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The Anchor, Volume 86.02: September 14, 1973
Hope College Hope College Digital Commons The Anchor: 1973 The Anchor: 1970-1979 9-14-1973 The Anchor, Volume 86.02: September 14, 1973 Hope College Follow this and additional works at: https://digitalcommons.hope.edu/anchor_1973 Part of the Library and Information Science Commons Recommended Citation Repository citation: Hope College, "The Anchor, Volume 86.02: September 14, 1973" (1973). The Anchor: 1973. Paper 13. https://digitalcommons.hope.edu/anchor_1973/13 Published in: The Anchor, Volume 86, Issue 2, September 14, 1973. Copyright © 1973 Hope College, Holland, Michigan. This News Article is brought to you for free and open access by the The Anchor: 1970-1979 at Hope College Digital Commons. It has been accepted for inclusion in The Anchor: 1973 by an authorized administrator of Hope College Digital Commons. For more information, please contact [email protected]. City Council sets plans for *• renovating Eighth Street by Dave DeKok "The mayor appointed a study committee of five including my- Like many other small cities, self and Larry Harris, who worked Holland has a downtown area for the City of Kalamazoo when which, while not really ugly or they built their mall," he said. rundown, could best be described THE PLAN which evolved as drab. To cope with this prob- from the committee's work re- lem, the city has laid out a beauti- tains traffic on 8th Street, al- fication program which ultimately though part of it will be one way. will transform 8th Street into a The street will be lined with trees, drive-through park of sorts, com- which will be planted in dirt plete with trees and benches. -
EVERLYPEDIA (Formerly the Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie Van Varik
EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik EVERLYPEDIA PART 2 E to J Contact us re any omissions, corrections, amendments and/or additional information at: [email protected] E______________________________________________ EARL MAY SEED COMPANY - see: MAY SEED COMPANY, EARL and also KMA EASTWOOD, CLINT – Born 31st May 1930. There is a huge quantity of information about Clint Eastwood his life and career on numerous websites, books etc. We focus mainly on his connection to The Everly Brothers and in particular to Phil Everly plus brief overview of his career. American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone’s Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the 1960s, and as San Francisco Police Department Inspector Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact and The Dead Pool) during the 1970s and 1980s. These roles, along with several others in which he plays tough-talking no-nonsense police officers, have made him an enduring cultural icon of masculinity. Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor, for his work in the films Unforgiven (1992) and Million Dollar Baby (2004). These films in particular, as well as others including Play Misty for Me (1971), The Outlaw Josey Wales (1976), Pale Rider (1985), In the Line of Fire (1993), The Bridges of Madison County (1995) and Gran Torino (2008), have all received commercial success and critical acclaim. -
NB Students to March on Legislature
:r January 22, 1976 Number 17 Volume 108 N.B. students to march on legislature by Cate Young and Sara Gordon In Fredericton, New Brunswick, Federation of Students. The Stu there is to be a march on the New dents are also demanding a 25 % Brunswick Legislature protesting increase in the student living insufficient and unjust Student Aid allowance. procedures. A referendum concern · The UNB Senate has given its ing Student Aid was held at all New support to this demonstration, as Brunswick universities; 48% of all have such diverse sources as the students voted . 