Social Circles in the Theresienstadt Ghetto Lesson Plan Introduction
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Resource Guide to Literature, Poetry, Art, Music & Videos by Holocaust
Bearing Witness BEARING WITNESS A Resource Guide to Literature, Poetry, Art, Music, and Videos by Holocaust Victims and Survivors PHILIP ROSEN and NINA APFELBAUM Greenwood Press Westport, Connecticut ● London Library of Congress Cataloging-in-Publication Data Rosen, Philip. Bearing witness : a resource guide to literature, poetry, art, music, and videos by Holocaust victims and survivors / Philip Rosen and Nina Apfelbaum. p. cm. Includes bibliographical references (p.) and index. ISBN 0–313–31076–9 (alk. paper) 1. Holocaust, Jewish (1939–1945)—Personal narratives—Bio-bibliography. 2. Holocaust, Jewish (1939–1945), in literature—Bio-bibliography. 3. Holocaust, Jewish (1939–1945), in art—Catalogs. 4. Holocaust, Jewish (1939–1945)—Songs and music—Bibliography—Catalogs. 5. Holocaust,Jewish (1939–1945)—Video catalogs. I. Apfelbaum, Nina. II. Title. Z6374.H6 R67 2002 [D804.3] 016.94053’18—dc21 00–069153 British Library Cataloguing in Publication Data is available. Copyright ᭧ 2002 by Philip Rosen and Nina Apfelbaum All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 00–069153 ISBN: 0–313–31076–9 First published in 2002 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America TM The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 Contents Preface vii Historical Background of the Holocaust xi 1 Memoirs, Diaries, and Fiction of the Holocaust 1 2 Poetry of the Holocaust 105 3 Art of the Holocaust 121 4 Music of the Holocaust 165 5 Videos of the Holocaust Experience 183 Index 197 Preface The writers, artists, and musicians whose works are profiled in this re- source guide were selected on the basis of a number of criteria. -
Displaced Children 1945 and the Child Tracing Division of the United Nations Relief and Rehabilitation Administration
70 Years After the Liberation 109 Displaced Children 1945 and the Child Tracing Division of the United Nations Relief and Rehabilitation Administration VERENA BUSER, Alice Salomon Hochschule Berlin ith the liberation of Nazi occupied Europe it became obvious that the Nazis had waged an unparalleled war against European civilisation which had also affected Wthe children. Psychologists and social workers encountered children, both Jewish and non-Jewish, who had endured suffering on an unprecedented scale: they were displaced and separated from their families, many of whom had been murdered. According to estimates of the United Nations Relief and Rehabilitation Administration (UNRRA), the largest international aid organisation at the end of the Second World War, there were at least 6,000 children in early March 1946 in the three western zones of occupation who had no relatives and lived in assembly centres or special children‘s centres.1 Who were the Displaced Children? The term ‘displaced children’ comprised minors from all population groups persecuted by the Nazis who had survived the war but were found without relatives; most importantly • Jewishchildren2 who had survived in concentration camps, in hiding with non-Jewish families or in monasteries, in partisan units,3 or in the Soviet Union;4 1 ITS-Arol, 6.1.1/82485874: letter from Miss M. Liebeskind, Child Tracing Section, 18 February 1946. The actual number was probably far higher. 2 For more on Jewish children during the Holocaust, see Dwork (1991). On the post-Holocaust period, see for example, Cohen (2007); Nussbaum (Noa Mkayton) (2004); Michlic (2012); Michlic (2008); Michlic (2007); Heberer (2011). -
Holocaust Glossary
Holocaust Glossary A ● Allies: 26 nations led by Great Britain, the United States, and the Soviet Union that opposed Germany, Italy, and Japan (known as the Axis powers) in World War II. ● Antisemitism: Hostility toward or hatred of Jews as a religious or ethnic group, often accompanied by social, economic, or political discrimination. (USHMM) ● Appellplatz: German word for the roll call square where prisoners were forced to assemble. (USHMM) ● Arbeit Macht Frei: “Work makes you free” is emblazoned on the gates at Auschwitz and was intended to deceive prisoners about the camp’s function (Holocaust Museum Houston) ● Aryan: Term used in Nazi Germany to refer to non-Jewish and non-Gypsy Caucasians. Northern