The ISCC-NBS Method of Designating Colors and a Dictionary of Color Names
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Coquelicot 11 La15
LIEN 3D: LIEN 3D https://a360.co/2JLxY9M COQUELICOT 11 DEL OU INCANDESCENT OR LED 1 BASE E26 SOCKET, 120 VOLTS, DIMMABLE, 100W MAX LA15 USAGE INTÉRIEUR/EXTÉRIEUR, INDOOR/OUTDOOR USE UL # Certificat: 20150318-E475067 514.662.0352 | LUMINAIREAUTHENTIK.COM All rights reserved to Authentik Lighting / Tous les droits sont réservés à Luminaire Authentik © 2018 1 Ø2" 1 2 2" 4" 1 1 2" 11" LIEN 3D: http://a360.co/2n7BAal DEL OU INCANDESCENT OR LED 1 BASE E26 SOCKET, 120 VOLTS, DIMMABLE, 100W MAX COQUELICOT 11 USAGE INTÉRIEUR SEULEMENT, INDOOR USE ONLY UL # Certificat: 20150318-E475067 514.662.0352 | LUMINAIREAUTHENTIK.COM All rights reserved to Authentik Lighting / Tous les droits sont réservés à Luminaire Authentik © 2018 ABAT-JOUR / SHADE ALUMINIUM BICOLORE / BICOLOUR COULEUR EXTÉRIEURE / EXTERIOR COLOUR : WTL WTM CRL WEM YLL ORM OGL REL PKM PHM NDL POL WGL Blanc Lustré / Blanc Mat / Crème Lustré / Blé Mat / Jaune Lustré / Or Mat / Matt Gold Orange Lustré / Rouge Lustré / Rose Mat / Matt Pink Pêche Mat / Vieux Rose Lustré / Porcelaine Lustré / Blanc Gris Lustré / Glossy White Matt White Glossy Cream Matt Wheat Glossy Yellow Glossy Orange Glossy Red Matt Peach Glossy Nude Glossy Porcelain Glossy White Grey GYL SLM CHM BKM BKL DGL TLM CTL MGM MGL TUL NVL BZM Gris Lustré / Ardoise Mat / Charcoal Mat / Matt Noir Mat / Matt Black Noir Lustré / Vert foncé Lustré / Bleu Sarcelle Mat / Cactus Lustré / Vert menthe Mat / Vert menthe Lustré / Turquoise Lustré / Marine Lustré / Bronze Mat / Matt Glossy Grey Matt Slate Charcoal Glossy Black Glossy Dark Green -
FORT BEND INDEPENDENT SCHOOL DISTRICT School Colors and Mascots 2016-17 Elementary Schools Abbrev
FORT BEND INDEPENDENT SCHOOL DISTRICT School Colors and Mascots 2016-17 Elementary Schools Abbrev. Colors Mascot (Lynn) Armstrong AE Royal Blue and Orange Gators Austin Parkway APE Red and Blue Sailor Barrington Place BPE Teal Green and White Broncos Blue Ridge BRE Blue and White Eagle Brazos Bend BBE Green and Yellow Bullfrog Briargate BGE Blue and Gold Jaguar (Walter Moses) Burton WBE Navy Blue and Silver Sheriff Colony Bend CBE Red, White and Blue Eagles Colony Meadows CME Royal Blue, Black/Silver Tiger Commonwealth CWE Blue and Red Cougar Cornerstone CSE Teal and Navy Blue Chameleons (Rita) Drabek RDE Burgundy, Dark Blue and Forest Green Dragons Dulles DE Red, White and Blue Little Viking (Arizona) Fleming AFE Blue and White Star Heritage Rose HRE Royal Blue, Silver and White Mustangs Highlands HE Blue and Gold Scottie Dog (Mary Austin) Holley MHE Purple and Red Hawks Hunters Glen HGE Royal Blue and White Owl (Edgar) Glover GE Gold and Teal Golden Eagle Goodman LGE Red, White and Blue Owl (E.A.) Jones JE Royal Blue and Gold Dragon (Barbara) Jordan BJE Royal Blue and Bright Gold Wolverine Lakeview LVE Red and White Viking Lantern Lane LLE Black and Yellow Yellow Jacket Lexington Creek LCE Purple and Teal Lion (Carolyn and Vernon) Madden CVME Royal Blue and Silver Huskies Meadows ME Red and White Mustang Mission Bend MBE Red and Blue Marshal Mission Glen MGE Green and Yellow Alligator Mission West MWE Purple and Gold Wildcat Oakland OE Sky Blue and Yellow Wildcat Oyster Creek OCE Blue and White Blue Jay Palmer PE Blue and Gray Bear (Rosa) Parks RPE Hunter Green and Gold Rockets Pecan Grove PGE Blue and White Cougar Cub Quail Valley QVE Red and Blue (white) Eagle Ridgegate RGE Red and Gold Ranger Ridgemont RME Royal Blue and Yellow Roadrunner (Jan) Schiff JSE Navy, Gray and White Sharks (Juan) Seguin JSES Red, Black and Silver Stallions Settlers Way SWE Red, White and Blue Hot Air Balloon Updated 7/2016 FORT BEND INDEPENDENT SCHOOL DISTRICT School Colors and Mascots 2016-17 Elementary Schools Abbrev. -
