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Made in America www.bobbincentral.com Color SKU 1000m 5000m White 8 10000 Super White 10002 German Granite 8 10401 Medium Grey 8 10424 Battleship 10430 Titanium 8 10431 Flint 10435 Silver 10536 Mercury 10643 Sterling 10877 Cool Grey 3 8 10CG3 Fog 10CG6 Cool Grey 7 8 10CG7 Cool Grey 9 10CG9 Linen 8 10WG1 Warm Grey 4 8 10WG4 Warm Grey 6 10WG6 Black 8 11001 Slate 15285 Anchor 15295 Nickel 15497 Bone 17443 Light Grey 8 17543 Shadow 1BLK3 Storm 1BLK7 Lead Grey 8 1CG11 Warm Grey 11 1WG11 Cream 8 20001 Pearl 20005 Leather 8 20140 Mahogany 8 20160 Medium Brown 8 20464 Sand 8 20466 Caramel 20467 Biscotti 20468 Chocolate 20469 Hazel 20470 Apricot Blush 20474 Dark Brown 8 20476 Rust Brown 8 20478 MoCha 8 20727 Light Copper 20730 Vegas Gold 20872 Dijon 21245 Antique 21255 Sienna 21615 Sepia 21685 Cleopatra 8 24515 Khaki 8 24525 Shell 24535 Brunette 8 24625 Bark 24635 Light Tan 8 24655 Camel 24665 Cork 24675 Cocoa 24705 Military Gold 8 27407 Wheat 27500 Sand Dune 27501 Coffee 27504 Butterscotch 27508 Coffee Bean 27518 Chestnut 8 27521 Auburn 27523 Brownie 27596 Latte 29181 Rock Navy 30001 Blueberry 8 30281 Azure 30283 Hawaiian Blue 8 30284 Empire 30286 Bombay 30287 Bright Blue 8 30288 Baby Blue 30290 Midnight Navy 30296 Cerulean 30308 Magic Mint 30317 Eclipse 30532 Denim 30534 Robin Egg 8 30632 Graphite 30644 Sky 30646 Cobalt 30647 Admiral 30654 Captain Navy 30655 Royal 30661 Lagoon 32237 Air ForCe Blue 32382 Federal 32757 Deep Sea 32767 Navy 8 32965 Light Turquoise 8 32975 Electric 33015 Zaffre 35405 Cloud 8 37457 Ocean 37468 Aquamarine 37474 Steel Blue 38201 Tar Heel 8 90278 Pacific 8 90285 Dark Aqua 92985 Marine 8 92995 Tropical 90284 Iris 40249 Violet 8 40255 Grape 40265 Dusty Plum 40437 Tabriz Orchid 8 40522 Mulberry 40528 Wisteria 40666 Periwinkle 42562 Lavender 42577 Viking 42583 Damson 42587 Raven 8 42607 Amethyst 42635 Lilac 8 42655 Eggplant 42715 Fandango 42736 Wine 45115 Teaberry 47440 Haze 47452 PeacoCk 90256 Safety Orange 50021 Bronze 50138 Halloween 8 50144 Mars 50158 Salmon 50170 Autumn 50172 Firestorm 50173 Rust 8 50174 Peach 50473 Strawberry Blonde 50712 Pumpkin Seed 51365 Lava 8 51585 Coral 51625 Oriole 51655 Burnt Orange 51675 Marmalade 57579 Neon Orange 90811 Cantaloupe 91355 Tangerine 91375 Blaze 8 91505 Teal 60323 Irish Spring 60335 Christmas Pine 60343 Mint 8 60345 Viridian 60349 Totem Green 8 60350 Forest 60355 Jade 60357 Turf 8 60362 Aloe 60371 Kryptonite 60376 Avocado 60382 LimeriCk 60389 Split Pea 8 60398 Army 60418 Sea Mist 60556 Thyme 60557 Pale Mist 60566 Soldier Green 60574 Willow 60576 Celery 8 60580 Prickly Pear 8 60618 Pistachio 60623 Mint Julep 60624 Evergreen 60627 Chartreuse 60802 Fool's Gold 61265 Sprout 63268 Mermaid 63282 Jungle 63415 Emerald 63425 Persian 8 65473 Tidewater 65483 Cool Mint 65513 Basil 65555 Olive 65615 Fern 65625 Mossy 65743 Light Olive 8 65825 Sea Green 67472 Midnight Storm 67476 ShamroCk 67482 Kiwi 67489 Aqua 90320 Neon Green 90360 Key lime 90366 Sea Foam 97494 Cardinal 8 70001 Cherry 8 70032 Tango 70177 Papaya 70178 Tomato 70179 Cotton Candy 8 70182 Sultry 70186 Ruby 70187 Pink 8 70189 Raspberry 70193 Chianti 70195 Desire 70199 Fil-TeC 70200 Light Burgundy 70202 Rhododendron 8 70205 Apple 70206 Cranberry 70207 Hokies 70208 Maroon 8 70209 Flamingo 70211 Magenta 70212 Blossom 70214 Pink Lemonade 70217 JamaiCa Sun 70485 Cabernet 70490 Bordeaux 70504 Monarch 70703 Pink Rose 70705 Hot Pink 70812 Arizona Sky 71788 Valentine 71795 Imperial Red 71797 Mauve 75005 Merlot 77421 Passion 77424 Garnet 8 77427 Purple Rose 77432 Pinot 77637 Peppermint 8 90177 Candy Apple Red 8 90186 Lipstick 91787 Hope 90812 Lemon 80101 Bright Yellow 8 80108 Daisy 80114 Mango 8 80116 Cornflower 80120 Canary 80123 Honey Gold 8 80125 Marigold 8 80130 Desert Sunset 8 80131 Penny 80132 Buttercup 80134 Jubilee 80135 Medallion 80143 Bright Gold 8 80137 Lemon ICe 8 80607 Citron Yellow 80809 West Point 81225 Yellow Whisper 87499 *For a true color match please purchase our color card wrapped with real thread. .
Recommended publications
  • The ISCC-NBS Method of Designating Colors and a Dictionary of Color Names

