CREAM NEWS 19

MITRA TABRIZIAN LEICESTERSHIRE, 2014

HIGHLIGHTS UPCOMING Joshua Oppenheimer’s film, The Act Congratulations also to Heather The Call for Papers for the 6th African of Killing, co-produced by Joram ten Barnett who won a Wellcome Trust Film Conference, organised by Jane Brink, has continued to gather acclaim, People Award (£10,000) for the Thorburn and Winston Mano of winning more than 30 ‘best documentary’ Broad Vision art/science project public the Africa Media Centre, has been sent awards around the world including the engagement activity. out. The theme of this year’s event to be prestigious BAFTA best documentary held in November will be Documenting Clare Twomey has just been appointed prize. Josh has also won grants from the Africa: Creating Fact or Fiction through Trustee to the Crafts Council Board. BritDoc Bertha Foundation, the Sundance the Lens. Documentary Foundation, the Nordic Works from Julian Stair’s Quietus show Ceramics Research Centre members Film and Television Fund, the Freedom of are entering public collections. The Crafts Christie Brown, Clare Twomey Expression Institute, as well as the Danish Council (supported by the Art Fund) spent and Julian Stair are preparing for and Finnish Film Institutes, to complete his £48,600 on Reliquary for a Common a 3-day international conference at new film, The Look of Silence, in which Man for their permanent collection. The the Marylebone site from 17 - 19 July, survivors of the genocide tell their stories. V&A bought another group of four works, which marks the culmination of their as did the National Museum Cardiff. Congratulations to Tom Corby who AHRC-funded research project Ceramics was awarded an £80,000 AHRC grant Works by Mitra Tabrizian have in the Expanded Field. The opening to research how big data can lead been acquired by the Los Angeles Keynote will be give by Chicago-based to what we might loosely term ‘data County Museum of Art (Lacma) and the artist Theaster Gates. A 3-day exhibition documentary’. The project asks how we Smithsonian Institution, Washington, USA. accompanies the conference in Ambika can use big data and its techniques to P3, which will be open to the public. Uriel Orlow’s large scale installation articulate contemporary events, stories The Short and the Long of It has been and structures, and what critical issues acquired by the Towner in Eastbourne such an approach presents. The project with help from the Contemporary Art is being produced in collaboration with Society and the V+A. the Oxford Internet Institute, University of Oxford.

CREAM NEWS EDITORS ISSUE 19/ SUMMER 2014 CENTRE OF RESEARCH & EDUCATION IN ARTS & MEDIA ROSIE THOMAS ISSN 1750-4929 (PRINT) SCHOOL OF MEDIA, ARTS & DESIGN URIEL ORLOW ISSN 1750-4937 (ONLINE) SARAH PUCILL QUILT [LEFT]

JINI RAWLINGS AMY EMILY EMMA AND THE FOUR TIMES OF DAY EXHIBITIONS [ABOVE]

