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Pan Macmillan AUTUMN CATALOGUE 2021 PUBLICITY CONTACTS
Pan Macmillan AUTUMN CATALOGUE 2021 PUBLICITY CONTACTS General enquiries [email protected] Alice Dewing FREELANCE [email protected] Anna Pallai Amy Canavan [email protected] [email protected] Caitlin Allen Camilla Elworthy [email protected] [email protected] Elinor Fewster Emma Bravo [email protected] [email protected] Emma Draude Gabriela Quattromini [email protected] [email protected] Emma Harrow Grace Harrison [email protected] [email protected] Jacqui Graham Hannah Corbett [email protected] [email protected] Jamie-Lee Nardone Hope Ndaba [email protected] [email protected] Laura Sherlock Jess Duffy [email protected] [email protected] Ruth Cairns Kate Green [email protected] [email protected] Philippa McEwan [email protected] Rosie Wilson [email protected] Siobhan Slattery [email protected] CONTENTS MACMILLAN PAN MANTLE TOR PICADOR MACMILLAN COLLECTOR’S LIBRARY BLUEBIRD ONE BOAT MACMILLAN Nine Lives Danielle Steel Nine Lives is a powerful love story by the world’s favourite storyteller, Danielle Steel. Nine Lives is a thought-provoking story of lost love and new beginnings, by the number one bestseller Danielle Steel. After a carefree childhood, Maggie Kelly came of age in the shadow of grief. Her father, a pilot, died when she was nine. Maggie saw her mother struggle to put their lives back together. As the family moved from one city to the next, her mother warned her about daredevil men and to avoid risk at all cost. Following her mother’s advice, and forgoing the magic of first love with a high-school boyfriend who she thought too wild, Maggie married a good, dependable man. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Reggatta De Blanc (White Reggae)
“Reggatta de Blanc (White Reggae) & the Commercial Rock Industry: Intersections of Race, Culture, and Appropriation in Bob Marley and The Police (1977-1983)” Colin Carey Music University of Wisconsin-Eau Claire Introduction Ethical Concerns Origins of Reggae This project was designed to approach a discussion about cultural and The appropriation of culturally sensitive music and expression is a musical appropriation in popular music. The connection between reggae and common, but often overlooked issue in popular music. It is important to mainstream rock was perhaps no more evident or lucrative than within the understand that Western cultures inherently possess a privilege that can musical career trajectory of the wildly popular new wave group, the Police be used to take advantage of other societies—especially those (1977–1983), comprised of lead singer/songwriter Sting (Gordon Sumner), comprising the so-called “third world.” The Police owe their substantial guitarist Andy Summers, drummer Stewart Copeland, and a promotional success to this imbalance, directly adapting the distinctive music cadre of behind-the-scenes agents and businessmen. Their particular practices of a foreign culture for their own musical purposes and industrial rock model enjoyed startlingly quick, widespread renown and recordings to create a sound that was unlike most popular rock groups success—within only a couple of years of their formation, the Police had of their time. This appropriation is further troubling in that it stripped the become the leading rock group of their time and would go on to influence the Jamaican source material of its definitive social and political direction of the music marketplace itself, including countless other acts such significance, gaining success instead through an appeal entirely as the then up-and-coming Irish group, U2. -
The Top of the Poppers Sing and Play Punk
Title The Top of the Poppers sing and play punk Type Article URL https://ualresearchonline.arts.ac.uk/id/eprint/14980/ Dat e 2 0 1 9 Citation Bestley, Russ (2019) The Top of the Poppers sing and play punk. Punk & Post Punk, 8 (3). pp. 399-421. ISSN 2044 1 9 8 3 Cr e a to rs Bestley, Russ Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author The Top of the Poppers sing and play punk Russ Bestley, London College of Communication By the mid-1970s, the music industry had a long history of accommodating and recuperating teenage rebellion, and punk’s defiant message of radical change also offered new opportunities for commercial enterprise. A rush to sign new bands who could be (broadly) associated with punk, and the concomitant shift toward ‘new wave’ styles, led to a degree of UK chart success for a number of groups. The inclusion of punk and new wave songs on a series of low-budget compilations featuring cover versions of contemporary hits strikes a particularly discordant tone with punk’s self-styled image of a break with traditional music industry conventions. The albums released on the longstanding budget compilation series Top of the Pops between mid-1977 and early 1982 tell an interesting story about the cultural recuperation of punk, new wave and post-punk, and ask questions, perhaps, about the legitimacy of punk’s often mythologised ‘outsider status’. -
