DOCSLIB.ORG

Executive Intelligence Review, Volume 27, Number 4, January 28

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Executive Intelligence Review, Volume 27, Number 4, January 28 EIR Founder and Contributing Editor: Lyndon H. LaRouche, Jr. Editorial Board: Lyndon H. LaRouche, Jr., Muriel Mirak-Weissbach, Antony Papert, Gerald From the Associate Editor Rose, Dennis Small, Edward Spannaus, Nancy Spannaus, Jeffrey Steinberg, William Wertz Associate Editors: Ronald Kokinda, Susan Welsh Managing Editor: John Sigerson he United States is the only nation-state which was explicitly Science Editor: Marjorie Mazel Hecht T Special Projects: Mark Burdman founded with a national mission to end colonialism and imperialism Book Editor: Katherine Notley throughout the world. Historically, how well—or how poorly, when Photo Editor: Stuart Lewis Circulation Manager: Stanley Ezrol we’ve been corrupted by oligarchical interests—the nation has car- INTELLIGENCE DIRECTORS: ried out that mission, has been the determining factor between war Asia and Africa: Linda de Hoyos and peace, between prosperity and depression. That is still the case Counterintelligence: Jeffrey Steinberg, Paul Goldstein today, now more than ever. Economics: Marcia Merry Baker, In this week’s Feature, Democratic Presidential pre-candidate William Engdahl History: Anton Chaitkin Lyndon LaRouche, in a speech delivered in Massachusetts and simul- Ibero-America: Robyn Quijano, Dennis Small taneously broadcast on the Internet on Jan. 14, challenges American Law: Edward Spannaus Russia and Eastern Europe: patriots to take up that mission once again, of rebuilding the nation Rachel Douglas, Konstantin George and the world. “Does the United States still have the function, of United States: Debra Freeman, Suzanne Rose being a temple of liberty and beacon of hope for these nations of the INTERNATIONAL BUREAUS: Bogota´: Jose´ Restrepo world?” he asks. We can, he assures us. “We, together with other Bonn: George Gregory, Rainer Apel countries which can do this, are going to adopt a mission of helping Buenos Aires: Gerardo Tera´n Caracas: David Ramonet the rest of the world transform itself to end this kind of deprivation Copenhagen: Poul Rasmussen and misery, which affrights us and disgusts us. And thus we, those Houston: Harley Schlanger Lima: Sara Maduen˜o nations and we, should be able to meet together to come to the kind Melbourne: Robert Barwick of terms which will be durable, because they’ll be beneficial over a Mexico City: Hugo Lo´pez Ochoa Milan: Leonardo Servadio long period of time to come. We have to understand our Manifest New Delhi: Susan Maitra Destiny.” Paris: Christine Bierre Rio de Janeiro: Silvia Palacios EIR’s contents this week provide exciting and in-depth backup to Stockholm: Michael Ericson United Nations, N.Y.C.: Leni Rubinstein LaRouche’s argument. In terms of the strategic and economic setting, Washington, D.C.: William Jones we feature a major package on how the British financial oligarchy, Wiesbaden: Go¨ran Haglund specifically the Crown, is proceeding to gain control over the world’s EIR (ISSN 0273-6314) is published weekly (51 issues) raw materials. Their parallel effort is to destroy nation-states, which, except for the second week of July and the last week of December, by EIR News Service Inc., 317 Pennsylvania if left standing, might combine to establish the New Bretton Woods Ave., S.E., 2nd Floor, Washington, DC 20003. (202) system required to bury the current bankrupt financial system. 544-7010. For subscriptions: (703) 777-9451, or toll- free, 888-EIR-3258. On the strategic side, we publish a documented report on Russia’s World Wide Web site: http://www.larouchepub.com e-mail: [email protected] new national security doctrine (see International), which is being European Headquarters: Executive Intelligence Review Nachrichtenagentur GmbH, Postfach 2308, ignored at our peril. If Russia, or other nations, see the United States D-65013 Wiesbaden, Bahnstrasse 9-A, D-65205, Wiesbaden, Federal Republic of Germany acting in the oligarchy’s interests, they will prepare themselves for Tel: 49-611-73650. Homepage: http://www.eirna.com E-mail: [email protected] Executive Directors: Anno war. Hellenbroich, Michael Liebig Accompanying LaRouche’s speech transcript, you will find cru- In Denmark: EIR, Post Box 2613, 2100 Copenhagen ØE, Tel. 35-43 60 40 cial material, from the real history of the United States. EIR has an In Mexico: EIR, R´ıo Tiber No. 87, 5o piso. Colonia Cuauhte´moc. Me´xico, DF, CP 06500. Tel: 208-3016 y 