Europeans with especially “Nordic” features such as blonde hair and blue eyes were considered by so-called race scientists to be the most superior of Aryans, members of a “master race.” (USHMM) ● Auschwitz: The largest Nazi concentration camp/death camp complex, located 37 miles west of Krakow, Poland. The Auschwitz main camp (Auschwitz I) was established in 1940. In 1942, a killing center was established at Auschwitz-Birkenau (Auschwitz II). In 1941, Auschwitz-Monowitz (Auschwitz III) was established as a forced-labor camp. More than 100 subcamps and labor detachments were administratively connected to Auschwitz III. (USHMM) Pictured right: Auschwitz I. B ● Babi Yar: A ravine near Kiev where almost 34,000 Jews were killed by German soldiers in two days in September 1941 (Holocaust Museum Houston) ● Barrack: The building in which camp prisoners lived. The material, size, and conditions of the structures varied from camp to camp. -
Cultural Life in the Theresienstadt Ghetto- Dr. Margalit Shlain [Posted on Jan 5Th, 2015] People Carry Their Culture with Them W
Cultural Life in the Theresienstadt Ghetto- Dr. Margalit Shlain [posted on Jan 5th, 2015] People carry their culture with them wherever they go. Therefore, when the last Jewish communities in Central Europe were deported to the Theresienstadt ghetto (Terezin in Czech), they created a cultural blossoming in the midst of destruction, at their last stop before annihilation. The paradoxical consequence of this cultural flourishing, both in the collective memory of the Holocaust era and, to a certain extent even today, is that of an image of the Theresienstadt ghetto as having had reasonable living conditions, corresponding to the image that the German propaganda machine sought to present. The Theresienstadt ghetto was established in the north-western part of the Protectorate of Bohemia and Moravia on November 24, 1941. It was allegedly to be a "Jewish town" for the Protectorate’s Jews, but was in fact a Concentration and Transit Camp, which functioned until its liberation on May 8, 1945. At its peak (September 1942) the ghetto held 58,491 prisoners. Over a period of three and a half years, approximately 158,000 Jews, from the Protectorate of Bohemia and Moravia, Germany, Austria, Holland, Denmark, Slovakia, and Hungary, as well as evacuees from other concentration camps, were transferred to it. Of these, 88,129 were sent on to their death in the 'East', of whom only 4,134 survived. In Theresienstadt itself 35,409 died from "natural" causes like illness and hunger, and approximately 30,000 inmates were liberated in the ghetto. This ghetto had a special character, as the Germans had intended to turn it into a ghetto for elderly and privileged German Jews, according to Reinhard Heydrich’s announcement at the "Wannsee Conference" which took place on January 20th, 1942 in Berlin. -
Whole Dissertation Hajkova 3
Abstract This dissertation explores the prisoner society in Terezín (Theresienstadt) ghetto, a transit ghetto in the Protectorate Bohemia and Moravia. Nazis deported here over 140, 000 Czech, German, Austrian, Dutch, Danish, Slovak, and Hungarian Jews. It was the only ghetto to last until the end of Second World War. A microhistorical approach reveals the dynamics of the inmate community, shedding light on broader issues of ethnicity, stratification, gender, and the political dimension of the “little people” shortly before they were killed. Rather than relegating Terezín to a footnote in narratives of the Holocaust or the Second World War, my work connects it to Central European, gender, and modern Jewish histories. A history of victims but also a study of an enforced Central European society in extremis, instead of defining them by the view of the perpetrators, this dissertation studies Terezín as an autarkic society. This approach is possible because the SS largely kept out of the ghetto. Terezín represents the largest sustained transnational encounter in the history of Central Europe, albeit an enforced one. Although the Nazis deported all the inmates on the basis of their alleged Jewishness, Terezín did not produce a common sense of Jewishness: the inmates were shaped by the countries they had considered home. Ethnicity defined culturally was a particularly salient means of differentiation. The dynamics connected to ethnic categorization and class formation allow a deeper understanding of cultural and national processes in Central and Western Europe in the twentieth century. The society in Terezín was simultaneously interconnected and stratified. There were no stark contradictions between the wealthy and majority of extremely poor prisoners. -