2 Column Indented
22,000 Karaoke Songs - AMS Entertainment ARTIST TITLE SONG # ARTIST TITLE SONG # 10 Years Duck And Run 6188 Through The Iris 20005 Here By Me 17629 Wasteland 16042 Here Without You 13010 It's Not My Time (I Won't Go) 17630 10,000 Maniacs Kryptonite 6190 Because The Night 1750 Landing In London 17631 Candy Everybody Wants 2621 Let Me Be Myself 25227 Like The Weather 16149 Let Me Go 13785 More Than This 16150 Live For Today 13648 These Are The Days 1273 Loser 6192 Trouble Me 16151 Road I'm On, The 6193 So I Need You 17632 10cc When I'm Gone 13086 Donna 20006 Dreadlock Holiday 11163 30 Seconds To Mars I'm Mandy 16152 Kill, The (Bury Me) 16155 I'm Not In Love 2631 Rubber Bullets 20007 311 Things We Do For Love, The 10788 All Mixed Up 16156 Wall Street Shuffle 20008 Don't Tread On Me 13649 First Straw 22322 112 Love Song 22323 Come See Me 25019 You Wouldn't Believe 22324 Dance With Me 22319 It's Over Now 22320 38 Special Peaches & Cream 22321 Caught Up In You 1904 U Already Know 13602 Hold On Loosely 1901 Second Chance 17633 2 Tons O' Fun Teacher, Teacher 13492 It's Raining Men (Hallelujah!) 6017 3LW 2 Unlimited No More (Baby I'ma Do Right) 11795 No Limits 6183 3Oh!3 20 Fingers Don't Trust Me 16157 Short Dick Man 1962 3OH!3 & Katy Perry 2Pac Starstrukk 25138 California Love (Original Version) 14147 Changes 12761 4 Him Ghetto Gospel 16153 Basics Of Life 20002 For Future Generations 20003 2Pac & Notorious B.I.G. -
Album Collection
Album Rankings 33's Artist Album Side A Side B Side C Side D 21 Pilots Vessel Ode to Sleep Screen Holding Onto You The Run and Go Migraine Fake You Out House of Gold Guns for Hands Car Radio Trees Semi-Automatic Truce Blurryface Heavy Dirty Soul Tear in My Heart Doubt Hometown Stressed Out Lane Boy Polarize Not Today We Don’t Believe Ride The Judge What's On TV Goner Fairly Local Message Man The Beatles 1962-1966 Love Me Do A Hard Day's Night Help! Nowhere Man You've Got to Hide Please Please Me And I Love Her Your Love Away Michelle We Can Work It From Me to You Eight Days A Week Out In My Life She Loves You I Feel Fine Day Tripper Girl I Want to Hold Your Hand Ticket to Ride Drive My Car Paperback Writer All My Loving Yesterday Norwegian Wood Eleanor Rigby Can't Buy Me Love Yellow Submarine Strawberry Lanes Here Comes the 1967-1970 Forever I Am the Walrus Back in the USSR Sun While My Guitar Penny Land Hello Goodbye Gently Weeps Come Together Sgt. Peppers Lonely Hearts Club Band The Fool on the Hill Ob-La-Di, Ob-La-Da Something With A Little Help Magical Mystery From My Friends Tour Get Back Octopus's Garden Lucy in the Sky with Diamonds Lady Madonna Don't Let Me Down Let It Be The Ballad of John A Day in the Life Hey Jude and Yoko Across the Universe All You Need is The Long and Love Revolution Old Brown Shoe Winding Road Here Comes the Abbey Road Come Together Sun Something Because Maxwell's Silver You Never Give Me Hammer Your Money Oh! Darling Sun King Octopus's Garden Mean Mr. -
Songs by Artist
Songs by Artist Title Title Title +44 3 Doors Down 5 Stairsteps, The When Your Heart Stops Live For Today Ooh Child Beating Loser 50 Cent 10 Years Road I'm On, The Candy Shop Beautiful When I'm Gone Disco Inferno Through The Iris When You're Young In Da Club Wasteland 3 Doors Down & Bob Seger Just A Lil' Bit 10,000 Maniacs Landing In London P.I.M.P. (Remix) Because The Night 3 Of Hearts Piggy Bank Candy Everybody Wants Arizona Rain Window Shopper Like The Weather Love Is Enough 50 Cent & Eminem & Adam Levine These Are Days 30 Seconds To Mars My Life 10CC Closer To The Edge My Life (Clean Version) Dreadlock Holiday Kill, The 50 Cent & Mobb Deep I'm Not In Love 311 Outta Control 112 Amber 50 Cent & Nate Dogg Peaches & Cream Beyond The Gray Sky 21 Questions U Already Know Creatures (For A While) 50 Cent & Ne-Yo 1910 Fruitgum Co. Don't Tread On Me Baby By Me Simon Says Hey You 50 Cent & Olivia 1975, The I'll Be Here Awhile Best Friend Chocolate Lovesong 50 Cent & Snoop Dogg & Young 2 Pac You Wouldn't Believe Jeezy California Love 38 Special Major Distribution (Clean Changes Hold On Loosely Version) Dear Mama Second Chance 5th Dimension, The How Do You Want It 3LW Aquarius (Let The Sun Shine In) 2 Pistols & Ray J No More Aquariuslet The Sunshine You Know Me 3OH!3 In 2 Pistols & T Pain & Tay Dizm Don't Trust Me Last Night I Didn't Get To She Got It StarStrukk Sleep At All 21 Demands 3OH!3 & Ke$ha One Less Bell To Answer Give Me A Minute My First Kiss Stoned Soul Picnic 3 Doors Down 3OH!3 & Neon Hitch Up Up & Away Away From The Sun Follow Me Down Wedding Bell Blues Be Like That 3T 6 Tre G Behind Those Eyes Anything Fresh Citizen Soldier 4 Non Blondes 702 Duck & Run What's Up I Still Love You Here By Me 4 P.M. -
