The Writings in Prose and Verse of Rudyard Kipling
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Mapping Psychic Spaces in Rudyard Kipling's Fiction Elizabeth Welby
Out of Eden: Mapping Psychic Spaces in Rudyard Kipling's Fiction Elizabeth Welby Thesis submitted for the degree of Doctor of Philosophy School of Literature and Creative Writing University of East Anglia 30 June 2010 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author’s prior, written consent. Part of Chapter 2 has been previously published in The Kipling Journal as ‘The Lords of Misrule and the Pleasant Isle of Aves’, June 2010. A version of part of Chapter 4 has been previously published as ‘Solar Midnight: Traversing the Abject Borderline State in Rudyard Kipling’s “The City of Dreadful Night”’, in The Domination of Fear, ed. by Mikko Canini (Amsterdam: Rodopi Press, 2010), pp. 147-177. Acknowledgements I owe debts of gratitude to many people. First and foremost, I would like to thank my supervisor, Professor John Thieme, whose dedication to my project coupled with his unfailing energy and tireless perseverance would have, I am certain, surprised even Kipling. John took over the project during the latter stages of my PhD and I am sincerely grateful for his unending enthusiasm and willingness to read, consider and constructively comment on my numerous drafts. I would also like to acknowledge The Kipling Society, both for its electronic research tool, ‘The Reader’s Guide’ and its warm human contact. Many thanks are due to, in particular, John Walker, David Page, John Radcliffe and John Lambert who replied to my frequent questions, large and small, about Kipling’s life and art with grace, good humour and speedy efficiency. -
May Newsletter
THE KIPLING SOCIETY FOUNDED 1927 Registered Charity No.278885 Bay Tree House, Doomsday Garden, Horsham, West Sussex, RH13 6LB England Telephone: 07801 680516 e-mail: [email protected] NEWSLETTER – MAY 2021 As the second wave of the pandemic comes to an end in the UK and we look forward to a return to some sort of normality, this will be the final edition of the Newsletter which we intend to print and distribute by post. If any member who currently receive it this way would in future like to receive it electronically, please could they let us (at the e-mail address above) have an e-mail address to which it can be sent. Alternatively, the current edition (and past ones) can be found on the Society News page of our website. FUTURE MEETINGS • Monday 14th June: 6.00pm. The Honourable Artillery Company is hosting a historical lecture and dinner jointly with the Kipling Society at Armoury House, City Road, London, EC1. After a two-course dinner, Professor Ian Beckett will address the company on ‘Kipling’s Army Revisited’, with a finish time no later than 9.00pm. The event will be held in accordance with the ‘rule of six’, with guests seated six per table in a large banqueting hall. Full details and an application form are appended to this newsletter. • Wednesday 30 June, 5.00pm. (by Zoom) AGM. After which Adrian Munsey will address the Society on the production of his acclaimed documentary Rudyard Kipling: a Secret Life. Adrian will show some clips from the film and describe to us how it was conceived, planned and shot. -
Kipling and the Dialect of the Tribe
Dennis Duffy KIPLING AND THE DIALECT OF THE TRIBE No EXTE"SIVE STUDY of Kipling is necessary to the realization that much of Kipling's most characteristic work employs dialect in one form or anorher: the Learoyd, Ortheris, and Mulvaney stories, including such major pieces as "On Greenhaw Hill", "The C nurtincr of Dinah Shadd" (bmh in Life's Handi cap), and ''His Private H o nour·· (j-fany Inventions); Barrack-Room Ballads; "'M'A11drcw's H ymn'' (Tiu: Seve11 Seas), a work r~v ea ling so much of the author's poetic; "A Walking D elegate"' (The Day's Work)- for most readers too revealing a presentation of the auth or's soci:I! outlook-and ".007" (also in T l1e Da y')· }Vorl\) which, fo r all its c hildi shne~s , is as illuminating an example as any of the K ipling Gospel of Work. These are but a few of the obvious instances of the use of dialect. Most of t.hc cliaracrers in Kim. for example, fail to speak in Srand::ud English, and tn such Indian-narrated tales as ''Dray Wara Yow Dee (In Black md White) and "In the Pre<ence·' (A DIIJen·ity of Creatures), everyone speaks in an elab orate. stately manner supposed to approximate native speech in the raw. The "point", dubious as it is. of '·The Comprehension of Priv::tte Copper" (Traffics and Discoveries) 1 is that the _\nglo..South A£riCJnS, under Boer oppression following Lhe British r!efr-:11 :1 Majuha in l , 7 , have :1cquired the characteristics of a helot race (rhe term '·helot" being Lord Milner's propagandist inspiration in his dispatch of M:.ty 4, 1. -