Alexa Wright exhibited Heart of the figurative artists who respond to personal scale paintings on textile, and two films, Matter, an eight channel interactive sound and cultural myths in their work. Other one of which gives its title to the exhibition. installation that explores the impact that artists included USA artist Michelle Erikson Commissioned by Film and Video Umbrella heart transplant can have on a recipient’s and Vipoo Srivilasa from Australia. and Delfina Foundation, Towards The sense of self, and Cadenza, a three channel Possible Film premiered at the Marrakech Jini Rawlings’ new site-specific video video animation in which a still photograph Biennale 5, Morocco, 26 February – 31 installation ‘Amy Emily Emma and Four of an explanted heart has been reanimated, March, and was subsequently shown Times of Day (Claude-Joseph Vernet)’ in Hybrid Bodies, a four person exhibition at Art Dubai, Moving Images, UAE, a is currently showing in Unravelling the at the PHI Centre , from January to collaboration between Dubai International National Trust exhibition at Uppark House, March. Her works are based on research Film Festival and Sharjah Art Foundation. West Sussex. Inspired by the life of Emma conducted during an interdisciplinary Hart (later Lady Hamilton), the installation Uriel Orlow had two solo shows study based at University of and is placed on the mahogany dining table on this spring, one at La Veronica Gallery funded by the SSHRC (Canadian Research which Emma allegedly danced naked as a in Modica, Sicily and the second at Council). 15-year-old for Sir Harry Fetherstonhaugh MorCharpentier gallery in Paris. His Mitra Tabrizian’s photographs were and his guests in 1780. The exhibition, multi-part installation Unmade Film was shown in Look at Me: Portraiture from funded by the Arts Council and supported presented to critical acclaim at EVA Manet to the Present, an exhibition at Leila by the National Trust, runs from 4 May to 2 International in Limerick. Other exhibitions Heller Gallery, New York, 8 May – 14 November. include the East Wing Biennial at the August. Her work is also included in the Courtauld Institute, Something in Space... The Crafts Council touring exhibition, Royal Academy Summer Exhibition, , at Württembergischer Kunstverein Stuttgart, Legacy: Two Works on Hope and Memory, 9 June — 17 August. and L’ange de l’histoire at Centre d’art brought together work by Julian Stair and contemporain, Perpignan. Heather Barnett exhibited a trilogy of Clare Twomey. The exhibition debuted works Being Slime Mould at Biodesign: On at COLLECT 2014, a Crafts Council show Tom Corby was made an AHRC-British the Cross-Pollination of Nature, Science and at the Saatchi gallery in May that marked Council Fellow at the National Institute of Creativity at The New Institute, Rotterdam the centenary of the First World War. Design (NID) in Ahmedabad, India, in between September 2013 and January Everyman’s Dream by Clare Twomey is February. Tom worked with 8 other artist- 2014 (curated by William Myers). See: installed as a ‘field’ of 1,000 bowls, each researchers during a ten-day lab focusing http://biodesign.thenewinstitute.nl/en/ holding a unique quote that presents a on how artists might explore the ways Exhibition personal ambition of future legacy left by an in which design, research and digital individual. Julian’s Reliquary for a Common technologies could re-imagine a sustainable Jane Barnwell’s Stories We Tell Man formed part of his Quietus project, future city. Work resulting from the labs was Ourselves, a film installation that explores which finished its national tour at Somerset featured in an exhibition at NID and will childhood identity through the stylised House in January. Since then Julian has also be exhibited at the UNBOX Festival in journey of a little girl who enters a tactile been exhibiting in group shows, including New Delhi in November. world of make believe, was shown in Vivarium at Corvi-Mora Gallery, London, the foyer of the Unicorn Theatre, London, in January; the art fair TEFAF in Maastricht, throughout the month of June. Belgium, in February; COLLECT, London, A section of Christie Brown’s installation with Adrian Sassoon Gallery; and techne, Sleepover was displayed in a group n. at Den Frie, Copenhagen, in June. exhibition in the Northern Clay Centre in Shezad Dawood’s solo show, Towards Minneapolis, USA, from 14 March to 27 The Possible Film, ran at Parasol Unit, April. The exhibition entitled Mythology London, from 4 April – 25 May. The show Meets Archetype was curated by Heather comprised a group of recently executed Nameth Bren and focussed on five light sculptures, an installation of large