Second-Generation (Jewish) Artists
Migration, Memory and the Visual Arts: Second-Generation (Jewish) Artists 7 May 2021, University of Leicester Online symposium Organisers: Dr Imogen Wiltshire and Dr Fransiska Louwagie Keynote: Dr Glenn Sujo (author and curator of Legacies of Silence: The Visual Arts and Holocaust Memory, Imperial War Museum) Young Blood and the Exterminatory Idea: A Continuum? Abstract As we draw on the survivors’ unassailable witness, can we as artists and scholars also look ahead to a concentrationary imaginary that enlarges the field of representation as a locus of possibility, resisting invisibility? And following from Adorno’s paradoxical proposition, can we still affirm that it is indeed ‘only in art that the enormity of such suffering finds a voice’? In this vein, I ask whether the universal message contained in the graphic cycles of Francisco Goya, Käthe Kollwitz or Otto Dix portend a visual imaginary of terror for the modern era that foreshadows the totalitarian and genocidal impulse to the destruction of a people. How do these images implicate (Rothberg) or make us complicitous (Sontag, Brink) in acts of violence, then and after? What obligations do they bestow on future acts of transmission, poetic misprision or an aesthetic of resistance? Two works, one a foreshadowing from the narrow corridor of exile and clandestinity in Max Beckmann’s Bird’s Hell (1938), the other, a fictional if also factual account of internment in KZ Auschwitz by Tadeusz Borowski (1946), sharpen our response to the subject’s radical and creative as well as destructive and nihilistic potential. Taking a cue from the symposium’s title, we might question whether the assumed model of generational succession — by choice, familial descent, identification with communal or ritual practices of remembrance or artistic affiliation — remains a viable frame for transmission in the enduring imaginary of human suffering, when subject to the erosions of time and memory as well as communal breakdown. -
STUDENT HANDOUT the Ghettos
THE GHETTOS Invasion of Poland In September 1939, the Germans invaded Poland. Poland lost its independence, and its citizens were subjected to severe oppression. Schools were closed, all political activity was banned, and many members of the Polish elite, intellectuals, political leaders, and clerics, were sent to concentration camps or murdered immediately. Jews were subjected to violence, humiliation, dispossession, and arbitrary kidnappings for forced labor by German soldiers Jews rounded up for forced labor, Przemysl, Poland, who abused Jews in the streets, paying special October 1939. Yad Vashem Photo Archive (5323) L4 attention to religious Jews. Many thousands of Poles and Jews were murdered in the first them great control over the Jews. Soon after months of the occupation, not yet as a policy of the ghettos began to be established, the Nazis THEsystematic GHETTOS mass murder, but an expression of tried to remove the Jews from their midst the brutal nature of the occupying forces. through population transfer. At first they sought to drive Jews into Soviet territory, but On September 21, 1939, just after the German when that strategy proved unworkable, the conquest of Poland, Reinhard Heydrich, Nazis developed a plan to send the Jews to the Nazi head of the SIPO (security police) and island of Madagascar. This plan also proved SD (security service) issued an order to the INTRODUCTIONcommanders in occupied Poland. The first, immediate stage called for several practical During the Holocaust, “ghettos” were places of SECRET measures, including deporting Jews from imprisonmentwestern that and became central deadly Poland for the and Jews concentrating as a Berlin: September 21, 1939 direct resultthem of Nazi in the policies. -
Downloads/.Last Accessed: 9
