Watercolors ™ Extra Fine Extra

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Extra Fine Watercolor Stories 1

COLOR STORIES COLOR characteristics into your art. your into characteristics how to incorporate each of their unique each incorporate to how Discover our world of pigments and our world Discover in brief Warm violet-red, this slightly granular, super-staining vat pigment is one of DANIEL SMITH’s greatest greatest SMITH’s pigment is one of DANIEL vat super-staining this slightly granular, violet-red, Warm on shadow a variation Red is bold and enough Anthraquinoid dashing. for Deep and cool creations. red a whisper of cool achieve to Mix with water has an amazing range. red-violet this impressive tones, beautifully Red glazes Anthraquinoid color, A transparent and blushing cheeks. skies rosy for perfect artists and Red offers depth. Anthraquinoid a vibrant, luminous added pigment richness thatfor in thin washes. even rating permanency its excellent retains Oh my goodness - it’s beautiful! exclaimed one of our testers, and it is. Amethyst Genuine is a and it is. Amethyst one of our testers, exclaimed beautiful! goodness - it’s Oh my Although gradation. it is a of infinite and capable in masstone almost black - it’s true purple rich, from hint of sparkle with just the barest washes clear the lovely it can also make color, granulating crushed gemstone. Anthraquinoid Red in ancient times as war paint by fierce female warriors. In addition, legends state that when you wear wear you that when In addition, legends state warriors. female fierce by paint in ancient times as war dimension. Small the spiritual to soul and be attuned your will harmonize you of Amazonite a piece of this piece A shared sooth and pacify. bunting to a baby’s into tucked were carvingsof Amazonite and further the enhance union of soul mates. unite to believed was mineral teal lovely Genuine Amethyst Amazonite Genuine Amazonite from Amazonite mineral a unique supply of the a precious SMITH has acquired It’s DANIEL Brazil. maximum versatility. for non-staining and easily lifts transparent, that is completely color pure strong gorgeous making with reds mixer Genuine is an especially beautiful Amazonite itself, by Gorgeous This lovely Brazil. of all the magic of the hills and forests Genuine provides Amazonite violets! Natural used and was River the Amazon named for was mineral, a precious microcline, shade of feldspar teal darkness. I use these greys to create a painting that has a magnetism...energy, mystery, passion... mystery, that has a magnetism...energy, a painting create to I use these greys darkness. of just this type have Both of these colors darkness. the unknown, entering discover, something to Castagnet - Alvaro me.” to feel mist in and a cooling in mass tone midnight a cool Grey, Fresco Alvaro’s Series, Part of our Signature Alvaro’s of coolness. and adding a touch them down toning with other colors, well it mixes washes, lightfastness. staining and has excellent low granulating, is semi-transparent, Grey Fresco Alvaro’s Fresco Grey Fresco Alvaro’s and Passionate and it. true hue, with noto artificial look very powerful “A Grey Fresco Alvaro’s Alvaro’s the hue.” love the unknown...I even kind distant elements of any evoke to great mysterious, You energy...power. fury, about; “...magnetism, them, are as he describes Greys, and Caliente Fresco unknown... things that are mystery...evoke emotion, passion... of danger, a feeling create greys... know Greys, as he describes them, are about; “...magnetism, fury, energy...power. You know greys... create a create greys... know You energy...power. fury, about; “...magnetism, them, are he as describes Greys, I use these unknown...darkness. things that are mystery...evoke emotion, passion... of danger, feeling discover, passion...something to mystery, magnetism...energy, that has a a painting create to greys - Alvaro me.” to feel of just this type have of these Both colors darkness. the unknown, entering on its grey velvety a smooth, warm Grey, Caliente Alvaro’s Series, Part of our Signature Castagnet Caliente Alvaro’s and adding warmth. them down toning with other colors wonderfully mixes own, lightfastness. staining and has excellent non-granulating, is semi-transparent, low Grey Umber to Payne’s Gray, while Alizarin Crimson with French Ultramarine creates an intense purple. an intense Ultramarine creates with French Crimson while Alizarin Gray, Payne’s Umber to Grey Caliente Alvaro’s paintings. warm and strong to create excellent very powerful, hue, “is a terrific Grey, Caliente Alvaro’s amazing with atmosphere a powerful achieve to is perfect Grey this wonderful In monochrome and Fresco Caliente Alvaro’s and highlights shadows.” add dramatic to is also perfect This color glow. Alizarin Crimson is the oldest synthetic deep red-crimson pigment. It is a lake pigment which when pigment which pigment. red-crimson deep lake It is a is the synthetic oldest Crimson Alizarin from to and kept strength applied in is a treat decades. Alizarin many for sunlight will last the direct bluish- A beautiful of the is invigorating. depth and uniqueness of color just the with, sheerpaint joy majority of a vast palette pigment on the from basic red is listed Crimson Alizarin the staining family, create with most pigments to cleanly mixes Crimson Alizarin in value, and dark of artists. Intense Ultramarine and French Yellow) (Cobalt of Aureolin A combination neutrals. and warm mixtures dark everything from resembling of other colors range a surprising renders with Alizarin and Sienna Burnt Alizarin Crimson Alizarin

™ Extra Fine Watercolor Stories 2 A durable, staining azo pigment, Bordeaux is a velvety wine color. Its slightly granular, semi- Its slightly granular, wine color. is a velvety pigment, staining azo A durable, Bordeaux Replace misting and salt with blotting, application techniques. well properties work transparent with Bordeaux of cranberries with this pigment! Try a scattering painting muddy mixtures lifeless, Ultramarine. Blot highlights and when Red or French of Anthraquinoid with small touches mixed shadow. Then add a connective ends of berries. as blossoms or stem add details such dry, Gorgeous in color, Blue Apatite is a striking mineral that is rarely used in jewelry due to its relative its relative due to used in jewelry that is rarely mineral is a striking Blue Apatite in color, Gorgeous midnight blue that granulates - a dense, rich fantastic pigment, an artist’s softness. As though, it’s revealed, color are inky of wash, nuances from Within a papers. cold- or hot-press on magnificently stroke! in one juicy sky a stormy blue. Create Prussian-like rich to near-black Bordeaux velvety aubergine mass tone develops into a warm gray wash that lifts beautifully and provides andprovides that lifts beautifully wash gray a warm into develops mass tone aubergine velvety paper. cold-pressed or be it on hot- granulation, to comes when it gratification immediate and is especially wonderful watercolors than 240 of our more with each very well mixes Bloodstone Orange. and Burnt Quinacridone RhodoniteGenuine with transparent Genuine Blue Apatite spidery runs. Intensely black in mass tone, it lets down to a beautiful, warm pearl gray. gray. pearl warm a beautiful, to it lets down in mass tone, black spidery runs. Intensely Genuine Bloodstone Christians, magical to and medicinal is legendary properties. Sacred its mystical, Bloodstone for the of Christ. blood Our Bloodstone jasper represent this green in drops red the dark who believe and Its’ intense watercolors. pigmented naturally Genuine is part PrimaTek of our line of superb mixtures in florals and field flowers. Its lemon yellow hue works well with purples and all the greens.purples and all the well with works hue yellow Its lemon flowers. and field in florals mixtures Genuine Black Tourmaline is made from color a semi- PrimaTek This intriguing fog. as a wispy as night or as pale be as dark Can In washes, of purpose. clarity and promote luck, dispel negativity bring thought to stone precious and a tracery ofsettling with delicate granulation exciting it displays paper, especially on rough DANIEL SMITH Azo Yellow Watercolor almost jumps off the paper, it’s so brilliant, sunny and bright. so brilliant, sunny it’s almost jumps off the paper, Watercolor Yellow SMITH Azo DANIEL smooth and staining. Use this vivid, semi- transparent, powerful, clear, it’s of yellow, The very essence mixing color. also a versatile It’s paintings. your to add light and sparkle pigment to organic Yellow Bismuth Vanadate It is lifts cleanly. yet tone, in mass opaque appears green, slight towards leaning yellow, This opaque diluted to concentrated tones. Use flesh dark for in portrait mixtures it excellent staining, making low DANIEL SMITH Aussie Red Gold is the rich, golden color of ochre cliffs set aflame at sunset. cliffs of ochre color golden Red Gold is the rich, Aussie SMITH DANIEL and summer flowers late leaves, Autumn light to gold will add glowing This brilliant, reddish staining and performs low non- granulating, is transparent, Red Gold landscapes. Australian palette! it on your will love you wonderfully, Yellow Azo without affecting their transparency. Landscape artists often rely on Aureolin to successfully successfully to on Aureolin Landscape rely artists often without affecting theirtransparency. of sunshine. This add the apperance to in underpainting, or as a light wash their watercolors glaze especially Aureolin soft edges, makes create lift and to to along with the ability pigment quality, well. as painters portrait and floral useful to Red Gold Aussie A deep, transparent orange. In a wash, it’s a light peach tint and transparent at full strength, it moves moves it strength, at full and tint transparent a light peach it’s wash, In a orange. transparent A deep, famous are SMITH paints DANIEL with all the pigment strength, color lipstick red-orange a deep, to beautiful! absolutely It’s for. - CobaltAureolin Yellow hues darker warm can effectively non-staining yellow propertiescool of this The transparent Anthraquinoid Scarlet

™ Extra Fine Watercolor Stories 3 - - Warm Burnt Umber with a little Alizarin Crimson or cool it with blue as your subject dictates. subject dictates. it with blue as your or cool Crimson Alizarin with a little Umber Burnt Warm Ochre Yellow Burnt ancient of redwood, with the ruddy warmth earth color versatile is a beautiful, Ochre Yellow Burnt sienna, it is a wonderful and burnt ochre yellow between Falling peublo. or a sunset-lit pottery or pressed On cold tones. skin of glowing a range create washes Light, transparent portrait color. nicely. and granulates it settles paper, rough drab, Burnt Tiger’s Eye Genuine is warm reddish-brown. In landscapes, it’s an excellent, natural- an excellent, In landscapes, it’s reddish-brown. Genuine is warm Tiger’s Eye Burnt drab, tones. flesh warm rich, creating for also great It’s greens. to complement looking Umber Burnt qualities. or semi- opaque earth pigment its semi- is popular with artists due to brown dark This rich in otherwise passages. its value dark vary to be lifted and can readily It is lightfast, low-staining, transparent and slightly less granulating. In very light washes, it makes a good, light flesh tone for tone a good, light flesh it makes light washes, In very and slightly less granulating. transparent red-brown. it is a rich washes, portraits, and in darker Genuine Tiger’sBurnt Eye from oxide in hue. The the iron change warm to to has been calcinated cool stone This beautiful olive Genuine is cool While the Tiger’s enhanced. and effect Eye the granulating result is striking This transparent to semi-transparent, rich earth pigment is a traditional palette staple for many land many staple for palette pigment earth is a traditional rich semi-transparent, to This transparent or transparen with other hues without Sienna combines a loss of intensity Our Burnt scape painters. do not sully or stain the other contact. (or glazes) pigments these glazes Subsequent layers cy. Sienna Light Burnt Sienna, more than our Burnt Sienna Light is redder SMITH Burnt DANIEL color, earthy A beautiful Burnt Bronzite Genuine Bronzite Burnt coppery a more Genuine to Bronzite of Genuine pushes tone the honey Bronzite Burnt Gorgeous a wide produces as it easily portrait work for ideal it’s orange, andmore hue. Both deeper brown sparkle Genuine, it gets a subtle lustrous oxide. Bronzite iron tones. Like from of flesh range Sienna Burnt Burgundy Yellow Ochre Burgundy Yellow is very clean, the yellow In a light wash, smooth in washes. surprisingly earth color, glowing A warm, mined from was ochre This natural a vineyard. and light in a French subtle as morning as sunny in 1970, closed the mines since were Burgundy, in western River the Loire runs near that deep vein this unique pigment. a supply of found have to lucky feel we shadows and soft feathers. Glaze a dried landscape with a misty, atmospheric mood. atmospheric landscape with a misty, a dried Glaze and soft feathers. shadows Burgundy Red Ochre known the earliest capture pigment earth to reddish-brown rich, used this strong, man Prehistoric tones. antique-rose beautiful for Mix with white walls. on cave bison and human forms images of deer, Buff Titanium the pigment displacement, and it enjoy a moist wash into of Buff Titanium a brushload or drop Spatter SMITH, Buff Titanium DANIEL Unique to in the sky. clouds make to used that way is especially effective of an eggshell. texture the porous the ecru shades of sand and and simulates antique lace resembles non-staining opaque, properties. Pre-mix to with its’ semi-transparent neutral, It is a most welcome for ideal surfaces subtle hues and matte for Orange Rose or Perinone with Quinacridone Buff Titanium slate-colored to create Brown Van Dyke Mix with Indigo or flowers. favorite petals of your the velvety A warm honey-bronze color with lustrous sparkle provided by very fine films of iron oxide. The iron very fine of films by provided sparkle lustrous with color honey-bronze A warm fairly fibrous, as a stone excels but Bronzite fragile used in jewelry occasionally is Brazil from and ochre between - somewhere in mass-tone golden-brown a warm pigment. It’s watercolor sandy In beige. warm, of soft, always washes pale into down - that lets distinctlysienna, but different special-effectintriguing out of this color. settles the brown paper, or rough press on cold a wash Bronzite Genuine Bronzite