Museum of Economic Botany, Kew. Specimens Distributed 1901 - 1990
Museum of Economic Botany, Kew. Specimens distributed 1901 - 1990 Page 1 - https://biodiversitylibrary.org/page/57407494 15 July 1901 Dr T Johnson FLS, Science and Art Museum, Dublin Two cases containing the following:- Ackd 20.7.01 1. Wood of Chloroxylon swietenia, Godaveri (2 pieces) Paris Exibition 1900 2. Wood of Chloroxylon swietenia, Godaveri (2 pieces) Paris Exibition 1900 3. Wood of Melia indica, Anantapur, Paris Exhibition 1900 4. Wood of Anogeissus acuminata, Ganjam, Paris Exhibition 1900 5. Wood of Xylia dolabriformis, Godaveri, Paris Exhibition 1900 6. Wood of Pterocarpus Marsupium, Kistna, Paris Exhibition 1900 7. Wood of Lagerstremia parviflora, Godaveri, Paris Exhibition 1900 8. Wood of Anogeissus latifolia , Godaveri, Paris Exhibition 1900 9. Wood of Gyrocarpus jacquini, Kistna, Paris Exhibition 1900 10. Wood of Acrocarpus fraxinifolium, Nilgiris, Paris Exhibition 1900 11. Wood of Ulmus integrifolia, Nilgiris, Paris Exhibition 1900 12. Wood of Phyllanthus emblica, Assam, Paris Exhibition 1900 13. Wood of Adina cordifolia, Godaveri, Paris Exhibition 1900 14. Wood of Melia indica, Anantapur, Paris Exhibition 1900 15. Wood of Cedrela toona, Nilgiris, Paris Exhibition 1900 16. Wood of Premna bengalensis, Assam, Paris Exhibition 1900 17. Wood of Artocarpus chaplasha, Assam, Paris Exhibition 1900 18. Wood of Artocarpus integrifolia, Nilgiris, Paris Exhibition 1900 19. Wood of Ulmus wallichiana, N. India, Paris Exhibition 1900 20. Wood of Diospyros kurzii , India, Paris Exhibition 1900 21. Wood of Hardwickia binata, Kistna, Paris Exhibition 1900 22. Flowers of Heterotheca inuloides, Mexico, Paris Exhibition 1900 23. Leaves of Datura Stramonium, Paris Exhibition 1900 24. Plant of Mentha viridis, Paris Exhibition 1900 25. Plant of Monsonia ovata, S. -
Word Keeper Inspiration & Journal
WORD KEEPER INSPIRATION & JOURNAL SUNSHINE FLUFF SPRINKLE NECTAR PINwheEL LUCKY JOY LILAC MILKY DUMPLING LUSTER TOOLBOX dollop WHISKER VeLVETY UMBER PEwter THIMBLE Aquarelle serendipity Lucky Break Consulting WWW.LUCKYBREAKCONSULTING.COM RAINBOWS & RAINBOWSCUPCAKES COLORsFoods + + SWEETS SHADES Black/ Blues Browns Greens Grays aqua auburn celadon concrete aquamarine beige chartreuse charcoal azuline COPPER olive ebony azure cinnamon emerald greige celeste mahogany foresT liard cerulean rust jade Metallic denim sepia jungle NICKEL indigo sienna kelly pewter navy tan khaki sable mazarine taupe lime slate turquoise terracotta sea SILVER sapphire umber mint smokeY ultramarine wheat shamrock stone teal tobacco Purples Reds viridian zinc aubergine cardinal amethyst carmine Yellows Pinks orchid coquelicot amber GOLD Amaranth periwinkle crimson lemon cyan eggplant maroon mustard fuchsia lavender rouge saffron hot pink lilac ruby topaz magenta mauve russet honey rose thistle scarlet blonde SALMON violet tomato wisteria vermilion sunshine NEW + FAVORITES © 2014 LUCKY BREAK CONSULTING & ELEA LUTZ WWW.LUCKYBREAKCONSULTING.COM FROSTED CUPCAKES Foods + SWEETS angelica CRUMB fudge molasses sprinkles apple pie CRUMPET gingersnaps MOON PIE sorbet banana split CRUNCHY GLAZED mousse souffle banana crème CUPCAKES gooey MUFFIN sponge blancmange custard granulated sugaR panna cotta SPRINKLES boston crème DAINTY GUMMY parfait squishy BROWNIES dark chocolate gumdrop pastry Succulent brown sugar DANISH honey pavlova sugar cube bubble gum Decadent hot fudge peach -