533- unparalleled record in digging up the history which the British have 26-43. buried—and we think you’ll find this seldom-published history an Japan subscription sales: O.T.O. Research Corporation, Takeuchi Bldg., 1-34-12 Takatanobaba, Shinjuku-Ku, Tokyo eye-opener—one that shows that America had ideas that worked, 160. Tel: (03) 3208-7821. Copyright ” 2000 EIR News Service. All rights reserved. and, if revived, can work again. Reproduction in whole or in part without permission strictly prohibited. Periodicals postage paid at Washington D.C., and at an additional mailing offices. Domestic subscriptions: 3 months—$125, 6 months—$225, 1 year—$396, Single issue—$10 Postmaster: Send all address changes to EIR, P.O. Box 17390, Washington, D.C. 20041-0390. EIRContents Interviews Book Reviews Economics 16 Dr. Amit Mor 54 ‘The Philosopher’s Stone’: 4 Queen breaks up nation- Specialist in energy, infrastructure, Mozart’s newly discovered states to steal raw materials and environmental economics, and opera Knowing full well that the world Director of Amit Consulting & Just before Mozart composed The financial system is about to blow Enterprising Ltd. in Tel Aviv, Magic Flute, he collaborated with sky-high, the London-Wall Street Israel. Emanuel Schikaneder and other crowd is grabbing raw materials friends in producing this delightful assets, and woe to any nation that 50 Lord Eric Avebury singspiel. stands in their way. Researchers Patron of the “Afghansi” Allen Douglas, Robert Barwick, international terrorist apparatus. and Rhys McGuckin assess the damage to the Asian/Pacific victim states of Indonesia, Papua New Departments Guinea, and Australia. Photo and graphic credits: Cover, 72 Editorial 13 The United States is pages 23 (Mather), 24, 55, American patriots must defend the www.arttoday.com. Pages 6, 9, 10, German state! unprepared for a 14, 63, 66, EIRNS. Pages 15, 34, tuberculosis epidemic 47, 61 (George H.W. Bush), Results of a new World Health EIRNS/Stuart Lewis. Page 17, Organization study. EIRNS/Muriel Mirak-Weissbach. Page 30, 38, Library of Congress. 16 Middle East joint energy Page 49, EIRNS/David Ramonet. projects: ‘Let’s do it now’ Page 61 (Prescott Bush), Washinton An interview with Dr. Amit Mor. Star Collection/Washington Post/ Reprinted by permission of D.C. 20 Business Briefs Public Library. Page 61 (George W. Bush), Guillermo Tapia/ANCOL. Volume 27, Number 4, January 28, 2000 Feature International National 44 New Russian security 60 The fascist policies of doctrine reflects major ‘Texas Chainsaw’ Gov. policy shifts George W. Bush A new “ukase” issued by the If you judge a state by how it treats remains of Russia’s scientific, its poor and defenseless, Bush’s industrial, and security elite, Texas is right down there at the stresses the indispensable role of bottom of the list. After all, he reviving Russia’s real economy, argues, if you’re poor, it’s your own including dirigistic measures to fault. Immigrants arriving on Ellis Island in New York har- protect the nation against the bor, with the Statue of Liberty in the background. international financial jackals. 64 It’s all in the family “Get their asses out of here,” 22 The issue of America’s 47 Speculation uncovered in Florida Gov. Jeb Bush rages against Manifest Destiny for today Germany’s scandals African-American demonstrators. What is the manifest destiny of the The entire fabric of Germany’s United States of America, as postwar political order is being torn 65 The Bush family’s death embodied in the principles of its apart by a series of corruption Constitution, in the great sweep of machine scandals targetting both leading Gov. George W. Bush has been human history, past, present and parties. revving up the executions in Texas, future? Lyndon LaRouche, while in a great show of “compassionate campaigning in Massachusetts, conservatism.” delivered a major address on the 48 Pope leads ecumenical subject, which was broadcast live effort as his enemies plot on the Internet and which we succession fight 69 LaRouche campaign takes reproduce here. New England by storm 50 British Lord boosts 35 ‘The eyes of all people are Afghansi terrorists 70 ‘LaRouche can lead U.S. upon us’ An interview with Lord Eric toward prosperity’ Historian H. Graham Lowry Avebury. Endorsements of Democratic recounts the micracle which John Presidential primary candidate Winthrop achieved in the 53 Zapatista ‘commanders’ Lyndon H. LaRouche, Jr. from establishment of the Massachusetts withdrawn from Chiapas Ukraine, Italy, and Mexico. Bay Colony in 1630. The Vatican has pulled the plug on two of Mexico’s most dangerous 37 John Quincy Adams and “Liberation Theology” controllers. the Community of Prinple By Nancy Spannaus, editor of New 58 International Intelligence Federalist weekly. 