™ Extra Fine Watercolor Stories 4

Carbazole Violet Carbazole with medium staining properties. color vibrant is an intense, blue-violet This slightly granular the pigment from dry moves paper onto Violet black-violet Carbazole of concentrated A brushstroke along Violet, Carbazole Indigo to Add stroke. petal with each an iris and can invent purple, clear to created Red. Blot, Rose or Anthraquinoid with Quinacridone squeegee and incise to damp passages and passages highlights. variegated veins, greens to vibrant spring greens. It disperses beautifully in water for smooth, rich washes. We’ve done We’ve washes. smooth, rich for in water beautifully It disperses greens. spring vibrant to greens and richness all the density provide formulas Our new Hue Watercolors! Cadmium Vibrant it! Safe, in but cleaner their namesakes, virtually to Our hues are identical in color cadmium colors. of classic properties - staining power, Working way. goes a long find a little in tints - you’ll and stronger mixtures those of the low-soluble identical to also nearly - are light fastness and excellent semi-transparency offered. previously we cadmium colors previously offered. offered. previously Medium Hue Cadmium Yellow and add energy heat, to is perfect yellow slightly red Medium Hue, a mid- toned, Yellow Cadmium of textured array a vast will have Blue you with Cerulean wet into wet Mixed painting. in any a focus from and shadow amounts of water, depending balance on the color tones dusky in various greens Cadmium Yellow Light Hue Light Cadmium Yellow Pink by mixing with Opera fiery oranges create lemon yellow, Hue is a clean Light Yellow Cadmium Hue Cadmium Vibrant done it! Safe, Blue. We’ve Teal with Cobalt greens granulating or remarkable Our cadmium colors. of classic and richness all the density provide formulas Our new Watercolors! in tints and stronger in mixtures but cleaner their namesakes, virtually to hues are identical in color and semi- transparency properties - staining power, Working way. goes a long find a little - you’ll we cadmium colors those of the low-soluble identical to also nearly - are light fastness excellent Cadmium Hue Watercolors! Our new formulas provide all the density and richness of classic of classic and richness all the density provide formulas Our new Hue Watercolors! Cadmium in mixtures but cleaner their namesakes, virtually to Our hues are in color identical cadmium colors. semi- properties - staining power, Working way. goes a long find a little in tints - you’ll and stronger those of the low-soluble identical to also nearly - are light fastness and excellent transparency offered. previously we cadmium colors and stronger in tints - you’ll find a little goes a long way. Working properties - staining power, semi- properties - staining power, Working way. goes a long find a little in tints - you’ll and stronger cadmium those of the low-soluble identical to also nearly - are light fastness andopaque excellent offered. previously we colors Hue Deep Cadmium Yellow Vibrant done it! Safe, We’ve with a golden glow. yellow warm Hue - A rich, Deep Yellow Cadmium soluble cadmium colors we previously offered. offered. previously we soluble cadmium colors Cadmium Hue Red Scarlet Vibrant done it! Safe, cast. with an orange We’ve red versatile Hue - A festive, Red Scarlet Cadmium of classic and richness all the density provide formulas Our new Hue Watercolors! Cadmium in mixtures but cleaner their namesakes, virtually to Our hues are in color identical cadmium colors. Cadmium Red Medium Hue done We’ve palette. any for color an essential sign red, - A true stop Red Medium Hue Cadmium and richness the all density provide formulas Our new Hue Watercolors! Cadmium Vibrant it! Safe, but cleaner their namesakes, virtually to Our hues are identical in color cadmium colors. of classic properties - staining Working way. goes a long find a little tints - you’ll in and stronger in mixtures those the of low- to identical also nearly - are fastness light and excellent transparency semi- power, Cadmium Orange Hue - A deep, radiant orange that leans slightly towards red. We’ve done it! Safe, done it! Safe, We’ve red. towards slightly that leans orange radiant A deep, Hue - Orange Cadmium of classic and richness all the density provide formulas Our new Hue Watercolors! Cadmium Vibrant in mixtures but cleaner their namesakes, virtually to Our hues are in color identical cadmium colors. properties - staining power, Working way. a long goes findlittle a in tints - you’ll and stronger those of the low-soluble identical to also nearly - are fastness light andexcellent semi- transparency offered. previously we cadmium colors Cadmium Orange Hue

™ Extra Fine Watercolor Stories 5 A brilliant purple with remarkable blue undertones and a granulating texture. Try mixing this bold blue undertones texture. and a granulating with remarkable purple A brilliant enough this violet is dark full strength, soft blue hues. At surprisingly for Green with Prussian color addition to A graceful revealed. are of tones and a range Mix with water shadows. deep twilight for paintings. dynamic floral for this is the purple perfect palette, the watercolorists’ This neutral, non-staining primary blue will subtly modify most pigments. Considered a mixing non-staining This neutral, primary blue will subtly modify most pigments. Considered pigment, An inorganic it is shadow. can cast a giant reticulating nature pigment, its’ semi-transparent soft edges, create to glazing methods.to for Its ability tinting) and ideal non-staining (or low- considered palettes. watercolor to contribution a valuable Blue Cobalt makes mix readily lift and to Cobalt Blue Violet Chromium Green Oxide Green Chromium with vibrant landscape artistsin a summer saturated painting rest provides green This natural other colors. soften to well mixes Oxide Green Chromium and Opaque low-staining, greens. Cobalt Blue Forbidden by purists, Chinese White is much more than a repair patch. This semi-transparent, pure pure This semi-transparent, patch. than a repair more is much Chinese White purists, by Forbidden lightening for great It’s and a medium-high tinting permanency strength. excellent offers white the moist, describe mushy to wash a damp gray into Chinese White and spatter Drop other colors. where Tryof Chinese a brushload White lowlands. coastal Northwest’s of the Pacific snowfalls of touch a meadows, in spring melting. field flowers indicate For to edge meets snowbanks water’s And, and other wildflowers. clover of course, helps create Violet Carbazole you into Chinese White can use it. details and works, highlights! If the paint paint use it to always underpainting. This technique is great for rendering lichen and Spanish Moss. Add Buff Titanium, Buff Titanium, Moss. Add and Spanish lichen rendering for is great This technique underpainting. - and the creative SMITH exclusive a DANIEL - each Black of Lunar and touches Green Undersea on eggplant, and plums, think grapes quality landscapethat dusky or a misty fun truly begins! For as a mixer. Cerulean Chinese White Cerulean Blue Chromium Cerulean blue pigment, this sky with a transparent and especially so when mixed own, on its Beautiful low- and extremely Highly permanent and medium-light pigment in value. is granular inorganic Blue of Cerulean A drop washes. and settling granulation exciting Blue creates staining, Cerulean This dense Cerulean. the more around a halo effect Sienna creates as Burnt such a damp wash into used in the moist are Orange when Burnt Gold or Quinacridone Quinacridone is especially effective Cerulean Blue Cerulean alternative and slightly warmer brighter Blue as a cleaner, Think of Cerulean mixing color. A superb truer blue that will be a a it’s A bit less green, sold. always we’ve Blue Chromium the Cerulean to palette. of any component versatile The craggy peaks of the Cascade Mountains that divide lush, western Washington from high the Washington dry, divide lush, western Mountains that of the Cascade peaks The craggy and alpine meadows forests, damp evergreen From unique green. this inspired plains of the east, in found shades a million of green showcases Green Cascade our sunnier open forests, the drier, to it on, brush you As greens. our artist-preferred addition to a versatile becoming those environments fromsubtle variation from light adds the Straight illusion of depth. to dark mid- the tube, this rich, application, it has In any stunning it has a clarity. In washes, and mossy. dark is cool, green range lightfastness. excellent Darker and more staining than Alizarin Crimson, and vastly superior in permanence, Carmine is also is also Carmine in permanence, superior and vastly Crimson, staining Alizarin than and more Darker will but passages, in dark luminosity its will retain staining This and pigment, intense, rich redder. will Carmine of the reds, Darkest its permanence. without reducing tones subtle produce to dilute with its complement, Phthalo Green. when mixed neutrals clear achieve help you Cascade Green Carmine

™ Extra Fine Watercolor Stories 6 Russian Emerald, the mineral is usually seen in fine jewelry. We are proud to be the first to offer to offer to be the first proud We are is usually seen in fine the jewelry. mineral Russian Emerald, from in hue, it brushes out evenly clear through green deep bottle Exquisite it as a watercolor. from stone rich mint. brownish with palest The chromium is green to its ground which green Kelly for out, perfect nuance adding settle an earthy mineral hints of the brown In washes inclusions. landscape work. Deep Scarlet salt! These pigment to wonderfully that reacts a deep reddish-brown exists long last there At techniques. applied texture and invite texture natural qualities produce Diopside Genuine as the time and again. for Also known reach you’ll green gemstone Diopside Genuine is a rich Deserves a place on every palette. A gorgeous forest green that is almost black in mass tone, it has in mass tone, that is almost black green forest A gorgeous palette. on every Deserves a place Made a staining color. for well and lifts surprisingly washes smooth, clean makes transparency, great greens dark strong of impressively SMITH family pigments, it joins our DANIEL with a blend of three redwood stellar a make to Orange Mix it with Pyrrol Genuine and Perylene Green. as Jadeite such blend. neutral an interesting Genuine for and Rhodonite brown Cobalt Violet Deep is a charming purple that brings texture to your painting with its granulating with its granulating painting your to texture that brings purple Deep is a charming Violet Cobalt this useful full strength At subtle granulation. will see beautifully and you wash properties. Mix a wet painting - light lavender your tone in range of a full Explore finish. and bold with a velvet is rich color your landscape. will fill violet royal an intense to Deep Sap Green finish. With a truly transparent quality, this light purple radiates in light washes. The delicate washes. The delicate in light radiates this light purple quality, a truly transparent With finish. non-staining, highlights can be and, because it is completely at full strength alive pigment comes mix readily lift and to soft edges, to create to ability Violet’s Cobalt reworked. added and strokes palettes. watercolor to contribution it a valuable makes Cobalt Violet Deep A predictable non-staining teal blue with muscle and the presence to stand alone, when but used in a to and thepresence blue with muscle non-stainingA predictable teal multi- can achieve you slight granulation Because of it’s ease. it blends incredible with or wash glaze addition or stroke. with each delight and surprise to effects on tone and tone layers Cobalt Violet and lustrous texture granulating petals with its slightly embodies the softness of flower Violet Cobalt An extraordinarily beautiful color for painting turquoise blue skies, a must have for sunny sunny for a must have skies, blue turquoise painting for color beautiful An extraordinarily also bright, shadows, Mixing with this pigment helpsmake seas! and Tropical skies Mediterranean and non- pot. pigment, on a copper An inorganic patina it is considered the desired render use it to edges, to soft create to ability Blue’s Teal glazing methods. for Cobalt and ideal staining (or low-tinting) palettes. watercolor to contribution a valuable it make mix readily lift and to Cobalt Turquoise Cobalt Green Pale, a green-blue, is similar in application as Cobalt Green. All inorganic, they are inorganic, All are they Green. in application as Cobalt is similar a green-blue, Pale, Green Cobalt glazing for ideal are pigments which and non-staining (or low-tinting) transparent considered valuable made Cobalts mix readily lift and to to soft edges, create to methods. Their ability palettes. watercolor to contributions Blue CobaltTeal A mid-range green-yellow, useful for mixing middle value grays. Introduce non- staining Introduce grays. mixing value middle for useful green-yellow, A mid-range non-staining pigment, the An inorganic mix. it is considered or cool warm to complementary colors readily mix lift and to to soft edges, create to glazing methods. for Its ability andideal (or low-tinting) palettes. watercolor to contribution a valuable Green Cobalt makes Cobalt Pale Green Cobalt Green

™ Extra Fine Watercolor Stories 7 with Red Scarlet to achieve a melon hue. This is a superb watercolor when your painting requires requires painting when your watercolor a melon hue. This is a superb achieve to with Red Scarlet subtle highlights. A wonderful brick red, the rich, ruddy color of an Irish Setter. Transparent, granulating and non- granulating Transparent, Setter. of an Irish ruddy color the rich, red, brick A wonderful tones. of skin range an exquisite and makes strength in any staining, it is beautiful Ochre French the that embodies color is a delightfully warm Ochre and non-staining, French lightfast Extremely Ochre French Mix sky. evening your to or add a soft glow fields of wheat of autumn. Paint feeling iron oxides that pollute mine water, cleaning the water so it can re-enter a receiving stream-and stream-and a receiving so it can re-enter the water cleaning mine water, that pollute oxides iron then washed, is thoroughly oxide iron The recovered environment. natural resulting in a cleaner to earth a deep red from to in tone ranging colors of rich golden yellow a trio a warm create used to with a bluish undertone. brown dark saturated a beautiful Gold Ochre Fired Enviro-Friendy Brown Iron Oxide Iron Brown Enviro-Friendy shadows warm is useful for Oxide Iron Brown the deep umber of our Enviro-Friendly full strength, At with cinnamon tones warm displays wash granulating a brilliant with water, Mixed values. and dark an you giving and refined, reclaimed pigments are Enviro-Friendly of granulation. pattern a darker Watercolors- earth-friendlyDANIEL SMITH Enviro-Friendly color quality. option without sacrificing use pigments from we these paints, make the earth’s is! To but the process green, aren’t the colors colored (IOR). This method removes Recovery Oxide as Iron known crust, a process obtained through the earth’s crust, obtained through a process known as Iron Oxide Recovery (IOR). This method (IOR). Recovery Oxide as Iron known crust, a process obtained through the earth’s a receiving so it can re-enter the water cleaning mine water, that pollute oxides iron colored removes is thoroughly oxide iron The recovered environment. natural resulting in a cleaner stream-and a from to in tone ranging colors of rich golden yellow a trio a warm create then used to washed, with a bluish undertone. brown dark saturated a beautiful to earth deep red with a bluish undertone. Enviro-Friendly pigments are reclaimed and refined, giving you an earth- you an giving and refined, reclaimed pigments are with a bluish undertone. Enviro-Friendly friendlycolor quality. option without sacrificing Oxide Iron Yellow Enviro-Friendly SMITH Enviro-Friendly DANIEL ochre. rich is a deep, Oxide Iron Yellow Our Enviro-Friendly use pigments from we these paints, make is! To but the process green, aren’t colors Watercolors-the earthy rose is revealed. A perfect brown-pink for portraiture - it’s the natural looking red on cheeks on cheeks red looking the natural - it’s portraiture for brown-pink A perfect is revealed. rose earthy but the process green, aren’t colors Watercolors-the SMITH Enviro-Friendly and DANIEL lips. use pigments from we these paints, make crust, a process obtained through the earth’s is! To mine pollute that oxides iron colored (IOR). This method removes Recovery Oxide as Iron known natural resulting in a cleaner stream-and a receiving so it can re-enter the water cleaning water, colors of rich a trio create then used to washed, is thoroughly oxide iron The recovered environment. brown dark saturated a beautiful earth to a deep red from to in tone ranging golden yellow a warm A transparent sun-baked brick red with a rose-blush undertone. This favorite among our earth undertone. with a rose-blush favorite This red brick sun-baked A transparent this color lift and can move and is non- staining so you texture surprising for pigments granulates roses. crimson deep your highlight for A beautiful painting. your around Oxide Red Iron Enviro-Friendly and transparent warm a washes In lighter strength. at full brick is deep red-brown This versatile Rich color and opacity make English Red Earth a versatile pigment that offers a range of effects. At At effects. of range a pigment offers that English Earth Red a versatile make and opacity color Rich with anddries coverage more although Sienna Burnt it provides to is similar this color full strength light Excellent soft granulation. with pink-brown warm a to create water Add finish. matte a slightly watercolor. a reliable for makes fastness English Ochre Red English Earth Red

