. Rose S. Hartmann Feinberg. Johnson. Single sheet: 37.8 x 52.8 cm; Beowulf: Beowulf, 1931; 35 x 26.7 cm; Jones 72; Roy Lichtenstein (American, 1923–1997). 2003.15.1. Tri-fold sheet: 37.8 x 23.3 cm, 2003.71. The Cheshire Academy, 1947; 27.7 x Merton of the Movies, 1968; color screenprint on 2003.15.2.a; 37.9 x 46.5 cm, 2003.15.2.b: 37.9 37.7 cm; Jones 142; 2003.73. Farewell, 1931; silver foil; 76 x 50.8 cm; Corlett 61; Gift of x 22.9 cm, 2003.15.2.c. Mr. and Mrs. Martin Karlin 2003.84. 14.4 x 10 cm; Jones 61; 2003.69. Hero, 1931; Robert Rauschenberg (American, b. 1925). 30.8 x 23 cm; Jones 69; 2003.70. Prometheus George Longfish (American, b. Canada, 1942). Illegal Tender L.A.: Fence, 1991; color litho- Unchained, 1938; 35.6 x 28.9 cm; Jones 119; Modern Times, 1994; three color photo and graph; 113.1 x 76.5 cm; Gift of Gemini G.E.L. 2003.72. Waldo Peirce, 1928; 24.8 x 18.7 cm; offset lithographs; Gift of Gloria and Leon in honor of Arthur Feldman’s 88th birthday; Jones 30; 2003.68. Plevin in memory of Walter Caldwell. 105.8 x 2003.422. 76.5 cm; 2003.325.a. 105.8 x 76.5 cm; Yasuhide Kobashi ( Japanese, b. 1931). Henri Rivière (French, 1864–1951). Two 2003.325.b. 105.5 x 76.6 cm; 2003.325.c. Darkmoon, 1960; color woodcut with pin- color lithographs; Gift of Friends in memory of wheel punctures; 34.7 x 22.8 cm; Gift of Anne Buckley Ott-Hansen. The Aspects of William E. Ward in memory of his wife, Evelyn Svec Ward 2003.319.

ARpp22-37.p65 32 6/1/2004, 11:50 PM Nature: Sunset (Les Aspects de la nature: 2003.391. Thirty-Six Views of the Eiffel Tower: Théophile Alexandre Steinlen (French, 1859– Le Coucher du Soleil), 1898; 54.6 x 83.6 cm; From the Quai de Grenelle (Trente-six vues de la 1923). Henri Rivière, lithographic frontispiece Fields, p. 76; 2003.47. The Enchanted Hours: Tour Eiffel: Du Quai de Grenelle), 1902; 17 x in Henri Rivière, peintre et imagier, 1907; 17.6 x The Night (La Féerie des Heures: La Nuit), 1902; 21.2 cm; Fields, p. 78, pl. 18; 2003.390. Thirty- 14.2 cm; Crauzat 286; Gift of John Bonebrake 24 x 60 cm; Fields, p. 77; 2003.48. Six Views of the Eiffel Tower: From the Quai de 2003.398. Henri Rivière. 21 color lithographs; Gift of Javel (Switchman’s Shanty) [Trente-six vues de la Walesse Ting (American, b. China, 1929). John Bonebrake. Aspects of Nature: The Bay Tour Eiffel: Du Quai de Javel (Baraque Chinese Moonlight: 63 Poems by 33 Poets; (Les Aspects de la Nature: La Baie), 1897; 54.9 x d’Aguilleur)], 1902; 17 x 21.2 cm; Fields, p. 78, four color lithographs; 27 x 38 cm; Gift of 83 cm; Fields, p. 76, pl. 1; 2003.378. Aspects of pl. 28; 2003.393. Elizabeth Carroll Shearer in memory of Rob- Nature: The Cliff (Les Aspects de la Nature: La Henri Rivière. Gift of John Bonebrake. The ert Lundie Shearer. Butterfly Gun; 2003.223.a. Falaise), 1897; 55 x 82.7 cm; Fields, p. 76, pl. Prodigal Son (L’Enfant Prodigue), 1895; 15 color Singing in the Rain; 2003.223.b. Twinkling Star; 3; 2003.384. Aspects of Nature: The Island (Les lithographs, bound; 24.5 x 32.2 cm; Fields, p. 2003.223.c. Iris Bursting; 2003.223.d. Aspects de la Nature: L’lle), 1898; 54.5 x 83 cm; 74; 2003.396.a–o. The Progress of the Stars (La Paul Travis (American, 1891–1975). Mt. Fields, p. 76, pl. 7; 2003.385. Aspects of Nature: Marche à L’Etoile), 1890; 18 color lithographs, Kilimanjaro from the Air, 1932; lithograph; 18 x The Stream (Les Aspects de la Nature: Le bound; 24.5 x 32.2 cm; Fields, p. 74; 27.6 cm; Gift of Carole W. and Charles B. Ruisseau), 1898; 55 x 82.5 cm; Fields, p. 76, pl. 2003.395.a–r. The Wandering Jew (Le Juif Er- Rosenblatt 2003.337. 12; 2003.379. Aspects of Nature: The Woods, in rant), 1896; portfolio of 9 color lithographs; Winter (Les Aspects de la Nature: Le Bois, not in Fields. 23 x 60.6 cm; 2003.397.1.a–i. 15 Jan van de Velde (Dutch, 1593–1641). Star of L’hiver), 1898; 54.7 x 83 cm; Fields, p. 76, pl. x 11.7 cm; 2003.397.2. 18.5 x 24.9 cm; Kings, a night-piece (after Pieter Molyn); en- 9; 2003.383. The Beautiful Countryside in 2003.397.3. 18.5 x 24.8 cm; 2003.397.4. 18.6 graving; 20.8 x 16.4 cm; Hollstein 149; Gift of Brittany: The Bay of Douarnenez (Le Beau Pays x 24.9 cm; 2003.397.5. 18.5 x 24.9 cm; The Print Club of Cleveland 2003.45. de Bretagne: La Baie de Douarnenez), 1916; 22.9 2003.397.6. 18.6 x 24.8 cm; 2003.397.7. 18.5 Horace Vernet (French, 1789–1863). The x 35.4 cm; Fields, p. 80, pl. 19; 2003.382. The x 24.9 cm; 2003.397.8. 18.5 x 24.9 cm; Man-Servant of Limier Rising from Bed (Lever du Beautiful Countryside of Brittany: The Beech- 2003.397.9. Valet de Limier), 1818; lithograph in black and Grove in Kerzadern (Le Beau Pays de Bretagne: Le Ernest David Roth (American, b. Germany, blue; 15 x 19.4 cm; Bequest of Nicholas J. Bois de hêtres à Kerzadern), 1917; 23 x 35.7 cm; 1879–1964). Toledo, The Approach, Spain, Velloney 2003.277. Fields, p. 80, pl. 20; 2003.374. The Beautiful 1921; etching; 28.2 x 29 cm; Whitmore 73; Sadao Watanabe (Japanese, 1913–1996). The Countryside in Brittany: The Island of Bréhat (Le Gift of Carole W. and Charles B. Rosenblatt Miracle of the Oil Pot, 1960; woodcut and sten- Beau Pays de Bretagne: L’Ile Bréhat), 1913; 22.8 2003.331. cil; 52 x 44.6 cm; Gift of William E. Ward in x 35.2 cm; Fields, p. 79, pl. 16; 2003.381. The William Ryland (British, 1732–1783). Untitled memory of his wife, Evelyn Svec Ward Beautiful Countryside in Brittany: The Old Mill at 2003.321. Loguivy (Le Beau Pays de Bretagne: Le Vieux and Corsica e Satiro (after Filippo Lauri), 1762– Max Weber (American, 1881–1961). Two Moulin à Loguivy), 1910; 23 x 35.6 cm; Fields, 63; two chalk-manner etchings and engraving linocuts; Gift of Richard and Edward p. 79, pl. 13; 2003.377. The Beautiful Country- printed in red on one sheet; Untitled; 22.7 x Feinberg, from the collection of Dr. Isadore side in Brittany: The Port of Ploumanac’h (Le Beau 22.5 cm; Corsica e Satiro; 15.7 x 19.7 cm; Be- Feinberg and Dr. Rose S. Hartmann Feinberg. Pays de Bretagne: Le Port de Ploumanac’h), 1914; quest of Nicholas J. Velloney 2003.284. Prayer, 1920; 22.7 x 7.1 cm; Rubenstein 32; 23.1 x 35.7; Fields, p. 79, pl. 17; 2003.376. Abel Schlicht (German, 1754–1826). Subterra- 2003.83. The Workers, 1937–40; 22 x 28.7 cm; The Beautiful Countryside in Brittany: Street in nean Jail for the Stage (Unterirdisches Gefängnis für Rubenstein 43; 2003.81. Tréboul (Le Beau Pays de Bretagne: Rue à die Schaubühne), 1788; etching and aquatint; 49 Tréboul), 1899; 23.1 x 34.9 cm; Fields, pp. 76– x 63 cm; Nagler 16 (?); John L. Severance James McNeill Whistler (American, 1834– 77, pl. 2; 2003.380. The Beautiful Countryside in Fund 2003.23. 1903). Gift of Richard and Edward Feinberg, Brittany: View of Kermarie (Le Beau Pays de Micah Schwaberow (American, b. 1948). from the collection of Dr. Isadore Feinberg Bretagne: Le Trieux à Kermarie), 1912; 22.9 x Limantour 2: Evensong, 2001; color woodcut; and Dr. Rose S. Hartmann Feinberg. Drouet, 35.4 cm; Fields, p. 79, pl. 15; 2003.375. Pari- 12.6 x 25.5 cm; Gift of The Verne Collection 1859; etching; 22.5 x 15.1 cm; Kennedy 55 sian Landscapes: The Borough of Perros-Guirec 2003.322. after state II/II; 2003.79. The Fair, 1895–96; (Paysages Parisiens: Le Bourg de Perros-Guirec), lithograph; 23.5 x 18.7 cm; Chicago 135, state Yamamoto Shoun (Japanese, 1870–1965). 1896; 14.9 x 23 cm; Fields, p. 75, pl. 26; II/II; 2003.80. Children Playing: Snowman, 1907; color wood- 2003.388. Parisian Landscapes: The Fortifications cut; 20.4 x 30.2 cm; Gift of Frederick, Tina, Terry Winters (American, b. 1949). Untitled, (Paysages Parisiens: Les Fortifications), 1900; 52.5 and Zoe Zwegat 2003.413. 1988; etching, softground etching, and spitbite x 82 cm; Fields, p. 77, pl. 5; 2003.387. Parisian aquatint; 70.8 x 57.2 cm; Sojka 33; Gift of Landscapes: Paris Seen from Montmartre (Paysages Walter Sickert (British, 1860–1942). John L. Margo H. Leavin and Wendy W. Brandow Parisiens: Paris vu de Montmartre), 1900; 52.3 x Severance Fund. Dieppe, La Rue Notre Dame, 2003.416. 1909; etching and aquatint; 39 x 27 cm; 82.2 cm; Fields, p. 77, pl. 2; 2003.386. Thirty- Ralph Woehrman (American, b. 1940). Golden Six Views of the Eiffel Tower: From Bas-Meudon, Bromberg 134, state XI/XVI; 2003.21. Sally: The Small Plate, about 1911; etching printed in Eagle; drypoint; 22.1 x 26 cm; Gift of Carole Old Wash Boat (Trente-six vues de la Tour Eiffel: W. and Charles B. Rosenblatt 2003.338. Du Bas-Meudon-Vieux Lavoir), 1902; 17 x 21.2 brown ink; 26.5 x 22 cm; Bromberg 142, state cm; Fields, p. 78; pl. 29; 2003.394. Thirty-Six I/IV; 2003.22. Amy Worthen (American, b. 1946). The Voy- Views of the Eiffel Tower: From Behind Frémiet’s John Sloan (American, 1871–1951). 1916; two age of the “Chiaretta,” 1998–99; engraving and Elk, Trocadero (Trente-six vues de la Tour Eiffel: etchings; Gift of Richard and Edward roulette printed in brown on two sheets; Gift Derrière l’Elan de Frémiet, Trocadéro), 1902; 21.1 Feinberg, from the collection of Dr. Isadore of Amy N. and Thomas F. Worthen in honor x 17 cm; Fields, p. 78, pl. 27; 2003.392. Feinberg and Dr. Rose S. Hartmann Feinberg. of the 50th anniversary of Dr. Gerard and Thirty-Six Views of the Eiffel Tower: From Calf Love; 10.6 x 6.9 cm; Morse 182; 2003.78. Phyllis Seltzer. 22.8 x 38.8 cm; 2003.222.a. Lamarck Street (Trente-six vues de la Tour Eiffel: McSorley’s Back Room; 13.4 x 17.8 cm; Morse 22.8 x 38.7 cm; 2003.222.b. De la rue Lamarck), 1902; 17 x 21.1 cm; Fields, 181, state III/III; 2003.77. Masaji Yoshida ( Japanese, 1917–1971). Two p. 78, pl. 14; 2003.389. Thirty-Six Views of the color woodcuts; Gift of William E. Ward in Eiffel Tower: From the Grenelle Bridge (Trente-six memory of his wife, Evelyn Svec Ward. vues de la Tour Eiffel: Du Pont de Grenelle), Ground No. 4, 1960; 42 x 18.5 cm; 2003.314. 1902; 17 x 21.2 cm; Fields, p. 78, pl. 20; No. 1, 1958; 45 x 37.7 cm; 2003.313.

ARpp22-37.p65 33 6/1/2004, 11:50 PM Manufactured by Textiles Rockwell Kent (American, 1882–1971). Maison Henry Democratic Republic of the Congo. Fragment Manufactured by Charles Bloom Inc. Harvest Bertrand (French). of Woman’s Overskirt (ncaka), late 1800s or early Time, 1949; printed on textured period cloth Chrysanthemums, 1900s; raffia palm fiber; 121.4 x 33.3 cm; John (cotton and synthetic fibers); 94.3 x 110.5 cm; 1925; twill-based L. Severance Fund 2003.91. Gift of The Textile Art Alliance 2003.339. jacquard weave; silk, Maria Kipp (American, 1900–1988). Textile artificial gold thread; Democratic Republic of the Congo. Woman’s Overskirt (ncaka), late 1800s or early 1900s; Sample (two works), about 1960; plain weave: 325 x 106.7 cm; John L. rayon, wool, cotton, linen; Gift of Charles L. Severance Fund raffia palm fiber, European tradecloth; 413.2 x 63.6 cm; John L. Severance Fund 2003.90. Venable and Martin K. Webb. 147.3 x 135.9 2003.42. cm; 2003.85.1. 140.9 x 134.6 cm; 2003.85.2. India, Coromandel Coast. Chintz Bed Cover or Hanging with a Japanese-Inspired Pattern, Manufactured by Maison Henry Bertrand right half, 1700–1750; drawn resist, painted (French). Chrysanthemums, 1925; twill-based mordants, dyed (two reds, two blues, purple, jacquard weave; silk, artificial gold thread; 325 brown, green); cotton; 284.5 x 136 cm; John x 106.7 cm; John L. Severance Fund 2003.42. L. Severance Fund 2003.43. Mariette Rousseau Vermette (Canadian, b. Iran, Safavid dynasty (1501–1722). Floral Silk 1926). #644, 2003; plain weave with supple- on a Golden Ground, 1650–1700; complemen- mentary weft patterning: wool, synthetic fiber; tary weft-faced twill with inner warps (samit); 33 x 33.6 x 4.5 cm; Gift of Mildred silk, gilt-metal and silver-metal thread; 50.1 x Constantine 2003.423. 27.5 cm; John L. Severance Fund 2003.96. Wendy Weiss (American, b. 1957). Field, Ivory Coast, Dida people. Man’s Garment, 2003; cotton and metal thread float over ex- possibly early 1900s; resist dyed raffia palm posed copper wire; 9.5 x 22.8 x 17.8 cm; Gift fiber (Raphia ruffia or R. vinifera); 169.8 x 211.5 of Mildred Constantine 2003.424. cm; John L. Severance Fund 2003.89. Education Art Collection Morocco, Tetouan. Silk Portiere, 1800s; complementary warp-faced plain weave with Helen Cordero (New Mexico, Cochiti areas of double cloth; silk; 313.5 x 62.3 cm; Pueblo, 1915–1994). Turtle with Seven Children; Gift of The Textile Art Alliance 2003.86. ceramic; 19.1 x 28 cm; Gift of Frances and David Dickenson in memory of Sarah Turkey, Istanbul. Velvet Panel with an Italian Dickenson and Jeffrey Cudlip 2003.1002. Pattern, 1575–1600; brocaded velvet; silk, cotton, and gilt-metal thread; 170 x 241 cm; Joseph Domjan (American, 1907–1992). Color Andrew R. and Martha Holden Jennings Fund woodcuts; Gift of Evelyn Domjan in memory 2003.3. of her husband, Joseph Domjan. Feng-Huang I; 58.5 x 44.5 cm (sheet); 2003.1000. Rose Phoe- James Bassler (American, b. 1933). Cube, nix, 1971; 50.8 x 66.1 cm (sheet); 2003.1001. Promissory Note, 2003; waxed linen, scaffold warps; 5.1 x 5.1 x 2.5 cm; Gift of Mildred Constantine 2003.427. Virginia Davis (American, b. 1930). Gift of Mildred Constantine. Denim: Cut, 2003; warp ikat with cut warps; linen; 20.3 x 20.3 x 2.4 cm; 2003.425. Denim: Faded, 2003; warp ikat with abraided warps: linen; 20.3 x 20.3 x 2.4 cm; 2003.426.

ARpp22-37.p65 34 6/1/2004, 11:50 PM African Gallery

The gallery of Art of Sub-Saharan Africa reopened on October 12, 2003, after being closed for one year for reinstallation, showcasing the cream of the museum’s collection with 58 objects in wood, terracotta, brass, ivory, cloth, and other media. The majority of works are wooden masks and figures made in West and Central Africa in the late 19th to early 20th centuries. The gallery is organized geographi- cally according to four broad cultural regions—the Western Sudan, the

of a dynamic and kinetic art form, and how it now helps us understand the continuity between past traditions and the present. The video-interactive device not only provides contextual information for gallery visitors, but contains in-depth content accessible only to teachers leading classes in the gallery and also brings live videoconferencing with scholars or students from remote sites right into the gallery. The reinstallation was made possible by a generous grant from the Cleveland Foundation. The grant allowed the museum to articulate its African art collection in a more innovative and meaningful manner and connect the installation’s relationship Visitors celebrate the Guinea Coast, Nigeria, and the Congo to African-American culture. The fully reopening of the Basin—an arrangement that illustrates gallery of the art of illustrated catalogue South of the sub-Saharan Africa. the formal and stylistic relationships Sahara: Selected Works of African Art, between neighboring artistic traditions written by Associate Curator of African and emphasizes the uniqueness of Art Constantine Petridis, won a gold the arts of distinct ethnic groups. The award in the Ohio Museums Associa- gallery not only presents the objects tion annual visual communications beautifully, but also provides interpre- competition. tive information including wall text, object labels, and field photographs. This information presents African art as part of a complex cultural network with interwoven threads of material and spiritual life. A state-of-the-art interactive multimedia display focuses on a crest mask of the Ejagham people of Nigeria, showing how the object was used in its original setting as part

ARpp22-37.p65 35 6/1/2004, 11:51 PM Loans to Other Addison Gallery of American Art, Phillips French Academy in Rome, Villa Medici; Academy, Andover, Massachusetts; AXA Dahesh Museum of Art, New York Institutions Gallery, New York; Marion Koogler McNay Maesta di Roma, da Napoleone all’Unita d’Italia: Art Museum, San Antonio; Museum Jean Da Ingres á Degas: Les artistes française á Rome Tinguely, Basel (title in Rome). French Artists in Rome, Ingres to Miracle in the Scrap Heap: The Sculpture of Degas (title in New York) Richard Stankiewicz Galleria Nazionale d’Arte Moderna, Rome Akron Art Museum, Ohio Maesta di Roma, da Napoleone all’Unita d’Italia: Rodin: A Magnificent Obsession—Selections from Capitale delle Arti the Iris and B. Gerald Cantor Foundation Governor’s Residence Foundation, Bexley, American Federation of Arts (organizing Ohio institution). The Frick Collection, New York Long-term loan to the Ohio governor’s residence The Drawings of François Boucher Great Lakes Science Center, Cleveland American Textile History Museum, Lowell, China: 7000 Years of Discovery Massachusetts Generations/Transformations: American Fiber Art Heckscher Museum of Art, Huntington, New York The Art Institute of Chicago; Arthur M. The Golden Age of American Impressionism Sackler Gallery, Smithsonian Institution, Washington High Museum of Art, Atlanta; Detroit Himalayas: An Aesthetic Adventure Institute of Arts After Whistler: The Artist and His Influence on The Art Institute of Chicago; Philadelphia American Painting Museum of Art; Van Gogh Museum, Amsterdam Hood Museum of Art, Hanover, New Manet and the Sea Hampshire; Onassis Foundation, New York; Cincinnati Art Museum; J. Paul Getty Asia Society Galleries, New York; Palazzo Museum of Art, Los Angeles Reale, Milan Coming of Age in Ancient Greece Hunt for Paradise: Court Arts of Iran, 1501–1576 J. Paul Getty Museum, Los Angeles Asian Art Museum of San Francisco Illuminating the Renaissance: The Triumph of Goryeo Dynasty: Korea’s Age of Enlightenment Flemish Manuscript Painting in Europe Aspen Art Museum, Colorado Japan Society Gallery, New York Robert Mangold: Paintings, 1990–2002 Transmitting Forms of Divinity: Early Buddhist Art from Korea and Japan Birmingham Museum of Art, Alabama (organizing institution); National Museum of Junta de Castilla y Leon (organizing Modern Art, Kyoto; Sakura City Museum, institution). Museo Parroquial de Santa Eulalia, Japan Paredes de Nava, Palencia, Spain Kamisakka Sekka: Rimpa Master—Pioneer of Pedro Berruguete: El Primer Pinto Renacentista de Modern Design la Corona de Castilla Bruce Museum of Arts and Sciences, Kunsthaus Zurich, Switzerland Greenwich, Connecticut; Norton Museum of Georgia O’Keeffe Installation on the Art, West Palm Beach, Florida south lawn of JFK and Art Kunsthistorisches Museum, Vienna; Tony Smith’s 1967 Kulturstiftung Ruhr, Essen, Germany sculpture, Source Canton Museum of Art, Ohio; Springfield Flemish Landscapes (painted steel, Gift of Museum of Art, Ohio the Metropolitan Bank In Clear Light: The Triumph of Ohio Linea d’ombra (organizing institution). Casa & Trust Company Watercolorists dei Carraesi, Treviso, Italy 2001.256). L’oro e l’azzurro, I Colori del Sud da Cézanne a Cleveland Artists Foundation (organizing Bonnard institution). Beck Center for the Arts, Lakewood, Ohio Los Angeles County Museum of Art; Drawn to Perfection: Jean and Paul Ulen and the Columbus Museum of Art, Ohio Slade School Legacy in Cleveland The Circle of Bliss: Buddhist Meditational Art The Cleveland Museum of Art; Los Angeles Mattatuck Museum, Waterbury, Connecticut; County Museum of Art Newington Cropsey Foundation, Hastings-on- Jasper Johns: Numbers Hudson, New York Picture Perfect: The Art of Northwest Connecticut Columbus Museum of Art, Ohio; Mary and Leigh Block Museum of Art, Northwestern Memorial Art Gallery of the University of University, Evanston, Illinois Rochester, New York; Terra Museum of American Expressionism American Art, Chicago; Georgia Museum of Art, Georgia University, Athens; Vero Beach Decorative Arts Center of Ohio, Lancaster, Museum of Art, Florida Ohio Leaving for the Country: George Bellows at Ohio Is My Dwelling Place: Schoolgirl Woodstock Embroideries, 1803–1850

ARpp22-37.p65 36 6/1/2004, 11:51 PM The Metropolitan Museum of Art, New York El Greco The Metropolitan Museum of Art, New York Manet and the Civil War Conservator Larry The Metropolitan Museum of Art, New York Sisson examines Manet/Velázquez: The French Taste for Spanish objects to be included Painting in the reinstalled gallery of the art of The Metropolitan Museum of Art, New York sub-Saharan Africa. Turning Point: Oribe and the Arts of Sixteenth- Century Japan The Metropolitan Museum of Art, New York; Amon Carter Museum of Art, Fort Worth; National Gallery of Art, Washington Hudson River School Visions: The Landscapes of Sanford R. Gifford Musée de la Musique, Paris North India: The Glory of Princes, Tribute to the Gods Museum of Contemporary Art, San Diego; Museum of Fine Arts, Houston; Whitney Museum of American Art, New York Ellsworth Kelly: Red, Green, Blue Museum of Fine Arts, Houston; The Cleveland Museum of Art The History of Japanese Photography Museum of the City of New York Glass and Glamour: Steuben’s Modern Moment, 1930–1960 Museo Thyssen-Bornemisza, Madrid Palazzo Reale, Milan Scudiere del Quirinale, Rome Musical Analogies, Kandinsky and His Il Gran Teatro del Mondo: L’Anime e il Volto del Maesta di Roma, da Napoleone all’Unita d’Italia: Contemporaries Settecento Universale ed Eterna National Academy of Design Museum, Portland Art Museum, Oregon; Birmingham Sociedad Estatal para la Accíon Cultural New York; San Diego Museum of Art Museum of Art, Alabama; Meadows Museum, Exterior (organizing institution). Palacio Real George Inness and the Visionary Landscape Southern Methodist University, Dallas de Madrid, Spain The Triumph of French Painting: Seventeenth Courts of the Baroque Age: From Bernini and National Gallery-Alexandros Soutzos Century Masterpieces from the Museums of Velázquez to Luca Giordano Museum, Athens, Greece FRAME In the Light of Apollo—Italian Renaissance and Tate Britain, London; Minneapolis Institute of Greece Princeton University Art Museum, New Arts; The Metropolitan Museum of Art, New Jersey; Museum of Fine Arts, Houston York National Gallery of Art, Washington The Centaur’s Smile: The Human Animal in Constable to Delacroix: British Art and the French Small Wonders: Dutch Still Lifes by Adriaen Early Greek Art Romantics (title in London). Crossing the Coorte Channel: British and French Painting in the Age of Réunion des Musées Nationaux (organizing Romanticism (title in United States) National Gallery of Art, Washington; Musée institution). Musée du Louvre, Paris; The des Beaux-Arts de Montréal, Québec Metropolitan Museum of Art, New York Toledo Museum of Art, Ohio Edouard Vuillard L’Espirit Créateur de Pigalle á Canova: Terres Van Gogh: Fields: The “Poppy Field” and the National Gallery of Art, Washington; San cuites européennes (title in Paris). Playing with Artist’s Debate Francisco Museum of Modern Art Fire: European Terracotta Models, 1740–1840 (title in New York) Turin State Archives, Italy The Art of Romare Bearden Vittorio Alfieri: Artistocratico Ribelle National Galleries of Scotland (organizing Riffe Gallery, Columbus, Ohio; Butler Institute of American Art, Youngstown, Ohio Walters Art Museum, Baltimore; Columbus institution). Gallery of the Royal Scottish Museum of Art, Ohio; Portland Art Museum, Academy, Edinburgh The State of the Arts: A Celebration of Ohio’s Rich Artistic Heritage Oregon Monet: The Seine and the Sea, Vetheuil and Fabergé’s Menagerie: The Animal Creations of the Normandy San Francisco Museum of Modern Art; Los Fabergé Workshop Angeles County Museum of Art; Museum of Österreicheisch Galerie Belvedere, Vienna Whitney Museum of American Art, New Friedrich von Amerling Fine Arts, Houston; The Metropolitan Museum of Art, New York York Palazzo dei Diamanti, Ferrara, Italy; Gallery of Diane Arbus Elie Nadelman: Sculptor of Modern Life the Royal Scottish Academy, Edinburgh Edgar Degas and the Italians in Paris

ARpp22-37.p65 37 6/1/2004, 11:51 PM Associate Curator of Contemporary Art Jeffrey Grove (striding) and artist Trenton Doyle Hancock (right) supervise the installation of the Project 244 exhibition Moments in Mound History.

ARpp38-47.p65 38 6/1/2004, 11:54 PM Exhibitions

Exhibitions in the north gallery explored two millennia and three conti- nents. The Gilded Age: Treasures from the Smithsonian American Art Museum, paired with Cleveland Collects American Art of the Gilded Age, February 23- May 18, examined how art reflected American society’s aspirations during a period when this nation was somewhat fitfully rising to “first world” stature. Summer brought the elegant and beautiful exhibition The Sensuous and the Sacred: Chola Bronzes from South India, July 6-September 14. Among the show’s memorable qualities was how it made clear the stellar quality of Cleveland’s collection of Chola bronze sculpture. Autumn featured two exhibitions on contemporary art, Drawing Modern: Works from the Agnes Gund Collection and Jasper Johns: Numbers, both on view October 26, 2003-January 11, 2004. The museum published a handsome full-color catalogue for each show. Agnes Gund’s collection is both a survey of mid-to-late 20th-century works on paper and a fascinating reflection of the taste of a discerning and remarkably consistent collector. In one of a number of interesting events accompanying the exhibition, Agnes Gund and artist Frank Stella appeared together in a rare public dialogue about contemporary art. The Jasper Johns exhibition was the first large-scale show to examine one of the artist’s signature bodies of work: his high- spirited exploration of the numerals 0 through 9, which demonstrates his mastery of nearly every imaginable two-dimensional medium.

Visitors enjoy the sublime pleasures of The Sensuous and the Sacred: Chola Bronzes from South India.

ARpp38-47.p65 39 6/1/2004, 11:54 PM In the south galleries, the year began with Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance, February 23-May 4, from the collection of the Metropolitan Museum of Art. A display of selections from Cleveland’s own fine collection—the other great group of manuscripts in the United States—complemented the exhibition. Next came the revelatory show The History of Japanese Photography, May 25–July 20, organized by the Museum of Fine Arts, Houston, which showed the intriguing ways in which the evolution of photography in Japan paralleled that in Europe and especially the United States in terms of style and technique, while the subject matter and cultural themes remained strongly Japanese. Curator of Prints Jane Glaubinger found a golden opportunity to show off the museum’s extraordinary collection of relief prints (woodcuts, wood engravings, and linoleum cuts) in the exhibition Against the Grain: Woodcuts from the Collection, August 17-November 9. The year concluded with Voyage of Discovery: The Landscape Photographs of Ray K. Metzker, December 7, 2003-February 29, 2004, organized by the Philadelphia Museum of Art and curated by retired Cleveland Museum of Art director Evan H. Turner. Metzker, who established his reputation with stark and dynamic urban images, first showed his landscape photographs here in a small show in 1991. The more than 100 images in this exhibition demonstrated that the photographer’s initial foray into landscape subjects was no whimsical detour, but the first steps into a rich new territory that Metzker has made entirely his own. The photographer and former director Turner appeared together in a public dialogue to mark the occasion. Shows in gallery 103–5 continued our commitment to contemporary photography, with exhibitions including Interior Portraits: Zwelethu Mthethwa Photographs; Points of Light: Sato Tokihiro Photographs; Indian A partnership with Temples: Masumi Hayashi Photographs; Peru 1983: Aaron Siskind Photographs Cleveland Hopkins International Airport (a 100th-birthday tribute); and Assumed Identities: Nikki S. Lee Photographs, allowed museum while other exhibitions celebrated the museum’s growing permanent col- banners to brighten the concourses. lection: The Charles Isaacs and Carol Nigro Collection of American Photography Shown here: banners and Signs of Life: Recent Photography Acquisitions. During the year, photogra- for Jasper Johns: Numbers and Drawing phers Nikki S. Lee and Masumi Hayashi offered lectures about their work. Modern. New on the exhibition scene this year was a lively series presented in a space formerly used for art storage. Project 244 brought three innovative shows, MetaScape, March 16-June 15, featuring cutting-edge art exploring the landscape; Aernout Mik, July 13-November 16, a thought-provoking video installation; and Trenton Doyle Hancock: Moments in Mound History, December 14, 2003-April 4, 2004, a multimedia experience that earned the first annual Joyce Award, which honors arts institutions in the Midwest that commission and promote the work of artists of color. The museum’s exhibitions continue to bring to Cleveland audiences the finest in artistic production from across the ages and around the globe.

ARpp38-47.p65 40 6/1/2004, 11:54 PM Loan Exhibitions Interior Portraits: Zwelethu Mthethwa collection of the Metropolitan Museum of Art Photographs and a private collection on long-term loan to February 15–April 23, 2003 that institution. Included were works by some Gallery 105 of the most famous names in Italian painting, Zwelethu Mthethwa (b. 1960) creates colorful such as Duccio di Buoninsegna, Stefano da portraits that celebrate the spirit of people Verona, and Cosimo Tura, as well as visually living in postapartheid South Africa. The stunning examples by leading figures in the exhibition included seven of these large-scale history of Italian manuscript illumination. images (38 x 51 inches), which capture The exhibition was organized by The intriguing details of the shantytown dwellings, Metropolitan Museum of Art. Curated in such as walls papered with pages from Cleveland by Stephen Fliegel. magazines and newspapers and other creative improvisations. Curated by Tom Hinson. The Charles Isaacs and Carol Nigro Collection of American Photography The Gilded Age: Treasures from the April 26–September 10, 2003 Smithsonian American Art Museum Galleries 103, 104 February 23–May 18, 2003 In 2002 the Cleveland Museum of Art North Gallery acquired the Charles Isaacs and Carol Nigro This exhibition featured works by artists who Collection of American Photography, brought a new sophistication and elegance into containing 22 stunning images that range in American art from the 1870s through the date from 1850 to 1911. The group includes 1920s. Wealthy industrialists eager to acquire eight daguerreotypes that represent iconic culture began to collect the works of American examples of the artistic achievement, diverse artists who had achieved international recogni- subject matter, and technical excellence that tion. John Singer Sargent, Irving Wiles, and made American daguerreotypy one of the Cecilia Beaux created portraits of these new outstanding accomplishments in the history of patrons, while John La Farge and Augustus photography. The newly acquired photographs Saint-Gaudens made luxurious artworks for also include some of the finest works, most in their homes. Artists Louis Comfort Tiffany, the technique of albumen prints from wet Frederick Arthur Bridgman, Henry Ossawa collodion negatives, by landscape photog- Tanner, and Charles Sprague Pearce responded raphers of the American West such as Charles to the era’s fascination with exotic Middle L. Weed, Timothy O’Sullivan, and William Eastern and Egyptian cultures. Renaissance- Henry Jackson. Rare platinum prints by inspired paintings by Abbott Thayer express Thomas Eakins and Alvin Langdon Coburn the period’s refinement. Albert Pinkham further distinguish the collection. Curated by Ryder’s works symbolize the generation’s Tom Hinson. idealized strivings, while the rugged landscapes of Winslow Homer convey the conflict be- Points of Light: Sato Tokihiro tween social and industrial forces. Photographs The Gilded Age was one of the eight Treasures April 26–July 9, 2003 to Go exhibitions from the Smithsonian Gallery 105 American Art Museum that toured the nation As a prelude and complement to The History of through early 2003. The Principal Financial Japanese Photography, Sato Tokihiro’s Group was a proud partner in presenting conceptual works were featured in a solo show these treasures to the American people. of 12 black-and-white photographs. Moving The Cleveland showing was supported by about with either a penlight or a mirror that Dominion. Curated in Cleveland by Henry reflects light into his camera lens during long, Adams. timed exposures, Sato (b. 1957) inserts point or tracery of light into urban, domestic, and Treasures of a Lost Art: Italian natural scenes, infusing them with a sense of Manuscript Painting of the Middle Ages energy and mystery. Curated by Tom Hinson. and Renaissance February 23–May 4, 2003 South Galleries This exhibition presented to the public for the first time the impressive collection of Italian illuminated manuscripts formed by Robert Lehman (1891–1969). Comparable only to the Cini Collection in Venice in its breadth and scope, Lehman’s collection comprises 145 pieces ranging in date from the 13th to the 16th century and equally divided among the major centers of manuscript production in Italy. The CMA installation featured 66 manuscript sheets and cuttings from the

ARpp38-47.p65 41 6/1/2004, 11:54 PM The History of Japanese Photography The Sensuous and the Sacred: Kinney, and the Benefactors Circle of the May 25–July 20, 2003 Chola Bronzes from South India AFA. The catalogue was supported by the E. South Galleries, Gallery 113 July 6–September 14, 2003 Rhodes and Leona B. Carpenter Foundation. This groundbreaking exhibition was the first in North Gallery The Cleveland showing was supported in part the West to chronicle Japan’s extraordinary South Indian bronzes, especially bronzes pro- by Malcolm E. Kenney and the Malcolm E. contribution to the history of photography. duced under the reign of the Chola dynasty Kenney Special Exhibitions Endowment Fund. Since 1995, the Japan Foundation and the between the 9th and 13th centuries, are famed Promotional support provided by The Plain Museum of Fine Arts, Houston have been for their subtlety of modeling and fluent out- Dealer, City Visitor, and WCLV 104.9 FM. working on this project, which coincided with line of form. Balancing graceful realism and Curated in Cleveland by Stan Czuma. a burst of scholarly research in Japan. Some of heroic classicism, Chola bronzes are among the the most beautiful images created in photog- best known and most admired objects of art Indian Temples: Masumi Hayashi raphy are Japanese, yet only works by those from the subcontinent. Drawn from important Photographs few artists who established international collections of temple bronzes in the United July 12–September 10, 2003 reputations after World War II are known States and Europe, this exhibition of approxi- Gallery 105 outside Japan. The exhibition included more mately 95 works presented the first major A master of large-scale, multiple-image than 170 images by 60 photographers as well as survey of the art of Chola bronzes. Organized panoramas, including series on Japanese- some books and magazines. Works ranged in in three thematic sections, the exhibition fo- American internment camps and on EPA size from 4 x 5 inches to 4 x 5 feet. Many cused on the iconography of the Hindu gods Superfund sites, this Cleveland-based artist were borrowed from Japan, with additional Shiva and Vishnu, along with examples of (b. 1945) has turned her attention to sites of loans from collections in the United States, Buddhist bronzes. While approximately 60 of ancestral worship—ancient, and still in use Germany, and France. The catalogue was the the objects were from the Chola period, later today. As a complement to The Sensuous and first extensive history of Japanese art bronze pieces were introduced in order to the Sacred, this exhibition included seven of her photography to be published in a Western expand the iconographic scheme and place the color images, created during three trips to language. Chola work in a larger context of South Indian India in 2000–2002. Curated by Tom Hinson. The History of Japanese Photography was bronze sculpture. Photomurals of temples, as Peru 1983: Aaron Siskind Photographs organized by the Japan Foundation and the well as bronze statuary fully draped, orna- September 13–November 19, 2003 Museum of Fine Arts, Houston. National mented, and ready for processional rituals, Gallery 103, 104, 105 sponsorship provided by Continental Airlines. recreated the context in which these religious Most famous for his abstract, close-up images Additional funding provided by the National icons are seen and worshiped in South Indian of deteriorating walls, peeling paint, and torn Endowment for the Arts and the National temples today. billboards made in black-and-white during the Endowment for the Humanities. Promotional The exhibition was organized by the American mid 20th century, Aaron Siskind (1903–1991) support was provided by The Wave 107.3 and Federation of Arts and the Arthur M. Sackler helped expand the visual repertoire of Northern Ohio Live. Curated in Cleveland by Gallery, Smithsonian Institution. The photography for generations to follow. This Tom Hinson. exhibition was supported by the National exhibition, honoring the 100th anniversary of Endowment for the Humanities and The the artist’s birth, featured 30 vintage prints. Rockefeller Foundation. Additional exhibition Curated by Tom Hinson. support was provided by Gilbert and Ann

Jasper Johns: Numbers demonstrates how much a great artist can do with just ten digits.

