Predicting Deep Zero-Shot Convolutional Neural Networks Using Textual Descriptions
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Coquelicot 11 La15
LIEN 3D: LIEN 3D https://a360.co/2JLxY9M COQUELICOT 11 DEL OU INCANDESCENT OR LED 1 BASE E26 SOCKET, 120 VOLTS, DIMMABLE, 100W MAX LA15 USAGE INTÉRIEUR/EXTÉRIEUR, INDOOR/OUTDOOR USE UL # Certificat: 20150318-E475067 514.662.0352 | LUMINAIREAUTHENTIK.COM All rights reserved to Authentik Lighting / Tous les droits sont réservés à Luminaire Authentik © 2018 1 Ø2" 1 2 2" 4" 1 1 2" 11" LIEN 3D: http://a360.co/2n7BAal DEL OU INCANDESCENT OR LED 1 BASE E26 SOCKET, 120 VOLTS, DIMMABLE, 100W MAX COQUELICOT 11 USAGE INTÉRIEUR SEULEMENT, INDOOR USE ONLY UL # Certificat: 20150318-E475067 514.662.0352 | LUMINAIREAUTHENTIK.COM All rights reserved to Authentik Lighting / Tous les droits sont réservés à Luminaire Authentik © 2018 ABAT-JOUR / SHADE ALUMINIUM BICOLORE / BICOLOUR COULEUR EXTÉRIEURE / EXTERIOR COLOUR : WTL WTM CRL WEM YLL ORM OGL REL PKM PHM NDL POL WGL Blanc Lustré / Blanc Mat / Crème Lustré / Blé Mat / Jaune Lustré / Or Mat / Matt Gold Orange Lustré / Rouge Lustré / Rose Mat / Matt Pink Pêche Mat / Vieux Rose Lustré / Porcelaine Lustré / Blanc Gris Lustré / Glossy White Matt White Glossy Cream Matt Wheat Glossy Yellow Glossy Orange Glossy Red Matt Peach Glossy Nude Glossy Porcelain Glossy White Grey GYL SLM CHM BKM BKL DGL TLM CTL MGM MGL TUL NVL BZM Gris Lustré / Ardoise Mat / Charcoal Mat / Matt Noir Mat / Matt Black Noir Lustré / Vert foncé Lustré / Bleu Sarcelle Mat / Cactus Lustré / Vert menthe Mat / Vert menthe Lustré / Turquoise Lustré / Marine Lustré / Bronze Mat / Matt Glossy Grey Matt Slate Charcoal Glossy Black Glossy Dark Green -
Word Keeper Inspiration & Journal
WORD KEEPER INSPIRATION & JOURNAL SUNSHINE FLUFF SPRINKLE NECTAR PINwheEL LUCKY JOY LILAC MILKY DUMPLING LUSTER TOOLBOX dollop WHISKER VeLVETY UMBER PEwter THIMBLE Aquarelle serendipity Lucky Break Consulting WWW.LUCKYBREAKCONSULTING.COM RAINBOWS & RAINBOWSCUPCAKES COLORsFoods + + SWEETS SHADES Black/ Blues Browns Greens Grays aqua auburn celadon concrete aquamarine beige chartreuse charcoal azuline COPPER olive ebony azure cinnamon emerald greige celeste mahogany foresT liard cerulean rust jade Metallic denim sepia jungle NICKEL indigo sienna kelly pewter navy tan khaki sable mazarine taupe lime slate turquoise terracotta sea SILVER sapphire umber mint smokeY ultramarine wheat shamrock stone teal tobacco Purples Reds viridian zinc aubergine cardinal amethyst carmine Yellows Pinks orchid coquelicot amber GOLD Amaranth periwinkle crimson lemon cyan eggplant maroon mustard fuchsia lavender rouge saffron hot pink lilac ruby topaz magenta mauve russet honey rose thistle scarlet blonde SALMON violet tomato wisteria vermilion sunshine NEW + FAVORITES © 2014 LUCKY BREAK CONSULTING & ELEA LUTZ WWW.LUCKYBREAKCONSULTING.COM FROSTED CUPCAKES Foods + SWEETS angelica CRUMB fudge molasses sprinkles apple pie CRUMPET gingersnaps MOON PIE sorbet banana split CRUNCHY GLAZED mousse souffle banana crème CUPCAKES gooey MUFFIN sponge blancmange custard granulated sugaR panna cotta SPRINKLES boston crème DAINTY GUMMY parfait squishy BROWNIES dark chocolate gumdrop pastry Succulent brown sugar DANISH honey pavlova sugar cube bubble gum Decadent hot fudge peach -
The ISCC-NBS Method of Designating Colors and a Dictionary of Color Names
