EXTENSIONS of REMARKS September 2, 19'76 H.R
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Culture Contact and Acculturation in New Sweden 1638-1655
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1983 Culture Contact and Acculturation in New Sweden 1638-1655 Glenn J. Jessee College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the United States History Commons Recommended Citation Jessee, Glenn J., "Culture Contact and Acculturation in New Sweden 1638-1655" (1983). Dissertations, Theses, and Masters Projects. Paper 1539624398. https://dx.doi.org/doi:10.21220/s2-stfg-0423 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. CULTURE CONTACT AND ACCULTURATION IN NEW SWEDEN 1638 - 1655 A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Glenn J. Jessee 1983 APPROVAL SHEET This thesis is submitted in partial fulfillment the requirements for the degree of Master of Arts Approved, May 1983 _______________ AtiidUL James Axtell James WhdJttenburg Japres Merrell FOR MY PARENTS iii TABLE OF CONTENTS Page ABSTRACT ....................................................... v INTRODUCTION .................................................. 2 CHAPTER I. THE MEETING OF CULTURES ......................... -
THE MEXICAN FILM BULLETIN Volume 21 Number 1 (Jan-Feb 2015) Tthhee Mmeexxiiccaann Ffiillmm Bbuulllleettiinn Volume 21 Number 1
THE MEXICAN FILM BULLETIN Volume 21 Number 1 (Jan-Feb 2015) TThhee MMeexxiiccaann FFiillmm bbuulllleettiinn Volume 21 number 1 January-february 2015 21 years!! st Francisco curiel, 1950-2014 Yes, The Mexican Film Bulletin begins its 21 Francisco Curiel Defosse, a composer and the consecutive year of publication. Where did the time son of director Federico Curiel, died on 27 December go? Thanks to long-time readers and “welcome” to 2014 after suffering a heart attack. Curiel was born those who’ve just discovered us. in Mexico City in February 1950. He appeared in several films as a boy, most notably in Santo contra el rey del Ninón Sevilla, 1929-2015 crimen Dancer-actress Ninón Sevilla, one of the most (1961), popular stars of the rumbera era in Mexico, died in a directed by Mexico City hospital his father; in on 1 January 2015; this movie, she was 85 years old. Francisco Emilia Pérez (at left in Castellanos was born the photo, in Havana, Cuba in with November 1929. Augusto She performed in her Benedico and René Cardona Sr.) played “Roberto de native land as a la Llata,” who would grow up to become El Santo. chorus girl and In later years, Curiel became a songwriter, and his dancer, and came to music can be heard in several films, including the Mexico in the 1940s documentary about his father, entitled Pichirilo under the auspices of (2002). This movie was directed by Francisco Fernando Cortés. Curiel’s son Álvaro Curiel, a TV and film director. Sevilla made her screen debut in 1946, and within a short time was elevated to starring roles in films produced by Pedro fidel garriga, 1948-2014 A. -
A Continuing Study of the Presence of African Descent Members Within the Various Lutheran Denominations Part 1, Let Me Get Started…
A Continuing Study of the Presence of African Descent Members within the various Lutheran Denominations Part 1, Let me get started…. Copyright 2018 1 Lutheran American Work with People of Color 1637- Missionary work on the western side of the Atlantic began in 1637, as [John Campanius], trained at Uppsala, was a Missionary to Indians in America, sent by the Church of Sweden. Jacob Fabritius is noted to have baptized a black man on Palm Sunday 1669, named Emanuel. He had black members of his congregations in Albany, New York City and northern New Jersey. Early American missionary/pastor, [Justus Falckner] entered the University of Halle in 1693, where he studied theology under [August Hermann Francke]. With his Halle training already in place, his ordination to the ministry in America was the first on the continent. His ministry in the Hudson River valley was not limited to the Germans at multiple locations as he continued the work of Fabritius. L.B. Wolf, DD. Ed., Missionary Heroes of the Lutheran Church, Fortress: (Wolf, 1975)Philadelphia, 1911. p.5 ch1. E. Clifford Nelson, The Lutherans in North America, Philadelphia: Fortress Press, 1975 p.76-74. F. Bente, American Lutheranism, Volume I St. Louis: Concordia Publishing House. 