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Pottery Technology As a Revealer of Cultural And
Pottery technology as a revealer of cultural and symbolic shifts: Funerary and ritual practices in the Sion ‘Petit-Chasseur’ megalithic necropolis (3100–1600 BC, Western Switzerland) Eve Derenne, Vincent Ard, Marie Besse To cite this version: Eve Derenne, Vincent Ard, Marie Besse. Pottery technology as a revealer of cultural and symbolic shifts: Funerary and ritual practices in the Sion ‘Petit-Chasseur’ megalithic necropolis (3100–1600 BC, Western Switzerland). Journal of Anthropological Archaeology, Elsevier, 2020, 58, pp.101170. 10.1016/j.jaa.2020.101170. hal-03051558 HAL Id: hal-03051558 https://hal.archives-ouvertes.fr/hal-03051558 Submitted on 10 Dec 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Journal of Anthropological Archaeology 58 (2020) 101170 Contents lists available at ScienceDirect Journal of Anthropological Archaeology journal homepage: www.elsevier.com/locate/jaa Pottery technology as a revealer of cultural and symbolic shifts: Funerary and ritual practices in the Sion ‘Petit-Chasseur’ megalithic necropolis T (3100–1600 BC, -
Coquelicot 11 La15
LIEN 3D: LIEN 3D https://a360.co/2JLxY9M COQUELICOT 11 DEL OU INCANDESCENT OR LED 1 BASE E26 SOCKET, 120 VOLTS, DIMMABLE, 100W MAX LA15 USAGE INTÉRIEUR/EXTÉRIEUR, INDOOR/OUTDOOR USE UL # Certificat: 20150318-E475067 514.662.0352 | LUMINAIREAUTHENTIK.COM All rights reserved to Authentik Lighting / Tous les droits sont réservés à Luminaire Authentik © 2018 1 Ø2" 1 2 2" 4" 1 1 2" 11" LIEN 3D: http://a360.co/2n7BAal DEL OU INCANDESCENT OR LED 1 BASE E26 SOCKET, 120 VOLTS, DIMMABLE, 100W MAX COQUELICOT 11 USAGE INTÉRIEUR SEULEMENT, INDOOR USE ONLY UL # Certificat: 20150318-E475067 514.662.0352 | LUMINAIREAUTHENTIK.COM All rights reserved to Authentik Lighting / Tous les droits sont réservés à Luminaire Authentik © 2018 ABAT-JOUR / SHADE ALUMINIUM BICOLORE / BICOLOUR COULEUR EXTÉRIEURE / EXTERIOR COLOUR : WTL WTM CRL WEM YLL ORM OGL REL PKM PHM NDL POL WGL Blanc Lustré / Blanc Mat / Crème Lustré / Blé Mat / Jaune Lustré / Or Mat / Matt Gold Orange Lustré / Rouge Lustré / Rose Mat / Matt Pink Pêche Mat / Vieux Rose Lustré / Porcelaine Lustré / Blanc Gris Lustré / Glossy White Matt White Glossy Cream Matt Wheat Glossy Yellow Glossy Orange Glossy Red Matt Peach Glossy Nude Glossy Porcelain Glossy White Grey GYL SLM CHM BKM BKL DGL TLM CTL MGM MGL TUL NVL BZM Gris Lustré / Ardoise Mat / Charcoal Mat / Matt Noir Mat / Matt Black Noir Lustré / Vert foncé Lustré / Bleu Sarcelle Mat / Cactus Lustré / Vert menthe Mat / Vert menthe Lustré / Turquoise Lustré / Marine Lustré / Bronze Mat / Matt Glossy Grey Matt Slate Charcoal Glossy Black Glossy Dark Green -
Word Keeper Inspiration & Journal
WORD KEEPER INSPIRATION & JOURNAL SUNSHINE FLUFF SPRINKLE NECTAR PINwheEL LUCKY JOY LILAC MILKY DUMPLING LUSTER TOOLBOX dollop WHISKER VeLVETY UMBER PEwter THIMBLE Aquarelle serendipity Lucky Break Consulting WWW.LUCKYBREAKCONSULTING.COM RAINBOWS & RAINBOWSCUPCAKES COLORsFoods + + SWEETS SHADES Black/ Blues Browns Greens Grays aqua auburn celadon concrete aquamarine beige chartreuse charcoal azuline COPPER olive ebony azure cinnamon emerald greige celeste mahogany foresT liard cerulean rust jade Metallic denim sepia jungle NICKEL indigo sienna kelly pewter navy tan khaki sable mazarine taupe lime slate turquoise terracotta sea SILVER sapphire umber mint smokeY ultramarine wheat shamrock stone teal tobacco Purples Reds viridian zinc aubergine cardinal amethyst carmine Yellows Pinks orchid coquelicot amber GOLD Amaranth periwinkle crimson lemon cyan eggplant maroon mustard fuchsia lavender rouge saffron hot pink lilac ruby topaz magenta mauve russet honey rose thistle scarlet blonde SALMON violet tomato wisteria vermilion sunshine NEW + FAVORITES © 2014 LUCKY BREAK CONSULTING & ELEA LUTZ WWW.LUCKYBREAKCONSULTING.COM FROSTED CUPCAKES Foods + SWEETS angelica CRUMB fudge molasses sprinkles apple pie CRUMPET gingersnaps MOON PIE sorbet banana split CRUNCHY GLAZED mousse souffle banana crème CUPCAKES gooey MUFFIN sponge blancmange custard granulated sugaR panna cotta SPRINKLES boston crème DAINTY GUMMY parfait squishy BROWNIES dark chocolate gumdrop pastry Succulent brown sugar DANISH honey pavlova sugar cube bubble gum Decadent hot fudge peach -
