DOCSLIB.ORG

Ÿþs O N Y E R I C S S O N M O B I L E C O M M U N I C a T I O N S

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ÿþs O N Y E R I C S S O N M O B I L E C O M M U N I C a T I O N S Contents Getting started......................5 Printing photos.................................30 Assembly............................................5 Music ..................................30 Turning on the phone.........................6 Stereo portable handsfree...............30 Help....................................................7 Music player.....................................30 Charging the battery..........................7 PlayNow™........................................32 Phone overview..................................9 TrackID™ ........................................32 Menu overview*................................11 Online music and video clips...........33 Navigation........................................13 Video player.....................................33 Memory............................................14 Radio ...............................................33 Phone language...............................15 MusicDJ™........................................34 Entering text.....................................15 Record sound ..................................34 Calling..................................16 Transferring and Making and receiving calls...............16 handling content.................35 Contacts...........................................18 Handling content in the phone.........35 Speed dial........................................21 Sending content to another More calling features........................21 phone...............................................35 Imaging ...............................25 Using a USB cable...........................36 Using the camera.............................25 Transferring content to and from a computer.......................................36 More camera features......................26 Phone name.....................................37 Viewing and tagging photos............27 Using Bluetooth™ wireless Using photos....................................28 technology........................................37 Working with photos........................28 Backing up and restoring.................39 Sending content to a Web site.........29 1 This is an Internet version of this publication. © Print only for private use. Messaging...........................40 Tasks................................................54 Text and picture messages..............40 Profiles.............................................54 Conversations..................................41 Time and date..................................55 Voice messages...............................42 Theme..............................................55 Email.................................................42 Main menu layout.............................55 Instant messaging ...........................43 Ringtones.........................................55 Light effects.....................................56 Internet ...............................45 Screen orientation............................56 Bookmarks.......................................45 Games..............................................56 History pages...................................46 Applications.....................................57 More browser features.....................46 Locks................................................57 Internet security and certificates......47 IMEI number.....................................58 Web feeds........................................47 YouTube™.......................................48 Troubleshooting..................59 Common questions..........................59 Synchronising.....................49 Error messages................................62 Synchronising using a computer.....49 Synchronising using an Internet Index....................................63 service..............................................50 More features......................50 Flight mode......................................50 Update Service.................................50 Gesture control................................51 Location services.............................51 Alarms..............................................52 Calendar...........................................53 Notes................................................54 2 This is an Internet version of this publication. © Print only for private use. Sony Ericsson T707/T707a/T707u in any way for your improper use of additional Style content or other third party content. Smart-Fit Rendering is a trademark or a registered This User guide is published by Sony Ericsson trademark of ACCESS Co., Ltd. Mobile Communications AB or its local affiliated Bluetooth is a trademark or a registered trademark company, without any warranty. Improvements and of Bluetooth SIG Inc. and any use of such mark by changes to this User guide necessitated by Sony Ericsson is under license. typographical errors, inaccuracies of current information, or improvements to programs and/or TrackID™ is powered by Gracenote Mobile equipment, may be made by Sony Ericsson Mobile MusicID™. Gracenote and Gracenote Mobile Communications AB at any time and without notice. MusicID are trademarks or registered trademarks of Such changes will, however, be incorporated into Gracenote, Inc. new editions of this User guide. Sony, Memory Stick Micro™, M2™ and Media Go All rights reserved. are trademarks or registered trademarks of Sony Corporation. ©Sony Ericsson Mobile Communications AB, 2009 PictBridge is a trademark or registered trademark of Publication number: 1225-4455.1 Canon Kabushiki Kaisha Corporation. Attention: Some of the services and features Google™, Google Maps™, YouTube and the described in this User guide