    The ISCC-NBS Method of Designating Colors and a Dictionary of Color Names

    Uc 8 , .Department of Commerce Na Canal Bureau of Standards Circular UNITED STATES DEPARTMENT OF COMMERCE • Sinclair Weeks, Secretary NATIONAL BUREAU OF STANDARDS • A. V. Astin, Director The ISCC-NBS Method of Designating Colors and a Dictionary of Color Names National Bureau of Standards Circular 553 Issued November 1, 1955 For sale by the Superintendent of Documents, U. S. Government Printing Office, Washington 25, D. C. Price 32 7 1 National Bureau of Standards NOV 1 1955 8 (0*118 QC 00 U555 Cop. 1 Preface I^Ever since the language of man began to develop, words or expressions have been used first to indicate and then to describe colors. Some of these have per- sisted throughout the centuries and are those which refer to the simple colors or ranges such as red or yellow. As the language developed, more and more color names were invented to describe the colors used by art and industry and in late years in the rapidly expanding field of sales promotion. Some of these refer to the pigment or dye used, as Ochre Red or Cochineal, or a geographical location of its source such as Naples Yellow or Byzantium. Later when it became clear that most colors are bought by or for women, many color names indicative of the beauties and wiles of the fan- sex were introduced, as French Nude, Heart’s Desire, Intimate Mood, or Vamp. Fanciful color names came into vogue such as Dream Fluff, Happy Day, Pearly Gates, and Wafted Feather. Do not suppose that these names are without economic importance for a dark reddish gray hat for Milady might be a best seller ; if advertised as Mauve Wine whereas it probably would not if the color were called Paris Mud.
  • Gamblin Provides Is the Desire to Help Painters Choose the Materials That Best Support Their Own Artistic Intentions

    Gamblin Provides Is the Desire to Help Painters Choose the Materials That Best Support Their Own Artistic Intentions