1919, 25. Copyright 2018 2 Danish Work in the Virgin Islands 1666-today The Danish West Indies Company provided pastoral leadership for the Danish citizens who St. Thomas, in 1666, and establishing Frederik Church, celebrating their 350th anniversary October 29, 2016 Annexing the Island of St. John in 1717, Nazareth Lutheran Church established in 1720 Purchasing St. -
Half Title>NEW TRANSNATIONALISMS in CONTEMPORARY LATIN AMERICAN
<half title>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS</half title> i Traditions in World Cinema General Editors Linda Badley (Middle Tennessee State University) R. Barton Palmer (Clemson University) Founding Editor Steven Jay Schneider (New York University) Titles in the series include: Traditions in World Cinema Linda Badley, R. Barton Palmer, and Steven Jay Schneider (eds) Japanese Horror Cinema Jay McRoy (ed.) New Punk Cinema Nicholas Rombes (ed.) African Filmmaking Roy Armes Palestinian Cinema Nurith Gertz and George Khleifi Czech and Slovak Cinema Peter Hames The New Neapolitan Cinema Alex Marlow-Mann American Smart Cinema Claire Perkins The International Film Musical Corey Creekmur and Linda Mokdad (eds) Italian Neorealist Cinema Torunn Haaland Magic Realist Cinema in East Central Europe Aga Skrodzka Italian Post-Neorealist Cinema Luca Barattoni Spanish Horror Film Antonio Lázaro-Reboll Post-beur Cinema ii Will Higbee New Taiwanese Cinema in Focus Flannery Wilson International Noir Homer B. Pettey and R. Barton Palmer (eds) Films on Ice Scott MacKenzie and Anna Westerståhl Stenport (eds) Nordic Genre Film Tommy Gustafsson and Pietari Kääpä (eds) Contemporary Japanese Cinema Since Hana-Bi Adam Bingham Chinese Martial Arts Cinema (2nd edition) Stephen Teo Slow Cinema Tiago de Luca and Nuno Barradas Jorge Expressionism in Cinema Olaf Brill and Gary D. Rhodes (eds) French Language Road Cinema: Borders,Diasporas, Migration and ‘NewEurope’ Michael Gott Transnational Film Remakes Iain Robert Smith and Constantine Verevis Coming-of-age Cinema in New Zealand Alistair Fox New Transnationalisms in Contemporary Latin American Cinemas Dolores Tierney www.euppublishing.com/series/tiwc iii <title page>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS Dolores Tierney <EUP title page logo> </title page> iv <imprint page> Edinburgh University Press is one of the leading university presses in the UK. -
Cyborgs in Latin America
CYBORGS IN LATIN AMERICA 9780230103900_01_prexii.indd i 5/7/2010 12:14:52 PM This page intentionally left blank Cyborgs in Latin America J. Andrew Brown 9780230103900_01_prexii.indd iii 5/7/2010 12:14:52 PM CYBORGS IN LATIN AMERICA Copyright © J. Andrew Brown, 2010. All rights reserved. First published in 2010 by PALGRAVE MACMILLAN® in the United States—a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN: 978–0–230–10390–0 Library of Congress Cataloging-in-Publication Data Brown, J. Andrew, 1970– Cyborgs in Latin America / J. Andrew Brown. p. cm. Includes bibliographical references. ISBN 978–0–230–10390–0 (alk. paper) 1. Spanish American fiction—20th century—History and criticism. 2. Science fiction, Spanish American—History and criticism. 3. Cyborgs in literature. 4. Cyborgs in mass media. 5. Cyborgs in motion pictures. 6. Literature and technology—Latin America— History—20th century. 7. Mass media and technology—Latin America—History—20th century. 8. Human beings—Philosophy. I. Title. PQ7082.S34B76 2010 863Ј.087620998—dc22 2009047964 A catalogue record of the book is available from the British Library. -
Cuál Será La Amenaza Letal Esta Vez? En La Sala, Pegado a Tu Asiento, La Víctima Eres Tú