are not supported by YouTube logo are trademarks or registered all networks and/or service providers in all areas. trademarks of Google, Inc. Without limitation, this applies to the GSM SyncML is a trademark or registered trademark of International Emergency Number 112. Please Open Mobile Alliance LTD. contact your network operator or service provider to determine availability of any specific service or Ericsson is a trademark or registered trademark of feature and whether additional access or usage Telefonaktiebolaget LM Ericsson. fees apply. Adobe Photoshop Album Starter Edition is a Please read the Important information before you trademark or registered trademark of Adobe use your mobile phone. Systems Incorporated in the United States and/or Your mobile phone has the capability to download, other countries. store and forward additional content, e.g. ringtones. Microsoft, ActiveSync, Windows, Outlook, Windows The use of such content may be restricted or Media and Vista are registered trademarks or prohibited by rights of third parties, including but not trademarks of Microsoft Corporation in the United limited to restriction under applicable copyright States and/or other countries. laws. You, and not Sony Ericsson, are entirely T9™ Text Input is a trademark or a registered responsible for additional content that you trademark of Tegic Communications. T9™ Text download to or forward from your mobile phone. Input is licensed under one or more of the following: Prior to your use of any additional content, please U.S. Pat. Nos. 5,818,437, 5,953,541, 5,187,480, verify that your intended use is properly licensed or 5,945,928, and 6,011,554; Canadian Pat. No. is otherwise authorized. Sony Ericsson does not 1,331,057, United Kingdom Pat. No. 2238414B; guarantee the accuracy, integrity or quality of any Hong Kong Standard Pat. No. HK0940329; Republic additional content or any other third party content. of Singapore Pat. No. 51383; Euro.Pat. No. 0 842 Under no circumstances will Sony Ericsson be liable 3 This is an Internet version of this publication. © Print only for private use. 463(96927260.8) DE/DK, FI, FR, IT, NL, PT, ES, SE, Sun Microsystems, Inc. in the U.S. and other GB; and additional patents are pending worldwide. countries. This product is protected by certain intellectual End-user license agreement for Sun Java Platform, property rights of Microsoft. Use or distribution of Micro Edition. such technology outside of this product is prohibited 1. Restrictions: Software is confidential copyrighted without a license from Microsoft. information of Sun and title to all copies is retained Content owners use Windows Media digital rights by Sun and/or its licensors. Customer shall not management technology (WMDRM) to protect their modify, decompile, disassemble, decrypt, extract, intellectual property, including copyrights. This or otherwise reverse engineer Software. Software device uses WMDRM software to access WMDRM- may not be leased, assigned, or sublicensed, in protected content. If the WMDRM software fails to whole or in part. protect the content, content owners may ask 2. Export Regulations: Software including technical Microsoft to revoke the software's ability to use data, is subject to U.S. export control laws, including WMDRM to play or copy protected content. the U.S. Export Administration Act and its Revocation does not affect unprotected content. associated regulations, and may be subject to When you download licenses for protected content, export or import regulations in other countries. you agree that Microsoft may include a revocation Customer agrees to comply strictly with all such list with the licenses. Content owners may require regulations and acknowledges that it has the you to upgrade WMDRM to access their content. If responsibility to obtain licenses to export, re-export, you decline an upgrade, you will not be able to or import Software. Software may not be access
Load more

Recommended publications
  • IFPI Digital Music Report 2010 Music How, When, Where You Want It Contents
    IFPI Digital Music Report 2010 Music how, when, where you want it Contents 3. Introduction 4. Executive Summary: Music – Pathfinder In The Creative Industries’ Revolution 8. The Diversification Of Business Models 10. Digital Music Sales Around The World 12. In Profile: Pioneers Of Digital Music 18. Competing In A Rigged Market – The Problem Of Illegal File-Sharing 20. ‘Climate Change’ For All Creative Industries 24. Graduated Response – A Proportionate, Preventative Solution 28. The World Of Legal Music Services 30. Consumer Education – Lessons Learned Music How, When, Where You Want It – But Not Without Addressing Piracy By John Kennedy, Chairman & Chief Executive, IFPI This is the seventh IFPI Digital Music in new artists, we have to tackle mass legislation to curb illegal file-sharing. Report. If you compare it to the first piracy. Second, we are progressing towards Another clear change is within the music report published in 2004, you can an effective response. The progress is sector itself. It was, until recently, rare see a transformation in a business agonisingly slow for an industry which does for artists to engage in a public debate which has worked with the advance not have a lot of time to play with – but it is about piracy or admit it damages them. of technology, listened to the consumer progress nonetheless. In September 2009, the mood changed. and responded by licensing its music Lily Allen spoke out about the impact of in new formats and channels. On page 20 of the Report, Stephen illegal file-sharing on young artists’ careers. Garrett, head of the production company When she was attacked by an abusive In 2009 globally, for the first time, more Kudos, refers to a “climate change” in online mob, others came to her support.