    AUGUST 2008 Mineral and Modern Pigments: Painters' Access to Color At the heart of all of the technical information that Gamblin provides is the desire to help painters choose the materials that best support their own artistic intentions. After all, when a painting is complete, all of the intention, thought, and feeling that went into creating the work exist solely in the materials. This issue of Studio Notes looks at Gamblin's organization of their color palette and the division of mineral and modern colors. This visual division of mineral and modern colors is unique in the art material industry, and it gives painters an insight into the makeup of pigments from which these colors are derived, as well as some practical information to help painters create their own personal color palettes. So, without further ado, let's take a look at the Gamblin Artists Grade Color Chart: The Mineral side of the color chart includes those colors made from inorganic pigments from earth and metals. These include earth colors such as Burnt Sienna and Yellow Ochre, as well as those metal-based colors such as Cadmium Yellows and Reds and Cobalt Blue, Green, and Violet. The Modern side of the color chart is comprised of colors made from modern "organic" pigments, which have a molecular structure based on carbon. These include the "tongue- twisting" color names like Quinacridone, Phthalocyanine, and Dioxazine. These two groups of colors have unique mixing characteristics, so this organization helps painters choose an appropriate palette for their artistic intentions. Eras of Pigment History This organization of the Gamblin chart can be broken down a bit further by giving it some historical perspective based on the three main eras of pigment history – Classical, Impressionist, and Modern.
  • Color Chart Includes Those Colors Made from Inorganic Pigments, That Is, Metal Ores Dug from the Earth

    Color Chart Includes Those Colors Made from Inorganic Pigments, That Is, Metal Ores Dug from the Earth

    GAMBLIN ARTISTS COLORS GAMBLIN ARTISTS OIL COLORS Artists Oil mineral inorganic colors modern organic colors Colors • All colors made from metals (Cadmium, Cobalt, Iron, etc.) are “inorganic” • Carbon based pigments are “organic” • 19th century colors of the Impressionists and the colors of Classical and Renaissance era painters • 20th century colors • High pigment load, low oil absorption • Most pigments available in a warm and cool version (ex. Phthalo Green, Phthalo Emerald) • Colors easily grey-down in mixtures, excellent for painting natural colors and light • Best choice for high key painting, bright tints • Mostly opaque with a few semi-transparent and transparent colors • Mostly transparent, with some semi-transparent colors Impressionist 20th Century CADMIUM CHARTREUSE CADMIUM LEMON CADMIUM YELLOW LIGHT CADMIUM YELLOW MEDIUM CADMIUM YELLOW DEEP HANSA YELLOW LIGHT HANSA YELLOW MEDIUM HANSA YELLOW DEEP INDIAN YELLOW CADMIUM ORANGE CADMIUM ORANGE DEEP CADMIUM RED LIGHT CADMIUM RED MEDIUM CADMIUM RED DEEP PERMANENT ORANGE TrANSPARENT OrANGE NAPTHOL RED NAPTHOL SCARLET PERYLENE RED white · grey · black ALIZARIN CrIMSON MANGANESE VIOLET COBALT VIOLET ULTRAMARINE VIOLET ALIZARIN PERMANENT QUINACRIDONE RED QUINACRIDONE MAGENTA QUINACRIDONE VIOLET DIOXAZINE PURPLE TITANIUM WHITE RADIANT WHITE TITANIUM ZINC WHITE QUICK DRY WHITE FLAKE WHITE REPLACEMENT ULTRAMARINE BLUE COBALT BLUE PrUSSIAN BLUE CERULEAN BLUE COBALT TEAL INDANTHRONE BLUE PHTHALO BLUE CERULEAN BLUE HUE MANGANESE BLUE HUE PHTHALO TURQUOISE FASTMATTE TITANIUM WHITE ZINC WHITE
  • Opaque Colors