ARpp38-47.p65 42 6/1/2004, 11:54 PM The Jasper Johns collections in the first exhibition drew exhibition to focus on important loans from this major theme of major international the artist’s career.

Drawing Modern: Works from the Agnes collage, and printmaking. The exhibition was Featured works represent the 164-year history Gund Collection on view at the Los Angeles County Museum of the medium and show the collection’s chro- October 26, 2003–January 11, 2004 of Art later in 2004. nological breadth, aesthetic achievement, and North Gallery Jasper Johns: Numbers was supported in part technical innovation. They reflect photogra- One of the true tastemakers of postwar art in through the generosity of Agnes Gund and phers’ interest since the medium’s invention to America, Cleveland native Agnes Gund has Daniel Shapiro. Promotional support provided visit not easily accessible, often distant sites been collecting drawings for several decades. by Cleveland Magazine, The Plain Dealer, The marked by physical and cultural significance. Her collection includes major pieces by some Wave 107.3 FM, 89.7 WKSU, Continental These ten photographs demonstrated artists’ of the 20th century’s most important artists, Airlines, and Cleveland Hopkins International ongoing desire to satisfy visual curiosity and to including Arshile Gorky, Paul Klee, Roy Airport. Curated by Carter Foster with guest overcome logistical challenges in such settings Lichtenstein, Jasper Johns, Ellsworth Kelly, curator Roberta Bernstein. as Africa, the Middle East, China, Mexico, the Louise Bourgeois, Eve Hesse, Brice Marden, United States, and the moon. Curated by Tom Bruce Nauman, and Cy Twombly. In addition Assumed Identities: Nikki S. Lee Hinson. to these well-established artists, Gund also Photographs seeks out the works of a younger generation. November 22, 2003–January 21, 2004 Voyage of Discovery: The Landscape Recent works in the show included pieces by Gallery 105 Photographs of Ray K. Metzker Gabriel Orozco, William Kentridge, and Born in Korea, the New York–based artist December 7, 2003–February 29, 2004 Rosemary Trockel. Nikki S. Lee explores disparate subcultural South Galleries This exhibition was supported in part by Hahn identities by integrating herself into selected This exhibition of 107 images taken between Loeser + Parks LLP. Promotional support communities. She accomplishes this immersion 1985 and 1998 was the first major survey of the provided by Cleveland Magazine, The Plain through a prolonged period of research and landscape photographs of Ray K. Metzker Dealer, The Wave 107.3 FM, 89.7 WKSU, then by adopting a given social group’s code (b. 1931), a pioneering image maker of the past Continental Airlines, and Cleveland Hopkins of dress and identifying accoutrements, its four decades. During a trip to Tuscany in International Airport. Curated by Carter Foster recognizable behavior, and body language. 1985, the artist abruptly switched from photo- and Jeffrey Grove. With the aid of elaborate makeup and graphing the urban subjects most associated wardrobe, she lives the life of a given group, with his career to photographing the landscape, Jasper Johns: Numbers such as a punk, a yuppie, a tourist, and an often subjects he perceived as metaphors for October 26, 2003–January 11, 2004 elderly woman, for days or months. The human situations. Metzker has worked in many North Gallery photographs, taken by someone else with a locations, including Southern France, Turkey, This exhibition was the first to concentrate in snapshot camera, always include Lee and often the East Coast of the United States, Door depth on a single subject by Jasper Johns (b. people from the community she is examining. County in Wisconsin, and since 1994, almost 1930), one of the major artists of the postwar Twelve of her casual color images from various exclusively in Moab, Utah. The show was era. In 1955, Johns made a series of encaustic projects were featured in this exhibition. co-selected by former Cleveland museum and collage paintings of single numbers on a Lee has a keen eye for social detail and her director Evan H. Turner, who also wrote for rectangular field, called “Figures,” and then work is enriched by humor and satire. Curated the accompanying catalogue an essay and developed variations on this format, such as a by Tom Hinson. chronology that investigates the evolution of sequenced repetition of the numerals in a grid Metzker’s photography and the influence format, the numerals in a double row, and the Signs of Life: Recent Photography of historical landscape painters, especially ten numerals superimposed on one another. Acquisitions Constable, Turner, Monet, Klimt, and others, These works are considered among the finest November 22, 2003–April 7, 2004 on his work. made by the artist. Although drawn from all Galleries 103, 104 This exhibition was organized by the Alfred periods of the artist’s career, this exhibition of Signs of Life was the third installment in a year- Stieglitz Center of the Philadelphia Museum of 37 works focused on the years between 1955 long survey of images added to the museum’s Art. Promotional support provided by WCLV and 1963 and included painting, drawing, photography holdings during the past decade. 104.9 FM. Curated in Cleveland by Tom Hinson.

ARpp38-47.p65 43 6/1/2004, 11:54 PM Project 244 Project 244 was supported in part by an Project 244 anonymous gift. In March, the museum introduced MetaScape March 16–June 15, 2003 Project 244, a new gallery dedicated This exhibition featured the work of four exclusively to changing exhibitions of artists who approach the traditional premise of contemporary art. Located in a former the landscape in radical new ways. One work by each of the four artists was included. storage area in the existing contempo- Benjamin Edwards (American, b. 1970), The rary galleries on the museum’s second Pusan Experience, 2002, acrylic and texture level, the new space features three mediums on canvas, Morton G. Neumann Family Collection. Torben Giehler (American, special exhibitions annually that focus b. Germany, 1973), K2-North Spur, 2002, on new and exciting contemporary Aernout Mik acrylic on canvas, Courtesy Collection works and artists. On the occasion of Helgeson, Oslo, Norway, and Leo Koenig, the opening, Director Katharine Lee Inc. Julie Mehretu (American, b. Ethiopia, 1970), Babel Unleashed, 2001, ink and acrylic Reid said: “Project 244 underscores this on canvas, Collection Walker Art Center, museum’s commitment to showing Minneapolis; T. B. Walker Acquisition Fund, new and experimental work as part of 2001. Yutaka Sone (Japanese, b. 1965), High- way Junction 110-105, 2002, carved marble, our responsibility as a comprehensive courtesy David Zwirner, New York. Curated art museum. Our small, selective by Jeffrey Grove. shows will give viewers a taste of some Aernout Mik of the most forward-looking, visually July 13–November 16, 2003 innovative artists working today.” Dutch artist Aernout Mik’s unorthodox films Project 244 exhibitions got off to an appear to violate all conventions regarding MetaScape cinematic structure and technique. There auspicious start with (be- is no clear storyline, no interaction among low), featuring the work of four artists characters, no long shots or close-ups, and who approach the traditional premise no dialogue. What Mik offers instead is a of the landscape in radical ways. contemporary analysis of group behavior that communicates by defying and denying narra- Benjamin Edwards, Torben Giehler, Trenton Doyle tive integrity. By questioning the conclusive- Julie Mehretu, and Yutaka Sone repre- Hancock discusses his work with educator ness of social and behavioral expectations, he sent a new generation of artists whose challenges us to question the power we invest Karen Levinsky. in our own perceptions. Mik’s Project 244 collective vision has been informed by exhibition, his first show in America, consisted of two of his most recent films, Park (2002) revolutions in digital technology, mass and Pulverous (2003). Curated by Jeffrey Grove. media, and commodity culture. Next Trenton Doyle Hancock: Moments in came a video installation by the Dutch Mound History artist Aernout Mik (top), for which a December 14, 2003–April 4, 2004 temporary tangential wall was added Trenton Doyle Hancock’s rich, inventive work addresses the emotional conflicts surrounding to the entry passage of the gallery. The life, death, and the nature of good versus evil year concluded with a lively installa- through an inspired, idiosyncratic narrative of tion by Trenton Doyle Hancock (bot- his own design. Central to the symbolism and tom), for which the museum won the mythology of Hancock’s tale is a cast of characters who are embroiled in an epic struggle 2003 Joyce Award in the visual arts. In of carnal and spiritual forces. Hancock tempers its inaugural year, the Joyce Awards his examination of weighty issues with a ribald honored arts institutions in major sense of humor and an intuitive, inspired working process that embeds surprising ele- Midwestern cities that commissioned ments and images within his densely populated and promoted the work of artists of stories. For his Cleveland exhibition, Hancock color. The museum was the sole visual created an installation that included a site- specific wall drawing, wallpaper he designed, arts institution to be so honored watercolors, drawings, etchings, and a new among more than 50 proposals. painting that chronicles his ongoing, semi- Project 244 fills an important role in autobiographical battle with elemental and providing museum visitors a glimpse cultural forces. Raised in Paris, Texas, MetaScape Hancock currently resides in Houston. Curated into the exciting world of cutting-edge by Jeffrey Grove. contemporary art.

ARpp38-47.p65 44 6/1/2004, 11:54 PM Permanent Cleveland Collects American Art of the with an unprecedented boldness and vigor. Gilded Age Artists continue to exploit the characteristics Collection February 23–May 18, 2003 unique to woodcut, achieving a variety of North Gallery effects. The related media of wood engraving Exhibitions The Cleveland Museum of Art was founded at and linoleum cut were included as well. the end of the Gilded Age and, during its early Curated by Jane Glaubinger. years, assembled a superb collection of paintings from that period, including Manuscripts in Gallery 216 masterworks by Winslow Homer, Thomas December 15, 2002–August 3, 2003 Eakins, and Albert Pinkham Ryder. A notable Gallery 216 feature of the museum’s collection is its Before Gutenberg’s invention of printing with seriousness. The paintings seldom depict light- movable type in the mid 15th century, books hearted moments but tend, instead, to focus on produced in the Middle Ages were written the grand and tragic issues of the human by hand. The copying of books occurred in condition. Shown in conjunction with The monasteries all across Europe and allowed for Gilded Age: Treasures from the Smithsonian church services to be conducted and monastic American Art Museum. Curated by Henry life to exist. By about 1200, the great age of Adams. monastic illumination was almost over. During the final 300 years of the Middle Ages, Against the Grain: Woodcuts from the illuminated manuscripts were instead produced Collection mainly by lay professionals whose activities August 17–November 9, 2003 were centered in major cities—Paris, Rouen, South Galleries and Le Mans in France, Bruges, Belgium, Using the museum’s collection, the exhibition Cologne, Germany, Bologna, Italy, and traced the development of printing carved London, England. Manuscripts were also woodblocks on paper in Europe and America. custom-made by illuminators privately em- Woodcut is the oldest printmaking medium in ployed by important patrons such as Jean de the West. The first prints, produced in Europe Berry, Philip the Bold, Anne de Bretagne, and in the early 15th century, were simple religious the Duke of Bedford. Whereas the early sacred images colored by hand with watercolor. texts of the monastic orders were illuminated In the late 1490s Albrecht Dürer raised the primarily to glorify God, the sumptuous deco- artistic level of woodcuts, producing refined, rations of many later manuscripts were valued sophisticated works. By the 16th century, by lay men and women as beautiful, precious color was printed, too, and woodcuts served a works of art. Curated by Stephen Fliegel. wide range of religious, secular, and political purposes. Dormant for the next 200 years, the Draped in Splendor: Renaissance Textiles medium was revived in 19th-century France, and the Church influenced by Japanese color woodcuts. Artists September 7, 2003–September 26, 2004 such as Paul Gauguin and Edvard Munch Gallery 216 experimented extensively, carving the block Throughout history, precious works of art have been used in the worship of God. The Visitors explore the finest textiles decorated the high altar in a computer-interactive church and clothed the clergy in splendid features designed to vestments. Textiles of high quality were also complement Draped often featured as luxury goods that symbolized in Splendor. wealth and power. In Renaissance Europe, resplendent textiles enriched not only Christian churches but also religious paintings. Textile manufacturing and trade were large components of the Renaissance economy, often imported from towns such as Florence, which was renowned for its superior fabrics. Paintings, in marked contrast, were not granted such value or prestige. This exhibition features textiles displayed in churches or depicted in religious paintings. Included are rare altar frontals plus ecclesiastical vestments; in addition, prestigious textiles are shown adjacent to paintings featuring similar fabrics, such as the brocaded silks beside Robert Campin’s St. John the Baptist and the opulent pomegranate velvets beside paintings depicting comparable status symbols. A touch-screen interactive, How to Look at Textiles, lets visitors explore information and images about textile use, pattern, fiber, dye, structure, and condition in an engaging way. The lighting illustrates how the angle of light alters the appearance of fabrics. Curated by Louise W. Mackie.

ARpp38-47.p65 45 6/1/2004, 11:54 PM Reinstallation May 13–July 13, 2003 Degas’ Jockeys Art of Sub-Saharan Africa Edgar Degas (French, 1834–1917), Before the Gallery reopened to the public October 12, Race, about 1887–89, pastel, Bequest of 2003 Leonard C. Hanna Jr. 1958.27. Edgar Degas, The birthplace of humankind, Africa is home The Jockey, about 1885–1900, charcoal, Gift of to a wide range of cultures and artistic tradi- the Print Club of Cleveland 1927.301. Edgar tions. This gallery presents a selection of the Degas, Horse and Rider, about 1890, black museum’s collection of African art from re- chalk, collection of Muriel Butkin. Henri de gions south of the Sahara, with the majority Toulouse-Lautrec (French, 1864–1901), The being wood-carved masks and figures made in Jockey, 1899, color lithograph, Mr. and Mrs. West and Central Africa in the late 19th or Charles G. Prasse Collection 1967.234. early 20th century. Archaeological works in Organized by Heather Lemonedes. metal and terracotta testify to the antiquity of sub-Saharan civilizations. The arts of ancient Egypt and Islamic North Africa are on view in July 15–September 14, 2003 galleries 203–7. The layout of the newly in- Kundika stalled gallery emphasizes formal and stylistic Kundika: Water Ewer, late 1100s, Korea, relationships between neighboring artistic Goryeo period (AD 918–1392), celadon ware traditions; works that show similarities in both with incised decoration, Gift of John L. form and meaning are grouped together in one Severance 1921.631.a–b. Kundika: Water Ewer, of four cultural regions. The text and field late 1100s, Korea, bronze, Seventy-fifth photographs accompanying the objects illus- anniversary gift of David S. Utterberg 1991.58. trate that art is connected with many aspects of Kundika: Water Ewer, late 1100s, Korea, material and spiritual life. Gallery cards discuss bronze, Seventy-fifth anniversary gift of themes that cut across ethnic and geographical Robert Moore 1992.141. Organized by borders. Every work of art is embedded in a Michael Cunningham. broad cultural context, a point made especially clear in the touch-screen interactive that September 16–November 23, 2003 highlights the museum’s headdress from the Karel Appel and the Legacy of COBRA Ejagham people of Nigeria. This multimedia Karel Appel (Dutch, b. 1921), Des Animaux, presentation also addresses the continuation of 1957, oil on canvas, In memory of Mattis Y. traditions into the present and the export of Goldman, Gift of his wife, Ruth, and children, sub-Saharan African culture and art to the Carole and Alvin 1967.79. Lucebert (Dutch, Americas. Curated by Constantine Petridis. 1924–1994), Nymphenspiel, 1960, oil on can- Face painting on vas, Gift of Mrs. Gordon D. Meals 1966.139. Celebrate Africa Day Object in Focus Exhibitions Pierre Alechinsky (Belgian, b. 1927) and January 7–March 9, 2003 Christian Dotremont (Belgian, 1922–1979), 21 Male and Female Spirit Spouse Figures Etchings and Poems: Poem, 1960, etching and Figure of a Spirit Wife and Figure of a Spirit aquatint, John L. Severance Fund 1994.163.1. Husband, early 1900s, Côte d’Ivoire, Baule Organized by Cathleen Chaffee. people, wood, beads, Gift of Katherine C. White 1971.298; 1971.297. Organized by Constantine Petridis with assistance from November 25, 2003–January 4, 2004 Justyna Drozdek. Countess Széchenyi and Her Prestigious Kashmir Shawl Ferdinand Georg Waldmüller (Austrian, 1793– March 11–May 11, 2003 1865), Countess Széchenyi, 1828, oil on fabric Fifteenth-century Sienese Paintings: or cloth(?), John L. Severance Fund 1988.57. A Question of Forgery Kashmir Shawl, India, Kashmir, Afghan period, Sano di Pietro (Italian, 1406–1481), Virgin and about 1820–25, twill tapestry, double inter- Child, 1400s, tempera and gold on wood, locked: wool, Gift of Mrs. Arthur Loesser Gift of Mrs. Henry White Cannon 1944.56. 1952.190. Organized by Louise W. Mackie. Sano di Pietro, Virgin and Child Adored by Saints Mary Magdalen and Nicolas of Bari; Christ Crucified with the Virgin and Saint John the Evangelist, 1400s, tempera and gold on wood, Gift of Mrs. B. P. Pole, Mr. and Mrs. Guerdon S. Holden, Mrs. Windsor T. White, and the L. E. Holden Fund 1924.199. Imitator of Sano di Pietro, possibly Icilio Federico Joni (Italian, 1866–193?), Virgin and Child with Angels, possibly late 1800s or early 1900s, tempera and gold on wood, Bequest of James Parmelee 1940.536. Organized by Stanton Thomas and Linnaea Saunders.

ARpp38-47.p65 46 6/1/2004, 11:54 PM Fast Forward On Friday night, November 7, 2003, the museum pushed back its normal 9:00 closing time to 1:00 AM for Fast For- ward: CMA Celebrates Contemporary Art, a multimedia event built around a visit and talk by the influential video artist Bill Viola. Throughout the museum, video and computer-interactive art projects by students from the Cleveland Institute of Art were in- stalled, and not only for the benefit of onlookers. The tireless Bill Viola spent much of the evening working with the students to critique their projects as visitors listened in—an unconventional and most rewarding educational experience for all concerned. The timing of the event corresponded with the museum’s Project 244 exhibition as well, a dual video installation by the Dutch artist Aernout Mik. Downstairs, key examples from Viola’s body of Legendary video artist work screened in the lecture hall. The Bill Viola shared events were presented in collaboration thoughts with multi- with the Mary Schiller Myers School of media students from Art at the University of Akron. the Cleveland Institute of Art. Meanwhile, a party was going on. The interior garden court was transformed into a full-blast sensory experience of flashing lights, pulsing electronic music improvised on the spot, and suitably energetic dancing. The north lobby featured a somewhat mel- lower scene with live funk and jazz music. And a Nia Coffeehouse with poetry readings enlivened the museum café. A cash bar and other refreshments rounded out the setting. For more than 1,300 visitors (not all of them under 25, either), Fast Forward was a rare and welcome opportunity to experience the museum in a different light(s) and certainly at a different volume.

The interior garden court was temporarily recast as a techno- rave dance scene.

ARpp38-47.p65 47 6/8/2004, 4:14 PM Community Support

The museum’s past benefactors established a financial foundation that allows this institution to maintain a high level of service to the public even through fluctuations in the economic climate. Because the museum is funded almost entirely by private contributions, the recent strain on state and federal budgets has had a less severe effect on the museum than on other institutions that depend more heavily on government funding. Although it is a private institution, the museum’s mission is public, and its presence in this community makes living in Cleveland a rare and special experience. Fewer than a dozen cities in the world have art collections of this caliber in their midst, and only a few open their doors to all citizens free of charge. Our fundraising and financial management effort, therefore, is critical to the successful pursuit of our community mission. Such contributions are investments in the vitality of northeast Ohio. Thanks to the continued generosity of the northeast Ohio community, Development and Membership raised $5,299,991 in annual operating Board of Trustees support in 2003. We are especially grateful to our trustees who, for the chairman Michael Horvitz and daughter second year in a row, significantly increased their annual unrestricted sup- Elizabeth march in Parade the Circle. port. Again this year, many trustees were Patron Sponsors, members at the highest level of our Donor Circles program. We also thank our Circles Leadership Committee, led by Nicki and Bob Gudbranson, for their unflagging energy and commitment. Their efforts resulted in the strongest Donor Circles program ever. As in 2002, the program exceeded its goal, contributing more than $1,540,000 in unrestricted operating support. The museum received strong grant support from foundations and government agencies with about $1,845,000 raised for a variety of museum programs and initiatives. Notable grants included $496,750 from the U.S. Depart- ment of Education for the ARTS.21 Program; $244,969 in second-year funding from The Freeman Foundation for Asian Odyssey: A National K-12 Interdisciplinary Curriculum Model; and $50,000 from the Joyce Foundation to support the Trenton Doyle Hancock show in Project 244. The museum was honored to be chosen as one of just four recipients of the Joyce Foundation’s first awards outside of its home base in Chicago. The museum has always had a strong foundation of support through its dedicated members. In 2003, membership renewals were stronger than in years past, and the museum ended the year with over 23,000 member households. Our planned giving efforts were successful, as endowment gifts continued to increase and four new endowments were established.

ARpp48-81.p65 48 6/1/2004, 11:57 PM We also saw an increase in bequests to the building endowment. The Legacy Society added 13 new members, and we thank all those who continue to include the museum in their estate plans. The office of Volunteer Initiatives continued to find ways to help people support the museum with time and talent. Our 599 volunteers worked 31,977 hours for a total donation of time worth $526,000, calculated at $16.45 an hour, the national rate for volunteer time. Of these volunteers, 96 worked in the museum’s internship program; they completed 7,680 hours of work in various areas of the museum, most notably Curatorial and Education. Another major component was the Womens A special luncheon in Council, whose members donated 9,720 volunteer hours, the equivalent December honored the most dedicated of $160,000 in value. After completing a three-week behind-the-scenes volunteers of 2003. orientation (coordinated by Volunteer Initiatives), 36 provisional Womens Council members were added to the current membership. The 653-member Womens Council has a threefold purpose: fundraising, volunteerism, and education. The council donated $45,000 to the museum: $25,000 to support Parade the Circle Celebration; $15,000 to the Bus Fund to help schools take field trips to the museum; and $5,000 for ongoing support to the Museum Ambassadors program for teens. The endowment fund for pedestal flower arrangements currently stands at more than $104,000. Womens Council members work at the information desk and in the docent program, arrange flowers, provide decorations and flowers for museum events, participate in community arts events, organize advocacy support, and assist staff members and curators, to name a few volunteer jobs. The Ready Volunteers Committee continues to respond to unusual and unexpected demands and to help out willingly at the last minute. Two new programs are Circle Series and Circle Neighbors, aimed at acquainting CMA volunteers with what’s new in Circle institutions. In External Affairs, the Media Relations department revolutionized its communication with the news media in February when it began to post

Board of Trustees member Dr. Adrienne Jones (right) and guest Mrs. Beatrice Richie enjoy a late- spring Hat Tea.

ARpp48-81.p65 49 6/1/2004, 11:57 PM news releases and media kits, including images, on our Web site’s online “News Desk.” Editorial coverage increased 3% from 2002 to 2003, result- ing in free coverage that would have cost more than $210,000 as paid advertising. The new technology also saved the museum at least $30,000 by nearly eliminating postage and printing for press releases. The museum enjoyed consistent national coverage in the New York Times, Wall Street Journal, Art Newspaper, and major magazines such as Veranda, Enroute, and Diversion. More national reporters visited the museum to review our exhibitions than have in years past. The Marketing department developed new avenues for reaching college audiences, including announcements on college radio stations, brochures distributed in student centers, and communications through art and music departments. Meanwhile, Cleveland Hopkins International Airport became a valuable partner as museum exhibition banners have begun to brighten the concourses. The Outreach and Audience Development department collaborated with Education and Public Programs staff on many initiatives. A new af- filiate group, the Friends of African and African-American Art, was offi- cially chartered in January 2003 and jumped into action during the year. The Indian community was energized by the Chola Bronzes exhibition and provided not only many visitors to the show, but an impressive amount of media coverage. The Museum Ambassadors program continued to engage high school students from greater Cleveland in the life of the museum, and the students again led a vibrant daylong celebration of their ambassadorship, playing host to hundreds of guests from their home schools and neighborhoods. Finally, the Convening the Community initiative led the community’s efforts to bring people of diverse backgrounds together in the common cause of enhancing the quality of life we all share—forging together a bright future for our city and region.

ARpp48-81.p65 50 6/1/2004, 11:57 PM Circles Leadership Planned Giving William J. Hyde Corporate Council Museum Council Toby Devan Lewis Committee Council 2003 Brian J. Jereb Daniel F. Austin, Betty Armington Alex Machaskee Nicki and Robert N. Gary L. Dinner, Mark A. Kikta McDonald Michele Beyer Thomas Mann Gudbranson, Co- Chair Investments Inc., Chairs Stephen J. Knerly Jr. Chair Al Borowitz Nancy-Clay Richard B. Marsteller James T. Bartlett, Ainsworth Jr. Roy A. Krall Paul Clark, National Helen Borowitz Eleanor McCoy Founders Society Thomas S. Allen Neil Kurit City Corp. Marilyn Brentlinger Chair Edith Miller Gordon A. Anhold Donald W. James M. Dickey, Paul Brentlinger Naomi Singer, Laubacher Accenture LLP Harvey Buchanan Ted Miller President’s Circle James S. Aussem Robert K. Lease Chris Fisher, Royal Muriel Butkin Lindsay Chair P. Thomas Austin Appliance Mfg. Co. Morgenthaler Herbert B. Levine Ellen Chinn Donald M. Jack and Laurence A. Bartell Vincent J. Massa Paul Fissel, Fifth Mary Schiller Myers Lee Warshawsky, Jeannette Dempsey Richard E. Beeman Third Bank Lucia S. Nash Director’s Circle Wayne D. Minich Joe Erdelac Jeffrey M. Biggar Celso R. Gilberti, Chairs M. Elizabeth Libby Norweb Gilberti Studios Maxeen Flower Gary B. Bilchik Monihan Al Ratner Richard E. Beeman International Virginia Foley Terry L. Bork Patrick S. Mullin Audrey Ratner McKey Berkman Beth H. Hallisy, Patricia L. Boyarko Frannie Gale William R. Calfee Joseph V. Pease Jr. Marcus Thomas Betty Ratner Herbert L. Barbara Gratry Kimberly S. and Andrew I. Press William Hamann, Bill Reinberger Braverman Jerome Gratry Samuel S. Hartwell Charles Ratner Charter One Bob Reinberger David J. Brown Bob Gries Adrienne L. Jones Richard C. Renkert Financial Doris Reinberger Nancy A. Burgess Sally Gries Nancy F. Keithley Frank M. Rizzo Oliver C. Henkel, Mary Ann J. Donald Cairns Thompson Hine LLP Agnes Gund Betty J. Kemper Sara K. Robechek Reinberger Peter H. Calfee Conway G. Ivy, The Debbie Guren Morton Q. Levin James D. Roseman Barbara Robinson Peter J. Chudyk Sherwin-Williams Mary Louise Hahn Jon A. Lindseth Patrick Saccogna Company Honey Rosenthal Charles M. Ciuni Shad Hartwell Jr. Katherine Moroscak Bradley J. Schlang Robert H. Jackson, Phyllis Seltzer Ronald B. Cohen Dee Hildt Michael J. Peterman Paul J. Schlather Kohrman Jackson & Phyllis Sloane David E. Cook Krantz Arlene Holden Francine Pilloff Walter S. Schwartz Sally Smith Hedy T. Demsey Roy E. Klein, Bank Arthur Holden Jr. Leon M. Plevin Gary S. Shamis Ted Smith Rebecca H. Dent One, N.A. Jennie Jones Florence KZ Pollack John F. Shelley Cara Stirn Carina S. Diamond John C. Morley, Helen Kangesser Donna S. Reid Roger L. Shumaker Evergreen Ventures Mary Wasmer Gary J. Dietsch Ward Kelley Jr. Elliott L. Schlang Mark A. Skvoretz Patrick S. Mullin, Lucy Weller Emily A. Drake Charlotte Kramer David L. Selman John E. Smeltz Deloitte & Touche Lydia Williams Heather Ettinger Carolyn Lampl William W. Taft Karen W. Spero Brad Norrick, Marsh Odette Wurzburger Robert R. Galloway USA, Inc. Helen N. Tomlinson Richard T. Spotz Jr. Stephen H. Gariepy Robert A. Rieger, Joyce B. Weidenkopf Mark F. Swary James A. Goldsmith Ferro Corporation Hannah S. Weil Robert A. Valente Kevin Goldsmith Dr. Larry J. B. Trudy Wiesenberger Missia H. Vaselaney Robinson,+ Sally Gries Catherine G. Veres Robinson Investment Ronald G. Gymer Gloria A. Walas Company Ellen E. Halfon Richard T. Watson Elliott L. Schlang, David P. Handke Jr. LJR Great Lakes Jeffry L. Weiler Oliver C. Henkel Jr. Review Marcia J. Wexberg Kenneth G. Richey Smith, Hochman Drew E. Wright Richey Industries, Inc. Gregory T. Holtz Alan E. Yanowitz Gary A. Zwick Richard Stovsky, Pricewaterhouse- Coopers John Switzer, KPMG LLP

+ deceased

ARpp48-81.p65 51 6/1/2004, 11:57 PM Donors of Gemini G.E.L. in Carole W. and Works of Art honor of Arthur Charles B. Rosenblatt Mr. and Mrs. Feldman’s 88th Mr. and Mrs. James Theodore Alfred in birthday A. Saks Fund memory of Carey Alan and Monah L. Mark Schwartz and Croneis Gettner Bettina Katz Russ Anderson Mr. and Mrs. Robert Elizabeth Carroll Anonymous Gift T. Gow Shearer in honor of Anonymous gift in The George Gund Charlotte Trenkamp’s memory of David Foundation 100th birthday “Ted” Baiman Collection in honor Elizabeth Carroll of David Bergholz, Sylvain Bellenger in Shearer in honor of The Cleveland Jane Glaubinger honor of Carter Museum of Art Foster and in Elizabeth Carroll recognition of their Dorothy Handelman Shearer in memory friendship and Dorothy Tremaine of Robert Lundie collaboration Hildt Shearer Sylvain Bellenger in Julie and Greg Phyllis Sloane in honor of Heather Hubert memory of David Lemonedes Huntington Bank Davis The Jeanne Miles Charles Isaacs and Patricia and Mark Blackburn Collection Carol Nigro Stillman John Bonebrake Mr. and Mrs. The Textile Art Dr. and Mrs. Ju-hsi William Jurey in Alliance Chou memory of Mabel A. Various donors to Ray W. Clarke in Hewit the department of memory of Moselle Mr. and Mrs. Martin Asian Art (by Taylor Meals Karlin exchange) Mildred Constantine Margo H. Leavin Bequest of Nicholas J. Velloney Alfred Maurer Frances and David Margo H. Leavin (American, 1868–1932). Dickenson in and Wendy W. Charles L. Venable Two Heads, about memory of Sarah Brandow and Martin K. Webb 1931; gouache with Dickenson and William S. Lipscomb Charles L. Venable brown/black ink and Jeffrey Cudlip in memory of his and Markin K. oil paint; 52.9 x 44.7 Kenneth Dingwall father, James S. Webb in honor of cm; Gift of Tommy Lipscomb Henry Hawley and Gill LiPuma in Evelyn Domjan in memory of her Tommy and Gill The Verne loving memory of Sam Collection and Rose LiPuma husband, Joseph LiPuma in loving 2003.54. Domjan memory of Josephine Mitzie Verne Richard and Edward LiPuma Kestner Jack and Jeanette Feinberg, from Tommy and Gill Walton in memory the collection of LiPuma in loving of his grandparents, Dr. Isadore Feinberg memory of Sam and Dr. and Mrs. E. K. and Dr. Rose S. Rose LiPuma Zaworski Hartmann Feinberg Mrs. George S. William E. Ward in The Foster Family Lockwood Jr. in memory of his wife, Foundation and loving memory of Evelyn Svec Ward the Trideca Society her husband Nancy West in honor of Henry Judith K. McMillan Hawley Amy N. and Thomas Henry Ott-Hansen F. Worthen in honor Friends in memory in memory of Anne of the 50th of Ann Bassett and Buckley Ott-Hansen anniversary of Dr. Tom Johnson Gloria and Leon Gerard and Phyllis Friends in memory Plevin in memory of Seltzer of Anne Buckley Walter Caldwell Dr. Norman Ott-Hansen The Trust of Frank Zaworski Friends of H. Porter Frederick, Tina, and Photography Katherine Prescott in Zoe Zwegat memory of Clara E. Lucioli The Print Club of Cleveland

ARpp48-81.p65 52 6/1/2004, 11:57 PM Benefactors The Cleveland Mu- The Andrew W. Alma Kroeger Emma R. Berne seum of Art recog- Mellon Foundation Mr. and Mrs. Emily E. and Dudley nizes the cumulative Mr. and Mrs. Thomas A. Mann S. Blossom Jr. giving of individuals, Severance A. Millikin William G. Mather Leigh and Mary corporations, and organizations. National City Mr. and Mrs. Bruce Carter National Endowment V. Mavec Martha and Thomas for the Arts National Endowment Carter Patron Benefactor Ohio Arts Council for the Humanities Mr. and Mrs. ($1,000,000 or Georgia O’Keeffe Mr. and Mrs. R. Warren H. Corning more) The F. J. O’Neill Henry Norweb CVJ Corporation Anonymous Charitable Francis F. Prentiss Robert H. Ellsworth The Mildred Corporation The Print Club of Josephine P. and Andrews Fund Mr. and Mrs. A. Cleveland Dorothy Burnham Mr. and Mrs. George Dean Perry PTS Foundation Everett P. Bickford Elisabeth Severance Mr. and Mrs. Alfred The J. Paul Getty Helen E. Brown Prentiss M. Rankin Trust Mr. and Mrs. Noah Mr. and Mrs. James Grace Rainey Rogers Morton Glaser L. Butkin S. Reid Jr. SBC Gladys B. Goetz The Cleveland The Reinberger Communications Inc. George Gund III and Foundation Foundation Mr. and Mrs. Ellery Iara Lee Thomas L. Fawick John L. Severance Sedgwick Jr. Mr. and Mrs. Mr. and Mrs. Carol and Michael The Sherwick Fund Graham Gund Lawrence A. Sherwin Elizabeth M. Skala Peter and Peggy Fleischman Mr. and Mrs. Kelvin Horvitz Mr. and Mrs. Ernest Smith Squire Sanders & Dempsey Mr. and Mrs. James L. Gartner The Kelvin and D. Ireland III Mr. and Mrs. Eleanor Smith United Technologies Corporation Mr. and Mrs. Joseph Alexander Ginn Foundation P. Keithley Dr. and Mrs. Paul J. Judith K. McMillan Helen Wade Greene State of Ohio Vignos Jr. Malcolm E. Kenney (American, b. 1945). Mr. and Mrs. James Lockwood Optic Exploration: Mrs. J. H. Wade The Kresge C. Gruener Thompson Foundation Papaver somniferum The Womens (Opium Poppy), 1998; Agnes Gund Mr. and Mrs. Helen A. and Richard Whitehill Council of the gelatin silver print, Dorothea Wright Cleveland Museum Fredrick S. Lamb toned; ed. 8/25; 22.8 x Hamilton Mr. and Mrs. Paul of Art Mr. and Mrs. Jon A. D. Wurzburger 17.9 cm; Norman O. Leonard C. Hanna Dr. Norman W. Lindseth Stone and Ella A. Jr. Justin and Silvia Zaworski Rosemarie and Stone Memorial Fund Stanley Hess Zverina Leighton R. Longhi 2003.232 Benefactor Fellow Mrs. Liberty E. Foundation Amanda and William Holden ($250,000 to P. Madar Benefactor $499,999) Lois U. Horvitz ($500,000 to Robert A. Mann Anonymous Mr. and Mrs. $999,999) MBNA America Michael J. Horvitz Anonymous Mr. and Mrs. Systems Quentin Alexander The HRH Family BP America Elizabeth Briggs Foundations Raymond Q. and Merry Hon. Joseph P. Elizabeth R. Virginia Hubbell Carroll and Mrs. Armington Metropolitan Savings Carroll Bank David S. Ingalls and Pamela Pratt and Family Mrs. Ellen Wade Garner Tullis Thomas P. Miller Institute of Museum Chinn Auchincloss India E. Minshall and Library Services Nelson Goodman Hanna H. and James NACCO Industries, Andrew R. and The George Gund T. Bartlett Inc. Martha Holden Foundation Louis Dudley Lucia S. Nash Jennings Hahn Loeser & Parks Beaumont Ohio SchoolNet Lila Wallace– LLP The Louis D. Commission Reader’s Digest Fund Frances S. Ingalls Beaumont Leonna Prasse Mr. and Mrs. Mr. and Mrs. William Foundation William H. Marlatt Mildred Andrews Powell Jones Mike and Annie Putnam Belkin Lillian M. Kern Peter Putnam KeyBank David Rollins

ARpp48-81.p65 53 6/1/2004, 11:57 PM Alexandre P. The Family of Mrs. Mrs. John B. Elizabeth Firestone Mr and Mrs. George The S. Livingston Rosenberg Robert H. Bishop Dempsey Graham Foundation M. Humphrey II Mather Charitable Sarah and Edwin Jeanne Miles Edna H. Doller Edward B. Greene Mrs. Albert S. Ingalls Trust Roth Blackburn Dominion East Ohio Lucile and Robert International Stephan Mazoh The Sears-Swetland Elizabeth B. Blossom Mr. and Mrs. John H. Gries Charity Business Machines Mrs. Malcolm Foundation Mrs. Benjamin P. D. Drinko Fund Corp. McBride Mr. and Mrs. James Bole Zoann and Warren Musa Gustan Mr. and Mrs. James Margaret H. S. N. Sherwin Ronald and Isabelle Dusenbury Carl E. Haas D. Ireland McCarthy John and Frances M. Brown Louise Rorimer The Hadden Virginia Jones Eleanor Bonnie Sherwin Mr. and Mrs. Willard Dushkin Foundation Louis D. Kacalieff, McCoy Nancy Baxter Brown Eaton Corporation Mr. and Mrs. John M.D. Mrs. Norman F. Skallerup McDonough Ella Brummer Edith Virginia Enkler Hadden Sr. Susan Kaesgen Kathleen E. Smith Mrs. P. J. McMyler E. Rhodes and Ernst & Young LLP Mrs. Salmon P. Halle The Kangesser Katherine Holden Leona B. Carpenter Mr. and Mrs. Foundation Moselle Taylor Thayer Foundation Mr. and Mrs. Meals Raymond F. Evans Newman T. George S. Kendrick Mrs. Chester D. The Chubb Halvorson Mr. and Mrs. The Mellen Tripp Corporation Eleanor and Morris Foundation Everett Mrs. Leonard C. Edward A. Kilroy Jr. U.S. Department of Mrs. Harold T. Clark Hanna Ralph Thrall King Mr. and Mrs. Commerce Marie and Hubert Edward H. Merrin The Cleveland Fairchild Mrs. Charles W. Fred W. Koehler William E. Ward Clinic Foundation Harkness Samuel Merrin Jane Iglauer Fallon The Samuel H. Kress Katherine C. White Cleveland Society Edward S. Harkness William Mathewson Bruce Ferrini Foundation Mr. and Mrs. Lewis for Contemporary Henry Hawley Milliken Art FirstEnergy Mr. and Mrs. Jack C. Williams Rudolf J. Heinemann W. Lampl Jr. David and Lindsay The George W. Maxeen and John Morgenthaler The Hershey Family Harley C. Lee Endowment Codrington Flower Sally S. and John C. Benefactor Charitable Hollis French Mr. and Mrs. Dr. and Mrs. Morley ($100,000 to Foundation Lawrence Hitchcock Sherman E. Lee $249,999) Robert and Ann Barrie Morrison Helen C. Cole Friedman Michael Hoffman Mr. and Mrs. Anonymous Herbert F. Leisy Gordon K. Mott Collacot Foundation Mr. and Mrs. Robert Mr. and Mrs. Arthur Dudley P. Allen S. Holden Peter B. Lewis The Murch Mildred Constantine I. Gale Jr. Foundation American Greetings Mr. and Mrs. The GAR Mr. and Mrs. James Mr. and Mrs. John Corporation Horner D. MacDonald The John P. Murphy Benedict Crowell Foundation Foundation AT&T Foundation Henry G. Dalton Mr. and Mrs. Robert Dr. Gertrude Caroline Hornung Macnaughton Louis S. and Mary Bank One, N.A. Dorothy Dehner W. Gillespie Schiller Myers Vernon W. Baxter William J. Gordon George M. and Elizabeth Ring Mr. and Mrs. James Pamela S. Humphrey Mather and William Mrs. R. Henry Maud K. Bell H. Dempsey Jr. The Florence Gould Fund Gwinn Mather Fund Norweb Jr. Mildred K. Bickel Foundation Mr. and Mrs. George Oliva Jr.