    [Show full text]
  • Una Tele En El Bolsillo
    Miguel de Aguilera Moyano Marco Meere (coords.) UNA TELE EN EL BOLSILLO La televisión en el teléfono móvil: contenidos, formatos, audiencias UNA TELE EN EL BOLSILLO LA TELEVISIÓN EN EL TELÉFONO MÓVIL: CONTENIDOS, FORMATOS, AUDIENCIAS Una tele en el bolsillo. (La televisión en el teléfono móvil: contenidos, formatos, audiencias). Miguel de Aguilera y Marco Meere (coords.) ISBN: 978-84-613-4049-1 Depósito Legal: © Los autores. © SEJ 435 y Kálida Producciones S.L. Diseño: Marina Pérez Oncala © Círculo de Estudios Visuales AdHoc Working Papers de la investigación “La industria de los contenidos audiovisuales ante su mutación digital. Búsqueda de las claves de decisión del nuevo consumidor” (proyecto de I+D+i desarrollado por Kálida Producciones y el Grupo de Investigación sobre Contenidos Audiovisuales Avanzados de la Universidad de Málaga, con la colaboración de investigadores de las universidades Politécnica de Valencia, Complu- tense de Madrid, Rey Juan Carlos y Sevilla). | innovcom Grupo de investigación en Contenidos Audiovisuales Avanzados Este proyecto de I+D+i cuenta con el apoyo de las siguientes instituciones: Esta obra está bajo una licencia Reconocimiento -No comercial- Sin obras derivadas 3.0 España de Creative Commons. Para ver una copia de esta licencia, visite http://creativecommons.org/licenses/by-nc-nd/3.0/es/ o envie una carta a Creative Commons, 171 Second Street, Suite 300, San Francisco, California 94105, USA. UNA TELE EN EL BOLSILLO LA TELEVISIÓN EN EL TELÉFONO MÓVIL: CONTENIDOS, FORMATOS, AUDIENCIAS ÍNDICE 1. Innovación, prácticas culturales y contenidos audiovisuales. Una introducción. 9 Miguel de Aguilera Moyano. 2.Nuevos modelos de representación audiovisual narrativa codificada en soportes 17 de movilidad.
    [Show full text]
  • Green Digital Marketing in the Mobile Phone Industry - Recommendations for Sony Ericsson's Greenheart™
    Faculty of Education and Economic Studies Department of Business and Economic Studies Green Digital Marketing in the Mobile Phone Industry - Recommendations for Sony Ericsson's GreenHeart™ Jan Barrish Second Cycle Supervisor: Dr. Maria Fregidou-Malama 1 Master of Business Administration in Marketing Management Title Green Digital Marketing in the Mobile Phone Industry - Recommendations for Sony Ericsson's GreenHeart™ Level Final Thesis for Master of Business Administration in Marketing Management Address University of Gävle Department of Business Administration 801 76 Gävle Sweden Telephone (+46) 26 64 85 00 Telefax (+46) 26 64 85 89 Web site http://www.hig.se Author Jan Barrish Date July 18 2011 Supervisor Dr. Maria Fregidou-Malama Abstract This study is part of a digital activation plan that was done for Sony Ericsson’s GreenHeart™ team in the fall of 2009. The investigation presents and discusses what Sony Ericsson and its 4 main competitors (Nokia, LG, Samsung and Motorola) have done within green digital marketing and how the subject was communicated on their webpages. A main issue with products is that consumers tend to find them not as good as non-green products. Consumer insight studies suggest that that the best way of communicating green products is to focus on their direct product benefits in comparison to non-green products and as a secondary message to communicate the green benefits. This was also supported by other theories such as Levits concept of “marketing myopia”, which describes a marketer’s tendency to focus on product features rather than consumer benefits. When analyzing the webpages it was clear that all the manufactures did engage in green digital marketing in a quite homogenous way.
