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Marvin Gaye As Vocal Composer 63 Andrew Flory
Sounding Out Pop Analytical Essays in Popular Music Edited by Mark Spicer and John Covach The University of Michigan Press • Ann Arbor Copyright © by the University of Michigan 2010 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2013 2012 2011 2010 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Sounding out pop : analytical essays in popular music / edited by Mark Spicer and John Covach. p. cm. — (Tracking pop) Includes index. ISBN 978-0-472-11505-1 (cloth : alk. paper) — ISBN 978-0-472-03400-0 (pbk. : alk. paper) 1. Popular music—History and criticism. 2. Popular music— Analysis, appreciation. I. Spicer, Mark Stuart. II. Covach, John Rudolph. ML3470.S635 2010 781.64—dc22 2009050341 Contents Preface vii Acknowledgments xi 1 Leiber and Stoller, the Coasters, and the “Dramatic AABA” Form 1 john covach 2 “Only the Lonely” Roy Orbison’s Sweet West Texas Style 18 albin zak 3 Ego and Alter Ego Artistic Interaction between Bob Dylan and Roger McGuinn 42 james grier 4 Marvin Gaye as Vocal Composer 63 andrew flory 5 A Study of Maximally Smooth Voice Leading in the Mid-1970s Music of Genesis 99 kevin holm-hudson 6 “Reggatta de Blanc” Analyzing -
FIAT-Sting + Shaggy
Contact: Diane Morgan Alyse Nagode Fiat 124 Spider Abarth Takes Starring Role Alongside Sting & Shaggy in “Gotta Get Back My Baby” Music Video November 9, 2018, Auburn Hills, Mich. - The Fiat 124 Spider Abarth takes a starring role alongside Sting & Shaggy in the official music video for their new track “Gotta Get Back My Baby,” the latest single, co-produced by Teflon (Wyclef Jean, Fat Joe, Ruff Ryders) and Martin Kierszenbaum (Sting, Mylène Farmer, Lady Gaga), off their album "44/876," which has spent 17 weeks atop the Billboard Reggae chart. The official YouTube music video, which amassed over 2.3 million views in just a few days, was filmed in the vein of ‘80s and ‘90s buddy cop television series and movies, including “Miami Vice” and “Bad Boys,” and was directed by Michael Garcia. The video pairs Sting and Shaggy as two Miami detectives who convince their captain that they’re “going to need the Spider,” meaning his prized Fiat 124 Spider Abarth, as part of their South Beach stakeout for “the most dangerous woman in the country.” What could go wrong?! The FIAT brand is also supporting the video globally across its digital and social channels, including in the U.S on Instagram,Twitter, Facebook and YouTube. “We continue to strive for the unexpected in our marketing efforts across all FCA brands and, certainly here, the FIAT brand’s fun-spirited personality gives us the opportunity to be just a little bit more adventurous and playful in our approach with our music partners," said Olivier Francois, Chief Marketing Officer and Head of the FIAT Brand, FCA. -
Smash Hits Volume 34
\ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5. -
The Strategic Management of Police Resources
U.S. Department of Justice Office of Justice Programs National Institute of Justice January 1993 No. 14 A Publication of the National Institute of Justice, U.S. Department of Justice, and the Program in Criminal Justice Policy and Management, John F. Kennedy School of Government, Harvard University The Strategic Management of Police Resources by David M. Kennedy Many American police departments feel themselves to be 1 slowly drowning in a rising tide of serious crime and calls for Community policing represents a new future for American law service. Over the last decade, department workloads have risen enforcement, changing the way our Nation's police respond to steadily while their resources have stayed constant or often the communities they serve. This report, one in a series entitled I declined.' Police executives generally have responded by striv- Perspectives on Policing, is based on discussions held in the ing to enhance the efficiency of police operations and focus Executive Session on Policing sponsored by NU at the John F. police resources on only the more serious calls. Computer-aided Kennedy School of Government at Harvard University. I dispatching and other information systems have been employed The Executive Session on Policing has been developed as part to make the most of the patrol force, and many departments no of the Kennedy School's Program in Criminal Justice Policy and longer respond at all to nuisance calls or provide services like Management and is funded by the National Institute of Justice (b, i escorts and house checks that the public once took for granted. and private sources that include the Charles Stewart Mott and Nonetheless, police in many cities find themselves more and Guggenheim Foundations. -