Kipling, the Story-Writer
UNIVERSITY OF CALIFO! AT LOS ANGELES SEMICENTENNIAL PUBLICATIONS OF THE UNIVERSITY OF CALIFORNIA 1868-1918 42 1 6 KIPLING THE STORY-WRITER BY WALTER MORRIS HART UNIVERSITY OF CALIFORNIA PRESS BERKELEY 1918 28412 TO A. B. H. VA PREFACE In the course of an attempt to trace the history of the Short- Story in English it came to seem desirable, three or four years ago, to examine with some thoroughness, as the terminus ad quern, the work of Rudyard Kipling. The results of this study were rather fully set forth in the form of notes intended for class-room lectures. Revision and publication of these notes was advised by Professor Bliss Perry of Harvard College and by Professor Charles Mills Gayley of the University of Califor- nia. To these good friends of the writer this little book owes its being. Without their criticisms and suggestions, moreover, it would have been even less worthy than it is of the author with whom it is concerned. To him, to Mr. Kipling himself, thanks are due for gracious permission to take from his works the many illustrative passages with which these pages are adorned. CONTENTS PAGE Introduction 1 PART ONE: THE INDIAN PERIOD CHAPTER I Settings 5 CHAPTER II Characters and Psychology 12 CHAPTER III Plots and Their Significance 33 CHAPTER IV General Characteristics of the First Period Ill PART TWO: THE PERIOD OF TRANSITION CHAPTER V The Transitional Technique 131 PART THREE: THE ENGLISH PERIOD CHAPTER VI Settings 160 CHAPTER VII Characters and Psychology 170 CHAPTER VIII Plots and Their Significance 192 CHAPTER IX Conclusion 2 1 7 KIPLING THE STORY WRITER 53-2./. -
My Boy Jack Book Summary Rudyard Kipling: Poems Study Guide
my boy jack book summary Rudyard Kipling: Poems Study Guide. Although Kipling is perhaps most famous for his short stories like "The Jungle Book," he was just as famed for his verse as his prose. His work, which is staggering in number, consists of such major poems as "If", "The White Man's Burden", "The Ballad of East and West", "Gunga Din", "Mandalay", and "Danny Deever". He wrote poetry throughout his life and published in newspapers, magazines, and collections and anthologies. Kipling's reputation has shifted throughout the years; more contemporary readers and scholars find many of his poems difficult to love or respect due to their embrace and sometimes-promulgation of the imperialist, racist, and misogynistic attitudes that prevailed during the day. However, during his own time he garnered more respect and a great deal of popularity. T.S. Eliot wrote of him: "[He had] an immense gift for using words, an amazing curiosity and power of observation with his mind and with all his senses, the mask of the entertainer, and beyond that a queer gift of second sight, of transmitting messages from elsewhere, a gift so disconcerting when we are made aware of it that thenceforth we are never sure when it is not present: all this makes Kipling a writer impossible wholly to understand and quite impossible to belittle." One of Britain's most famous writers, E.M. Forster, took up the subject of Kipling's poetry in a very insightful 1909 lecture. He began by expressing the assumption that Kipling was dull and vulgar, and countered that with his own perspective that "putty, brass and paint are there, but with them is fused, at times inextricably, a precious metal." Forster saw Kipling as very much "alive" and lauded him for this. -
HERE, MY SON Rudyard Kipling and the Battle of Loos
THIS IS THE CHAPEL: HERE, MY SON Rudyard Kipling and the Battle of Loos Dedicated to the Memory of Patrick Neafsy of Achadh Mór, Private 6534, 2nd Battalion Irish Guards, killed in action, 27 September 1915 Edward Neafcy, October 2008 After 93 years, my brother David has brought home to Mayo the story of Patrick Neafsy and his short life as a British soldier. He was in the 2nd Irish Guards. The Battle of Loos was fought from the 25 September to the 8 October, 1915. It was the biggest battle in British history up to then. Today if people know of it at all, it is generally because Rudyard Kipling’s son John was lost there. He was an officer in the Irish Guards. Patrick and John Kipling died in the same action. Patrick and John were among 32 Irish Guards who died on 27 September 1915 on a flat Flanders field exposed to German artillery, machine gun and rifle fire. Such was the slaughter that the Germans called it the Leichenfeld (Corpses Field) von Loos. Despite Remembrance Day having been so well observed in my lifetime, I had not been motivated to think too much about the Great War with its apparent senselessness. David’s and my trip to Loos made me wonder about the motivations of lads such as Patrick who responded to Kitchener’s ‘Your Country Needs You’ recruitment campaign, and the motivation of such a man as 1 Kipling deliversRudyard a recrui Kipting ling to support the war. The thoughts of the private soldiers are speech - Southporseldot, mLanc recoashire,rded – particularly as personal diaries were discouraged as they England. -