    [Show full text]
  • Digital Music Report 2012 Più Scelta in Un Mercato Globale Digital Music Report 2012
    Digital Music Report 2012 Più scelta in un mercato globale Digital Music Report 2012 Sommario Introduzione 3 n Stati Uniti e Nuova Zelanda: l’impegno degli ISP n Plácido Domingo, presidente IFPI n Le azioni per bloccare i “siti illegali” n Frances Moore, amministratore delegato IFPI n Gli effetti del blocco: cosa dicono i dati Le voci degli artisti 5 Focus: la Francia 20 n Hadopi: “Effetti positivi per gli anni a venire” I dati n Il punto di vista degli indipendenti: innovazione in sintesi 6 e “sanzioni significative” n Musica digitale: più scelta in un mercato globale n Accelera la crescita dei consumi digitali nel mondo Focus: gli Stati Uniti 21 n Accesso o possesso? Decidete voi n Espansione a livello mondiale Focus: la Corea del Sud 22 n I progressi contro la pirateria n Il ruolo essenziale degli intermediari Focus: Italia 23 n Il mercato della musica digitale in Italia nel 2011 I modelli di business della musica digitale 10 Proteggere i contenuti online: entrano n Il download travalica i confini in azione gli intermediari 24 n Sempre vivace la domanda di album digitali n I motori di ricerca devono “linkare” la musica legale n La crescita dello streaming n Pubblicità: tagliare i fondi alla pirateria n I servizi in abbonamento raggiungono nuovi consumatori n Anche i gestori degli strumenti di pagamento n Musica in bundle: una via di accesso al mercato di massa intervengono contro i siti illegali n Continua l’espansione della internet radio n I servizi di hosting non devono sostenere l’illegalità n Forte richiesta per i video musicali
    [Show full text]
  • Gaikai - Wikipedia Case 3:19-Cv-07027-WHA Document 28-2 Filed 10/14/19 Page 2 of 8 Not Logged in Talk Contributions Create Account Log In
    Case 3:19-cv-07027-WHA Document 28-2 Filed 10/14/19 Page 1 of 8 EXHIBIT B Gaikai - Wikipedia Case 3:19-cv-07027-WHA Document 28-2 Filed 10/14/19 Page 2 of 8 Not logged in Talk Contributions Create account Log in Article Talk Read Edit View history Gaikai From Wikipedia, the free encyclopedia Main page Gaikai (外海, lit. "open sea", i.e. an expansive outdoor space) is an American company which provides technology for the streaming of high- Contents Gaikai Featured content end video games.[1] Founded in 2008, it was acquired by Sony Interactive Entertainment in 2012. Its technology has multiple applications, Current events including in-home streaming over a local wired or wireless network (as in Remote Play between the PlayStation 4 and PlayStation Vita), as Random article well as cloud-based gaming where video games are rendered on remote servers and delivered to end users via internet streaming (such as Donate to Wikipedia the PlayStation Now game streaming service.[2]) As a startup, before its acquisition by Sony, the company announced many partners using Wikipedia store [3] the technology from 2010 through 2012 including game publishers, web portals, retailers and consumer electronics manufacturers. On July Founded November 2008 Interaction 2, 2012, Sony announced that a formal agreement had been reached to acquire the company for $380 million USD with plans of establishing Headquarters Aliso Viejo, California, U.S. [4] Help their own new cloud-based gaming service, as well as integrating streaming technology built by Gaikai into PlayStation products, resulting Owner Sony [5] [6] About Wikipedia in PlayStation Now and Remote Play.