Henri Rivière (French, 1864–1951). Aspects of Nature: The Cliff (Les Aspects de la Nature: La Falaise), 1897; color lithograph; 55 x 82.7 cm; Fields, p. 76, pl. 3; Gift of John Bonebrake 2003.384.

ARpp48-81.p65 54 6/8/2004, 4:16 PM Lillian and Derek Mr. and Mrs. Jeptha Brown and Glenn R. Firman Ostergard H. Wade III Brown The Ford Park-Ohio Holdings Evelyn S. and Louise Ingalls Brown Foundation James Parmelee William E. Ward Edith Burrous Mrs. James Albert Robert deSteacy Worcester R. Warner Margaret Uhl Ford Paxton The Raymond John Burrows Ford Motor Payne Fund, Inc. Wean Foundation Julius Cahen Company Mrs. Rudolph J. Mr. and Mrs. Alton Mrs. Henry White Forest City Pepke W. Whitehouse Jr. Cannon Enterprises, Inc. Mary Witt Perkins Mr. and Mrs. Lewis Central National Mrs. Robert J. B. Williams Frackelton Mr. and Mrs. Frank Bank H. Porter Mary Jo Wise Charter One Bank The Family of Janette Wright Elizabeth Ege Mr. and Mrs. Alfred Mr and Mrs. M. Freudenheim M. Rankin Jr. Roger Clapp Benefactor The Giant Eagle Mr. and Mrs. Max ($50,000 to Mr. and Mrs. Harold Foundation Ratner Terry Clark $99,999) Marian Sheidler Sarah P. and William Anonymous Cleveland-Cliffs, Inc. Gilbert R. Robertson 1525 Foundation Mr. and Mrs. Ralph Lucille F. Goldsmith Larry and Barbara S. M. Coe Robinson Charles Abel (Lady) Marie Louise Mr. and Mrs. Ralph Gollan Carole and Charles Shuree Abrams F. Colin Joseph T. Gorman Rosenblatt Accenture LLP Stella M. Collins The Samuel Mrs. Frances Almirall Mr. and Mrs. Jean-Auguste- Mrs. John Lyon Richard I. Goss Rosenthal Amica Insurance Collyer Dominique Ingres Foundation Josephine Grasselli (French, 1780–1867). Mrs. and Mrs. Daniel S. Connelly Studies of Hands and Mr. and Mrs. Matthew Andrews Ann and Richard Albrecht Saalfield George B. Coombe Gridley Study of a Foot Mr. and Mrs. Arnold Mrs. James W. (Studies for Windows Mr. and Mrs. James S. Askin Thomas M. Hague in the Chapel of Saint A. Saks Corrigan Lester P. and Edgar A. Hahn Ferdinand, Paris), 1842; Mr. and Mrs. Paul Alan Covell and K. graphite with traces Marjorie W. Aurbach Pak-Covell Janice Hammond H. Sampliner and Edward of white heightening; Mrs. S. Prentiss Mr. and Mrs. Wilbur Mr. and Mrs. Gilbert Baldwin Hemmelgarn 31.2 x 23.5 cm; A. Cowett Purchase from the P. Schafer Mrs. Howard M. Bank Leu AG J. H. Wade Fund Mr. and Mrs. Ralph Mr. and Mrs Robert Hanna Mr. and Mrs. 2003.37. S. Schmitt R. Cull Randall J. Barbato Mrs. Edward S. Ethelyne Seligman David E. and Harkness Theodore S. and Bernice Sapirstein Dr. Gerard and Marcella M. Bard Davis Mr. and Mrs. Phyllis Seltzer Osborne Hauge Dr. Ronald and Helen and Albert J. Mrs. John L. Diane Bell DeGulis Mr. and Mrs. Victor Severance Hauge Milena M. Dr. and Mrs. John and Frances W. Benesovsky Richard C. Distad Ruth C. Heede Sherwin BF Goodrich William Dove Hiroshi Hirota Rabbi Daniel and Company/Tremco Liberty E. Holden Adele Silver Dr. and Mrs. Paul G. Foundation Ecker Dr. and Mrs. Ralph Mr. and Mrs. Ruth Blumka F. Hollander Eugene Stevens Mr. and Mrs. Mr. and Mrs. Charles Howard P. Eells Jr. Mr. and Mrs. John Louise Hawley Stone P. Bolton Natasha Eilenberg H. Hord Norman W. and Ella Mrs. Chester C. A. W. Ellenberger Sr. Dr. and Mrs. Roger A. Stone Bolton Y. K. Hsu Heinz Eppler Mitsuru Tajima Kathryn G. Bondy Mr. and Mrs. Joseph M. Erdelac Mr. and Mrs. Frank Mr. and Mrs. Benjamin S. Hubbell E. Taplin Jr. Wilbert S. Brewer Mr. and Mrs. Jr. Giuseppe Eskanazi Mr. and Mrs. Carol Brewster The Gilbert W. Richard B. Tullis Dr. and Mrs. Warren and Louise Ireland The Britton Fund Charlotte Vander C. Fargo Humphrey Dr. and Mrs. Jerald Veer Mr. and Mrs. Arthur Foundation S. Brodkey G. Garretson Wade L. Feldman Marguerite B. Jeanette Grasselli Humphrey George Garretson Ferro Corporation Wade Charitable Pamela Humphrey Helen Humphreys Trust #2

ARpp48-81.p65 55 6/8/2004, 4:16 PM Jarmila Hyncik Samuel Mather Mr. and Mrs. J. King TRW Foundation David S. Ingalls Jr. Mrs. William G. Rosendale Mr. and Mrs. John F. Kate Ireland Mather Gloria Ross Turben Mr. and Mrs. R. Virginia Hosford Dr. and Mrs. Ronald Brenda and Evan Livingston Ireland Mathis J. Ross Turner Charles Isaacs and Kathryn Arns May RPM, Inc. Mr. and Mrs. Thomas Carol Nigro McDonald Arthur Sachs V. H. Vail Mr. and Mrs. Investments Mr. and Mrs. Maurice Mrs. Jacob W. Raymond T. Jackson Aline McDowell Saltzman Vanderwerf Barbara Jacobs Judith K. and S. Martha Bell Sanders Gertrude L. Vrana The Japan Foundation Sterling McMillan III William B. Sanders Mildred E. Walker Mr. and Mrs. Homer Dr. and Mrs. Ruben Dr. and Mrs. Robert Helen B. Warner H. Johnson F. Mettler Schermer Mrs. Worcester R. Jones Day Dr. Leo Mildenberg Mr. and Mrs. Elliott Warner Mr. and Mrs. Paul Mr. and Mrs. Eugene L. Schlang Mr. and Mrs. Richard Kaminsky R. Miles Florence B. Selden T. Watson Robert M. Kaye Mr. and Mrs. Robert Boake and Marian The Weatherhead D. Milne Foundation Harry D. Kendrick Sells Mr. and Mrs. Harold Isosuke Setsu The S. K. Wellman Mrs. Ralph Thrall S. Minoff Foundation Unidentified King Takako and Iwao photographer Mrs. Paul Moore Setsu Mr. and Mrs. Fred (American). Young Irene Kissell White Jr. Nellie W. Morris Mr. and Mrs. Francis Woman in Bloomers, R. P. Kitaj Dr. and Mrs. Thomas M. Sherwin Mrs. Windsor T. about 1855; Mr. and Mrs. White daguerreotype, tinted Munro Sherwin-Williams G. Robert Klein Mr. and Mrs. Hugh and gilted highlights, The David and Inez Company Mr. and Mrs. Myers Foundation R. Whiting half-plate; 14 x 10.8 J. J. Klejman Asa and Patricia cm; Gift of Charles Mr. and Mrs. Stephen Shiverick Edward L. Isaacs and Carol Nigro Kotecki Monuments, Myers Whittemore Inc. Mr. and Mrs. Alvin 2003.297. Klaus F. Naumann A. Siegal Doris and Ed Wiener KPMG LLP Mr. and Mrs. James Morris Siegel Ralph L. Wilson William Krause A. Nelson Mrs. Aye Simon John Wise Mr. and Mrs. Dennis Nordson Corporation Helen B. Zink W. LaBarre Phyllis Sloane David Z. Norton Tessim Zorach Rogerio Lam Mr. and Mrs. Herbert Laurence H. Norton A. Spring Jr. Anton and Rose Mr. and Mrs. Oscar J. Zverina Fund Lange The Norton-White- Lillian and Henry Gale Trust Steinberg Frances S. Zverina The Laub Foundation Earle W. Oglebay Mr. and Mrs. Oscar Mrs. Raymond E. H. Steiner Lawrence Mr. and Mrs. Frederick S. C. Perry Frank Stella Mary B. Lee Hobson L. Pittman Ester R. Stern Linden Trust John and Mary Mr. and Mrs. Howard Jack B. List Preston F. Stirn Testamentary Trust Louise S. Richards Mr. and Mrs. Donald Mr. and Mrs. Herbert W. Strang M. Litton RJF International Mr. and Mrs. Seth C. LTV Steel Company Mr. and Mrs. John D. Rockefeller III Taft Henry Luce Mr. and Mrs. Nelson Foundation, Inc. John D. Rockefeller Jr. S. Talbott Mr. and Mrs. Textile Arts Club Theodore M. Luntz Mr. and Mrs. James J. Rorimer Mr. and Mrs. Eugene Brian and Florence Victor Thaw Mahony Milton C. Rose Mr. and Mrs. Charles The Timken Mr. and Mrs. Paul Company Mallon S. Roseman Rosenberg and Mr. and Mrs. Paul Jack and Lilyan Tishman Mandel Stiebel Inc. Toshiba International Joseph and Florence Foundation Mandel Mr. and Mrs. William Morton and Barbara C. Treuhaft Mandel

ARpp48-81.p65 56 6/1/2004, 11:57 PM Legacy Society Martha Aarons Catherine F. Paris Sally M. Buesch Mark Dreger in Richard Lee Francis 2003 Shuree Abrams Biskind Honnie and Stanley memory of Kelly Edward L. Franke+ Dreger The Cleveland Mu- Carolyn Adelstein Flora Blumenthal Busch Mrs. Ralph I. Fried+ seum of Art thanks Elizabeth Drinko Norman W. and Alfred C. Body Pauline Bushman Mrs. Carl H. the many members of Helen T. Allison John C. Bonebrake Milan and Jeanne Mr. and Mrs. Robert Ganzenmueller the Legacy Society, Duvin including those who Herbert Ascherman Jr. Helen and Albert Busta Phyllis Asquith Gary Bernard and Sheila wish to remain anony- Borowitz Ellen Wade Chinn Marjorie Weil Eckstein Dr. James E. Gibbs mous, for their gener- Aurbach+ Ruth Gedeon Boza Ray W. Clarke James W. Gifford+ osity and support. Caroline Emeny+ Frances and Andrew Gracey Bradley Betsy Nebel Cohen F. David Gill Legacy Society mem- Babinsky Elaine S. Engeln bers have included the Louise Bradley Karen M. and Rocco Gioia Doris Govan Kenneth L. Conley Edith Virginia museum in their Mrs. Wilbert S. Enkler+ Gladys B. Goetz+ estate plans. These Ballengee+ Brewer+ Martine V. Conway Dr. and Mrs. Michael Leonard C. Gradeck planned gifts help Laurence and Nancy Helen E. Brown+ and Gerald A. insure the museum’s Bartell Conway D. Eppig Ruth Thompson Jeanette Grasselli future for generations James T. and Hanna Mr. and Mrs. Heather Ettinger Grandin to come. Brown and Glenn R. H. Bartlett Charitable Brown Kenneth Cooley Eleanor Everett Mr. and Mrs. Richard Trust C. Gridley Ronald and Isabelle George B. Coombe+ Arline C. Failor+ Norma E. Battes Brown+ Mrs. John (Louise) Hubert L. Fairchild Anne Groves Mrs. Matthew A. Pauline+ and Clark Cooper Jane Iglauer Fallon+ Mary T. Gruber+ Baxter+ Evans Bruner Vincent R. Crew Elizabeth Ludwig Mr.+ and Mrs. David Mr. and Mrs. Behm Dr. and Mrs. Harvey Ran K. Datta Fennell L. Grund Carolyn H. Bemis Buchanan Bernice M. and S. Jay Ferrari Agnes Gund and Daniel Shapiro Nancy Harris Rita Whearty David E.+ Davis Mr. and Mrs. C. J. Beresford Buchanan E. Barbara Davis Fiordalis Graham Gund Dorothy A. and Don Fred and Linda Helen+ and Al Marilyn L. Fisher Joseph E. Guttman+ A. Berlincourt Buchler DeGulis Maxeen and John Mr. and Mrs. James Mildred K. Bickel+ Alexander W. Mrs. John B. Flower C. Hageman+ Budden Dr. Harold and Lillian Dempsey Virginia Foley Edward Halbe Bilsky Edna H. Doller+ Marvin G. Halber+

Jean-François Millet (French, 1814–1875). Portrait of Narcisse Virgile Diaz de la Peña, 1848; black chalk with heightening in pale green-blue chalk; 61.4 x 48.7 cm; John L. Severance Fund 2003.41.

+ deceased

ARpp48-81.p65 57 6/1/2004, 11:58 PM Noël Bellemare (French, Paris, active 1520–1546) and the 1520s Hours Workshop. Two Leaves from a Book of Hours: David in Prayer and a Text Leaf with an Illuminated Border, about 1530–35; ink, tempera, and liquid gold on vellum; 11.2 x 6.4 cm (each leaf); The Jeanne Miles Blackburn Collection 2003.174.1–2.

Virginia Halvorson+ Mr. and Mrs. Michael Mr. and Mrs. E. Mary F. King Nancy+ and Byron James J. Hamilton J. Horvitz Bradley Jones Mr. and Mrs.+ Lutman David A. Hardie and Patience Cameron Virginia Jones+ G. Robert Klein Carolyn White Howard John Link+ Hoskins Louis D. Kacalieff, Jay Robert Klein MacNaughton+ Jane Hanson Harris+ Elizabeth A. Hosmer M.D.+ Thea Klestadt Alice D. Malone Thomas and Joan Virginia Hubbell+ Etole and Julian Gina and Richard Jack N. Mandel Hartshorne Mr. and Mrs. George Kahan Klym Robert A. Mann D.J. Hassler M. Humphrey II Andrew Kahane Margery A. Kowalski Mr. and Mrs. Samuel Masumi Hayashi Carola B. Hunt Audrey Regan Mrs. Arthur Kozlow Mann Kardos+ Mr. and Mrs. Wade Grace Ellen Huntley+ Helen A. and Karen Lee Marano Farley Helms Mary E. Huth+ Aileen and Julian Fredrick S. Lamb Wilbur J. Markstrom Kassen Dorothy P. Herron Jarmila Hyncik+ Carolyn C. Lampl Dr. and Mrs. Sanford Mr. and Mrs. Joseph E. Marovitz Rice Hershey Dr. and Mrs. Scott R. F. Keithley+ Mrs. Samuel H. Inkley Lamport Miss Isabel Marting+ Mary C. Hill Patricia Kelley B. Scott Isquick Mildred Lerch+ Mr. and Mrs. Bruce Tom Hinson and John Kelly Diana Tittle Donald M. Jack Jr. Roger J. Lerch V. Mavec Malcolm E. Kenney Mr. and Mrs. Arthur Karen L. Jackson Ellen Levine Kathryn Arns May+ Patricia Kenney S. Holden Jr. Sharon Faith Jacobs Jon and Virginia Malcolm L. Lillian M. Kern+ McBride+ Dr. and Mrs. Ralph Robert J. Jergens Lindseth F. Hollander+ Nancy H. Kiefer Mary W. and William Tom L. Johnson+ Dr. and Mrs. Sidney Dr. Gertrude Mr. and Mrs. Edward Lobe K. McClung Adrienne L. Jones, Seymour Hornung+ A. Kilroy Jr. Mary Luetkemeyer Eleanor Bonnie M.D., and L. Morris McCoy Jones, M.D. and Alfred Cahen

ARpp48-81.p65 58 6/1/2004, 11:58 PM Marguerite H. Mrs. Rudolph J. Elliott L. and Gail C. Rosalind and Sidney+ Fred+ and Betty Mr. and Mrs. Alton McGrath Pepke Schlang H. Silber Toguchi W. Whitehouse Jr. Judith and Ted Mrs. A. Dean Perry+ A. Benedict Adele Z. and Daniel+ Mrs. William C. Hugh and Sherry McMillan Mr. and Mrs. Peter Schneider, M.D. Silver Treuhaft+ Whiting William W. and Pfouts Bryan K. Schwegler Dr. and Mrs. John A. Mr.+ and Mrs. Douglas Wick Pamela M. McMillan Emily M. Phillips Elizabeth Wade Sims Richard B. Tullis Burt T. Williams Ivan Mezi Florence KZ Pollack Sedgwick Naomi G. Singer Dorothy Ann Turick Mrs. Lewis C. Edith and Ted Miller Jean C. Price+ Ralph and Roslyn Alden and Ellen D. Brenda and Evan Williams Seed Smith Turner Lynn Underwood Lois S.+ and Stanley Mr. and Mrs. Roy L. Minnich M. Proctor Kate M. Sellers Kathleen E. Smith+ Mr. and Mrs. Robert Williams A. Urban Alice Mitchell Dr. and Mrs. Frank Dr. Gerard and Katherine Solender Mary Jo Wise+ Mr. and Mrs. William Rack Phyllis Seltzer and Dr. William E. Mary Louise Vail+ Lenora R. Wolf+ Katzin A. Mitchell M. Neal Rains Mrs. William H. Marshall A. Veigel Mrs. Paul Wurzburger Shackleton Rochelle A. Solomon Beryl and Irv Moore Mrs. Alfred M. Nicholas J. Velloney+ Dr. William F. Geraldine M. Moose Rankin Larry and Margaret Barbara J. Stanford Catherine G. Veres Zornow Shaffer Bessie Corso Donna and James Lois C. and Thomas Dr. and Mrs. Paul J. Morgan+ Reid Dr. and Mrs. Daniel J. G. Stauffer Vignos Jr. Shapiro Gordon K. Mott+ Robert S. and Sylvia Dr. Willard D. Steck William E. Ward K. Reitman Elizabeth Carroll Saundra K. Stemen J. P. Mower+ Shearer Elizabeth H. and David Rollins+ Ester R. Stern+ David H. Warshawsky Margaret and Dr. Walter Sheppe Werner+ Mueller James J. Roop Dr. Myron B. and Mr. and Mrs. John C. Kathleen Burke Helene Stern Wasmer Jr. Anthony C. Nassif, Audra L. and George Sherwin+ M.D. M. Rose Eleanor E. Stone+ Mrs. Daniel T. Michael and Carol Weidenthal Mr. and Mrs. George Jackie and Norton Sherwin Lois and Stanley M. Oliva III Rose Stone Mr. and Mrs. Newson H. and Frederick Weizman George Oliva Jr. Carole W. and Gloria J. Shewitz Zenta Sulcs+ Charles B. Rosenblatt Dr. Joyce West Marilyn B. Opatrny Patricia and Asa+ The Irving Sunshine Mrs. James M. Dr. and Mrs. Ronald Shiverick Family Marcia J. Wexberg Osborne+ J. Ross Frances P. and Seth and Kenneth D. Mr. and Mrs. Joseph Singer Aurel F. Ostendorf+ Aurelie A. Sabol Shrier Taft Marilyn J. White Frederick Woodworth Marjorie Bell Sachs Miriam, Stanley and Josephine and Nelson Pattison Mr. and Mrs. James Kenneth Shuler Talbott Robert De Steacy A. Saks Susan and Andrew Paxton+ James Scheid Talton Charles H. Teare

Jiangxi Province, Song dynasty (960–1279). Cloud-shaped Pillow: Qingbai Ware, 1100s; glazed porcelain; w. 17.6 cm, h. 10 cm; Gift of various donors to the Department of Asian Art (by exchange) 2003.88.

ARpp48-81.p65 59 6/1/2004, 11:58 PM Named Endowment Funds Up to $99,999 $500,000 to Mr. and Mrs. James Endowment Funds Endowment Funds Art Purchase John Cook Memorial $999,999 C. Hageman in Operations for Art Purchase, Fund Rufus M. Ullman** memory of Mrs. Elta Specific Purpose, $10,000,000 Albaugh Schleiff $10,000,000 A. W. Ellenberger Sr. Delia H. White and Operations and more Charlotte L. Halas and more The following list Leonard C. Hanna Jr. Ruthe and Heinz Anton and Rose Leonard C. Hanna Jr. Eppler Zverina Music Fund** Flora E. Hard salutes the individu- Bequest Memorial Fund Bequest als, families, and Julius L. Greenfield Mr. and Mrs. William $250,000 to Guerdon Stearns Membership organizations whose H. Marlatt Fund Lawrence Hitchcock $499,999 Endowment named endowment Holden Severance A. and Tom L. Johnson The Noah L. Butkin Dorothy Humel funds for art purchase, Greta Millikin $1,000,000 to specific purpose, and Roger J. Lerch in Fund Hovorka Musical Arts $5,999,999 memory of Carl J. Lerch Fund operations provide an $1,000,000 to Ellen Wade Chinn Leonard C. Hanna Jr. assured source of and Winifred J. Lerch** Frank and Margaret $5,999,999 Harold T. Clark Benjamin S. Hubbell income for the mu- Mary Spedding Hyncik Memorial Dorothea Wright Educational Family Fund seum and serve as a Milliken Memorial Extension Fund Fund lasting legacy to their Hamilton Andrew R. and Judith and James A. Albertha T. Jennings generosity and fore- Andrew R. and Marie K. and Hubert Martha Holden Saks in memory of Musical Arts sight. Martha Holden L. Fairchild Fund** Jennings Lynn and Dr. Joseph Ellen Bonnie Mandel Based on market Jennings Marianne Millikin William G. Mather Tomarkin** Children’s Education value as of December Hadden Fund $400,000 to Dr. Gerard and Fund Mr. and Mrs. James S. 31, 2003 F. J. O’Neill Reid Jr.** $999,999 Phyllis Seltzer Robert A. Mann **new fund or activity Rose E. Zverina Katherine Holden Delia E. Holden Elizabeth Carroll Herman R. Marshall in 2003 Shearer Thayer Lillian M. Kern $100,000 to Memorial Nicholas J. Velloney Memorial Fund $249,999 Malcolm Martin $500,000 to Alma Kroeger Mr. and Mrs. William Mildred K. Bickel Ethel Cable McCabe $999,999 E. Ward** Edwin R. and Harriet The FUNd at the Thomas Munro Charles R. and Emma Pelton Perkins Anne Elizabeth Cleveland Museum of Memorial Fund M. Berne Memorial Wilson Fund Art Fund Mr. and Mrs. Richard S. Louise Pattison W. Whitehill L. E. Holden Roberta Holden Bole Endowment Funds Preservation and Specific Purpose Gertrude S. Hornung Josephine P. and $250,000 to Conservation of Asian Malcolm E. Kenney Paintings Dorothy B. Everett $399,999 $1,000,000 and Special Exhibitions** Mr. and Mrs. Edd A. Dorothea Wright Edward L. more Hamilton Whittemore Zane Bland Odenkirk Ruggles Memorial Robert P. Bergman, and Magdalena Fund Louise H. and David Curatorial Chair for $100,000 to Maillard Odenkirk Adolph Benedict and S. Ingalls Medieval Art** $249,999 Charlotte F. J. Ila Roberts Schneider Alison Loren and Robert P. Bergman Ronald and Isabelle G. Vanderveer Memorial Music Leslie Burt Fund in Memorial Fund** Brown** Womens Council Fund memory of Albert and George P. Bickford, Doris Glaser John and Helen Collis Flower Fund** Charles Frederick Curatorial Chair for Family** Schweinfurth F. J. O’Neill Indian and Southeast Up to $99,999 Scholarship Charlotte Ekker and Asian Art Mr. and Mrs. Richard Charlotte Vanderveer Anonymous** H. E. Weeks W. Whitehill Ernest L. and Louise Lydia May Ames Memorial for Art and Hershey Family Fund M. Gartner Fund Silvia and Justin Architecture Zverina Fund in Louis Severance Mr. and Mrs. Andrew W. Mellon Mary H. White memory of Lillie and Higgins Matthew Andrews Foundation Adolph Wunderlich Robert Blank Art Dorothy H. Zak L. E. Holden Andrew W. Mellon Scholarship Fund Louis D. Kacalieff, Foundation Fund for $250,000 to M.D. Publications and Arthur, Asenath, and $499,999 Research Walter H. Blodgett George P. Bickford Alma and Robert Memorial Fund Milne Reinberger Julia Cobb and Kelly Dreger** James A. Parmelee Foundation Benedict Crowell John and Frances Louise M. Dunn Memorial Fund Charles B. and Carole Fund W. Rosenblatt Sherwin Fine Arts Elizabeth G. Drinko Garden Netta Faris Jane B. Tripp Charles W. Harkness The Paul J. and Edith Fine Arts Garden Margaret Huntington Ingalls Vignos Jr. The Gallery Group Smith McCarthy Curator of European Painting** Gilpin Scholarship Richard B. and Fund of Karamu Chaille H. Tullis House Anna L. Vanderwerf Memorial Fund

ARpp48-81.p65 60 6/1/2004, 11:58 PM G. Garretson Wade Mr. and Mrs. Michael Lewis C. and Lydia J. Horvitz Williams James D. and Cornelia W. Ireland $100,000 to James Endowment** $249,999 Caroline Quentin and MacNaughton Elisabeth Alexander Mr. and Mrs. Julia and James Severance A. Millikin Dempsey David and Dorothy Frances W. and David Morris Memorial S. Ingalls Mr. and Mrs. George Mr. and Mrs. Edward Oliva Jr. A. Kilroy Jr. Rudolph J. Pepke Ada E. Koehler Memorial Memorial Mr. and Mrs. Alfred Mr. and Mrs. William M. Rankin H. Marlatt Fund Mr. and Mrs. Louis Estate of Malcolm L. Rorimer Memorial** McBride William B. Sanders Ruth K.McDonough Glenn C. Sheidler Laurence H. Norton Francis M. and Helen G. and A. Margaret Halle Dean Perry Sherwin Paul J. and Edith James N. and Ingalls Vignos Kathleen B. Sherwin Alton and Helen Margaret E. and Frank Whitehouse E. Taplin Jr.** Lewis B. and Helen Jane B. Tripp C. Williams George Garretson Up to $99,999 Wade Memorial Arthur, Asenath, and Worcester Reed and Walter H. Blodgett Cornelia Blakemore Memorial Fund Warner Memorial Mr. and Mrs. Wilbert Paul D. and Odette S. Brewer V. Wurzburger Noah and Muriel Butkin Julius Cahan Mrs. Harold T. Clark Memorial Mary Elder Crawford Nancy W. Danford Bernard and Sheila Eckstein Ralph Earl (American, Adele C. and Howard 1751–1801). Moses P. Eells Jr. Seymour, Jr., 1789; oil Eleanor and Morris on canvas; 120.7 x 90.2 Everett cm; Gift of Mrs. Elsa C. and Warren George S. Lockwood Jr. C. Fargo in loving memory of her husband 2003.285. Robert I. Gale Jr. and Frances W. Gale** Newman T. and Virginia M. Halvorson** Mr. and Mrs. Arthur S. Holden Jr. Ralph and Mildred Hollander

ARpp48-81.p65 61 6/8/2004, 4:16 PM Individual and $25,000 to $49,999 Mr. and Mrs. Thomas Donna and Ruben Mr. and Mrs. Morris Ella C. Edison Contributing Anonymous #5 V. H. Vail Mettler A. Bradley Maud Stager Eells and Membership Marie N. Agee Dr. William F. Marilyn B. Opatrny Emma G. Brassington Howard Parmelee Endowments for Zornow Memorial General Arthur, Asenath, and Aurel F. Ostendorf Mr. and Mrs. Arthur L. and Frederick L. Emeny Operations Walter Blodgett $10,000 to $24,999 S. V. Palda Memorial Memorial Virginia Brockway Sam W. and Florence The following list Anonymous #3 Franklin and Helen Myrta Jones Cannon Elizabeth Rockefeller Arthur D. and Taylor Emerson salutes the individu- Anonymous #9** als, families, and Memorial Marion W. Brooks Dr. and Mrs. Michael Howard Melville Memorial organizations whose Hanna III Memorial Raymond Q. and Daniel and Adele Z. D. Eppig named membership Elizabeth Riely Silver** The Oliver and Alwin C. and Lawrence Hitchcock Armington Harriet G. Brooks endowment funds for Memorial Chester D. Tripp Charlotte F. Ernst operations provide an Barbara J. and Memorial Memorial assured source of David H. Jacobs Matthew A. Baxter Atheline M. and John Glenn and Jenny S. Wilbur Neil and Marian income for the mu- Franny Tewksbury Virginia R. Brown Evans seum and serve as a and Ralph T. King Billinghurst Memorial Womens Council of Helen C. Brown lasting legacy to their Memorial the Cleveland Mr. and Mrs. Harold generosity and fore- Eleanor and Sevier Museum of Art Erza and Rose Fallon G. Robert and Mary Bonnie Brudno Memorial sight. Elizabeth Klein Susan Barber Adolph J. and Esther Based on cumulative Frances Kelleher Woodhill Memorial Polly S. and Clark E. S. Farber Memorial Jack and Carolyn Bradner Bruner giving as of December Lampl Dr. and Mrs. E. K. Paul Louis and Edith 31, 2003 Linda Bole Brooks Zaworski Memorial Laura Merryweather Lehman Feiss Patricia C. LeMaster Memorial Burgess Memorial Memorial **new fund or activity Memorial in 2003 Louise Brown Up to $9,999 Mr. and Mrs. James Edward Ferris Aline McDowell Courtney Burton Memorial Memorial Katherine Ward Anonymous #1 Burrell Anonymous #2 Alice Carothers C. J. and Elizabeth Mr. and Mrs. Eugene Memorial Fiordalis R. Miles The Champney Fund Anonymous #8 Katherine Hodell Royal and Pamela H. Harold T. Clark Anonymous #10 Ralph J. Mueller Chilcote Memorial Firman Jr. Memorial Cleveland-Cliffs Frances Adams and Alvah Stone and Flesheim Foundation Foundation Mary E. Adams Carl L. and Florence Adele Corning B. Selden Phyllis G. and Jacob Memorial Mr. and Mrs. Walter Chisolm Memorial L. Flory D. Cox Jr. Memorial Walter S. and Mabel John and Frances W. Kenneth L. and Mabel A. Hewit Estelle M. and Alton Croston Adams Mary Eileen Fogarty Sherwin Karen M. Conley (American, 1903–1987), C. Dustin Memorial Alfred S. and Estelle Kate L. Fontius Out of Doors Painting Mr. and Mrs. Nelson Charles E. Cooper Pamela Humphrey G. Andrews Memorial Class, about 1940; S. Talbott Fund in memory of Mr. and Firman Delos and Anita Dr. and Mrs. Finley color woodcut; 31.5 x Stella Minor Arntisdale Mrs. Edwin Kirk Cosgrove M. K. Foster 23.7 cm; Gift of Mr. Mr. and Mrs. J. Eva M. Baker Large Tina V. Cowgill and Mrs. William Jurey Harrington Glidden Memorial I. T. Frary Memorial Frank E. and Edith S. Mrs. Harry J. in memory of Mabel A. Edgar A. Hahn S. Prentiss Baldwin Karen Freeman Taplin Memorial Crawford Hewit 2003.371. Robert L. and Lois Memorial Miriam and Harry M. Harris Creech M. Hays Mr. and Mrs. A. Friedman Mr. and Mrs. George Beverly Barksdale Mary Elizabeth Edward M. Fritz Crawford Croxton M. Humphrey II Esther K. and Elmer Memorial George M. and G. Beamer Foundation Nathan L. Dauby W. Yost Fulton Memorial Pamela S. Humphrey Mr. and Mrs. Arnold Frederick William Albert S. Ingalls Jr. Bellowe Bernice and David E. Gehring Memorial Davis Memorial W. Dominick Benes Hulda B. Gehring Elaine Davis Memorial David S. Ingalls Jr. Memorial Myron E. and Rose Ann J. and E. Bradley George P. and Clara Helen and Albert B. Glass DeGulis** Jones G. Bickford Mary G. and Frances Ruthalia Keim George T. Bishop Elizabeth Brainard K. Glidden Memorial Thomson Denison Richard and Gina Memorial Memorial George C. Gordon Klym Roberta Holden Bole Edwin A. Dodd Mr. and Mrs. Herbert Harley C. and Memorial G. Goulder Memorial Elizabeth K. Lee Alfred M. and Mr. and Mrs. John R. Donnell Mr. and Mrs. Gary Helen S. Leisy Palmyre C. Bonhard Graffman Memorial Memorial Daniel W. Dority Memorial C. A. Grasselli Robert Arthur Mann Helen and Albert Memorial Borowitz Mr. and Mrs. Robert Samuel and Grace P. Duvin Edward Grasselli Mann Alva Bradley Memorial Memorial William Joseph Judith K. and S. Eastman Memorial Sterling McMillan III**

ARpp48-81.p65 62 6/1/2004, 11:58 PM Jacques Hérold (Romanian, 1910– 1987). Crystallization of the Forest, 1946; oil on panel; 60 x 73 cm; John L. Severance Fund 2003.94.