    Opaque Colors

    When glazing, it helps to know which colors are transparent and which are opaque. Whether a particular color is transparent or opaque has to do simply with its inherent chemical makeup. An opaque color will offer more coverage than a transparent one; that much is obvious. But it is important to remember that opacity and transparency have nothing to do with color saturation/intensity or color permanence. Both groups contain fugitive colors as well as powerful ones (red can fade quickly in UV light; blue used in even small quantities will turn the mixture strongly blue). This list is provided to help you determine which colors are best used for underpainting, which are best for glazing right out of the tube, and which may require the use of a glazing medium. Opaque Oil Colors Transparent Oil Colors Whites Whites lead white zinc white titanium white transparent white Yellows Yellows cadmium yellow (all tones) aureolin (cobalt yellow) Naples yellow Indian yellow yellow ochre transparent gold ochre jaune brilliant transparent oxide yellow nickel titanate yellow stil de grain jaune Reds and Oranges Reds and Oranges cadmium red (light and dark) alizarin crimson cadmium orange rose madder (light and dark) English red ultramarine red Mars red quinacridone red Venetian red quinacridone burnt orange terra rosa transparent red oxide vermillion naphthol scarlet anthraquinoid red perinone orange Greens Greens chromium green oxide viridian permanent green phthalo green cadmium green phthalo turquoise green gold terre verte Browns Browns burnt umber burnt sienna raw umber raw sienna Pozzuoli earth brown madder alizarin transparent brown stil de grain brun Blues Blues cerulean blue ultramarine blue cobalt blue phthalo blue manganese blue indanthrone blue indigo Violets Violets cadmium purple cobalt violet Mars violet manganese violet caput mortuum violet carbazole violet quinacridone violet rose dore’ dioxazine purple Blacks and Neutrals Blacks and Neutrals lamp black ivory black peach black Davy’s gray Mars black Paynes gray .
  • Paint Pigments— Yellow

    Paint Pigments— Yellow

    » TECHNICAL INFORMATION ON BUILDING MATERIALS TIBM - 32 FOR UfSE IN THE DESIGN OF LOW-COST HOUSING ***** THE NATIONAL BUREAU OF STANDARDS UNITED STATES DEPARTMENT OF COMMERCE WASHINGTON, D. C. August 29, 1936 PAINT PIGMENTS— YELLOW, . BROWN, BLUE, GREEN, AND BRONZE This is urimarily^a digest of the sections of Bureau of Standards Circular No, o9> "Paint and Varnish", (November 17, 1917),'*' and Tech- nologic Paper No. 274, "Use of United States Government Suecif ication Paints and Faint Materials", (December 15, 1924), ^ Ly p, H. Walker and E. F. Hickson, dealing with general composition , characteristics, and uses of yellow, brown, blue, green, and bronze pigments. The following papers contain additional information relative to paint pigments, oil paints, and water paints: TIBM - 30 "Paint Pigments—White" TIBM - 31 "Paint Pigments—Black, Red, and Lakes" TIBM - 33 "Federal Specification . Paint Pigments and Mixing Formulas" TIM - 3U "Federal Specification Ready-Mixed Paints, Semi- paste Paints and Mixing Formulas’"' TIBM - 35 "Preparation of Paints from Paste and Dry Pigments" TIBM - 36 "Preparation of Paints from Semipaste Paints, Thinning Ready-Mixed Paints, and Preparation of Water Paints" TIBM - 43 "Aluminum Paints" Pigments are "the fine solid warticles used in the preparation of paint, and substantially insoluble in the vehicle, "3 In general, it may be ^Out of print. May be consulted in Government depositor}*- libraries. p Available from Superintendent of Documents, Government Printing Office, Washington, D. C. .(Price 10 cents). ^Qpioted from "Standard Definitions of Terms Relating to Paint 'Specifications", American Society for Testing Materials ( 1 93 3 ) ’ • • -• •• PP. 735-73 9 . 031736-C - 1 - assumed that pigments composed of very fine particles, having high re- fractive indices, provide the greatest covering power and opacity.
  • European Cobalt Sources Identified in the Production of Chinese Famille Rose Porcelain Abstract Keywords

    European Cobalt Sources Identified in the Production of Chinese Famille Rose Porcelain Abstract Keywords