40 Secretary Blaine and Manifest Destiny Historian Anton Chaitkin presents the unsung achievements of this patriotic son of Maine and world statesman. EIREconomics Queen breaks up nation-states to steal raw materials by Allen Douglas, Robert Barwick, and Rhys McGuckin As the world careens toward the greatest financial crash since P.N.G. and seize their raw materials. The following sketch the 14th-century collapse of Venice’s Bardi and Peruzzi gives some idea of the enormous riches of these three coun- banks unleashed the Black Death and depopulated Europe by tries. half, the British Crown-led British-American-Common- wealth (BAC) financial oligarchy is attempting to seize con- What’s at stake trol of virtually all the world’s raw materials and food produc- Australia: Home to the world’s largest diamond mine tion, in order to rule in whatever is left of a post-crash world.
Load more

Recommended publications
  • Aqueduct Racetrack Is “The Big Race Place”
    Table of Contents Chapter 1: Welcome to The New York Racing Association ......................................................3 Chapter 2: My NYRA by Richard Migliore ................................................................................6 Chapter 3: At Belmont Park, Nothing Matters but the Horse and the Test at Hand .............7 Chapter 4: The Belmont Stakes: Heartbeat of Racing, Heartbeat of New York ......................9 Chapter 5: Against the Odds, Saratoga Gets a Race Course for the Ages ............................11 Chapter 6: Day in the Life of a Jockey: Bill Hartack - 1964 ....................................................13 Chapter 7: Day in the Life of a Jockey: Taylor Rice - Today ...................................................14 Chapter 8: In The Travers Stakes, There is No “Typical” .........................................................15 Chapter 9: Our Culture: What Makes Us Special ....................................................................18 Chapter 10: Aqueduct Racetrack is “The Big Race Place” .........................................................20 Chapter 11: NYRA Goes to the Movies .......................................................................................22 Chapter 12: Building a Bright Future ..........................................................................................24 Contributors ................................................................................................................26 Chapter 1 Welcome to The New York Racing Association On a
    [Show full text]
  • Der Stein Der Weisen and Die Zauberflöte
    Nota Bene: Canadian Undergraduate Journal of Musicology Volume 12 | Issue 1 Article 3 Magic and Enlightenment auf der Weisen: Der Stein der Weisen and Die Zauberflöte Mercer Greenwald Bard College Conservatory of Music Recommended Citation Greenwald, Mercer. “Magic and Enlightenment auf der Weisen: Der Stein der Weisen and Die Zaouberflöte.” Nota Bene: Canadian Undergraduate Journal of Musicology Vol. 12, no. 1 (2019): 30-45. https://doi.org/10.5206/notabene.v12i1.8145 Magic and Enlightenment auf der Weisen: Der Stein der Weisen and Die Zauberflöte Abstract This paper probes how the rational and the irrational interact in Enlightenment operatic plots, and explores the effect of this interaction on the Viennese public. To do this, I will investigate the fantastic worlds of two operas premiered by the same opera company, both with libretti written by Emanuel Schikaneder: Der Stein der Weisen oder Die Zauberinsel (1790) and Die Zauberflöte (1791). David J. Buch’s seminal book Magic Flutes and Enchanted Forests (2008) explores the intertextual threads of magical ideas in Der Stein der Weisen and Die Zauberflöte, that is, how librettists and composers translated and reprocessed magical themes. I will draw on Buch’s comparison to show how these intertextual connections can be read for their broad cultural resonances. In this paper, I will first establish the connections between Der Stein der Weisen and Die Zauberflöte in plot and in music. Then I will show how the later opera diverges from its predecessor and discuss how it manages to diminish the polarity of rationality and irrationality considered central to Enlightenment thinking. Ultimately, I argue, Die Zauberflöte facilitates its audience’s access to Enlightenment values by magical means.