Uc 8 , .Department of Commerce Na Canal Bureau of Standards Circular UNITED STATES DEPARTMENT OF COMMERCE • Sinclair Weeks, Secretary NATIONAL BUREAU OF STANDARDS • A. V. Astin, Director The ISCC-NBS Method of Designating Colors and a Dictionary of Color Names National Bureau of Standards Circular 553 Issued November 1, 1955 For sale by the Superintendent of Documents, U. S. Government Printing Office, Washington 25, D. C. Price 32 7 1 National Bureau of Standards NOV 1 1955 8 (0*118 QC 00 U555 Cop. 1 Preface I^Ever since the language of man began to develop, words or expressions have been used first to indicate and then to describe colors. Some of these have per- sisted throughout the centuries and are those which refer to the simple colors or ranges such as red or yellow. As the language developed, more and more color names were invented to describe the colors used by art and industry and in late years in the rapidly expanding field of sales promotion. Some of these refer to the pigment or dye used, as Ochre Red or Cochineal, or a geographical location of its source such as Naples Yellow or Byzantium. Later when it became clear that most colors are bought by or for women, many color names indicative of the beauties and wiles of the fan- sex were introduced, as French Nude, Heart’s Desire, Intimate Mood, or Vamp. Fanciful color names came into vogue such as Dream Fluff, Happy Day, Pearly Gates, and Wafted Feather. Do not suppose that these names are without economic importance for a dark reddish gray hat for Milady might be a best seller ; if advertised as Mauve Wine whereas it probably would not if the color were called Paris Mud. -
Preliminary Evaluation of a Granite Rock Dust Product for Pest Herbivore Management in Field Conditions
insects Article Preliminary Evaluation of a Granite Rock Dust Product for Pest Herbivore Management in Field Conditions Nicoletta Faraone 1,* and N. Kirk Hillier 2 1 Chemistry Department, Acadia University, Wolfville, NS B4P 2R6, Canada 2 Biology Department, Acadia University, Wolfville, NS B4P 2R6, Canada; [email protected] * Correspondence: [email protected]; Tel.: +1-902-585-1320 Received: 16 November 2020; Accepted: 9 December 2020; Published: 11 December 2020 Simple Summary: Rock dusts, including granite rock dust, are a rich source of silicon, one of the most abundant elements in the earth’s crust. Silicon exerts repellent, insecticidal and anti-ovipositional activities against agricultural pests. When accumulated on plant tissue, it can also form a mechanical barrier that increases resistance to pest attack. In the present work, we examined the effect of granite dust in managing herbivores under field conditions, evaluating the repellent and insecticidal activity against pests in lily, cabbage, and squash plants. Rock dust provided significant protection against specialist lily leaf beetles but was not effective in reducing general herbivore damage to field-grown cabbage and squash plants. Interestingly, rock dust also improved squash plant yield, increasing fruit size 2.5-fold. Overall, these results suggest granite as a beneficial alternative to synthetic pesticides with potential to manage pest herbivores, and to boost plant health. Abstract: The effects of granite rock dust in dry and aqueous formulations were evaluated under field conditions for control of insect pests in different crop systems and ornamental plants. We tested efficacy of crop protection following foliar applications on lily, squash, and cabbage plants by evaluating subsequent pest damage, overall plant health, and quantity of crops produced over one season. -