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UCL Discovery 1 European cobalt sources identified in the production of 2 Chinese famille rose porcelain 3 4 Rita Giannini1, Ian C. Freestone2, Andrew J. Shortland1 5 6 1 Cranfield Forensic Institute 7 Cranfield University 8 Defence Academy of the United Kingdom 9 Shrivenham 10 Wilts 11 SN6 8LA 12 [email protected] 13 14 2 Institute of Archaeology 15 UCL 16 31-34 Gordon Square 17 London WC1H 0PY 18 Abstract 19 The blue pigments on 112 fragments or small objects of Qing Dynasty Chinese, 20 95 of underglaze blue and white and 17 overglaze enamelled porcelains were 21 analysed by LA-ICPMS. The underglaze blues on both blue and white and 22 polychrome objects were created with a cobalt pigment that was rich in 23 manganese with lesser nickel and zinc. This suite of accessory elements is 24 generally considered to be characteristic of local, Chinese, sources of pigments. 25 However, the blue enamels were very different. The cobalt pigment here has low 26 levels of manganese and instead is rich in nickel, zinc, arsenic and bismuth. No 27 Chinese source of cobalt with these characteristics is known, but they closely 28 match the elements found in the contemporary cobalt source at Erzgebirge in 29 Germany. Textual evidence has been interpreted to suggest that some enamel 30 pigment technologies were transferred from Europe to China, but this is the first 31 analytical evidence to be found that an enamel pigment itself was imported.
  • Thread Color Chart BCH.Pdf

    Thread Color Chart BCH.Pdf

    GLIDE 40 wt. Filament Polyester Order a color card for a true color match Magna-Glide Delights available in this color COLOR SKU 1,000m 5,000m COLOR SKU 1,000m 5,000m White 10000 Medium Brown 20464 Super White 10002 Sand 20466 German Granite 10401 Caramel 20467 Medium Grey 10424 Biscotti 20468 Coin 10429 Chocolate 20469 Battleship 10430 Hazel 20470 Titanium 10431 Apricot Blush 20474 Flint 10435 Dark Brown 20476 Silver 10536 Rust Brown 20478 Mercury 10643 Mocha 20727 Sterling 10877 Light Copper 20730 Cool Grey 3 10CG3 Vegas Gold 20872 Fog 10CG6 Dijon 21245 Cool Grey 7 10CG7 Antique 21255 Cool Grey 9 10CG9 Sienna 21615 Linen 10WG1 Sepia 21685 Warm Grey 4 10WG4 Hickory 22336 Warm Grey 6 10WG6 Cleopatra 24515 Black 11001 Khaki 24525 Slate 15285 Shell 24535 Anchor 15295 Brunette 24625 Nickel 15497 Bark 24635 Bone 17443 Light Tan 24655 Husky 17530 Camel 24665 Light Grey 17543 Cork 24675 Shadow 1BLK3 Cocoa 24705 Storm 1BLK7 Buttermilk 27403 Lead Grey 1CG11 Military Gold 27407 Warm Grey 11 1WG11 Wheat 27500 Cream 20001 Sand Dune 27501 Pearl 20005 Coffee 27504 Ginger 20125 Butterscotch 27508 Leather 20140 Coffee Bean 27518 Mahogany 20160 Chestnut 27521 Our color chart is designed to help you reference Glide™ thread colors. We offer this chart as a reference only, and it is not intended to imply an exact color match of Glide™ thread colors. Color appearance will vary based on lighting conditions and angle of view. www.habanddash.com Made in America, Stitched by All GLIDE 40 wt. Filament Polyester Order a color card for a true color match Magna-Glide
  • Watercolor Substitution Cheat Sheet * = Lindsay Recommended Color