The ISCC-NBS Method of Designating Colors and a Dictionary of Color Names
Uc 8 , .Department of Commerce Na Canal Bureau of Standards Circular UNITED STATES DEPARTMENT OF COMMERCE • Sinclair Weeks, Secretary NATIONAL BUREAU OF STANDARDS • A. V. Astin, Director The ISCC-NBS Method of Designating Colors and a Dictionary of Color Names National Bureau of Standards Circular 553 Issued November 1, 1955 For sale by the Superintendent of Documents, U. S. Government Printing Office, Washington 25, D. C. Price 32 7 1 National Bureau of Standards NOV 1 1955 8 (0*118 QC 00 U555 Cop. 1 Preface I^Ever since the language of man began to develop, words or expressions have been used first to indicate and then to describe colors. Some of these have per- sisted throughout the centuries and are those which refer to the simple colors or ranges such as red or yellow. As the language developed, more and more color names were invented to describe the colors used by art and industry and in late years in the rapidly expanding field of sales promotion. Some of these refer to the pigment or dye used, as Ochre Red or Cochineal, or a geographical location of its source such as Naples Yellow or Byzantium. Later when it became clear that most colors are bought by or for women, many color names indicative of the beauties and wiles of the fan- sex were introduced, as French Nude, Heart’s Desire, Intimate Mood, or Vamp. Fanciful color names came into vogue such as Dream Fluff, Happy Day, Pearly Gates, and Wafted Feather. Do not suppose that these names are without economic importance for a dark reddish gray hat for Milady might be a best seller ; if advertised as Mauve Wine whereas it probably would not if the color were called Paris Mud. -
Aliel: a Mid-Holocene Stone Platform with Cairn and Single Pillar in West Turkana, Kenya
NYAME AKUMA No 86. December 2016 KENYA Aliel: A mid-Holocene stone platform with cairn and single pillar in West Turkana, Kenya Alex Wilshaw Herman Muwonge Frances Rivera Marta Mirazón Lahr Introduction In August 2016, the In-Africa Project, which fo- cuses on the palaeo-environment and human occupation of West Turkana during the late Quaternary (http://in-af- rica.org/), identified a stone platform and cairn whilst sur- veying an area between the Napudet Mountains and the Kerio River in Southwest Turkana. Different from other simple cairns in the area, this structure, locally known as Aliel, also exhibits: a) a single standing stone within the construction of the cairn; and b) a significant assemblage of pottery sherds (including Nderit ware) on the surface of the platform. Cairns, circles, platforms and stone struc- tures are well-known features of the prehistory of the Tur- kana Basin (Robbins, 2006, Wright et al., 2016), includ- ing complex megalithic architecture in the form of ‘Pillar sites’ characterised by the presence of multiple stone pil- lars placed vertically on the ground within a constructed platform, such as Lothagam, Jarigole and Kalokol (Hil- Figure 1: Map showing the location of Aliel in context debrand et al. 2011, Grillo & Hildebrand 2013, Nelson, with pillar/platform sites and pastoral sites in the area. 1995; Figure 1). While stone cairns and structures con- After Hildebrand et al. (2011) and Hildebrand and Grillo tinued to be built until recently throughout eastern Af- (2012). rica (Davies 2013), ‘Pillar sites’, often associated with settlement dynamics. The site of Aliel is well placed both ceramics decorated with ‘Nderit’ motifs, cluster chrono- chronologically and geographically to provide further in- logically between ~5,300 – 4,000 years BP (Grillo & Hil- sights into this period of prehistory. -
Modern Slavery Statement 2019