CREAM NEWS ISSUE 19/ SUMMER 2014 SHIRLEY THOMSON WESTMINSTER ANTHEM 2014

SCREENINGS+PERFORMANCES TALKS

The latest developments in John Wyver’s was presented at Tate Britain in February John Wyver delivered the keynote path-breaking body of research into the as part of Assembly, a survey of recent lecture, “To set a form upon desired filming of stage theatre include two new artist’s film and video in Britain; it was change”: British screen adaptations of collaborations with the Royal Shakespeare also screened as part of Boom Bang and Shakespeare stagings from Cymbeline Company. He produced the RSC’s live Number Nine Northampton. Other films (1937) to Richard II (2013)’ at the De cinema broadcast of Henry IV Part 1, were presented at Whitechapel Gallery Montfort University conference, ‘From which was shown in more than 350 UK in January and at Cube Cinema in Bristol Theatre to Screen - and Back Again!’, 19 cinemas on 14 May, and of Henry IV Part in February. He also presented live February. He also contributed a paper for II, screened on 18 June. performances at Les Complices* in Zurich the Shakespeare450 conference in Paris, in March and at the Documentary Forum in ‘Scenes from Cymbeline and the language Sarah Pucill’s film Magic Mirror Berlin in May. of the early television studio’, 25 April. was published by LUX in June with commissioned essays by Helena Reckitt Westminster Anthem and Forever, In March, May Ingawanij presented a and Sarah Ibrahim. Recent screenings composed and conducted by Shirley video essay on the animistic conception include Edinburgh Film House, Albright Thompson, were premiered at of the artist, voice performance and live College, US, La Cinemateque de Toulouse, the University of Westminster 175th cinema at the festival Voice - Creature of Cinemarges Film Festival, Dance Pavillion, anniversary celebrations at Westminster Transition, organised by Studium Generale Bournemouth, and Paula Mendersohn Abbey in January. Other recent premieres Rietveld Academie and Rietveld Uncut, Becker Museum, Germany. include her composition Rich Tapestries Holland. The event, a day of listening and at St Georges Bloomsbury in June and responding to the voices inhabiting an Shezad Dawood’s New Dream Machine Precious Skies at the Open University in-between space generated by language, Project has been screened at Artefact Chapel in April, as part of a festival of was curated by Ruth Noack. Festival, STUK, Leuven, Belgium, and at women composers. Museum of Contemporary Art, North In January Margherita Sprio was a Miami (MOCA) in May-June. His Piercing Steve Beresford has been performing judge for the Contemporary Art prize of Brightness was released on DVD by Soda widely, including four events with the newly Academy Now, Bologna Art Fiere 2014. Pictures in January. formed Strange Umbrellas, a platform In February she gave a talk about her next for free improvised music and visual art book project, women and early cinema, Jane Thorburn presented her film that Steve founded with Blanca Regina at GRAD (Gallery For Russian Arts and Joy It’s Nina at the Colours of the Nile and Jack Goldstein. Steve continues his Design), London. In June, she presented a International Film Festival: Lenses on monthly concerts with London Improvisers paper, Migrant Memories: Cinema and African Renaissance, curated by June Orchestra, which he conducts, and has also Home, at the NECS Conference, Milan. Givanni, in Addis Ababa, Ethiopia, in been mentoring Sound & Music’s Portfolio March. Jane participated and screened her In February Loraine Leeson gave a project. film at the three-day conference Spiritual presentation on accessing community- Revolutions and the Scramble for Africa in Steve Beresford and Shezad Dawood based knowledge through the arts as part Copenhagen, curated by Alana Lockwood worked together on Passages, an LP of the Designing a Better Future panel at and organised by BE.BOP 2014 (Black released in a limited edition of 200 the CAA’s 102nd Annual Conference in Europe Body Politics). Other screenings by Op50. The LP accompanied their Chicago. She also presented her research of Joy It’s Nina include Hayti Heritage collaborative installation shown at Parasol at the Tetley Project Space, Leeds in Film Festival, North Carolina; Women’s Unit, London in April. January and at the ICA conference Just History Month, Harlem, and Women-in- What makes our Art Schools so Different? Media-Newark Film Festival, New Jersey; in March. In May she made presentations and University of California, Black History at two public workshops: Curating Month at Berkeley. Community? The Relational and Agonistic Value of Participatory Arts in Superdiverse Sounds from Beneath a collaboration Localities at the Centre for Creative between Uriel Orlow and Mikhail Karikis OUT OF ICE AT AMBIKA, P3 [RIGHT]