ROSTROS Los MITOS del MIEDO De noche, solo. ¿Cuál será la amenaza letal esta vez? En la sala, pegado a tu asiento, la víctima eres tú. El cine despertó los mitos más escalofriantes y acercó a nuestras puertas a personajes que nunca dejarán de perseguirnos. Las figuras del horror trascienden en el tiempo, pero la mutación ha sido un factor decisivo en su evolución. Hemos querido recopilar su historia, sobre todo reciente, y representaciones más notables. En este espacio los hombres lobo, los vampiros, los fantasmas o los serial killers están al acecho. 14 VENTANA INDISCRETA │N°6 │Universidad de Lima ROSTROS El gabinete del doc tor Ca ligar i. VENTANA INDISCRETA │N°6 │Universidad de Lima 15 ROSTROS Asesinos en serie (1984), por ejemplo, terminan por y el representante de los viajeros matar a un grupo de hippies en un cósmicos y de apariencia aberrante, Desde muy temprano, quizá con El caso, y jóvenes promiscuos en el otro, varados en una mina abandonada en gabinete del doctor Caligari (1920), como consecuencia de su “desorden Vinieron de otro mundo (1953); y la la figura del serial killer en el cine ha sexual”. repulsiva visión de la infiltración or - gozado siempre de una gran popula - gánica de Los usurpadores de cuer- Ya en los noventa, aparecen serial ridad. Ya sea utilizada como un sím - pos (1956), película cuyos rastros se killers en clave más posmoderna, bolo de la represión moderna norte - extienden a la igual de antológica con Seven (1995) y su asesino de los americana, o como un mero goce de ceremonia de alumbramiento de la pecados capitales, con El coleccio- la posmodernidad, o de cualquier criatura en Alien, el octavo pasajero nista de huesos (1999) y su psicópata otra forma posible, el asesino en serie (1979), la notable película de Ridley ha tenido y seguirá teniendo un lugar que imita los asesinatos de un libro, incluso con Tesis (1996) y su asesi- Scott, que por cierto terminó de in - privilegiado en las pantallas y en las dagar en ese constante coqueteo que retinas de cualquier espectador. -
A History of American Christianity
A History of American Christianity Author(s): Bacon, Leonard Woolsey (1830-1907) Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Description: Bacon introduced his History of American Christianity at the very end of the 19th century. The book appeared just after the violence and controversy of the American Civil War, and just as that of racial segregation and the World Wars began to brew. In spite of this, Bacon's History highlights the glories and triumphs of Christianity's development in the United States. In particular, he focuses on how all kinds of Christians from many different countries have met and come together in America. He looks forward to a future in which these Christians can live united in faith.While some critique Bacon's History for its perhaps excessive patriotism, others appreciate Bacon's ecumenical vision. In any case, the book stands in a rather unique place in American history. By virtue of this, it tells the story of American Christianity in a way particularly refreshing for an American era characterized by the political polarization of the church. Kathleen O'Bannon CCEL Staff Subjects: Christianity History By Region or Country i Contents Title Page 1 Contents 4 A History of American Christianity. 12 Chapter I. Providential Preparations for the Discovery of America—Spiritual 13 Revival throughout Christendom, and Especially in the Church of Spain. Chapter II. Spanish Conquest—The Propagation, Decay, and Downfall of Spanish 16 Christianity. Chapter III. The Project of French Empire and Evngelization—Its Wide and Rapid 22 Success—Its Sudden Extinction. Chapter IV. Antecedents of Permanent Christian Colonization—The 31 Disintegration of Christendom—Controversies—Persecutions. -
November 23, 2015 Wrestling Observer Newsletter
