M. Witzel Report on the Atirātra Ritual Held in Kerala in April 2011 Due to Generous Support from SAI, in April 2011 a Group Of
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Ritual, Self and Yoga: on the Ways and Goals of Salvation in the Kat.Ha Upanis.Ad
Journal of Indian Philosophy (2019) 47:1019–1052 https://doi.org/10.1007/s10781-019-09408-y(0123456789().,-volV)(0123456789().,-volV) Ritual, Self and Yoga: On the Ways and Goals of Salvation in the Kat.ha Upanis.ad Dominik Haas1 Published online: 5 August 2019 © The Author(s) 2019 Abstract Throughout its history, the renowned Katha Upanisad has often been ˙ ˙ described as being both incoherent and contradictory. The aim of this paper is to show to what purpose the text was created. To this end, it discusses the connection of the three paths to salvation depicted in the text, viz. the Agnicayana (a powerful Vedic fire-ritual), the Upanisadic method of self-knowledge, and yoga. The first part ˙ retraces how in the Upanisads, the Agnicayana was transformed into a non-material ˙ or mental ritual and linked with self-knowledge. The second part analyses how the various salvation goals (heaven, the World of Brahman, liberation from rebirth) could be related to each other. First, the authors redefined the Agnicayana’s sal- vation goal, heaven, to make it identical with liberation. Secondly, they introduced self-knowledge and yoga as alternative and equally powerful means to the same end. In practice, however, the new and world-negating methods were implied to be superior to the costly ritual from which they had drawn their authority. Thus, the authors of the Upanisad were more concerned with showing continuity between ˙ different religious approaches than upholding consistency of content. Keywords Agnicayana · Self · Yoga · Immortality · Heaven · Liberation & Dominik Haas [email protected] 1 University of Vienna, Vienna, Austria 123 1020 D. -
Temple Prototype
The Axis and the Perimeter of the Hindu Temple Subhash Kak Louisiana State University, Baton Rouge E-mail: [email protected] Śāstric texts describing the plan of the Hindu temple allude to its astronomical basis, and in this Indian sacred geometry is not different from the sacred geometry of other ancient cultures.1 If astronomical alignments characterize ancient temples of megalithic Europe, Egyptians, Maya, Aztecs, Javanese and Cambodians, they also characterize Indian temples. For example, the garbhagÅha of certain temples is illuminated by the setting sun only on a specific day of the year, or the temple may deviate from the canonical east-west axis and be aligned with a nak¬atra that has astrological significance for the patron or for the chosen deity of the temple. A part of the astronomical knowledge coded in the temple lay-out and form is canonical or traditional, while the rest relates to the times when the temple was erected. The astronomy of the temple provides clues relevant not only to the architecture but also the time when it was built. The Agnicayana altar, the centre of the great ritual of the Vedic times that forms a major portion of the narrative of the Yajurveda, is generally seen as the prototype of the Hindu temple and of Vāstu. The altar is first built of 1,000 bricks in five layers (that symbolically represent the five divisions of the year, the five physical elements, as well as five senses) to specific designs. The Agnicayana ritual is based upon the Vedic division of the universe into three parts, earth, atmosphere, and sky (Figure 1), that are assigned numbers 21, 78, and 261, respectively; these numbers add up to 360, which is symbolic representation of the year. -
The Atharvaveda and Its Paippalādaśākhā Arlo Griffiths, Annette Schmiedchen