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both warmth and softness due to its semi-transparent/semi-opaque characteristic. characteristic. semi-transparent/semi-opaque its and softness due to both warmth Genuine Apatite Green - fresh of greens range a beautiful create lets you Genuine Watercolor Apatite Green PrimaTek olive - with a single tube. This sedimentary is a dark, deep olive almost brown, color to yellow-green memorable creating green, out of a vivid natural settles the brown In washes, in mass tone. green and contrast. texture and is semi-transparent, granulating, non-staining and has excellent lightfastness. The color and The color lightfastness. non-staining granulating, andand has excellent is semi-transparent, elephants and desert as deer, dusty such animals useful for it wonderfully make granulation woodland, dry for blending good camouflage into offer whose feathers birds and for tortoises, Gray In landscapes, granulating owl. and burrowing the roadrunner and desert like savanna light colored are and twigs branches and shrubs whose trunks, trees for is beautiful Titanium landscapes benefit washes Urban suggesting well with light Titanium as and textured. Gray from adding with other colors wonderfully mixes Titanium a single pigment, As structures. Gray concrete weathered wood, fence posts and old buildings are fine candidates for this pigment and approach. for this pigment and approach. fine candidates posts and old buildings are fence wood, weathered in acceptable pencil is entirely graphite As with a light glaze. sketch a value Try this: overpaint natural. seems surprisingly Gray, pigment, namely Graphite graphite a synthetic watercolor, Titanium Gray undertones, with slightly yellow gray warm is a mid-tone Titanium Single pigment Gray Graphite Gray Graphite opacity. its obvious pigment properties beyond some surprising reveals of this color Exploration water the so floating dense pigment onto in water and quickly well disperses Gray Graphite First, a by followed quickly handling method. A dry and interesting brushstroke offers wash a wet or into of the and look dry-brush. Aged the texture some of the pigment leaving spreads brushstroke wet Goethite - Brown Ochre - Brown Goethite Johann Wolfgang is named after Ochre) (Brown Goethite worldwide, deposits nearly in iron Found pigment is mined poet and in mineralogist. philosopher, Our unusually pure Goethe, the German in mass-tone color tea is a dark Goethite SMITH DANIEL and warm, Rich Russia, south of Moscow. with pools of light granulation, intriguing it displays In washes, tan. warm a rich, out to and washes from derived all colors Like - a and permanent the earth, it is lightfast brushstroke. in every and dark of nature. forces the planet and the creative lasting connection to German Greenish Raw Umber Raw Greenish German for Umber is a natural Raw Greenish German with a hint of green, brown neutral earthy, A cool, this color. from tint Umber with greenish Raw landscapes of all kinds. create is used to Germany with a unique glow and non-traditional hue. with a unique glow Garnet Genuine of the January and allure This PrimaTek birthstone. has all the warmth Genuine Watercolor Garnet Scarlet, but with Burnt Quinacridone similar in hue to reddish-orange, warm, is a gorgeous, color It reticulates and grays. mauves beautiful for Blue Try mixing it with Cerulean texture. granular more in washes. surprises unexpected and creates wonderfully Fuchsite Genuine Fuchsite a luminous creates color this characteristics, Made from with mica-like a mineral Fuchsite, pure is watercolor PrimaTek Fuchsite shimmer, green Soft, shimmer. subtle with a pearly green pearly is color luminous mineral and elegant. Made from this transparent Russian mineral, a Fuchsite, pure Try glazing paintings. this over your and dimension to add luster to green delicate layering for great study your cool a time at to or add it one foliage subtle layer and enhance soften to green a stronger This medium-to-dark warm, reddish-blue is highly lightfast and medium tinting strength. It’s It’s and medium tinting strength. lightfast is highly reddish-blue medium-to-darkThis warm, portions of other French blues, various with Mixed its versatility. sedimentary increases quality pigment. Modify delightful greens Gold for it with Quinacridone sky Ultramarine is a wonderful and be Orange Burnt Ultramarine Quinacridone with Mix French color-coordinated. that remain with either Rose or Quinacridone Mixed grays. brown of blue to with an amazing range rewarded another important result. of purples and For Sap Green. a range see Hooker’s mix, Pink, French UltramarineFrench

™ Extra Fine Watercolor Stories 9

from a heavy silvery-black mineral rich in iron. In a thick wash, the heavier particles settle, creating creating particles settle, the heavier wash, In a thick from in iron. rich mineral silvery-black a heavy Violet or thin, Hematite thick violet gray, reddish, it is a beautiful In a thin wash, bold granulation. - when you name, Bloodstone Greek or the traditional Hematite with other colors. wonderfully mixes their bodies covered drums as ancient warriors the pounding can almost feel of the battle paint, you from lore be protected to would in the belief that they mortal According with Hematite wounds. the where battles, fought of hard thesite mark deposits of Hematite surface and large superstition, the ground. into flowed soldiers blood of fallen Hematite Violet Genuine Hematite and shadowy Rich watercolor. this stunning to create a fine pigment milled to are stones Hematite with tones neutral to excitement Bring of deep granulation. studded with a pattern are violet washes and drama. with texture alive come cliffs and bark, rocky tree pigment - driftwood, this PrimaTek is ground Hematite light fastness. true with excellent this rugged violet that stays by Be inspired beautifully with other colors adding its granulation and slightly neutralizing the mixed in color. One in color. and the adding slightly neutralizing mixed its granulation with other colors beautifully from in branches thin, sketching to thick Genuine is, with single brushstrokes, use Hematite to way or the traditional Hematite of bark. the texture providing automatically granulation the beautiful drums as the pounding can almost feel of the battle paint, you - when you name, Bloodstone Greek from be protected would in the they belief that their bodies with Hematite covered ancient warriors of the site mark deposits of Hematite surface large ad superstition, lore to mortal According wounds. the ground. into flowed soldiers the blood of fallen where battles, fought hard mortal wounds. According to lore and superstition, large surface deposits of Hematite mark the site of the site mark deposits of Hematite surface large and superstition, lore to mortal According wounds. the ground. into flowed soldiers the blood of fallen where battles, fought hard Genuine Hematite the heavier wash, In a thick from in iron. is ground rich mineral Hematite silvery-black a heavy mixes Hematite gray. it is a soft dove in a thin wash, granulation, bold creating particles settle, iron Perfect for rugged landscapes and the natural texture of wood, stones and brick. Hematite is ground Hematite and brick. stones of wood, rugged landscapes texture and the for natural Perfect creating particles settle, the heavier wash, In a thick from in iron. rich mineral silvery-black a heavy with wonderfully mixes Scarlet Burnt sienna. Hematite is a rich it In a thin wash, bold granulation. or the traditional Hematite granulation. and adding the both neutralizing color beautiful other colors as drums the pounding can almost feel of the battle paint, you - when you name, Bloodstone Greek from be protected would in the that they belief their bodies with Hematite covered ancient warriors Hansa Yellow Medium offers more control when mixing. Painters admire the purity of this primary the purity admire when mixing. Painters control more Medium offers Hansa Yellow from a gray while avoiding a hidden complement.pigment and Think of a adjust its temperature pepper. yellow Genuine Scarlet Burnt Hematite reddish brown a dramatic to create a fine pigment crushed and milled to are stones Hematite pigment. with this genuine PrimaTek work your to texture Add with maximum granulation. watercolor organic pigment. Hansa Yellow is considered the ‘perfect yellow’, offering more control when mixing. control more the offering ‘perfect is considered yellow’, pigment.organic Hansa Yellow while adjustits temperature of this primary to pigment and the ability purity admire Painters from a gray avoiding pepper. a hidden complement. of a yellow Think Medium Hansa Yellow the ‘perfect Medium is a high-tinting, pigment. yellow’, organic Considered Hansa Yellow Hansa Yellow Deep is considered the ‘perfect yellow’, a fact which offers more control when mixing. control more offers the which a fact ‘perfect Deep is considered yellow’, Hansa Yellow a while avoiding primary of this pigment and adjust the its temperature purity can admire Painters fromgray pepper. a hidden complement. Think of a yellow Light Hansa Yellow Light, this is a high-tinting, Yellow than Cadmium in chroma and brighter transparent more Cleaner, Green Gold’s bright yellow undertones shine in thin applications allowing for golden highlights with with highlights golden for undertones shine allowing applications in thin yellow bright Gold’s Green olive- and transparent rich wonderfully for applications Use in concentrated of green. just a hint tones. green Deep Yellow Hansa high-tinting, with pigments. color organic chroma pure this is a of orange, with a touch Kissed Green Gold Green

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Extra Fine Watercolor Stories 10 Bold, bright and smooth, this stunning watercolor offers watercolorists a rich shade of yellow for for shade of yellow a rich watercolorists offers and smooth, this stunningBold, bright watercolor can Isoindoline Yellow at full strength, orange that it is nearly So saturated watercolors. captivating fastness, light excellent finish, and An even washes. transparent glowing, for with water be lightened Its Deep. Yellow Cadmium to alternative with. An excellent paint to a pleasure this watercolor make In essential. it a palette make smooth texture and supremely color bus yellow school glowing, warm, a soft, sunlit radiance. it creates light washes, from the of indigo was the major source 1600’s, plant. In the of the indigofera late the sprigs the plant just before and harvested grown was of indigofera crops large Indies, where West French into then dried filtered, water it was where in vats processed the plant was picked, bloomed. Once export. for cakes Isoindoline Yellow Indigo leaves a gentle faded blue denim stain when blotted from blue denim stain when blotted a gentle faded paint. Blueberries, a damp state Indigo leaves Use Indigo wherever with using this technique. play subjects to a few and plums are blackberries moody expressive, depth used for of atmospheric a feeling evokes desired.Indigo are purples dusty of Sepia and Burnt Quinacridone touches add water, of Indigo into short Try flowing skies. strokes times, Egyptian the early used since Indigo, Historically trees. and birch branches create to Orange like though not lightfast as art as well materials, important in fabrics has been a very blue dye namedis obtained anil. It Indigo colorant is a deep blue Natural Indigo Watercolor. SMITH’s DANIEL great study subjects as you explore this pure chroma, ever so slightly granular yellow. Indian Yellow Indian Yellow yellow. so slightly granular ever chroma, this pure explore study subjects as you great evenly. and flows well wets Indigo an extremely for Blue with Lamp Black Indanthrone mixes SMITH Indigo formula Our DANIEL this in tinting high strength, yet Transparent, true Indigo. matches that closely dark lightfast, intense Indian Yellow you deter diet of mango leaves let the old line:Don’t made from exclusive an fed of cows the urine is a new Indian Yellow pigmented vat SMITH’s DANIEL palette; your from to adding Indian Yellow puddles, a undisturbed edge to orange lends a rusty high tinting yellow This medium to formula. fruitclose-ups when ripe painting property make andcurious floral leaves Autumn and vegetation. Indian Red and other a flat subjects where old brick renderings, Artists architectural Indian Red for choose this grayed Indian Red make to intrinsic and density The opacity is desired. surface granular (matte) a highly saturated even pigment covers intensity this low- a useful asset. of One coat earth brown grayed, producing triad, an opaque Blue and Indian Red form Cerulean Ochre, Yellow passage. away. landscapes. Handling and walk tip: Hit it once to common mixtures earth-like Indanthrone Blue than most blues, Indanthrone pigment is a medium staining primaryWarmer blue. Vat This organic from range with a delightful Blue offers Indanthrone denim. is clear stonewashed blue- to black as it can be successfully shadows, and interesting water Indigo skies, possibilities for new exciting Red, Anthraquinoid SMITH originals DANIEL perspective. and atmospheric color achieve to graded staining trio. a transparent Blue complete and Indanthrone Indian Yellow Unlock a wealth of color with this princely pigment. Rich in texture, this highly saturated purple will purple this highly saturated pigment. in texture, with this princely Rich of color a wealth Unlock this semi-transparent the purple, deepest shades and of plum ultramarine. From reveal to granulate the to washes delicate more as it is applied in ever deliver to pigment continues and low-staining the sunset with the softest or kiss treatment, the royal Irises a stand of garden Give lavender. palest royalty. pigment is palette This regal touch. Low to medium-staining, Hooker’s Green is a warm, natural green. Useful in formulating greens of all greens formulating in Useful green. natural warm, is a Green medium-staining, Hooker’s to Low frothy in Ultramarine can resemble or, with French combined green waves sorts, shamrock Irish this blues. Artist evergreen dusty from range to deep, mixture, light forest concentrated a more reflected mix! Hooker’s his adds India to ink John Blockley Purple Imperial Hooker’s Green Hooker’s