71 .4% of these New Brunswick Federation of La were for decisive action concerning bour and the Anglican bishop of - Student Aid , 27 .3% were against Fredericton. This Wednesday , there action, and 1 .3% abstained. The was also a drive for the people of Students are demanding (1) a longer Fredericton to sign a petition waiting period before repayment of concerning Student Aid . Student Loan money, (2) suspen On Thursday at 10 :30 a.m., sion of reduction of bursaries from students from all over the Province 1400 to 900 dollars. The students of New Brunswick will meet at the are also demanding student repre campus of the University of New sentation on the Student Aid Brunswick. At 11 :00, the students Commission. The New Brunswick will march to the Centennial students are demanding the pre Building to present their demands sence of two students (one French to Premier Hatfield and Education and one English) on the Student Aid Minister Ouellette. This march is Committee. -
The Mother's Mark: Matrilineal Inscription, Corporeality
THE MOTHER’S MARK: MATRILINEAL INSCRIPTION, CORPOREALITY, AND IDENTITY FORMATION IN MOTHER-DAUGHTER RELATIONSHIPS IN BLACK WOMEN’S LITERATURE By Destiny O. Birdsong Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in English August, 2012 Nashville, Tennessee Approved: Professor Ifeoma C. K. Nwankwo Professor Hortense J. Spillers Professor Lucius T. Outlaw, Jr. Professor Kate Daniels Copyright © 2012 by Destiny O. Birdsong All Rights Reserved ACKNOWLEDGEMENTS This dissertation was only possible through the funding of Vanderbilt University; particularly the Graduate School, the College of Arts and Science, and the English Department. Over the past six years, a PhD fellowship, a graduate assistantship, a dissertation-year fellowship, an Arts and Sciences Dean’s Select Award, work study opportunities, travel grants, and other forms of funding have all been indispensable in the completion of this project. Additionally, several semester-long fellowships at the Vanderbilt University Writing Studio not only helped me discover my great love for working with student writers, but also gave me the opportunity to improve my own writing skills. I owe a special thanks to the director, Jennifer Holt, whose work with me during the revision stage of this dissertation has truly transformed it. Jen, I cannot emphasize how valuable your feedback has been—both to this process as well as to my development as a writer. Thank you. I was also fortunate to have a wonderful support system in the English Department. Professors Jay Clayton and Mark Schoenfield, who both served as departmental chairs during my time here, have helped in a variety of capacities. -
Linda Lewis 'Live in Old Smokey' Submitted By: Pat Tynan Media Tuesday, 14 February 2006
Linda Lewis 'Live In Old Smokey' Submitted by: Pat Tynan Media Tuesday, 14 February 2006 Linda Lewis www.lindalewis.co.uk New Single: I Keep a Wish. Release Date Mon Feb 27 2006. 1. I Keep A Wish (L. Lewis) 2. I Don’t Do Don’t (L. Lewis) 3. I Keep A Wish (Recorded live at Ronnie Scott’s) Label: Market Square MSMCD 142 Dist: RSK Linda Lewis will be performing a selection of dates during March 2006. To launch her live shows in the UK Linda releases her self penned single CD “I Keep a Wish” & I Don’t Do Don’t on Mon 27 Feb to be followed by her album “Live in Old Smokey” on March 13, 2006. “One of the most talented singer songwriters this country has ever produced” Blues & Soul New CD: Live in Old Smokey. Release Date Mon March 13 2006. Recorded Live at Ronnie Scott’s Club, Soho, London. For Love’s Sake + I Don’t Do Don’t + I’m In Love Again + Waving + Old Smokey + I Keep a Wish + Love Plateau + Do You Know Dino. Moon and I + Far Cry Rock a Doodle Do + Grandaddy’s Calypso + Sideway Shuffle + Can’t Help Lovin’ That Man of Mine. Label: Market Square MSMCD 141 Dist: RSK Linda Lewis: “The first time I played Ronnie Scotts it was back in the seventies. I was one of the first non jazz singers to play there so I was scared! I could hear Ella and Sarah, Annie Ross and Blossom Dearie in the walls. Their lovely music which influenced me, as did Laura Nyro, Joni Mitchell, Stevie and Marvin. -