Collaboration in London, and Art, Tereza Stehlíková gave a keynote of the World festival at the South Bank Recognition and Social Science: Re- lecture entitled Creative Process and The Centre in March. In May she joined a Thinking (E)valuation at Liverpool Central Digital Medium at the Royal College of Art panel discussion at St Paul’s Cathedral Library. research conference on 11 January. In in response to an art installation on the May she presented her short film Dressed cathedral floor sculpted by Sokari Douglas Rosie Thomas was an invited speaker in Leaves, which explores communication Camp, commemorating the abolition of at the Voices of Asian Modernities Project of multi-sensory impressions through slavery. Later in May she joined a panel conference at the University of Pittsburgh in audio-visual language, at the study day discussion on the trans-Atlantic Slave Trade March and at the Tisch School of the Arts, Documenting Fashion: Rethinking the chaired by Diane Abbott MP at the House New York University, in April. She also Experience of Dress at the Courtauld of Commons. presented a paper on India’s Tarzans: John Institute. Cawas as Creative Fiction at the NECS Ranjani Mazumdar, CREAM’s Marie Conference, Milan, in June. Larisa Blazic participated in the Libre Curie Fellow for 2013-14, presented a Graphica Meeting 2014 in Leipzig in paper on the move to colour in 1960s Heather Barnett is chairing London April, where she headed Free Culture Bombay cinema at the international LASER, a new series of art/science talks Aware Educators meeting. As a result of conference The Many Lives of Indian in collaboration with Central Saint Martins this the University of Westminster won the Cinema at SARAI, CSDS, Delhi, in and in association with Leonardo and the hosting bid for Libre Graphics Meeting in January, and extended versions of this at International Society for Art, Science and 2016. She has also led discussion groups University of Bristol (April) and a public Technology. Heather was also invited to on autonomous networks and data union lecture at University of Westminster (May). talk on the art and science of slime moulds at the Art Meets Radical Openness 2014 She presented a paper on movement and at a TED Salon event in Berlin, 23 June. festival in Linz in May. travel in 1960s Bombay cinema at Kings David Campany has given public College London in February, and on the In January Sarah Pucill participated in a lectures at Presentation House and Emily quintessential 1960s Bombay star, Shammi discussion on the muse at London Art Fair Carr University, Vancouver; Fundacio Kapoor, at the NECS Conference, Milan, with Anthony Penrose, Sue Steward and MAPFRE, ; the ICA, London; the in June. Cherry Smyth. She gave a presentation National Portrait Gallery, London; Foyles on the role of the muse in her film Magic Eugenie Shinkle has recently been Bookshop, London; Flowers Gallery, Mirror (2013) which was screened researching and writing on drone vision London; and the Hayward Gallery. afterwards. Also in January her film and war. She presented papers on this Broad Vision educational researcher, Dr Stages Of Mourning (2004) was screened topic at a colloquium at the University Silke Lange and Broad Vision Imaging at Whitechapel Gallery alongside films by of Lincoln in May and the international Science tutor, John Smith presented a Miranda Pennell and Uriel Orlow as part interdisciplinary conference Sensing War: paper on their recent investigations into of a discussion on Autobiography and the Violence, Militarism, Bodies, Sensation in interdisciplinary learning spaces, focusing Archive. London in June. She also gave a public on the changing notion of ‘the studio’ as talk as part of a panel discussion on selfies Joram ten Brink gave a workshop on the space for learning and teaching, at the at the National Portrait Gallery in January. the Act of Killing at the School of Public GLAD (Group for Learning in Art & Design) Policy at UCL in January and a lecture Uriel Orlow was an invited keynote Conference 2014 at Sheffield Hallam on the film at TEDxHouseofParliament / speaker at the Archives for the Future University on 27 February. University of Westminster in June. Also conference organised by Mnemoscape Jane Barnwell was invited to speak at a in June, Joram ten Brink spoke at the and held at Regent Campus. He was also symposium on approaches to the study of Research Council UK event on practice- an invited speaker at the Anxious Places costume design, Screening Style: Costume, based research at Media City UK, Salford. symposium held in June at Central Saint Cinema, Performance, at Lancaster Martins as part of the Londond-wide Shirley Thompson spoke on the University on 15 March. anxiety festival. heroic women of opera at the Women