Personal Enrichment Courses SUPPLY LIST
Personal Enrichment Courses SUPPLY LIST Beginning Acrylics Intermediate Acrylics Instructor: Patti Overholt Instructor: Patti Overholt Niceville Campus Niceville Campus Please try to purchase Galeria Acrylic Paints Supply List (Windsor Newton) for best color mixing results. 1. CANVAS: One 8x10 Canvas Panel Supply List One 9 x 12 Canvas Panel 1. CANVAS: One 8x10 Gallery Wrapped Canvas Three 8x10 Canvas Panels 2. BRUSHES: 2. BRUSHES: #1 inch and a #0.5 inch Flat Brush #1 inch and a #0.5 inch Flat Brush #4 inch and a #8 Filbert #4 inch and a #8 Filbert #8 inch Round Brush #8 inch Round Brush A fan Brush A fan Brush A one inch craft brush A one inch craft brush 3 Palettes Knives, Small, Med. and Large 3. ACRYLIC PAINT: 3. ACRYLIC PAINT: (Starter Sets are available online and at local craft stores. Hobby (Starter Sets are available online and at local craft stores. Hobby Lobby has the best coupon offers. PLEASE avoid cheap paints as Lobby has the best coupon offers. PLEASE avoid cheap paints as colors are off and the pigments are thin.) colors are off and the pigments are thin.) • Ultramarine Blue • Ultramarine Blue • Cerulean Blue • Cerulean Blue • Alizarin Crimson • Alizarin Crimson • Rose Pink • Rose Pink • Cadmium Red Medium • Cadmium Red Medium • Cadmium Yellow Medium • Cadmium Yellow Medium • Yellow Ochre • Yellow Ochre • Indian Yellow • Indian Yellow • Titanium White • Titanium White • Unbleached Titanium (Buff • Unbleached Titanium (Buff White) White) • Burnt Umber • Burnt Umber • Acrylic Extender • Acrylic Extender MISCELLANEOUS: MISCELLANEOUS: Brush Holder for water Plastic Palette Plastic Bottle with water Styrofoam Trays Paper Towels Small jar Golden Moulding Paste Package of Handy or Baby Wipes Brush Holder for water Plastic Bottle with water Paper Towels Package of Handy or Baby Wipes Saran Wrap Personal Enrichment Courses SUPPLY LIST Acrylic Painting Have Fun Drawing Instructor: Marvin Tweedy Instructor: Patti Overholt DeFuniak Springs Campus Niceville Campus Supply List Supply List 1. -
Color Considerations
Gray Tones in Your Homes More and more home buyers are saying that grays are their preferred interior paint colors. Integrating the most popular gray hues into your selection of finish offerings can attract a wide range of buyers. Brought to you by Sherwin Williams Gray walls exude a modern simplicity with a fresh but comfortable feel. They fit in well with natural views and are great complements to a variety of furnishings. With these qualities, it’s no wonder that more home buyers are turning to gray as an interior paint color. Join the continuing “gray is the new beige” trend by offering various grays as finishing options — you’ll increase buyer satisfaction and add value to your homes. Here are the easiest ways to integrate gray tones: 1. Finding the right gray for your homes Although the color gray is commonly associated with cooler, cloudy days, there are both “cool grays” and “warm