    [Show full text]
  • 'The Philosopher's Stone': Mozart's Newly Discovered Opera
    Click here for Full Issue of EIR Volume 27, Number 4, January 28, 2000 Review ‘The Philosopher’s Stone’: Mozart’s newly discovered opera by David M. Shavin Philosopher’s Stone, the famous “Miau! Miau!” duet that opens the Finale of Act II. (This assumption had been based The Philosopher’s Stone, or upon a known copy of this “cat duet” in Mozart’s hand.) Since The Enchanted Isle Mozart had contributed individual works to several operas by Wolfgang Amadeus Mozart, Johann Baptist by others, nothing much was made of this. Now, Buch has Henneberg, Benedikt Schack, Franz Xaver Gerl, and Emanuel Schikaneder identified Mozart as the main composer of the Act II Finale, A fairy-tale opera from 1790, rediscovered by along with the Act II duet, “Nun, liebes Weibchen.” Schik- David J. Buch aneder, who is credited with two of the works in The Philoso- Boston Baroque, Martin Pearlman, Telarc CD pher’s Stone, was the creator of the comic figure Papageno, in The Magic Flute. Further, the other three collaborators inThe Philosopher’s The discovery of Mozart’s significant role in the opera The Stone also played major roles in The Magic Flute production Philosopher’s Stone casts a whole new light on his famous the following year. Johann Baptist Henneberg, who has 10 of opera The Magic Flute. This recording presents the long-lost the 24 attributions in The Philosopher’s Stone, including most half-sister. It is also something of a minor miracle that the of Act I, was the conductor for The Magic Flute (except when opera, a product of the collaboration of five composers, is as Mozart himself chose to conduct).
    [Show full text]
  • Komponisten 1618Caccini
    © Albert Gier (UNIV. BAMBERG), NOVEMBER 2003 KOMPONISTEN 1618CACCINI LORENZO BIANCONI, Giulio Caccini e il manierismo musicale, Chigiana 25 (1968), S. 21-38 1633PERI HOWARD MAYER BROWN, Music – How Opera Began: An Introduction to Jacopo Peri´s Euridice (1600), in: The Late Italian Renaissance 1525-1630, hrsg. von ERIC COCHRANE, London: Macmillan 1970, S. 401-443 WILLIAM V. PORTER, Peri and Corsi´s Dafne: Some New Discoveries and Observations, Journal of the American Musicological Society 17 (1975), S. 170-196 OBIZZI P. PETROBELLI, L’ “Ermonia“ di Pio Enea degli Obizzi ed i primi spettacoli d´opera veneziani, Quaderni della Rassegna musicale 3 (1966), S. 125-141 1643MONTEVERDI ANNA AMALIE ABERT, Claudio Monteverdi und das musikalische Drama, Lippstadt: Kistner & Siegel & Co. 1954 Claudio Monteverdi und die Folgen. Bericht über das Internationale Symposium Detmold 1993, hrsg. von SILKE LEOPOLD und JOACHIM STEINHEUER, Kassel – Basel – London – New York – Prag: Bärenreiter 1998, 497 S. Der Band gliedert sich in zwei Teile: Quellen der Monteverdi-Rezeption in Europa (8 Beiträge) sowie Monteverdi und seine Zeitgenossen (15 Beiträge); hier sollen nur jene Studien vorgestellt werden, in denen Libretto und Oper eine Rolle spielen: H. SEIFERT, Monteverdi und die Habsburger (S. 77-91) [faßt alle bekannten Fakten zusammen und fragt abschließend (S. 91) nach möglichen Einflüssen Monteverdis auf das Wiener Opernschaffen]. – A. SZWEYKOWSKA, Monteverdi in Polen (S. 93-104) [um 1600 wirken in Polen zahlreiche italienische Musiker, vor allem in der königlichen Hofkapelle; Monteverdi lernte den künftigen König Wladyslaw IV. 1625 in Venedig kennen. Marco Scacchi, der Leiter der Kapelle, deren Mitglieder auch drammi per musica komponierten (vgl.