ISSUE 19/ SUMMER 2014 CREAM NEWS CLARE TWOMEY SOPHIE MUTEVELIAN

ALEXA WRIGHT HEART OF THE MATTER

CREAM EVENTS

As part of his AHRC project, Screen Plays, Royal Photographic Society (23 May - 27 on 1 July explored Mixed Narratives. John Wyver curated Classics on TV: June). Organised by David Bate, the speakers Edwardian Drama on the Small Screen, included Elizabeth Cowie, Emeritus The conference Moving On: South Asian a season of screenings at BFI Southbank Professor of Film, University of Kent; Ravi Screen Cultures in a Broader Frame ran during May. On 23 May, he co-organised Sundaram, Professor at SARAI, CSDS, over three days in June at Marylebone with Dr Amanda Wrigley a half-day Delhi, and recently visiting researcher Campus. Co-organised by a CREAM CREAM symposium for the season at BFI at CREAM; and CREAM researchers and India Media Centre team, Rosie Southbank, at which he delivered a paper, Eugenie Shinkle, Tom Corby and Thomas, Ranjani Mazumdar, Ranita ‘The Shavian Screen’. Rosie Thomas. Chatterjee and Salma Siddique, the Reading and Exhibiting Nature, an event attracted more than 50 speakers Ambika P3, curated by CREAM’s Michael international conference that accompanied from around the world, including India, Mazière, presented ‘Out Of Ice’ (17 the ‘Out of Ice’ exhibition at P3, was USA and Europe. Highlights of the January – 9 February) by Elizabeth held at Marylebone Campus in February, conference included an exhibition of Ogilvie. Scottish environmental artist convened by Michael Mazière, prize-winning photographs from Amit Elizabeth Ogilvie brought her large-scale visual artist Elizabeth Ogilvie, and two Madheshiya and Shirley Abraham’s investigation of the psychological, physical colleagues from our architecture faculty, project on tent cinemas of Maharashtra, and poetic dimensions of ice and water to Lindsey Bremner and Katharine Heron. and a masterclass with Mumbai-based P3, fusing art, architecture and science in The three-day event was co-hosted by filmmaker Ashim Ahluwalia, whose an experiential installation comprising ice, Universities of Aberdeen and Edinburgh award-winning film Miss Lovely (2012), water, video projections and film. and Anchorage Museum, Alaska, and an exploration of Bombay’s C-movie film London Gallery West presented The Book: examined how nature is being understood industry of 1980s, was screened at the Materiality And Making (Feb-March) with in contemporary cultural and artistic conference. work by four CREAM researchers from production. Keynote was by Professor Chris Kennett organized the inaugural the Illustration and Visual Communication Tim Ingold, University of Aberdeen, and Pop Music PhD Symposium in Marylebone course, Sheena Calvert, Emma speakers included Dominic Hodgson, Campus on May 22, a joint venture Dodson, Christine McCauley and British Antarctic Survey, Livia Rezende, between Westminster and Goldsmiths. Katherina Manolessou. The works Royal College of Art, Victoria and Albert Attendance topped 40 for the first event focused on the relationship between the Museum, and, from CREAM, Tom Corby. of its kind in the UK, with CREAM and book as a material object and those Sophie Triantaphillidou and CAMRI students comprising by far the processes of making which lead to its final Heather Barnett co-chaired a two-day largest group of PhD presenters of any of outcome. A gallery talk was led by John interdisciplinary symposium, All About the ten institutions represented on the day. O’Reilly, editor of Varoom magazine, and Imaging: Transactions, 22-23 May. The was accompanied by launch of Katherina Artist and filmmaker Irene Lusztig, from event brought together academics, artists, Manolessou’s Zoom Zoom Zoom. University of California Santa Cruz, gave scientists and professionals, to explore a public talk at Regent Campus in May London Gallery West also presented the status of imaging technologies and on her artistic practice, which mines old The Troubled Craftsman (March- applications, practices and theories images and technologies to investigate April) conceived by Nina Trivedi, a through an eclectic programme of talks, the production of personal, collective, Westminster PhD candidate with work by demonstrations and discussions. The and national memories. The event was Renata Bandeira, Amelia Martin, Emily symposium was accompanied by an organised by Adina Bradeanu, as part Oaks and Rikki Turner. The exhibition exhibition in London Gallery West of of CREAM’s Centre for Experimental and took many forms: a curatorial research Images for Science, showcasing some Documentary Film programme. lab, residency, collaborative workshops, of the best contemporary imaging and reading groups and a collaborative scientific photography, selected by The The CREAM summer awayday seminar performance with dance and sound.