Tracing and Documenting Nazi Victims Past and Present Arolsen Research Series Edited by the Arolsen Archives – International Center on Nazi Persecution Volume 1 Tracing and Documenting Nazi Victims Past and Present Edited by Henning Borggräfe, Christian Höschler and Isabel Panek On behalf of the Arolsen Archives. The Arolsen Archives are funded by the German Federal Government Commissioner for Culture and the Media (BKM). ISBN 978-3-11-066160-6 eBook (PDF) ISBN 978-3-11-066537-6 eBook (EPUB) ISBN 978-3-11-066165-1 ISSN 2699-7312 This work is licensed under the Creative Commons Attribution-NonCommercial NoDerivatives 4.0 License. For details go to http://creativecommons.org/licens-es/by-nc-nd/4.0/. Library of Congress Control Number: 2020932561 Bibliographic Information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2020 by the Arolsen Archives, Henning Borggräfe, Christian Höschler, and Isabel Panek, published by Walter de Gruyter GmbH, Berlin/Boston Cover image: Jan-Eric Stephan Printing and binding: CPI books GmbH, Leck www.degruyter.com Preface Tracing and documenting the victims of National Socialist persecution is atopic that has receivedlittle attention from historicalresearch so far.Inorder to take stock of existing knowledge and provide impetus for historicalresearch on this issue, the Arolsen Archives (formerlyknown as the International Tracing Service) organized an international conferenceonTracing and Documenting Victimsof Nazi Persecution: Historyofthe International Tracing Service (ITS) in Context. Held on October 8and 92018 in BadArolsen,Germany, this event also marked the seventieth anniversary of search bureaus from various European statesmeet- ing with the recentlyestablished International Tracing Service (ITS) in Arolsen, Germany, in the autumn of 1948. -
Study Guide REFUGE
A Guide for Educators to the Film REFUGE: Stories of the Selfhelp Home Prepared by Dr. Elliot Lefkovitz This publication was generously funded by the Selfhelp Foundation. © 2013 Bensinger Global Media. All rights reserved. 1 Table of Contents Acknowledgements p. i Introduction to the study guide pp. ii-v Horst Abraham’s story Introduction-Kristallnacht pp. 1-8 Sought Learning Objectives and Key Questions pp. 8-9 Learning Activities pp. 9-10 Enrichment Activities Focusing on Kristallnacht pp. 11-18 Enrichment Activities Focusing on the Response of the Outside World pp. 18-24 and the Shanghai Ghetto Horst Abraham’s Timeline pp. 24-32 Maps-German and Austrian Refugees in Shanghai p. 32 Marietta Ryba’s Story Introduction-The Kindertransport pp. 33-39 Sought Learning Objectives and Key Questions p. 39 Learning Activities pp. 39-40 Enrichment Activities Focusing on Sir Nicholas Winton, Other Holocaust pp. 41-46 Rescuers and Rescue Efforts During the Holocaust Marietta Ryba’s Timeline pp. 46-49 Maps-Kindertransport travel routes p. 49 2 Hannah Messinger’s Story Introduction-Theresienstadt pp. 50-58 Sought Learning Objectives and Key Questions pp. 58-59 Learning Activities pp. 59-62 Enrichment Activities Focusing on The Holocaust in Czechoslovakia pp. 62-64 Hannah Messinger’s Timeline pp. 65-68 Maps-The Holocaust in Bohemia and Moravia p. 68 Edith Stern’s Story Introduction-Auschwitz pp. 69-77 Sought Learning Objectives and Key Questions p. 77 Learning Activities pp. 78-80 Enrichment Activities Focusing on Theresienstadt pp. 80-83 Enrichment Activities Focusing on Auschwitz pp. 83-86 Edith Stern’s Timeline pp. -
Library Trends V.55, No.3 Winter 2007
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and... “People were literally starving for any kind of reading”: The Theresienstadt Ghetto Central Library, 1942–1945 Miriam Intrator Abstract Jews crowded into the ghettos and concentration camps of World War II were desperate for any avenue of resistance or escape, not only physi- cally but also mentally. In the ghetto concentration camp Theresien- stadt, the prisoner-run Ghetto Central Library, complete with bookmo- bile system, reading room, and branch libraries, served as a reminder that minds and imaginations remained active and free, even amidst devastating persecution. With the inclusion of Jewish book collections confiscated by the Nazis, it grew to 100,000 volumes. Brought to the Jewish Museum of Prague Library after liberation, the books are still being returned, whenever possible, to original owners. Ghettos and concentration camps were integral components in the systematic genocide of Jews during World War II. This article will examine one of these camps, Theresienstadt, which, as will be explained shortly, was distinctive in numerous ways. Of particular interest here is that it had a large and active library, the Ghetto Central Library (Ghettozentralbücherei). The library grew, in part, thanks to the frequency with which individuals enter- ing Theresienstadt packed a treasured book instead of a little more food or clothing, an extra pair of shoes, or a blanket in their severely restricted luggage allotment. Most of these thoughtfully selected books ended up in the library. Through its very normalcy as an institution of leisure and learning, the library provided a means for prisoners to resist Nazi attempts to completely humiliate, dehumanize, and annihilate them. -