Works in the Kipling Collection "After" : Kipling, Rudyard, 1865-1936. 1924 BOOK PR 4854 R4 1924 "After"
Works in the Kipling Collection Title Main Author Publication Year Material Type Call Number "After" : Kipling, Rudyard, 1865-1936. 1924 BOOK PR 4854 R4 1924 "After" : Kipling, Rudyard, 1865-1936. 1924 BOOK PR 4854 R4 1924 "Collectanea" Rudyard Kipling. Kipling, Rudyard, 1865-1936. 1908 BOOK PR 4851 1908 "Curry & rice," on forty plates ; or, The ingredients of social life at Atkinson, George Francklin. 1859 BOOK DS 428 A76 1859 "our station" in India / : "Echoes" by two writers. Kipling, Rudyard, 1865-1936. 1884 BOOK PR 4854 E42 1884 "Kipling and the doctors" : Bateson, Vaughan. 1929 BOOK PR 4856 B3 "Teem"--a treasure-hunter / Kipling, Rudyard, 1865-1936. 1935 BOOK PR 4854 T26 1935 "Teem"--a treasure-hunter / Kipling, Rudyard, 1865-1936. 1938 BOOK PR 4854 T26 1938 "The Times" and the publishers. Publishers' Association. 1906 BOOK Z 323 T59 1906 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905a "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905a "They" / Kipling, Rudyard, 1865-1936. 1906 BOOK PR 4854 T35 1906 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905 "They"; and, The brushwood boy / Kipling, Rudyard, 1865-1936. 1925 BOOK PR 4854 T352 1925 "They"; and, The brushwood boy / Kipling, Rudyard, 1865-1936. 1926 BOOK PR 4854 T352 1926 [Autograph letter from Stephen Wheeler, editor of the Civil & Wheeler, Stephen, 1854-1937. 1882 BOOK PR 4856 A42 1882 military gazette, reporting his deputy [Diary, 1882]. -
Matrix Become a Fan Without Being Irrevocably Cut Off from Any SF Roots
£1.25 110 NewsCetter Of tile Brittsll Science Yiction Association Ye6ruar9 - Marcil 1994 Morrix110 Datarife Determinants It seems to make more Sense to start a new year in February when the Membership weather is once more becoming civilised, rather than having it This costs £15 per year (UK and EC). immediately adjacent to the glullony and indulgence of Christmas. A British winter seems to be an endless tunnel of low-level misery and New members: Alison Cook, 27 Albemarle Drive. Grove, Wantage. dampness, so the first appearance of Ihe sun produces a primitive Oxon aXIl ON8 resurgence of joy. As the skeleton trees slowly blur into buds and the ground changes from mud to mud with stalks, there seems more point Renewals: Keith Freeman, 269 Wykeham Road, Reading RG6 IPL to life: and, perhaps, there may seem to be more to life than reading SF. USA: Cy Chauvin. 14248 Wilfred Street, Detroit. M148213, USA Unlike the metamorphosis from larva to dragon fly, an SF reader can Matrix become a fan without being irrevocably cut off from any SF roots. A fan will almost by definition stan as an SF reader who wishes to take Jenny and Steve Glover. 16 Aviary Place, Leeds LSl2 2NP a mOTe active role in the SF community. I'm not entirely convinced. Tel: 0532 791264 though, that people deliberately set out to become fans, There are a whole series of circumstances which seem to be coincidences and Vector which cascade onto the unwary reader but which will fail to activate anyone unless some spark of curiosity or sense of wonder gets ignited Catie Cary. -
Yearbook 1988 Supreme Court Historical Society
YEARBOOK 1988 SUPREME COURT HISTORICAL SOCIETY OLIVER WENDELL HOLMES, JR. Associate Justice, 1902-1933 YEARBOOK 1988 SUPREME COURT HISTORICAL SOCIETY OFFICERS Warren E. Burger Chief Justice of the United States (1969-1986) Honorary Chainnan Kenneth Rush, Chainnan Justin A. Stanley, President PUBLICATIONS COMMITTEE Kenneth S. Geller, Chainnan Alice L. O'Donnell E. Barrett Prettyman, Jr. Michael Cardozo BOARD OF EDITORS Gerald Gunther Craig Joyce Michael W. McConnell David O'Brien Charles Alan Wright STAFF EDITORS Clare H. Cushman David T. Pride Barbara R. Lentz Kathleen Shurtleff CONSULTING EDITORS James J. Kilpatrick Patricia R. Evans ACKNOWLEDGEMENT The Officers and Trustees of the Supreme Court Historical Society would like to thank the Charles Evans Hughes Foundation for its generous support of the publication