    Watercolor Substitution Cheat Sheet * = Lindsay Recommended Color

    Watercolor Substitution Cheat Sheet * = Lindsay Recommended color *Phthalo Blue (Strong cool-green leaning-blue) Prussian Blue (also look for that pigment) AKA Pthalo blue GS Cyan Blue or green shade. Cerulean Blue (if it looks dark: Mission Gold) Helio Cerulean **This colors is great for mixing green when Winsor Blue (Winsor & Newton) paired with a cool yellow. Intense Blue (Winsor & Newton/Cotman) Azure (Yarka/White Nights) Turquoise Indigo (deep cool blue grey) Indanthrone Blue Payne's Grey+Prussian Blue *Ultramarine Blue (warm, purple bias red) Colbalt Blue Pthalo blue Red Shade (not my fave substitute) **This color is good for mixing violet with a cool Poland Blue red or gray with burnt sienna. ***This color granulates for textured washes. Cerulean Blue (Less intense cool blue) Manganese Blue Phthalo blue + white Cinerous Blue (Sennelier) *Quinacridone Rose (Cool red with violet Alizarian Crimson undertones) Carmine **This color makes lovely purples and mauve Crimson lake with blues. Rose Madder (weaker than AZ) *Cadmium Red or Cadmium red light Vermilion (Warm red with orange undertones) Scarlet Napthol Red **This color makes beautiful oranges when mixed Bright Red/ Brilliant Red with warm yellows. Pyrrole Red Permanent Rose Magenta *Cadmium Yellow (warm yellow) Gamboge Cadmium yellow medium/Cadmium yellow deep Indian Yellow Permanent yellow deep **This color makes beautiful oranges when mixed with warm reds or peach with cool reds *Hansa Yellow Light (cool yellow) Lemon Yellow (cool yellow) Cadmium yellow light, pale or Cadmium
  • The Collections

    The Collections

    The Collections 1 Welcome to the world of Where traditional English design, luxurious styling and deep seated comfort are at the heart of everything we do. Discover the beauty of Duresta sofas and chairs as you browse through our latest collections. Delve into our design studio, experience modern classic design and choose your new luxurious Duresta piece. Visit our world and book a visit to the Duresta showroom, see page 145. 25 YEAR FRAME GUARANTEE 01 Crafted by Hand in England All Duresta furniture ranges are handcrafted by our highly skilled craftspeople using the finest materials. We have mastered and refined traditional furniture-making methods to ensure that every piece of upholstery we produce is perfect in every detail. WELCOME TO THE WORLD OF DURESTA | 03 Contents 06 A Heritage of Luxury 08 Fabric Collections 10 Design Studio 12 Modern Classics Collection 64 English Luxury Collection 108 Contemporary Living Collection 128 Footstools 130 Model Specifications 142 Fillings, Finishes & Trimmings 144 Index 145 The Duresta Showroom 25 YEAR FRAME GUARANTEE At Duresta, we have been handcrafting the finest luxury furniture in Nottingham since 1938. Since then, Duresta has become the brand of choice for high end, luxurious designs; creating modern classics and celebrating heritage English furniture. We have been champions of artisan furniture making for over 80 A Heritage of Luxury years, and are committed to preserving this legacy as we refine our collections, creating luxurious sofas and chairs. A HERITAGE OF LUXURY | 07 Fabric Collections All of our fabrics are chosen from the most prestigious and innovative mills sourced from around the world.
  • UNIVERSAL SEAMING ADHESIVE COLOR CHART Color Match Information Is Provided As Reference Only and Should Be Verifed and Tested Prior to Fabrication

    UNIVERSAL SEAMING ADHESIVE COLOR CHART Color Match Information Is Provided As Reference Only and Should Be Verifed and Tested Prior to Fabrication

    LG HI- MACS UNIVERSAL SEAMING ADHESIVE COLOR CHART Color match information is provided as reference only and should be verifed and tested prior to fabrication. Color match may vary with manufacturing variations BRAND COLOR NAME SMART MATCH 1 SMART MATCH 2 SILICONE MATCH NAME LG HI-MACS Allspice Quartz Charcoal (0333) Gunmetal (0777) Clear (VS-015) LG HI-MACS Almond Custom Color Solid Bone (VS-185) LG HI-MACS Almond Pearl Tidal Sand (2034) Bone (0257) Clear (VS-015) LG HI-MACS Alpine White Oxford (1588) Winter White (2340) Trans White (VS-025) LG HI-MACS Amberglow Blond (0248) Trans Beige (VS-085) LG HI-MACS Andromeda Glacier White (0747) Solid White (VS-165) LG HI-MACS Annato Granite Barley (0218) Hazelnut (0816) Clear (VS-015) LG HI-MACS Apple Green Sand Caribbean (0316) Clear (VS-015) LG HI-MACS Apple Grey Custom Color Clear (VS-015) LG HI-MACS Apricot Ivory (0980) Clear (VS-015) LG HI-MACS Aqua Granite Custom Color Clear (VS-015) LG HI-MACS Arabian Custom Color Peru (1625) Clear (VS-015) LG HI-MACS Arcas Cadet Grey (0305) Solid White (VS-165) LG HI-MACS Arctic Granite Transparent White Trans White (VS-025) (2068) LG HI-MACS Arctic White Frost White (0665) Bright White (0268) Trans White (VS-025) LG HI-MACS Armadillo Slate (1947) Charcoal (0333) Clear (VS-015) LG HI-MACS Awaken Glacier White (0747) Solid White (VS-165) LG HI-MACS Aztec Quartz Cargo (0314) Clear (VS-015) LG HI-MACS Azure Quartz Pearl (1622) Clear (VS-015) LG HI-MACS Babylon Beige Custom Color Clear (VS-015) LG HI-MACS Balance Coffee (0354) Trans Brown (VS-065) LG HI-MACS
  • Echocloud Flat Circles Color #101