Orbis Tertius Junior
OrbisTertius junior Selección de monografías del IB OrbisTertius Sumario junior Revista de Pensamiento de 6 ANÁLISIS DE LA CADENA DE VALOR DEL TOMATE: ¿EN la Institución Educativa SEK QUÉ MEDIDA SON LOS SUPERMERCADOS ABUSIVOS CON Número 9 Noviembre 2019 LOS PRECIOS DE COMPRA AL SECTOR PRIMARIO? Estudio comparativo atendiendo a la cadena de valor del PRESIDENTA tomate, siendo el tomate uno de los productos de referencia Nieves Segovia Bonet del sector hortofrutícola almeriense. CONSEJO EDITORIAL Dirección General de Colegios Directores de SEK International Schools 16 ROLES DE GÉNERO EN LA PUBLICIDAD Director de la Fundación Felipe Segovia ¿En qué medida están presentes los roles de género en la EDITA publicidad televisiva actual? © Fundación Felipe Segovia DEPÓSITO LEGAL: M-21220-2008 28 TREATMENT OF “THE TROUBLES” CONFLICT IN MUSIC IMPRESO EN ESPAÑA POR: How did some Indie and Post-Punk lyrics approach the Albatros Comunicación, S.L. subject of “The Troubles” in Northern Ireland and Great Britain? 42 IS PHILOSOPHY ESSENTIAL IN THE DEVELOPMENT OF THE POSITIVE LAW? A study of John Locke and the English Law. 52 EL USO DEL COLOR EN EL CINE ¿Cómo influye el color en la narrativa cinematográfica en las películas 2001: Una odisea del espacio y El Resplandor de Stanley Kubrick? Sumario Página 3 66 REVOLUTION AND ART How do two artists’ transitions into Russian Constructivism differ? 79 THE IMPACT OF WALL THICKNESS ON A MAGNET FALLING THROUGH A CONDUCTING TUBE The purpose of this essay is to study the effect of eddy currents on magnets as they fall through a non-magnetic metallic tube. -
California State University, Northridge Car of the Year
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CAR OF THE YEAR A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Screenwriting By George A. Pappy Jr. December 2011 Copyright 2011 by George A. Pappy Jr. All Rights Reserved. ii The thesis of George A. Pappy Jr. is approved: Professor Alexis Krasilovsky Date Professor Jon Stahl Date Professor Jared Rappaport, Chair Date California State University, Northridge iii Dedication To my parents, Joan and George Pappy Sr., for all their years of undying love and support. iv Table of Contents Copyright Notice ii Signature Page iii Dedication iv Abstract vi Car of the Year 1 v ABSTRACT CAR OF THE YEAR By George A. Pappy Jr. Master of Arts in Screenwriting In this satirical comedy screenplay, idealistic automotive engineer Clyde Bunter struggles to convince his Uncle Howard, owner of a fourth-rate car company in 1970’s Detroit, to let him build a revolutionary new fuel efficient engine. But Uncle Howard’s sudden coma leaves the company in the hands of Clyde’s incompetent cousin, Max, and the company’s evil CFO, Edgar Wright. Together, these two manage to confound all of Clyde’s efforts, finally forcing him to quit the company and strike out on his own, finding the money to build his very own “car of the future.” Unfortunately, Wright’s continued efforts from afar to sabotage the new car project result in a failed venture and an undercover sting operation which leaves Clyde facing federal charges. Faced with an inept court-appointed legal team, the brilliant young engineer must successfully defend himself against the charges or else face 20 years in prison. -
Pan Macmillan AUTUMN CATALOGUE 2021 PUBLICITY CONTACTS
Pan Macmillan AUTUMN CATALOGUE 2021 PUBLICITY CONTACTS General enquiries [email protected] Alice Dewing FREELANCE [email protected] Anna Pallai Amy Canavan [email protected] [email protected] Caitlin Allen Camilla Elworthy [email protected] [email protected] Elinor Fewster Emma Bravo [email protected] [email protected] Emma Draude Gabriela Quattromini [email protected] [email protected] Emma Harrow Grace Harrison [email protected] [email protected] Jacqui Graham Hannah Corbett [email protected] [email protected] Jamie-Lee Nardone Hope Ndaba [email protected] [email protected] Laura Sherlock Jess Duffy [email protected] [email protected] Ruth Cairns Kate Green [email protected] [email protected] Philippa McEwan [email protected] Rosie Wilson [email protected] Siobhan Slattery [email protected] CONTENTS MACMILLAN PAN MANTLE TOR PICADOR MACMILLAN COLLECTOR’S LIBRARY BLUEBIRD ONE BOAT MACMILLAN Nine Lives Danielle Steel Nine Lives is a powerful love story by the world’s favourite storyteller, Danielle Steel. Nine Lives is a thought-provoking story of lost love and new beginnings, by the number one bestseller Danielle Steel. After a carefree childhood, Maggie Kelly came of age in the shadow of grief. Her father, a pilot, died when she was nine. Maggie saw her mother struggle to put their lives back together. As the family moved from one city to the next, her mother warned her about daredevil men and to avoid risk at all cost. Following her mother’s advice, and forgoing the magic of first love with a high-school boyfriend who she thought too wild, Maggie married a good, dependable man. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Reggatta De Blanc (White Reggae)