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Part of our Signature Series, Joseph Z’s Cool Grey is very dark in mass tone with interesting, with interesting, in mass tone dark is very Grey Cool Joseph Z’s Series, Part of our Signature and add a them down toning with other colors wonderfully it mixes tones, slightly green/violet staining and has low granulating, is semi-transparent, Grey Cool Joseph Z’s bit of lush coolness. lightfastness. excellent Grey is semi-transparent, granulating, low staining and has excellent lightfastness. lightfastness. staining and has excellent low granulating, is semi-transparent, Grey Grey Cool Joseph Z’s those frosty use for It has a lovely paintings. to day winter designed this grey and morning rainy “...I must for I think this is a light effects. morning light, early low for is perfect sediment which greenish - Joseph Zbukvic scenes.” winter painting anyone the lovely look of stormy skies and softened shadows. It will also work as a neutral tint, darkening tint, as a neutral darkening It will also work shadows. and softened skies look of stormy the lovely maintains color colors that is made with palette without them. changing Using a gray colors but no one artists work, Many sienna as they mix ultramarine blue and in an artwork. burnt harmony darks rich create to it easy make so she did to color, mix as a convenience this gorgeous making was but the demand from and it in individual palettes pans Initially she mixed with ease. her students her make SMITH to DANIEL Jane asked ago, years it in tubes. A few make she to started meant Jane’s Series, as part of our Signature available Now artists everywhere. to available easily Grey Jane’s Jane’s Grey Jane’s others, or Tint Neutral Gray, whether Payne’s Most grays, in the market. color is a unique Grey Jane’s phthalo blue is included. pigment, made with a black andare often pigment, of a black without effect the often-dulling and without a gray Artist Jane Blundell wanted create to liftable and granulating that was a gray the staining of phthalo blue. She effects wanted Jadeite Genuine Jadeite is made from color of the two colored strongly the more PrimaTek beautiful This exceptionally this America, eons in China and Central Used for as jade - the other is Nephrite. known minerals the palest to mass tone dark-green deep, From a spectacular becomes color. artist’s now gemstone think of jade. think of when we shades we all the exquisite it creates wash, Ivory Black from derived was this black pigment. an opaque Historically, to leaning semi-transparent, A warm, from ivory burnt this is no longer An Ivory Black the practice. species, thankfully, now-endangered Think sumi and hand- foliage. backlit for excellent green a blackened creates with yellow touched pigment. transparent darken be used to Can lithographs. stone painted Italian Venetian Red Italian Venetian most than and Red is redder Made from Italian Venetian in Italy, pigment mined and mixed sedimentary with opaque towards leaning red-brown An earthy intensity. warm smolders with a Indian Red. Drop and paintings applications similar to fall for Red is great properties, Venetian Red is non-staining, lifts with results. Venetian exciting for Earth Lunar wash a wet Red into Venetian at the damp state. when blotted afterglow warm a special but leaves some difficulty when dry, Italian Deep Ochre Italian Deep properties with Italian working and refined color of rustic the combination perfect Experience ochre. yellow than traditional cast and is slightly darker brown This shade has a warm Deep Ochre. light landscapes and excellent sun-baked for perfect are granulation and delicate Transparency from work your keeps fastness fading. This sienna is a natural orange-brown earth pigment imported from pigment earth imported orange-brown a natural sienna is This the this with Use same Italy. others, Sienna over Burnt Italian artists Many Sienna. prefer method as plain Burnt and purpose and earth tones the brown matches closely more Sienna of Italian Burnt the subtle quality perhaps Cadmium as Indian against super Red or such a super-opaque Balance Northwest. of our Pacific unify fall Sienna to Burnt Italian then incorporate Orange, Gold or Burnt Quinacridone transparent and old brick. slate weathered render as to studies, as well landscapes or close-up leaf Italian Burnt Sienna Burnt Italian

™ Extra Fine Watercolor Stories 12 Lemon Yellow of hues when mixing a range is the pigment perfect for primary a brilliant yellow, Yellow, Lemon and at full strength work your to adds life color bright This saturated, is necessary. yellow a clean the smooth handling enjoy You’ll a light and subtle statement. for soft glow a sweet out to washes paint. lightfast of this extremely properties and the durability Lavender from different blue, and quite periwinkle a beautiful is our other blues. This SMITH Lavender DANIEL being an In addition to and lifts easily. granulation, blue has beautiful lavender semi-transparent certain suggests faded denim. shades of our Lavender color, floral excellent Ancient civilizations believed that the veins of glittering pyrite found in the lapis were actual gold, in the lapis were found pyrite of glittering that the veins Ancient civilizations believed results from in the as ancient world, its hardness, today, expense The stone’s up its value. driving difficult. extraction Mined in the this gem-quality mountains of South America, makes which and to the irregular (due that is light reflective color with a classic pigment is a subtle blue- grey, gem pigment angular shape of the 80% pure pigment particles). Our Genuine Lapis Lazuli is at least binder. suspended in a natural Opaque and cool. This is the most intense black available. It is a sooty by-product of burned mineral mineral of burned by-product It is a sooty available. black This is the most and intense Opaque cool. Think a passage. to of warmth Sienna can add a trace with Burnt mixed Lamp Black oil and tar. pigments. transparent darken Use to velvet. black classic Lapis Lazuli Genuine properties, and as a pigment. its perfection its mystical its beauty, for Lapis Lazuli has been prized dazzling, glittery sparkle. Its name comes from the Greek word ‘kyanos’ meaning dark blue enamel. dark meaning from Its name comes sparkle. dazzling, glittery ‘kyanos’ word the Greek is gemstone translucent this shiny, and mental clarity, concentration serenity, promote Thought to that will add amazing texture a watercolor for and now ceramics, and heat-resistant jewelry used for work. your to and visual excitement Lamp Black Natural Kingman Green Turquoise Genuine captures the magic and mystery of the ancient the magic and mystery Genuine captures Turquoise Green Kingman Natural lies along a which Arizona, Kingman, is mined It near turquoise. in a subtle greenish Southwest route. trade American Native Genuine Kyanite and granulation blue-gray with impressive is a stunner - a rich SMITH color DANIEL This exclusive Part of our Signature Series, Joseph Z’s Warm Grey is very dark in mass tone with the slightest pink with the slightest in mass tone is very dark Grey Warm Joseph Z’s Series, Part of our Signature and adding down toning both with other colors, beautifully it mixes undertone in light washes, staining and has low granulating, transparent, is semi- Grey Warm Joseph Z’s a hint of warmth. lightfastness. excellent Genuine Turquoise Green Kingman Joseph Z’s Warm Grey Warm Joseph Z’s strong for as: “...perfect he describes which Joseph Zbukvic, by developed Grey, Warm Joseph Z’s late painting particularly useful for It’s glow. warm that rich have summer light when shadows that It can capture washes. lighter into diluted when it’s glow with its pinkish light effects afternoon perfectly.” glow evening Joseph Z’s Neutral Grey, developed by Joseph Zbukvic, which he describes as: “...perfect for those for as: “...perfect he describes which Zbukvic, Joseph by developed Grey, Neutral Z’s Joseph powerful and can provide black it is basically When undiluted cityscapes. type York New strong, or old-fashioned drawing charcoal a look of It gives monolithic chalky. shapes without looking photographs.” and mass tone in very dark black/gray, is a rich Grey Neutral Z’s Joseph Series, Signature Part of our Grey Neutral Z’s Joseph colors. down tone to beautifully bias it mixes it has almostbecause no color lightfastness. staining and has excellent low granulating, is semi-transparent, Joseph Z’s Neutral Grey Neutral Z’s Joseph

™ Extra Fine Watercolor Stories 13 True Manganese Blue, discontinued from Manganese Blue, discontinued and True concerns environmental lines due to product Mayan Blue Genuine is one of our PrimaTek colors, this gorgeous green-tinged indigo nearly defies green-tinged indigo nearly this gorgeous colors, Blue Genuine is one of our PrimaTek Mayan featured people and was of the Mayan and sculpture the it adorned murals ago, Long description. faded has hardly the color and humidity, heat severe to exposure Despite and rituals. in their rites from using methods this unique, derived chemistry, Now, ancient Mayan a thousand years. over andmetal-free durability using an eco-friendly pigment has been recreated Its versatility, process. it an instant favorite. hue will make exquisite Mars Yellow Mars is low- yellow This brownish Yellow. Mars select lightfast watercolors, instant mud in your avoid To Gamboge higher New as staining pigments such transparent, more for substitute staining, an ideal Color-coordinate passages. to adds gentle granulation Yellow of Mars A wash Ochre. or Yellow grays. warm subtle, muted for a Violet with Yellow usingpaintings Mars Blue Genuine Mayan to create a mottled texture in underlying colors. colors. underlying in texture a mottled create to Note: closely which SMITH line with a formulation in the DANIEL has been replaced by-product, toxic - Manganese adore we pigment with the color lightfast it. high quality Theresembles result is a safe, Blue Hue. resourceful, inventive friend again inventive and again. will revisit resourceful, that you Manganese Blue Hue It is a medium- staining, or indicating space. form creating for blue is ideal turquoise This cool Blue, Cerulean for properties. substitute A good granulating pigment with wonderful transparent with non-staining, semi-opaques well it mixes an additional advantage: Manganese Blue Hue offers Lunar Violet Lunar into falls and value color of texture, range with its broad watercolor this fascinating how Watch at of soft violet sky or a wash black a deep rich creates This paint paper. your across unique forms gone look of years rugged weathered a creating of capable it’s granulation extreme twilight. With a pigmentversatile will become This flower. lavender spring a new of the delicacy or capturing by magically appears. magically appears. Red Rock Lunar is a Red Rock Lunar watercolor. burgundy with this rich paintings watercolor your to texture Add for water more Add painting. of your areas the in wet and travels that granulates violet-red lovely of color a light wash leaving paper your into the as pigment settles and watch maximum granulation pattern. with a deeper shade reticulated of Lunar EarthLunar but separates color Sienna in Burnt non-staining pigmentresembles that A transparent, pigment properties Earth with Lunar Lunar shares versatile, and extremely Lightfast dramatically. separately, qualities reticulating their radical Explore similar amazing textures. and creates Black and pebbles an instant beach-sand wash, Black Lunar a wet then try Earth Lunar into painting Lunar Blue Lunar floats lunar black shade. Granulating off the glides brush in this heavenly of the sky night The fabric midnight, as as the or diffused Inky a moonlit sky. capturing undertone, a phthalo for perfect above of itself. shadow behind a mere leaving Blue lifts beautifully, Lunar semi-transparent moon water, on delight. to is sure This moody watercolor Imagine a transparent black with an expansive value range and pigment particles that react like like andpigment range particles that react value an expansive with black Imagine a transparent Lunar Unique pigment properties make other. each and repelling attracting magnetic shavings moonscape. a marbled resembles wash Black a Lunar When dry, color. reticulating a radically Black a wet-to-damp into gently paint can even You glazed. can be successfully texture stony This mottled is Black Lunar pigment, of favorites. virtually the combination watery any into Black, dropping Lunar neutral is an inorganic Black the mix! Lunar to granulation black adding exciting mixer a wonderful re-think Magic-and black. Think Black SMITH exclusive. pigment and a DANIEL watercolor black Lunar BlackLunar

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Extra Fine Watercolor Stories 14 Minnesota Pipestone is created from that the the same shade is created as the stone in exactly pipestone Minnesota Pipestone it honors of their the pipes. Milled in small batches, making for and reserved Plains Indians revered with pipestone of our historic The combination expectations. contemporary up to andhistory lives a that unified our people in is the stone is spellbinding. Pipestone American synthetics modern the pipes. legendary for of choice Sioux peace the stone was mineral This sacred time of transition. of the past. the The Minnesota, murmurs one can almost hear County, Pipestone through Traveling flow. creative an introspective foster of the pipestone tones muted warm, over an underpainting. McCracken Black is a complex black, with slight granularity so the that the black, with slight granularity complex is a Black an underpainting. McCracken over as possible. as realistic can appear in a still life polished silver, of metal, like smooth surfaces GenuineMinnesota Pipestone semi-opaque, and to is semi-transparent pink, soft, earthy Minnesota Pipestone A warm, from as the rock It is as permanent in washes. beautifully it is made. Our which granulates McCracken Black McCracken creating for that is ideal grays of neutral a range it can produce black; a versatile Black is McCracken the by that is inspired background depth in a dark metal objects and a remarkable look to a realistic with DANIEL worked Artist McCracken Laurin Master of the 16th and 17th century. painters Dutch he can add small which One to not blue or brown. that is neutral, a black develop SMITH Chemists to of a painting the and feel enhance so that it can change or cool it warm make to amounts of color background with a very dark paints as he often of transparency It has a degree when desired. Experience a saturated yellow with a rich history, you’ll love its transparency and smooth working and smooth working its transparency love you’ll history, with a rich yellow a saturated Experience highlights! foliage for cast - great with a very slight green-brown yellow looking properties. A natural their adorn people to the ancient Mayan used by the color bold revives This stunning watercolor using an eco-friendly Now and sculpture. murals from directly methods with derived process, the and durability this unique, metal-free Its versatility, ancient Mayans, you. to pigment is available again and again. for reach you’ll it a color hue will make exquisite color used by the ancient Mayan people to adorn their murals and sculpture. Now using an eco- Now and sculpture. their murals adorn to people the ancient Mayan used by color friendly from directly with methods derived process, this unique, metal-free the ancient Mayans, reach you’ll it a color hue will make and exquisite durability Its versatility, you. to pigment available is again and again.for Yellow Mayan to more than a thousand years of severe heat and humidity. Now using an eco-friendly Now and humidity. with heat process, of severe than a thousand years more to fromdirectly methods derived this unique, metal-free the ancient Mayans, to pigment is available again and again. for reach you’ll it a color hue will make and exquisite durability Its versatility, you. Violet Mayan the bold revives watercolor finish. This stunning and velvet tone with a rich fuchsia a saturated Enjoy The colors are smooth, non-granulating and semi-transparent. Their versatility, durability and durability smooth, non-granulating Their and versatility, are semi-transparent. The colors again and again. for reach you’ll them colors hues make exquisite Red Mayan is truly remarkable, it produces of color The and range distinctive. Red is both fascinating Mayan the murals adorn to Used sublime smooth pinks. to rose, intense from a clear to red, strong a natural when exposed even vibrant has remained red people, this remarkable of the Mayan and sculptures Mayan Orange Mayan from Use it straight is hot and Orange intense. add you As Mayan orange. a blazing red- the tube for and the adorned murals bold colors Rich, very evenly. and disperses strong remains the color water, these andhumidity, heat of severe centuries to when exposed Even people. of the Mayan sculpture from using methods derived Now, ancient Mayan a thousand years. over faded hardly have colors using an eco-friendly these unique, metal-freechemistry, recreated been pigments process. have Mayan Dark Blue is darker and warmer than Mayan Blue Genuine. Mix it with Mayan Orange to make a make to Orange Blue Genuine. Mayan Mix it with Mayan than and warmer Blue is darker Dark Mayan the adorned bold colors Rich, shadows. complex colorful, and violets for grays of subtle array fantastic and humidity, heat of severe centuries to when exposed Even people. of the Mayan and sculpture murals from using methods derived Now, ancient Mayan a thousand years. over faded hardly have these colors using eco-friendly an these metal-free unique, chemistry, recreated been Their pigments process. have again and again. for reach you’ll them colors hues make and exquisite durability versatility, Mayan Dark Blue Dark Mayan