of this Yearbook. YEARBOOK 1988 Supreme Court Historical Society Establishing Justice 5 Sandra Day O'Connor Perspectives on Oliver Wendell Holmes, Jr. Self-Preference, Competition and the Rule of Force: The Holmesian Legacy 11 Gary Jan Aichele Sutherland Remembers Holmes 18 David M. O'Brien Justice Holmes and Lady C 26 John S. Monagan Justice Holmes and the Yearbooks 37 Milton C Handler and Michael Ruby William Pinkney: The Supreme Court's Greatest Advocate 40 Stephen M. Shapiro Harper's Weekly Celebrates the Centennial of the Supreme Court 46 Peter G. Fish Looking Back on Cardozo Justice Cardozo, One-Ninth of the Supreme Court 50 Milton C Handler and Michael Ruby Judging New York Style: A Brief Retrospective of Two New York Judges 60 Andrew L. Kaufman Columbians as Chief Justices: John Jay, Charles Evans Hughes, Harlan Fiske Stone 66 Richard B. -
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Drum-Taps: Whitman's Problematic Legacy as a War Poet Fahri Öz, Ankara University, Turkey The Asian Conference on Literature, Librarianship & Archival Science 2016 Official Conference Proceedings Abstract This paper analyzes Walt Whitman’s Civil War poems in Drum-Taps in comparison with the poetry written by British soldier-poets of WWI. These poems present Whitman as a problematic model for future generations of war poets since he hardly ever questions the meaninglessness of bloodshed in the battlefield, a trait which is almost a defining characteristic of WWI poetry. War poetry in this article stands for anti-war poems that question and criticizes bloodshed rather than celebrating it. Whitman the war poet encourages people to take part in the war without making it clear what one is supposed to fight for or against. His poems divest individuals of their personality and turn them into parts of the war machine. The poems in Drum- Taps depend heavily on the use of visual images, while his British successors opted for a variety of images that implied proximity. Whitman’s poetry suggests lack of involvement since he was not a solider-poet, which to a great extent renders him a questionable role model for future poets. Therefore, though some of his elegiac pieces may serve as models for future poets, Whitman’s legacy as a war poet poses a problem for his British antecedents with its, artistic, ethical and political implications. Keywords: Walt Whitman, Drum-Taps, war poetry, WWI British poets, tradition iafor The International Academic Forum www.iafor.org Introduction Nineteenth century American literati were concerned with establishing the identity of America through works of art, especially literature. -
Proquest Dissertations
Early Cinema and the Supernatural by Murray Leeder B.A. (Honours) English, University of Calgary, M.A. Film Studies, Carleton University A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Mediations © Murray Leeder September 2011 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-83208-0 Our file Notre reference ISBN: 978-0-494-83208-0 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Castaway – the Diary of Samuel Abraham Clark, Disappointment Island, 1907 (My Story) Author: Bill O’Brien
Teacher Notes Scholastic New Zealand Limited Castaway – The diary of Samuel Abraham Clark, Disappointment Island, 1907 (My Story) Author: Bill O’Brien Synopsis Samuel Clark is 13 years-old. His parents both recently died in a house fire and the only family that he has left is his 21 year-old brother Joseph. Joseph is a seaman who is based in England. Mr Harrington, a close family friend, took Samuel in after his parents’ deaths. He paid for Samuel to travel from Dunedin to Sydney where he is to board the Dundonald and work as a cabin boy to pay for his passage to England, where he will reunite with Joseph. Life aboard the Dundonald is a real eye-opener for Samuel. It takes him some time to find his sea-legs, the hours are long and Mr Smith, the ship’s steward, takes an instant dislike to him. Samuel soon adapts however and is eager to learn from the more experienced crew members and listen as they regale him with tales of their adventures at sea. The passage that the Dundonald is taking is a perilous one. The ship heads through the Southern Ocean which is known for its freezing temperatures and rough seas. Dundonald is hit by several ferocious storms and after a few days of fog, loses her bearings. Unbeknownst to the Captain and crew the Dundonald has sailed close to Disappointment Island. The Dundonald hits a sunken reef. The ship slams into the sheer rock cliffs that span the Island. The men are forced to abandon ship and many lose their lives in the process.