Mr. and Mrs. Jerome Florence A. Hamilton Mr. and Mrs. Henry Mr. and Mrs. John S. Frederick Metcalf G. G. G. Peckham Gratry Colburn Haskell L. Jackson Lucas Memorial Memorial John Adam Green Memorial Issac and Jennie B. Marilyn Lurie H. Oothout Milliken Mrs. Heaton Mr. and Mrs. Frank Mr. and Mrs. Robert Joseph Memorial Memorial Memorial Pennington K. Greisinger Heller Louis D. Kacalieff, Charlmer F. Lutz Hugh K. Milliken Drake T. Perry Martina D. Grenwis Birdie B. Herzog M.D. Memorial Memorial Mr. and Mrs. M. H. Mr. and Mrs. Richard Memorial I. Theodore Kahn Hilda B. Lyman Thomas S. and Marie Pierce C. Gridley Laurence A. and Mrs. I. Theodore Memorial E. Milliken Memorial Mary B. S. Pollock Frank J. and Anastasia Margarete S. Higgins Kahn Isabel Marting Julia Severance Mr. and Mrs. Henry M. Grossman Eleanor Hilliard Samuel S. and Grace Harman Millikin F. Pope Memorial** Memorial Dorothy D. Kates Mather Memorial Anna Willett Miter Eda Sherwin Prescott Mrs. Ray J. Groves Mrs. J. Howard Marie and John Kern Katherine L. Mather and Harry Fancher Memorial John B. Putnam Mr. and Mrs. David Holan Memorial Memorial Memorial Fanny Hanna Moore L. Grund Elinor Irwin Holden Charles G. King III William G. and Frank J. and Rita M. Agnes Gund Memorial Memorial Elizabeth R. Mather Mrs. J. E. Morley Rack Memorial Allen C. and Louise Mr. and Mrs. W. Mike Matsko Mrs. Cox Morrill Lucille Ralls George Gund III, Q. Holmes Griffin King Jr. Memorial Gordon K. Mott Memorial Agnes Gund, Gordon Helen Chisholm Louise Delaney Ruth A. Matson Mr. and Mrs. Werner Robert S. and Sylvia Gund, Graham de C. Hord Kiphuth Memorial Kathryn Arns May D. Mueller K. Reitman Gund, Geoffrey de C. Mr. and Mrs. Bird W. Jessie Effler Kneisel Clara Mayer Jeanie C. Murray James McElroy Gund, and Louise L. Housum Memorial Gund Ella Konigslow Memorial Mary and Louis S. Richardson Memorial Mrs. Gene C. Elroy J. Kulas William B. McAllister Myers Foundation Lillian Rosenbaum Mr. and Mrs. James Hutchinson C. Hageman Memorial Memorial Robert C. Norton Memorial Albert S. Ingalls Georgia S. Haggerty Dr. and Mrs. Victor Malcolm L. and Lucia Harry D. and Blanche Dr. and Mrs. Ronald Jane Taft Ingalls C. Laughlin McCurdy McBride J. Ross Bertha Halber E. Norvell Richard Inglis Caral Gimbel Ellen E. and Lewis A. John O’Connor Walter Ross Eugene S. and Memorial Lebworth McCreary Memorial Blanche R. Halle Crispin and Kate Walter D. Sayle Memorial Dr. and Mrs. Scott R. Mr. and Mrs. Elmer Mr. and Mrs. S. Oglebay Memorial Mrs. William Cramp Inkley Lindseth Sterling McMillan Helen C. Halle Mr. and Mrs. George Scheetz Jr. Ireland Foundation Dr. and Mrs. Sidney Moselle Taylor Meals Oliva III Else Schmelzer Salmon P. Halle Lobe Memorial Paul F. and Lucretia Dr. and Mrs. Harvey William M. O’Neill Heinz Schneider B. Ireland William A. Lowry J. Mendelsohn Harold A. and Marion A. and Ellen Schultz Claribel B. Hallstein Mr. and Mrs. George Amelia G. Parsons C. Lucas Memorial Memorial

ARpp48-81.p65 63 6/1/2004, 11:58 PM Charles P. and Ella R. Sada D. Watters Building Katherine Holden Mr. and Mrs. Marvin $10,000 to $24,999 Scovill Memorial Memorial Endowment Thayer Fund #3 Ritzenberg American Express Contributors The Sears-Swetland Mrs. Daniel T. John Mason Walter Sarah P. and William Dominion Foundation Weidenthal Victoria W. Braucher and Jeanne M. Walter R. Robertson Foundation Memorial Elizabeth and Ellery Mr. and Mrs. Robert Laura A. Hugus Mr. and Mrs. David Zoann L. Dusenbury Sedgwick L. Weston William E. Ward M. Schneider Muriel Kozlow Eaton Corporation Mary H. Severance Roy M. Wheeler Mr. and Mrs. Viktor Maxine Goodman Capital Gifts James E. and Memorial Memorial Levin Schreckengost The following list ac- Elizabeth Ferrell Samuel Paisley Shane Kathleen F. Whidden Elizabeth Briggs Sears-Swetland Memorial Memorial knowledges the indi- Family Foundation The Kulas Merry viduals, families, and Foundation Perin Shirley Martha W. White Alice O. Vana organizations whose Second Foundation Memorial The Andrew W. Miriam Norton Helen Zmek generosity supported Sherwick Fund Mellon Foundation Vladimir G. and White capital projects. Kelvin and Eleanor SBC Foundation Mary Kingsbury Roland W. White The Abington Smith Foundation Simkhovitch Tops Friendly Memorial Trust Fund Income Foundation Memorial Mr. and Mrs. Eugene Markets Foundation Walter C. White for Art Purchase, Mr. and Mrs. Leigh R. Stevens Allard and Margaret Memorial Specific Purpose, Carter Womens Council of E. Smith Mr. and Mrs. John F. the Cleveland Mr. and Mrs. Hugh and Operations Mr. and Mrs. Turben James A. and Museum of Art R. Whiting The following list ac- Alexander M. Cutler Robert A. Vertocnik Elizabeth B. D. Smith knowledges the indi- Young Audiences of Memorial Mr. and Mrs. Douglas Garden Club of Mr. and Mrs. Richard Greater Cleveland Wick viduals and families Cleveland Nathalie C. Spence whose trusts provided T. Watson $2,500 to $9,999 Memorial R. C. Williams income to the museum Mr. and Mrs. Robert Raymond John Wean W. Gillespie Betty Katz Marion H. Spiller Captain and Mrs. in 2003. Foudation Thomas Wilson Mr. and Mrs. Robert Kaufmann’s, A Louis Stearn Louinia Mae Memorial Art Purchase D. Gries Whittlesey Division of the May Avery L. Sterner Boris Witzer Dudley P. Allen Holden Parks Trust Department Stores Memorial Dr. Norman W. Memorial Karl B. Goldfield Mr. and Mrs. Michael Zaworski Company Nathalie B. Steuer Elbert C. and Severance and Greta J. Horvitz The Laub Foundation Memorial Henrietta S. Wixom Millikin The HRH Family Restricted Gifts Target Stores Judith Helen and Memorial (Special Projects, John L. Severance Foundations Martha A. Stewart J. D. Wright Programs, and Under $2,500 Memorial Norman O. Stone Patience Humphrey Exhibitions) Clara Gordon York and Ella A. Stone Anonymous Mr. and Mrs. John Mr. and Mrs. Dieter Memorial $100,000 or More Christina W. Black M. Stickney Wilbur H. and Kaesgen Robert L. Zink J. H. Wade The Cleveland Gallery Group, Inc. Morris and Maxeen Mr. and Mrs. Joseph Foundation Stone William H. and P. Keithley Vincent McGee Bertha S. Zink Specific Purpose The Freeman Selina J. Sullivan Mr. and Mrs. Stephen Mr. and Mrs. John G. Memorial Leonard C. Hanna Jr. Foundation Memorial J. Knerly Jr. Nestor Hermon A. Kelley General Operating Mr. and Mrs. William The United States Red Bull North Seth and Frances Taft Art Library Endowment P. Madar Department of America, Inc. Mr. and Mrs. Charles P. J. McMyler Musi- Education Farrand Taplin Contributors Elizabeth Ring Louise N. Robbins cal Endowment Mather and William Stan Thomas The Figgie Family $25,000 to $99,999 Katherine Solender Charitable Founda- Gwinn Mather Fund Operations Agnes Gund and Mr. and Mrs. Brit Brenda and Evan tion, Inc. S. Livingston Mather Turner Harry F. and Edna J. Daniel Shapiro Stenson Robert F. and Charitable Trust Burmester Hahn Loeser + Parks, Mr. and Mrs. Michael Joseph and Edwin Elizabeth B. Flaherty Mr. and Mrs. S. Upson Memorial Caroline E. Coit LLP P. Traggio Estate of David J. Sterling McMillan III The Joyce Wipper Family Fund Mary Southworth Rollins Henry G. Dalton Mr. and Mrs. John C. Upson Foundation Estate of Kathleen E. General Endowment Morley The Samuel H. Kress Samuel H. and Bessie Smith Guerdon S. Holden Reverend Dr. and Shaw Urdang Foundation John Huntington Art Mrs. Otis Moss Jr. Memorial The National and Polytechnic Trust MTD Products Inc. Dorothy T. Van Endowment for the Loozen Memorial Hinman B. Hurlbut Payne Fund Inc. Arts Visible Language Horace Kelley Art The Perkins Sky Bank Foundation Charitable Foundation George Garretson Womens Council of Wade Memorial William Curtis Mr. and Mrs. Bryan the Cleveland Morton, Maud S. Reid Museum of Art Whitney and Morton, and Mr. and Mrs. James S. Florence S. Warner Kathleen Morton Memorial Reid Jr. Elisabeth Severance Sara M. Ringle Mr. and Mrs. John C. Prentiss Wasmer Jr.

ARpp48-81.p65 64 6/1/2004, 11:58 PM Annual Giving Annual Giving includes $10,000 to $24,999 Barbara S. Robinson Mr. and Mrs. Milton all gifts to support the Mr. and Mrs. B. Edwin M. Roth Maltz museum’s annual Charles Ames Dr. Nancy-Clay operating budget. We Mr. and Mrs. Robert Mr. and Mrs. Randall S. Rutledge Marsteller wish to thank members of our donors J. Barbato Mr. and Mrs. Elliott Mr. and Mrs. William circles and corporate Mr. and Mrs. Charles L. Schlang A. Mitchell membership programs, P. Bolton Dr. and Mrs. Gerard Mr. and Mrs. William patron and contribut- Mrs. Noah L. Butkin Seltzer J. O’Neill Jr. ing members, and the Mrs. Austin B. Chinn Mr. and Mrs. Alvin Michael S. Ovitz many others who Mrs. Warren A. Siegal Mr. and Mrs. Leon contributed to the M. Plevin annual giving program Dusenbury Mr. and Mrs. Steven in 2003. Dr. and Mrs. Michael Spilman Mr. and Mrs. Albert D. Eppig Mr. and Mrs. John F. B. Ratner Joseph M. Erdelac Turben Mr. and Mrs. Robert $25,000 or more S. Reitman Dr. and Mrs. John Dr. and Mrs. Paul J. Mr. and Mrs. James Flower Vignos Jr. Mr.+ and Mrs. T. Bartlett Leighton Rosenthal Joseph T. Gorman $5,000 to $9,999 Mr. and Mrs. Leigh Mr. and Mrs. James Mr. and Mrs. Robert Carter Mr. and Mrs. A. Saks D. Gries Quentin Alexander Mr. and Mrs. Mr. and Mrs. David Mr. and Mrs. John Alexander M. Cutler Mr. and Mrs. Daniel M. Schneider Hildt F. Austin Mr. and Mrs. Robert Mr. and Mrs. Viktor Mr. and Mrs. James W. Gillespie James and McKey Schreckengost D. Ireland III Berkman George Gund III and Leonard S. Schwartz Barbara Jacobs Iara Lee Richard J. Blum and and Charlotte R. Mr. and Mrs. Harriet L. Warm Janice Hammond and Kramer Hayward Kendall Edward Hemmelgarn Mr. and Mrs. Paul S. Mark Schwartz and Kelley Jr. Brentlinger Mr. and Mrs. Michael Dr. Bettina Katz Mr. and Mrs. Edward J. Horvitz Mrs. M. Roger Clapp Mr. and Mrs. Boake A. Kilroy Jr. Robert M. Kaye and Mr. and Mrs. Morton A. Sells Mr. and Mrs. John D. Diane Upright Cohen Mr. and Mrs. Edward Koch Mr. and Mrs. Joseph Mr. and Mrs. Gerald C. Smith Mr. and Mrs. Dennis P. Keithley A. Conway Richard A. Statesir W. LaBarre Peter B. Lewis Mr. and Mrs. Robert and Georganne Toby Devan Lewis R. Cull Vartorella William P. and Mr. and Mrs. Jon A. Amanda C. Madar Lois J. Davis Mr. and Mrs. Howard Lindseth Fenno Stirn Barbara and Morton Helen+ and Albert J. Mr. and Mrs. William Mandel DeGulis Mr. and Mrs. Nelson C. McCoy Jr. S. Talbott Mr. and Mrs. Bruce Hubert L. Fairchild Mr. and Mrs. S. Mr. and Mrs. David V. Mavec Mr. and Mrs. Robert Sterling McMillan III Haber Warshawsky Mr. and Mrs. Alfred S. Friedman Mr. and Mrs. Joseph Mr. and Mrs. Charles M. Rankin Jr. Mr. and Mrs. Richard B. Milgram Jr. D. Weller Mrs. Alfred M. C. Gridley Mr. and Mrs. Harold Mrs. Paul Rankin Mr. and Mrs. Robert S. Minoff Wurzburger Mr. and Mrs. James N. Gudbranson Mr. and Mrs. David Dr. Norman W. Ratner Mrs. Harry Richard T. Morgenthaler Zaworski Mr. and Mrs. James S. Horvitz Mr. and Mrs. John C. Reid Jr. Morley Joan Horvitz Mr. and Mrs. Michael Mary Schiller Myers Lillian L. Hudimac Sherwin Mr. and Mrs. Stephen Marguerite B. Mr. and Mrs. Eugene E. Myers Humphrey R. Stevens Lucia S. Nash Mr. and Mrs. Donald Designed by Kem synthetic leather; M. Jack Jr. Weber (American, b. 105.4 x 53.4 x 50.8 cm; Mr. and Mrs. Eric T. Nord Mr. and Mrs. Robert Germany, 1889–1963), The Mary Spedding H. Jackson manufactured by Milliken Memorial Mrs. R. Henry Helen Kangesser Grand Rapids Chair Fund 2003.4.1. Norweb Jr. Company. Armchair Andrew K. Rayburn Mr. and Mrs. Douglas from “The Kem Weber A. Kern Sarah P. and William Group,” 1928–29; Mrs. Jack W. Lampl Jr. painted wood with R. Robertson

ARpp48-81.p65 65 6/1/2004, 11:58 PM $2,500 to $4,999 Mr. and Mrs. Marvin Mr. and Mrs. William Shirley T. Brown Marian Drost Anonymous L. Lader K. Wamelink Mr. and Mrs. Henry Tamara Durn and Mr. and Mrs. Paul R. Mr. and Mrs. Kurt Mr. and Mrs. George G. Brownell II Rick Doody Abbey Liljedahl F. Wasmer Mr. and Mrs. Robert Gertrude A. Dyson Mr. and Mrs. A. Mr. and Mrs. Edward Nancy N. West Bruml Dr. and Mrs. Robert Chace Anderson A. Lozick Mr. and Mrs. Alton Dr. and Mrs. Harvey M. Eiben Elizabeth L. Mr. and Mrs. Randall W. Whitehouse Jr. Buchanan Dr. and Mrs. Henry Armington D. Luke Mr. and Mrs. Steven Alexander W. Budden Eisenberg Dr. Ronald and William MacDonald R. Wiesenberger John F. Burke Jr. and Dr. and Mrs. R. Diane Bell Jr. Mrs. Lewis C. Nancy A. Fuerst Bennett Eppes Mrs. Robert P. Dr. and Mrs. Patrick Williams Linda R. Butler and Mr. and Mrs. Donald Bergman M. McCarthy Mr. and Mrs. David Steven E. Nissen, Esarove Mr. and Mrs. Edward Lester Theodore and L. Zoeller M.D. Mr. and Mrs. Jeff B. Brandon Edith D. Miller Frances R. Zverina William E. and Ettinger Mr. and Mrs. William Mr. and Mrs. Thomas Patricia A. Butler Mrs. William H. R. Calfee W. Morris $1,000 to $2,499 Mrs. Sumner Canary Evans Mr. and Mrs. George Donald W. Morrison Mr. and Mrs. Peter Mrs. Arthur F. Carey Mr. and Mrs. Warren W. Adams B. Chapman Jr. Creighton B. Murch Mr. and Mrs. Harry W. Farr Jr. Dr. and Mrs. John and Janice A. Smith Stanley and Hope Carlson Mr. and Mrs. Bruce Adelstein Collis Mr. and Mrs. Tod Ruth Anna Carlson Felder Mr. and Mrs. William Oliva Mr. and Mrs. Richard and Albert Leonetti Dr. and Mrs. Aaron B. Ainsworth Jr. H. Coquillette Mr. and Mrs. William Mr. and Mrs. Frank E. Feldman Dr. and Mrs. Delos M. Osborne Jr. Mr. and Mrs. B. Carr Mr. and Mrs. Lewis Theodore M. Alfred Marshall Cosgrove III Henry Ott-Hansen Maria and Laura Femec Dr. and Mrs. Dale H. Mr. and Mrs. Thomas Mr. and Mrs. Cashy Lauren and Scott Fine Norman W. Allison Cowan A. Quintrell Kimberly and George Mrs. Seth M. Fitchet Barbara J. Arison Mr. and Mrs. George Dr. and Mrs. Louis B. Chapman III Mr. and Mrs. John Daniels Rakita Agnes M. Armstrong Corning Chisholm Fletcher Dr. and Mrs. Richard Katharine and Bryan Janet G. and Gregory Mr. and Mrs. Homer Mr. and Mrs. C. Distad Reid J. Ashe D. W. Chisholm Frederick Floyd Mr. and Mrs. Robert Mr. and Mrs. Robert Graham G. Ashmead, Mr. and Mrs. Richard Mrs. George Foley P. Duvin A. Rieger M.D. A. Collier Charles D. and Mrs. Morris Everett Mr. and Mrs. Norton Mr. and Mrs. Henry Mr. and Mrs. Robert Charlotte A. Fowler W. Rose T. Barratt Mr. and Mrs. Allen D. Conrad Howard J. Freedman H. Ford Prof. Alan Miles Thomas C. Barry Mr. and Mrs. William and Rita Montlack Judith Gerson Ruben and Judge Mr. and Mrs. E. Conway Betty Willis Ruben Mr. and Mrs. Ted H. Mr. and Mrs. Robert Laurence Bartell Mr. and Mrs. Brian Frost Clarine Saks A. Goodman Mr. and Mrs. Richard Cook Mr. and Mrs. Peter L. Right Reverend and Mr. and Mrs. Paul J. C. Bartlett Mr. and Mrs. Alfred Galvin Schlather Mrs. J. Clark Grew Mrs. Patrick H. Beall G. Corrado Mrs. Richard N. Mr. and Mrs. David Bob and Cindy Mr. and Mrs. Richard Mr. and Mrs. Thomas Ganger Schneider H. Gunning E. Beeman W. Cristal Stephen H. Gariepy, Mr. and Mrs. Henry Mr. and Mrs. David Mr. and Mrs. Jules Mr. and Mrs. Esq. L. Selman R. Hatch III Belkin Timothy J. Curtiss Alison W. Gee John L. Selman Mrs. Charles Hickox Dr. Robert B. Benyo Patricia F. Cusick Mr. and Mrs. Stuart Mrs. Edwin R. Hill Kim Sherwin Mr. and Mrs. James Mr. and Mrs. Charles Giller Elizabeth A. Holan Mr. and Mrs. Edwin M. Biggar E. Daane Mr. and Mrs. Robert Z. Singer Mr. and Mrs. Arthur Ted and Catherine Mrs. S. L. Dancyger M. Ginn S. Holden Jr. Mr. and Mrs. David Biskind Mrs. William H. Dr. and Mrs. Victor W. Sloan Dr. and Mrs. William William P. Blair III Danforth M. Goldberg L. Huffman Mr. and Mrs. John E. Mrs. Lawrence Dr. and Mrs. Robert Sally A. Good Smeltz James R. Janetz Blumenthal B. Daroff Mr. and Mrs. Andrew Brit and Kate Stenson Drs. Morris and Helen and Albert Mrs. David E. Davis L. Green Adrienne Jones Mr. and Mrs. Joseph Borowitz Shirley B. Dawson Mr. and Mrs. James D. Sullivan Mr. and Mrs. Dieter Mr. and Mrs. Richard Pete and Margaret B. Griswold Kaesgen Mr. and Mrs. Neil E. Boyatzis Dobbins Mrs. Jerome Grover Thompson Mr. and Mrs. John E. James J. Branagan Mr. and Mrs. John D. Heather Guess Katzenmeyer Mr. and Mrs. Jack L. Drinko Mr. and Mrs. Peter Ralph and Terry Brown Jr. Guren Kovel Kenneth L. Brown

ARpp48-81.p65 66 6/1/2004, 11:58 PM Elaine Grasselli Mr. and Mrs. Mrs. George M. Mr. and Mrs. Michael Mr. and Mrs. William Hadden Norman Hyams Kaufman D. Lundin J. Morse Mr. and Mrs. Richard Mr. and Mrs. Robert Hilary and Robert Dr. Alvin and Lorrie Dr. and Mrs. Roland H. Hahn A. Immerman Kendis Magid W. Moskowitz Mr. and Mrs. Jeffrey Mr. and Mrs. E. Dale Mr. and Mrs. Robert Dr. Harold and Reverend Dr. and Halpern Inkley J. Kichler Suzanne Mars Mrs. Otis Moss Mrs. Milford J. Harris Dr. and Mrs. Scott R. Kenneth H. Kirtz Mrs. Walter A. Helen M. Murway Mr. and Mrs. Robert Inkley Dr. and Mrs. William Marting Mr. and Mrs. Robert L. Hartford Mr. and Mrs. Fred S. Kiser Mr. and Mrs. D. Neary Mr. and Mrs. Robert Isenstadt Mr. and Mrs. Stephen Alexander McAfee Mrs. James Nelson L. Hartford III B. Scott Isquick J. Knerly Jr. Mr. and Mrs. Sean Mr. and Mrs. John G. Mr. and Mrs. Samuel Mr. and Mrs. Stanley Mr. and Mrs. Stewart McAvoy Nestor S. Hartwell T. Jaros Kohl Elizabeth McBride Mr. and Mrs. Francis Dr. and Mrs. Shattuck Mr. and Mrs. Edwin Clayton R. Koppes Claire and Sandy Wynne Neville Wellman Hartwell Jr. T. Jeffery Jr. Mr. and Mrs. Alan M. McMillan Daurine Noll Mr. and Mrs. Donald Candace M. Jones Krause Mr. and Mrs. Gerald Mr. and Mrs. Brad F. Hastings Mr. and Mrs. Mr. and Mrs. Arthur Messerman Norrick Mr. and Mrs. Kenneth Theodore T. Jones J. Lafave Jr. Mr. and Mrs. George Oliva Jr. F. Hegyes Anthony R. Michel Trevor and Jennie Mr. and Mrs. Albert Mrs. F. J. O’Neill Mr. and Mrs. Gerald Jones Wade Laisy Dr. and Mrs. Beno Herschman Michel Mrs. Donald C. William R. Joseph Dr. and Mrs. Michael Opatrny Edith F. and Morrie and Sarah J. Sager E. Lamm Mr. and Mrs. John E. Hirsch M. Mino Mr. and Mrs. Harvey Dr. and Mrs. Donald Dr. and Mrs. Oppmann Mr. and Mrs. Richard W. Junglas Sherman E. Lee Steve and Dolly R. Hollington Minter Mr. and Mrs. Jon H. Henri Pell Junod Jr. Mr. and Mrs. Morton Outcalt Ralph and Sarah Mr. and Mrs. Thomas Q. Levin Mr. and Mrs. Dan T. Horwitz Moore III Mr. and Mrs. C. W. Fisher Kahn Mr. and Mrs. Robert Eliot Paine Dorothy Humel Mr. and Mrs. Walter A. Little Mr. and Mrs. Richard Hovorka Keith Morgan Mr. and Mrs. David E. Kalberer Dr. and Mrs. Sidney Paris Patience and George Lobe Shirley O. Morgan Mr. and Mrs. Richard Bob and Trisha Pavey M. Humphrey II Kaplan Mr. and Mrs. Richard J. Moroscak

Visitors pause in gallery 240.

ARpp48-81.p65 67 6/1/2004, 11:58 PM Mr. and Mrs. Michael Phyllis Sloane Dr. Kenneth F. Mr. and Mrs. Ivan J. Eleanor A. Campbell J. Peterman Mr. and Mrs. Herbert Swanson Winfield Dr.+ and Mrs. Florence KZ Pollack Smith Mr. and Mrs. Seth C. Mrs. James A. Winton Thomas F. Campbell Mr. and Mrs. Larry I. Mr. and Mrs. Richey Taft Mr. and Mrs. Bertram Rita and Tim Carroll Pollock Smith Mr. and Mrs. William L. Wolstein Elizabeth Chapman Mr. and Mrs. Frank Mr. and Mrs. Ward W. Taft Mr. and Mrs. Alfred and Roy Knipper H. Porter Jr. Smith Mr. and Mrs. John C. Woodcock Mrs. Ralph A. Mr. and Mrs. Richard Mr. and Mrs. Charles M. Thornton Jr. John Michael Zayac Colbert P. Price L. Smythe Jr. Helen N. Tomlinson and Dr. Marie Simon Mr. and Mrs. William Cynthia E. Rallis Mr. and Mrs. Jeffrey Mr. and Mrs. Leonard Mr. and Mrs. B. Cornell Bruce T. Rankin H. Smythe K. Tower Kenneth Zeisler Joseph R. Cortese Katherine Solender Mrs. George S. Traub Charles B. and Carole $500 to $999 Jody Dana W. Rosenblatt and Dr. William E. Brenda and Evan Katzin Emily A. Adams Mr. and Mrs. James Mr. and Mrs. Robert Turner V. Debevec J. Roth Mr. and Mrs. Donald Mr. and Mrs. Robert Mr. and Mrs. Thomas H. Spitz W. Adler Mr. and Mrs. Edward Mr. and Mrs. Vaughn F. Vail Jr. H. deConingh Jr. P. Rubin Dr. and Mrs. Robert A. Valente, Harish and Seetha Gottfried K. Spring Aiyar Mr. and Mrs. Thomas Florence Brewster CFP P. Demeter Rutter R. Thomas and Meg Mr. and Mrs. Peter Ruth M. Anderson Harris Stanton Mr. and Mrs. David Marjorie Bell Sachs van Dijk Dr. and Mrs. Albert L. Deming Dr. Willard D. Steck C. Antoine Mr. and Mrs. Tinkham Veale II Christopher W. Raymond T. Sawyer Mr. and Mrs. Charles Mrs. Daniel Verne Joseph Babin Fisher Steigerwald Mr. and Mrs. William Mrs. Myron Viny Dale A. Bacik Jane Frankel J. Schlageter Mr. and Mrs. William Dennis Barrie and H. Steinbrink Drs. Steven Ward and Mr. and Mrs. John R. Marcia R. Schreibman Barbara Brown Kathleen H. Coakley Fraylick Mr. and Mrs. Leonard Dr. Nejad Behzadi Mr. and Mrs. Oliver Stein-Sapir Mr. and Mrs. David Robert Friedman E. Seikel W. Weidenkopf Leon W. Blazey Jr. and Elizabeth R. Drs. Timothy Rabbi and Mrs. MacGowan Mr. and Mrs. Michael Stephens and Mr. and Mrs. Michael Richard A. Block J. Sherwin Consuelo M. Sousa+ R. Weil Drs. Joseph Frolkis Mr. and Mrs. Jeffrey and Beth A. Mr. and Mrs. Joseph Mr. and Mrs. Mr. and Mrs. Jerome L. Blumer Overmoyer Shrier Lawrence E. Stewart A. Weinberger Mrs. Morris A. Marjorie K. Garson Mr. and Mrs. Gary Dr.+ and Mrs. Ralph William H. West Bradley II M. Siegel Straffon Dr. and Mrs. Edward Mr. and Mrs. Nicholas Dr. and Mrs. Ben H. T. Giorgianni Mr. and Mrs. Mr. and Mrs. John K. L. Westbrook Brouhard Lawrence N. Siegler Sullivan Mrs. McKinley Mr. and Mrs. John E. Ronald Brown+ Guinness Mrs. Daniel J. Silver Mr. and Mrs. Daniel Whittlesey Susan N. Silverberg C. Sussen Edward Wilkof Mr. and Mrs. J. C. Mr. and Mrs. David Butler P. Handke Jr. Mr. and Mrs. David Mary E. Suzor Mr. and Mrs. Loyal L. Simon W. Wilson Elizabeth A. Hecht

Students complete projects during Art in Bloom, a special program presented by the Museum Ambassadors, featuring representatives from area high schools.

ARpp48-81.p65 68 6/1/2004, 11:58 PM Dr. Roberta K. Mr. and Mrs. Nick Shelby White and Renee Boykin Mr. and Mrs. Barring Mr. and Mrs. Douglas Helfgott Pontikos Leon Levy Dr. Christopher P. Coughlin D. Geib Mr. and Mrs. David Mr. and Mrs. Chris- Mr. and Mrs. William Brandt and Dr. Beth Mrs. J. Kenneth Mr. and Mrs. John H. G. Hill topher F. Pretsch L. Ziegler Brandt Sersig Cozier Gerber P. Andrew Hisey Robert W. Price Mary Ann Crowther John P. Craig Christopher L. $250 to $499 Mr. and Mrs. Mr. and Mrs. John Brennan Mr. and Mrs. Chester Gibbons Conway G. Ivy Prim Mr. and Mrs. James J. Deborah Brindza F. Crone Mr. and Mrs. Donald Abel Mr. and Mrs. Norbert Beth and David Mrs. Charles S. Frederick S. Cross, Glaser R. Jaworowski Ricanati Sandra J. and Charles Britton II M.D. Honorable Leonard Abookire Jr. Anne and Joe Juster Mary S. Roark Richard H. Brown Mr. and Mrs. Albert Goldstein Mr. and Mrs. David L. Culbertson Mr. and Mrs. Lowell Mr. and Mrs. Eric J. Mr. and Mrs. John S. F. Adler Mr. and Mrs. William Klieber Rodewig J. Brown Kathryn Curtis K. Good Sylvia K. Adler Mr. and Mrs. Greg Mrs. Martin Dr. and Mrs. William Mr. and Mrs. David Goodman and Krivchenia Rosskamm M. Stacey Alatis E. Bruner II Raymond L. Barbara Hawley Rose Mary Kubik Mr. and Mrs. Robert Sawsan T. Alhaddad Mr. and Mrs. James Cushing Jr. David B. Goshien and Dr. Ali Alhaddad Mr. and Mrs. Thomas C. Ruhl Budzilek Mr. and Mrs. George Dr. and Mrs. Francis J. LaFond Mr. and Mrs. Charles Kim Almendinger Mr. and Mrs. Tom F. Dalton III A. Greicius Jr. and Susan Shaver Mr. and Mrs. John N. J. Schenkelberg W. Bunn Mr. and Mrs. Peter Dr. Kathleen S. Lauer James R. Schutte John A. Anderson Dr. and Mrs. Everett W. Danford Grieser Mr. and Mrs. David Adrian L. Scott Mrs. John F. C. Burgess Ranajit K. Datta Mr. and Mrs. Dale E. Anderson Griffen P. Locke Mr. and Mrs. David Dr. Bonnie Burman Mrs. Robert C. Davis Robert Lucak and Seidenfeld Oakley V. Andrews Janet R. Burnside Mr. and Mrs. Ronald Mr. and Mrs. James C. Griffith Jr. Gabrielle Alicia Leah Gary Shaikh Judith Ann Armstrong Mary Ellen Cabbage J. Davis Lawrence Sally K. Griswold Carsten W. Sierck Mr. and Mrs. Richard Mrs. Allan E. Carlson Sally M. Davis Mr. and Mrs. Neil and W. Allen Shapard M. Aron Mr. and Mrs. Myron Dr. and Mrs. Luria Willie Glenn Carter Laurence K. Groves Dr. Paula Silverman Patricia M. Ashton R. Day Susan W. MacDonald Sammy L. Catania Laura A. Gunn and Robert M. Wolff Mr. and Mrs. P. and Roberta Rocco Elizabeth J. Deucher Alice D. Malone Thomas Austin Joseph F. Hahn, Mr. and Mrs. Emilie Cathry Mr. and Mrs. Neil A. Dr. and Mrs. Sanford Timothy Skola Christopher Greer Dick M.D. E. Marovitz Axelrod Mrs. William B. Mrs. John D. Hansen David K. Smith Chamberlin Wanda H. Dickey Mr. and Mrs. Robert Patrick T. Soltis Dalia M. Baker Dr. and Mrs. Paul E. Mr. and Mrs. Stephen H. Masterson Dr. Altagracia M. R. Hardis Omer F. Spurlock Arthur W. Bayer Jr. Chavez DiCorleto James A. and Marsha Mr. and Mrs. James Marilyn N. Doerr Mr. and Mrs. Joseph P. Mateyka Mrs. Richard W. Mr. and Mrs. Donald D. Harnett Spurney L. Bayman Cherry Mr. and Mrs. Samuel Dr. and Mrs. Matig Suzanne M. Beatrice Dolinsky Judith D. Harris and Mavissakalian Lanie Strassburger Mary E. Chilcote Alan Gordon Lipson Debra G. Strassman Mr. and Mrs. C. Mr. and Mrs. Peter J. Dr. Richard Eckert Nicole Visconsi Bruce Beattie and Dr. Ellen Rorke Mr. and Mrs. Robert Mawby Jeffrey W. Strean Chudyk E. Harris Mr. and Mrs. Calvin Verlie P. Ciriello Mr. and Mrs. Charles Mr. and Mrs. Julien Mr. and Mrs. Andrew C. Benning R. Ennis Mrs. Clint E. Hart L. McCall P. Talton Mr. and Mrs. Robert Charles Duane Dr. and Mrs. Robert A. Clark Mr. and Mrs. John George Minowada Jennifer Thomas and W. Bercaw M. Farley Hartman and Paradi Mirmirani Stephen Washington Mr. and Mrs. Dr. William L. John P. Bergren and Kenneth S. Cohen Mary Lou Ferbert Lloyd D. Moore Mr. and Mrs. W. Sarah M. Evans Hassler Hayden Thompson Mr. and Mrs. Robert Mr. and Mrs. Darrell Andrea A. Morris Mr. and Mrs. James A. Fields Mr. and Mrs. Peter John D. Thorp S. Colquhoun Hastings Sarah Yoshiko H. Berick Michael S. Folkman Murakami Mr. and Mrs. John H. Dr. and Mrs. Thomas Mr. and Mrs. Craig Mr. and Mrs. Don A. J. Comerford David J. Fornari Murlan Jerry Vinton Berlincourt Heberton III Murphy Jr. Honorable and Mrs. Joy L. Comey Dr. and Mrs. Sanford Lee Heinen Dr. and Mrs. Frederic A. Fox, D.D.S. Mr. and Mrs. Rod William F. B. Vodrey C. Bishko Dr. Gwendolyn J. Dr. Thomas S. Naro J. Weyman Vogel Cooke Michael Frank, M.D., Heines Mr. and Mrs. James J.D. Mr. and Mrs. Kevin Eileen J. Walsh D. Blaser Mrs. Alfred R. Mr. and Mrs. John F. O’Donnell Cooper Mr. and Mrs. Earl R. Herrick Mr. and Mrs. Charles Mr. and Mrs. Paul H. Franklin Rita Pearlman W. Walton Bodden Johnnie D. Cooper Dr. and Mrs. Norman Mr. and Mrs. Donald Graham A. Peters Mr. and Mrs. David Michael Phillip Dr. and Mrs. Robert R. Hertzer C. Corn K. Fribourg Thomas F. Peterson Jr. D. Watson Bogomolny Edward D. Hester Lisa S. Cortese Mr. and Mrs. Richard Mrs. Charles E. Petot Georgette B. Bohr L. Furry Mr. and Mrs. John J. Hetzer Peter Pfouts Lynn Boukalik Mr. and Mrs. Richard Jean Z. Piety Mr. and Mrs. John T. Garrett M. Bourne

ARpp48-81.p65 69 6/1/2004, 11:58 PM Robert T. Hexter Dr. Michael B. and Marie Morelli J. K. Kota Rossi Mr. and Mrs. Arthur Tom E. Hinson and Pamela Barron Leach Jill Morse Mr. and Mrs. Jerome M. Stupay Diana S. Tittle W. Geoffrey Lefferts Mr. and Mrs. Jack D. M. Rothenberg Mr. and Mrs. John E. Mr. and Mrs. D. Mr. and Mrs. Bertram Moskal Mr. and Mrs. Jon R. Sulak Peter Hochberg H. Lefkowich Bert W. Moyar Ruhlman Sandra S. Sullivan Goldie Hoffman Dr. and Mrs. Phillip Mr. and Mrs. David Mr. and Mrs. Albert Mr. and Mrs. David Mr. and Mrs. John Lerner L. Mueckenheim F. Rust P. Sunderhaft Hoffman Doris Linge Mr. and Mrs. Carl F. Mr. and Mrs. Ray E. Mr. and Mrs. John Mr. and Mrs. Harry Mr. and Mrs. Robert Muller Saccany W. Sweeney L. Holmes J. Liskay Richard J. Murway Mr. and Mrs. John Mrs. Anselm Talalay M. Saganich Rita S. Hubar Mr. and Mrs. Richard Mr. and Mrs. Richard Mr. and Mrs. Henry Jackie P. Hudson A. Little B. Musgrave Barbara J. Samolis T. Tanaka Jonathan J. Hunt, Mr. and Mrs. Alfred Mark Myers and Mr. and Mrs. Donald Mr. and Mrs. Esq. and Ashanti D. Lobo Barbara A. Hanselman F. Santa-Emma Kenneth E. Taylor Trent Mary Beth Loud Philip C. Narten Dorothy M. Sawyer Ronald E. Teare Mr. and Mrs. Don C. Dr. Jeffrey Lubell Dr. Linn W. Newman Mr. and Mrs. Victor Mr. and Mrs. Laurent Iler J. Scaravilli P. Texier Byron O. Lutman Dr. and Mrs. Thomas Terence Isakov, M.D. Keren K. Lux M. Nosek Margaret Schloss Ann E. Thurston Dr. and Mrs. Robert Alex Machaskee Terry Novak Else Schmelzer Dr. Robert L. J. Izant Jr. Tomsak Mr. and Mrs. Thomas Mr. and Mrs. Eric M. Linda B. Schneider Carl M. Jenks W. Mackie Oakley Mr. and Mrs. John B. Mr. and Mrs. Martin G. Trembly Robert B. Jensen Douglas L. Mr. and Mrs. Edward Schulze Mr. and Mrs. William MacTaggart Oberndorf Drs. Michael and Scott Truhan M. Jones Mrs. James I. Mahler Mr. and Mrs. Joanne Schwartz Dr. Hugh A. Turner Mr. and Mrs. Dwight Lawrence E. Oscar Dr. Susan W. and Mrs. Vicki L. Dr. Stephen A. and Brown-Turner S. Jordan Mary Ann Gregg Dr. and Mrs. Chanho Schwartz Mr. and Mrs. Mahoney Park Mr. and Mrs. Larry Mr. and Mrs. Nicholas Katanic M. Shane Lawrence C. Mrs. Arthur D. Mr. and Mrs. Michael Turnock Mrs. Joseph H. Keller Maine A. Pendry Dr. and Mrs. Bruce W. Sherman Mr. and Mrs. James Mr. and Mrs. Bruce Dr. and Mrs. Carlos Dr. and Mrs. Charles R. Underwood Kendrick A. Maldonado A. Peter Mrs. John Sherwin Jr. Fred R. Unwin Jr. Mr. and Mrs. James Mr. and Mrs. Richard Brooke W. Phillips Mr. and Mrs. T. Kitson A. Manuel Newson H. Shewitz Mr. and Mrs. Thomas Dr. and Mrs. Franklin V. H. Vail Ruth E. Klein Wilbur J. Markstrom H. Plotkin Mr. and Mrs. David Audrey Wahl Mr. and Mrs. Grant Florence G. Marsh Elinor G. Polster B. Shifrin Kloppman Josephine A. and Dr. and Mrs. Richard Christine J. Mastandrea Mr. and Mrs. Alan G. A. Walsh Dr. Vilma L. Kohn Poorman Michael Simon Mr. and Mrs. Joseph Mrs. James L. Paul J. Korshin Matts Jr. Mr. and Mrs. Mr. and Mrs. David J. Skrabec Wamsley Jr. Ronald H. Krasney, Dr. Charles Mbanefo, Nicholas S. Potter Karen A. Skunta Yair and Carol M.D. M.D. Mr. and Mrs. Gage L. Weinstock Price Allan Slovenkay Paula R. Krasowski Mr. and Mrs. Robert Steve B. Wheeler D. McCreery Sylvia Profenna Valeria J. Sobecki Dr. Marian Kresl Mr. and Mrs. Hugh Mr. and Mrs. Leo M. Mr. and Mrs. John G. Marie Quintana and Marvin Solganik L. Whitehouse McDonald Robert Sikora Krulitz Dr. and Mrs. Michael Mr. and Mrs. H. Mr. and Mrs. Gregory Gloria B. McDowell Dr. and Mrs. Mehdi D. Springer Robert Wismar Jr. Razavi G. Kruszka James H. McInerney Dr. and Mrs. Frank J. Lois Wolf Jr. and Jenifer Neils Constance Rebar Staub Mr. and Mrs. Richard Gail Chin Wong R. Kuepper Mr. and Mrs. F. Rush Dr. Mary Ellen Reitz Mrs. S. Finley Stay McKnight Mr. and Mrs. Edward Mr. and Mrs. Peter A. Dr. Robert W. Mr. and Mrs. John S. Young Kuhn Dr. Robert McNutt Reynolds M. Stickney Mr. and Mrs. Robert Dr. and Mrs. Frederic Mr. and Mrs. Carl E. Margaret Ann Judith E. Stock S. Young W. Lafferty Melzer Richmond Rose Strauss Ruth G. Zander- John T. Lai David W. Merzweiler Diane Rigney Bob Strickland Sindelar Ellen and Howard Dr. and Mrs. William Mr. and Mrs. James Joanne L. Student Landau Monroe Michener T. Roberts Mr. and Mrs. Bruce Theodore C. Monty Franklyn W. Roesch W. Lang Mr. and Mrs. Michael Dr. and Mrs. Stephen R. Rose Lau

ARpp48-81.p65 70 6/1/2004, 11:58 PM The Armor Court’s striking installation always draws attention.