Cairn Energy PLC: Modern Slavery Statement 2019 This statement is made pursuant to Section 54 of the Modern Slavery Act 2015 (“the Act”) and is approved by the Board of Directors of Cairn Energy PLC (the “Board”). Cairn Energy PLC (“Cairn”) and its subsidiaries (together the “Group”) is committed to the requirements of the Act and to taking all reasonable steps to ensure modern slavery and human trafficking are not taking place in our supply chain or in any part of our business. Our business and supply chain Cairn Energy PLC is an independent, UK-based oil and gas exploration, development and production company and has explored, discovered, developed and produced oil and gas in a variety of locations throughout the world with more than 20 years’ experience. Cairn is listed on the London Stock Exchange with its headquarters in Edinburgh and offices in London, Senegal and Mexico. We have operated and non-operated interests in Europe, West Africa and Latin America. A large proportion of our activities are carried out by both contractors and consultants, which form the most significant aspect of our supply chain. In 2019 we had a total organisational workforce of 278 of which 76% were direct employees and 24% were consultants employed as time-writing contractors or consultants on fixed-term contracts. Consultants may be provided through agencies or contracted directly. During 2019 Cairn had over 75 material contracts which incorporated appropriate modern slavery clauses either in the specific contract terms or as a result of having been drawn down against our existing Global Master Service Agreements, which incorporate modern slavery provisions. -
Covers, Surfaces and Colours Bezugsmaterialien
Covers, surfaces and colours 2012 Bezugsmaterialien, Oberflächen und Farben Bezugsmaterialien, OberflächenFarben und 2012 Covers, surfaces 2012 and colours Covers, Covers, surfaces and colours 2012 Bezugsmaterialien, Oberflächen und Farben Product and material overview / Produkt- und Materialübersicht 2 - 15 Covers / Bezugsmaterialien 17 - 32 Surfaces / Oberflächen 33 - 42 Systems / Systeme 43 - 53 1 Product / Produkt Designer Product / Produkt Designer Material Page / Seite Material Page / Seite .03 Maarten van Severen Alcove Highback Love Seat Work Ronan & Erwan Bouroullec Metal / Metall 36 Credo 19 Polyurethane / Polyurethan 40 Laser** 20 Leather / Leder 21 .04 Maarten van Severen Metal / Metall 36 Alcove Sofa & Ottoman Ronan & Erwan Bouroullec Polyurethane / Polyurethan 40 Credo 19 Laser** 20 .05* Maarten van Severen Panamone* 24 Polyurethane / Polyurethan 40 Alcove Table Ronan & Erwan Bouroullec .06 Maarten van Severen Melamine / Melamin 35 Polyurethane / Polyurethan 40 Metal / Metall 36 Wood - Veneer / Holz - Furnier 42 AC 4 Antonio Citterio Leather / Leder 21 Algue Ronan & Erwan Bouroullec Plano 24 Plastic / Kunststoff 37 ACSU Antonio Citterio 44 Aluminium Group Chairs Charles & Ray Eames Hopsak 20 Ad Hoc Antonio Citterio 44 Leather / Leder 21 Netweave / Netzgewebe Aluminium Chair 23 Ad Hoc Solitäre Antonio Citterio 45 Plano 24 Ad Usum Antonio Citterio 45 Amoebe Verner Panton Tonus 31 AIRLINE Norman Foster Metal / Metall 37 Amoebe Highback Verner Panton Polyurethane / Polyurethan 40 Tonus 31 Vinyl Valencia 31 Wood - Veneer / Holz - Furnier 42 Antony Jean Prouvé Metal / Metall 36 Albula Table Antonio Citterio Wood - Veneer / Holz - Furnier 42 Linoleum 34 Wood - Veneer / Holz - Furnier 42 ArchiMeda Alberto Meda 45 Alcove Highback Sofa / Alcove Highback System Ronan & Erwan Bouroullec Basel Chair Jasper Morrison Credo 19 Plastic / Kunststoff 37 Laser** 20 Solid Wood / Massivholz 41 * Not for UK. -
Let's Dance Again