    [Show full text]
  • The House Composers of the Theater Auf Der Wieden in the Time of Mozart (1789-91)1
    The House Composers of the Theater auf der Wieden in the Time of Mozart (1789-91)1 DAVID J. BUCH Some of the most important theatrical music in Europe was produced at the Theater auf der Wieden in suburban Vienna in the years 1789 to 1801. Beginning with the immensely popular Die zween Anton oder der dumme Gärtner aus dem Gebirge in July 1789, Emanuel Schikaneder produced one successful singspiel after another. The most successful of these were quickly staged in other European venues, both in the original German and in translation.2 Yet, until recently, we have known only a single opera from that period, Mozart’s Die Zauberflöte. Because scholars have not studied this repertory,3 a myth of singularity for Mozart’s singspiel has dominated the secondary literature. But Mozart’s opera was in fact the fourth in a series of fairy-tale singspiels based on texts associated with Christoph Martin Wieland. And the music of Mozart’s singspiel is firmly rooted in a unique style developed at the theater by a group of talented composers who interacted with Mozart, both learning from the master and influencing him in turn. Another myth about this theater has also persisted in modern literature, namely, that the music was of an inferior quality and that the performances were rather crude. While there is one derisive review of a performance at the Theater auf der Wieden by a north German commentator in 1793,4 most contemporary reviews were positive, noting a high standard of musical performance. In his unpublished autobiography, Ignaz von Seyfried recalled performances of operas in the early 1790s by Mozart, Süßmayr, Hoffmeister etc., writing that they were performed with rare skill (ungemein artig).
    [Show full text]
  • International Eastern Star Temple 1618 New Hampshire Avenue
    Form 10-300 UNITED STATES DEPARTMENT OF THE INTERIOR (July 1969) NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY - NOMINATION FORM (Type all entries — complete applicable sections) , COMMON: . International Eastern Star Temple ^0/ORH.STOR.C, . Belmont, Perry, House STREET AND NUMBER: 1618 New Hampshire Avenue, N.W. CITY OR TOWN: Washington (Congressman Walter E. Fauntrov, District of Columbia) STATE District of Columbia 11 District of Columbia 001 CATEGORY ACCESSIBLE OWNERSHIP STATUS (Check One) TO THE PUBLIC O District J5T] Building L~H Public Public Acquisition: |K] Occupied Yes: E Restricted D Site Q Structure SD Private [| In Process D Unoccupied D Unrestricted D Object D Both | | Being Considered Q Preservation work in progress ' — ' PRESENT USE (Check One or More as Appropriate) I I Agricultural [~~| Government D Park Transportation (~l Comments | | Commercial [~~1 Industrial n Private Residence Other (Specify) I I Educational Q Military I I Religious Sororal organization©s I I Entertainment [~] Museum | | Scientific headquarters ____ OWNER©S NAME: © © e General Grand Chapter, Order of the Eastern Star (Sayda S. Petterson STREET AND NUMBER: 1618 New Hampshire Avenue, N.W. CITY OR TOWN: Washington District of Columbia 11 COURTHOUSE; REGISTRY OF DEEDS, ETC: Recorder of Deeds STREET AND NUMBER: 6th and D Streets. N.W. CITY- OR TOWN: Washington District of Columbia 11 TITLE OF suRVEY,,proposed District of ©Columbia Additions to the National Regis ter of Historic Places recommended b the Joint Committee on Landmarks DATE OF SURVEY: M arrfl ? IQftft ^Fei State D County Loca DEPOSITORY FOR SURVEY RECORDS: National Capital Planning Commission STREET AND NUMBER: 1325 G Street, N.W CITY OR TOWN: Washington District of Columbia 11 (Check One) Excellent CU Good Q Fair |~| Deteriorated [~\ Ruins f~] Unexposed CONDITION CC/iecfc OneJ CC/iecfc OneJ Altered [v] Unaltered Moved _g Original Site DESCRIBE THE PRESENT AND ORIGINAL (if known) PHYSICAL.