“Reggatta de Blanc (White Reggae) & the Commercial Rock Industry: Intersections of Race, Culture, and Appropriation in Bob Marley and The Police (1977-1983)” Colin Carey Music University of Wisconsin-Eau Claire Introduction Ethical Concerns Origins of Reggae This project was designed to approach a discussion about cultural and The appropriation of culturally sensitive music and expression is a musical appropriation in popular music. The connection between reggae and common, but often overlooked issue in popular music. It is important to mainstream rock was perhaps no more evident or lucrative than within the understand that Western cultures inherently possess a privilege that can musical career trajectory of the wildly popular new wave group, the Police be used to take advantage of other societies—especially those (1977–1983), comprised of lead singer/songwriter Sting (Gordon Sumner), comprising the so-called “third world.” The Police owe their substantial guitarist Andy Summers, drummer Stewart Copeland, and a promotional success to this imbalance, directly adapting the distinctive music cadre of behind-the-scenes agents and businessmen. Their particular practices of a foreign culture for their own musical purposes and industrial rock model enjoyed startlingly quick, widespread renown and recordings to create a sound that was unlike most popular rock groups success—within only a couple of years of their formation, the Police had of their time. This appropriation is further troubling in that it stripped the become the leading rock group of their time and would go on to influence the Jamaican source material of its definitive social and political direction of the music marketplace itself, including countless other acts such significance, gaining success instead through an appeal entirely as the then up-and-coming Irish group, U2. -
Fallout: the Police Experience
FALLOUT: THE POLICE EXPERIENCE Contact: Anouk Zisa ` FOR IMMMEDIATE RELEASE Coda Agency/The Copeland Group 323-512-4095 phone 323-512-4089 fax www.milescopeland.com www.policeexperience.com 7/7/06 Topanga Canyon, CA FOOS/JANES ADDICTION DRUMMERS JAM WITH POLICE TRIBUTE FALLOUT. Taylor Hawkins from the Foo Fighters joined FALLOUT: The Police Experience for an unforgettable night of live Police music. Fans of both The Foo Fighters and The Police, including fellow Foo Dave Grohl, were on hand to see Taylor Hawkins, a known Stewart Copeland disciple, perform with FALLOUT: The Police Experience. With Hawkins behind the drums, FALLOUT rocked an hours worth of early Police material; including The Police classic When The World’s Running Down with Janes Addiction drummer Stephen Perkins taking over for Hawkins. More Hawkins/FALLOUT shows are in the works for this fall. See FALLOUT: The Police Experience performing September 9th at the House of Blues-Sunset and September 22nd, at The Sachi Bar in Long Beach, CA. Visit www.policeexperience.com for details. FALLOUT: The Police Experience hurls you back 20 years ago to re-live the raw, electrifying, event that was a Police concert. FALLOUT: The Police Experience is full evening that chronicles the supercharged live shows that transformed The Police from raw punk- reggae upstarts into chart dominating superstars. With extraordinary attention to detail, FALLOUT: The Police Experience, has amazed audiences wherever they have played. From young fans of 80s music who may not have even heard of The Police, to the most hardcore of fans and even members of The Police family themselves. -
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So Lonely.Ptb
SO LONELY As recorded by The Police (From the 1978 Album OUTLANDOS D'AMOUR) Transcribed by Slowhand Words and Music by Sting A 1st Verse = 154 P C G Am Drums 1 4 j V } } V V V V V I 4 V V } } V V V V V V V V } } V V V V V } V V V V V V V Gtr I 0 0 T x x 5 1 1 5 x x 5 4 4 2 2 2 A 5 5 x x 5 5 5 2 2 2 B 3 3 x x 3 5 5 5 0 0 0 0 0 3 3 x 3 4 j V } } V V V V V I 4 V V } } V V V V V V V V } } V V V V V } V V V V V V V Gtr II 0 0 T x x 5 1 1 5 x x 5 4 4 2 2 2 A 5 5 x x 5 5 5 2 2 2 B 3 3 x x 3 5 5 5 0 0 0 0 0 3 3 x 3 F C G Am 5 V V V V k V k I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V T 5 5 2 2 5 5 5 4 4 A 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 B 3 3 3 3 3 3 3 3 3 5 5 5 5 7 7 7 7 7 5 5 1 1 1 1 3 3 5 5 5 5 5 sl.