Is It Possible to Distinguish Alien Species of Beetles (Coleoptera) from Native Ones? M
ISSN 0013-8738, Entomological Review, 2016, Vol. 96, No. 3, pp. ???–???. © Pleiades Publishing, Inc., 2016. Original Russian Text © M.Ja. Orlova-Bienkowskaja, 2016, published in Entomologicheskoe Obozrenie, 2016, Vol. 95, No. 2, pp. 71–89. Is It Possible to Distinguish Alien Species of Beetles (Coleoptera) from Native Ones? M. Ja. Orlova-Bienkowskaja Severtsov Institute of Ecology and Evolution, Russian Academy of Sciences, Moscow, 119071 Russia e-mail: [email protected] Received May 25, 2015 Abstract—Species established outside their native ranges are termed alien. Biological invasions of beetles are poorly studied. Distinguishing between alien and native species is necessary for conservation as well as for taxo- nomic, zoogeographic, and evolutionary studies. It constitutes a difficult problem, but the experience of botany and some branches of zoology gives reasons to believe that it is not unsolvable. The following criteria for distinguish- ing alien beetle species from native ones are proposed based on the criteria developed for plants, algae, mammals, and marine invertebrates: (1) detection of an established population of the species which has not been recorded ear- lier in the region; (2) disjunction of the range which cannot be explained by disjunction of suitable landscapes or host plant ranges; (3) expansion of a part of the range isolated from its main part; (4) highly localized distribution in an area adjacent to a known invasion pathway; (5) establishment in other regions; (6) dependency on another non-native species (feeding -
October 2004
$WODQWLF5KRGR ZZZ$WODQWLF5KRGRRUJ 9ROXPH1XPEHU 2FWREHU 2FWREHU 3RVLWLRQVRI5HVSRQVLELOLW\ President Penny Gael 826-2440 Director - Social Sandy Brown 683-2615 Vice-President Available Director - R.S.C. Horticulture Audrey Fralic 683-2711 (National) Rep. Sheila Stevenson 479-3740 Director Anitra Laycock 852-2502 Secretary Lyla MacLean 466-449 Newsletter Mary Helleiner 429-0213 Treasurer Chris Hopgood 479-0811 Website Tom Waters 429-3912 Membership Betty MacDonald 852-2779 Library Shirley McIntyre 835-3673 Past President Sheila Stevenson 479-3740 Seed Exchange Sharon Bryson 863-6307 Director - Education Jenny Sandison 624-9013 May - Advance Plant Sale Ken Shannik 422-2413 Director - Communications Mary Helleiner 429-0213 May- Public Plant Sale Duff & Donna Evers 835-2586 0HPEHUVKLS Fees are due on January 1, 2005. Annual dues are $ 15.00 for individuals or families. Make cheques payable to Atlantic Rhododendron and Horticultural Society. Send them to ARHS Membership Secretary, Betty MacDonald, 534 Prospect Bay Road, Prospect Bay, NS B3T1Z8. Please renew your membership now. When renewing, please include your telephone number and e-mail. This information will be used for Society purposes only (co-ordination of potluck suppers and other events) and will be kept strictly confidential. The Website address for the American Rhododendron Society is www.rhododendron.org for those wishing to renew their membership or become new members of the ARS. AtlanticRhodo is the Newsletter of the Atlantic Rhododendron and Horticultural Society. We welcome your comments, suggestions, articles, photos and other material for publication. Send all material to the editor. (GLWRU 0DU\ +HOOHLQHU 0DUOERURXJK $YH Published three times a year. February, May and October. -
Modlin, Brad 06-27-16