1RYHPEHU:UHVWOLQJ2EVHUYHU1HZVOHWWHU+ROPGHIHDWV5RXVH\1LFN%RFNZLQNHOSDVVHVDZD\PRUH_:UHVWOLQJ2EVHUYHU)LJXUH)RXU2« RADIO ARCHIVE NEWSLETTER ARCHIVE THE BOARD NEWS NOVEMBER 23, 2015 WRESTLING OBSERVER NEWSLETTER: HOLM DEFEATS ROUSEY, NICK BOCKWINKEL PASSES AWAY, MORE BY OBSERVER STAFF | [email protected] | @WONF4W TWITTER FACEBOOK GOOGLE+ Wrestling Observer Newsletter PO Box 1228, Campbell, CA 95009-1228 ISSN10839593 November 23, 2015 UFC 193 PPV POLL RESULTS Thumbs up 149 (78.0%) Thumbs down 7 (03.7%) In the middle 35 (18.3%) BEST MATCH POLL Holly Holm vs. Ronda Rousey 131 Robert Whittaker vs. Urijah Hall 26 Jake Matthews vs. Akbarh Arreola 11 WORST MATCH POLL Jared Rosholt vs. Stefan Struve 137 Based on phone calls and e-mail to the Observer as of Tuesday, 11/17. The myth of the unbeatable fighter is just that, a myth. In what will go down as the single most memorable UFC fight in history, Ronda Rousey was not only defeated, but systematically destroyed by a fighter and a coaching staff that had spent years preparing for that night. On 2/28, Holly Holm and Ronda Rousey were the two co-headliners on a show at the Staples Center in Los Angeles. The idea was that Holm, a former world boxing champion, would impressively knock out Raquel Pennington, a .500 level fighter who was known for exchanging blows and not taking her down. Rousey was there to face Cat Zingano, a fight that was supposed to be the hardest one of her career. Holm looked unimpressive, barely squeaking by in a split decision. Rousey beat Zingano with an armbar in 14 seconds. -
María Rodríguez GUÍA PEDAGÓGICA N° 7
E.P.E.T. 4 TERCER AÑO LENGUA GUÍA PEDAGÓGICA N° 7 E.P.E.T N° 4 NIVEL SECUNDARIO - ESPACIO CURRICULAR: Lengua CURSOS Y DIVISIONES: 3°1°, 3°2°, 3°3°, 3°4°, 3°5° Y 3°6° TURNOS: Mañana y Tarde DOCENTES: Laura Fernández - Marcela Nasrala - María Rodríguez TEMA: Crónica y Tramas de los textos La Crónica Periodística La crónica periodística es un relato de acontecimientos de carácter informativo. A pesar de ser la impresión visual personal del periodista, siempre tiende a mantener la objetividad. Por lo general las crónicas periodísticas están basadas en temas que son de corte noticioso y por tanto de interés para un público amplio. Este tipo de relatos puede ser de contenido político, económico, social, cultural, artístico, religioso, deportivo, entre otros asuntos. Su desarrollo implica el uso de un lenguaje sencillo, preciso y directo. Es una narración detallada, secuencial y es minuciosa en su descripción. Parte del trabajo del periodista es investigar acerca del suceso para así poder tener una visión más amplia. La crónica periodística no solo se encarga de informar, sino que presenta una relación ordenada de los hechos, se encarga de explicar sus causas y expone una opinión acerca del tema dentro de su desarrollo Los titulares de la crónica anticipan la información (una causa, una consecuencia, el lugar en que sucedió). Además de la trama narrativa (narración de los hechos), se utiliza la trama descriptiva (descripciones de tiempo, espacio y protagonistas) y la conversacional (testimonios a través de las voces de testigos y de especialistas). También se insertan comentarios y evaluaciones del autor de la crónica que se reconocen por el uso de ciertas palabras y expresiones llamadas subjetivemos. -
UNIVERSITY of CALIFORNIA Los Angeles from Hom(E)Ophobia to Hom(E)Oerotics: Searching for a “Substitute for Salvation” In
UNIVERSITY OF CALIFORNIA Los Angeles From Hom(e)ophobia to Hom(e)oerotics: Searching for a “Substitute for Salvation” in the Corpus of John Rechy A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Chicana and Chicano Studies by Omar González 2019 © Copyright by Omar González 2019 ABSTRACT OF THE DISSERTATION From Hom(e)ophobia to Hom(e)oerotics: Searching for a “Substitute for Salvation” in the Corpus of John Rechy by Omar González Doctor of Philosophy in Chicana and Chicano Studies University of California, Los Angeles, 2019 Professor Alicia Gaspar de Alba, Chair Several years before the chants of “¡Si se puede!” and “Chicano Power!” echoed through the fields of central California and against the pavement of East Los Angeles, a burgeoning Chicano writer named John Rechy from El Paso, Texas, disrupted the established rhetoric of racial binary politics with works such as “El Paso del Norte,” Evergreen Review (1958), and “Jim Crow Wears a Sombrero,” The Nation (1960). These articles represent two of the earliest works describing the racial apartheid experienced by Chicanas/os in Texas written from a Chicano perspective. Rechy then exposed another taboo, the homosexual underground of the pre-Stonewall Rebellion (1969) era, when one’s presence in a gay bar elicited harsh retribution from the state—from sex-offender status registration to involuntary electroshock therapy. Rechy’s debut novel, City of Night (1963), is a semi-autobiographical tale of a nameless protagonist navigating urban America as a hustler defying a society that criminalized queer ii bodies, desires, and lives. -