™ Extra Fine Watercolor Stories 15 transparency and non granulation is desired while avoiding thick, muddy passages. while avoiding is desired and non granulation transparency Yellow Azo Nickel a becomes and when thinned in washes, Ochre, Yellow resembles in mass tone Yellow Azo Nickel from leaves Autumn for is perfect ochre the duller, yellow This transparent yellow. brilliant, glowing sky! against the deep blue Autumnal of sunlit leaves yellow the brilliant to older leaves colors. Tones down colors. colors. down Tones colors. Gamboge New a It’s formulation. lightfast Gamboge is an excellent SMITH New DANIEL other brands, Unlike staining than wheel. More pigment color from organic of your zone orange transparent to the yellow when those colors for a good substitute Sienna. It’s Raw to and equal in tinting ability Ochre Yellow mixed with any watercolor pigment produces glowing, darker values of that color. “As professional professional “As of that color. values darker glowing, pigment produces watercolor with any mixed pigment, so that watercolor dark a new develop SMITH could if DANIEL asked artists, we teaching darks. clean colorful, mix visually pleasing, easily could as beginners, as well watercolorists seasoned from away in one easy keep muddy darks making our students to for it easier make to wanted We been have is just what we Tint Neutral new SMITH’s and this is the solution! DANIEL perfect step, to way reliable and and Benefits: Quick Goesling Features and Cindy “ - Theresa Briggs. hoping for than muddy rather darks glowing gorgeous Produces transparency. while retaining a color darken with the addition of zinc oxide. More ideas for Naples Yellow would be dry yellow grasses easily easily grasses be dry would yellow Naples Yellow for ideas More with the addition of zinc oxide. to aiding the Naples Yellow opacity the zinc oxide and barns, fences painted over brushstroked colors. darker over show Tint Neutral pigment that when neutral and unique, dark with this fabulous and Neutrals Darks Rich Create a lightfast, slightly granular deep brown-violet with a low staining property, these properties make these properties make staining property, a low with deep brown-violet a lightfast, slightly granular pigments, earth especially umbers. for substitute a surprise Naphthamide Maroon Naples Yellow fields and sunny, wheat Summer with its sunflowers, think of late you will make Naples Yellow semi-opaque Red is made a neutral Venetian of a touch with dry yellow landscapes. This dusty Our sources bring us Mummy Bauxite from Chitinskaya Province. Unlike the old world color, DANIEL DANIEL color, the old world Unlike from Bauxite us Mummy Province. bring Our sources Chitinskaya and depth warmth get the tonal You lightfast, and low-staining. is extremely SMITH’S Bauxite Mummy and stable consistent. is strong, that the color assurance with the modern Mummy of traditional Naphthamide Maroon chart. on the color and Manganese It’s Violet Violet Permanent between pigment falls azo This new Mummy Bauxite (Natural Iron Oxides) Iron (Natural Bauxite Mummy Bauxite SMITH Mummy DANIEL iron, rusted resemble to that granulates cinnamon color A warm pigment in the 18th popular organic a very was Mummy texture. with visual color powerful combines been made from have to rumored and mummies. The 19th mineral’s Egyptian centuries, ground identified in first the century. fromname19th comes it was where France, in southern Beaux Les Red floats, Ultramarine Blue settles and Viridian grays the resulting violet color. Selectively blot and lift Selectively resulting color. the violet grays Viridian and Ultramarinesettles Blue Red floats, washes light and dark blue-greens. of the fascinating A description delicate expose to wash a surface pigment and as a silhouette in shadows Use Moonglow experience! a personal match can never it makes tinting property Its neutral washes. salt application in background to its reaction and enjoy Interference the Luminescent Try introducing SMITH watercolors. with almost all the DANIEL effective pigment. as a companion Green Undersea to Look damp or dry of wet, Moonglow. areas pigments to scenes. on sunset snow and long shadows And try sky a Moonglow Bring a natural glow to your palette with this stunning sienna earth tone. Subtle granulation and a granulation Subtle stunning with this tone. earth sienna palette your to glow a natural Bring portraits and useful for especially landscapes. This low this watercolor make transparency delicate lightfastness. and has excellent staining pigment is very workable Moonglow Anthraquinoid as and wait frees Watch miracles. perform this amazing three-pigment blendWater to Monte Amiata Natural Sienna Natural Amiata Monte

™ Extra Fine Watercolor Stories 16 Permanent Green Permanent pigment high-staining with properties yields very clean, organic, an transparent Green, Permanent Light used in its formulation Blue Shade and Hansa Yellow The Phthalo Green mixtures. vibrant visual intense for Violet with Cobalt Green Juxtapose Permanent lightfastness. it excellent gives gray. neutral an interesting or mix for complements, beautiful shade. beautiful Brown Permanent residue a warm with salt, reveal squeegeed to that can be textured dark and warm Imagine a rich That sums up medium in one stroke. bark cedar glowing render enough body to stain and still have Brown. Permanent staining, transparent Permanent Alizarin Crimson Alizarin Permanent an produce blends pigments to with our customers, developed Crimson, Alizarin Permanent it Alizarin, classic Like and versatility. character Crimson with true Alizarin red lightfast exceptionally of permanence. with the undeniableis vibrant, advantage medium staining and very transparent, this love you’ll know we in a light wash, color and bold application or a blush of crimson Try a rich Perinone Orange washes, is a from fleshy range transparent, with its vast pale, Orange, to Perinone vivid intensity orange chroma pure petals, this soft gladiola and azalea to carrots pigment. From vat clean clear, in its when mixing of Cadmiums and handle. revel Use in place to and a dream the eye for is a treat and lift and squeegee techniques. with saltPlay texture transparency. glowing Payne’s Gray Payne’s is Gray and mildly staining, Payne’s lightfast Highly blue gray. is a cool watercolor This beautiful is involved. yellow where except of Indigo, Use this pigmentinstead skies. wet painting for perfect andgranite Rocks clouds and skies. and after-the-storm waters flat ocean helps create Gray Payne’s more or washes with light dilute rendered can be quickly their including shadows, boulders, brushloads. concentrated very difficult to work with, but this one excels in handling and is a good option over Cadmium Orange. over in handling and is a good option excels but this one with, work to very difficult Gray Blue Payne’s it Gray, Payne’s our original but like our bluer Indigo, is similar to Blue Gray SMITH Payne’s DANIEL is Blue Gray blue and Payne’s non- granulating Inky than transparent. rather is semi-transparent most other colors. darkening quickly and night scapes, for skies, dark, painting stormy for perfect magenta with a hint of fluorescent pink granulation producing some of the most brilliant glowing some glowing of the brilliant most producing pink granulation magenta with a hint of fluorescent fiery Gamboge for or with oranges New with our Pink seen. Try mixing Opera ever have you mixes purples. stunning violets and glowing Blue for an Indanthrone Vermilion Organic or Rose Carthame. can be Oranges Lake is sometimes deep orange called Scarlet This low-staining A rich, warm brown-green that is semi transparent to semi-opaque, and low- staining. Olive Green Green staining. Olive semi-opaque, and low- to is semi transparent that brown-green warm A rich, and add grasslands wet rich, Explore greens. very convincing and makes lends slight granulation a green. lines with this natural-looking tree to and variation density Opera-Pink A primary SMITH customers. DANIEL by has long been requested The most vivid of all pinks, This semi-transparent to semi-opaque yellow, leaning slightly towards green, appears opaque in opaque appears green, towards slightly leaning semi-opaque yellow, to semi-transparent This tones. flesh dark for in portrait mixtures it excellent staining, making It is low lifts cleanly. mass, yet well works hue yellow This lemon flowers. and field florals in mixtures diluted to Use concentrated and all the greens. with purples Green Olive Nickel Titanate Yellow Titanate Nickel

™ Extra Fine Watercolor Stories 17 Perylene Scarlet is medium staining and semi-transparent. It creates vivid, dark washes with a clean, a clean, with washes vivid, dark is mediumPerylene staining It creates and Scarlet semi-transparent. hue. This sedimentaryvivid orange an additional health plus, as it is made from pigment offers a metal-free a mud-making accidental as this will make pigments such modern Clean, orange-red. thing of the past. Perylene Red with a clean washes vivid, dark Perylene Red is medium staining It creates and semi-transparent. This sedimentary red-orange. an additional health plus, as it is madebrilliant from pigment offers a metal-free in the past. mud-making accidental as this will put pigments such modern Clean red. Perylene Scarlet Perylene Maroon glowing allows Perylene Maroon Our exciting red-brown. is a super staining dark Perylene Maroon with other As sunlight patches. from into that can emanate emerging washes source a saturated with salt highlights. Its application and lift pigment for textures organic staining pigments, create browns. special for Perylene Maroon makes semi-transparency Perylene Green onto your palette. It exhibits an almost black mass tone that spreads to a beautiful a beautiful to that spreads mass tone an almost black It exhibits palette. your onto Perylene Green or creating shadows delineating for perfect mud - a color without producing wash blue/green A medium-staining pigment with intensity seas. and stormy moody landscapes, ominous horizons ~a other colors under or over use. It glazes to is highly soluble andand easy softness,Perylene Green demanding one artist/testers. of our more allowed color~ very cool Mixing beautifully with other colors, Permanent Yellow Deep yields a bright tangerine hue when tangerine Deep yields a bright Yellow Permanent with other colors, Mixing beautifully this yellow makes and golden tone A warm a soft peach. are and light washes used at full-strength fall landscape. of a the fiery for orange-yellows ideal Perylene Green some transparent then squeeze work, your add to or emotional atmospheric punch to want If you Permanent Violet Permanent pigment helps make this lightfast, semi-transparent of dispersion or even The soft handling ability reddish-violet strong, to high staining pigment shows violet.medium rich, The this a fine pre-mixed and other of subjects as pansies flowers. such washes purple in velvety Violet Use Permanent color. Deep Yellow Permanent passages. The fussy edges this technique produces brings field poppies to mind. field poppies brings produces edges this technique Thepassages. fussy Red Deep Permanent or wet into wet when painting treat a water, with pigment well diffuses lightfast this red, rich deep, A to mind. field poppies brings produces edges this technique Thedamp passages. fuzzy Saturated and leaning toward yellow, Permanent Orange resembles Cadmium Orange and is Orange Cadmium resembles Orange Permanent yellow, toward and leaning Saturated will color orange bold with its’ juicy, Orange staining. Our Permanent and low lightfast, transparent landscapes! and tropical sunsets, sun-drenched florals, your to add brilliancy Red Permanent or damp wet into when wet painting - a treat with water diffuses well this red red, sign A stop This organic pigment, with high-staining properties, yields a very clean, vibrant mixture. The Phthalo mixture. vibrant pigment, organic This with high-staining properties, a very clean, yields lightfastness. it excellent gives this formulation Light used in Blue Shade and Yellow Hansa Green or mix complements, visual intense for Violet with Quinacridone Light Green Permanent Juxtapose gray. neutral an interesting for Orange Permanent Permanent Green Light Green Permanent