grays.” Cool grays have more blue undertones, while warm grays are grounded in yellow and brown — similar to “greige,” a combination of gray and beige. Consider the following elements when you’re deciding between a cool or warm gray for interiors: flooring, cabinetry, lighting fixtures, wood trim (painted or stained), and the colors of stone or brick in the house. The undertone of your interior elements should match the undertone of the grays you use. For example, cooler interior elements like certain stone and brushed nickel pair well with cooler grays, while brick and gold are warmer and more easily integrate with warmer undertones like beige. -
Roe-Guide.Pdf
WILD | NATURA L | SUSTAINABLE SUJIKO The cold, clean waters of Alaska provide a healthy, natural habitat for the five species of wild Alaska salmon. Each year, this e e raditional Japanese sujiko features salted and cured Alaska salmon roe within L e v e T the natural membrane or film (in-sac). Sujiko is a Japanese word composed t rich environment yields millions of high quality fish, famous S of “suji,” which means “line,” and “ko,” which means “child.” The name refers to the way in which the eggs are lined up in the ovary. The raw egg sacs are washed for their delicious flavor and superior texture. These same wild in a saturated brine solution, drained, packed with salt and then allowed to cure. All Alaska seafood is wild and sustainable and is managed Grading Information salmon produce some of the world’s finest roe, bursting with all Typically, there are three standard grades of sujiko: No.1, No.2 and No.3, plus for protection against overfishing, habitat damage and pollution. “off-grade” which includes roe that is cut, broken, soft, or off-color. In general, that is best about Alaska salmon. In Alaska, the fish come first! high-grade sujiko usually follow these guidelines: • Eggs are large in size for the species Alaska salmon roe is a wild, natural product high in lean Unlike fish stocks in other parts of the world, no Alaska • Color is bright and uniform throughout salmon stocks are threatened or endangered. For this reason, the sac protein and omega-3 fatty acids. -
Soleil Approved Exterior Color Schemes A
Soleil Approved Exterior Color Schemes A. Woodward Architecture, Inc. New Color Schemes Scheme # Swatch Card Siding Trim Shake/ Board & Batten Shutter/Door Shutter/Door (alt.) Sherwin Williams Sherwin Williams Sherwin Williams Sherwin Williams Sherwin Williams 1 203 "Farro" SW 9103 "Double Latte" SW 9108 "Practical Beige" SW 6100 "Dark Clove" SW 9183 2 206 "Dapper Tan" SW 6144 "Antler Velvet" SW 9111 "Song Thrush" SW 9112 "Andiron" SW 6174 3 212 "Connected Gray" SW 6165 "Analytical Gray" SW 7051 "Honed Soapstone" SW 9126 "Grizzle Gray" SW 7068 4 216 "Link Gray" SW 6200 "Egret White" SW 7570 "Thunderous" SW 6201 "Thunder Gray" SW 7645 5 222 "Cadet" SW 9143 "Loggia" SW 7506 "Wall Street" SW 7665 "Black Magic" SW 6991 6 238 "Earl Gray" SW 7660 "Agreeable Gray" SW 7029 "Mindful Gray" SW 7016 "Peppercorn" SW 7674 7 244 "Dovetail" SW 7018 "Repose Gray" SW 7015 "Dorian Gray" SW 7017 "Iron Ore" SW 7069 8 282 "Summit Gray" SW 7669 "Modern Gray" SW 7632 "Pussywillow" SW 7643 "Polished Mahogany" SW 2828 9 284 "Outerbanks" SW 7534 "Panda White" SW 6147 "Sandbar" SW 7547 "Adaptive Shade" SW 7053 10 285 "Barcelona Beige" SW 7530 "Fawn Brindle" SW 7640 "Avenue Tan" SW 7543 "Attitude Gray" SW 7060 11 301 "Curio Gray" SW 0024 "Relaxed Khaki" SW 6149 "Library Pewter" SW 0038 "Urbane Bronze" SW 7048 12 301 "Pewter Tankard" SW 0023 "Natural Tan" SW 7567 "Morris Room Gray" SW 0037 "Porpoise" SW 7047 Revised Soleil Color Schemes *Denotes change from original 1 206 "Basket Beige" SW 6143 *"Panda White" SW 6147 *"Softer Tan" SW 6141 "Tricorn Black" SW 6258 2 -
