THE ENTERPRISE/October 23, 1981
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Orbis Tertius Junior
OrbisTertius junior Selección de monografías del IB OrbisTertius Sumario junior Revista de Pensamiento de 6 ANÁLISIS DE LA CADENA DE VALOR DEL TOMATE: ¿EN la Institución Educativa SEK QUÉ MEDIDA SON LOS SUPERMERCADOS ABUSIVOS CON Número 9 Noviembre 2019 LOS PRECIOS DE COMPRA AL SECTOR PRIMARIO? Estudio comparativo atendiendo a la cadena de valor del PRESIDENTA tomate, siendo el tomate uno de los productos de referencia Nieves Segovia Bonet del sector hortofrutícola almeriense. CONSEJO EDITORIAL Dirección General de Colegios Directores de SEK International Schools 16 ROLES DE GÉNERO EN LA PUBLICIDAD Director de la Fundación Felipe Segovia ¿En qué medida están presentes los roles de género en la EDITA publicidad televisiva actual? © Fundación Felipe Segovia DEPÓSITO LEGAL: M-21220-2008 28 TREATMENT OF “THE TROUBLES” CONFLICT IN MUSIC IMPRESO EN ESPAÑA POR: How did some Indie and Post-Punk lyrics approach the Albatros Comunicación, S.L. subject of “The Troubles” in Northern Ireland and Great Britain? 42 IS PHILOSOPHY ESSENTIAL IN THE DEVELOPMENT OF THE POSITIVE LAW? A study of John Locke and the English Law. 52 EL USO DEL COLOR EN EL CINE ¿Cómo influye el color en la narrativa cinematográfica en las películas 2001: Una odisea del espacio y El Resplandor de Stanley Kubrick? Sumario Página 3 66 REVOLUTION AND ART How do two artists’ transitions into Russian Constructivism differ? 79 THE IMPACT OF WALL THICKNESS ON A MAGNET FALLING THROUGH A CONDUCTING TUBE The purpose of this essay is to study the effect of eddy currents on magnets as they fall through a non-magnetic metallic tube. -
Pan Macmillan AUTUMN CATALOGUE 2021 PUBLICITY CONTACTS
Pan Macmillan AUTUMN CATALOGUE 2021 PUBLICITY CONTACTS General enquiries [email protected] Alice Dewing FREELANCE [email protected] Anna Pallai Amy Canavan [email protected] [email protected] Caitlin Allen Camilla Elworthy [email protected] [email protected] Elinor Fewster Emma Bravo [email protected] [email protected] Emma Draude Gabriela Quattromini [email protected] [email protected] Emma Harrow Grace Harrison [email protected] [email protected] Jacqui Graham Hannah Corbett [email protected] [email protected] Jamie-Lee Nardone Hope Ndaba [email protected] [email protected] Laura Sherlock Jess Duffy [email protected] [email protected] Ruth Cairns Kate Green [email protected] [email protected] Philippa McEwan [email protected] Rosie Wilson [email protected] Siobhan Slattery [email protected] CONTENTS MACMILLAN PAN MANTLE TOR PICADOR MACMILLAN COLLECTOR’S LIBRARY BLUEBIRD ONE BOAT MACMILLAN Nine Lives Danielle Steel Nine Lives is a powerful love story by the world’s favourite storyteller, Danielle Steel. Nine Lives is a thought-provoking story of lost love and new beginnings, by the number one bestseller Danielle Steel. After a carefree childhood, Maggie Kelly came of age in the shadow of grief. Her father, a pilot, died when she was nine. Maggie saw her mother struggle to put their lives back together. As the family moved from one city to the next, her mother warned her about daredevil men and to avoid risk at all cost. Following her mother’s advice, and forgoing the magic of first love with a high-school boyfriend who she thought too wild, Maggie married a good, dependable man. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Reggatta De Blanc (White Reggae)
“Reggatta de Blanc (White Reggae) & the Commercial Rock Industry: Intersections of Race, Culture, and Appropriation in Bob Marley and The Police (1977-1983)” Colin Carey Music University of Wisconsin-Eau Claire Introduction Ethical Concerns Origins of Reggae This project was designed to approach a discussion about cultural and The appropriation of culturally sensitive music and expression is a musical appropriation in popular music. The connection between reggae and common, but often overlooked issue in popular music. It is important to mainstream rock was perhaps no more evident or lucrative than within the understand that Western cultures inherently possess a privilege that can musical career trajectory of the wildly popular new wave group, the Police be used to take advantage of other societies—especially those (1977–1983), comprised of lead singer/songwriter Sting (Gordon Sumner), comprising the so-called “third world.” The Police owe their substantial