Atrocity Film Abstract Keywords Full Text
HOME ABOUT LOGIN CURRENT ISSUE PAST ISSUES ANNOUNCEMENTS BOARD OPEN APPARATUS BOOKS Home > No 12 (2021) > Schmidt Atrocity Film Fabian Schmidt, Alexander Oliver Zöller Abstract What if the SS as the main Nazi organisation responsible for the Holocaust produced a secret !lm about the persecution and murder of the European Jews during World War 2? The essay discusses the possible production of a documentary !lm about the genocide, made by the perpetrators. In doing so, it challenges a set of assumptions that is commonly put into action against such an endeavour. By examining the various activities of private and o"cial photographers and cameramen in the context of the deportation and extermination of the European Jews and by drawing on contemporary sources which hint to such a – now lost – !lm project, the essay examines the available evidence and investigates comparable footage, arguing that the gaze of the perpetrators has long been part of our collective visual memory of the Holocaust. Keywords Holocaust, visual propaganda, documentary !lm, !lm archives, concentration camps, ghettos, Reichs!lmarchiv, Budd Schulberg Full Text: HTMLHTMLHTML DOI: http://dx.doi.org/10.17892/app.2021.00012.223http://dx.doi.org/10.17892/app.2021.00012.223http://dx.doi.org/10.17892/app.2021.00012.223 HTML http://dx.doi.org/10.17892/app.2021.00012.223 Apparatus. ISSN 2365-7758 Atrocity Film author: Fabian Schmidt and Alexander Oliver Zöller date: 2021 issue: 12 toc: yes abstract: What if the SS as the main Nazi organisation responsible for the Holocaust produced a secret film about the persecution and murder of the European Jews during World War 2? The essay discusses the possible production of a documentary film about the genocide, made by the perpetrators. -
An Organizational Analysis of the Nazi Concentration Camps
Chaos, Coercion, and Organized Resistance; An Organizational Analysis of the Nazi Concentration Camps DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Thomas Vernon Maher Graduate Program in Sociology The Ohio State University 2013 Dissertation Committee: Dr. J. Craig Jenkins, Co-Advisor Dr. Vincent Roscigno, Co-Advisor Dr. Andrew W. Martin Copyright by Thomas V. Maher 2013 Abstract Research on organizations and bureaucracy has focused extensively on issues of efficiency and economic production, but has had surprisingly little to say about power and chaos (see Perrow 1985; Clegg, Courpasson, and Phillips 2006), particularly in regard to decoupling, bureaucracy, or organized resistance. This dissertation adds to our understanding of power and resistance in coercive organizations by conducting an analysis of the Nazi concentration camp system and nineteen concentration camps within it. The concentration camps were highly repressive organizations, but, the fact that they behaved in familiar bureaucratic ways (Bauman 1989; Hilberg 2001) raises several questions; what were the bureaucratic rules and regulations of the camps, and why did they descend into chaos? How did power and coercion vary across camps? Finally, how did varying organizational, cultural and demographic factors link together to enable or deter resistance in the camps? In order address these questions, I draw on data collected from several sources including the Nuremberg trials, published and unpublished prisoner diaries, memoirs, and testimonies, as well as secondary material on the structure of the camp system, individual camp histories, and the resistance organizations within them. My primary sources of data are 249 Holocaust testimonies collected from three archives and content coded based on eight broad categories [arrival, labor, structure, guards, rules, abuse, culture, and resistance].