The Atharvaveda and its Paippalādaśākhā Arlo Griffiths, Annette Schmiedchen To cite this version: Arlo Griffiths, Annette Schmiedchen. The Atharvaveda and its Paippalādaśākhā: Historical and philological papers on a Vedic tradition. Arlo Griffiths; Annette Schmiedchen. 11, Shaker, 2007, Indologica Halensis, 978-3-8322-6255-6. halshs-01929253 HAL Id: halshs-01929253 https://halshs.archives-ouvertes.fr/halshs-01929253 Submitted on 5 Dec 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Griffiths, Arlo, and Annette Schmiedchen, eds. 2007. The Atharvaveda and Its Paippalādaśākhā: Historical and Philological Papers on a Vedic Tradition. Indologica Halensis 11. Aachen: Shaker. Contents Arlo Griffiths Prefatory Remarks . III Philipp Kubisch The Metrical and Prosodical Structures of Books I–VII of the Vulgate Atharvavedasam. hita¯ .....................................................1 Alexander Lubotsky PS 8.15. Offense against a Brahmin . 23 Werner Knobl Zwei Studien zum Wortschatz der Paippalada-Sam¯ . hita¯ ..................35 Yasuhiro Tsuchiyama On the meaning of the word r¯as..tr´a: PS 10.4 . 71 Timothy Lubin The N¯ılarudropanis.ad and the Paippal¯adasam. hit¯a: A Critical Edition with Trans- lation of the Upanis.ad and Nar¯ ayan¯ . a’s D¯ıpik¯a ............................81 Arlo Griffiths The Ancillary Literature of the Paippalada¯ School: A Preliminary Survey with an Edition of the Caran. -
The Meaningless of Ritual
Numen, Vol XXVI, Fase, ι THE MEANINGLESSNESS OF RITUAL FRITS STAAL svarge'pi pipilikûh santi "even in heaven there are ants" Sanskrit Proverb The Agnkayana, a 300oyear-old Vedic ritual, was performed in 1975 in a village in southwest India by Nambudiri brahmins. This event, which lasted twelve days, was filmed, photographed, recorded and extensively documented. From twenty hours of rough footage, Robert Gardner and I produced a 45^minute film, "Altar of Fire." Two records are planned with selections from the eighty hours of recorded recitation and chant. Photographs of the ceremonies were taken by Adelaide de Menil. In collaboration with the chief Nam- budiri ritualists and other scholars, I am preparing a definite account of the ceremonies, which will appear in two illustrated volumes entitled: "Agni — The Vedic Ritual of the Fire Altar." I shall here be concerned not with empirical description, but with theoretical implications. Vedic ritual is not only the oldest surviving ritual of mankind; it also provides the best source material for a theory of ritual. This is not because it is close to any alleged "originär' ritual. Vedic ritual is not primitive and not an C/r-ritual. It is sophis ticated and already the product of a long development. But it is the largest, most elaborate and (on account of the Sanskrit manuals) best documented among the rituals of man. Hubert and Mauss, who noted these facts in 1909, used the Vedic animal sacrifice as source material for the construction of a ritual paradigm ("un scheme abstrait du sacrifice").1 However, they did not know that these rituals are still performed, so that many data were inaccessible to them. -
The Turning Point in a Living Tradition (PDF)
The Turning Point in a Living Tradition Somayāgam 2003 T. P. Mahadevan & Frits Staal 1. Introduction During April 7–12, 2003, a “Somayāgam,” i.e., agniṣṭoma-somayāga, was per- formed by Nambudiri Brahmans in Trichur in central Kerala, formerly the Cochin State. 1 It was preceded by “Ādhānam,” i.e., agnyādhāna or punarādheya, on April 6. The location of the ceremonies was the “Vadakke Madham Brahmaswam,” the Northern (vadakke) of two Vedic institutions within Trichur town where the Ṛgve- da has been taught to young pupils for four centuries or more. (The Southern Mad- ham is for saṁnyāsins of which there is at present one.) The last performance of Somayāgam was in 1984. It is one of two large Vedic rituals that are preserved in the Nambudiri community, the other being the 12-day “Agni” or atirātra-agnicayana. One of the many characteristic differences bet- ween the two rituals is that there are twelve “Soma-sequences” in the somayāga and twenty-nine in the atirātra-agnicayana. A soma sequence consists of a Sāma- veda chant (stotra or stuti, as the Nambudiris call it), ṚṚgveda recitation (śastra), soma offerings to the deities