Matching Gift The Lamson & Unrestricted Gifts, S. Livingston Mather Companies Sessions Foundation Foundations and Charitable Trust Aetna Foundation LexisNexis Other Murch Foundation Organizations American Express The Lubrizol John P. Murphy Foundation Foundation $100,000 or more Foundation Barnes Group Mellon Financial Ohio Arts Council David and Inez Myers Foundation, Inc. Corporation Foundation Foundation The Kelvin and BP Foundation, Inc. Eleanor Smith Sedgwick Fund The CIGNA Merrill Lynch & Co. Foundation Sherwick Fund Foundation, Inc. Foundation Lois C. and Thomas CNA Foundation The J. P. Morgan $25,000–$99,999 G. Stauffer Chase Foundation The George W. Institute of Museum Foundation Codrington NACCO Industries, and Library Services The George Charitable Inc. Garretson Wade $10,000–$24,999 Foundation National City Bank Charitable Trust #2 The Britton Fund Community Nordson Corporation WCLV Foundation The George W. Partnership for Arts Oglebay Norton Codrington and Culture Foundation $1,000–$2,499 Charitable Foundation Dominion Foundation The Pfizer Foundation Kenneth L. Calhoun Payne Fund, Inc. Charitable Trust Eaton Corporation PPG Industries SCH Foundation Emerson Electric Foundation Harry K. Fox and The Smith Charitable Emma R. Fox Company The Prudential Lead Trust Charitable Foundation ExxonMobil Foundation S. K. Wellman The Victor C. Foundation Rockwell Foundation Laughlin, M.D. FirstEnergy International Charitable Trust Foundation Corporation Trust $2,500–$9,999 The Charles J. and FM Global Foundation SBC Foundation Brutocao Family Patricia Perry Nock The J. Paul Getty Unilever United States Foundation Fund Trust Foundation, Inc. Collacott Foundation Under $1,000 The Goodyear Tire & The UPS Foundation Hankins Foundation Rubber Company J. H. and E. V. Wade Verizon Foundation Thomas Hoyt and W.W. Grainger, Inc. Fund at the Boston W. W. Grainger, Inc. Katharine Brooks Foundation Harris Bank World Reach, Inc. Jones Foundation Foundation George M. and Attendees of the IBM Corporation Pamela S. Humphrey annual corporate Johnson & Johnson Fund dinner relax in the Family of Companies The Katherine gracious interior Key Foundation Kenyon Lippitt garden court. Foundation The Kresge Foundation

ARpp48-81.p65 71 6/1/2004, 11:58 PM Unrestricted Gifts, Dominion The Lamson & City Architecture, ICI Paints North Richard Fleischman Corporations Ferro Corporation Sessions Company Inc. America Architects Inc. GE Consumer Lincoln Electric Cleveland-Cliffs, Inc. International Richard H. Brown & Corporate Sustainer Company Management Group Associates $25,000 or more Products Cohen & Company Jones Day Marsh USA, Inc. Cole National Invacare Foundation Robert P. Madison IntelliNet International Corporation Keithley Instruments, Northern Haserot Co. Corporation J. M. Smucker Company SIFCO Industries MBNA Marketing Inc. The Oatey Company Collins Gordon Systems McDonald The Plain Dealer Bostwick Architects John Hancock Sotheby’s Investments Cuyahoga Mutual Life Insurance STERIS Corporation National City Bank Pricewaterhouse- Company McMaster-Carr Coopers Community College Strang Corporation Sage Cleveland Kaufmann’s, A Foundation Supply Company Richey Industries, Inc. DaimlerChrysler Tomco Metal Corporation Fund Division of the May MTD Products Inc. RPM International, Department Stores Fabricating, Inc. Corporate Founder Myers Industries, Inc. Inc. Degussa Construction Company US Bank $15,000–$24,999 Chemicals Inc. Noveon, Inc. Thompson Hine LLP Kinetico Incorporated Vorys, Sater, Cleveland Clinic Deloitte & Touche Performance Linsalata Capital Seymour & Pease Foundation Corporate Associate Enterprises, Inc. Dingus & Daga Inc. Partners Hahn Loeser + Parks, $1,000–$2,999 Dix & Eaton, Inc. Corporate Donor LLP Prince & Izant Lubrizol Foundation under $1,000 Company Alliance Capital Dollar Bank NACCO Industries, Management Luce, Smith & Scott, Akron Beacon Inc. Reich & Tang Asset Edgepark Surgical, Inc. Journal Management L.P. American Greetings Inc. Corporation Marcus Thomas LLC Century Business Corporate Rockwell EWR Foundation Margaret W. Wong Services, Inc. Benefactor Anderson-Dubose Automation The Fedeli Group & Associates, Co. $10,000–$14,9999 Company Commercial Alloys The Sherwin- Findley Davies Inc. LPA Sales LTD Bank One, N.A. Williams Company Applied Industrial Technologies, Inc. Ford Motor The Millcraft Group Euclid Office Supply Charter One Squire Sanders & Company Mutual of America Financial Dempsey Argo-Tech Garland Company Corporation The Gebauer North Coast Energy, Inc. Fifth Third Bank Corporate Argus Partners LLC Company Inc. Gould Electronics, Giant Eagle Contributor Gilberti Studio Ohio Savings Bank Inc. Foundation Blue Point Capital $3,000–$4,999 Partners International, LLC Orlando Baking The Hoffman Group KeyCorp Baker & Hostetler The Bonfoey Glenmede Trust Company NetSource Medical Mutual of Ernst & Young LLP Company Company Panzica Construction Ohio Neundorfer, Inc. Great Lakes Bonne Bell Gorman-Lavelle Company Corporation Ohio Envelope Corporate Patron Lithograph Booz Allen & Parker Hannifin Manufacturing Co. $5,000–$9,999 Institutional Capital Hamilton, Inc. Great Lakes Corporation Publishing Company Ohio Machinery Brush Engineered Corporation The Chilcote Provident Bank Company Materials, Inc. Kohrman Jackson & Company Hitachi Medical Ralph Tyler Systems America, Inc. Wattenmaker Cintas Corporation Kranz The Chubb Group of Companies Advertising, Inc. IBM Corporation Continental Airlines, Insurance Companies Inc.

Young students see how even great artists paint by numbers.

ARpp48-81.p65 72 6/1/2004, 11:58 PM Gifts in Honor of Michael J. Horvitz David Ricanati, Allie and Craig Gifts in Memory of Mr. and Mrs. Glenn James and Hanna Strategic Happy Holidays Wallace, Thank you Dr. Robert P. L. Prokesh Bartlett, Happy New Frameworking, Inc. Your employees at for your hospitality Bergman Mary T. Razinger Year Madeline Huber and American Greetings Dr. Alvin and Lorrie Mr. and Mrs. Mr. and Mrs. David Mr. and Mrs. Neal Rains, Thank Merle and Gloria Magid Marvin Ritzenberg Schuenemann Richard C. Bartlett you for your Rogen, 55th David Warshawsky, Walter Caldwell Gregg and Meg hospitality Wedding Anniversary 70th Birthday George R. Bent Mr. and Mrs. Steven Searle Mr. and Mrs. Dr. Alvin and Lorrie Marge, Jon, Springcreek R. Wiesenberger Mr. and Mrs. Wilson H. Bent Magid Michael, and Jimmy Corporation William A. Victory Chesler Mrs. Macauley Carter Anne Berk, Karen L. Jackson Kittie Warshawsky Mr. and Mrs. Larry Martha and Ronald and Tim Tibbitts, Mr. and Mrs. Henry Extraordinary tour Association of R. Hatch III R. Zeglin guide Fundraising Rosenfield, Happy Matt Warshawsky Hanukkah and Theresa Burks, Harold Terry Clark, Hy Friedman Barbara Feldman Professionals, North Central Ohio Mr. and Mrs. Bob Beth and David Mary Sanders Clark, Mr. and Mrs. Rhen Flora Blumenthal, Chapter Hardis Ricanati and Marie Oldenkirk Avner Thank you for your Clark Frank E. Joseph, 75th Elliott Schlang Mr. and Mrs. Richard Shirley Krassen graciousness and love Wertheim, 50th William Sanders Gregory Birthday, and Frank C. Philip Cristal Jo Ann and Mort and Maddy Joseph, Wedding Anniversary Clark Kronheims Schubert 45th Wedding Gail and Elliott Sue and Gimp Joseph C. Coakley Furniture, Inc. Schlang, 40th Gail Calfee, Anniversary Fromson Robin C. Oppmann Jane Hammond Extraordinary tour Wedding Anniversary Mr. and Mrs. David Mr. and Mrs. David David E. Davis Gail Newman guide Haber Warshawsky Edith F. and Morrie Haber Warshawsky E. Hirsch Lois Joan Davis Emily Juergens Howard A. Steindler Stuart and Terry Ling, Helen DeGulis (Feline) Helen Cherry, 55th Wedding David Koci and Jill Pamela J. Juergens Outstanding Anniversary Selman Ann T. Lawrence Ruth Therese Julien Presidency of the Mr. and Mrs. Stuart The Occasion of Mr. and Mrs. Womens Council J. Ling Shaker Heights Charles B. Lyon Mr. and Mrs. John T. Avery Helen DeGulis+ Alan Lipson, 60th Idarose S. Luntz Cathryn Mecaskey Marjorie Moskovitz Birthday Kim Sherwin Edith and Bill Taft Lester A. Ballard Jr., M.D. Lorelei Stein-Sapir Edith F. and Morrie Mr. and Mrs. Mr. and Mrs. Alfred Andrea Cole, E. Hirsch Michael Sherwin C. Woodcock Mr. and Mrs. Robert J. Gunton Congratulations on Wendy Shaw and Joan Silberbach, Mr. and Mrs. James graduation from Richard Spivak Special birthday Dickey Dr. and Mrs. Hathaway Brown Shattuck Wellman Saralee and Randall James and Carol Mr. and Mrs. R. School Hartwell Jr. Luke, Belated happy Shulman Stewart McKnight Paula A. Harvan holidays wishes Naomi Singer, Special Richard R. Katherine Firestone Hollington Jr. Helen DeGulis+ Ms. Stephanie Sogg birthday Gloria W. Resnick Nancy and Ed Marjorie Lewis Joseph B. Milgram Jr. Mr. and Mrs. Nicholas Frankovits Jeffery Moore Robert and Jerrie Norman Hyams Paulette Archer Carolyn MacLaren Joseph M. Erdelac, Lee Rispoli Barbara Smeltz David L. Chrencik David S. MacLaren Father’s Day Mr. and Mrs. William Jay, Julie, Hannah, Connie Erdelac J. Morse, 50th and Andrew Smeltz Norma Codispoti Suzanne MacLaren Robert Friedman Wedding Anniversary Sophia Barbara A. Cole Marra/Majestic Joint Carolyn C. Lampl Mr. and Mrs. David Evan D. Witt The Ebner Family Venture Haber Warshawsky Robert Friedman, Charles E. Spahr Mr. and Mrs. Rita and Richard Barby Oliver, William D. Evans Moore 80th Birthday Helen N. Birthday Joan and Jerry Tomlinson Mr. and Mrs. Dr. and Mrs. Clyde Anonymous Thomas G. Gibbons L. Nash Jr. Silberbach Thank you for tour A. B. Glickman William Ott, Speakers of the permanent Sandra K. Johnson Florence KZ Pollack Bureau Marjory Klein and photography Mr. and Mrs. Dr. and Mrs. Paul Gellman Lebanese/Syrian collection Robert Lawrence Gottfried K. Spring Junior Women’s Eliza Heatherington Silver Eye Center Mr. and Mrs. Gerald Edith and Bill Taft League and Michael Lowe, for Photography, A. Libens Betty Toguchi Pittsburgh marriage Leon and Gloria Mr. and Mrs. JoAn Vernon Plevin, Thank you for Mr. and Mrs. Irving Patrick C. McCoy your wonderful Mr. and Mrs. David R. Lackritz hospitality Mr. and Mrs. Walter Haber Warshawsky D. Nicholson Dr. Alvin and Lorrie Nancy L. C. Webb Magid Mr. and Mrs. James Abigail M. Keiter F. Norris Richard A. Keiter James G. Parks

ARpp48-81.p65 73 6/1/2004, 11:58 PM Marika Levas Jack Roth Donors to Ingalls Barbara Roux Blue Sky, Oregon Dickinson Roundell Ted and Irene Sherri Appleton and Library Adrian L. Scott Center for the Arts Inc. Inc. Theodore Marty, Sam, and Phyllis Sloane Didier Aaron Inc. Lydia Resnick Individuals Bluett & Sons Grace A. Matyjas Mitch Sotka Donald Ellis Gallery Eleanor A. Smith Ann B. Abid Blumarts Inc. Anita R. Brindza David Stephenson Doris Weiner Gallery Lucia S. Nash Henry Adams Brent Sikkema Lenore K. Bill Toth Dorsky Gallery McClelland Janice Smuda Louis V. Adrean Brian Haughton D. G. Tsaousis Dover Street Gallery Ann B. Abid Pamela Slater Theodore Alfred Antiques Luis Llobet Tur Dunn and Brown Dr. and Mrs. Lois S. Sogg Paul Arnold Bruce Silverstein Contemporary Ian van Coller Gallery Bernard Boxerbaum Madge C. Abrams Cary Bluhm Elizabeth Harris Louise and Ruth Ken Boha© Charles L. Venable The Burlington Gallery Mrs. Kenneth J. and Martin K. Webb Magazine Bueschlen Baker Elze Bruyninx English Ceramic Peggy Wardin Publications Limited Dr. and Mrs. Arthur The Edelsberg Cathleen Chaffee Circle E. Burns C G Boerner Family Bruce Christman Eskenazi Ltd. Cleveland Heights Campbell Fine Art Mr. and Mrs. A. B. William Conger Institutions and The Fabric Workshop Office of Aging: Glickman Carlton Rochell Ltd. and Museum Michael & Carin Organizations Linda Katz, Carolyn Carosso, LLC Brooks, Carol Rich, Mr. and Mrs. David Cunningham Abigail Furey Federal Reserve P. Handke Jr. Fine Arts Board Lynn Barry Stan Czuma Access to the Arts Mr. and Mrs. The Center for Feigen Contemporary Georgia T. Garner Jeanne Dunning Acme Fine Art and Book Arts Thomas E. Hutch Jr. The Fine Art Society Dr. and Mrs. Robert Lloyd Ellis Design Elizabeth C. Center for PLC L. Katz Hubert L. Fairchild Acquavella Documentary Studies Stevenson Fine Arts Society Ltd. Josephine B. Stephen Fliegel Alan Cristea Gallery at Duke University McClelland Elizabeth Stevenson Fine Arts Trader Armandroff Carter Foster Albert Amor Ltd. Centro Di Finnish American Mrs. Harvey E. Alexander and Bonin Charles Janoray, LLC Neville Charles J. Vajda Christine Gaffney Monument Alexandre Gallery Cheim & Read Carol and Jim Rich Mr. and Mrs. Frances Gale Committee Edward A. Kilroy Jr. Peggy Prieur Genestie Alfonso Dipinti Chemical Heritage Firelands Association Thomas C. Antichi Foundation Rohweder, M.D. Jack Waszak Harlan Givelber of the Visual Arts Allan Stone Gallery Childs Gallery Barbara S. Smeltz Edgewater Jeffrey Grove First Street Gallery Homeowners Altomani & Sons Chinese Porcelain L. T. Young Agnes Gund Florida Craftsmen, Association Amarillo Museum Company Inc. Helen M. Nash Luise Hanold Irene Jaskowski of Art Christopher Grimes Fondation Angladon- Lucia S. Nash Mr. and Mrs. Henry Hawley Americans for the Gallery Dubrujeaud Anne B. Ott-Hansen Robert S. Krusoe David Hayes Arts Cleveland State Fondation Beyeler University Library Betsy and Bob Mrs. Anthony Latina Lloyd Henriksen Ameringer Yohe Fondation Pierre Flaherty and Family William R. Humm Fine Art Conner Gianadda Contemporary Art Friends of Anne MESA Project John Hunter Annely Juda Fine Art Forum Gallery Buckley Ott-Hansen Team Conner/Rosenkranz Alyce Jarr Annex Galleries Frumkin/Duval Henry Ott-Hansen Mr. and Mrs. Consulate General of Nobuko Kajitani Artemis Greenberg Gallery Moses Pearl Thomas H. Metzger Van Doren Gallery Switzerland Sr. William Kennedy Galerie Baudoin The Giomuso Atelier R&R Council on Library Lebon Sabau Furs, Inc. Justin Knowles and Information Family Avon Lake Public Galerie Berinson Mr. and Mrs. David Lewis Koch Resources Marion Treon Pfouts Library Galerie Berthet Waszak Ellen Landau Cristinerose, Josee Peter Pfouts Axel Raben Gallery Bienvenu Gallery Aittouarès Mrs. Jack Waszak Sherman E. Lee Margaret and Family Babcock Galleries D C Moore Gallery Galerie Beyeler Nathalie Lemoine- Cunningham Proctor Baruch College Galerie Brusberg Matthew and Bouchard D. K. Agencies (P) Anonymous Rachel Waszak Gallery Ltd. Berlin Ann T. Lurie Dr. Larry J. B. Winnie Beadleston Gallery Dai Ichi Arts, Ltd. Galerie Eric Coatalem Robinson Nancy McAfee Lucia Jezior Bellas Artes Daniel Katz Ltd. Galerie Henze & Susan Jaros Jeff Mermelstein Ketterer Ben Janssens Daniel Malingue Charles J. Meyer Mr. and Mrs. John Oriental Art Gallery Galerie Iris Wazzau C. Morley Ruth A. Nebehay Bentley Gallery David Findlay Jr. Galerie Kamel Dr. and Mrs. Don R. Norenberg Bernarducci Meisel Fine Art Mennour Howard J. Tucker Julian Opie Gallery David Koetser Gallery Galerie Laurencin Sara Jane Pearman Bernice Steinbaum Davis & Langdale Galerie Maurice Garnier Constantine Petridis Gallery Company, Inc. N. Pümpel Berry-Hill Galleries De Pury & William Roberts Luxembourg

ARpp48-81.p65 74 6/1/2004, 11:58 PM Galerie Roxane James Hyman Fine Mattress Factory Pureland Learning Thomas McCormick Rodriguez Art LTD Max Protetch College Gallery Galerie Schmit Jan Johnson McKee Gallery Questroyal Fine Arts, Tibor de Nagy LLC Gallery Galerie Vidal-Saint Janos Gat Gallery Michael Rosenfeld Phalle Jean-Luc Baroni Ltd. Gallery R. E. Lewis & Tony Shafrazi Gallery Daughter Galerija Bozidar Jakac John Berggruen Milne Henderson Touching Stone Gallerie Kornfeld Gallery Fine Art Ltd R. S. Johnson Gallery Fine Art Bern John Pence Gallery Ministero per i Beni Ubu Gallery Research Center for Gallerie Kurt June Kelly Gallery e le Attivita Culturali Understanding Islam Meissner Music Iconography Foundation Kang Collection Mita Arts Co., Ltd. Gallery Schlesinger Ricco Maresca University of Arizona Kate de Rothschild Mitchell-Innes & Gallery Garton & Co. Nash Museum of Art Keimyung University, Richard Gray Gallery University of Gary Snyder Fine Art College of Fine Arts Musée de la Mode et du Textile Richard Green Wisconsin-Madison George Gund Klaber & Klaber Gallery Foundation Museum of Islamic Vance Jordan Fine Klotz/Sirmon Gallery Richard York Gallery Art Inc. Gisèle Croës Art Knoedler & Co. Nancy Hoffman Riva Gallery Voralberger Goedhuis Landesmuseum Contemporary Koichi Yanagi Gallery Riva Yares Gallery Oriental Fine Arts W. B. Brady & Co., Guarisco Gallery Ltd. National Gallery of River Pierce Korea Foundation Australia Foundation Inc. H. Blairman & Sons Korean Cultural National Institute of Roger Keverne Waddington Galleries Habatat Galleries Service Informatics Rubin Museum Walter Wickiser Hackett Freedman Kouros Gallery National Museum of Art Gallery Gallery Kreisberg Group Directors’ Conference S. Mehringer Weisbrod Chinese Haim Chanin Fine LTD Neuberger Berman Art Ltd. Arts Sadie Coles HQ L. A. Louver Neuhoff Gallery, Inc. World Ceramic Harlan & Weaver SALALM, Inc. Exposition LASALLE-SIA Nevill Keating Salamon & Co. Foundation The Haworth Press College of the Arts Pictures Ltd. Inc. Salander-O’Reilly Yankee Book Lawrence Steigrad Newcomb Art Galleries, Inc. Peddler, Inc. Haystack Mountain Fine Arts Gallery School of Crafts Scarlet Tanager Yoseido Gallery Leslie Hindman Nielsen Gallery Books Helen Drutt Gallery Nohra Haime Gallery Sebastian Izzard LLC Helly Nahmad Librairie Erasmus Gallery Noortman Master Seraphin Gallery Libreria Antiquaria Paintings Hilmar M. Klemke Pregliasco Serge Plantureux Kunsthandel oHG O’Hara Gallery Locks Gallery Shepherd & Derom Hirschl & Adler P & D Colnaghi Galleries Galleries Louis K. Meisel Pace Gallery Gallery Shirley Day Hirschl & Adler Pace/MacGill Gallery Siloe Arte y Bibliofilia Modern Lowell Libson Ltd. Chelsea Skeptics Society Hirschl Maison de la Culture PaceWildenstein— Contemporary Art du Japon à Paris Downtown Soho 20 Chelsea Gallery Hollis Taggart Mallett and Son Ltd. PaceWildenstein II Galleries Marlborough Chelsea Spanierman Gallery, Painting Center LLC Howard Greenberg Marlborough Fine Panmun Book Gallery Art (London) Ltd. Stephen Daiter Company Gallery Hungarian University Marlborough Gallery Partridge Fine Arts of Craft and Design Susan Schulman, Marlborough PLC Printseller Hyatt Foundation Graphics Ltd. Paul Kasmin Gallery Syndicat National des In Camera Marsha Mateyka Paul M. Hertzmann, Antiquaires Gallery Inman Gallery Inc. Thomas Ammann Institute of East and Martin Sosin- Peter Nahum at The Fine Art AG Zurich West Studies Stratton-Petit Leicester Galleries Foundation Thomas Gibson Fine International House Pierce Galleries, Inc. Art Ltd. of Japan Matthew Marks Gallery Powerhouse Books Thomas Le Claire International Prelle & Cie Kunsthandel Research Center for Matthiesen Fine Art Japanese Studies Ltd. Progressive Corporation J. J. Lally & Co. Pulitzer Foundation Jadite Gallery for the Arts

ARpp48-81.p65 75 6/1/2004, 11:58 PM Affiliated The Contemporary James Greene Friends of The Painting and Art Society Photography Drawing Society Organizations Adrian Hewston Board of Trustees George Holt Board of Trustees Governing Board Robert H. Jackson, Amy Ruth Isaacs Mark Schwartz, Katherine H. Bolton, President President President Peggy James Barbara S. Robinson, Charles King, Sally Henkel, Vice President Robert James Vice President Vice President Helen Moss, Georginna Kates Bob Herbst, Treasurer Carol Michel, Treasurer Clayton Koppes Eli Becker, Secretary Secretary Dian Disantis, Carol Lasser Herb Ascherman Don Barney, Treasurer Secretary Genevieve Long Laura Bidwell Doug Barr, Treasurer Albert Albano Annette Lowe Abbie Klein Ann Ames Robert Bostwick Mary Shauntee Bill Lipscomb Helen DeGulis+ Brenda Brown Madison Robert Mosher Joseph Keithley Nancy Casper Franklin Martin David Moyar Peta Moskowitz Rosalie Cohen Lolita McDavid Garie Waltzer Henry Ott-Hansen Sanford Fox Marilyn McDonald Tom Hinson, Maggy Woodcock Peter Galvin Lloyd McHamm ex officio Harriet Goldberg Sharon Milligan Gerald Herschman A. Grace Lee Mims The Print Club of Cleveland Robert Kiwi Steven Minter Musart Society Board of Trustees Dennis Sobol Merlyn Newland Board of Trustees Harriet Gould, Njeri Nuru-Holm Carolyn F. Wipper, President President Edward Parker Friends of African A. Chace Anderson, Carol Bosley, and African- Constantine Petridis Treasurer Vice President American Art Peggie Price James Dickinson, Meg Collings, Montrie Rucker Donna Moore Esq., Secretary Secretary Adams Ramsey Virginia Benade Henry Ott-Hansen, Treasurer Karen Ashby, M.D. Katharine Lee Reid Shattuck W. Hartwell Willia Ashe Georgenna Riley Jr., Advisory Trustee Richard Cowan Angela Beasley- Cynthia Samples Samuel E. Henes Mary Dyke Fielding Eleanor Forbes Walter Holtkamp Phyllis Gary Carol Becker Shelton Eleanor Bonnie Robert Getscher Dawn Bell Lawrence Simpson McCoy Jane Glaubinger Marcia Bliss Steven Sims Toni S. Miller Donald Jack Margo Bohanon Gayle Goodwin Smith Rev. David A. Novak William Martin Jean Christine Branche France S. Taft Karel Paukert Lisa Kimmel Carole Brown Hilary Taylor Thomas F. Peterson Jr. Irving Kushner Conella Coulter Pepper Taylor Mrs. Alfred M. Anne Landefeld Brown Andrew Venable Jr. Rankin, Advisory M. Neal Rains Trustee Dorothea Brown Sara Wallace Cathy Randall Dr. A. Benedict Leon Brown Janet Wilkerson Schneider Joseph Russell Terri Hamilton Aubrey Willacy Larry Santon Brown Robert Schneider Hazel Willacy Judy Sogg Charles Burkett Beverly Simmons Joanne Yarbrough Mary Lane Sullivan Debra Cameron Charles H. Teare JoAn Vernon Denise Cameron Allie Wallace Racquel Chatmon Lois Weiss Wilma Combs Trudy Wiesenberger Gwendolyn Cooke Kevin Cronin Norma Dansby Darrell Fields Robert Friedman Carolyn Gordon + deceased

ARpp48-81.p65 76 6/1/2004, 11:58 PM Textile Art Alliance Convening the Donna S. Reid, Board of Trustees Community Trustee Advisory Council Ann Plevin Mary Santiago Rosenbluth, President Anita Brindza, Emmett Saunders Executive Director, Sharon Markovic, Cudell Improvement, Karon Shaiva Vice President Inc., Co-Chair Janus Small, Kathleen Totter, Adrienne L. Jones, President, Janus Small Vice President Trustee, Co-Chair Associates Louise W. Mackie, Mary Bounds, Andrew Venable, Treasurer Commander, Director, Cleveland Sharon Bell, Assistant Cleveland Police Public Library Treasurer Department Loran Wisham, Chief Lana Lowenkamp, Christina M. Bruch, of Public Affairs, Recording Secretary Outreach and Cleveland City Hall Jan Burgwinkle, Retention Martin Zanotti, Corresponding Coordinator, Mayor, City of Parma Secretary Cuyahoga Heights Community College Charlotte Ballas Matt Zone, Joseph A. Calabrese, Councilman, City of Betsy Bruce General Manager & Cleveland Jamie Fish CEO, RTA Judy Smith Jeri Chaikin, Chief Administrative The Sensuous Officer, City of and the Sacred: The Trideca Society Shaker Heights Chola Bronzes from South India Board of Trustees James Cody, Exhibition Advisory Councilman, City of Tim Homan, Committee President Bedford Heights R. Balu Cindy Marx, Kevin Conwell, Guru Bhandari Vice President Councilman, City of Cleveland Paul Bouley Barry Bradley, Treasurer Margot James Dr. Sunil Chand Copeland, Executive Ronajit K. Datta Summer Evenings, Ralph Drake, Vice President, Secretary Narinder Dhaliwal with a museum full of Civic Affairs and activities and free Mark Bassett Corp. Diversity, Pete Dobbins music in the outdoor Joanne Calkins Key Corporation Kim Drachenberg courtyard, has become Helene Love Deborah Daberko Barbara Felt a favorite way to pass Wednesday and Friday Stephen Ockner Salvador Gonzalez, Maxeen Flower Manager, Protection evenings all summer Judith Simon Services, The Amitava Guha long. Cleveland Museum Gita Guha of Art Betsy Keck Young Friends Kathryn M. Hall, James McNamara Board of Directors District Director III, Suzanne Moore David Gottesman, Cuyahoga President Community College Pat Ricci Katherine Agle, Jazz Mandair Megan Richards Vice President Franklin Martin, P. K. Saha Lauren Wagner President, The F Paramjit Singh Schmidt, Secretary Martin Company Prakash Sinha Carter Edman Kathleen O’Brien, Sujatha Srinivasan Deborah Koerwitz Director of Education Services, Diocese of Mitsi Wagner Robyn Pretzloff Cleveland Rita A. Walters Clifford Wire Sabra Pierce-Scott, Margaret Walton Councilwoman, City Dr. Norman of Cleveland Zaworski Greg Reese, Director, East Cleveland Public Library

ARpp48-81.p65 77 6/1/2004, 11:58 PM Museum Associates Mr. and Mrs. Richard Womens Council of Louinia Mae Docent Association Karen Hahn Dennis Barrie and Payne the Cleveland Whittlesey and Joan Officers and Council Maya Hercbergs Museum of Art Fountain, New Kathleen H. Coakley Florence KZ Pollack Members Jay Jackson Janet Coquillette, Members Richard E. Beeman Mr. and Mrs. Joseph Robin Ritz, President Gwendolyn Johnson and Rev. Patricia H. D. Roman Chairman Rosemary Deioma and Linda McGinty, Pete Dobbins and Pamela Juergens Beeman Mary Rosenberg Sabrina Inkley, First Kate Stenson, Vice- Vice Chairman Newsletter Joan Kohn Mr. and Mrs. James Mr. and Mrs. Victor Presidents Blaser Diane Stupay, Second Judy Bourne and Joann Lafferty Scaravilli Bobbie Carr, Mary Anne Liljedahl Vice Chairman Mary Anne Liljedahl Mr. and Mrs. Darnell Mr. and Mrs. David Nominating and Patricia Markey, Brown L. Selman Mary Ann Recording Secretaries Sandra Littman Katzenmeyer, Third Mary Trevor and Scott Chaikin and Mr. and Mrs. Edwin Margaret Wilson, Erva Barton, Diane Maher Mary Beth Cooper Vice Chairman Corresponding Z. Singer Orientation/ Patricia Markey Mr. and Mrs. Carolyn Batcheller, Provisionals Secretary Mr. and Mrs. David Corresponding Maguy Mavissakalian Frederick W. Clarke W. Sloan Sue Spring, Linda Friedman, Secretary Treasurer George McCann Mr. and Mrs. William Mr. and Mrs. Brit Photographer Dorie Farley, Assistant Mary McClung H. Coquillette Stenson Dinny Bell, Prints and Anne Berk and Mary Corresponding McClung, Class of Dorothy McIntyre Mr. and Mrs. Peter J. Jack Stinedurf and Secretary Drawings Department Dobbins Liaison 2000 Representatives Mary Merkel Lori Locke Cathy Randall, Mr. and Mrs. George Cathy Randall and Nancy Mino and Sue Nancy Mino Mr. and Mrs. Chuck Recording Secretary Schloss, Class of 2002 J. Dunn Sweeney Lorelei Stein-Sapir, William Ott Carolyn Shanklin, Product Development Representatives Mr. and Mrs. Tom Mr. and Mrs. William Assistant Recording Anne Owens Hallisy W. Taft Secretary Kate Stenson and Mary Anne Liljedahl, Robin Ritz Mr. and Mrs. Donald Helen N. Tomlinson Christy Bittenbender, Docent Corps M. Jack Jr. Programs Catherine Rose Dr. Steven Ward and Treasurer Stephen Badman Melinda Holmes, Lourdes Sanchez Mr. and Mrs. Kurt Dr. Barbara Brown Linda Turner, Liljedahl Ready Volunteers Erva Barton Sue Schloss Mr. and Mrs. Michael Assistant Treasurer Catherine Miller and Sharon Bell Rev. Tracey Lind and R. Weil Sally Schwartz Margie Moskovitz Jane Thomas, Special Emily Ingalls Anne Berk Patricia Simpfendorfer John Michael Zayac and Linda Friedman, Decorations Dr. and Mrs. Patrick and Dr. Marie Simon Advocacy Arlene Bialic Peggy Sloan M. McCarthy Ann Hunter and Jean Bingay June Antoine, Lynn Quintrell, Study Sabrina Spangler Mr. and Mrs. Richard Archivist Groups Jane Bondi J. Moroscak Jackie Spieler Kate Stenson and Lois Bialosky and Karen Bourquin Dr. and Mrs. Roland Kate Stenson Ryn Clarke, Benefit Nancy Goldberg, Joann Broadbooks W. Moskowitz Mary Ann Stepka- Dosie Rymond and Trips Claire Brugnoletti Peter Nagusky and Warner Edith Taft, Helen Cherry, Kate Hubben Gail Calfee Kathy Vilas Community Arts Womens Council Mr. and Mrs. Lyman Hannah Weil, Circle History Kimberly Chapman Ann Walling F. Narten Development Gail Schlang, Youth Mary Ann Clymer Margaret Walton Rooney Moy and Initiatives Marie Dellas JoAnne Lake, Diane DeBevec, Beth Desberg Database and Roster Museum Liaison Susan Deutsch Jean Bingay, Docents Pete Dobbins Christine Norman and Emily Mueller, Erwin Edelman Flower Fund Joan Fletcher Donna Walsh and Caroline Folkman Elaine Gross, Anne Frank Hospitality Mary Kate Fredriksen Sabrina Inkley and Linda Friedman Betsy Hegyes, Information Desk Gail Garon Josie Anderson and Lowell Good Marianne Bernadotte, Kermit Greeneisen Lecture Series Marsha Gross Marjorie Bell Sachs, Joyce Hackbarth Membership Department Liaison Linda McGinty and Jennifer Langston, Museum Ambassadors

ARpp48-81.p65 78 6/1/2004, 11:58 PM Volunteers Connie Abbey Dinny Bell Mary Ann Brennan Kimberly Chapman Frances Dickenson Anne Adamson Sharon Bell Amanda Brewton Helen Cherry Pete Dobbins Carolyn Adelstein Emma Benning Joann Broadbooks Joseph and Karen Ann Dobelstein Catherine Alfred Jacqueline Berger Ann Brown Chinnici Patricia Dolak Sarah Alhaddad Anne Berk Lesley Brown Susan Choma Eleanor Donley Sawsan Alhaddad Marianne Bernadotte Mebby Brown Nancy Cimballa Kay Donovan Anne Ames Arlene Bialic Claire Brugnoletti Ryn Clarke Nancy Doris Bill Anderson Lois Bialosky Penny Brundege Lou Clay Betty Downie Josie Anderson Margie Biggar Rita Buchanan Phyllis Cleary Molly Downing Lorraine Anderson Joanne Billiar Linda Buchler Sue Clegg Jeffrey Doyne Scott Anderson Jean Bingay Lynne Bufford Mary Ann Clymer Katherine Drews Carolyn Anthony Ellen Bishko Frances Buford Shirley Cohen Valerie Drews June Antoine Christy Bittenbender Sally Burton Meg Collings Mary Dyke Debbie Apple-Presser Mary Bittenbender Pat Butler Esther Collins Michele Eagan Carol Arnold Christina Black Gail Calfee Marty Conway Linda Easton Don Arnold Dorothy Blaha Jeremy Callahan Hallie Cook Erwin Edelman Patricia Ashton Joanne Blazek Cassandra Caraffi Cooperative Betsy Eells Resources Services Ann Austin Gert Bleisch Bonnie Carlson Volunteers Alice Eilers Stephen Badman Flora Blumenthal Bobbie Carr Patricia Coppedge Ellen Eisenberg Margot Baldwin Jane Bondi JoAnn Carr Janet Coquillette Dorothy Elliott Erva Barton Loretta Borstein Dana Carson Maddy Coquillette Andrea Ellis Catherine Bartzis Judy Bourne “CWRU Freshman Inez Corrado Alan and Marian Day of Service” Englander Gerry Bastaich Karen Bourquin Rachel Costanzo Volunteers Mary Louise Falkner Carolyn Batcheller Doris Boxerbaum Mary Kay Covington Vicki Catozza Jack Farkas Tricia Beeman Ruth Boza Joanne Cowan Ryan Chamberlin Dorie Farley Betsey Bell Kevaly Bozes Eloise A. Coxe Karen Chaney Bonnie Femec Judy Crawford Andrew Findley Lois Crawford Ronald and Jamie Al and Shirley Fish Culbertson Ruth Fisher Margaret Cutter Joan Fitchet Faye D’Amore Joan Fletcher Susan Dahm Marcia Floyd Martha Dalton Marianne Foley Ruth Dancyger Mary Lou Foley Barbara Darragh Caroline Folkman Ranajit Datta Joan Fountain Barbara Davis Anne Frank Lois Davis Barbara Franklin Frances DeBevec Mary Kate Fredriksen Maggie DeBevec Leonard and Susan Helen DeGulis+ Freed Rosemary Deioma Ann Friedman Marie Dellas Linda Friedman Rett Dennis Jennifer Fuehrer Sandy Dennis Jean Gaede Ninna Denny Frannie Gale Joellen DeOreo Barbara Galvin Beth Desberg Mary Gardner Over three days in Susan Deutsch Gail Garon November, artist Christine Dewees Alicia Hudson Garr Martin Kline (featured Diane Dick in Drawing Modern) created a large drawing in the lobby. + deceased

ARpp48-81.p65 79 6/1/2004, 11:58 PM Marge Garrett Rob and Dale Hilton Ronald Knight Jr. Teri Markel Roonie Moy Jenna Garron Robin Hitchcock Lois Koeckert Marina Markelov Mary Jo Mudgett Robert Getscher Kate Hoffmeyer Joan Kohn Patricia Markey Emily Mueller Anne Ginn Melinda Holmes Phyllis Koons Laura Marshall Maureen Mullin Ronald and Carol Jann Holzman Elaine Koskie Barbara Martien Simin Naraghipour Godes Carolyn Horn Lori Kozlowski Julia Martin Elisabeth Narkin Nancy Goldberg Denise Huck Universe Krist Ronald Mason Janet Neary Lowell Good Ann Hunter Elyse Krumholz Stacey Mason Elise Newman Harriet Gould Sabrina Inkley Mina Kulber Shannon Masterson Gail Newman Fran Grambo Vicki Isphording Peggy Kundtz Maguy Mavissakalian Nancy Newman Jean Graves Donald Jack Julie Kurtock Mary Kay Maxson Bern Nineteenofive Kermit and Ann Marta Jack Sally Lacombe George McCann Christine Norman Greeneisen James Jackson Joann Lafferty Peggy McCann June Nosan Wendy Grew Laurie Jacobs Karen LaFond Michelle McCarthy Cristina Novoa Carolyn Griffen Lizzie Jacobs JoAnne Lake Louis McCaskill Alyce Nunn Elaine Gross Bertha Jaffee Barbara Langlotz Lenore McClelland Lisa O’Brien Marsha Gross Lucia Jezior Jennifer Langston Mary McClung Sue O’Reilly Graham Grund Gwendolyn Johnson Denise Latarski Eveline McElroy Kimberly Oas Lois Guren Andrea Joki Bonnie Lau Linda McGinty Helen Orton David Gutter Lawrence Jones Nancy Lavelle Patricia McIlraith William Ott Joyce Hackbarth Amelia Joynes Alice Lefkowich Jacklynn McKenney Barb Ottinger Karen Hahn Pamela Juergens Ginny Leonard Judith McMillan Anne Owens Haidi Haiss Ann Kahn Karen Levinsky Cathy Mecaskey Denese Pappas Nola Haiss Carolyn Karch Mary Anne Liljedahl Mary Merkel Helen Parker Maryellen Hammer Donna Kasunic Valerie Linson Lorna Mierke Rita Pearlman Katie Harbage Barbara Kathman Sandra Littman Betty Miller Ethel Pearson Roberta Hardacre Daniel Katz Isabelle Lobe Catherine Miller Bill and Peg Petrovic Thomas Harder Deanna Katz Ingrid Loebel Nancy Mino Nina Pettersson Margit Harris Dudley and Blanche Nan Lowerre Dolly Minter Emily Phillips Bill Hartshorn Katz Ingrid Luders Rita Moore Carole Phipps Ellen Heberton Mary Ann Idarose Luntz Marie Morelli Susan Pim Betsy Hegyes Katzenmeyer Peg MacNaughton Caroline Morgan Margaret Plumpton Lee Heinen Patricia Kelley Lorrie Magid June Morgan Elinor Polster Paul Heller Linda Kendall Diane Maher Florence Moritz Frances Polster Bettyann Helms Jane Kern Carole Majewski Andrea Morris Melissa Porcelli Maya Hercbergs Key Bank Volunteers Pamela Maloney Anthony Morris Fran Porter Pauline Hermann Evelyn Kiefer Marvin Mandel Betsi Morris Mary Porter Martha Hickox Nancy Kiefer Ashley Mann Helene Morse Charlene Powers Corinne Hill Anne Kilroy Janet Maranciak Margie Moskovitz Elizabeth Powers

Cool Fridays brought music and refreshments to the interior garden court on Friday evenings.