Guzmán, Coco, 2019. Process Documentation of Drawings of Boats from Las Cosas Que Se Quedan
Las cosas que se quedan The things that remain by Coco Guzmán A thesis exhibition presented to OCAD University in partial fulfillment of the requirements for the degree of Master of Fine Arts in INTERDISCIPLINARY MASTER’S IN ART, MEDIA AND DESIGN Bachir/Yerex Presentation Space, 401 Richmond Street West February 20th – March 9th, 2019 Toronto, Ontario, Canada, April, 2019 © Coco Guzmán 2019 AUTHOR’S DECLARATION I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize OCAD University to lend this thesis to other institutions or individuals for the purpose of scholarly research. I understand that my thesis may be made electronically available to the public. I further authorize OCAD University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. Signature: Coco Guzmán ii Coco Guzman, OCAD University, Las cosas que se quedan / The things that remain, Master of Fine Arts, Interdisciplinary Master’s in Art, Media and Design, 2019 ABSTRACT This MFA exhibition thesis explores the relationships between borders, embodied memories, ghosts, and non-linear narratives through practice-based research that incorporates drawing, installation, and performance. The body of work utilizes the space as a site of memory and storytelling, where the viewer walks, remembers and stitches together fragments of a larger story. Using multiple drawing strategies and installation approaches, the exhibition raises questions about the representability of the haunting, the narrative strategies of impossible stories, and the absence-presence of the body from the art work. -
The Christian Foundation of America's Original Thirteen Colonies
The Christian Foundation of America’s Original Thirteen Colonies BY GLENN SWYGART At a time when the Christian foundation of American character is under Satanic attack, Americans must be reminded that those who established the original colonies were Christians whose primary motivation was freedom to practice and propagate Biblical Christianity. History teachers in elementary and secondary schools should communicate this foundational truth to their students, who can then transmit it to future generations. Post-Reformation Background It was in the sovereign plan of God that the beginnings of what became the United States coincided with the aftermath of the Protestant Reformation of the sixteenth century. In the spirit of Biblical truth, three major groups developed in the seventeenth century whose goals were to make that truth free in both belief and practice; thus all became champions of religious freedom. The first of these groups were the English Baptists, who were the result of two separate Reformation movements. First, the Swiss Anabaptists, whose basis was Believer’s Baptism and opposition to state churches. Second, the English Separatist Puritans, whose foundation was religious freedom. The origin of the English Baptists came in 1609, when John Smyth, a Separatist Puritan pastor who had taken his Gainsborough Congregation to Holland, came under the influence of the Anabaptists. Smyth and his church adopted Believer’s Baptism and strengthened their opposition to a state church. After Smyth died about 1612, part of his congregation returned to England and became the General Baptists. The English Particular Baptists began in 1638 with a stronger Calvinistic influence. Both groups impacted the early colonies for religious liberty.