and soma drinking by the Yajamāna and his priests. The first twelve soma sequences of the agnicayana are similar to the twelve se- quences of the somayāga, but all of them are not the same. And only a ritualist who has performed a Somayāga and become a Somayāji, is eligible for an Agnica- yana and to become an Akkitiri. The authors of the present article were both able to attend the 2003 ceremonies at Trichur but Mahadevan (TP) could spend more time than Staal (FS) in Kerala 1 We are profoundly grateful to Vaidikan Taikkat Nilakanthan Nambudiri, Vaidikan for the 2003 Somayāgam, and to Shri O.N.Damodaran Nambudiripad, Vice President of the Vadakke Madham Brahmaswam, for welcoming us on the occasion of the Somayāgam performance and assisting us in countless ways. -
MADHWA VIJAYA Chaturmasya Jnanarjane Sarani - Madhwa Vijaya (A Gist in English) By
MADHWA VIJAYA Chaturmasya jnAnArjane saraNi - Madhwa Vijaya (a Gist in English) by Posted by: "Harish Rao" [email protected] harishdrao Thu Jul 23, 2009 4:10 am (PDT) || Sri Rama Krishna VedavyAsAya namaha || || Sri Hanuma Bheema Madha MunibhyO namaha || namaste all, With the prEraNe of Sri Hari Vayu GurugaLu, one of our esteemed members has comeforth to do a sEva during this chaturmasya related to jnAnArjane. We would be sharing with our members a gist of Sri Madhwa Vijaya, sarga by sarga at regular intervals throughout this chaturmasya period, which is a work done by this devotee. The devotee's original plan was to start it on the day of prathama ekAdashi and have the gist of each sarga sent out every week for 16 weeks. There were some unforeseen delays, and the same has started on this auspicious day of the first day of shrAvana mAsa. ||shrI hari vAyu gurubhyO namaH || Table of Contents Table of Contents Sarga 1 ........................................................................................................................................................... 4 Sarga 2 ......................................................................................................................................................... 11 Sarga 3 ......................................................................................................................................................... 19 Sarga 4 ........................................................................................................................................................ -
The Development of the Vedic Canon and Its Schools : the Social and Political Milieu
Michael Witzel Harvard University The Development of the Vedic Canon and its Schools : The Social and Political Milieu (Materials on Vedic Śåkhås, 8) Le problème de la śåkhå est au centre des problèmes védiques, ... si l’on réussissait à établir ... la filiation des écoles, on saurait du même coup comment s’est développé l’ensemble du védisme. Louis Renou Les écoles védiques, 208 § 0. THE NATURE OF THE VEDIC CANON § 1. THE GVEDA § 1.1. The structure of the RV collection § 1.2. The historical background § 1.3. Two Stages in the collection of the gvedic materials § 2. COLLECTIONS OF THE MANTRA PERIOD IN THE LANDS OF THE KURU § 2.1. The social and political conditions: The Kuru realm § 2.2. The texts of the Mantra period § 2.3. The Såmaveda § 2.4. The Yajurveda § 2.5. The Atharvaveda § 2.6. The gveda Khila Collection § 2.7. The Four Vedas § 3. FURTHER DEVELOPMENT OF THE CANON: EARLY YAJURVEDA PROSE AND THE BRĀHMAAS § 3.1. The Historical Background § 3.2. The early Bråhmaa style collections of the CarS, MS/KS, TS § 3.3. The early Yajurveda Sahitås of the Kuru realm: MS, KS/KpS § 4. THE TEXTS OF THE PAÑCĀLA LANDS § 4.1. The Taittirīyas and their subschools § 4.2. Early Bråhmaa texts of the Pañcåla lands: Śåyåyani and Jaiminīya texts § 5. THE EASTERN TERRITORIES § 5.1. The social and political situation § 5.2. The eastern fringe area: Kosala § 5.3. The Śatapatha Bråhmaa of the Kåva school § 5.4. Baudhåyana Śrautasūtra § 5.5. Kau ītaki Bråhmaa § 6. THE EASTERN CORE AREA: VIDEHA § 6.1. -