ARpp48-81.p65 80 6/1/2004, 11:58 PM Dominique Prout Carolyn Shanklin Marty and Gail Interns Christina Luka Joan Query Jane Shapard Trembly Thomas Anderson Darcy Mahler Ella Quintrell Marian Shaughnessy Mary Trevor Matthew Asti Martha McLaughlin Lynn Quintrell Elizabeth Shearer Linda Turner Ryan Ballard Jill Mendenhall Myra Rachow Dorothy Shrier JoAn Vernon+ Kate Bandy Dianna Metzler Gavin Raker Molly Silver Kathy Vilas Jill Battagline Tim Milligan Cathy Randall Patricia Judy Vogt Sarah Beiderman John Misheff Seema Rao Simpfendorfer Annie Wainwright Elise Birkmeier Cherie Morris- Adrienne Rasmus Naomi Singer Ann Walling Meagan Bittman Shechter Ginger Ratcliffe Marguerite Skorepa Jane Walls Noah Bodel Katherine Moushey Susie Rathbone Adrienne Slane Donna Walsh Carolyn Boebinger Elizabeth Mulligan Howard Reinmuth Margaret Sloan Elaine Walton Jorrit Britschgi Pari Naraghipour William Remec Barbara Smeltz Margaret Walton Lenaia Burbank Annie Nasvytis Shirley Ricketts Kathleen Smetana Marie Walzer Matthew Alexandra Nicholis Susan Rieger Chuck Smick Winifred Watts Charboneau Miriam Norris Robin Ritz Billie Smith Hannah Weil Donna Choi Amy Noss Karman Rivera Janice Smith Lois Weiss Amy Cimini Julia Pankhurst Krista Riveron Linda Smith- Lisa Wells Gabrielle Collier Katharine Patrick Richardson Joan Roach Michelle White Howard Crusey Wei-chun Peng Becky Smythe Georgianna Roberts Sandy White Lindsay DeCarlo Leah Pentelnik Eleanor Snyder Kathy Rockman Lori Whittington Laura DeFranco Ian Petroni Judy Sogg Monica Rogers Louinia Mae Alex Dominey Anne Putnam Sabrina Spangler Whittlesey Thomas Rohweder Justyna Drozdek Sarah Ray Diane Spelic Ann Wieland Vivian Rokfalusi Alicia East Taliesin Reid-Haugh Jackie Spieler Lori Wienke Catherine Rose Carrie Edelstein Story Rhinehart Sue Spring Eddy Williams Jr. Carole Rosenblatt Maria Efimova Emily Roeder Ruth Stahler Christina Wilson Phyllis Ross Krista Egger Melanie Roll Julie Stanger Joan Wilson Mary Rossi Andrew Findley Eddie Rosenbaum Rosemary Stanitz- Margaret Wilson Betty Ruben Deborah Foise Jonathan Rosenthal Skove Monica Wilson Gene Rucker Anthony Fritzgerald Lisa Roth Don Stebbins Myra Wilson Sandra Rueb Sayaka Fujioka Thomas Saxe Shirley Steigman Nancy Wolpe Monica Rust Becky Goede Diana Scovil Lorelei Stein-Sapir David Woods Mary Ryan Victor Gotinjan Jillian Seaburn Saundra Stemen Beatrice Kay Wyse Dosie Rymond Mary Griffith Michelle Shaland Kate Stenson Dean Yoder Kaylie Rymond David Gutter Gina Shelling Molly Stenson Renate Zeissler Aurelie Sabol Vanessa Paul Simmons Mary Ann Stepka- Susan Ziegler Hagerbaumer Margie Sachs Warner Larry Sowders Betty Zweig Renee Hastick Marily Sampson Ruthe Stone Tammy Starzyk Brittany Henderson Lourdes Sanchez Diane Stupay Kimberly Stevens Todd Herman Mitzi Sands Ericka Stutler Sarah Stilgenbauer Genevieve Hill Phyllis Saul Mary Lane Sullivan Jessica Stork Erin Hollenbank Debbie Schechtman Mary Lou Sullivan Deborah Streeter Amy Horvat Gail Schlang Nancy Swizynski Megan Strobel Whitney Jackson Sue Schloss Edith Taft Maisie Swanson Emily Jendrek Laura Schmidt May Targett Sarah Thacker John Kelly Nancy Schneider Sarah Taylor Armine Thompson Katie Kibler Dorothy Schnell Jane Thomas Elena Tomorowitz Jin Hyun Kim Barbara Schreibman Martha Thompson Michael Vielhaber Julia Kipnis Sally Schwartz Julia Thornton Lisa Volpe Laura Kleinhenz Nancy Seitz Jean Thorrat Erika Walsh Gale Koritansky Marian Sells Christine Tibaldi Anna Wolfson Meredith Lea Delayne Shah Ruth Toth Dennis Wynne Stanley Lemanski Susan Shah Nina Traub Katherine Young Samuel Lewis

ARpp48-81.p65 81 6/1/2004, 11:58 PM Education, Public Programs, and outreach

Throughout the museum’s history, its presentations of visual art have been complemented not only by music and other temporal arts, but by educational offerings that help people better understand art and the cultures and individuals that create it. In recent years, these activities have grown increasingly diverse, reaching far beyond the museum walls into communities near and far. The museum’s persistence in establishing models for excellence and innovation were recognized throughout the year. In January the Musical Arts department received the ASCAP award for the most innovative programming nationally for the 2001 Aki New Music Series. In May, Cura- tor of Musical Arts Karel Paukert received an honorary doctorate from the Cleveland Institute of Music. Two programs were nominated for Northern Ohio Live awards of achievement: Art and Management: What Can We

Right and facing page: The Lantern Festival, which includes workshops where visitors can make their own lanterns to carry in an outdoor procession, has become a favorite element of the annual Holiday Circlefest every December.

ARpp82-100.p65 82 6/2/2004, 12:02 AM Learn from Each Other? (a collaboration with the Weatherhead School of Management at Case) and Jim Brown: All American, which featured appearances by football legend Jim Brown and celebrated filmmaker Spike Lee. Massoud Saidpour, artistic director for Performing Arts and Film, was the guest of Arts International to an art forum in Beirut and at the World Music Festival in Fez, Morocco. He also served on the NEA panel on Multidisciplinary Arts. Marjorie Williams, director of Education and Pub- lic Programs, represented the museum at the FRAME (French Regional American Museums Exchange) conference in Lyon, France that featured education issues confronting museums in France and the United States. More than 390,000 visitors attended events sponsored by the department of Education and Public Programs. Exhibition support programs featured international lecturers and artists as well as local talents. The Gilded Age: Treasures from the Smithsonian Museum of American Art inspired programs related to this era epitomized by Cleveland’s Millionaires’ Row. The story of American culture in the late 19th and early 20th century was told by programs such as Peace Will Be My Applause: The Soul of W. E. B. Dubois and lectures on immigration to Cleveland during the Gilded Age. Indian music and rituals sparked summer days during the exhibition The Sensuous and the Sacred: Chola Bronzes from South India. An Indian Family Festival showcased dancers, musicians, and artists from Cleveland’s Indian community to an audience of some 1,300. The festival, co- organized by the Shiva Vishnu Temple of Greater Cleveland, began with a puja, a Hindu ritual ceremony. In addition, more than 300 teachers attended workshops on Indian art and culture. Videya Dehejia of Columbia University provided a poetic introduction to the exhibition she curated. In the autumn, Cleveland audiences heard from artists and collectors who have helped shape public understanding of contemporary art. Complementing the exhibition Drawing Modern: Works from the Agnes Gund Collection, Agnes Gund and Frank Stella participated in a dialogue moderated by Jeffrey Grove. Artists William Kentridge and Judith Glantzman—both featured in Agnes Gund’s collection—each gave special lectures about their work. Intrinsic connections between art and music were celebrated throughout the year with a series of gallery talks, Art in Concert, presented before selected concerts. The Sound of Art series paired gallery talks and lute music of certain eras. The year also saw the reinstallation of the gallery of sub-Saharan African art. Visitor focus groups helped evaluate the gallery with the professional assistance of the Institute for Learning Innovations of Annapolis, Maryland. Interviews with visitors and focus groups consisting of families, teachers, and both museum members and non-members were conducted during the planning process and after the gallery reopened in October.

ARpp82-100.p65 83 6/2/2004, 12:02 AM Constantine Petridis, associate curator of African art, with Marianna Adams of the Institute for Learning Innovations and Education department staff members, embraced the process and refined ideas. Public programming celebrated the reopening of the gallery. Henry John Drewal of the University of Wisconsin in Madison presented the lecture Art Works: The Power and Presence of Yoruba Art. Amanda Carlson of the University of Hartford added to the programmatic fabric the talk Video and Culture: Focusing on the Arts of Ejagham and Eastern Nigeria. The Distance Learning program successfully launched its fee-based program this fall with the completion of an Ohio SchoolNet grant, which had been subsidizing the project. Reaching schools throughout Ohio and such other states as Illinois, Missouri, New Jersey, New York, Pennsylva- nia, Texas, Wisconsin, and Washington, the service now reaches a record audience of more than 18,000, making it the best-attended art museum distance learning program in the nation. Sessions are developed with class- room teachers so they address specific state learning standards. Technology and educational methodologies were integrated in innovative ways to inspire interactivity around the museum’s collection during 2003. Under

Parade the Circle a major grant of technology, training, and consultation services from the artistic director Robin Cisco Learning Institute, the department, in conjunction with Information VanLear “walks the walk.” Technology, produced prototype “online” learning modules using Egyptian art for this proof of concept. Art to Go, an outreach program featuring themed suitcases of objects from the Education Art Collection, offers direct, hands-on learning to youth and adults in schools, libraries, churches, and community centers. During 2003, Art to Go served more than 5,000 youth and adults throughout the city. A collaboration with the Great Lakes Science Center’s exhibition China: 7000 Years of Discovery featured Chinese material from the education collection of 12,000 objects at this offsite venue. A major commitment to art education was seen in the

“Trace,” the opening ensemble for Parade the Circle

ARpp82-100.p65 84 6/2/2004, 12:02 AM The “Midnight Robber” giant puppet strays off the parade route to engage the crowd.

65 docents who volunteered more than 8,000 hours to teach more than 31,000 youth, adults, and families. Docents are friends of the museum who give their time to undergo rigorous training in order to help visitors discover the world’s diverse artistic and cultural traditions. The Teacher Resource Center (TRC) provided services to approximately 5,000 teachers (who collectively teach approximately 150,000 students) at 128 workshops that attracted participants from all over Ohio and adjacent states such as Pennsylvania. The TRC held off-site events as well in Toledo, Cleveland, and Minneapolis. Museum Art Classes provided studio arts education to more than 8,000 youth, 3 to 13 years of age. Family Programs attracted new audiences through collaborations with the Cleveland Metroparks Zoo and the Cleveland Botanical Garden during the summer. Special celebration days, such as Martin Luther King Jr. Day, showcased the museum’s diverse collections of Egyptian, African, and pre-Columbian art with storytelling, studio activities, and poetry readings. African drumming, dance, and special appearances by the Art Crew Bush Cow costumed performer greeted visitors numbering more than 1,400. Partnerships with the Cleveland Municipal School District strength- ened during 2003, serving approximately 12,925 students in the museum and in classrooms. Thanks to the generosity of the Womens Council’s gift for bus transportation, 7,150 of these students toured the museum’s galleries at no cost to the schools. During 2003, the museum and Tremont Elementary School were awarded a partnership grant through the ICARE (Initiative for Cultural Arts in Education) program that features the museum’s collection of textiles. The grant provided funding for artist residencies, tours to the museum, Art to Go lessons at the school, and participation in the Parade the Circle Celebration. Over the year, the total attendance to all programs reached 450. Cleveland’s arts magnet schools—

ARpp82-100.p65 85 6/2/2004, 12:02 AM Hands-on workshops are a part of many family activities at the museum.

Newton D. Baker and the Cleveland School of the Arts—have special relationships with the museum. Last year, Cleveland School of the Arts students participated in the Parade the Circle Celebration and the summer theater camp in conjunction with the Great Lakes Theater Festival Insti- tute at Hawken Upper School. The department’s multifaceted programs served 89 of the 120 schools in the Cleveland Municipal School District. Building relationships with individuals, community organizations, schools, and churches throughout northeast Ohio is an enduring commitment for the museum. Community outreach events include appearances by Parade the Circle’s giant puppets at large-scale community events such as Boo at the Zoo, Playhouse Square Foundation Centerfest, the Glenville Festival, and the Puerto Rican Parade, as well as Nia Coffeehouse evenings that feature jazz and poetry readings and inspire collaborations with the Northern Ohio Jazz Society and Cleveland Public Library Main Branch. Local talent comes to CMA through these coffee houses and events such as November’s Fast Forward, a late-night multimedia-enhanced party. Patterns of poetry and music resonated in the community through co-presentations with the Heights Arts Collaborative “Poetry in the Park,” an interdisciplinary literacy project at Wiley Middle School exploring the connection between poetry, dance, and visual art. The museum’s annual calendar of festivals, inspired by world traditions, nurtures creativity and convenes the community through workshops and gala public events. Parade the Circle Celebration 2003 featured guest artists from Cuba, Trinidad and Tobago, Mexico, Canada, Minnesota, Vermont, and Cleveland. One hundred community groups and a total of 1,800 participants from throughout the region paraded for an audience of approximately 50,000. Directors and trustees from 27 UCI institutions and Cleveland’s Mayor Jane Campbell led the revelers around Wade Oval. The 14th annual Chalk Festival brought 7,000 visitors to the museum’s

ARpp82-100.p65 86 6/8/2004, 4:18 PM south side to view artists and more than 900 participants creating colorful street paintings on the sidewalks. Holiday CircleFest featured lantern installations in the museum and on Wade Oval. Visitors made lanterns in workshops and then celebrated the season with a procession around the Oval. More than 11,000 visitors attended this weekend event. World and classical music and dance performances featuring some of the finest international artists brought diverse audiences to the museum. The department of Performing Arts and Film presented the fifth annual VIVA! series and the third summer series Carnevale World Music and Dance. More than 14,000 patrons attended approximately 22 events. Many performances were presented to capacity crowds, strengthening the museum’s well-established position as a first-rate venue for world music and dance. Highlights of the year included performances by the energetic Habib Koite of Mali, Dance Cuba, and the pan-Gaelic ensemble Boys of the Lough. Jazz on the Circle, a collaboration among the museum, the Cleveland Orchestra, Cuyahoga Community College, and the Northern Ohio Jazz Society, hosted concerts by such legendary artists as bassist Charlie Haden. In December, Education, Performing Arts and Film, and Musical Arts presented a series of lectures, dance, and music performances at the Cleveland Trust Building for the staging of LuminoCity, co-sponsored with Cleveland Public Art. Highlights included the Burning River Brass and a Waltz Happening, featuring a 16-piece string orchestra and six dancers. New this year was a reinvented film program, Panorama: Moving Pictures @ the Art Museum. Oscar-nominated Pixar animator Pete Docter (Monsters, Inc.) presented a special kickoff program of film clips and commentary. Forty-two of the 69 films shown during the year were exclusive Cleveland premieres, with a total of more than 8,000 viewers. Other highlights of the year included an appearance by Time magazine film critic Richard Schickel, who introduced a screening of The Magnificent Ambersons in April and the Cleveland premiere showing of Girl with a Pearl Earring. The department of Musical Arts produced 73 concerts and lectures serving 13,520 patrons. The Aki New Music Festival included 17 concerts, lectures, and a groundbreaking educational partnership with the Cleveland Institute of Music during the fall that brought CIM students to hear prominent composers and musicians speak in conjunction with the

A highlight of the Aki festival. The Facets of the Piano series featured five outstanding pianists, LuminoCity project at including Paul Badura-Skoda, Leon Fleisher, Fred Hersch, and Andreas the old Cleveland Trust Building in downtown Haefliger. The department also hosted the organist Thierry Escaich from Cleveland was A Waltz Notre Dame cathedral. Throughout the year, concertgoers enjoyed a Happening, complete with musicians and wide-ranging repertoire—from Cage’s 4'33" to Shubert’s Winterreise. dancers in the building's grand rotunda.

ARpp82-100.p65 87 6/2/2004, 12:02 AM School and Teacher Services Catholic, Mt. Auburn, Onaway Elementary, New Riegel, Newark, Newbury, North Can- Oxford Elementary, Parma Heights Christian ton, North Ridgeville, Oberlin, Parma, Perry, Art to Go Academy, Parma High Able Learners, Peaceful Portage, Ravenna, Revere, Richfield, Rock Events: Conducted 262 suitcase presentations Children Montessori, Ratner, Raymond Creek, Rocky River, Rootstown, Shelby, for 5,599 students overall. Awarded 79 Elementary, Roxboro Elementary, Shaker Sidney, South Euclid, Springfield, Strongsville, scholarships to 28 Cleveland Municipal School Heights High, St. Angela Merici, St. Ann’s, Thornville, Tiffin, Trenton, Trotwood, Troy, District (CMSD) schools serving 1,975 stu- St. Columkille, St. Gregory the Great, St. Uhrichsville, Vincent, Warren, Waterford, dents (35% of total attendance). Presentations Josephat, St. Mark’s, St. Michael Elementary, West Carrollton, West Milton, Westerville, made to special groups outside of classrooms St. Robert Bellarmine, St. Terese, St. Vitus, Wickcliffe, Wooster, Xenia, Yellow Springs, included: Akron University, Art Teachers University School. Youngstown, Zanesville. Summit for CMSD, Borders Books, Cleveland Music School Settlement, Cleveland Sight Art to Go Teachers’ Advisory Committee: Participants from outside Ohio: Illinois: Center, Cleveland Plain Dealer, Cleveland Emilie Amer-Gannon, Julie Anderson, Ellen Chicago, Edwardsville; Michigan: AuGres, Public Library (CPL) Brooklyn Branch, CPL Battle, Carole Brown, Nancy Dvorak, Sue Macomb, Marquette, Novi, Shelby Township, Downtown Branch, Future Connections, Foley, Cindy Guertin, Kathy Heidleberg, Standish, Sterling Heights; Missouri: Valley Great Lakes Science Center, Library for the Christina Holtier, Kitty Rose, Betty Jo Scurei, Park; New Jersey: Absecon, Absegami, Blind and Physically Handicapped, Museum Sister Mary Francismarie Seiler, Jean Sommers, Bay Port, Bridgeton, Galloway, Linden, Council, Ohio Art Educators Conference, Sue Wilson. Littlestown, Mays Landing, Neptune, Ohio Superintendents Summit, The Sherwin- Art to Go is supported by gifts from Target Oceanside, Voorhees, Wall, Waterford; Williams Company, Shurmer Place Retire- Stores, The Gallery Group, Mrs. Warren New York: Albany, Berlin, Carle Place, East ment Home, Teacher Resource Center, Dusenbury, Catherine Rose, Mr. and Mrs. Chester, Franklin Square, Glen Falls, United Methodist Church Berea. James D. Neville, Brit and Kate Stenson, Drs. Massapequa, Mount Morris, Pennfield, Romulus, Troy, West Hampstead; Pennsylva- Presentation topics: Ancient Americas: Art Todd and Susan Locke, Mr. and Mrs. Norman H. Siegal, Dr. and Mrs. Gordon Hughes. nia: Albion, Erie, Fawn Grove, Media, from Mesoamerica; The Art of Writing: The Milford, Paint Rock, Philadelphia, Port Wash- Origin of the Alphabet; Classical Art: Ancient Distance Learning ington; Texas: Richardson, San Antonio; Greece and Rome; Cool Knights: Armor from Washington: Kennewick; Wisconsin: Racine. the European Middle Ages and Renaissance; Class topics: African Art: Secular and Supernatural; African Masks; America’s Story Diego Rivera: A Mexican Hero and His Cul- School Tour Program ture; Early America: Artistry of a Young Na- Through Art (four-part series): America Emerging—1700s, America Expanding— Students from the following Ohio counties tion; Journey to Africa: Art from Central and and school districts: Allen Co.: Perry Local; West Africa; Journey to Asia; Journey to Japan: 1801–1861, America Transforming—1861– 1918, America Enduring—1913–1945; Ashland Co.: Ashland City; Ashtabula Co.: A Passport to Japanese Art; Let’s Discover Ashtabula Area City, Conneaut Area City, Egypt; Masks: Let’s Face It; Materials and Ancient American Art: The Aztec and Their Ancestors; The Art of Adornment; Aztec, Geneva Area City, Pymatuning Valley Local, Techniques of the Artist; The Museum Zoo: Youngstown Diocese; Athens Co.: Auglaize, Animals in Art; Native American Art: Clues Maya, and More!; The Chemistry of Art (four- part series): Examining the Authenticity of New Knoxville Local; Butler Co.: Cincinnati from the Past; Problem Solving: What in the Archdiocese, Edgewood City, Hamilton City; World? Museum Objects, Extending the Senses: Using the Electromagnetic Spectrum to Probe Works Columbiana Co.: Columbiana Exempted Scholarships for all CMSD participants includ- of Art, Restoring Works of Art—Chemistry Village, Leetonia Exempted Village; Crawford ing: Almira Elementary, Audubon Middle, to the Rescue, Paper Chemistry and Conser- Co.: Bucyrus City; Cuyahoga Co.: Bay Village Newton D. Baker Elementary School for the vation; Contemporary Art; Egyptomania City, Beachwood City, Bedford City, Berea Arts, Alexander Graham Bell Elementary, (four-part series): Daily Life, Hieroglyphics, City, Brecksville–Broadview Heights, Chagrin Mary Bethune Elementary, Bolton Elemen- Mummification, Animals in Art; Gods and Falls Exempted Village, Citizens Academy, tary, Brooklawn Elementary, Buckeye–Wood- Heroes from Greece and Rome; Gods and Cleveland Catholic Diocese, Cleveland land Elementary, Case Elementary, Cleveland Heroes of the Maya; Harlem Renaissance; Heights–University Heights City, Cleveland School of the Arts, Robert Fulton Elementary, Impressionism; Knights, Castles, and Kings; Lutheran, Cleveland Municipal, East Cleve- Joseph Gallagher Elementary, Glenville High, L’Art de L’Afrique; Math Connections; Medi- land City, Euclid City, Garfield Heights City, Halle Cleveland Learning Center Middle and eval Masterpieces; Modernism: Early 20th Hope Academy Broadway Campus, Hope High, Stephen Howe Elementary, Robert Century Art; Museum Careers; Native Ameri- Academy Cathedral Campus, Hope Academy Jamison CompuTech Center, R. G. Jones cans and Settlers: Encounters in Early Ohio Chapelside Campus, Hope Academy Elementary, John F. Kennedy High, Kentucky History; Professional Development: DL and Cuyahoga Campus, Hope Academy Lincoln Elementary, Lincoln-West High, Douglas Your Curriculum; “Race” Is a Four Letter Park, Hope Academy North Coast, Horizon MacArthur Elementary, John Marshall High, Word; Renaissance Painting: An Overview; Science Academy Cleveland, Independence McKinley Elementary, Charles A. Mooney Scary Art: A Halloween Special; Spanish Art. Local, International Preparatory, Jewish Edu- Middle, Garrett Morgan Cleveland School of cation Center of Cleveland, Lakewood City, Science, Oliver Hazard Perry Elementary, Participants from Ohio communities: Akron, Lutheran Schools of Ohio, Maple Heights Marion Seltzer Elementary, Tremont Elemen- Alliance, Avon, Baltimore, Bath, Bealsville, City, Mayfield City, North Olmsted City, Old tary, Waverly Elementary. Bellbrook, Bellevue, Bellfontaine, Belpre, Brooklyn Montessori School, Olmsted Falls Boardman, Broadview Heights, Byesville, City, Parma City, Polaris JV, Richmond Schools outside Cleveland include: Agnon, Cambridge, Canfield, Canal-Fulton, Canton, Archbishop Lyke, Ascension School, Bryden Heights Local, Rocky River City, Shaker Celina, Centerville, Chagrin Falls, Cincinnati, Heights City, Solon City, Strongsville City, Elementary, Canterbury Elementary, Chagrin Cleveland, Columbiana, Columbus, Dover, Falls Intermediate, Citizen’s Academy, Coven- Warrensville Heights City, Westlake City; Erie Dresden, East Canton, Enon, Fairborn, Co.: Berlin–Milan Local, Perkins Local; try Elementary, Direction for Tomorrow Fairview Park, Gahanna, Garrettsville, Geneva, Home School, Gates Mills Elementary, Elenor Franklin Co.: Bexley City, Canal Winchester Gnadenhutten, Hamilton, Hartville, Hilliard, Local, Columbus City, Columbus Diocese, Gerson School, Hannah Gibbons Elementary, Huron, Jefferson, Lakewood, Lebanon, Greenview Elementary, Hathaway Brown, Horizon Science Academy Columbus, Plain Leesburg, Litchfield, Lorain, Massillon, Local, South-Western City, Upper Arlington Hawken, Holy Redeemer, Holy Trinity, Medina, Mentor on the Lake, Metamora, Thomas Jefferson Elementary, Lakewood City, Worthington City; Geauga Co.: Berk- Middletown, Montpelier, Mt. Orab, New shire Local, Cardinal Local, Chardon Local, Lutheran, Laurel School, Lutheran West High, Carlisle, New Philadelphia, New Richmond, Mayfield High, Mercer Elementary, Metro Kenston Local, West Geauga Local; Guernsey Co.: Cambridge City; Hamilton Co.:

ARpp82-100.p65 88 6/8/2004, 4:18 PM John Cage Music Circus On one memorable Saturday after- noon in November, the Cleveland Mu- seum of Art was transformed into a giant experimental music performance space. The John Cage Music Circus featured dozens of performances of Cage compositions (more than 30 pieces in all) staged all over the museum, with sounds from one piece sometimes spilling into another and everything Cellist Chris Gross performs John Cage’s intermingling with the ambient noise Cello in front of Anselm of the galleries—an effect the icono- Kiefer’s Lot’s Frau.

scene, but also drew heavily on local musicians including students and fac- ulty from Oberlin, the Cleveland Insti- tutes of Music and Art, and the museum. The frequently inspired level of performance was a testament to the extraordinary depth of musical talent that thrives in this area. Instruments ranged from the traditional—strings, keyboards, and percussion—to Cage’s signature “prepared piano,” plus electronic synthesizers, a toy piano, and a humming, buzzing ensemble of vin- Participants in the clastic composer certainly would have tage radios all tuned between sta- John Cage Music loved. The music not only interacted tions. Near the day’s end, the perform- Circus pose for a with other sound, but with the works ers observed Cage’s best known work, group photo. The group included artists of visual art, creating unexpected mo- 4'33" (four minutes and thirty-three from around the ments—some jarring, some magical. seconds of silence). world, many of whom True to the spirit of the composer, the The event was part of the Aki Festi- had worked with the event managed to be uncompromis- val of New Music (three-time winner avant-garde artist. ing artistically and yet unfailingly of the ASCAP/CMA Award for Adven- high-spirited in attitude at the same turous Programming), which returned time. The performances ranged in in 2003, featuring concerts, lectures, tone from abrasive irreverence to and films throughout the fall, and meditative delicacy. included works by composers from The performers included some stars around the world. Another highlight of the national contemporary music of Aki 2003 was the Cleveland community providing some 70 wind-up, Composer-pianist pyramid-shaped metronomes for a Chris Auerbach- rare performance of György Ligeti’s Brown performs John Cage’s Suite for Toy Poème symphonique for 100 metro- Piano in the contem- nomes. Aki is the Japanese word porary galleries. for autumn, and has been used in conjunction with the museum’s new music festivals since the 1970s. Aki 2003 was directed by Paul Cox and Karel Paukert.

ARpp82-100.p65 89 6/2/2004, 12:02 AM For many Clevelanders, Students from outside Ohio: Indiana: Indiana Docent Program a school visit proves to Co.; Kentucky: Rowan Co.; Michigan: School tour topics: All Creatures Great and be an early, cherished Calhoun Co.; Pennsylvania: Allegheny Co., Small: Animals in Art; Children in Art; Line, memory of the Beaver Co., Butler Co., Clarion Co., Crawford Shape, and Color; American Art; Arts of the museum. Tens of Co., Erie Co., Lawrence Co., Mercer Co., African Continent; Arts of the Americas; Arts thousands of area Warren Co., Westmoreland Co.; West of the Renaissance and Baroque Eras; Castles schoolchildren visit Virginia: Monongalia Co., Ohio Co. and Knights: An Introduction to Life in the every year. Middle Ages; Discover a World of Great Art; Teacher Resource Center Dressed for Success; Egypt, Greece, and Participants from Ashland, Carroll, Rome; Face to Face; From Anubis to Zeus: Columbiana, Coshocton, Crawford, Cuyahoga, Myths and Stories in Art; In the Footsteps of Delaware, Erie, Franklin, Geauga, Holmes, Buddha; Journey to Asia; Landscape Escapes; Huron, Lake, Lorain, Lucas, Mahoning, Materials of the Artist: How Do They Do Medina, Muskingum, Portage, Richland, Sen- That?; Modern and Contemporary Art; Sports eca, Summit, Stark, Trumbull, Tuscarwaras, in Art; Speak to the Arts: France; Speak to the and Wayne counties, as well as Michigan and Arts: Germany; Speak to the Arts: Spain. Pennsylvania. Teachers participate from 33% of the CMSD schools. Participants from area public and private schools include Jane Addams Business Careers Center, Audubon Intermedi- Family and Youth ate, Newton D. Baker Elementary School of Circle Sampler Camp the Arts, A. G. Bell Elementary, Mary Bethune Cultural institutions: African-American Mu- Elementary, Case Elementary, Moses seum, Cleveland Botanical Garden, Cleveland Cleaveland Elementary, Cleveland School of Institute of Art, Cleveland Institute of Music, the Arts, Collinwood High, Harry E. Davis The Cleveland Museum of Art, The Cleve- Cincinnati Archdiocese, Cincinnati City; Elementary, Charles Dickens Elementary, land Museum of Natural History, Cleveland Hardin Co.: Riverdale Local; Holmes Co.: Dike Montessori, East Clark, James Gallagher Play House, HealthSpace Cleveland, Museum West Holmes Local; Huron Co.: Bellevue Elementary, Elenor Gerson, Glenville High, of Contemporary Art Cleveland, Western City, Toledo Diocese, Western Reserve Local, Alexander Hamiliton Middle, Hicks Reserve Historical Society. Willard City; Jackson Co.: Jackson City; Knox Montessori, Margaret Ireland Contemporary Co.: Seventh-day Adventist Ohio Conference; Academy, R. G. Jones, Charles Mooney Instructor: Debbie Apple-Presser. Lake Co.: Fairport Harbor Exempted Village, Elementary, Daniel Morgan Middle, Garrett Mentor Exempted Village, Painesville City Morgan Cleveland School of Science, Martin Early Learning Initiative Local, Perry Local, Wickliffe City; Licking L. King Jr. Middle School, John F. Kennedy Cultural institutions: The Children’s Museum Co.: Lakewood Local; Logan Co.: Riverside High, Lafayette, Lincoln Elementary, Mound of Cleveland, Cleveland Botanical Garden, Local; Lorain Co.: Avon Lake City, Avon Elementary, Mt. Auburn Elementary, Old Cleveland Institute of Music, The Cleveland Local, Columbia Local, Elyria City, Firelands Brooklyn Montessori, Patrick Henry Elemen- Museum of Art, Cleveland Museum of Natu- Local, Lorain City, Midview Local, North tary, John W. Raper Elementary, Harvey Rice ral History, The Cleveland Orchestra, Cleve- Ridgeville City, Oberlin City, Wellington Elementary, James F. Rhodes High, Marion land Play House, Nature Center at Shaker Exempted Village; Lucas Co.: Ohio Virtual Seitzer Elementary, South High, Miles Standish Lakes, Western Reserve Historical Society, Academy, Sylvania City, Toledo Diocese; Elementary, Sunbeam Elementary, Urban University Circle Incorporated. Mahoning Co.: Boardman Local, Western Community, Villa-Angela/St. Joseph, Walton Day care centers: Church of the Covenant, Reserve Local, Youngstown Diocese; Medina Elementary, Warner Elementary, Watterson– The Cleveland Music School Settlement, Co.: Black River Local, Brunswick City, Lake Elementary, Willow Elementary. Cleveland Sight Center, Karamu House, Buckeye Local, Cloverleaf Local, Highland Daniel Morgan, Louis Pasteur, University Local, Lutheran Schools of Ohio, Medina City, Hospitals Kindercare, Wade Day Care Center. Wadsworth City; Mercer Co.: Cincinnati Instructor: Kate Hoffmeyer. Archdiocese, Morrow Co.: Highland Local, Mount Gilead Exempted Village; Ottawa Co.: Danbury Local, Toledo Diocese; Portage Co.: Aurora City, Field Local, James A. Garfield Local, Kent City, Mogadore Local, Ravenna “Crow Shadows” City, Rootstown Local, Streetsboro City, Wa- designed by Mark terloo Local, Youngstown Diocese; Richland Jenks, performed with Co.: Clear Fork Valley Local, Crestview Local, Michael Dreyfuss on Plymouth–Shiloh Local; Stark Co.: Canton electric viola, at the City, Fairless Local, Hope Academy Canton opening of the Aki Campus, Jackson Local, Plain Local, Tuslaw Festival of New Music Local, Youngstown Diocese; Summit Co.: in the fall. Akron City, Barberton City, Copley–Fairlawn City, Coventry Local, Cuyahoga Falls City, Green Local, Hope Academy Brown Street Campus, Hudson City, Manchester Local, Nordonia Hills City, Revere Local, Stow– Munroe Falls City; Trumbull Co.: Maplewood Local, Youngstown Diocese; Tuscarawas Co.: Claymont City, Columbus, Dover City, Garaway Local, New Philadelphia City; Wayne Co.: Dalton Local, North Central Local, Orrville City, Southeast Local, Wooster City.