    [Show full text]
  • Term Potomacthe Alumni Magazine of the Potomac School • Fall 2010
    The Term PotomacThe Alumni Magazine of The Potomac School • Fall 2010 The Power of Tradition Save the Date: April 29-30, 2011 The Potomac School Alumni Association and the Alumni Governing Council present Join your friends as we honor classes ending in 1 and 6. Reconnect with classmates, friends, faculty and staff. Not a milestone year? All alumni are welcome! Back to Class • May Day • All-Alumni Cocktail Party Trail Walk • Tour the Campus • and More! Want to volunteer? We need Class Reunion Chairs. Contact Laura Miller at [email protected] or 703-749-6356. For more information, go to www.potomacschool.org/alumni. Registration materials will be mailed in February ‘11. II ■ The Potomac Term Dear Potomac Community, Perhaps nothing binds us as a community as much as our Po- tomac traditions. These annual rituals and celebrations provide a connection through time with people we knew and those we have yet to meet. Ask any alum who performed in Kindergar- ten Circus, May Day or St. George and the Dragon, or com- peted in Red and Blue, and the detailed recall will astound you. Many alumni parents continue to relive those magical moments through their own children, and new parents delight in the sense of community these occasions bring. At Potomac we focus on developing exemplary habits of heart and mind, recognizing and nurturing that relationship through the learning traditions that are at the core of a Potomac education. From song to play to as- sembly to the exploration of our woods and streams, these are “everyday” kinds of traditions that also frame our school experience.
    [Show full text]
  • FURIOS Richard Wagners Frühwerk
    AUSGABE 32 . MAI / JUNI / JULI 2018 FANTASIEVOLL Ein sprechender Fisch im Musiktheater für Kinder „Gold“ FASZINIEREND Die schlechteste Sängerin der Welt in „Souvenir“ FABELHAFT Die Wiederentdeckung von Schikaneders Singspiel „Der Stein der Weisen“ FEINFÜHLIG Das neue Tanzstück: „Die lautlose Welt der Anne Frank“ FURIOS Richard Wagners Frühwerk RIENZI1 Editorial VEREHRTES PUBLIKUM! in nächster Höhepunkt im Programm der Tanzcompany steht bevor: Marie Stock- hausen hat erneut einen sensiblen und berührenden Tanzabend für die Kammer- Espiele in der Messe geschaffen: Die lautlose Welt der Anne Frank ist das Porträt des jüdischen Mädchens, dessen Tagebuch-Aufzeichnungen aus der Zeit des Nationalsozialis- mus’ bis heute die Welt bewegen. Weltklasse ist weiterhin im Großen Haus zu erleben, wenn bei Masterpieces hochkarätige Choreografen Innsbruck die Ehre geben: Jiří Kyliáns ästhetische und trotzdem humorvolle Tanzstücke Petit morte und Six dances stehen neben Ohad Naharins mitreißendem, orgi- astischen Minus 16 – interpretiert von den wundervollen TänzerInnen unserer Company. In der kommenden Saison, die wir Ihnen in dieser Ausgabe des FIGARO! präsentieren, begehen wir ein besonderes Jubiläum. Seit zehn Jahren bin ich nun als Direktor der Tanz- company Innsbruck tätig. Und ich möchte mich an dieser Stelle herzlichst bei Ihnen bedan- ken: Für Ihr Vertrauen, Ihre Treue und Ihre Begeisterung, mit der Sie unsere Tanzcompany und mich all die Jahre begleitet haben und hoffentlich noch weiter begleiten werden. Zehn Jahre voller Besonderheiten, Erfahrungen