View/Download File
CURRICULUM VITAE FREDERICK MARCUS SMITH Department of Religious Studies Department of Asian & Slavic Languages & Literature 314 Gilmore Hall 111 Phillips Hall University of Iowa University of Iowa Iowa City, Iowa 52242 USA Iowa City, Iowa 52242 USA Tel. home: (319) 338-7193, office: (319) 335-2178 e-mail: [email protected] EDUCATIONAL AND PROFESSIONAL HISTORY Higher Education University of Pennsylvania, Philadelphia, Pennsylvania. Ph.D. Oriental Studies, 1984. Poona University, Poona, India. M.A. Center for Advanced Study in Sanskrit, 1976. University of Iowa, Iowa City, Iowa. Graduate Studies in Chinese Language and Religion, 1970-72. Coe College, Cedar Rapids, Iowa. B.A., History, 1969. Academic Positions 2013 – Fall semester Stewart Fellow in the Princeton Humanities Council, Visiting Professor of South Asian Studies, Princeton University 2008 – present Professor of Sanskrit and Classical Indian Religions, University of Iowa. 1997 - 2008 Associate Professor of Sanskrit and Classical Indian Religions, University of Iowa. 1991 – 1997 Assistant Professor, University of Iowa. 1989 - 1991 Visiting Assistant Professor, University of Iowa. 2006 – Summer Visiting Associate Professor, University of New Mexico. 2000 - Fall semester Visiting Associate Professor, University of Pennsylvania. 1997 - present Associate Professor, University of Iowa. 1987 - 1989 Visiting Lecturer, Department of Oriental Studies, University of Pennsylvania. 1986 - 1987 Visiting Lecturer in Sanskrit, South Asia Regional Studies Department, University of Pennsylvania. 1983 - 1984 Research Assistant in Oriental Studies Department, University of Pennsylvania. 1982 - 1983 Teaching Fellow for Sanskrit, University of Pennsylvania. SCHOLARSHIP Refereed Publications Books 2006 The Self Possessed: Deity and Spirit Possession in South Asian Literature and Civilization. New York: Columbia University Press (pp. xxxiv + 701). -
IS THERE an INNER CONFLICT of TRADITION? (Published In: Aryan and Non-Aryan in South Asia: Evidence, Interpretation and Ideology
IS THERE AN INNER CONFLICT OF TRADITION 1 JOHANNES BRONKHORST IS THERE AN INNER CONFLICT OF TRADITION? (published in: Aryan and Non-Aryan in South Asia: Evidence, Interpretation and Ideology. Proceedings of the Michigan-Lausanne International Seminar on Aryan and Non-Aryan in South Asia, University of Michigan, Ann Arbor, 25-27 October 1996. Edited by Johannes Bronkhorst & Madhav M. Deshpande. Cambridge: Department of Sanskrit and Indian Studies, Harvard University. 1999. (Harvard Oriental Series, Opera Minora Vol. 3.) Distributed by South Asia Books, Columbia, Missouri. Pp. 33-57) The question I wish to address in this paper is the following. Does the opposition which the early Indian tradition itself introduces by distinguishing Aryans from non-Aryans help us to understand later developments of Indian culture? Put more generally: Do we have to assume any kind of opposition in order to understand some of the later developments, whether or not the parties concerned referred to themselves as Aryans? I will limit the discussion of this question to a few examples, representing the views of some chosen scholars. In the study of Vedic culture, and more in particular that of the Vedic sacrifice, non-Vedic influences have occasionally been claimed by modern researchers. I mention here the use of bricks in the Agnicayana, which Hyla Stuntz Converse (1974) tried to explain through the assumption of indigenous influence on Vedic ritual. Another example is the Mahåv¥ra vessel in the Pravargya, which J.A.B. van Buitenen (1968: 23 f.) considered to have an iconic nature, and the worship of which he did not hesitate to describe as pËjå.1 Converse (1974: 85) believed, moreover, that the inverted firing technique used to make the Mahåv¥ra vessel betrays the influence of indigenous non- Vedic culture. -
September 2010 Newsletter from Srivatsa Ramaswami--Yoga