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Extra Fine Watercolor Stories 18 shadows or painting the mottled surfaces of autumn leaves. of autumn leaves. surfaces the or painting mottled shadows Red Pompeii Made from leaves. falling of autumn’s earth that color - the charismatic red/orange rusty A dramatic of a glow and gives adds texture watercolor this granulating color, a burnt attain to has been heated of fabric, the or slopes of distant sunlight hills, benefit Soft folds warmth. natural Pompeii Red’s from with a slight pink undertone is produced. vermilion a lovely with Carmine, Mixed earthen color. Made from Phthalocyanine Green (yellow shade) and Arylide Yellow. Made from shade) and Arylide Yellow. (yellow Green Phthalocyanine Genuine Piemontite from from Genuine mineral is a rich, Ground Piemontite the a scarlet-streaked hills of Italy, adding of this watercolor; value A deep ruddy violet is the darkest watercolor. PrimaTek versatile to adding interest for Perfect tone. with a carmine granulation violet-brown lovely produces water This DANIEL SMITH exclusive is a favorite of artists. It moves from of artists.It moves a thin film to turquoise a deep dark is a favorite SMITH exclusive This DANIEL of areas from transition sky to a remarkable making egg blue in a single wash, level ground of robin’s in summer. paint a lake to or Use this pigment alongside purples, florals. garden Green Phthalo Yellow of all phthalo pigments. characteristic and tinting strength with power lime green A bright, beautiful Phthalo Green Yellow Shade is a bottle green. In concentrated to diluted states, it is transparent it is transparent states, diluted to In concentrated green. Shade is a bottle Yellow Phthalo Green lightfast, most artistscolor indispensable. and The absolutely find this Organic and super-staining. YS is a reds. Phthalo Green and yellows modifiedwith BS can be readily slightly bluish Phthalo Green glazes. or clean darks luminous, effective creates Each green. basic warmer Phthalo Turquoise Phthalo Green Blue ShadePhthalo Green and it is a transparent states, diluted to Concentrated Blue Shade is a black-green. Phthalo Green lightfast, most artistscolor indispensable. and The absolutely find this Organic super staining green. darks luminous, effective Creates reds. and yellows modified with readily be shadecan bluish slightly glazes. or clean Shade Yellow Phthalo Green Manganese Blue Hue and before Cobalt Teal Blue. Phthalo Blue Turquoise mixes beautifully with beautifully mixes Blue Turquoise Blue. Phthalo Teal Cobalt Manganese Blue Hue and before Rose Quinacridone green, natural try a beautiful Gamboge for other colors, mixing it with New is not Blue Turquoise Phthalo gray. a fabulous for Scarlet violet andresulting Pyrrol in a neutral our other medium staining, and like so it is considered as staining as the other Phthalo colors, quite lightfastness. it is non-granulating and has excellent Phthalo colors Phthalo Blue’s transparent quality to create containers and water around stems. stems. around and water containers create to quality transparent Phthalo Blue’s Turquoise Phthalo Blue is perfect This color away! breath your andtake will is a stunning color Phthalo Blue Turquoise The more. and so much sand beaches off white water and the deeper turquoise seas tropical for chart after SMITH color the on DANIEL blue is positioned chromatically warm highly transparent, For cool, clean staining shadows and reflected light on windows, super staining, super transparent super staining, super transparent windows, light on and reflected stainingshadows clean cool, For luminous greens. for pigment. organic Mix with Hansa Yellow chroma popular pure Phthalo Blue is a Red ShadePhthalo Blue and its strength for undertone, this popular pigment is valued with a slightly red blue A powerful Mix of value. a full range A dash of blue gives a whole sky. can color - just a daub of paint economy Rose. Use Quinacridone Phthalo Blue with combining by shading and for shadows colors dark A deep, luscious, grape-juicy reddish-violet. The mass-tone is dark and intense, shifting in tints and intense, dark is The mass-tone reddish-violet. grape-juicy luscious, A deep, a it’s neutrality, cast. relative Because of its with a brownish-purple violet red a rich toward with good it looks how portrait, for landscape work-imagine or botanical choice natural-looking shadows. interesting strong, makes It also complementary greens. Shade Blue Green Phthalo Perylene Violet

™ Extra Fine Watercolor Stories 19 Quinacridone colors excel in vivid clarity and intensity. and intensity. in vivid clarity excel colors Quinacridone Quinacridone Scarlet Burnt in mud browns and eliminate brighten lighten, could dark, red-brown rich This slightly sedimentary, and and Highly durable blossom paintings. branch for Coral Use with Quinacridone paintings. all your and intensity. in vivid clarity excel colors SMITH Quinacridone all the DANIEL transparent, extremely its Perylene cousin, it disperses more evenly and is less granular. and is less granular. evenly more it disperses its Perylene cousin, Quinacridone Orange Burnt Add sienna color. is a brilliant, orange/ smoldering Orange Burnt SMITH Quinacridone Our DANIEL a full mix that renders with a gray-blue washes sky dramatic Ultramarine and create French to rich, achieve modify in landscapes to Sap Green to Orange Burnt scale. Use Quinacridone value all the transparent, and extremely Highly durable land with sky. that coordinate greens mossy This fire engine red is cleaner than Cadmium or Permanent Red. It is a modern synthetic-organic synthetic-organic Red. It is a modern Permanent Cadmium or than cleaner red is engine This fire and is less granular. evenly the Perylenes, more its cousins it disperses to pigment. in value close While Scarlet Pyrrol cleaner red is semi-opaque engine and medium staining, this fire to semi-transparent Permanent, to pigment. in value While close synthetic-organic Red. It is a modern or Permanent than Cadmium Pyrrol Orange Pyrrol addition and pure is a smooth, saturated orange semi-transparent/semi-opaque This unforgettable the sunset glory or the magic of a tropical of a summer Capture garden palette. the watercolorist’s to hue. with this dynamic andversatile Red Pyrrol Pyrrol Crimson Pyrrol just is a delicious red Crimson Pyrrol magenta and fuchsia, between state Living in a luxurious staining this and semi-transparent, Moderately garden. rose your into way find its begging to an earthier rose without running wild. It blends to in a wash be directed itself to pigment allows when diluted. rose fuchsia a pale and to thins with English Red Ochre when mixed granulation. It is semi-transparent with low staining levels, so it offers great versatile in use and versatile great so it offers staining levels, low with It is semi-transparent granulation. sub-metallic silky luster, low occurring, with a naturally Genuine is a mineral Purpurite technique. on additional dimension as the light take to painting your allows sheen. This unique characteristic palette. your pigment to mineral adding this natural Enjoy and glazes. washes with your interacts color! purple of this unique and rare the richness love You’ll of color and complex granulation. Mix with Yellow Ochre to produce a natural looking green for for green looking a natural produce to Ochre with Yellow Mix granulation. and complex of color and leaves. reeds stalks, Genuine Purpurite Purpurite purple, meaning purpura, word for the in 1905 and namedLatin Officially discovered and beautiful has smoothly and violet that paints easily, lavender Genuine is an intensely and transparent, with medium to high staining strength. It disperses and diffuses easily and evenly and evenly and It disperses diffuses easily staining high strength. medium with to and transparent, with the higher staining Blue in application, Phthalo interchangeable and be considered can slightly greener. Blue is although Prussian Green Prussian it an making is deep and concentrated, color blue-green, this innovative A dark, slightly turquoise benefit shadows forest Rich required. is its depth strength from when maximum color choice ideal Potter’s Pink is the lightfast pink that was used in English watercolor painting of the painting 18th and 19th in English used watercolor that was pink is the lightfast Pink Potter’s - a beautiful and neutral pink, delicate rose it is romantic glazes, ceramic Also used in centuries. colors. saturated more brighter, for counterpoint Blue Prussian is lightfast Blue SMITH Prussian DANIEL shadows. to add variety to a moist wash into color this Float Potter’s Pink - Pinkcolor Pink Potter’s

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Extra Fine Watercolor Stories 20 Quinacridone Red or a peach, Red and Quinacridone create into Naples Yellow Drop medium-staining red. A true, pure SMITH all the DANIEL transparent, andextremely apples. Highly durable onto drypaint brushstrokes and intensity. in vivid clarity excel colors Quinacridone Quinacridone Purple non-granulating, cast. It’s with a slight reddish purple and juicy powerful is a rich, Purple Quinacridone Quinacridone color. A luscious, versatile beautifully. and it mixes smooth and controlled are so washes color and depth of incredible washes, have smooth extremely for beautifully flow watercolors glazing. for ideal transparent, yet strong exceptionally They’re wet. while still easily can be lifted them! - people just love their introduction they’ve since been very popular colors Understandably, Quinacridone Pink or purples, pink. deep dusty Try with Indigo for low-staining perfect is a precise, Pink Quinacridone Sienna with Quinacridone can be mixed Pink Quinacridone purples. clear rich, Blue for Indanthrone and sunsets. Highly durable convincing tones or flesh create to states wash in dilute Orange or Burnt and intensity. in vivid clarity excel colors SMITH Quinacridone all the DANIEL transparent, extremely Quinacridone Magenta Like washes. glowing from and clear, moves to evenly violet disperses This deep red deep darks of complementary couples pigment. organic In terms lightfast it is an extremely all Quinacridone, and extremely Highly durable greens. with yellow especially well MagentaQuinacridone works and intensity. in vivid clarity excel colors SMITH Quinacridone the all DANIEL transparent, Quinacridone Lilac Rose and Quinacridone Magenta Quinacridone Lilac SMITH Quinacridone lies between DANIEL blue vivid pink with the slightest This new, family. color SMITH Quinacridone within the DANIEL in vivid excels Lilac Quinacridone colors, all our Quinacridone and like florals, for have is a must tone, and intensity. clarity Quinacridone Gold with its glazing and Sienna adds versatility Raw Gold replaces Quinacridone favorite, Everyone’s any pigment that can enhance golden yellow low-staining and excellent It is an mixing capabilities. excel colors SMITH Quinacridone all the DANIEL transparent, and extremely Highly durable mixture. and intensity. in vivid clarity Quinacridone Fuchsia - a brilliant, Never violet, slightly color red. who embrace painters for A necessary watercolor light washes Your with water. when mixed even strong remains Fuchsia Quinacridone bashful, of richness the uncompromising to can compare paints few will be bold and, at full strength, to is sure watercolor smooth, this radiant and satiny transparent Completely Fuchsia. Quinacridone SMITH all the DANIEL transparent, and extremely Highly durable palette. a staple on your become and intensity. in vivid clarity excel colors Quinacridone Quinacridone Burnt Orange. It’s an incredibly ruddy golden-orange, a vibrant and exciting and exciting ruddy golden-orange, a vibrant an incredibly It’s Orange. Burnt Quinacridone can technology modern boldest colors the brightest, are Sienna. Quinacridones Burnt to alternative blended with the their qualities, are specific optimize to pigments, ground selected Carefully offer. the are and intensity Transparency by hand. Gum Arabic,finest imported in tubes and put labeled colors. SMITH Quinacridone DANIEL of our renowned hallmarks A treat for the eyes of both painter and viewer, this intense Quinacridone color is a clear red red clear is a color Quinacridone intense this and viewer, painter of both theeyes for A treat SMITH the all DANIEL transparent, and extremely tinged Highly durable and with pink orange. and intensity. clarity in vivid excel colors Quinacridone QuinacridoneGold Deep than yellow and Gold, Quinacridone than more orange Gold is more Deep Quinacridone Quinacridone Coral

™ Extra Fine Watercolor Stories 21 tranparent, medium to high tinting pigment with a beautiful deep burgundy-brown color. color. deep burgundy-brown high tinting pigment with a beautiful medium to tranparent, Genuine Red Fuchsite rose dusky this soft, reddish Paint gemstone. and treasured yield a beloved The mountains of Brazil from This color, brushstroke. of your our the surface to sheen rises iridescent as the mineral and watch reflections. botanicals and to skies, definition new line pigments, of authentic gives mineral PrimaTek This familiar rich dark brown earth pigment is semi-transparent with medium tinting strength. An with medium tinting strength. earth pigment is semi-transparent brown dark rich This familiar for Violet with sedimentary Blue or Cobalt well Cobalt it mixes color, inorganic permanent extremely or spaces. form mood, lend depth of field and create that evoke grays middle-value granular Umber Violet Raw a semi- creating Violet, Umber with Quinacridone is a blend of Raw SMITH exclusive This DANIEL Raw Sienna Light Raw This Sienna is Sienna. than our Raw tones golden yellow Sienna Light has more SMITH Raw DANIEL staining. and is non-staining than low but a bit smoother rather in washes too, color a granulating landscapes. and other sunbaked grasses savannah fields, dried wheat suggest sunny Washes Umber Raw Raw Sienna Raw intensity earth pigment of low inorganic permanent times, an extremely prehistoric Used since Gold, Burnt of Quinacridone intensity the transparent Balance but medium-high tinting strength. touched Sienna wash Sienna. Try a moist Raw with the earthiness of Raw Scarlet and Burnt Orange effects. unique texture creates Earth Black with Lunar or Lunar or spattered Rare Green Earth Green Rare hint of blue, it suggests the with the slightest and in washes, in mass tone A medium gray-green Earth with Green Try mixing Rare too. shadows atmospheric good for It’s hue of distant evergreens. soft purples. luscious, reticulating make Genuine to Rhodonite In terms of complementary couples, Quinacridone Violet mixes best with a cleaner primary green. primary green. best with a cleaner mixes of complementary Violet Quinacridone couples, In terms in vivid excel colors SMITH Quinacridone all the DANIEL transparent, and extremely Highly durable and intensity. clarity Quinophthalone Yellow and pull the color with it full strength can paint staining, you low Because it’s yellow. bright A clean, white. almost paper to back Highly durable and extremely transparent, all the DANIEL SMITH Quinacridone colors excel in vivid excel colors Quinacridone SMITH all the DANIEL transparent, and extremely Highly durable and intensity. clarity Quinacridone Violet from and moves with slight granulation evenly disperses violet, deep Quin Violet reddish A deep, pigment. organic lightfast it is an extremely all Quinacridones, Like washes. glowing clear, to darks Quinacridone Sienna and theFor traditional glazing Sienna. pigment, Burnt finer than any low-staining The ultimate from Sienna divides yellows Quinacridone line. on the orange falling reds, painter, watercolor purist Sienna a complement-free Quinacridone chart on the modify makes color Its place to pigment, easy in damp underpaintings especially well works Sienna Quinacridone a hidden gray. without revealing Quinacridone clear The fine Gray. as Indigo or Payne’s with full-bodied pigments such overpainted grays. the premixed by pools surrounded compressed to giving way particles and collect retreat, Quinacridone Rose, with its red-violet color, lends itself to fabulous purples. Try with Indigo for Trywith Indigo for purples. fabulous lends to itself color, red-violet with its Rose, Quinacridone can be mixed Rose Quinacridone purples. clear rich, Blue for or Indanthrone purples, deep dusty convincing or fleshtones create to states wash in dilute Orange Burnt Sienna or with Quinacridone excel colors SMITH Quinacridone all the DANIEL transparent, and extremely Highly durable sunsets. and intensity. in vivid clarity Quinacridone Rose