    [Show full text]
  • Dossier 2014 Pédagogique
    DOSSIER 2014 PÉDAGOGIQUE Die Zauberflöte Musique de Wolfgang Amadeus Mozart Livret d’Emmanuel Schikaneder DOSSIER PÉDAGOGIQUE sommaire Sommaire Préambule A lire avant le spectacle I. Présentation de l’œuvre...............................................................p. 4 1. Contexte de création de l’œuvre ........................................................................................p. 4 2. Argument...............................................................................................................................p. 5 3. Les personnages..................................................................................................................p. 6 II. Autour de l’œuvre.......................................................................p. 12 1. La Flûte enchantée et le contexte théâtral viennois de la fin du XVIIIème siècle..........p. 12 2. Mozart et la Franc-Maçonnerie...........................................................................................p. 17 III. La production au Festival d’Aix-en-Provence............................p. 18 1. Les productions de Die Zauberflöte depuis 1948...............................................................p. 19 2. La distribution de Die Zauberflöte en 2014.........................................................................p. 20 3. Le Grand Théâtre d’Aix-en-Provence..................................................................................p. 23 4. Aperçu en images..................................................................................................................p.
    [Show full text]
  • Amy Heard Letters from the Gilded Age
    Amy Heard Letters from the Gilded Age Transcribed, Translated, and Edited by Robert M. Gray c Copyright 2005 by Robert M. Gray This document was produced using Otfried Cheong’s Hyperlatex package. Contents Contents..................................... i Preface iii 1 Introduction 1 2 1881 5 3 1882 21 4 1884 47 5 1885 53 6 1886 71 7 1887 105 8 1888 127 9 1889 155 10 1891 159 Bibliography 162 i ii CONTENTS Preface Famous or notorious people leave tracks through history that are easy to follow. Their letters and writings are avidly preserved and they are much written about by others. The persistant biographer need only visit libraries and fam- ily or historical society collections to piece together the details of the person’s life. Simply because the person was or is famous is usually sufficient motivation to make the effort to understand and describe their life, even if it has been done repeatedly before. In contrast, people who do not have a profound impact on their contempory general public can fade with time, leaving only a few family anecdotes and pho- tographs for their grandchildren Amy Heard in Washington and great grandchildren. Occa- sionally, however, such fameless people do leave enough traces in the forms of letters, notes, and journals to permit a determined researcher to piece together bits of their life years later, but the motivation to do so is usually lacking unless the person lost in the past is of particular interest to the sleuth of the present. As an obvious example, the life of ancestors is often of strong interest to a descendent who never knew them and knows little about them.