We Walk and Say, “Oh” A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Brad A. Modlin August 2016 © 2016 Brad A. Modlin. All Rights Reserved. 2 This dissertation titled We Walk and Say, “Oh” by BRAD A. MODLIN has been approved for the Department of English and the College of Arts and Sciences by Dinty W. Moore Professor of English Robert Frank Dean, College of Arts and Sciences 3 ABSTRACT MODLIN, BRAD A., Ph.D, August 2016, English We Walk and Say, “Oh” Director of Dissertation: Dinty W. Moore “To Cleave Means to Separate and to Join: A Look at Interstice in Prose” examines the use of interstice—the interlude between sections within segmented prose structures. The essay explores the benefits and risks of writing segmented structures and how gaps create meaning in the work of authors such as Roger Rosenblatt, Lia Purpura, and Maggie Nelson. In additional to structural interludes, interstice in content—the unsaid—is also explored through the works of Debra Marquart, Jenny Boully, Joy Castro, and others. The creative component, We Walk and Say, “Oh”, is a segmented creative nonfiction manuscript about a long walk. Collaging narrative and reflection, it explores questions of pilgrimage, stories & legends, and providence & accident. 4 TABLE OF CONTENTS Page Abstract……………………………………………………….……………….….….….…3 Chapter 1: Critical Introduction: To Cleave Means to Separate and to Join: A Look at Interstice in Prose…………………………………………………………………….……5 Chapter 2: Creative Nonfiction Manuscript: We Walk and Say, “Oh…………….….….….27 Works Cited……………………………...………………………………………………136 5 CHAPTER 1: CRITICAL INTRODUCTION: TO CLEAVE MEANS TO SEPARATE AND TO JOIN: A LOOK AT INTERSTICE IN PROSE The nearer the peregrini are brought to the Holy Land, the more their progress is slowed by the increasing number of shrines and holy places lying in their way. -
Covers, Surfaces and Colours Bezugsmaterialien
Covers, surfaces and colours 2012 Bezugsmaterialien, Oberflächen und Farben Bezugsmaterialien, OberflächenFarben und 2012 Covers, surfaces 2012 and colours Covers, Covers, surfaces and colours 2012 Bezugsmaterialien, Oberflächen und Farben Product and material overview / Produkt- und Materialübersicht 2 - 15 Covers / Bezugsmaterialien 17 - 32 Surfaces / Oberflächen 33 - 42 Systems / Systeme 43 - 53 1 Product / Produkt Designer Product / Produkt Designer Material Page / Seite Material Page / Seite .03 Maarten van Severen Alcove Highback Love Seat Work Ronan & Erwan Bouroullec Metal / Metall 36 Credo 19 Polyurethane / Polyurethan 40 Laser** 20 Leather / Leder 21 .04 Maarten van Severen Metal / Metall 36 Alcove Sofa & Ottoman Ronan & Erwan Bouroullec Polyurethane / Polyurethan 40 Credo 19 Laser** 20 .05* Maarten van Severen Panamone* 24 Polyurethane / Polyurethan 40 Alcove Table Ronan & Erwan Bouroullec .06 Maarten van Severen Melamine / Melamin 35 Polyurethane / Polyurethan 40 Metal / Metall 36 Wood - Veneer / Holz - Furnier 42 AC 4 Antonio Citterio Leather / Leder 21 Algue Ronan & Erwan Bouroullec Plano 24 Plastic / Kunststoff 37 ACSU Antonio Citterio 44 Aluminium Group Chairs Charles & Ray Eames Hopsak 20 Ad Hoc Antonio Citterio 44 Leather / Leder 21 Netweave / Netzgewebe Aluminium Chair 23 Ad Hoc Solitäre Antonio Citterio 45 Plano 24 Ad Usum Antonio Citterio 45 Amoebe Verner Panton Tonus 31 AIRLINE Norman Foster Metal / Metall 37 Amoebe Highback Verner Panton Polyurethane / Polyurethan 40 Tonus 31 Vinyl Valencia 31 Wood - Veneer / Holz - Furnier 42 Antony Jean Prouvé Metal / Metall 36 Albula Table Antonio Citterio Wood - Veneer / Holz - Furnier 42 Linoleum 34 Wood - Veneer / Holz - Furnier 42 ArchiMeda Alberto Meda 45 Alcove Highback Sofa / Alcove Highback System Ronan & Erwan Bouroullec Basel Chair Jasper Morrison Credo 19 Plastic / Kunststoff 37 Laser** 20 Solid Wood / Massivholz 41 * Not for UK. -