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Extra Fine Watercolor Stories 22 golden-greens and green-browns when mixed with Burnt Sienna or Quinacridone Sienna or Burnt Sienna or Burnt Sienna or Quinacridone with Burnt when mixed andgolden-greens green-browns In the when lifted. a stained residue with most pigments and leaves well mixes Sap Green Orange. reveal to areas squeegee or knife mentioned above, mixtures Ultramarine or Quinacridone French passages. within deeper or mossy grasses blades of spring-shiny create stain and to the Sap Green floats, creating a vibrant, dimensional purple. For those artist artists who always mix their own For those mix their artist artists a vibrant, dimensional purple. who always creating floats, Juxtapose Rose of exploring. is worth this unique, otherwise separation purples, unattainable fun and effect. Phthalo Blue for Ultramarine with pure Sap Green need. This non- we with the permanency love - the hue we is wonderful Green Sap SMITH’s DANIEL Ultramarine and mossy with French mixed shadow-green deep forest creates formulation fugitive giving artists a rose watercolor with similar properties. This warm, rose pink has an ever-so-slight pink has an ever-so-slight rose with similar properties. This warm, giving artists watercolor a rose blush, natural it slightly less vivid than the and pink Quinacridones, making a more hint of brown portraits. for perfect Rose of Ultramarine as the rose Rose and Quinacridone Ultramarine Blue. The blue settles blend mixes This exciting DANIEL SMITH Roasted French Ochre Watercolor is a strong, natural orange-brown perfect for for perfect orange-brown natural is a strong, Watercolor Ochre French SMITH Roasted DANIEL this versatile, love you’ll Ochre, of our French fan a already landscapes If you’re and portraiture. palette-friendly variation. Rose Madder Permanent color the of traditional formulation lightfast is a modern, SMITH Rose Madder Permanent DANIEL is richer and warmer than the original brighter Green Gold, and has an inviting glow. Explore fruits Explore glow. Gold, and has an inviting Green brighter than the original and warmer is richer in familiar other greens Gold for and Green landscapes, substituting Rich leaves and vegetables, from Gold lifts with ease Green and or Rich lightfast, Low-staining either a concentrated mixtures. and from wash dilute treat. a real for either damp or dry Try it as a glaze work. Ochre French Roasted Made from jewelry-quality stone, this versatile rose pink is wonderful for portraits and for landscapes. Made pink is wonderful from rose this versatile stone, jewelry-quality it is more full value, At without granulation. glow, a soft, transparent it creates wet, into Used wet and non-granulating. low-staining but still transparent, intense Gold Green Rich It green. mossy this is a warm with earth pigments and alike, Quinacridones Amazingly compatible precious stones that were carved and inlaid into the white marble in curvilinear flower forms. The forms. in curvilinear flower marble the white carved and inlaid into that were stones precious jadestems with theformed green beautifully contrast andred a vivid flowers red jasper are from chakra or root with thebase jasper is associated red Spiritually, marble. against the white and leaves and protection. balance the body and provide and energize/heal ground and helps to Genuine Rhodonite A lovely pinkish, cool brown in light washes and a medium reddish maroon in mass tone, think red red think tone, in mass maroon and a medium reddish washes in light brown cool pinkish, A lovely non-staining semi-transparent, and Genuine our Red Jasper has excellent bark, is granulating, cedar the male common like landscapes, birds for color Red Jasper Genuine a wonderful is lightfastness. the like coat reddish to light a medium animals whowell as have as egret, reddish and chaffinch from Genuine our Red Jasper comes for The panda. mineral and is colored red region Gwalior India’s items. and other decorative vases carved as amulets, from red often a rich it was Historically iron. Mahal with other semi- embellish the Taj beautifully used to one of stones jasper was red India’s Red Jasper Genuine Jasper Red

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Extra Fine Watercolor Stories 23 Sodalite, with a distinctive deep blue color is one of the components of Lapis Lazuli and very rare. is one of Lapis of the Lazuli components and deep blue color very rare. with a distinctive Sodalite, comes and deepest blue that is the finest quality SMITH Sodalite DANIEL and the Greenland from as it granulates stone color of this semi precious the inky watercolor, Vesuvius. In Mt. of Italy’s flanks staining, lightfast on a smooth blue-gray undertone. Low surface a blue-black textural layering dries, a three-dimensional as it dries. quality creates Sodalite and semi- transparent, is found closest to the earth’s surface, where environmental factors have enhanced the structure the structure enhanced have factors environmental where surface, the earth’s to closest is found of references blue. Historic a remarkable to richness and deepened the tonal quality gemstone to Turquoise has Southwest the dynasty. American first from as Egypt’s as far back date Turquoise currency. used as trading was turquoise ruins and Persian been unearthed in Aztec Genuine Sodalite A unique and vibrant blue, the gemstone comes from comes blue, the gemstone A unique and vibrant where Mountain in Arizona Sleeping Beauty and permanent, with none It is lightfast our high expectations. up to a deposit that lives found we that nature a unique porous has Turquoise that plagues most turquoise. fade color of the transient flow washes Juicy washes. granular the has the intense brush and drybrushwork produces from feel a muted have pigments often mineral pigment. only in a mineral found Traditional texture that use the mineral highest grade We Genuine has a true brilliance. and our unique Turquoise A wonderful neutral, cocoa brown. Named for the mineral collectors who discovered it in San Diego who discovered collectors the mineral Named for brown. cocoa neutral, A wonderful from and lets down granulation beautiful Genuine displays chocolate a dark in 1912, Sicklerite County with harmony color creating colors, bright down au lait. it tones a soft cafe A true neutral, to brown blue-gray an atmospheric or Sleeping Ultramarine for Try mixing it with French texture. seductive green. a soft ocean Genuine for Turquoise Beauty Genuine Turquoise Sleeping Beauty A smooth gray-mauve in light washes, Shadow Violet displays a fascinating granulation when used granulation a fascinating displays Violet Shadow in light washes, A smooth gray-mauve in thin applications. Its glow a slight orange it reveals violet in mass tone, Deep warm thickly. more the subtleties conveying for of course, ideal, glazing and it’s for choice it a great makes transparency of shadows. Genuine Sicklerite green-color serpentine is of a variety called Stichtite. A soft stone used cross-culturally for carving used cross-culturally for A soft stone called Stichtite. is of a variety serpentine green-color palette. paint known in any no has comparison PrimaTek our newest off harm, ward amulets used to of with specks granulation that develops is a good green paint semi-transparent This surprising, palette. landscape and floral your addition to - a great scarlet burnt Violet Shadow state in concentrated strokes, Sepia can dilute to a subtle mushroom hue. Enjoy this transition in this transition hue. Enjoy mushroom a subtle to dilute Sepia can strokes, concentrated in state from - posts Fence washes subjects. from or farm fields and far to light in plowed near to shadow wet. into wet Try each bulrushes and cattails. paint, as are fun to - are kind Coast West the wet, Serpentine Genuine pigment from Serpentine an unusually beautiful you bring This Australian under. the land down We generations of southwestern artisans in a way that demands to be experienced. We went straight to to straight went We be experienced. that demands to artisans a way in of southwestern generations the of the enchantment share can now oldest, pigment. mineral yet We our newest, for the source and the magic of Sedona. the intensity the awe, Capture with you. stone Sepia deep its rich, basic. From is a palette black-brown staining and this semi-transparent lightfast, Low For millennia, Sedona has ignited the imagination of every creative spirit fortunate enough to feel its feel enough to fortunate spirit creative the imagination of every ignited has Sedona millennia, For red the soaring to of sand in quiet counterpoint the ancient of sagebrush sea punctuate dazzle. Tufts cast from purity color cerulean sentinels. With rock a field of pure on burst a desert spires red crucible, the who people were connects us to red This ethereal wonder. humbling the observer in absolute sky, hadwe knew we to the Southwest, trip our latest After ago. years 11,000 region by the first mesmerized from from paint Made authentic with rock rocks. create desert, the Arizona Sedona’s to timeless this of countless the work to work your permanent-ties and absolutely pigmented richly color-lightfast, Sedona Genuine (Natural Iron Oxide) Genuine Sedona Iron (Natural

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Extra Fine Watercolor Stories 24 Transparent Red Oxide Transparent it, mixing mingle in beneath with the lamp black, settling to loves orange burnt A highly transparent as its peach on the walls dance seems to Fire of cinnamon and tobacco. tones create with it to stunning can create and non-staining, you undertones nestle warm in with the black. Incredibly and rich for a itself over it or layer glow fireside a warm for Ochre the French it over Glaze effects. that has no equal. ochre red glowing Transparent Pyrrol Orange Pyrrol Transparent is vivid and warm, The color smooth perfectly washes. thins into orange dark, red-leaning This clear, exquisite create or blues to greens Try it with granulating in mixes. and great used on its own, lovely and warm. both textural that are and shadow-grays earth colors Transparent Brown Oxide Brown Transparent properties its granulating Elemental and versatile, vivid brown. non-staining, rich, A fully transparent, and complexity. of tenure green a mature to a sprout changes Green when blended with Permanent and almost peach becomes Oxide Brown Transparent in a wash, water to of paint ratio Used in a low in depth and mystery. rich adding effect shadows with a remarkable can be used as a glaze Titanium White Titanium Titanium White by mixing finish semi-opaque/semi-transparent shades creamy, with a pastel Create this watercolor pigments. Although full coverage, not enough opaque for watercolor favorite with your a soft veil from for can be used straight other colors over add or as a light wash highlights the tube to of this useful pigment. hallmarks and a smooth finish are lightfastness Excellent of light tone. Tiger’s Eye Genuine is made fromTiger’s Eye light that remind of bands rippling with stone the brownish-gold iron is geologically stained with dark a member of the quartz The gemstone, family, eyes. of cat’s you effect.of The combination called thechatoyant and bands markings the distinctive creating oxide and non-staining as well that is very transparent paint a remarkable produces quartz oxide and iron With ash brown. undertones with of cool drab is olive The and color granulating. colored as strongly palette. your a staple of become this will quickly color, with versatile combined effects textural great Terre Verte, roughly translated as green earth, is a classic green that has been used by artists that has been used by since green is a classic earth, as green translated roughly Verte, Terre and Raw of Viridian formulation is a lightfast Verte and non-staining, Terre Transparent antiquity. Verte landscapes. Terre natural-looking for Umber Violet and Raw Green Use with Undersea Umber. at. look to handle, easy to Easy teal. toward leaning green, earthy is a slightly granular Genuine Tiger’s Eye Terre Ercolano Terre your to sensibility an earthy that brings red brick is a natural Ercolano and bold, Terre Highly saturated a desert or create a red of with rugged granulation tones the vibrant Capture paintings. watercolor lightfastness. pigment has excellent shade. This semi-transparent with this versatile ruddy wash warm, Verte Terre A beautiful granulating pigment from granulating A beautiful Africa, South is another standout in our lineof PrimaTek Sugilite ranges mineral opaque the rare discoverer, its Japanese in 1944 and named found for First colors. pigment, subtle it combines a watercolor as Transparent deep purple. from pink to to lavender grayish with a slight settles the gray In a wash, color. textural in a single strongly gray pink and warm fuchsia a great It’s sky. dawn in an overcast the color resemble to sheen, while the pink rises graphite-like and Gold Quinacridone including Sap Green. and greens, golds, oranges to complement A lovely clear, bright green. Combining two yellow pigments and one green pigment, pigments and one green semi- it is yellow two Combining green. bright clear, A lovely its fresh, Enjoy in washes. slight granulation a very straight quality punchy and reveals transparent of a wide variety from create to orange or another Orange bright theor mix it with Pyrrol tube landscape-friendly, oranges. and rusty greens natural Genuine Sugilite Spring Green

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Verona Gold Ochre Verona its name, it has an Gold Ochre Verona this ancient northern gives mined near Italian city Pigment an earth color. for clarity unusual, delicate Verditer Blue Verditer Begin palette. on every pigment with a place Blue is an historical blue. Verditer A true blue, a blue’s travels paint this slightly granulating how and watch lake, application, a deep azure with a dark to it wash. Dilute in a effects surprising and create of cornflowers the color to Fade in water. quickly watercolor. semi-transparent of this wonderful, nuance every blue. Enjoy baby the palest Venetian Red Venetian paintings fall for Red is great sedimentary with opaque, properties, Venetian red-brown An earthy exciting for Earth Lunar wash a wet Red into Venetian Indian Red. Drop and applications similar to a special but leaves Red is medium staining, lifts with some difficulty when dry, results. Venetian at the damp state. when blotted afterglow warm coordinate and lend atmosphere to various passages. Undersea Green is beautiful touched damp or touched is beautiful Green Undersea passages. various to and lend atmosphere coordinate paintings. autumn leaf into green Gold. Use Undersea drybrushed with Interference Brown Dyck Van property has a special reticulating Brown Dyck siennas and Van mix of umbers, dark, lightfast A deep, of Sepia. in place well it works staining and semi- transparent, Moderate a wash. texturing for ideal Undersea Green Undersea Ultramarine with blends French high staining green medium to this exciting favorite, An artist’s while and granulates Gold. TheQuinacridone inorganic, Ultramarine settles sedimentary French remind this will Concentrated, a golden halo. into floats Gold Quinacridone the organic, transparent color- to Ultramarines and mixtures Quinacridone Apply with Moonglow, kelp. sea of warm you Use it when less stain and more granulation is desired, and consider it for an interesting, non- an interesting, it for and consider is desired, granulation Use it when less stain and more glaze. traditional Ultramarine Violet pigment lightfast It is an excellent Ultramarine Violet. create to Ultramarine Blue pigment is baked Mist Violet is also low-staining. washes. Ultramarine in slight granulation that flows leaving freely, effect. a delightful mottled of eitherdamp passages pigment for To create this color, Ultramarine Blue pigment is baked. An excellent lightfast pigment that flows pigment flows that lightfast An excellent Ultramarine Blue pigment is baked. this color, create To non-staining, for unusual Ultramarine Red is considered freely, in washes. slight granulation leaving effect. a delightful mottled of either Mist damp passages pigment for a red. Ultramarine Turquoise of Phthalo Turquoise. cousin low-staining is the granular, Ultramarine Turquoise Transparent Ultramarine Blue plots cooler and bluer than the more saturated French Ultramarine. Temperature Ultramarine. Temperature French saturated and than the bluer more Ultramarine cooler Blue plots Ultramarine Blue is slightly and transparency. lightfastness equal permanence, have aside, both blues sedimentation and cost, use Ultramarine less saturation, For washes. in concentrated less granular neutrals. dark, effective for red a cool with or mixed color crayon-like vibrant Blue straight, for Ultramarine Red Make a bold statement with an earth tone yellow that radiates warmth. In washes and glazes this and glazes In washes warmth. radiates that yellow earth tone with an bold statement a Make your gives transparency Complete paintings. your to golden glow a pigment gives amber-hued its with work you to character and vibrant. Add clean remain and mixtures crystallineglazes clarity fastness. light with its excellent and permanence granulation moderate Ultramarine Blue Transparent Yellow Oxide Yellow Transparent