TesioPower Rancho San Antonio Let's Dance Again (2000) Pharos 13-e Nearco 4-r Nogara 4-r Nearctic (1954) 14-c Hyperion 6-e Lady Angela 14-c Sister Sarah 14-c Northern Dancer (1961) 2-d Polynesian 14-a Native Dancer 5-f Geisha 5-f Natalma (1957) 2-d Mahmoud 9-c Almahmoud 2-d Arbitrator 2-d Nijinsky II (1967) 8-f Bull Dog 16-a Bull Lea 9-f Rose Leaves 9-f Bull Page (1947) 4-m Blue Larkspur 8-f Our Page 4-m Occult 4-m Flaming Page (1959) 8-f Pharamond II 6-e Menow 8-g Alcibiades 8-g Flaring Top (1947) 8-f Omaha 17-b Flaming Top 8-f Firetop 8-f Green Dancer (1972) 16-c Blandford 3-o Brantome 27-a Vitamine 27-a Vieux Manoir (1947) 10-e Finglas 14-a Vieille Maison 10-e Vieille Canaille 10-e Val De Loir (1959) 5-h Jock 14-f Sunny Boy 16-a Fille De Soleil 16-a Vali (1954) 5-h Tetratema 14-a Her Slipper 5-h Carpet Slipper 5-h Green Valley (1967) 16-c Black Toney 10-c Balladier 3-j Blue Warbler 3-j Spy Song (1943) 2-o Peter Hastings 10 Mata Hari 2-o War Woman 2-o Sly Pola (1957) 16-c Case Ace 1-k Pavot 10-a Coquelicot 10-a Ampola (1949) 16-c Blue Larkspur 8-f Blue Denim 16-c Let's Dance Again (2000) - F - 1-w Judy O'Grady 16-c Nearco 4-r Nasrullah 9-c Mumtaz Begum 9-c Red God (1954) 8-c Menow 8-g Spring Run 8-c Boola Brook 8-c Blushing Groom (1974) 22-d Rialto 12 Wild Risk 3-f Wild Violet 3-f Runaway Bride (1962) 22-d Tudor Minstrel 9-c Aimee 22-d Emali 22-d Mt Livermore (1981) 9-a Balladier 3-j Spy Song 2-o Mata Hari 2-o Crimson Satan (1959) 26 Requiebro 14 Papila 26 Papalona 26 Flama Ardiente (1972) 9-a Revoked 10-c Reneged 1-n White Samite 1-n -
An Archaeological Inventory in the Pike's Stockade Area, Conejos
An Archaeological Inventory in the Pike’s Stockade Area, Conejos County, Colorado by Kevin D. Black Principal Investigator Colorado Historical Society with a contribution by Bruce Wahle Denver Chapter Colorado Archaeological Society Sponsored by Colorado Historical Society Office of the State Archaeologist of Colorado Program for Avocational Archaeological Certification Denver, Colorado Colorado State Permits #2004–21, 2005–6, 2006–41 October 2007 Abstract During the 2004–2006 field seasons, an archaeological survey was conducted east of Sanford, Colorado as part of the training available in the Program for Avocational Archaeological Certification (PAAC). The project thus used volunteers largely from the Colorado Archaeological Society (CAS) already enrolled in PAAC, supervised and trained by the Assistant State Archaeologist from the Colorado Historical Society. The inventory was completed on about 907 acres of the Pike’s Stockade State Historic Monument (PSSHM) in Conejos County, Colorado. The study tract encompassed a low shrubland environment on and around a volcanic mesa named Sierro del Ojito, bordering the wooded floodplain of the Conejos River, at elevations of 2,296–2,495 m. This area was intensively surveyed primarily to train PAAC volunteers in archaeological inventory and mapping methods. In addition, this portion of southern Colorado had been the subject of relatively little archaeological research interest, and the PSSHM—as a regional property of the Colorado Historical Society—made a logical choice for a PAAC survey project. As a result of the survey a total of 37 sites and 26 isolated finds (IFs) were recorded, including both American Indian and non-Indian materials. Historic period non-Indian sites comprise a rather diverse mix of artifact scatters, cairns, fences, stone enclosures, and rock inscriptions related primarily to ranching and recreational activities. -
Sub-Local Differences in Late Holocene Land Use at Orstad
Environmental Archaeology 10, 2005; pp. 51-71 Sub-Local Differences in Late Holocene Land Use at Orstad, Jreren in SW Norway, revealed by Soil Pollen Stratigraphy Barbara M. Sageidet Abstract Four soil profiles along an 84 m transect through a clearance cairn field on podsol soils at Orstad, JCEren,SW- Norway, were investigated. By relating pollen-analytical results to soil stratigraphical and morphological features, it was possible to reconstruct the landuse history of the site, and to reveal differences along the transect, although pollen preservation was poor. Human activity at Orstad began about 4500 uncalibrated 14C years BP. The reason for an intermediate abandonment of the site between about 4000 and 3600 uncalibrated 14C years BP was presumably a higher ground-water level, caused by local deforestation and/or by a climatic change. After that period, people seem to have grown cereals (Triticum and Hordeum) on at least two different field patches on the site. This land use was presumably occasional, and related to extraordinary needs. Fire-clearance