Terminology Associated with Silk in the Middle Byzantine Period (AD 843-1204) Julia Galliker University of Michigan
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Terminologies from the Orient to the Centre for Textile Research Mediterranean and Europe, 1000 BC to 1000 AD 2017 Terminology Associated with Silk in the Middle Byzantine Period (AD 843-1204) Julia Galliker University of Michigan Follow this and additional works at: http://digitalcommons.unl.edu/texterm Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Art and Materials Conservation Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, Fiber, Textile, and Weaving Arts Commons, Indo-European Linguistics and Philology Commons, Jewish Studies Commons, Museum Studies Commons, Near Eastern Languages and Societies Commons, and the Other History of Art, Architecture, and Archaeology Commons Galliker, Julia, "Terminology Associated with Silk in the Middle Byzantine Period (AD 843-1204)" (2017). Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD. 27. http://digitalcommons.unl.edu/texterm/27 This Article is brought to you for free and open access by the Centre for Textile Research at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Terminology Associated with Silk in the Middle Byzantine Period (AD 843-1204) Julia Galliker, University of Michigan In Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD, ed. Salvatore Gaspa, Cécile Michel, & Marie-Louise Nosch (Lincoln, NE: Zea Books, 2017), pp. 346-373. -
Salmon Life Cycle Bracelet Each Colored Bead on Your Bracelet Represents a Part of the Life and Journey of Our Majestic Pacific Northwest Salmon!
Salmon Life Cycle Bracelet Each colored bead on your bracelet represents a part of the life and journey of our majestic Pacific Northwest Salmon! Light blue – Salmon need fresh clean water. We all shape, and only 2 – 4 fish from each redd make it do! back home to spawn! Clear – Salmon also need icy cold water. Cold Gold – Bears enjoy catching tasty salmon as they water has more oxygen. swim against the current and up waterfalls! Gray – Females lay their eggs in gravel, not sandy White – Bald eagles eat salmon on their way to bottoms. Gravel protects their eggs. spawn, or after the salmon spawn and die. Orange – A group of salmon eggs is called a redd. Green – Healthy trees and shrubs use the nutrients One female can lay about 3000-4000 eggs! and vitamins released from the salmon’s body. Jingle bell – Eggs hatch into an with a yolk Yellow – Energy from the sun nourishes streamside sac attached to its belly to provide food. trees and shrubs, which shade the water and help keep it clean and icy cold. Green sparkle – Alevin grow into Fry and develop parr marks. These marks help them hide among And the cycle continues over and over! stream plants to avoid becoming someone’s food. Special charm – Add a special charm to your Light green – Fry mainly eat invertebrates, so they bracelet as a promise to help keep our streams need a healthy variety of insects in the stream. healthy for salmon. How can you help? It’s easy! Purple – Great Blue Herons may eat lots of Fry Encourage your family and friends to do simple while they live in the stream. -