guitarist Andy Summers, drummer Stewart Copeland, and a promotional success to this imbalance, directly adapting the distinctive music cadre of behind-the-scenes agents and businessmen. Their particular practices of a foreign culture for their own musical purposes and industrial rock model enjoyed startlingly quick, widespread renown and recordings to create a sound that was unlike most popular rock groups success—within only a couple of years of their formation, the Police had of their time. This appropriation is further troubling in that it stripped the become the leading rock group of their time and would go on to influence the Jamaican source material of its definitive social and political direction of the music marketplace itself, including countless other acts such significance, gaining success instead through an appeal entirely as the then up-and-coming Irish group, U2. -
The Anchor, Volume 86.02: September 14, 1973
Hope College Hope College Digital Commons The Anchor: 1973 The Anchor: 1970-1979 9-14-1973 The Anchor, Volume 86.02: September 14, 1973 Hope College Follow this and additional works at: https://digitalcommons.hope.edu/anchor_1973 Part of the Library and Information Science Commons Recommended Citation Repository citation: Hope College, "The Anchor, Volume 86.02: September 14, 1973" (1973). The Anchor: 1973. Paper 13. https://digitalcommons.hope.edu/anchor_1973/13 Published in: The Anchor, Volume 86, Issue 2, September 14, 1973. Copyright © 1973 Hope College, Holland, Michigan. This News Article is brought to you for free and open access by the The Anchor: 1970-1979 at Hope College Digital Commons. It has been accepted for inclusion in The Anchor: 1973 by an authorized administrator of Hope College Digital Commons. For more information, please contact [email protected]. City Council sets plans for *• renovating Eighth Street by Dave DeKok "The mayor appointed a study committee of five including my- Like many other small cities, self and Larry Harris, who worked Holland has a downtown area for the City of Kalamazoo when which, while not really ugly or they built their mall," he said. rundown, could best be described THE PLAN which evolved as drab. To cope with this prob- from the committee's work re- lem, the city has laid out a beauti- tains traffic on 8th Street, al- fication program which ultimately though part of it will be one way. will transform 8th Street into a The street will be lined with trees, drive-through park of sorts, com- which will be planted in dirt plete with trees and benches. -
EVERLYPEDIA (Formerly the Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie Van Varik
EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik EVERLYPEDIA PART 2 E to J Contact us re any omissions, corrections, amendments and/or additional information at: [email protected] E______________________________________________ EARL MAY SEED COMPANY - see: MAY SEED COMPANY, EARL and also KMA EASTWOOD, CLINT – Born 31st May 1930. There is a huge quantity of information about Clint Eastwood his life and career on numerous websites, books etc. We focus mainly on his connection to The Everly Brothers and in particular to Phil Everly plus brief overview of his career. American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone’s Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the 1960s, and as San Francisco Police Department Inspector Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact and The Dead Pool) during the 1970s and 1980s. These roles, along with several others in which he plays tough-talking no-nonsense police officers, have made him an enduring cultural icon of masculinity. Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor, for his work in the films Unforgiven (1992) and Million Dollar Baby (2004). These films in particular, as well as others including Play Misty for Me (1971), The Outlaw Josey Wales (1976), Pale Rider (1985), In the Line of Fire (1993), The Bridges of Madison County (1995) and Gran Torino (2008), have all received commercial success and critical acclaim. -
NB Students to March on Legislature