    [Show full text]
  • National and State Banks, Saving's- Banks, and Trust Companies
    1900 DIRECTORS National and State Banks, Saving's- Banks, and Trust Companies PRINCIPAL CITIES IN THE UNITED STATES. ABBANGED ALPHABETICALLY BY STATES. CITIES, AND BANKS. First National. First National. Merchants' & Plant­ Geo. Ptisch. ers* National. L. M. Jacobs. T. H. Molton. J. R. Stevens. S. M. Franklin. ALABAMA. T. T. Uillman. V. K. Hall. S. C.Marks. ARIZONA. W. S. Brown. A. S. Fletcher. M. P. Le Grand. W. A. Walker. R. E. Spragins. C. S. Mathews. Consolidated Nat'l. N. E. Barker. W. H. Echols. R. Goldthwaite. PHCENIX. M. P. Freeman. Robt. Jemison. O. B. Patton. S. B. Marks, Jr. K. W. ulaves. ANNISTON. F. D. Nabers. D. Coleman. W. D. Brown. Home Savings W. C. Davit*. B. F. Moore. n.h. Rnth. Bank & Trust Co. II. B. Tenny. II. M. Ilobbie. Aunlston Banking: E. M. Tutwiler. Chan. F. Ainsworth. Chas. T. Etchells. & Loan Go. ErBkine Ramsay. MOBILE. R. F. Ligon, Jr. F. M. Jackson. S. M.McCowan. J. B. Goodwin. City National. It. II. Greene. II. A. Young. Hugh II. Price. W. L. McCaa. Jefferson County E. J. Buck. Ancil Martin. A. Henderson. Savings. Jno. Carraway. OPELIKA. ARKANSAS. A. W. Bell. L. Lopez. National Bank of J. A. Downey. O. F. Cawthon. Arizona. M.B. Wellborn. Bank of Opelika. J.J.Willett. Geo. W. Harris. C. T. Hearin. C. F. Enslen. F. C. Turner. S. Lewis, FAYETTEVILLE. E- F. Enslen. E. G. Dieaper. R. M. Greene. E. Ganz. Aunlston National. Cnas. F. Enslen. J. T. Dumas. J. C. Farley. S. Ob^rfelder. B.W. Williams. John Y. T.
    [Show full text]
  • Swr2-Musikstunde-20120920.Pdf
    ___________________________________________________________________________ 2 MUSIKSTUNDE mit Trüb Donnerstag, 20. 9. 2012 „Hölzerne Worte, magische Bretter: Emanuel Schikaneder zum 200. Todestag“ (4) MUSIK: INDIKATIV, NACH CA. ... SEC AUSBLENDEN Emanuel Schikaneders Werkverzeichnis liest sich wie ein deutscher Zeitschriftenladen: „Der Spiegel von Arkadien“, „Der Stern aus Samarkand“, „Die Zeit der Weisen“ - fehlt eigentlich nur noch „Die Bunte von Bethlehem“. Schikaneder hat mit vielen Komponisten zusammengearbeitet, darunter auch mit sich selbst. Alle sind heute vergessen, außer Mozart natürlich. Mit dem jungen Beethoven plante der Prinzipal „Vestas Feuer“, einmal mehr eine raunend-mystische Zauberoper mit komischen Einlagen; aber was Mozart noch inspirierte, sagte dem knorrig-pragmatischen Beethoven nur Bahnhof: Er fing zwar an zu komponieren, brach dann aber ab; und schlug sich lieber später mit der Menschengeschichte „Eleonore“ beziehungsweise „Fidelio“ herum, ganz ohne magisches Tralala. So wurde, nach Mozarts Tod 1791, dessen Schüler und Assistent Franz Xaver Süßmayr zu Schikaneders Hauskomponisten – da bekam dieser immer noch einen Hauch von Mozart, aber nicht dessen mitunter schwer erträgliches Genie. Süßmayr soll im Hause Mozart wirklich „Männchen für alles“ gewesen sein, außer Kompositionsschüler des Meisters: Er kopierte Stimmen, verwaltete sekretarial die Geschäfte des kränkelnden Mozart, blätterte ihm die Noten um, als er in der „Zauberflöte“ das Hammerclavier schlug, und komponierte auf Bitten von Constanze Mozart das Requiem zu Ende, nachdem der alte Hexenmeister verschieden war. Angeblich soll der 25-jährige Süßmayr Constanze auch als Lustknabe gedient haben, aber das ist mehr als zweifelhaft. Gesichert ist, dass Schikaneder sich den Ersatz-Mozart für sein Bibel-Panorama „Moses oder Der Auszug aus Ägypten“ krallte, und danach für den „Spiegel von Arkadien“, erneut ein Potpourri mit Zaubertränken, Opferritualen, Liebesverwirrungen, ausweglosen Situationen und natürlich Happy- End.
    [Show full text]