seems to have been practised to prepare the fields for cultivation after long fallow periods. Between 2900 and 3200 uncalibrated 14C years BP, Orstad was possibly permanently inhabited. The agricultural fields were moved to higher levels, as the initial fields had become nutrient-depleted and too moist. Thin black layers in the profile may be remains of manure. Key words: SOIL POLLEN STRATIGRAPHY, EARLY AGRICULTURE, SOIL MANAGEMENT, SUB-LOCAL AREAS, SW NORWAY, PEDOLOGY Introduction agricultural settlements are found from the end of Agriculture in the Jcerenregion, southwest Norway the Neolithic and from the Bronze Age (Simonsen et (Fig. -
1 H. and T. King Grant for Precolumbian Archaeology – V
H. AND T. KING GRANT FOR PRECOLUMBIAN ARCHAEOLOGY Project Title: ROADS AND CHANGING MOBILITY IN NORTHWEST ARGENTINA (AD 1400-1800) Título de Proyecto: CARRETERAS Y CAMBIOS EN LA MOVILIDAD EN EL NOROESTE DE ARGENTINA (1400-1800 D.C.) Dr. Verónica Williams ABSTRACT: Mobility defines human behavior; roads make that mobility possible. Here we propose to study human mobility along route-networks in an area of the Middle Calchaqui Valley, Salta Province, Argentina. Working in La Hoyada Quebrada (or ravine), tributary of the Calchaqui River Valley, and a natural connection route to the puna. We focus on the archaeology and history of roads and route networks in this quebrada where local conditions –low precipitation and low modern population– have resulted in the preservation of these in this sector. Archaeological research highlights the fundamental role of high ravines and valleys for communication between different environments, since at least the first millennium of CE. Additionally, historical documents and secondary sources attest to the continued use and importance of this area as a transit zone until well into the Twentieth Century. As such, our case- study focuses on analyzing the development of roads and networks in the La Hoyada Quebrada at two different contiguous periods in time: The Inka (AD 1400-1532) and the Colonial (AD 1532-1810) periods. The La Hoyada Quebrada incorporates an important Inka road segment that connects the Calchaqui Valley with the puna and then into the saltpans, linking this area with the Atacama Desert and northern Chile. This Inka road incorporated several ancillary structures, such as way- stations (tampu), that were then reused subsequently. -
SEPT 2020 Skin-Contact Skin-Contact Wines Are White Wines Made Like Red Wines
WINE LIST SEPT 2020 Skin-Contact Skin-contact wines are white wines made like red wines. They ferment with the grape skins, which give wine its color. Depending on how long the juice ferments with the skins anywhere from a few hours to many months—skin-contact wines can range in color from golden-straw yellow to vibrant amber. Gls Btl Castello de Stefanago $15. $60. Italy Contro Vento, Alto Mare $14. $55. Italy Maturana “1928” Semillon $59. Chile Weingut Schmitt Muller-Thurgau $69. Germany The Hermit Ram Sauvignon Blanc $65. New Zealand Ruth Lewandowski Mahlon Cuvee Zero $65. USA If you love our wines, you can take them to go. Please ask your server for details. Rosé Rose wine is, in fact, made exclusively from the same blue grapes as the red wines are made of. These blue grapes almost always have a light, often colourless juice and so the obvious question arises: Where does the dark red colour come from? The big reveal: it is because the blue and red pigments are derived from the grape skins not the juice. Gls Btl Fermina Rose Monastrell $14. $55. Spain Clos des Mourres- Pompette Rose $16. $66. France Broc Cellars “Love Rose” $14. $56. USA Txampian Txakoli Rose $62. Spain La Selva Rosato $56. Maturana Rosado Syrah $72. Chile If you love our wines, you can take them to go. Please ask your server for details. Sparkling The bubbles in sparkling wine are products of carbon dioxide (CO2), which is absorbed when fermentation occurs under pres- sure. Therefore, most sparkling wines involve a secondary fermen- tation, which is induced when sugar and yeast are added to a still base wine.