Proceedings Viiith International Docomomo
international working party for documentation and conservation of buildings, sites and neighborhoods of the modern movement Proceedings VIIIth International Conference Import-Export: Postwar Modernism in a Expanding World, 1945-1975 Editors Theodore H.M. Prudon Hélène Lipstadt DOCOMOMO International DOCOMOMO US New York, 2008 In memory of Paul S. Byard (1939-2008) His enthusiastic support made this conference a success Contents The VIIIth International DOCOMOMO Conference Import-Export: Postwar Modernism in an Expanding World, 1945-1975 Preface Influence And Transformation: The Saskatchewan Power Theodore H. M. Prudon and Hélène Lipstadt ............................ 1 Corporation Headquarters Bernard Flaman ....................................................................... 67 DOCOMOMO US and Change in Preservation in America Theodore H. M. Prudon and Hélène Lipstadt ............................ 3 A Modern Museum in an Old House by the Sea: Lina Bo Bardi and the Modernism of Bahia The 2004 Conference Theme Silvana Rubino ........................................................................ 73 Hélène Lipstadt.......................................................................... 5 Augusto H. Álvarez: Pioneer and Innovator of Mexican Modernity María de Lourdes Cruz González Franco ............................... 79 INTERNATIONALIZATION ....................................................... 7 From International to National and Back: the heritage of Modern Jaqueline Tyrwhitt, Sandy Van Ginkel, Blanche Lemco and Movement in the new -
Cat Stevens Back to Earth Mp3, Flac, Wma
Cat Stevens Back To Earth mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Back To Earth Country: Russia Released: 1998 Style: Classic Rock, Pop Rock MP3 version RAR size: 1882 mb FLAC version RAR size: 1236 mb WMA version RAR size: 1978 mb Rating: 4.9 Votes: 192 Other Formats: WMA VOC MPC AU ADX VOX AHX Tracklist Hide Credits Just Another Night A1 3:47 Steel Guitar – Brian Cole* Daytime A2 Choir [Vocal Choir] – Cat Stevens, Paul Samwell-SmithGuitar [Spanish] – Cat StevensHarp 3:54 – John MarsonOrchestrated By – Derek Wadsworth Bad Brakes A3 3:27 Acoustic Guitar – Alun DaviesElectric Guitar – Eric Johnson Harmonica – Graham Smith Randy A4 3:08 Arranged By [Strings] – Derek Wadsworth The Artist A5 2:27 Arranged By [Strings] – Del Newman Last Love Song B1 Arranged By [Strings] – Del NewmanChoir [Vocal Choir] – Cat Stevens, Paul Samwell- 3:27 Smith Nascimento B2 3:14 Congas – Gerry ConwaySaxophone – Don Weller Father B3 4:07 Arranged By [Strings] – Richard Niles New York Times B4 Arranged By [Strings] – Cat Stevens, Jean RousselBass – Will LeeDrums – Steve 3:25 JordanVocals – Luther Vandross, The McCrarys B5 Never 2:59 Companies, etc. Phonographic Copyright (p) – A&M Records, Inc. Copyright (c) – A&M Records, Inc. Produced For – Silven Productions Ltd. Produced For – Ashtar Music B.V. Published By – Ashtar Music B.V. Mastered At – Sterling Sound Mastered At – Monarch Record Mfg. Co. Pressed By – Columbia Records Pressing Plant, Pitman Credits Bass – Bruce Lynch (tracks: A1, A2, A4 to B3, B5), Cat Stevens (tracks: A3) Design -
Reggatta De Blanc” Analyzing Style in the Music of the Police Mark Spicer