    Echocloud Flat Circles Color #101

    EchoCloud Flat Circles Color #101 ECHOCLOUD ACOUSTIC DESIGN ELEMENT EchoCloud acoustic clouds help absorb sound within an open space, reducing reverberation and helping quiet noisy spaces, no matter the ceiling type. Design aesthetically and acoustically winning interior spaces with the infinitely customizable and ecologically sound EchoPanel acoustic panels and tiles. Take the next step in functional, beautiful, sustainable design. ECHOCLOUD EchoPanel R Customizable Acoustic System 3D CLOUDS DEEP CLOUDS 3D Clouds provide sound absorption, diffusion and maxi- Deep Clouds provide visual depth and sound absorption. mum visual impact. Panels are 2.5” thick. STYLES STYLES Square Rectangle Hex Hex 36” x 31” x 5” D Small 18” x 18” Small 41” x 18” 36” x 31” Large 41” x 41” Large 88” x 41” FLAT CLOUDS PERFORATED FLAT CLOUDS 12mm thick clouds available in all 20 EchoPanel colors Perforated Flat Clouds (PFC) add sound absorption while pro- with standard and custom shapes up to 46” x 94”. viding visual movement and allowing light to shine through the panels. STYLES STYLES Rectangle Square Oval Rectangle Square Circle Oval Small 46” x 23” Small 23” x 23” 94” x 46” Small 46” x 23” 46” x 46” Diameter 46” 94” x 46” Large 94” x 46” Large 46” x 46” Large 94” x 46” Circle Hex PFC DESIGNS Grad Hourglass (shown) (Diameter) 36” x 31” Small 23” Medium 33” Large 46” ECHOCLOUD HARDWARE EchoPanel R Installation options include direct mount, cable suspension, or threaded rod. Installation can be custom designed to accommodate lighting and sprinkler systems. PENTA
  • Colour Chart.Indd

    Colour Chart.Indd

    The Paints, Past and Present Details and Descriptions of Colours This section gives assessments for certain determinable characteristics of all the colours presently in my range, as well as a few informal remarks on their qualities and idiosynchrasies when used. Following the pattern already laid out on all my tube and can labels, and on my more recent colour charts, I give: (1) The Colour Index Number: This is an international system for classifying and identifying pigments solely by their (often very complex) chemical formulae( e.g P(igment) R(ed) 106, Mercuric Sulphide known as Genuine Vermilion). The use of vague traditional or invented colour names is thus clarifi ed, and so, in theory at least, is the vexed matter of what pigments manufacturers actually put into their paints. If a colourman is honest, each constituent pigment in a paint can be specifi ed precisely, and the practice of secretly adulterating or even completely substituting cheaper alternatives is made impossible. Assuming, that is, the colourman is honest…I can certainly state that there are no secret additions to any of the paints in my range. What you read as the C.I number on the label is what you get. (2) Estimated Relative Drying Speed: Bearing in mind that all drying speeds will be affected by temperature, humidity and light levels, these give a broad calibration of comparative speeds, from the Very Fast, such as the Umbers, many of which, if used neat, will be touch dry within a hot summer day, to the Very Slow, which in unmixed state, might take up to a week.