Let's Dance Again
TesioPower Rancho San Antonio Let's Dance Again (2000) Pharos 13-e Nearco 4-r Nogara 4-r Nearctic (1954) 14-c Hyperion 6-e Lady Angela 14-c Sister Sarah 14-c Northern Dancer (1961) 2-d Polynesian 14-a Native Dancer 5-f Geisha 5-f Natalma (1957) 2-d Mahmoud 9-c Almahmoud 2-d Arbitrator 2-d Nijinsky II (1967) 8-f Bull Dog 16-a Bull Lea 9-f Rose Leaves 9-f Bull Page (1947) 4-m Blue Larkspur 8-f Our Page 4-m Occult 4-m Flaming Page (1959) 8-f Pharamond II 6-e Menow 8-g Alcibiades 8-g Flaring Top (1947) 8-f Omaha 17-b Flaming Top 8-f Firetop 8-f Green Dancer (1972) 16-c Blandford 3-o Brantome 27-a Vitamine 27-a Vieux Manoir (1947) 10-e Finglas 14-a Vieille Maison 10-e Vieille Canaille 10-e Val De Loir (1959) 5-h Jock 14-f Sunny Boy 16-a Fille De Soleil 16-a Vali (1954) 5-h Tetratema 14-a Her Slipper 5-h Carpet Slipper 5-h Green Valley (1967) 16-c Black Toney 10-c Balladier 3-j Blue Warbler 3-j Spy Song (1943) 2-o Peter Hastings 10 Mata Hari 2-o War Woman 2-o Sly Pola (1957) 16-c Case Ace 1-k Pavot 10-a Coquelicot 10-a Ampola (1949) 16-c Blue Larkspur 8-f Blue Denim 16-c Let's Dance Again (2000) - F - 1-w Judy O'Grady 16-c Nearco 4-r Nasrullah 9-c Mumtaz Begum 9-c Red God (1954) 8-c Menow 8-g Spring Run 8-c Boola Brook 8-c Blushing Groom (1974) 22-d Rialto 12 Wild Risk 3-f Wild Violet 3-f Runaway Bride (1962) 22-d Tudor Minstrel 9-c Aimee 22-d Emali 22-d Mt Livermore (1981) 9-a Balladier 3-j Spy Song 2-o Mata Hari 2-o Crimson Satan (1959) 26 Requiebro 14 Papila 26 Papalona 26 Flama Ardiente (1972) 9-a Revoked 10-c Reneged 1-n White Samite 1-n -
SEPT 2020 Skin-Contact Skin-Contact Wines Are White Wines Made Like Red Wines
WINE LIST SEPT 2020 Skin-Contact Skin-contact wines are white wines made like red wines. They ferment with the grape skins, which give wine its color. Depending on how long the juice ferments with the skins anywhere from a few hours to many months—skin-contact wines can range in color from golden-straw yellow to vibrant amber. Gls Btl Castello de Stefanago $15. $60. Italy Contro Vento, Alto Mare $14. $55. Italy Maturana “1928” Semillon $59. Chile Weingut Schmitt Muller-Thurgau $69. Germany The Hermit Ram Sauvignon Blanc $65. New Zealand Ruth Lewandowski Mahlon Cuvee Zero $65. USA If you love our wines, you can take them to go. Please ask your server for details. Rosé Rose wine is, in fact, made exclusively from the same blue grapes as the red wines are made of. These blue grapes almost always have a light, often colourless juice and so the obvious question arises: Where does the dark red colour come from? The big reveal: it is because the blue and red pigments are derived from the grape skins not the juice. Gls Btl Fermina Rose Monastrell $14. $55. Spain Clos des Mourres- Pompette Rose $16. $66. France Broc Cellars “Love Rose” $14. $56. USA Txampian Txakoli Rose $62. Spain La Selva Rosato $56. Maturana Rosado Syrah $72. Chile If you love our wines, you can take them to go. Please ask your server for details. Sparkling The bubbles in sparkling wine are products of carbon dioxide (CO2), which is absorbed when fermentation occurs under pres- sure. Therefore, most sparkling wines involve a secondary fermen- tation, which is induced when sugar and yeast are added to a still base wine. -
Woody and Herbaceous Plants Native to Haiti for Use in Miami-Dade Landscapes1