Palacký University, Olomouc Faculty of Arts Department of English and American Studies
Palacký University, Olomouc Faculty of Arts Department of English and American Studies The Troubles in Music Diploma Thesis Kateřina Marková English Philology Supervisor: Mgr. Radvan Markus, Ph.D. Olomouc, 2020 Prohlašuji, že jsem tuto diplomovou práci vypracovala samostatně a uvedla v ní veškerou literaturu a ostatní zdroje, které jsem použila. V Kroměříži, 17.8. 2020 Kateřina Marková Table of Contents Introduction ................................................................................................................................ 4 Historical Overview ................................................................................................................... 5 History of the Troubles .............................................................................................................. 6 Music and Politics in Ireland .................................................................................................... 10 Nationalist songs .................................................................................................................. 12 Loyalist songs ....................................................................................................................... 13 Nowadays ............................................................................................................................. 14 Musicians’ response ................................................................................................................. 15 Musicians from Northern Ireland ........................................................................................ -
Reggatta De Blanc” Analyzing Style in the Music of the Police Mark Spicer
six % “Reggatta de Blanc” Analyzing Style in the Music of the Police mark spicer the issue of style in popular music analysis remains a thorny one. For some artists, it might seem that identifying their style is quite straightforward (Nirvana was the consummate “grunge” band, for example), yet for many artists (the Beatles being probably the most ob- vious example) it is impossible to categorize them within the boundaries of one particular style; indeed, stylistic eclecticism becomes the de‹ning feature of their music. My intent in this chapter is to confront this very issue of stylistic eclec- ticism by focusing on a body of work that offers a particularly interesting case study in this regard, namely, the music of the Police. This ground- breaking trio—consisting of drummer Stewart Copeland, bassist, lead vocalist, and main composer Sting (born Gordon Sumner), and guitarist Andy Summers—was formed in London in 1977, an especially turbulent year in the history of British pop. On the one hand, punk, led by bands such as the Sex Pistols and the Clash, was at the height of its popularity; on the other hand, disco, imported mainly from the United States and fueled by the massive transatlantic success of the movie Saturday Night Fever and its accompanying soundtrack album, was all the rage for those (slightly older) young adults who did not relish the idea of dyeing and spiking their hair or piercing their cheeks with safety pins.1 Table 6.1 shows a chronology of the ‹ve studio albums released by the Police over the course of their relatively brief career together, from their 1978 debut Outlandos d’Amour through their 1983 swan song Syn- 124 “Reggatta de Blanc” 125 TABLE 6.1. -
ENG 3809-001: Terror, Violence, and Dystopia in Contemporary British Literature Robert Martinez Eastern Illinois University
Eastern Illinois University The Keep Spring 2014 2014 Spring 1-15-2014 ENG 3809-001: Terror, Violence, and Dystopia in Contemporary British Literature Robert Martinez Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/english_syllabi_spring2014 Part of the English Language and Literature Commons Recommended Citation Martinez, Robert, "ENG 3809-001: Terror, Violence, and Dystopia in Contemporary British Literature" (2014). Spring 2014. 