six % “Reggatta de Blanc” Analyzing Style in the Music of the Police mark spicer the issue of style in popular music analysis remains a thorny one. For some artists, it might seem that identifying their style is quite straightforward (Nirvana was the consummate “grunge” band, for example), yet for many artists (the Beatles being probably the most ob- vious example) it is impossible to categorize them within the boundaries of one particular style; indeed, stylistic eclecticism becomes the de‹ning feature of their music. My intent in this chapter is to confront this very issue of stylistic eclec- ticism by focusing on a body of work that offers a particularly interesting case study in this regard, namely, the music of the Police. This ground- breaking trio—consisting of drummer Stewart Copeland, bassist, lead vocalist, and main composer Sting (born Gordon Sumner), and guitarist Andy Summers—was formed in London in 1977, an especially turbulent year in the history of British pop. On the one hand, punk, led by bands such as the Sex Pistols and the Clash, was at the height of its popularity; on the other hand, disco, imported mainly from the United States and fueled by the massive transatlantic success of the movie Saturday Night Fever and its accompanying soundtrack album, was all the rage for those (slightly older) young adults who did not relish the idea of dyeing and spiking their hair or piercing their cheeks with safety pins.1 Table 6.1 shows a chronology of the ‹ve studio albums released by the Police over the course of their relatively brief career together, from their 1978 debut Outlandos d’Amour through their 1983 swan song Syn- 124 “Reggatta de Blanc” 125 TABLE 6.1. -
Happy Reading! Robin & Chrissie
EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik A complete (as far as is possible) index/encyclopaedia on every facet of Don & Phil Everly, covering their lives, careers, influences and connections – of course, from us as huge fans, with all due respect to them and their families. For more recording information, see also the various detailed discography lists on the EBI website (Everly.Net); for lyrics to songs, please refer to the Lyric List on the same website (http://www.everly.net/file/disco/disco.htm ). KEY/GLOSSARY/NOTES: • WB: Warner Brothers • EBs: The Everly Brothers • LPs, CDs etc. are generally (but not always) referred to throughout as ‘albums’. • Other than important (re)releases, only the original/initial album release is referred to. • Entries are listed under the first letter, including titles that start with a bracket, e.g. ‘(Why Am I) Chained To A Memory’, but exclude ‘The’ in which case they are listed under the second word. • Surnames or family names come first in the index. • Headings are coloured blue for song and album titles and maroon for everything else. • All words in bold type in the text are cross-references to other main entry headings – although no doubt we’ve missed a few! • Entries are generally aimed to be informative and we have attempted to keep them brief though some are lengthy due to the importance and significance in the life and career of Don and Phil. However, in some cases, due to the limitations of space and the huge volume of material available elsewhere, details have been kept to a bare minimum and relate mainly to the ‘Everly connection’ – e.g. -
Cat Stevens, Yusuf Islam
Cat Stevens Tea For The Tillerman mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop / Folk, World, & Country Album: Tea For The Tillerman Country: US Released: 2008 Style: Folk Rock, Pop Rock MP3 version RAR size: 1991 mb FLAC version RAR size: 1969 mb WMA version RAR size: 1772 mb Rating: 4.4 Votes: 898 Other Formats: AC3 MP2 APE DXD AAC AU MMF Tracklist Hide Credits Tea For The Tillerman 1-1 Where Do The Children Play? 3:52 1-2 Hard Headed Woman 3:47 1-3 Wild World 3:20 1-4 Sad Lisa 3:45 1-5 Miles From Nowhere 3:37 1-6 But I Might Die Tonight 1:53 1-7 Longer Boats 3:12 1-8 Into White 3:24 1-9 On The Road To Find Out 5:08 1-10 Father And Son 3:41 1-11 Tea For The Tillerman 1:01 Rarities & Live Wild World (Demo Version) 2-1 3:14 Guitar, Vocals – Cat Stevens Longer Boats (Live At The Troubadour) 2-2 2:51 Guitar, Vocals – Alun Davies, Cat Stevens Into White (Live At The Troubadour) 2-3 3:37 Guitar, Vocals – Alun Davies, Cat Stevens Miles From Nowhere (Demo Version) 2-4 3:14 Vocals, Piano, Guitar – Cat Stevens Hard Headed Woman (Live In Japan) Backing Vocals – Anna Peacock, Suzanne LynchBass – Bruce LynchDrums – 2-5 3:57 Gerry ConwayElectric Guitar, Percussion – Larry SteeleKeyboards – Jean RousselVocals, Guitar – Alun Davies, Cat Stevens Where Do The Children Play? (Majikat Earth Tour) Bass – Bruce LynchDrums, Percussion – Gerry ConwayGuitar – Mark 2-6 3:20 WarnerGuitar, Vocals – Alun Davies, Cat StevensKeyboards – Jean RousselPercussion – Chico Batera, Larry Steele Sad Lisa (Majikat Earth Tour) 2-7 Bass – Bruce LynchGuitar – Mark -
Writers by Score: 1000 to 11834
Writers By Score: 1000 to 11834 1001 James MTUME 1062 Matt AITKEN 1123 Marilyn McLEOD 1184 Luther VANDROSS 1002 Wilson PICKETT 1063 Mike STOCK 1124 Edna LEWIS 1185 Merle KILGORE 1003 Jean VILLARD 1064 Pete WATERMAN 1125 Jake HOOKER 1186 Tom BAILEY 1004 Booker T. JONES Jr. 1065 Al CAPPS 1126 Alan MERRILL 1187 Alannah CURRIE 1005 Dickie GOODMAN 1066 Robin LUKE 1127 Rudy JACKSON 1188 Billy NICHOLS 1006 Jack FULTON 1067 Vinnie BARRETT 1128 Elvin BISHOP 1189 Boyd BENNETT 1007 Lois STEELE 1068 Billy MYLES 1129 John Buck WILKIN 1190 Georgia DOBBINS 1008 Gwen GORDY 1069 John LODGE 1130 Dan HILL 1191 Ian HUNTER 1009 Phil GERNHARD 1070 Fred BURCH 1131 Victor WILLIS 1192 Henry GROSS 1010 Barry MANILOW 1071 Billy Dawn SMITH 1132 Richard MULLAN 1193 Arthur VENOSA 1011 Al LEWIS 1072 Joe YOUNG 1133 Rodger PENZABENE 1194 Gary BENSON 1012 Kim GANNON 1073 Kathryn FULTON 1134 Frank MUSKER 1195 Bill CONTI 1013 Jimmy DeKNIGHT 1074 John CAFFERTY 1135 Christine YARIAN 1196 Vito PICONE 1014 Max C. FREEDMAN 1075 Tom KEIFER 1136 Jack RICHARDS 1197 Arlester CHRISTIAN 1015 John WAITE 1076 Milt GABLER 1137 Ludwig VAN BEETHOVEN 1198 J. Fred COOTS 1016 Sid MANKER 1077 Robert BLACKWELL 1138 Sandy NELSON 1199 Franke PREVITE 1017 John HORNSBY 1078 Dino ESPOSITO 1139 Wayne WALKER 1200 Charlie FOXX 1018 Gary OSBORNE 1079 Rohusuke EI 1140 Cory LERIOS 1201 Sherman MARSHALL 1019 Alex CALL 1080 Mike PHILLIPS 1141 Angelo BOND 1202 Marc BOLAN 1020 Johann Sebastian BACH 1081 Shelley PINZ 1142 James McCULLOCH 1203 Clark DATCHLER 1021 Michael OMARTIAN 1082 Jim GOLD 1143 Mickey NEWBURY 1204 Julie GOLD 1022 David STEELE 1083 Edwin HAWKINS 1144 George Richard DAVIS Jr. -
GPDF064-AS-SG.Pdf
Supergroup Andy Sterling High Minus Ian Thomas – drums Ed Simons – DJ Danny Kortchmar – guitar, bass Francis Dunnery – guitars, vocals, tapboard John Stahl — assistant Chris Dyas — baritone guitar, e-bow, guitar, harpsichord, zither Malcolm Burn — guitar, keyboards, harmonica Everett Bradley — percussion on “Seven” David McMurray — saxophone Benny Latimore — piano Chris Gower — trombone Peter King — alto saxophone on “Disenchanted” Ken Gregson — vocals John Trotter — drums (1996—2000) Lloyd “Mooseman” Roberts — bass guitar Damon Albarn — vocals, keyboards Brian Hibbard — vocals J.G.Bennett (courtesy of Elizabeth Bennett) – voice for “Extracts from the Sherbourne House talks” Duff McKagan — bass guitar Lady June — vocals John 5 — guitar Harry Miller — double bass on “Islands” Steve Marcantonio — engineer Emeli Sandé — vocals, guitar, piano Lee Shepherd — engineer Phil Soussan — bass guitar Martin Kierszenbaum — A&R Colin Elliot — percussion, synthesizers Ben Mandelson — fiddle Nick Ingram — string arrangements Eric Johnson — engineer Kara DioGuardi — producer Sly Dunbar — drums, percussion, drum programming Pete Barnacle — drums Frank Stribbling — guitar Goran Kajfes — horn Greg Parker — engineer, second engineer Fergus Gerrand — drums, percussion Alyssa Hanson — vocals Mary Scully — double bass Hereward Kaye — vocals Kenny Earl “Rhino” Edwards — drums (1992—1995, 2008 sessional) David Williams — guitars Manny Marroquin — mixing Joni—Ayanna Portee — backing vocals Billy Joel — piano on “You Get What You Want” Mike Sobieski — violin Robert