CREAM NEWS ISSUE 19/ SUMMER 2014 CINZIA CREMONA (ABOVE)

MIRKO NICOLIC (LEFTT) PHD NEWS Rainbow’s Gravity, a new film by Kerstin Asia workshop hosted by Princeton and at the First International Biennial of Schroedinger and Mareike Bernien, was University in April, where she presented Contemporary Art of Cartagena de Indias, screened in the Forum Expanded section A Certain Tendency of the Muslim Social Columbia. Other screenings include of Berlin film festival (Berlinale) in February Film 1940-47. In late April she presented Sheffield Fringe and the 6th Festival für 2014. The film, an exploration of Agfa- a paper The Divided Stardom of Rattan Fotografie f/stop, Leipzig as well as Art on Color-Neu film stock produced in National Kumar at the BAFTSS conference in London the Underground on TFL’s Canary Wharf Socialist Germany, was also screened at as well as at the recently concluded Screen. In May Miranda also presented Kinothek Asta Nielsen Frankfurt/Main, and NECS conference in Milan, as part of the a performative paper, Science and at the Arnolfini Bristol, Gasworks London, Westminster CREAM panel on Indian Stars Superstition in the Colonial Archive, at the both events presented in collaboration with as Creative Fictions. Parallax Views 2 symposium, University of ELECTRA. Her earlier film Red, She Said, East London. This spring Adina Bradeanu organised is part of the Selected IV screening tour, a five-week film screening programme at Wendy McMurdo’s photographic work organised by videoclub and Film London Ertegun House in Oxford on the theme of was included in How We Learn, Belfast and currently touring across the UK. A Bank Robbery to Remember: Political Exposed. From June to August, a solo Cinzia Cremona was commissioned by Violence and Cinematic Imagination in exhibition of Wendy’s work, Digital Play: the art organisation firstsite to develop Romania and Beyond. The season brought Collected Works 1995-2012, is showing video works in collaboration with the artist together five films produced between at Streetlevel Photoworks in Glasgow. Jevan Watkins Jones and with recovering 1960 and 2007– all touching on the Joe Palmer, together with two other injured soldiers for the exhibition Facing- same event from Stalinist Romania: a bank PhD students from Kingston University, put Recovering. In January firstsite included heist perpetrated – allegedly as an act of together a panel for the prestigious Derrida her essay Living Subjects in the Gallery political disenchantment – by five Jewish Today Conference in New York in June. His in their publication Associative Enquiries. intellectuals. Adina explored the cinematic paper was a critique of the deconstructive In May Cinzia was invited to present two imagination at the heart of the Romanian reading of Benjamin. screenings and a live performance at the bank heist in a paper she presented at Videoex Festival in Zurich. the BASEES Conference in Cambridge in In May Catarina Rodrigues presented April. a paper on Zarina Bhimji’s Yellow Patch Nina Mangalanayagam was invited to at the International Lisbon Conference on be part of the 3rd Colombo Art Biennale in Maria Lusitano´s film installation Philosophy and Film: Thinking Reality and Sri Lanka from 31 January to 9 February. Scattered Cartographies was exhibited in Time through Film. This year’s theme was Making History and Ravenna, Italy, as part of the exhibition Nina exhibited her project ‘the folds of the United States of Europe. Maria has Sue Goldschmidt and Philip Lee have fabric fall differently each time’. also presented papers at two recent both recently undertaken six-week art conferences at the University of Glasgow residencies at the European Ceramic Work Mirko Nikolic’s project All That Is Air and at the Cinema and Television History Centre in Holland, as part of their PhD Melts Into City, a performative walk tracing (CATH) Research Centre, De Monfort studies. the ecology of carbon dioxide through University. London, unfurled over ten days in May, Ruth Novaczek presented a paper with a website live streaming the progress Andreia Alves de Oliveira presented at the conference Jews on the Move at and an installation in Arebyte Gallery the paper The Office and the Image of Queen Mary University of London in May, mapping and archiving the walk. Mirko Power at the PhotoMedia international followed by a screening of her new film, also presented his research at the Inter- photography research conference, which has just been published on DVD. format Symposium on Flux of Sand and organised by Aalto University in March In June she spoke at the Screen Studies Aquatic Eco-systems at Nida Art Colony, and held in Helsinki. conference in Glasgow. An installation of Lithuania. films from Radio was in a group show at Miranda Pennell’s Why Colonel Bunny the Dresden Kunsthaus from December until Salma Siddique was selected to Was Killed was in the I’ve Heard Stories May. participate in the annual Princeton South programme at Blackwood Gallery, Toronto, PUBLICATIONS