:r January 22, 1976 Number 17 Volume 108 N.B. students to march on legislature by Cate Young and Sara Gordon In Fredericton, New Brunswick, Federation of Students. The Stu there is to be a march on the New dents are also demanding a 25 % Brunswick Legislature protesting increase in the student living insufficient and unjust Student Aid allowance. procedures. A referendum concern · The UNB Senate has given its ing Student Aid was held at all New support to this demonstration, as Brunswick universities; 48% of all have such diverse sources as the students voted . 71 .4% of these New Brunswick Federation of La were for decisive action concerning bour and the Anglican bishop of - Student Aid , 27 .3% were against Fredericton. This Wednesday , there action, and 1 .3% abstained. The was also a drive for the people of Students are demanding (1) a longer Fredericton to sign a petition waiting period before repayment of concerning Student Aid . Student Loan money, (2) suspen On Thursday at 10 :30 a.m., sion of reduction of bursaries from students from all over the Province 1400 to 900 dollars. The students of New Brunswick will meet at the are also demanding student repre campus of the University of New sentation on the Student Aid Brunswick. At 11 :00, the students Commission. The New Brunswick will march to the Centennial students are demanding the pre Building to present their demands sence of two students (one French to Premier Hatfield and Education and one English) on the Student Aid Minister Ouellette. This march is Committee. -
The Top of the Poppers Sing and Play Punk
Title The Top of the Poppers sing and play punk Type Article URL https://ualresearchonline.arts.ac.uk/id/eprint/14980/ Dat e 2 0 1 9 Citation Bestley, Russ (2019) The Top of the Poppers sing and play punk. Punk & Post Punk, 8 (3). pp. 399-421. ISSN 2044 1 9 8 3 Cr e a to rs Bestley, Russ Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author The Top of the Poppers sing and play punk Russ Bestley, London College of Communication By the mid-1970s, the music industry had a long history of accommodating and recuperating teenage rebellion, and punk’s defiant message of radical change also offered new opportunities for commercial enterprise. A rush to sign new bands who could be (broadly) associated with punk, and the concomitant shift toward ‘new wave’ styles, led to a degree of UK chart success for a number of groups. The inclusion of punk and new wave songs on a series of low-budget compilations featuring cover versions of contemporary hits strikes a particularly discordant tone with punk’s self-styled image of a break with traditional music industry conventions. The albums released on the longstanding budget compilation series Top of the Pops between mid-1977 and early 1982 tell an interesting story about the cultural recuperation of punk, new wave and post-punk, and ask questions, perhaps, about the legitimacy of punk’s often mythologised ‘outsider status’. -
2 Column Indented
22,000 Karaoke Songs - AMS Entertainment ARTIST TITLE SONG # ARTIST TITLE SONG # 10 Years Duck And Run 6188 Through The Iris 20005 Here By Me 17629 Wasteland 16042 Here Without You 13010 It's Not My Time (I Won't Go) 17630 10,000 Maniacs Kryptonite 6190 Because The Night 1750 Landing In London 17631 Candy Everybody Wants 2621 Let Me Be Myself 25227 Like The Weather 16149 Let Me Go 13785 More Than This 16150 Live For Today 13648 These Are The Days 1273 Loser 6192 Trouble Me 16151 Road I'm On, The 6193 So I Need You 17632 10cc When I'm Gone 13086 Donna 20006 Dreadlock Holiday 11163 30 Seconds To Mars I'm Mandy 16152 Kill, The (Bury Me) 16155 I'm Not In Love 2631 Rubber Bullets 20007 311 Things We Do For Love, The 10788 All Mixed Up 16156 Wall Street Shuffle 20008 Don't Tread On Me 13649 First Straw 22322 112 Love Song 22323 Come See Me 25019 You Wouldn't Believe 22324 Dance With Me 22319 It's Over Now 22320 38 Special Peaches & Cream 22321 Caught Up In You 1904 U Already Know 13602 Hold On Loosely 1901 Second Chance 17633 2 Tons O' Fun Teacher, Teacher 13492 It's Raining Men (Hallelujah!) 6017 3LW 2 Unlimited No More (Baby I'ma Do Right) 11795 No Limits 6183 3Oh!3 20 Fingers Don't Trust Me 16157 Short Dick Man 1962 3OH!3 & Katy Perry 2Pac Starstrukk 25138 California Love (Original Version) 14147 Changes 12761 4 Him Ghetto Gospel 16153 Basics Of Life 20002 For Future Generations 20003 2Pac & Notorious B.I.G. -
The Mother's Mark: Matrilineal Inscription, Corporeality