    [Show full text]
  • Sony Ericsson Mobile Communications AB Or Its Local Affiliated Company, Without Any Warranty
    Contents Getting started..............................................................................3 Assembly............................................................................................3 Turning on the phone..........................................................................4 Help....................................................................................................4 Charging the battery...........................................................................5 Phone overview...................................................................................6 Screen icons.......................................................................................7 Menu overview....................................................................................8 Navigation...........................................................................................9 Memory............................................................................................10 Phone language................................................................................11 Entering text......................................................................................11 Calling..........................................................................................13 Making and receiving calls.................................................................13 Contacts ..........................................................................................14 Speed dial.........................................................................................17
    [Show full text]
  • Informe Sobre Música Digital IFPI 2010
    Informe sobre música digital IFPI 2010 1 Informe sobre música digital 2010 CONTENIDO 3. Introducción 4. Resumen ejecutivo. Música: exploradores en la revolución digital de las industrias creativas 8. La diversificación de los modelos de negocio 10. Las ventas de música digital en todo el mundo 12. Perfiles: pioneros de la música digital 18. Competir en un mercado con trampa: el problema del intercambio legal de archivos. 20. El «cambio climático» de las industrias creativas 24. La respuesta gradual: una solución proporcionada y preventiva 28. El panorama de los servicios legales de música 30. Educar al consumidor: lecciones aprendidas 2 Música cómo, cuándo y dónde se quiera, pero no sin luchar contra la piratería Por John Kennedy, presidente ejecutivo de la IFPI Este es el séptimo informe sobre música invirtiendo en nuevos artistas tenemos 2009, esta actitud cambió. Lily Allen se digital de IFPI. Si se compara con el que frenar la piratería masiva. En pronunció sobre el impacto del primer informe publicado en 2004, se segundo lugar, estamos avanzando intercambio ilegal de archivos en las puede ver la transformación de una hacia una respuesta eficaz. El progreso carreras de los artistas más jóvenes. industria que ha trabajado con los es lento como una agonía para una Cuando se sintió atacada por una avances tecnológicos, ha escuchado al industria que no tiene tiempo que perder, multitud enardecida en Internet, otros consumidor y ha respondido licenciando pero está ahí, es tangible. acudieron a darle su apoyo. su música en nuevos formatos y canales. «Para seguir invirtiendo en Esta nueva actitud también está En 2009, por primera vez en todo el claramente llegando a los gobiernos.
    [Show full text]
  • Sony Ericsson Mobile Communications AB Или Местным Филиалом Компании Без Каких-Либо Обязательств
    Содержание Начало работы............................................................................4 Инструкции по сенсорному вводу...........................................................................4 Основные элементы телефона...............................................................................5 Включение телефона...............................................................................................6 Справка.....................................................................................................................7 Зарядка аккумулятора.............................................................................................7 Оптимизация использования аккумулятора..........................................................7 Значки на экране......................................................................................................9 Сенсорный ввод.......................................................................................................9 Обзор меню ...........................................................................................................11 Работа с меню........................................................................................................12 Память.....................................................................................................................13 Язык телефона.......................................................................................................14 Ввод текста.............................................................................................................14
    [Show full text]
  • IFPI Digital Music Report 2011 Music at the Touch of a Button
    IFPI Digital Music Report 2011 Music at the touch of a button 1 Contents Introduction: Digital music – 2011 is the Year When 03 Governments Can Turn the Tide 04 Artists’ Voices 05 Digital Music - Summary of Statistics 06 Consumers Drive New Business Models 12 The Shape of Digital Music in 2010 14 Digital Piracy - Facts and Trends 18 ISP Responsibility and the Role for Government 20 Consumer Education has a Key Role 21 Content Protection 22 The Squeeze on the Smaller Players 23 Piracy and the Other Creative Industries 24 Digital Music Services in Profile 28 Digital Music Services Worldwide 2 Digital Music – 2011 is the Year When Governments Can Turn the Tide Does this mean all is well with music in the We are also being responsible educators. IFPI digital age? Regrettably not. The key statistics this year backed two international education of this report sum up the story of recent years projects aimed at schools. Many are calling – on one hand, spectacular growth in digital for better education of young people on the revenues, up more than 1000 per cent in seven value of intellectual property in creativity and years; but on the other hand, the loss of nearly commerce. We agree and are acting. one-third of the value of the entire recorded music industry. While record companies are Yet tackling digital piracy is ultimately a task for Frances Moore innovating and licensing every viable form governments. Are they prepared to stand by Chief executive, IFPI of music access for consumers, the music and allow an internet where normal laws and industry is still haemorrhaging revenue as a values do not apply? There were encouraging “Music at the touch of a button” is a fitting result of digital piracy.