Made in America
Made in America www.bobbincentral.com Color SKU 1000m 5000m White 8 10000 Super White 10002 German Granite 8 10401 Medium Grey 8 10424 Battleship 10430 Titanium 8 10431 Flint 10435 Silver 10536 Mercury 10643 Sterling 10877 Cool Grey 3 8 10CG3 Fog 10CG6 Cool Grey 7 8 10CG7 Cool Grey 9 10CG9 Linen 8 10WG1 Warm Grey 4 8 10WG4 Warm Grey 6 10WG6 Black 8 11001 Slate 15285 Anchor 15295 Nickel 15497 Bone 17443 Light Grey 8 17543 Shadow 1BLK3 Storm 1BLK7 Lead Grey 8 1CG11 Warm Grey 11 1WG11 Cream 8 20001 Pearl 20005 Leather 8 20140 Mahogany 8 20160 Medium Brown 8 20464 Sand 8 20466 Caramel 20467 Biscotti 20468 Chocolate 20469 Hazel 20470 Apricot Blush 20474 Dark Brown 8 20476 Rust Brown 8 20478 MoCha 8 20727 Light Copper 20730 Vegas Gold 20872 Dijon 21245 Antique 21255 Sienna 21615 Sepia 21685 Cleopatra 8 24515 Khaki 8 24525 Shell 24535 Brunette 8 24625 Bark 24635 Light Tan 8 24655 Camel 24665 Cork 24675 Cocoa 24705 Military Gold 8 27407 Wheat 27500 Sand Dune 27501 Coffee 27504 Butterscotch 27508 Coffee Bean 27518 Chestnut 8 27521 Auburn 27523 Brownie 27596 Latte 29181 Rock Navy 30001 Blueberry 8 30281 Azure 30283 Hawaiian Blue 8 30284 Empire 30286 Bombay 30287 Bright Blue 8 30288 Baby Blue 30290 Midnight Navy 30296 Cerulean 30308 Magic Mint 30317 Eclipse 30532 Denim 30534 Robin Egg 8 30632 Graphite 30644 Sky 30646 Cobalt 30647 Admiral 30654 Captain Navy 30655 Royal 30661 Lagoon 32237 Air ForCe Blue 32382 Federal 32757 Deep Sea 32767 Navy 8 32965 Light Turquoise 8 32975 Electric 33015 Zaffre 35405 Cloud 8 37457 Ocean 37468 Aquamarine 37474 Steel -
Aspects of St Anna's Cult in Byzantium
ASPECTS OF ST ANNA’S CULT IN BYZANTIUM by EIRINI PANOU A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Centre for Byzantine, Ottoman and Modern Greek Studies Institute of Archaeology and Antiquity College of Arts and Law The University of Birmingham January 2011 Acknowledgments It is said that a PhD is a lonely work. However, this thesis, like any other one, would not have become reality without the contribution of a number of individuals and institutions. First of all of my academical mother, Leslie Brubaker, whose constant support, guidance and encouragement accompanied me through all the years of research. Of the National Scholarship Foundation of Greece ( I.K.Y.) with its financial help for the greatest part of my postgraduate studies. Of my father George, my mother Angeliki and my bother Nick for their psychological and financial support, and of my friends in Greece (Lily Athanatou, Maria Sourlatzi, Kanela Oikonomaki, Maria Lemoni) for being by my side in all my years of absence. Special thanks should also be addressed to Mary Cunningham for her comments on an early draft of this thesis and for providing me with unpublished material of her work. I would like also to express my gratitude to Marka Tomic Djuric who allowed me to use unpublished photographic material from her doctoral thesis. Special thanks should also be addressed to Kanela Oikonomaki whose expertise in Medieval Greek smoothened the translation of a number of texts, my brother Nick Panou for polishing my English, and to my colleagues (Polyvios Konis, Frouke Schrijver and Vera Andriopoulou) and my friends in Birmingham (especially Jane Myhre Trejo and Ola Pawlik) for the wonderful time we have had all these years.