THE MOTHER’S MARK: MATRILINEAL INSCRIPTION, CORPOREALITY, AND IDENTITY FORMATION IN MOTHER-DAUGHTER RELATIONSHIPS IN BLACK WOMEN’S LITERATURE By Destiny O. Birdsong Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in English August, 2012 Nashville, Tennessee Approved: Professor Ifeoma C. K. Nwankwo Professor Hortense J. Spillers Professor Lucius T. Outlaw, Jr. Professor Kate Daniels Copyright © 2012 by Destiny O. Birdsong All Rights Reserved ACKNOWLEDGEMENTS This dissertation was only possible through the funding of Vanderbilt University; particularly the Graduate School, the College of Arts and Science, and the English Department. Over the past six years, a PhD fellowship, a graduate assistantship, a dissertation-year fellowship, an Arts and Sciences Dean’s Select Award, work study opportunities, travel grants, and other forms of funding have all been indispensable in the completion of this project. Additionally, several semester-long fellowships at the Vanderbilt University Writing Studio not only helped me discover my great love for working with student writers, but also gave me the opportunity to improve my own writing skills. I owe a special thanks to the director, Jennifer Holt, whose work with me during the revision stage of this dissertation has truly transformed it. Jen, I cannot emphasize how valuable your feedback has been—both to this process as well as to my development as a writer. Thank you. I was also fortunate to have a wonderful support system in the English Department. Professors Jay Clayton and Mark Schoenfield, who both served as departmental chairs during my time here, have helped in a variety of capacities. -
Linda Lewis 'Live in Old Smokey' Submitted By: Pat Tynan Media Tuesday, 14 February 2006
Linda Lewis 'Live In Old Smokey' Submitted by: Pat Tynan Media Tuesday, 14 February 2006 Linda Lewis www.lindalewis.co.uk New Single: I Keep a Wish. Release Date Mon Feb 27 2006. 1. I Keep A Wish (L. Lewis) 2. I Don’t Do Don’t (L. Lewis) 3. I Keep A Wish (Recorded live at Ronnie Scott’s) Label: Market Square MSMCD 142 Dist: RSK Linda Lewis will be performing a selection of dates during March 2006. To launch her live shows in the UK Linda releases her self penned single CD “I Keep a Wish” & I Don’t Do Don’t on Mon 27 Feb to be followed by her album “Live in Old Smokey” on March 13, 2006. “One of the most talented singer songwriters this country has ever produced” Blues & Soul New CD: Live in Old Smokey. Release Date Mon March 13 2006. Recorded Live at Ronnie Scott’s Club, Soho, London. For Love’s Sake + I Don’t Do Don’t + I’m In Love Again + Waving + Old Smokey + I Keep a Wish + Love Plateau + Do You Know Dino. Moon and I + Far Cry Rock a Doodle Do + Grandaddy’s Calypso + Sideway Shuffle + Can’t Help Lovin’ That Man of Mine. Label: Market Square MSMCD 141 Dist: RSK Linda Lewis: “The first time I played Ronnie Scotts it was back in the seventies. I was one of the first non jazz singers to play there so I was scared! I could hear Ella and Sarah, Annie Ross and Blossom Dearie in the walls. Their lovely music which influenced me, as did Laura Nyro, Joni Mitchell, Stevie and Marvin. -
Album Collection
Album Rankings 33's Artist Album Side A Side B Side C Side D 21 Pilots Vessel Ode to Sleep Screen Holding Onto You The Run and Go Migraine Fake You Out House of Gold Guns for Hands Car Radio Trees Semi-Automatic Truce Blurryface Heavy Dirty Soul Tear in My Heart Doubt Hometown Stressed Out Lane Boy Polarize Not Today We Don’t Believe Ride The Judge What's On TV Goner Fairly Local Message Man The Beatles 1962-1966 Love Me Do A Hard Day's Night Help! Nowhere Man You've Got to Hide Please Please Me And I Love Her Your Love Away Michelle We Can Work It From Me to You Eight Days A Week Out In My Life She Loves You I Feel Fine Day Tripper Girl I Want to Hold Your Hand Ticket to Ride Drive My Car Paperback Writer All My Loving Yesterday Norwegian Wood Eleanor Rigby Can't Buy Me Love Yellow Submarine Strawberry Lanes Here Comes the 1967-1970 Forever I Am the Walrus Back in the USSR Sun While My Guitar Penny Land Hello Goodbye Gently Weeps Come Together Sgt. Peppers Lonely Hearts Club Band The Fool on the Hill Ob-La-Di, Ob-La-Da Something With A Little Help Magical Mystery From My Friends Tour Get Back Octopus's Garden Lucy in the Sky with Diamonds Lady Madonna Don't Let Me Down Let It Be The Ballad of John A Day in the Life Hey Jude and Yoko Across the Universe All You Need is The Long and Love Revolution Old Brown Shoe Winding Road Here Comes the Abbey Road Come Together Sun Something Because Maxwell's Silver You Never Give Me Hammer Your Money Oh! Darling Sun King Octopus's Garden Mean Mr.