85. http://thekeep.eiu.edu/english_syllabi_spring2014/85 This Article is brought to you for free and open access by the 2014 at The Keep. It has been accepted for inclusion in Spring 2014 by an authorized administrator of The Keep. For more information, please contact [email protected]. English 3809: Terror, Violence, and Dystopia in Contemporary British Literature Instructor: Dr. Robert Martinez Office: Coleman 3371 E-mail: [email protected] Course time & location: MWF 11-11.50 AM, Coleman 3150, Spring 2014 Office Hours: M 2-4 PM, W /F 2-3 PM, and by appointment Class Web: www.martinezliteraria.com/eng3809 Course Policies: In this course, we 'A-ill explore the exciting genesis of new fictions that emerged in Britain after World War II. Specifically, we "\Vill look at how British \\Titers start transforming the role of the novel to encompass the economic, political, and social crises of the late 1960s, 1970s, 1980s, and beyond (from the rise of political violence in Northern Ireland, to the Cold War fears of nuclear warfare, to global terrorism). We will encounter significant theoretical currents of the contemporary such as postmodernism, feminism, postcolonialism, and existentialism. Not only will we study British writers, but we will also consider how other British artists use mediums such as film, video, and music to explore and evaluate the vast socio-political and economic changes to their environment. -
Ka Leo Web Site Under Renovation Chamber of Commerce of Hawai‘I, Chinese Stringed Instrument, Won Her by Matthew K
Inside News 2 Features 3, 5, 7 Tuesday Commentary 4 January 23, 2007 Comics 6 Sports 8 VOL. 101 | ISSUE 82 Serving the students of the University of Hawai‘i at Mānoa since 1922 WWW.KALEO.ORG Wahine tennis ‘Police’ reunite team hits trouble in 30 years after Southern California ‘Fall Out’ Sports | Page 8 Features | Page 5 A culture in full bloom Hokule‘a and Maisu awaiting departure By Ka Leo News Desk Currently docked at Kealakekua Bay, Hawaii, voyaging canoes Alingano Maisu and the Hokule‘a were docked to repair a steering sweep, a wooden paddle that serves as a rudder for the canoes, that broke at its handle. Both crews for the two canoes are also standing by to wait for the comple- tion of the repair. The repair was finished late Sunday night, but the two canoes, as of Tuesday evening, are still in Hawai‘i. Crews are not releasing the name of which canoe’s steering sweep was broken mainly because, according to leadership of the voyage, “We have two canoes sailing but this is one voyage. We work very hard as one team. We prefer not to say which canoe because to us it Ten contestants competed in the doesn’t matter. That’s just the way we are.” 58th annual Narcissus Festival The two canoes will take a trip from Hawai‘i to Micronesia to Japan in COURTESY ILLUSTRATION • PVS Hawai‘i By Kathleen Ramirez cheongsam, she flawlessly answered honor of the stewardship taught between The Hokule‘a and Alingano Maisu will travel from the Big Island to Micronesia and Japan in the cultures and to promote further inter- Ka Leo Contributing Reporter her speech question, “What is the sig- honor of previous navigators who sailed by natural signs. -
ENG 3809-001: Punk Britannia? Terror, Violence, and Dystopia in Contemporary British Literature Robert Martinez Eastern Illinois University
Eastern Illinois University The Keep Spring 2015 2015 Spring 1-15-2015 ENG 3809-001: Punk Britannia? Terror, Violence, and Dystopia in Contemporary British Literature Robert Martinez Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/english_syllabi_spring2015 Part of the English Language and Literature Commons Recommended Citation Martinez, Robert, "ENG 3809-001: Punk Britannia? Terror, Violence, and Dystopia in Contemporary British Literature" (2015). Spring 2015. 68. http://thekeep.eiu.edu/english_syllabi_spring2015/68 This Article is brought to you for free and open access by the 2015 at The Keep. It has been accepted for inclusion in Spring 2015 by an authorized administrator of The Keep. For more information, please contact [email protected]. English 3809 (section 001): Punk Britannia? Terror, Violence, and Dystopia in Contemporary British Literature Instructor: Dr. Robert Martinez Office: Coleman 33 71 E-mail: [email protected] Course time & location: MWF 2-2.50 PM, Coleman 3150, Spring 2015 Office Hours: Mon. 3-4 PM, Wed. 11 AM-12 noon, Fri. 11 AM-12 noon and 3-4 PM, and by appointment Class Web: www.martinezliteraria.com/new3809 Course Description: English 3809 (3-0-3 credits, Group 3C) is a study "in fiction, poetry, and drama published since 1950 in one or more of the following countries: Australia, Canada, Ireland, New Zealand, and the United Kingdom (England, Wales, Scotland, Northern Ireland)." In this course, we will explore the exciting genesis of new fictions and art forms that emerged in Britain after World War II. Specifically, we will look at bow the punk explosion of 197 6 serves as a galvanizing force that transforms not only contemporary British life but also Western society at large.