    [Show full text]
  • Westminsterresearch
    WestminsterResearch http://www.westminster.ac.uk/research/westminsterresearch My generation: examining the music tastes and commercial opportunities within the new audience of 40-59 year olds in the UK Julia Jones Faculty of Media, Arts and Design This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2015. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] MY GENERATION: EXAMINING THE MUSIC TASTES AND COMMERCIAL OPPORTUNITIES WITHIN THE NEW AUDIENCE OF 40-59 YEAR OLDS IN THE UK J. JONES PhD 2015 MY GENERATION: EXAMINING THE MUSIC TASTES AND COMMERCIAL OPPORTUNITIES WITHIN THE NEW AUDIENCE OF 40-59 YEAR OLDS IN THE UK JULIA JONES A thesis submitted in partial fulfillment of the requirements of the University of Westminster for the degree of Doctor of Philosophy April 2015 My Generation: Examining the music tastes and commercial opportunities within the new audience of 40-59 year olds in the UK ABSTRACT This thesis provides an original contribution to the academic discourse regarding music taste.
    [Show full text]
  • IFPI Digital Music Report 2010 Music How, When, Where You Want It Contents
    IFPI Digital Music Report 2010 Music how, when, where you want it Contents 3. Introduction 4. Executive Summary: Music – Pathfinder In The Creative Industries’ Revolution 8. The Diversification Of Business Models 10. Digital Music Sales Around The World 12. In Profile: Pioneers Of Digital Music 18. Competing In A Rigged Market – The Problem Of Illegal File-Sharing 20. ‘Climate Change’ For All Creative Industries 24. Graduated Response – A Proportionate, Preventative Solution 28. The World Of Legal Music Services 30. Consumer Education – Lessons Learned Music How, When, Where You Want It – But Not Without Addressing Piracy By John Kennedy, Chairman & Chief Executive, IFPI This is the seventh IFPI Digital Music in new artists, we have to tackle mass legislation to curb illegal file-sharing. Report. If you compare it to the first piracy. Second, we are progressing towards Another clear change is within the music report published in 2004, you can an effective response. The progress is sector itself. It was, until recently, rare see a transformation in a business agonisingly slow for an industry which does for artists to engage in a public debate which has worked with the advance not have a lot of time to play with – but it is about piracy or admit it damages them. of technology, listened to the consumer progress nonetheless. In September 2009, the mood changed. and responded by licensing its music Lily Allen spoke out about the impact of in new formats and channels. On page 20 of the Report, Stephen illegal file-sharing on young artists’ careers. Garrett, head of the production company When she was attacked by an abusive In 2009 globally, for the first time, more Kudos, refers to a “climate change” in online mob, others came to her support.
    [Show full text]
  • Video on Demand and Catch-Up TV in Europe
    On-demand audiovisual services have mushroomed in Europe. Video on demand, catch- Video on up television and video sharing are vying for the consumer’s attention but are facing the problem of internet piracy at the same time. The landscape has become very fragmented demand and is developing very rapidly. Business models are being defined and are in some cases Video on merging with one another. The crisis on the advertising market and the limits imposed and on the development of the free services offered by the public broadcasters are leading to a growing interest in paid-for services, but the development of pay models is being catch-up TV impeded by piracy and it seems these services will not come into their own until on- demand offerings can be fully accessed on a television set instead of only on a computer demand in Europe screen or mobile telephone. The provision of access to VOD on a TV is thus becoming a very important issue and galvanising manufacturers and network operators into action. This report provides a complete and up-to-date picture of the different on-demand au- diovisual services and of how they fit into the strategy of the various types of player. It and is both concise and detailed and will be a useful tool for anyone seeking to understand the complexity of this evolving field. catch-up TV Set up in December 1992, the European Audiovisual Observatory’s mission is to gather European and distribute information on the audiovisual industry in Europe. The Observatory is a in Europe European public service body comprised of 36 member states and the European Commu- Audiovisual nity, represented by the European Commission.
    [Show full text]