ARpp82-100.p65 90 6/8/2004, 4:18 PM Family Express Festivals Directors Ensemble: African-American Mu- seum (Nancy Nolan-Jones, Executive Direc- Topics: PhotoFantasy; The Gilded Age; Dutch Chalk Festival Treat; Summer Safari; Go Van Gogh; Days of tor), Case Western Reserve University (Edward Featured chalk artists: Augusto Bordelois, M. Hundert, President), City of Cleveland Knights; Images of India; Color, Line, Shape; Hector Castellanos, Dexter Davis, George Into Africa; Castles and Kings. ( Jane L. Campbell, Mayor; Patricia Britt, Kozmon, Wendy Mahon, A. D. Peters, Jesse Councilwoman, Ward 6; Sabra Pierce Scott, Instructors: Laura Ferrando, Jean Hanslik, Rhinehart, Robin VanLear. Arielle Levine, John Sawicki, Victoria Councilwoman, Ward 8; Kevin Conwell, Slonaker, Jenny Zito. Musicians: Blues DeVille, Roberto Ocasio Councilman, Ward 9), Cleveland Botanical Latin Jazz Project. Garden (Brian E. Holley, Director), Cleveland Future Connections Participating groups: Fireland High; Hayes Hearing & Speech Center (Bernard P. Henri, Cultural institutions: Case Western Reserve Elementary, Lakewood; Lake Center Christian Executive Director), The Cleveland Institute University, The Children’s Museum of School, Hartville; Mayfield High; Riverside of Art (David L. Deming, President), The Cleveland, Cleveland Botanical Gardens, High, Painesville; West Carlisle Elementary, Cleveland Institute of Music (David Cerone, Cleveland Institute of Art, Cleveland Institute Keystone; Girl Scout troop from Slippery President), The Cleveland Museum of Art of Music, The Cleveland Museum of Art, Rock, Pennsylvania. (Katharine Lee Reid, Director; Michael Cleveland Museum of Natural History, Cleve- Horvitz, Chairman of the Board; Robert M. land Play House, Museum of Contemporary Circle of Masks Festival Kaye, Trustee; Janet Coquillette, President, Art Cleveland, Western Reserve Historical Artists: Bruno Casiano, Hector Castellanos, Womens Council of the Cleveland Museum of Society, University Circle Incorporated. Wendy Mahon. Art), The Cleveland Museum of Natural His- tory (Bruce Latimer, Director), The Cleveland Business partners: Allen Bradley Company, Movement performers: Antaeus Dance. Music School Settlement (Daniel J. Windham, Cleveland Clinic Foundation, General Electric, Executive Director), The Cleveland Orchestra Jones Day, Judson Park Retirement Commu- Parade the Circle Celebration (Thomas W. Morris, Executive Director), nity, Ohio Savings Bank. Guest artists: Amy Ballestad (Minnesota), Kelvin Keli Cadiz (Trinidad and Tobago), Cleveland Public Library (Andrew Venable, Mentors: Dyane Hronek Hanslik, Arielle Roaidi Cartaya Carvajal (Cuba), Anne Director), Cleveland Sight Center (Michael E. Levine. Cubberly (Connecticut), Olaf Dannecker Grady, Director), HealthSpace Cleveland (Patricia Horvath, Executive Director/CEO), Museum Art Classes (Germany), Félix Diaz (Mexico), Ronald Guy (Trinidad and Tobago), Brad Harley (Canada), Nature Center at Shaker Lakes (Nancy King Instructors: Sarah Curry, Laura Ferrando, Smith, Executive Director), Sky Bank (Marty Jeanna Forhan, Kate Hoffmeyer, Connie Alejandro Calzada Miranda (Cuba), Mary Jo Nikolai (Minnesota), Nkhruma Potts (Trinidad Adams, CEO and President; Richard Hozvicka, Arielle Levine, Aileen McKimm, Hollington III, Regional President), University Clif Novak, Shreshta Premnath, Carol Pressler, and Tobago), Michael Lee Poy (Canada, Trinidad and Tobago), Rick Simon (Canada), Circle Incorporated (Terri Hamilton Brown, Andrea Serafino, Maria Stenina, Kelly President; R. Thomas Stanton, Chairman of the Williams, Nicole Winrock, Jaymi Zents, Jenny Jill VanOrden (Vermont), Rudolph “Murphy” Winters (Trinidad and Tobago). Board; James D. Ireland III, Trustee), Western Zito. Assistant: Sarah Beiderman. Reserve Historical Society (Patrick Reymann, Supervisors: Grace Bynum, Dyane Hronek Artists and support staff: Debbie Apple-Presser, Executive Director). Hanslik, Nancy Prudic. Abby Baumgartner, Sue Berry, Philip Brutz, Hector Castellanos, Kathy Colquhoun, Schools and education groups: Bay Village Middle; Brecksville–Broadview Heights High; The Nia Coffeehouse Michael Crouch, Nan Eisenberg, Liza Goodell, Jean Graves, Michael Guy-James, Citizens Academy; Clearview Schools, Lorain: Musical performers: Eddie Baccus Jr. Band, Durling Elementary; Cleveland Heights– Jessie Dandy Trio, Zita Rahn Farrel and Dyane Hronek Hanslik, Scott Heiser, Ezra Houser, Sally Hudak, Frank Isphording, Vicki University Heights Schools: Canterbury Tantric Pulse, Ray McNiece and Jack My Elementary, Coventry Elementary, Roxboro Dog, Vince Robinson and the Jazz Poets, Isphording, Carl Johnson, Andrea Joki, Wendy Mahon, Delia Mannen, Michelle Marschall, Elementary; Cleveland Municipal School Dis- Straight to the Point, R. A. Washington and trict: Newton D. Baker Elementary School of Vernacular. Katherine Ohl, Maria de Jesus Paz, Nancy Prudic, Jesse Rhinehart, Lizzie Roche, the Arts, Buhrer Elementary, Cleveland School Featured poets: Chosen Prophet, Katie Daley, SAFMOD, Donna Spiegler, Michael Starinsky, of the Arts, Charles Dickens Elementary, Kelly Harris, Sara Holbrook, Nicki Mack— Jan Stickney, Chuck Supinski, Gail Trembly, Kentucky Elementary, Martin Luther King Jr. the Redbone Poet, Willie Perdomo and Ace Vivian Vail, Robin VanLear, Bill Wade, School for Law and Municipal Careers, Boogie, Joseph Primes, Terry Provost, and Kristin Wade, Craig Woodson. Tremont Elementary; Cleveland Music School Vince Robinson in collaboration with the Settlement Pre-School and Day School; Erie, Cleveland Public Library, Michael Salinger, 2003 poster: Bruno Casiano. Pennsylvania Schools: Harding Elementary; R. A. Washington, Mary Weems, Ph.D. University Circle Incorporated member insti- Fairview Park Schools: Parkview Intermediate; tution groups: Abington Arms, Cleveland Hawken School; Kent Schools: Davey Elemen- Wiley Middle School Poetry Project Cultural Gardens Federation (African-Ameri- tary; Laurel School; Mayfield Schools: Gates Poets in residence: Kelly Harris and Q-Nice. can Cultural Garden), The Cleveland Museum Mills Elementary; Positive Education Program; Dance residency: Michael Medcalf Dance of Art (and Young Friends), The Cleveland Ruffing Montessori; St. Adalbert School; Troupe. Museum of Natural History (Nature League), Strongsville Schools: Chapman Elementary; The Cleveland Music School Settlement, Collaborating institutions: CMA, Heights Arts University School. Cleveland Public Library (Martin Luther King Collaborative, Wiley Middle School. Community groups: Abington Arms Art Jr. and Union Branches, Library for the Blind Sponsor: Target Stores Arts in Education grant. Therapy Program; AME Zion Churches; Avon and Physically Handicapped), Cleveland Sight Lake Public Library; Beck Center for the Arts; Center, Fairhill Center, Judson Retirement Catholic Charities/Hispanic Senior Center; Community, Karamu House Incorporated, Center for Families and Children/RapArt; City Lake View Cemetery Association, Nature of Cleveland, Division of Waste Collection and Center at Shaker Lakes, St. Adalbert Church, Disposal; El Barrio; Episcopal West Side Shared University Circle Incorporated (Community Ministry; Fairhill Intergenerational Resource Education Department), Young Audiences of Center; Hessler Street/Harmony Park; Hospice Greater Cleveland. of Coshoction, Kinship Navigator Program; Julia de Burgos Cultural Arts Center; Karamu

ARpp82-100.p65 91 6/2/2004, 12:02 AM House Incorporated; Martin Luther King Jr. Winter Lights Lantern Festival Exhibition and Adult Programs Civic Center of East Cleveland; Mount Pleas- Environment of Lights installation artists: Mark ant Boys and Girls Club; New Song Commu- Jenks, Wendy Mahon, Jesse Rhinehart, Robin Exhibition-Related Programs nity Church; Nigerian Community in Greater VanLear. Elizabeth Catlett: Prints and Sculpture Performance: “From Mother to Son,” Karumu Cleveland; Not in Our Name; Ohio City Soundscape: Greg D’Alessio. Bicycle Co-op; ParkWorks; Pomerene Center House’s Theatre Outreach Program (TOP). for the Arts (Coshocton); Rabbit Run The- Musicians: Neil Chastain, Santina Protopapa, The Gilded Age: Treasures from the Smithsonian ater; Rainey Institute; St. Philip’s Episcopal Agripino Serrano. American Art Museum Church; Sky Bank; Thea Bowman Center; Dancers: Nick Carlisle, Melanie Fioritto, Lectures: Anne Bissonnette, Kent State Uni- Urban League National Achievers Society; Meghan Haas, Trina Hines, James Holloway, versity: “The Significance of the Tea Gown in West Shore Unitarian Universalist Church. Ezra Houser, Jennifer Lott, Leila Pelhan, 19th-century and Early 20th-century Dress”; Music and dance groups: Aquarela Do Mundo; Devon Schlegelmilch, Darren Stevenson, Bill Wade, Chris Whitney. Dale Hilton, Cleveland Museum of Art: “Pil- Cleveland Contemporary Dance; Cleveland lars of Society: Cleveland’s Gilded Age Collec- Repertory Project (now Verb Ballets); East Guest lantern artists: Debbie Apple-Presser, tors”; John Grabowski, Western Reserve His- 185th St. Drum Circle Dancers (Hareem Aria Benner, Micheal Costello, Anne torical Society: “Immigrants, Entrepreneurs, Sharem, YaShara’s Dance Troupe, Dahmia’s Cubberly, Rod DeFoe II, Félix Diaz, Debora and Urban Adolescence”; Tina Musgrave, Turkish Dance Troupe); Inlet Dance Theatre; Erksa, Michael Guy-James, Wendy Mahon, lecturer: “Millionaires’ Row.” Jerry Keller, Mal Barron, and Tim Miller; Delia Mannen, Nancy Prudic, John Ranally, Lecture courses: Henry Adams, Case Western Mellow Harps Steel Drum Band; New Or- Aaron Rapljenovic, Mark Sugiuchi, Kristin Reserve University: “Artists of the Gilded leans Jazz Ensemble; The Polyrhythmics; Wade, Murphy Winters. Age.” SAFMOD; Senegalese National Dance Asso- CircleFest Musicians: Ohio Boychoir, Karel ciation of Ohio; Seven Mile Isle; Ten Point Paukert. Public events: “Cultural Heritage Day.” Turn; Urban Dance Collective (Cleveland Support: Kaufmann’s Department Stores. School of the Arts); The Wind and Sand Treasures of Lost Art: Italian Manuscript Painting of Dance Company. the Middle Ages and Renaissance Community Arts Appearances Lectures: Pia Palladino, Metropolitan Museum Circle Village activities presenters: African- City Artists at Work; Cleveland Metroparks of Art: “Treasures of a Lost Art”; Elizabeth American Museum; The Children’s Museum Zoo, Boo at the Zoo (six days); Cleveland Teviotdale, Medieval Institute, Western Michi- of Cleveland; Cleveland Botanical Garden; Public Art City Expressionz Aerosol Fest; gan University: “Illumination of Choir Books.” Cleveland Hearing & Speech Center; The Downtown Cleveland Partnership and Sparx Cleveland Institute of Art; The Cleveland in the City Lantern Display at May Company; MetaScape Institute of Music; The Cleveland Museum of Glenville Festival; Legacy Village Opening; Lecture: Torben Geihler, artist, discussed his Art; The Cleveland Museum of Natural His- National City Bank Building; Playhouse work. tory; The Cleveland Music School Settlement; Square Foundation Centerfest; Pomerene The Cleveland Orchestra; The Cleveland Center for the Arts (exhibit, workshop, and The History of Japanese Photography Public Library; Cleveland School of the Arts; parade); Puerto Rican Parade; Wade Oval Lectures: Anne Tucker, exhibition curator: Cleveland Sight Center; Dunham Tavern Reopening (displays and performance); Sparx “History of Photography”; Linda Erlich, Case Museum; HealthSpace Cleveland; Judson Lantern Walk; Sparx in the City Urban Gal- Western Reserve University: “Between Mo- Retirement Community; Karamu House In- lery Hop; Tremont Arts and Cultural Festival; tion and Stillness: The Human Landscape in corporated; KinderCare; Museum of Contem- Winterfest Candlelight Carriage Parade. Japanese Photography and Film”; Elizabeth porary Art Cleveland; Nature Center at Shaker Lillehoj, Depaul University: “The Historical Lakes; Ohio College of Podiatric Medicine/ Setting for a First Century of Japanese Art”; Cleveland Food & Ankle Clinic; Ohio Wax Hitomi Iwasaki, Queens Museum of Art: Museum; Puppetry Guild of Northeastern “Contemporary Japanese Photography.” Ohio; Ronald McDonald House of Cleveland; The Sculpture Center; Sky Bank; University Circle Incorporated (Community Education Department); Western Reserve Association The Chola Bronzes for the Preservation and Perpetuation of exhibition provided Storytelling (WRAPPS); Western Reserve the perfect Historical Society; Womens Council of the opportunity to Cleveland Museum of Art; Young Audiences celebrate Cleveland's of Greater Cleveland. Indian community. Pole banner artists (new banners): Riverside High, Painesville; Valley Forge High, Parma; Kate Hoffmeyer, Joe Ionna, Seema Rao. Sponsors: Sky Bank and The Womens Coun- cil of The Cleveland Museum of Art. Addi- tional support from the Ohio Arts Council; the Institute of Museum and Library Services; the City of Cleveland, Jane L. Campbell, Mayor; Cleveland City Council members Patricia J. Britt, Ward 6, Sabra Pierce Scott, Ward 8, and Kevin Conwell, Ward 9; and the Cleveland Coca-Cola Bottling Company. Promotional support was provided by 89.7 WKSU and the Plain Dealer. Artist exchange sponsors BWIA West Indies Airways Ltd. and Madison Development Company. Special thanks to Charlie’s Fabrics and Distillata.

ARpp82-100.p65 92 6/2/2004, 12:02 AM The Sensuous and the Sacred: Chola Bronzes from Textile Arts Alliance Lecture Performance and Film South India Emily DuBois, textile artist and teacher: Lectures: Vidya Dehejia, exhibition curator: “Painting and Weaving.” Performing Arts “Chola Bronzes”; Mohan Nagaswamy, inde- VIVA! Festival of Performing Arts pendent scholar: “Chola Architecture and Harvey Buchanan Lecture Chava Alberstein; Boys of the Lough; Dance Bronzes.” Hilliard T. Goldfarb, Montreal Museum of Cuba; Flamenco Festival: Farruquito y Juana Amaya; Habib Koité and Ensemble Bamada; Demonstration: Sujatha Srinivasan, dancer: Fine Arts: “Cardinal Richelieu and ‘Contem- porary Art.’ ” Masters of Indian Dance: Guru Kelucharan “Bimbam.” Mohapatra; Music, Dance, & Martial Arts of Manipur, India: The Anjika Manipuri Dance Against the Grain: Woodcuts from the Collection Continuing Education Classes Henry Adams, Case Western Reserve Univer- Troupe; Shobana: The Sensous Dances of Lecture: Richard Field, curator emeritus, Yale India. University Art Gallery: “Gauguin, Munch, and sity: “Artists of the Gilded Age”; Tom Hinson, Cleveland Museum of Art: “History of Japa- Vallotton: The Woodcut in the Late 19th Carnevale World Music & Dance Series Century.” nese Photography”; Barbara A. Kathman, Patricia Ashton, Mary Woodward, Kate Danse Orientale: The Anahid Sofian Dance Demonstration: Mary Rosenthal, Oberlin Hoffmeyer, and Seema Rao, Cleveland Mu- Company; Dee Dee Bridgewater: The Kurt artist: “Woodcut Techniques.” seum of Art: “World of Great Art: Ancient Art Weill Songbook; Flamenco: The Joaquin “El through Early 19th Century”; Seema Rao, Grilo” Dance Company; Mariza Sings Fado: Drawing Modern: Works from the Agnes Gund Cleveland Museum of Art: “Introduction to The Passion Songs of Portugal; Solas: Music of Collection Tibetan Art”; Saundy Stemen, Educator, Ireland; The Blind Boys of Alabama; Tango Agnes Gund and Frank Stella dialogue, moder- Cleveland Museum of Art: “History of Pho- Night: Ensemble Avantango. ated by Jeffrey Grove. tography”; Michael Weil, CWRU doctoral Artist talks: Judith Glantzman; William candidate: “Going for Baroque: From Jazz on the Circle Kentridge. Caravaggio to Vermeer”; Marjorie Williams, Charlie Haden: “Nocturne.” Cleveland Museum of Art: “The Art of Chi- MLK Jr. Day Celebration Reopening of the African Galleries nese Technology.” Amanda Carlson, University of Hartford: The Greater Cleveland Choral Chapter. “Video and Culture: Focusing on the Arts of Adult Studio Courses Tri-C JazzFest Ejagham and Eastern Nigeria”; Henry John Susan Gray Bé: “Painting in Oil,” “Portrai- Girl Crazy in Concert. Drewal, University of Wisconsin, Madison: ture,” “Seasonscapes: Oil Painting Outdoors,” “Art Works: The Power and Presence of and “Summer Views”; Kate Hoffmeyer: LuminoCity Yoruba Art.” “Beginning Printmaking”; Sue Kaesgen: “Art A Waltz Happening: Groundworks Dance- and Architecture Studio for Adults”; Arielle Other Lectures theater, David Shimotakahara, choreographer, Levine: “Bookmaking,” “Color Studies in and the LuminoCity Orchestra, James Marie Lathers, Case Western Reserve Univer- the Galleries,” and “Papermaking”; Saundy sity: “The Venus de Milo, the Victory of Gaffigan, conductor; Gospel Choir with the Stemen: “Printmaking in Relief”; Jesse Greater Cleveland Choral Chapter. Somathrace and the Louvre”; Robert Lubar, Rhinehart: “Beginning Watercolor,” “Ad- Institute of Fine Arts, New York: “Dali’s vanced Watercolor,” and “Drawing”; Nathan Cool Fridays DREAM: Incredible, Edible, and Pre-Oedipal Wasserbauer: “All-day Drawing Workshop.” Indoor Garden Court Music Beauty”; Khenpo Tsewang Gyatso Rinpoche, spiritual director of Palyul Chang-chub Lifelong Learning and the Arts Mike Crossen; Cuzz Buzz; dbc; George Foley Dargyeling, Chagrin Falls: “The Wisdom of Community Partners 2003: Abington Arms; Jazz Trio; The Jody Grind; Galye Klaber; Manjusri”; Kent R. Weeks, American Univer- Cuyahoga County Board of Mental Retarda- Nighthawk; BJ O’Malley; DJ Severiano sity, Cairo: “The Death of the Valley of the tion; Judson Manor; Judson Park; John Klein; Martinez; Tony Pulizzi; Mika Quan; Mike Kings.” McGregor Home; Rosalie Philips; Benjamin Rotman Trio; Reed Simon Trio; Trail; Under Rose Community Services Adult Daycare the Tree. Archeological Institute of America Services. James A. Harrell, University of Toronto: Summer Evenings Content Partners 2003: Center for Sacred “Ancient Egyptian Mines and Quarries”; Courtyard Music Landmarks, Cleveland State University; Jonathan Kenoyer, University of Wisconsin, Cleveland Botanical Garden; Cleveland Artists The Eddie Baccus Quartet; Blue Lunch; Madison: “Ancient Cities of the Indus Valley”; Foundation; Cleveland Public Art; Nina Charged Particles; dbc; The Eric Gould Quar- Bradley Lepper, Ohio Historical Society: Freedlander Gibans; Holy Trinity Church, tet; Grupo Fuego; The Cliff Habian Quartet; “Serpent and Alligator Mounds in Southern Lorain; Museum of Contemporary Art, The Susan Hesse Quartet; The KingBees; The Ohio”; Jennifer Neils, Case Western Reserve Cleveland; Reverend David A. Novak; Ernie Krivda Jazz Quintet; The Mercurys; The University: “The Greeks in Sicily: A New Western Reserve Historical Society. Ed Michaels Jazz Quartet; Mr. Downchild and Interpretation of Archaic Morgantina”; John the House Rockers; The New Harp Experi- Papadopoulos, UCLA: “Minting Identity: ence; Nighthawk; The Trisha O’Brien Quin- The Invention of Coinage in Magna Graecia”; tet; The Roberto Ocasio Tropical Jam; The Payson Sheets, University of Colorado: Mike Petrone Quartet; The Pillbugs; Reuben’s “Excavating Ceren: A Miniature Maya Train; Vince Robinson and the Jazz Poets; ‘Pompeii’ ”; Franny Taft, Cleveland Institute Rumbá; The Rob Sikora Quintet; Slap; of Art: “Copan: Still Revealing Surprises”; Tabaco y Café; Doug Wood. Philip Wanyerka, Cleveland State University: “Maya Decipherment”; Marjorie Williams, Cleveland Museum of Art: “Quest for Eter- nity: Chinese Archaeological Discoveries”; Richard Yerkes, Ohio University: “Herders and Hunters on the Great Hungarian Plain, 4500–4000 BC.”

ARpp82-100.p65 93 6/2/2004, 12:02 AM Film Girl with a Pearl Earring Murray, organ; The Sø Percussion Quartet; Special advance screening. Alisa Weilerstein, cello with Vivian Hornik Series Weilerstein, piano. African Film Series Greed: A Reconstruction Four features celebrated the reinstallation of the Four-hour reconstruction of Erich von Stroheim’s mutilated silent masterpiece. Musart Matinee Series museum’s African galleries. Kathy Chastain, flute with Laurent Boukobza, Aki Film Series How’s Your News? piano; The Cleveland Women’s Orchestra; Four films with music by important contempo- Five young adults with mental and/or physical Erato String Quartet; Kotaro Fukuma, piano; rary composers augmented the museum’s Aki disabilities travel across America conducting The Klemperer Trio; Malia Bendi Merad, Festival of New Music. man-on-the-street interviews. soprano with Aymeric Dupré la Tour, piano/ Gilt Trips The Leopard harpsichord; Robert Moncrief, organ; Massimo Seven visually splendid literary adaptations Restored print (from England) of the 1962 Nosetti, organ; Oberlin Collegium, Steven complemented the museum’s Gilded Age Italian epic directed by Luchino Visconti. Plank, director; Piano/Ohio Competition; exhibition. Reverend Billy & the Church of Stop Shopping Karel Paukert, harpsichord with Sandra Simon, soprano, “The Gwinn Mansion Performance”; Holiday Film Festival Portrait of an anti-globalization performance artist. Antonio Pompa-Baldi, piano; St. Paul’s Episco- A free, five-film series paid tribute to some of pal Church Choir, Handbell and Children’s the film notables who died during the year. Rivers and Tides: Andy Goldsworthy Working with Choir, soloists, and instrumental ensemble, Time Karel Paukert, Steven Plank, Cordetta Individual Films of Note Special advance screening. 2003 Oscar-Nominated Shorts Valthauser, and Richard and Beth Nelson, Nine animated and live-action short films. Roxie Hart directors: “Annual Holiday Concert”; “A The movie that spawned the musical Chicago. Tribute to Dr. A. Benedict Schneider”; Absolut Warhola The University Circle Wind Ensemble, Gary Portrait of the Slovakian village where Andy Schmelvis: Searching for the King’s Jewish Roots Ciepluch, director. Warhol’s parents were born. Amusing, eye-opening documentary. American Mullet Strange Fruit and Hughes’ Dream Harlem Facets of the Piano Series Documentary about the much-reviled hairstyle. Black History Month double feature. Paul Badura-Skoda, fortepiano; Leon Fleicher, Bonhoeffer Yellow Asphalt piano; Andreas Haefliger, piano; Fred Hersch, Documentary about the anti-Nazi German Three-part film about Bedouins in contempo- jazz piano; Andrius Zlabys, piano. theologian. rary Israel. Guests during the year: Pixar animator Pete Aki Festival of New Music La Commune (Paris, 1871) Opening performance “Incremental Cadenza” Peter Watkins’s six-hour faux documentary Docter (Monsters, Inc.) presented a special program of film clips and commentary as a kickoff with Art Acts, Robin VanLear, director; Com- about the creation and failure of a revolution- posers in the Heights; The Corigliano String ary, utopian French government. to the new film series, “Panorama: Moving Pictures @ the Art Museum.” (With the new Quartet; Robert Dick, flutes; Ensemble Sirius, From the Other Side name came new ticket prices and new market- Michael Fowler, piano with Stuart Gerber, Documentary about Mexicans who illegally ing initiatives, plus a new emphasis on recent percussion: “The Music of Karlheinz cross the U.S. border. first-run films.) Time magazine film critic Stockhausen”; John Harbison: “A Talk with Richard Schickel introduced a screening of John Harbison”; Olli Kortekangas: “The Little The Magnificent Ambersons; Canadian filmmaker Big Land of Music: A Composer’s View” (lec- Alan Zweig and Cleveland comic book artist ture); The New String Quartet Project; Marilyn Harvey Pekar answered questions after a Nonken, piano: “The Music of Tristan Murail”; screening of Zweig’s documentary Vinyl; John The Oberlin Contemporary Ensemble, Domer, Ohio maker of highway safety films, Timothy Weiss, director: “Korvat auki! (Ears discussed the genre after a screening of a docu- Open): New Music from Finland” and “The mentary about them, Hell’s Highway; Victoria Music of Joan Tower”; The Pacifica Quartet: Uris, a Columbus filmmaker, commented on “Elliott Carter: The Complete String Quartets”; her award-winning dance films; and Austrian Percussion Group Cincinnati: “A John Cage filmmaker Harald Friedl discussed his new Music Circus”; The Sø Percussion Quartet. documentary Africa Representa. Two musicians and one band—organist Dennis James of Musart Mondial Series Tacoma, Washington, pianist David Drazin of Jason Vieaux, guitar; Vermeer String Quartet. Chicago, and Cleveland trio Lingua—provided Summer Evenings live musical accompaniment to three of the ENCORE School for Strings Quartet Perfor- year’s silent films (Harold Lloyd’s Girl Shy, mance; Thierry Escaich, organ; James Higdon, F. W. Murnau’s Faust, and The Cabinet of organ; Lyric Opera Cleveland; Organ Plus: Dr. Caligari). Music for Organ and Instruments Karel Paukert, organ; Daniel Shapiro, piano; Musical Arts Van/Biran duo piano. Lectures Curator’s Organ and Keyboard Recitals Paul Cox, Rebecca Fischer, Bobby Jackson, Karel Paukert, 20 recitals and five Peter Laki, Steven Plank, Richard Rodda. demonstrations. Pixar animator Pete Gala Music Series Docter appeared in The Brentano String Quartet; The Fred June to talk about his Hersch Trio; Wolfgang Holzmair, baritone work on the movie with Russell Ryan, piano; The Kuss Quartet; Monsters, Inc. Andrew Manze, baroque violin; Thomas

ARpp82-100.p65 94 6/2/2004, 12:02 AM Summary of Attendance Volunteer Julie Stanger enters slide Total Attendance, Museum 450,544 information into the Community Arts image library’s Chalk Festival 7,000 Re:Discovery online Community Arts, offsite events 102,640 database. Circle of Masks 675 Parade the Circle Celebration 52,603 Winter Lights Lantern Festival 11,000 Total 173,918 School and Teacher Services Art to Go 5,599 Distance Learning 18,410 Self-guided groups 20,870 Staff-guided and docent-guided groups 33,184 Studio programs 2,038 Teacher Resource Center 2,269 Teacher Resource Center offsite 2,420 Monitored drawing in the galleries 84 ICARE grant 594 Total 85,468 Family and Youth Programs Community outreach programs 3,429* Ingalls Library Image Library Family workshops 2,134 Slides borrowed 27,280 Book Library Storytelling 166 CMA staff 4,813 Cataloging High school programs 1,682* CWRU 14,586 Books cataloged 6,794 titles in 8,117 items Asian Odyssey 1,055* Public 7,881 includes books, serials, electronic resources, Future Connections 500* microforms, scores, and video and audio Theater Arts Camp 127 Slide borrowers 888 recordings, in Roman and CJK scripts Museum Art Classes 8,140* CMA staff 214 Volume count as of Special youth programs 1,125* CWRU 447 December 31, 2003 304,646 titles Early Learning Initiative 1,025 Public 227 in 383,627 volumes Circle Sampler Camp 100 Book repairs 916 Special Days 3,672 Slides filed 35,674 Headings added to ArtNACO 119 Martin Luther King Jr. Day 1,408 Videos borrowed 66 Cultural Heritage Day 580 Videos watched 61 Acquisitions Indian Festival Day 1,684 Videos owned 1,074 Books ordered 4,022 Total 20,348 Books received 5,528 Acquisitions For Adults Gifts received 2,168 Digital images photographed 651 CWRU classes 14,066* Exchanges received 1,273 Digital images purchased 5,620 CWRU audit classes for members 2,324* Gallery talks 3,380 Public Services Digital Processing Highlights tours by docents 3,106 Staff use (February–December) 2,566 Slides scanned 4,833 Public lectures 7,698 Nonstaff users registered 5,329 Slides printed 936 Recorded tours 8,866 Book circulation 37,119 Chola Bronzes 1,770 CMA staff 24,583 Cataloging Magna Graecia 607 CWRU 7,895 Entered 5,848 Sight and Sound 6,489 Members 911 Cataloged 3,874 Self-guided groups 1,845 Other researchers 3,730 Staff-guided groups 715 Books shelved 32,683 Records online in Re:Discovery 178,490 Docent-guided groups 7,045 Reference questions answered 2,009 Images online in Re:Discovery 49,404 Studio classes 5,520* includes 333 email questions Life-long Learning Program 3,460* Books handled via courier run 5,244 Total 58,025 Interlibrary loans 1,117 Archives 291 as borrower; 757 as lender Records accessioned 138 cubic feet Film 8,178 Records processed 63 cubic feet Musical Arts 12,087 Total holdings as Serials December 31, 2003 2,100 cubic feet Performing Arts Total serial titles 2,991 Finding aids/box lists prepared 7 Jazz on the Circle 686 Total active titles 1,598 Records sent to offsite storage 78 cubic feet Summer Evenings (Wednesdays and Total serials checked in 4,045 File titles added to database 1,985 Fridays) (door count) 24,788 Titles cataloged 110 Reference requests, total 212 Carnevale World Music and Sales catalogs received 1,830 CMA staff 152 Dance 4,900 Volumes bound 2,810 Public 60 VIVA! Festival of Performing Arts 5,664 Other concerts, festivals, and workshops 2,485 SCIPIO (Sales Catalog Index Total 33,623 Project Input Online) Records added 1,830 Grand Total 391,647 Total records in online system 80,069 *reflects multi-attendance

ARpp82-100.p65 95 6/2/2004, 12:02 AM Staff Director’s Office Administration Tim Gaewsky, Building Services Protection Services Katharine Lee Reid, Janet Ashe, Deputy Installation David Blom, Brad Clark, Chief of Director and Chief Director of Technician Building Services Protection Services Executive Officer Administration and Mark McClintock, Supervisor Carol Camloh, Roberto Prcela, Treasurer Installation Artice (Joe) Savage, Coordinator Technician Secretary of the Group Leader/ Jeff Cahill, Manager Board Design and Barbara Konrad, General Cleaner Architecture Salvador Gonzalez, Lynn Williams, Installation Shawn Burns, Division Manager Executive Assistant Technician* General Cleaner Jeffrey Strean, Carolyn M. Ivanye, Barbara Kasperski, LaTonya Cozart, Director of Design Manager Administrative General Cleaner and Architecture Operations Jaime Juarez, Assistant Susan Evan, General Andrew Gutierrez, Division Manager Cleaner Architectural Ian Herron, Director Frederick D. Martin Brian Ferguson, Draftsman of Operations Jr., Manager General Cleaner Elizabeth Krage, Steven Witalis, Project Coordinator, Brian Fields, General Manager Facilities Cleaner Building Project William McGee, Thomas Catalioti, Amy Draves, Rebecca Harrison, Electronic Security Facilities Manager Administrative General Cleaner Coordinator Tonya Shaffer, Assistant* Deanna Miller, Robert Andrews, Assistant to the Elisa Meadows, General Cleaner Supervisor Facilities Manager Administrative Hercules Riley, James Donovan, James F. Rudisille, Assistant* General Cleaner Supervisor Electrician Ibn Taylor, General Ken Haffner, Robin Presley, Design Cleaner Supervisor Facilities Painter JoAnn Dickey, John Weems, Eugene Irwin, Graphic Designer General Cleaner Supervisor Construction Services Terra Pileski, Cynthia Wiggins, Carol Meyers, Production Mark Unick, General Cleaner Supervisor Foreman, Designer* Monica Wiggins, David Setny, Construction Mary Thomas, General Cleaner Supervisor Services Production Avila Winston, Kamilia Abadier, Dominique Halley, Designer* General Cleaner Guard Chris Tyler, Lighting Construction Services Technician Soad Al Rashidy, Designer Grounds Guard* Randall Von Ryan, Thomas Hornberger, Marcus Altus, Engineering Director, Museum Grounds Supervisor Guard* Planning and Joseph Z. Jamrus, Robin VanLear, artistic Ronald L. Crosby, Amber Aras, Guard* Construction Engineering director of Community Group Leader/ Administrator Supervisor Maria Aras, Guard Arts, puts the finishing Groundskeeper touches on the chalk Anthony Lee, Alexander Armond, Allen C. Jesunas, drawing she created to Facilities Technician Guard* Exhibition Production Grounds Assistant celebrate the reopening Frank Babudar, 3rd Ian Bailey, Guard* of the gallery of the art Howard Oliver, Lott Crosby, Museum Shift Engineer Guan Barnes, of sub-Saharan Africa, Groundskeeper Technician/Painter Thomas J. Cari, Guard* prior to the annual William Foster, Engineer Chalk Festival. Gerald L. Smith, Groundskeeper Bruce Briggs, Carpenter/Museum Anthony Ceo, Guard* Joseph L. Hrovat, Technician Engineer Groundskeeper Frank Cacciacarro, Richard Friend, 3rd Guard John Sawicki, Shift Engineer Installation Groundskeeper Ed Cade, Guard* Pete Joksimovich, Jeff Falsgraf, Chief of Richard Korosi, Jonathan Cahill, 2nd Shift Engineer Installation Groundskeeper* Guard* Joseph R. Blaser Jr., Mel Matowitz, 2nd David Carter, Lead Technician, Shift Engineer Guard* Permanent Fred E. Sanders, Adam Clark, Guard* Collection Engineer Mervin Clary, Guard Robin Roth, Graphics Technician Margarita Claudio, Guard Philip Brutz, Installation Jonathan Clemente, Guard* Technician * part-time