Woody and Herbaceous Plants Native to Haiti For use in Miami-Dade Landscapes1 Haiti occupies the western one third of the island of Hispaniola with the Dominican Republic the remainder. Of all the islands within the Caribbean basin Hispaniola possesses the most varied flora after that of Cuba. The plants contained in this review have been recorded as native to Haiti, though some may now have been extirpated due in large part to severe deforestation. Less than 1.5% of the country’s original tree-cover remains. Haiti’s future is critically tied to re- forestation; loss of tree cover has been so profound that exotic fast growing trees, rather than native species, are being used to halt soil erosion and lessen the risk of mudslides. For more information concerning Haiti’s ecological plight consult references at the end of this document. For present purposes all of the trees listed below are native to Haiti, which is why non-natives such as mango (the most widely planted tree) and other important trees such as citrus, kassod tree (Senna siamea) and lead tree (Leucanea leucocephala) are not included. The latter two trees are among the fast growing species used for re-forestation. The Smithsonian National Museum of Natural History’s Flora of the West Indies was an invaluable tool in assessing the range of plants native to Haiti. Not surprisingly many of the listed trees and shrubs 1 John McLaughlin Ph.D. U.F./Miami-Dade County Extension Office, Homestead, FL 33030 Page | 1 are found in other parts of the Caribbean with some also native to South Florida. -
Bizarre Insect Defences Bizarre Insect £7.99 by Ruth Owen and Ross Piper Xxxxxxxxx Published in 2018 by Ruby Tuesday Books Ltd
The Secret Lives of Insects Lives The Secret Disguises, Explosions & Boiling Farts Disguises, Bizarre Insect Defences Titles in this series Ruth Owen and Ross Piper Ruth Owen ISBN: 978-1-78856-003-0 £7.99 9 781788 560030 by Ruth Owen and Ross Piper XxXxXxXxX Published in 2018 by Ruby Tuesday Books Ltd. Contents Copyright © 2018 Ruby Tuesday Books Ltd. Masters of Defence............................................... 4 All rights reserved. No part of this publication may be reproduced in whole or in part, stored Take Aim, Fire! in any retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission from the publisher. Wood.Ant............................................................6 A Very Sticky End Editor: Mark J. Sachner Designer: Emma Randall Exploding.Carpenter.Ant.................................. 8 Production: John Lingham Butts of Fire Photo credits Bombardier.Beetle........................................... 10 Alamy: 24, 27 (bottom centre), 28 (bottom), 29 (bottom left); Creative Commons: 15 (bottom), 25 (top); FLPA: 4, 9 (bottom), 14, 16, 20, 27 (bottom left); Getty Images: 19 (top), 25 (bottom); A Butt-propelled Getaway Istock Photo: 6 (bottom); Nature Picture Library: 5 (centre), 6–7, 10, 15 (top); Ross Piper: 12 Stenus.Rove.Beetle........................................... 12 (centre), 13 (bottom); Ruby Tuesday Books: 12 (bottom); Shutterstock: Cover, 1, 5 (top), 5 (bottom), 7 (centre), 8, 11, 13 (top), 17, 18, 19 (bottom), 21, 22–23, 26, 27 (top), 27 (bottom A Night-time Battle right), 28 (top), 29 (top), 29 (centre), 29 (bottom right), 31. Tiger.Moth........................................................ 14 British Library Cataloguing in Publication Data (CIP) is available for this title. Warning Signs and Deadly Bubbles Koppie.Foam.Grasshopper............................