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Extra Fine Watercolor Stories 26 DANIEL SMITH Luminscent Watercolors Watercolors SMITH Luminscent DANIEL You must try Zoisite to appreciate its unique color and characteristics. Zoisite, a mineral from a mineral Zoisite, and characteristics. its unique color appreciate to must try Zoisite You green, - bottle - almost black in 1804, with a dark green is a lush primal discovered Austria with a micro-dotted the is a gray-green effect water, to minimal paint With surface. granulating fractures the surface look with a distinct leather a faux water, to to maximum paint With surface. Zoisite the amount of interest by three-dimensional and be fascinated with the effect. ratios Play painting. your can add to medium-tinting Yellow Ochre with equally transparent, medium-tinting Viridian. Somewhat Somewhat medium-tinting with equally transparent, Viridian. Ochre medium-tinting Yellow the damp paint. into Blue when spattered with Cerulean beautifully reacts Ochre Yellow neutral, our DANIEL in other brands, or whitened be opaque to tend Ochres Yellow While traditionally watercolorists! by beloved a property is transparent, Ochre SMITH Yellow Genuine Zoisite can link your palette to the indomitable past and the bright possibilities of the future. We’ve We’ve possibilities of the the and future. indomitable the past bright to palette can link your the pigment that exemplifies mineral in an historic the of Yavapai the strength captured of art. energy perpetual Ochre Yellow pigments. Try mixing transparent, with other transparent especially well works Ochre Our Yellow Yavapai Genuine (Natural Iron Oxides) Genuine Iron (Natural Yavapai the world. and saw well the that left edge of the original single of a dove legend speaks Apache Today, Yavapai. of the to the safety woman led the first floods came, this dove When the great time. The a sentimental glimpse through provides stone of the Yavapai security the enfolding reddish, of the human spirit. The the warm, endurance symbolizes of the stone endurance Made unchanged. from remains a sienna, similar to Yavapai color, rock, Arizona yellow-brown This legendary in washes. pigment smooth texture with a surprisingly Genuine is transparent Wisteria red leaning vine, is a delicate, flowering the of its namesake blooms like Wisteria, SMITH DANIEL properties, this non-granulating Ultramarine different Red but with to color Similar in lavender. and orchids painting for Wonderful smoothly andand paints lifts easily. non-staining color other florals. Seldom used at full tube strength, this transparent, non-staining pigment is an excellent non-staining pigmentan excellent is this transparent, tube strength, at full used Seldom blue-green mixing useful in a cool glazing pigment and It’s essential. a portrait painter’s hidden without It is the staining secret other pigment in florals. soft edges particlesand for the with modify and in combination can quickly reds, Viridian in Moonglow. ingredient multiplied. has its versatility Quinacridones, Viridian

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Extra Fine Watercolor Stories 27 Duochrome EmeraldDuochrome shoots or buds in thetender Spring. new of green is the slightly reflective Emerald Our Duochrome in regular be painted them that cannot quite to a slightly luminous quality living things have Many emerald lovely shades of green—a different two between shifts Emerald Duochrome watercolors. gold. green- and slightly reflective a very Duochrome CactusDuochrome Flower metallic violet. sienna and a sparkling an earthy shifts between Cactus Flower Duochrome DesertDuochrome Bronze metallic jade. and a brilliant cotta terra an earthy shifts between Desert Bronze Duochrome Duochrome Blue Pearl shifts between a shimmering sky blue and a reflective cool silver. blue and a reflective sky a shimmering shifts between Blue Pearl Duochrome Blue Cabo Duochrome color shifting reflective Blue adds a third Cabo to metallic gold, then finishingDuochrome blue from metallicwith a shimmering blue. Duochrome Autumn Mystery Autumn Duochrome metallic. copper a vibrant that shifts to russet is an earthy Mystery Autumn Duochrome Blue Pearl Duochrome Duochrome Aquamarine Duochrome blue. a soft blue-green and iridescent a shimmering shifts between Aquamarine Duochrome ArcticDuochrome Fire from it shifts watercolor; or darker paper black best over its colors shows Fire Arctic Duochrome to violet. green reflective other colors and lend their luminosity in proportion to the mix. Mixing our Luminous watercolors the watercolors mix. Mixing our Luminous and in proportion lend to theirother luminosity colors use them! to way is an ideal with other colors Adobe Duochrome metallic. red and a brilliant copper saturated shifts between Adobe Duochrome Watercolors show best as glazes over darker colors and are excellent mixed with other colors adding with other colors mixed excellent and are colors darker over best as glazes show Watercolors part SMITH Luminescent of the DANIEL Watercolors, Duochrome glow. a bit of their luminescent light. depending distinct on the reflective colors two between alternate collection, Watercolors refract collection, Watercolors part SMITH Luminescent of the DANIEL Watercolors, Interference part SMITH Luminescent of the DANIEL watercolors, Iridescent scatter. light, causing light to adds a quality and their transparent to scatter, light, reflect collection, causing it Watercolors with mix well watercolors Luminous SMITH All the DANIEL work. your sense of depth to fascinating simulate the luster of a bird’s feather, the iridescence a butterfly or insect, a butterfly the luminous quality the iridescence feather, of a bird’s the luster simulate and gold. There silver, copper, pewter, the sheen of metals like forget Don’t and leaves. of flowers as them such to a special iridescence thought of as having often also mythic subjects that are are add Watercolors Luminescent DANIEL SMITH figures. and other mermaids fantasy dragons, fairies, made from are They cannot match. colors that regular in nature found color of special that touch Luminescent oxides. metal reflective with highly particles coated mica pigment, thin transparent Why Luminescent Watercolors? Luminescent Why insects,and fish, seashells, feathers, see in birds’ that you in the colors surprises has optical Nature trail of a snail’s theConsider iridescence them.to sheen dewy a pearly, have also flowers many depending on the light,glow or a a sparkle, Other things that also have spider’sor a silvery web. and glint of and ice, of snow the sparkle at sunset, rainbows, aglow moon, or golden silvery clouds watercolor, seen in ever anything unlike watercolors, Luminescent DANIEL SMITH reflections. water LUMINESCENT SERIES LUMINESCENT

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Interference Green Interference or colors dark over when glazed emerald and is a glimmering transparent Green Interference pigments display Interference paper, on white and when painted paper, black onto directly painted a subtle sheen. a subtle sheen. Gold Interference or colors dark over gold when glazed warm and transparent Gold is a twinkling Interference pigments display Interference paper, on white and when painted paper, black onto directly painted a subtle sheen. painted directly onto black paper, and when painted on white paper, Interference pigments display pigments display Interference paper, on white and when painted paper, black onto directly painted a subtle sheen. Copper Interference or colors dark over when glazed soft copper and sparkling is a transparent Copper Interference pigments display Interference paper, on white and when painted paper, black onto directly painted Duochrome Violet Pearl Duochrome cool silver. and reflective soft lavender shimmering shifts between Pearl Violet Duochrome Blue Interference or colors dark over blue when glazed and cool glimmering Blue is a transparent Interference Duochrome Turquoise shifts between a vibrant Caribbean blue and a sparkling sea green. sea blue and a sparkling Caribbean a vibrant shifts between Turquoise Duochrome Violet Fantasy Duochrome it shifts from watercolor; or darker paper black best over its colors shows Fantasy Violet Duochrome to green. violet reflective Duochrome Tropic Sunrise Tropic Duochrome it shifts from watercolor; or darker paper black best over its colors shows Sunrise Tropic Duochrome red. to green reflective Turquoise Duochrome Duochrome Oceanic Duochrome metallic sparkle. gold gold and a brilliant green a subtle shifts between Oceanic Duochrome Saguaro Green Duochrome metallic green-gold. and brilliant copper rich shifts between Green Saguaro Duochrome Duochrome Lapis Sunlight shows its colors best over black paper or darker watercolor; it shifts from watercolor; or darker paper black best over its colors Lapis shows Sunlight Duochrome to blue. green reflective Mauve Duochrome sapphire. sparkling and brilliant pinkish-purple pale shifts between Mauve Duochrome Duochrome Green Pearl shifts between shimmering sea green and reflective silver. metallic and reflective green sea shimmering between shifts Pearl Green Duochrome Hibiscus Duochrome blue violet. and violet iridescent a shimmering red between Hibiscus shifts Duochrome LapisDuochrome Sunlight Duochrome Green Pearl Green Duochrome

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Iridescent Gold Iridescent regal. and gold shade – bright, reflective Gold is the quintessential Iridescent Goldstone Iridescent undertone. gold with a slight reddish is a rich Goldstone Iridescent Iridescent Electric Blue is our most bright, vibrant Luminescent - it is the color of sun striking the of sun striking - it is the color Luminescent Electric Blue is our most bright, vibrant Iridescent feathers. of peacock blue tones Garnet Iridescent washes. in light even reflection a dynamic pink metallic that creates colored is a rose Garnet Iridescent Iridescent Copper Iridescent penny. minted color of a newly and reflective is the bright Copper Iridescent Electric Blue Iridescent Iridescent Blue Silver Iridescent tone. metallic steel is a rich Silver Blue Iridescent Bronze Iridescent sheen. bronze warm with a is highly reflective Bronze Iridescent Iridescent Antique Silver Iridescent watercolors. than other metallic silver shade that is deeper in tone is a pewter Silver Antique Iridescent Gold Aztec Iridescent and gold hues. copper traditional between shade midway reddish Gold is a warm, Aztec Iridescent Iridescent Antique Copper is a burnished cinnamon tone with a dark, saturated quality. with a dark, saturated cinnamon tone is a burnished Copper Antique Iridescent Antique Gold Iridescent in some metallic found quality Gold has a deep shine Antique without the bright, brassy Iridescent gold watercolors. Iridescent Antique Bronze Iridescent metallic with its’ warm colors luminescent among is the darkest Antique Bronze Iridescent sheen. bronze Antique Copper Iridescent onto black paper, and when painted on white paper, Interference pigments display a subtle sheen. pigments display Interference paper, on white and when painted paper, black onto Silver Interference or colors dark over when glazed silver of transparent veil shines with an icy Silver Interference pigments display Interference paper, on white and when painted paper, black onto directly painted a subtle sheen. Interference Lilac glows with a transparent shine of violet when glazed over dark colors or painted painted or colors dark over shinewhen violet of glazed transparent with a Lilac glows Interference a pigments display Interference paper, white on and when painted paper, black onto directly subtle sheen. Red Interference directly painted or colors dark over shimmer when glazed red with a light Red sparkles Interference Interference Lilac Interference

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Extra Fine Watercolor Stories 30 undertone. glimmering glaze or combine with other colors to create sparkling pastel tones pastel sparkling create to with other colors or combine glaze glimmering Pearlescent Shimmer Pearlescent a for Shimmer as a glaze Use Pearlescent luster. a pearl-like paper white give colors Pearlescent and shine. add sparkle to glimmer or mix with other colors snow-like White Pearlescent as a slightly opaque White Use Pearlescent luster. a pearl-like paper white give colors Pearlescent Iridescent Sunstone Iridescent is a soft metallic gold surface. pink with a glimmering Sunstone Iridescent Topaz Iridescent hint of a green with just the slightest yellow-gold is a pale Topaz Iridescent when the hits it from light another. Red Scarab Iridescent of blue-green pigment. sparkle surface with a delicate burgundy Red is a complex Scarab Iridescent Iridescent Russet is a highly saturated burnt bronze with remarkable granulating qualities. granulating with remarkable bronze burnt Russet is a highly saturated Iridescent to fascinating sense of depth adds a quality light and their reflect semi-transparent colors Iridescent work. your Sapphire Iridescent from neutral is a shadowy Sapphire metallic violet Iridescent a brilliant one angle into that bursts Iridescent Ruby Iridescent for petals wings or flower and soft metallic pink - try on bird’s color this is a sweet Ruby Iridescent subtle shine. Russet Iridescent Iridescent Jade is a shimmering soft green with a golden metallic a golden with surface. Jade soft green a shimmering is Iridescent Moonstone Iridescent or for fish scales choice perfect andsilver—a deep in shades white reflects Moonstone Iridescent but when over applied on white, a silvery-gray up as shows Moonstone Iridescent moonlit water. sea. of the the reflection night-darkened moon on a - like silver-white a glowing becomes black Iridescent Jade Iridescent

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