ARpp82-100.p65 96 6/2/2004, 12:02 AM Clint Clore, Guard Emmil Makram, Janet Voss, Guard Saul Kammen, Sales Jermaine Ross, Food Human Resources Elizabeth Copan, Guard* Lauren Voss, Guard* Assistant* Service Division Representative* Guard* Louris Malaty, Guard Seretha Walker, Joan Larson, Sales Sharon Reaves, Leroy Coston, David McElhaney, Guard* Assistant* Yvonne Somerville, Director of Human Guard* Guard* Richard Napoli, Food Service Resources John Williams, Representative* Candice Dangerfield, Felice McLin, Guard Guard Sales Assistant* Sara Allison, Human Guard* Tony Shields, Sales Michael Stephens, Resources James McNamara, Cary Yancey, Food Service Administrator Blanca Dario, Guard Guard* Assistant* Representative* Heather Weisenseel, Guard* Salwa Melek, Guard George Youssef, Charlotte Stein, Sales Assistant* Laura Swopes, Food Human Resources Dexter Davis, Guard George Meluch, Guard Service Administrator Jonah De Rivera, Guard* Richard Zywczyk, Barbara Wayne, Sales Representative* Assistant* Carla Petersen, Guard* Valentine Mihalek, Guard* Darryl Wesley, Food Benefits Specialist Connie Devadoss, Guard* Alton Avery, Night Service Guard* Matthew Muccio, Watch Person Operations and Representative* Antoinette Dudley, Guard* John Beukemann, Warehousing Maketa White, Food Collections and Guard* Teresa Najarro, Night Watch Marvin Bell, Service Programs James Earl, Guard* Guard Person* Museum Receiver Representative* Charles L. Venable, Charles Ellis, Guard Daniel Neforos, Vincent D’Amico, Renee Suich, Deputy Director for Guard* Night Watch Person Warehouse Finance Division Collections and Ilya Elnatanov, Supervisor Programs Guard* Bern Ninteenofive, Anthony Dudley, Connie Pomeroy, Guard* Night Watch Michael Meredith, Finance and Lynn Cameron, Carolyn Ernst, Person* Warehouse Assistant Purchasing Executive Assistant Guard* Adam Noble, Supervisor Administrator Guard* Derrick Fields, Night Michael Evans, Watch Person* Michael Jones, Conservation Guard Vincent Nolasco, Division Lawrence Fitch, Warehouse Accounting Stacy Foreman, Guard* Assistant* Night Watch Person Ed Bauer, Controller D. Bruce Christman, Guard* James Norris, Chief Conservator Lee Hebebrand, Ted Frisco, Guard* Guard* Russ Klimczuk, Night Watch Person Distribution Services Manager of Financial Marcia C. Steele, Robert Norton, Conservator of Gabe Gaskins, Leonard Kile, Night Wanda Ankrom, Planning Guard* Guard* Paintings Watch Person Distribution Services Kimberly Cerar, Dezso Novota, Kenneth Bé, Elizabeth Germano, David Robbins, Supervisor Assistant Controller Guard Associate Guard* Night Watch Person Kimberly Grice, Christine Hoge, Conservator of Leonard Gipson Jr., Robert Pruitt, Distribution Services Guard* John Somogyi, Endowment Paintings Guard Night Watch Person Associate Accountant Moyna Stanton, Adrienne Grady, Vladimir Rasshivkin, Alberta Daniels, Carey Yancey, Night Amy Banko, Associate Guard* Guard Delivery Person Watch Person Construction/ Conservator of Paper Alexander Gulkin, James Rauchfleisch, Development Guard* Guard* Accountant Robin Hanson, Museum Store Food Service Assistant Conservator Charmane Harris, Timothy Roach, Karen Pinson, Guard John Baburek, Buyer John Royak, Food of Textiles Guard* Service Manager Accounts Receivable Jason Rudolf, Diana Borcz, Specialist Beth Wolfe, Textile Clifford Hicks, Denise Cooper, Conservation Guard Guard* Product Developer/ Melady McCartney, Visual Merchandise Food Service Technician Abdullah Ibrahim, Morgan Scagliotti, Representative* Accounts Payable Guard* Coordinator Specialist Lawrence Sisson, Guard* Anthony Dudley, Assistant Conservator Abram Shneyder, Dedeja Tsiranany, Patricia Hunter, Kenneth Jones, Office Coordinator Food Service of Objects Guard* Guard Representative* Payroll Coordinator Nancy Vasse-Hansel, James George, Willie Jones, Guard* Bion St. Bernard, Derrick Fields, Food Preparator Guard* Wholesale Gerald Karecki, Coordinator Service Joan Neubecker, Guard Alec Stewart, Representative* Preparator Guard* Hedvig Novota, Walter Karoly, Senior Assistant Patricia Folds, Food Charles Eiben, Guard* Reginald Sturdivant, Manager Service Preparator for Prints Guard Representative* Jon Keppel, Guard* Carolyn Guy, Selling and Drawings Marti Thomas, Tonya Pearl, Food Dwayne Kirkland, Supervisor Marta Oriola-Folch, Guard Service Guard Patrick Cassidy, Sales Contract Martin Tkac Jr., Representative* Conservator of Anne Laperriere, Assistant* Guard Diondra Penland, Paintings Guard* Rachel Coon, Sales Food Service Alexander Verni, Assistant* Linnea Saunders, Dontae Hines Guard Representative* Contract Linder, Guard* Mary Howarth, Sales Taisha Polk, Food Conservator of David Lukanc, Assistant* Service Paintings Guard* Robert Jaffe, Sales Representative* Judith DeVere, Assistant* Senior Assistant

ARpp82-100.p65 97 6/2/2004, 12:02 AM Curatorial Division Contemporary Art and Collections Care Ingalls Library and Education and Mary Kate African Art and Art of Photography Division Archives Public Programs Frederickson, Art to the Ancient Americas Jeffrey Grove, Exhibition Office Ann B. Abid, Head Division Go Instructor Susan Bergh, Associate Curator of Heidi Domine, Head Librarian Marjorie Williams, Karen Bourquin, Art Associate Curator of Contemporary Art of Exhibitions Louis Adrean, Director of to Go Assistant* Art of the Ancient Tom E. Hinson, Associate Librarian Education and Public Mary Ann Popovich, Marlene Haas, Programs Americas Curator of Exhibitions for Public Services Assistant Director, Constantine Petridis, Photography Coordinator Elizabeth Lantz, Kathleen Teacher Resource Associate Curator of Cathleen Chaffee, Assistant Librarian Colquhoun, Center (TRC) African Art Curatorial Assistant for Acquisitions* Executive Assistant Christine Bizay- Photographic and Joellen DeOreo, Vuyancih, TRC Carol A. Ciulla, Digital Imaging Frederick Friedman- Senior Assistant Romell, Systems Associate Director, Assistant* European and Services Exhibitions and Lisa Binder, American Painting and Librarian Claire Lee Rogers, Howard T. Agriesti, Adult Programs Associate Director, Curatorial Intern Sculpture Chief Photographer Maria C. Downey, Serials Librarian Colleen Cross, School and Family Sylvain Bellenger, Gary Kirchenbauer, Special Programs Services Ancient Art The Paul J. and Associate Lori Ann Thorrat, Coordinator Edith Ingalls Vignos Head Cataloger Massoud Saidpour, Michael Bennett, Photographer Shannon Masterson, Artistic Director, Jr. Curator of Melanie Seal, Curator of Greek European Paintings David Brichford, Department Head, Performing Arts and and Roman Art Darkroom and Cataloger Education Programs Film William H. Imaging Technician Christine Edmonson, Rachel Rosenzweig, Robinson, Curator Cavana I. O. Jeremy Shubrook, Curatorial Assistant Bruce Shewitz, Interlibrary Loan Faithwalker, Assistant Production of Modern European Librarian David Smart, Senior Art Assistant Manager Director, Coordinator Assistant Helen Platten, Community John Ewing, Kathleen McKeever, Reference Librarian* Outreach Curatorial Assistant Publications Department Head, Pamela Braverman, Dyane Hanslik, Film* Asian Art June de Phillips, Laurence Channing, Acquisitions Assistant Director, Michael St. Clair, Ju-hsi Chou, Curator Curatorial Assistant Head of Publications Assistant* Family and Youth Department Head, of Chinese Art Barbara J. Bradley, Guillaume Nicoud, Marsha Morrow, Programs Audio Visual Senior Editor Stanislaw J. Czuma, Research Assistant Acquisitions Assistant Dale Hilton, Services George P. Bickford Jane Takac Panza, Margaret Burgess, Stacie A. Murry, Assistant Director, Laszlo Vince, AV Curator of Indian Editor Andrew W. Mellon Cataloging Assistant Distance Learning Assistant and Southeast Asian Foundation Program Art Curatorial Fellow Michael Becroft, Tim Harry, AV Registrar’s Office Serials Assistant David Shaw, Assistant* Nancy Grossman, Distance Learning Mary E. Suzor, Chief Jennifer Vickers, Curatorial Assistant Technical Support Robin VanLear, Registrar Circulation Assistant Artistic Director, Beth Sanders- Medieval Art Manager Stephen N. Fliegel, Carolyn T. Thum, Jennifer Smith, Community Arts blevans, Senior Susan Martis, Associate Curator of Associate Registrar Library Assistant Assistant Distance Learning Nan Eisenberg, Medieval Art Coordinator, Anita Chung, Gretchen Shie Elizabeth Berke, Assistant Rachel Rosenzweig, Miller, Associate Administrative Community Arts Andrew W. Mellon Frank Isphording, Curatorial Assistant Registrar for Loans Assistant Research Fellow Distance Learning Gail Trembly, Todd Herman, Kress Beth A. Gresham, Maureen Cowan, Project Coordinator* Community Arts Fellow Associate Registrar Library Technician* Assistant Decorative Arts for Exhibitions* Mary Ryan, Distance Sara Jane Pearman, Learning Scheduler* Mary Woodward, Carol A. Ciulla, Education Prints and Drawings Jennifer Qualiotto, Image Librarian Senior Assistant Assistant Registrar Barbara A. Kathman, Coordinator* Carter Foster, William Kennedy, Assistant Director, Charlotte Vignon, Seema Rao, Curator of Drawings Jeanette Saunders, Slide Cataloger Docent Program Andrew W. Mellon Coordinator, Special Assistant Registrar* Becky Bristol, Research Fellow Jane Glaubinger, Roberta Laster, Programs Curator of Prints Bridget Weber, Circulation Docent Program Assistant Registrar Assistant/Accessioner Assistant* Karen Gregg, Heather Lemonedes, Scheduling Andrea S. Bour, Lisa Wells, Image Assistant Curator of Michael Starinsky, Administrator Prints Assistant Registrar Cataloger* Associate Director, Penelope D. for Collections Andrew Findley, Art to Go Joan Brickley, Buchanan, Information* Image Digitizer* Department Curatorial Assistant Consultant Monica Wolf, Rights Leslie Cade, Alicia Hudson Garr, Katherine Klann, and Reproduction Archivist Assistant Director, Textiles and Islamic Coordinator Assistant* Hillary Bober, Art to Go Art Anne Kowalski, Jinai Amos, Assistant Archivist Department Louise W. Mackie, Department Assistant Jean Graves, Art to Assistant* Curator of Textiles Andrew Rock, Go Curriculum and Islamic Art Packing Specialist Writer Chris Ujcich, Senior Jeff Witt, Art Assistant Handler/Packing Assistant

ARpp82-100.p65 98 6/2/2004, 12:02 AM Musical Arts Denise Kozlowski, Communications Lori O’Connor, Information Karel Paukert, Development Rob Bruder, Media Ticket Agent* Technology Curator Assistant Relations Margaret Day, Leonard Steinbach, Paul Cox, Assistant Jack Stinedurf, Coordinator Group Sales Chief Information Curator Associate Director, Julie Limpach, Media Coordinator Officer Development Michael McKay, Relations Fay Grinage, Judy Fredrichs, IT Assistant* Joan O’Brien, Coordinator Switchboard Administrator Assistant Director, Operator Grants and Government Guest and Member Information Services Development and Relations Services Outreach and Audience Douglas Hiwiller, External Affairs John Alan, Manager, Development Information Services Susan Jaros, Deputy Guest and Member Cathy Lewis-Wright, Manager Membership Director of Services Associate Director, Robert Hlad, Development and Andrea Krist, Beverly Essinger, Outreach and Systems Coordinator External Affairs Associate Director, Ticket Center Audience Membership Development Margo Frey, User Jacqueline Kelling, Assistant Supervisor Support Specialist Campaign Bill Davenport, Karen Wellman, Coordinator and Membership Marvin Richardson, Ticket Center User Support Division Manager Assistant Constituent Assistant Supervisor Specialist Relations Division Linda Goldstein, Maureen Kelly, Emily Austin-Rose, Executive Assistant Membership Ticket Agent* Karen Carr, Director Assistant of Constituent New Media Initiatives Sarah Biederman, Relations, Protocol, Rob Sikora, Ticket Agent* Holly Witchey, Development Membership and Events Manager, New Division Assistant Karrie Childs, Ticket Media Initiatives Agent* Cynthia Rallis, Christine Wright, Special Events Michael Hilliard, Patricia Dolak, Assistant Manager, Director of Membership Ann Koslow, Ticket Agent* New Media Development Assistant Manager, Special Cynthia Green, Initiatives Connie Breth, Events Ticket Agent* Administrative Eliza Parkin, Special Sharon Jacobs, Assistant External Affairs Events Coordinator Network Services Division Ticket Agent* Kim McCarty, Gretchen Denaro, Tom Hood, Martha Jacoby, Associate Director, Donna Brock, Department Network Manager Corporate Relations Ticket Agent* Director of External Administrator Robert Nuhn, Affairs John Kelly, Ticket Kari Phillips, Hunter Walter, Assistant Network Agent* Corporate Relations Administrative Manager Manager Assistant Amy Martin, Marketing Department Support Associate Director, Communications Specialists Individual Giving Rebecca Murphy, Volunteer Initiatives Associate Director, Dave Andrews, Dana Myers, Diane De Bevec, Marketing Associate Director, Administration Individual Giving Communications Manager Volunteer Initiatives Mike Brugnoni, Nina Arrowood, Liz Pim, Digital Imaging Biserka Mikleus, Marketing Associate Development Coordinator Linda Wetzel, Assistant Thomas H. Barnard, Development/ Graphic Designer External Affairs and Rebecca Greene, Education Planned Giving Gregory M. Donley, Assistant Senior Writer/ Eric Nardone, Designer, External Educational Patricia J. Butler, Affairs Technologist Support Services Administrator Charles Szabla, Production Manager Racheal Seibert, Research Associate Mel Horvath, Printer Blaine Stojkov, Press Operator

ARpp82-100.p65 99 6/2/2004, 12:02 AM Not only can you touch it—you can even play hopscotch on it. The annual Chalk Festival provides many such opportunities, as here on the south plaza.

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ARpp82-100.p65 100 6/8/2004, 4:19 PM Financial Report 2003

101

ARppp101-112.p65 101 6/2/2004, 12:04 AM TREASURER

Financially, we have concluded 2003 with a balanced budget and a strong balance sheet, bolstered by the improvement in the endowment. The museum’s net assets increased by $104.7 million with a $92.2 million improvement in the endowment balance. We also recognized an increase in pledges receivable as we continue to prepare for the expansion and renovation project.

The market declines from the previous three years adversely affect the spending rule and the funds from the endowment that can be drawn upon to meet operating expenses. This will be especially evident for the budget years 2004 and 2005. Therefore, the museum proactively reduced expenses by approximately 10% in order to maintain a balanced budget. This was a difficult process, with every area contributing to meet this goal. The majority of the reductions were implemented in July 2003, which has positioned us well for the next two years. We will continue to be proactive by investigating potential revenue streams in the future and keeping an ever-vigilant eye on expenses.

Janet G. Ashe Deputy Director of Administration and Treasurer

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ARppp101-112.p65 102 6/2/2004, 12:04 AM Revenues

Investments—general and specific purpose 69.6%

Individual, corporate, and government gifts and grants 25.6%

Programs and miscellaneous 4.0%

Retail and fee income (net) 0.8%

Operating Expenditures

Curatorial, conservation, and programs 36.5%

Design, building, and depreciation 31.3%

Administrative and retirees 16.6% Membership and development 15.6%

Summary of Key Finance Data

Years ended December 31 (in thousands) 2003 2002 2001 2000 1999 Investment $368,099.9 $316,259.8 $384,347.8 $408,479.2 $406,350.5 Charitable perpetual trusts 289,775.5 249,369.2 295,188.1 325,558.7 351,752.1 Total 657,875.4 565,629.0 679,535.9 734,037.9 758,102.6 Art purchases 8,404.7 14,003.0 13,990.0 5,472.7 16,892.1 Unrestricted revenue and support 33,904.6 33,678.9 31,535.6 31,039.9 27,712.6 Operating expenses 33,850.0 33,658.4 31,531.4 30,922.6 28,446.0 Excess (deficiency) of operating revenue and support over operating expenses 54.6 20.5 4.2 117.3 (733.4)A Five-year average $ (107.4)

A. Includes a one-time, post-employment benefit expense of $944.2

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ARppp101-112.p65 103 6/2/2004, 12:04 AM Report of Independent Auditors

Board of Trustees The Cleveland Museum of Art

We have audited the accompanying statements of financial position of the Cleveland Museum of Art as of December 31, 2003 and 2002, and the related statements of activities and cash flows for the years then ended. These financial statements are the responsibility of the Cleveland Museum of Art’s management. Our responsibility is to express an opinion on these financial statements based on our audits. We conducted our audits in accordance with auditing standards generally accepted in the United States. Those standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial statements. An audit also includes assessing the accounting principles used and significant estimates made by management, as well as evaluating the overall financial statement presentation. We believe that our audits provide a reasonable basis for our opinion. In our opinion, the financial statements referred to above present fairly, in all material respects, the financial position of the Cleveland Museum of Art as of December 31, 2003 and 2002, and the changes in its net assets and its cash flows for the years then ended in conformity with accounting principles generally accepted in the United States.

April 23, 2004 Cleveland, Ohio

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ARppp101-112.p65 104 6/2/2004, 12:04 AM Statements of Financial Position

December 31, 2003 December 31, 2002 Assets Cash and cash equivalents $ 5,895,733 $ 5,948,314 Accounts receivable 363,313 395,719 Inventories 491,343 822,970 Prepaid expenses and other current assets 951,360 1,297,292

Investments (Note 6) 368,099,940 316,259,812

Buildings and equipment: Buildings and improvements 29,416,509 29,158,493 Equipment 13,813,705 12,658,051 Construction in progress 21,451,668 14,714,546 64,681,882 56,531,090 Less accumulated depreciation 33,565,507 31,544,956 Total buildings and equipment—net 31,116,375 24,986,134

Other assets: Charitable perpetual trusts 289,775,520 249,369,196 Pledges receivable 19,888,527 11,879,660 Other 673,507 892,084

Total assets $717,255,618 $ 611,851,181

December 31, 2003 December 31, 2002 Liabilities and net assets Liabilities: Accounts payable $ 7,738,929 $ 5,244,345 Accrued expenses 829,963 892,337 Short-term borrowings 5,250,000 7,440,000 Deferred revenue 337,997 300,759 Other liabilities 6,321,468 6,391,562 Total liabilities 20,478,357 20,269,003

Net assets: Unrestricted 172,362,762 153,919,509 Temporarily restricted 214,894,722 168,549,216 Permanently restricted 309,519,777 269,113,453 Total net assets 696,777,261 591,582,178 Total liabilities and net assets $717,255,618 $ 611,851,181

See notes to financial statements.

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ARppp101-112.p65 105 6/2/2004, 12:04 AM Statement of Activities Year ended December 31, 2003

Temporarily Permanently Unrestricted Restricted Restricted Total Revenues and support Contributions and memberships $ 3,299,662 $ 3,299,662 Trust fund revenues 2,801,170 $ 159,503 2,960,673 Gifts from independent dedicated trusts: John Huntington Art and Polytechnic Trust 4,226,271 4,226,271 Horace Kelley Art Foundation 340,000 340,000 Grants 962,967 350,880 1,313,847 Program revenues 720,188 720,188 Special events 544,900 544,900 Other 386,479 481,544 868,023 Stores, café, parking, and products 2,790,058 2,790,058 Grants and gifts for specific capital expenditures 12,194,063 12,194,063 Investment return designated for current operations (Note 6) 14,455,102 335,422 14,790,524 Net assets released from restrictions used for operations (Note 5) 3,377,830 (3,377,830) Total revenues and support 33,904,627 10,143,582 44,048,209

Expenses Curatorial, conservation, and registrar 6,668,617 6,668,617 Design and security expenses 6,542,591 6,542,591 Education, library, and extensions 4,205,813 4,205,813 Publications, printing, and photography 555,968 555,968 Membership services 423,333 423,333 Development, special events, and visitor services 4,441,772 4,441,772 Administration 5,199,457 5,199,457 Specific building repairs and maintenance 1,246,832 1,246,832 Stores, café, parking, and products 2,545,121 2,545,121 Depreciation 2,020,551 2,020,551 Total expenses 33,850,055 33,850,055 Excess of revenues and support over expenses before other changes in net assets 54,572 10,143,582 10,198,154

Other changes in net assets Endowment and trust income for art purchases 13,108,449 13,108,449 Net assets released from restrictions used to fund acquisition of art objects (Note 5) 8,404,699 (8,404,699) Expenditures for the acquisition of art objects (8,404,699) (8,404,699) Gifts, contributions, and other changes 111,563 942,014 1,053,577 Investment return (loss) after amounts designated (Note 6) 20,058,962 28,774,316 48,833,278 Net assets released from restrictions used for capital (Note 5) 220,145 (220,145) Change in fair value of charitable perpetual trusts $ 40,406,324 $ 40,406,324 Reclassification of net assets (Note 2) (2,001,989) 2,001,989 Increase in net assets 18,443,253 46,345,506 40,406,324 105,195,083 Net assets at January 1, 2003 153,919,509 168,549,216 269,113,453 591,582,178

Net assets at December 31, 2003 $172,362,762 $214,894,722 $ 309,519,777 $696,777,261

See notes to financial statements.

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ARppp101-112.p65 106 6/2/2004, 12:04 AM Statement of Activities Year ended December 31, 2002

Temporarily Permanently Unrestricted Restricted Restricted Total Revenues and support Contributions and memberships $ 3,597,861 $ 3,597,861 Trust fund revenues 3,106,425 $ 182,221 3,288,646 Gifts from independent dedicated trusts: John Huntington Art and Polytechnic Trust 4,900,000 4,900,000 Horace Kelley Art Foundation 365,000 365,000 Grants 821,303 1,178,102 1,999,405 Program revenues 1,431,865 1,431,865 Special events 688,333 688,333 Other 69,310 422,810 492,120 Stores, café, parking, and products 3,389,756 3,389,756 Grants and gifts for specific capital expenditures 2,059,605 2,059,605 Investment return designated for current operations (Note 6) 13,409,884 343,840 13,753,724 Net assets released from restrictions used for operations (Note 5) 1,899,183 (1,899,183) Total revenues and support 33,678,920 2,287,395 35,966,315

Expenses Curatorial, conservation, and registrar 6,668,645 6,668,645 Design and security expenses 6,584,738 6,584,738 Education, library, and extensions 4,236,387 4,236,387 Publications, printing, and photography 630,003 630,003 Membership services 660,425 660,425 Development, special events, and visitor services 3,870,990 3,870,990 Administration 5,745,327 5,745,327 Specific building repairs and maintenance 186,507 186,507 Stores, café, parking, and products 3,026,136 3,026,136 Depreciation 2,049,221 2,049,221 Total expenses 33,658,379 33,658,379 Excess of revenues and support over expenses before other changes in net assets 20,541 2,287,395 2,307,936

Other changes in net assets Endowment and trust income for art purchases 12,928,128 12,928,128 Net assets released from restrictions used to fund acquisition of art objects (Note 5) 14,003,047 (14,003,047) Expenditures for the acquisition of art objects (14,003,047) (14,003,047) Gifts, contributions, and other changes 688,720 605,002 1,293,722 Investment return (loss) after amounts designated (Note 6) (40,097,387) (27,940,700) (68,038,087) Net assets released from restrictions used for capital (Note 5) 2,930,995 (2,930,995) Change in fair value of charitable perpetual trusts $ (45,818,974) (45,818,974) Reclassification of net assets (Note 2) (3,079,161) 3,079,161 Decrease in net assets (39,536,292) (25,975,056) (45,818,974) (111,330,322) Net assets at January 1, 2002 193,455,801 194,524,272 314,932,427 702,912,500

Net assets at December 31, 2002 $ 153,919,509 $ 168,549,216 $ 269,113,453 $ 591,582,178

See notes to financial statements.

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ARppp101-112.p65 107 6/8/2004, 4:21 PM Statements of Cash Flows

December 31, 2003 December 31, 2002 Reconciliation of change in net assets to net cash used in operating activities Increase (decrease) in net assets $105,195,083 $ (111,330,322) Adjustments to reconcile increase (decrease) in net assets to cash used in operating activities: Depreciation 2,020,551 2,049,221 Investment (gain) loss—net (73,015,913) 46,004,648 (Increase) decrease in fair value of charitable perpetual trusts (40,406,324) 45,818,974 Changes provided by (used in) operating assets and liabilities: Decrease in accounts receivable 32,406 76,974 Decrease in inventories 331,627 169,187 Decrease in prepaid expenses and other current assets 345,932 970,345 (Increase) decrease in pledges receivable (8,008,867) 2,086,037 Decrease in other assets 218,577 143,342 Increase (decrease) in accounts payable 2,494,584 (1,372,548) Decrease in other liabilities and accrued expenses (132,468) (141,987) Increase (decrease) in deferred revenue 37,238 (91,265)

Net cash used in operating activities $ (10,887,574) $ (15,617,394)

Cash flows (used in) provided by financing activities Proceeds from short-term borrowings 4,440,000 Payments on short-term borrowings (2,190,000) Net cash (used in) provided by financing activities (2,190,000) 4,440,000

Cash flows provided by investing activities Purchases of buildings and equipment (8,150,792) (8,694,864) Proceeds from sales and maturities of investments 203,379,885 118,961,089 Purchases of investments (182,204,100) (96,877,737) Net cash provided by investing activities 13,024,993 13,388,488

Net (decrease) increase in cash and cash equivalents (52,581) 2,211,094 Cash and cash equivalents at beginning of year 5,948,314 3,737,220

Cash and cash equivalents at end of year $ 5,895,733 $ 5,948,314

See notes to financial statements.

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ARppp101-112.p65 108 6/2/2004, 12:04 AM Notes to Financial Statements

1. Organization The Cleveland Museum of Art (the Museum) maintains in the City of Cleveland a museum of art of the widest scope for the benefit of the public.

2. Significant Use of Estimates Cash Equivalents Accounting The preparation of financial statements in Cash equivalents are highly liquid investments Policies conformity with accounting principles gener- with a maturity of three months or less when ally accepted in the United States requires purchased. Cash equivalents are measured at management to make estimates and assump- fair value in the statements of financial position tions that affect the amounts reported in the and exclude amounts restricted or designated financial statements and accompanying notes. for long-term purposes. Actual results could differ from those estimates. Inventories Temporarily and Permanently Restricted Net Inventories consist of merchandise available for Assets sale and are stated at the lower of average cost Temporarily restricted net assets are used to or market. differentiate resources, the use of which is restricted by donors or grantors to a specific Investment Income time period or for a specific purpose, from Investment income, including realized gains resources on which no restrictions have been (losses), is added to (deducted from) the appro- placed or that arise from the general operations priate unrestricted or temporarily restricted net of the Museum. assets. Unrealized gains (losses) are added to (deducted from) the applicable unrestricted, Temporarily restricted gifts, grants, and be- temporarily, or permanently restricted net quests are recorded as additions to temporarily assets. restricted net assets in the period received. When restricted net assets are expended for Financial Instruments their stipulated purpose, temporarily restricted The carrying values of accounts receivable, net assets become unrestricted net assets and accounts payable, accrued expenses, and short- are reported in the statement of activities as net term borrowings are reasonable estimates of assets released from restrictions. For tempo- their fair value due to the short-term nature of rarily restricted net assets used for major capital these financial instruments. projects, the Museum records the additions to temporarily restricted net assets and then re- Donated Services ports the annual depreciation expense as a No amounts have been reflected in the finan- reclassification to unrestricted net assets as net cial statements for donated services. The Mu- assets released from restrictions. There were no seum pays for most services requiring specific such reclassifications in the 2003 or 2002 state- expertise. However, many individuals volun- ment of activities. teer their time and perform a variety of tasks Permanently restricted net assets consist of that assist the Museum with various programs. amounts held in perpetuity or for terms desig- Special Exhibitions nated by donors. Earnings on investments, Prepaid expenses and deferred revenue include unless restricted by donors, of the permanently expenditures and revenues in connection with restricted net assets are included in unrestricted the development of special exhibitions. Rev- revenues and other changes in net assets. Re- enues and expenses are recognized pro-rata stricted earnings are recorded as temporarily over the life of the exhibition. Revenues in- restricted revenues until amounts are expended clude such items as corporate and individual in accordance with the donors’ specifications. sponsorships. The expenditures generally in- Art Collection clude such items as research, travel, insurance, In keeping with standard museum practice, transportation, and other costs related to the purchases for the collection are recorded as development and installation of the exhibition. expenditures for the acquisition of art objects Contributions in the statement of activities in the year in Unconditional pledges to give cash, marketable which the objects are acquired. Proceeds from securities, and other assets are reported at fair the deaccession of art objects are recorded as value and discounted to present value at the temporarily restricted net assets and are re- date the pledge is made to the extent estimated stricted to the acquisition of other art objects. to be collectible by the Museum. Conditional The collections, which were acquired via pur- promises to give and indications of intentions chases and contributions, are not recorded as to give are not recognized until the condition assets on the statement of financial position. is satisfied. Pledges received with donor restrictions that limit the use of the donated assets are reported as either temporarily or permanently restricted support, or other changes in net

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ARppp101-112.p65 109 6/2/2004, 12:04 AM assets. When a donor restriction expires, that is, when a stipulated time restriction ends or purpose restriction is accomplished, temporarily restricted net assets are reclassified to unrestricted net assets and reported in the statement of activities as net assets released from restrictions. 2003 2002 Pledges due: In less than one year $ 5,147,905 $ 3,244,687 In one to five years 12,283,488 5,113,320 Greater than five years 7,277,337 7,647,337 24,708,730 16,005,344 Discount on pledges (4,820,203) (4,125,684)

$ 19,888,527 $ 11,879,660

Charitable Perpetual Trusts During 2000, the Museum undertook a The Museum is the sole income beneficiary of project to restore and renovate the original several charitable perpetual trusts and a partial 1916 building and surrounding walkways and income beneficiary of other charitable per- landscaping. Included in operating expenses for petual trusts. Because the trusts are not con- 2002 are $186,507 related to the assessment trolled by the Museum, the assets are classified and phase one segments of the project. There as permanently restricted net assets. The chari- were no similar expenses incurred in 2003. table perpetual trusts are presented at the fair Phase one expenses primarily relate to repair value of the Museum’s portion of the underly- and maintenance of the exterior of the 1916 ing trust assets. The fair value of the charitable building. Phases two and three relate to expen- perpetual trusts increased (decreased) by ditures that are capital in nature and prolong $40,406,324 and ($45,818,974) in 2003 and the useful life of the buildings. Included in 2002, respectively, and the increase (decrease) construction in progress and net assets released was classified as a permanently restricted other from restriction used for capital at Decem- change in net assets, within the statement of ber 31, 2003 and 2002 are $220,145 and activities. Income distributed to the Museum $2,930,995, respectively, related to the capital by the trusts amounted to $11,243,283 and phases of the project. $13,202,055 in 2003 and 2002, respectively, The Museum also undertook a project to re- and was classified as unrestricted and tempo- store and maintain the area referred to as the rarily restricted revenue in trust fund revenues Fine Arts Garden, which is located south of and gifts from independent dedicated trusts, the front entrance to the 1916 building. For including income restricted for acquisition of 2003, a total of $1.3 million was included in art objects of $3,716,339 and $4,648,409, in operating expenses related to this undertaking. 2003 and 2002, respectively, which was classified as an other change in temporarily re- In addition, approximately $13 million has stricted net assets. been committed for architect/contractor fees related to new construction and renovation of Buildings and Equipment existing facilities of which $7.7 million has Buildings and equipment are carried at cost. been expended and is included in construction Depreciation is computed by the straight-line in progress at December 31, 2003. method using the estimated useful lives of the assets. Reclassifications In 2003 and 2002 certain assets were reclassified from unrestricted to temporarily restricted based on a review or modification of donor specifications.

3. Temporarily 2003 2002 Restricted Net Acquisition of art $156,044,057 $ 128,791,644 Assets Specific operating activities: Temporarily re- Curatorial and conservation 8,071,845 6,766,681 stricted net assets are Education and extensions 5,232,059 3,209,751 available for the Library 1,805,463 1,573,918 following purposes at Publications, printing, and photography 4,057,092 1,794,309 December 31: Musical programming 3,453,041 2,995,441 Buildings, grounds, and protection services 31,307,877 19,360,166 Fine Arts Garden 2,486,826 2,137,632 Sundry 2,436,462 1,919,674

Total temporarily restricted net assets $214,894,722 $ 168,549,216

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ARppp101-112.p65 110 6/2/2004, 12:04 AM 4. Permanently 2003 2002 Restricted Net Purchase of art $100,480,396 $ 88,957,826 Assets Specific operating activities 4,633,867 4,223,552 Permanently restricted General operating activities 204,405,514 175,932,075 net assets are amounts held in perpetuity, or Total permanently restricted net assets $309,519,777 $ 269,113,453 for terms designated by donors, the income from which is expend- able to support the following purposes at December 31:

2003 2002 5. Net Assets Released from Acquisition of art $ 8,404,699 $ 14,003,047 Restrictions Net assets were re- Specific operating activities: leased from restric- Curatorial and conservation $ 1,564,272 $ 414,369 tions during 2003 and Education and extensions 149,358 551,005 2002 by incurring Library 55,359 24,731 expenses or making Musical programming 179,142 139,001 capital expenditures Fine Arts Garden 97,304 280,592 satisfying the re- Sundry 85,564 302,978 stricted purposes as Buildings, repair, and maintenance 1,246,831 186,507 follows: Net assets released from restrictions used for operations $ 3,377,830 $ 1,899,183 Net assets released from restrictions used for capital expenditures were $220,145 and $2,930,995 for 2003 and 2002, respectively.

6. Investments 2003 2002 Fair Value Cash and cash equivalents $ 3,556,714 $ 3,900,912 Fair value, based on Bonds and combined bond funds 43,384,319 57,040,936 quoted market Stocks and combined stock funds 316,303,807 252,300,445 prices, of investments Other assets 4,855,100 3,017,519 at December 31 are as follows: $368,099,940 $ 316,259,812

Investment Returns Temporarily Permanently The following sum- 2003 Unrestricted Restricted Restricted marizes returns from Dividends and interest $ 1,592,064 $ 1,801,809 the Museum’s in- Realized and unrealized gains net vestments and the of realized and unrealized losses 32,922,000 36,700,040 related classifications Change in fair value of charitable perpetual trusts $ 40,406,324 in the statements of activities: Investment return 34,514,064 38,501,849 40,406,324 Investment return designated for current operations (14,455,102) (335,422) Investment return after amounts designated (9,392,110)

Investment return after amounts designated $ 20,058,962 $ 28,774,316 $ 40,406,324

2002 Dividends and interest $ 3,254,229 $ 4,059,470 Realized and unrealized losses net of realized and unrealized gains (29,941,732) (23,376,615) Change in fair value of charitable perpetual trusts $ (45,818,974) Investment return (loss) (26,687,503) (19,317,145) (45,818,974) Investment return designated for current operations (13,409,884) (343,840) Investment return after amounts designated (8,279,715)

Investment return (loss) after amounts designated $ (40,097,387) $ (27,940,700) $ (45,818,974)

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ARppp101-112.p65 111 6/2/2004, 12:04 AM Spending Rule The Museum uses the spending rule concept using a spending rate of 5.0% of the market Concept in making distributions from its investments. value of the investments for the prior twenty- In doing so, the Museum takes into account quarter average ending September 30 of the the distributions from the charitable perpetual prior year, as adjusted (subject to certain limi- trusts. Under this method, a portion of its tations) for inflation and additional contribu- investment earnings is recorded as unrestricted tions. Investment returns in excess of (less revenue. For 2003 and 2002, the amount of than) amounts designated for current opera- investment income used by the Museum for its tions are classified as other changes in net assets operations and purchases of art was calculated in the statement of activities.

7. Pension The Museum converted from a contributory noncontributory defined benefit plan (the Plan). defined benefit pension plan (the Plan) for eli- For either contributing or noncontributing par- gible employees to a noncontributory defined ticipants, benefits under the Plan are based on benefit plan on January 1, 2002. Eligible par- years of service and the final five-year average ticipants in the Plan on December 31, 2001 compensation. It is the policy of the Museum to were given the option of continuing to con- fund with an insurance company at least the tribute to the contributory defined benefit plan. minimum amounts required by the Employee For those employees not making this election, Retirement Income Security Act. Plan assets are their accumulated benefit was converted to the invested in group annuity contracts. The following table 2003 2002 sets forth the funded Benefit obligation at year end $ 20,200,023 $ 17,799,789 status of the Plan at Fair value of plan assets at year end 21,213,204 20,511,873 December 31: Overfunded status of the plan $ 1,013,181 $ 2,712,084

Prepaid benefit cost recognized in the statements of financial position $ 149,301 $ 495,782

2003 2002 Weighted-average assumptions as of December 31: Discount rate 6.25% 6.75% Expected rate of return on plan assets 7.00% 7.00% Compensation growth rate 3.00% 3.00%

The following table 2003 2002 summarizes the net Net periodic benefit cost $ 346,481 $ 271,356 periodic pension cost Employer contributions and other activity Employee contributions 114,446 118,511 related to the Plan Benefits paid 969,803 973,749 for the year ended December 31: In addition, effective January 1, 2002 the tion. The Museum’s contributions to the 401(k) Museum initiated a 401(k) savings plan. The plan were $170,482 and $190,324 in 2003 and Museum matches employee contributions at a 2002, respectively. rate of 50% of the first 4% of total compensa-

8. Postretirement Medical Benefits and 6.75% in 2003 and 2002, respectively. The amounted to approximately $97,000 and The Museum provides health care benefits health care cost trend rate for 2004 is 14% $22,000 in 2003 and 2002, respectively. upon retirement to certain employees meeting decreasing to an ultimate rate of 5.5% in 2008. At December 31, 2002, the Museum had eligibility requirements as of December 31, $3,000,000 of short-term borrowings under a 2001. No other employees are eligible to re- 9. Financing Arrangements At December 31, 2003 and 2002, the Museum demand note with a bank. No amounts were ceive these health care benefits after that date. outstanding under the line at December 31, The Museum’s policy is to fund the annual has $5,250,000 and $4,440,000 of short-term borrowings under a line of credit with a bank. 2003. The amount borrowed under the note costs of these benefits from unrestricted assets bears interest at LIBOR plus 30 basis points of the Museum. The Museum paid The amounts borrowed under the line of credit bears interest at the London Interbank (1.93% at December 31, 2002) and is payable postretirement medical benefits of $434,713 on demand. The Museum incurred interest and $341,824 in 2003 and 2002, respectively. Offering Rate (LIBOR) plus 75 basis points (1.91% to 1.92% at December 31, 2003 and expense on the note of approximately $44,000 The Museum had net postretirement benefit and $72,000 in 2003 and 2002. Interest pay- expense of $397,950 and $380,390 at Decem- 2.17% to 2.51% at December 31, 2002) and is payable on demand. The unused portion of ments amounted to approximately $54,000 and ber 31, 2003 and 2002, respectively. The accu- $73,000 in 2003 and 2002, respectively. mulated postretirement medical benefit obliga- the line of credit, $14,750,000 and tion was approximately $5.3 and $5.4 million $15,560,000 at December 31, 2003 and 2002, 10. Income Taxes at December 31, 2003 and 2002, respectively, respectively, can be drawn upon as needed. The Museum is a non-profit organization and and is included in other liabilities. The The Museum incurred interest expense on the is exempt from federal income taxes on related postretirement benefit obligation was actuari- line of credit of approximately $20,000 and income under Section 501(c)(3) of the Internal ally determined with a discount rate of 6.25% $25,000 in 2003 and 2002. Interest payments Revenue Code.

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