Tom Corby’s paper ‘Visualizing the John Wyver’s chapter ‘Television’ was After three pre-editions, the fourth and final News: Mutant Barcodes and Geographies published in Kenneth Clark: Looking for edition of Uriel Orlow’s Unmade Film of Conflict’ was published in Leonardo, Civilisation, edited by Chris Stephens and book was published this spring by Edition Vol. 47, No. 1. Tom’s art practice was also John-Paul Stonard, Tate Publishing. John Fink, Zurich. At 436 pages it is his largest featured in Art and Ecology Now, a major also curated and compiled the extracts of monograph to date, comprising essays by monograph by Andrew Brown, published Kenneth Clark’s television appearances Ilan Pappé, Avery Gordon, Hanan Toukan, by Thames and Hudson. The book offers that are featured in the Tate Britain Andrea Thal and Esmail Nashif. Uriel an in-depth review of key practitioners exhibition. also published a visual essay Archives confronting nature, the environment, of Stone, Archives of Air in the Journal Ranjani Mazumdar’s essay ‘The climate change and ecology. Tom’s work of Visual Culture as well as an essay on Film Advertisement in 1960s India’ was features alongside that of Simon Starling, multiple meanings in Radikal Ambivalent, published in Wide Screen, Vol. 5, No.1, Jennifer Allora and Guillermo Calzadilla edited by Rachel Mader and published by in January. Ranjani also guest edited the amongst others. Diaphanes. latest issue of the journal Bioscope: South A collection of essays that emerged from Asian Screen Studies. The issue was a recent conference coordinated by on celluloid and techno-materiality and Eugenie Shinkle, in collaboration with included her editorial ‘Celluloid Memories colleagues in the faculty of architecture, and the Digital Present’. has just been published by Ashgate. Daisy Hasan’s essay on the poetry of Co-edited by Eugenie, Davide Deriu the legendary Bombay film star Meena and Krystallia Kamvasinou, Emerging Kumari, co-authored with Philip Bounds, Landscapes: Between Production and has just been published in Meena Kumari Representation explores landscape as an the Poet: A Life beyond Cinema by Roli idea, an image and a material practice. Books, Delhi. It includes an essay by Eugenie on global risk and environmental apocalypse in An essay on Mitra Tabrizian’s contemporary landscape photography. photographic series ‘Leicestershire, 2012’ has been published in an issue of C Photo Margherita Sprio’s essay on street photography, in English and ‘Contemporary Fine Art Education in Spanish. Another on her Tehran 2006 was Britain’ was published by Italian art published in the Spanish journal La Maleta, publisher Damiani in the catalogue No. 4, in March. Academy Now 1. Sheena Calvert published an article David Campany’s monograph Walker in Varoom magazine, issue 25, on Evans: the Magazine Work was published the empathetic relationships between by Steidl in June. He has curated shows audiences and artworks, makers and their related to the book in Krakow and tools. Entitled ‘The Cruelty’, it showcases Antwerp. He has also co-curated Lewis the piece ‘The Cruelty of the Classical Baltz: Common Objects for Le Bal Paris. Canon’, which is the bookwork she made David has published monographic essays for the Gallery West group exhibition on the work of Sarah Jones, Stephen ‘Materiality and Making’ (see CREAM Shore, Scott McFarland, Stan Douglas, events). Mona Kuhn, Jules Spinatsch, Walker Evans and Lewis Baltz