Subject: September 2010 Newsletter from Srivatsa Ramaswami--Yoga Gymnastique! Date: Wednesday, 1 September 2010 05:01! From: Srivatsa Ramaswami <[email protected]>! Reply-To: [email protected]! To: Vinyasa Krama Yoga Announcements [email protected]! Cc: [email protected]! ! ! September 2010 Newsletter from Srivatsa Ramaswami—Yoga Gymnastique! ! I thought this letter would be short because I am not writing about! any program in August, but became longer than the usual long! letters.! ! The month between Aug 15 to Sep 15th is known as Shravana, or we may! say veda month. On the full moon day during this month many in India! who have been initiated into vedic studies do a ceremony restarting! the vedic studies and also chant a “Kamokarshit..” mantra 108 times.! It is a mantra asking for forgiveness for the various misdeeds! violating the yamas/dharmas of the vedas, due to desire (kama) and! anger (manyu), The following day one sits down and does 1008 japa of! the famous Gayatri, after doing 10 times of mantra pranayama. In the! north on the full moon day sisters tie a rakhi around the wrist of! their brothers, strengthening the bondage between the siblings. Aug! 25th, 1008 Gaytri Japa with the preliminaries and rituals took about! 90 mts. (“We meditate on the orb of the sun, the luster of the Lord.! May It kindle/sparkle our intellect” –gayatri mantra). On 24th,! shravan day, I chanted a chapter from the Yajur veda, Pravargya! Brahmana which took about 75 mts.! ! Between September 17th and 26th I will be teaching at Suddha! Weixler's Chicago Yoga Center. -
Agni: the Fire Altar
Hinduism Agni: The Fire Altar Agni: The Fire Altar Summary: Agni and the fire altar occupy a central role in the Hindu tradition; they are integral to domestic rituals as well as temple consecration. The Vedas noted that historically, Brahmin priests were tasked with starting and handling the fire. The first altars of the Aryans were those of the cult of fire. Agni, the fire, was celebrated in the Vedic hymns and kindled upon earth to carry prayers and offerings to the highest heavens. The central domestic rituals of the householder—daily rites, marriage rites, and finally funeral rites—took place at the fire altar. Laying and ritually kindling the fire altar was the job of brahmin priests. In ancient India, great rituals, called yajnas, were sponsored by kings and became increasingly elaborate, often involving several fires and many priestly specialists. In the world of the Aryans, as glimpsed in the Vedas, there were hymns addressed to Agni and other gods, but there were no temples, nor were there murtis of the gods. In the Vedic age, the gods were imaged only in words. Agni was described as the one with flaming hair and golden jaws, the messenger of the gods, through whom oblations were carried from earth to heaven. Even the most elaborately constructed fire altars were not permanent, but were constructed in a temporary ritual arena called a yajnashala. The Agnicayana, for example, involved the construction of an altar, built of layers of brick in the form of a large bird. When the rituals were completed, the site was burned and abandoned. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Textual Traditions and Religious Identities in the Pāñcarātra Robert Leach Submitted for the degree of PhD by Research The University of Edinburgh 2012 1 I have read and understood the University of Edinburgh guidelines on plagiarism. This thesis was composed by me and is entirely my own work except where I indicate otherwise by use of quotes and references. No part of it has been submitted for any other degree or professional qualification. 2 Abstract In this thesis I provide a study of the distinct traditions within the Pāñcarātra, concentrating especially on the ways in which these traditions’ identities were formed by their textual allegiances. In Chapter One, I show that the so-called “three jewels” of the Pāñcarātra scriptural canon were actually only considered as such by a minority of Pāñcarātrikas, and that this tradition arose much later than is commonly supposed.