The Antiphonary of Bangor
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The Antiphonary of Bangor and Its Musical Implications
The Antiphonary of Bangor and its Musical Implications by Helen Patterson A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Music University of Toronto © Copyright by Helen Patterson 2013 The Antiphonary of Bangor and its Musical Implications Helen Patterson Doctor of Philosophy Graduate Department of Music University of Toronto 2013 Abstract This dissertation examines the hymns of the Antiphonary of Bangor (AB) (Antiphonarium Benchorense, Milan, Biblioteca Ambrosiana C. 5 inf.) and considers its musical implications in medieval Ireland. Neither an antiphonary in the true sense, with chants and verses for the Office, nor a book with the complete texts for the liturgy, the AB is a unique Irish manuscript. Dated from the late seventh-century, the AB is a collection of Latin hymns, prayers and texts attributed to the monastic community of Bangor in Northern Ireland. Given the scarcity of information pertaining to music in early Ireland, the AB is invaluable for its literary insights. Studied by liturgical, medieval, and Celtic scholars, and acknowledged as one of the few surviving sources of the Irish church, the manuscript reflects the influence of the wider Christian world. The hymns in particular show that this form of poetical expression was significant in early Christian Ireland and have made a contribution to the corpus of Latin literature. Prompted by an earlier hypothesis that the AB was a type of choirbook, the chapters move from these texts to consider the monastery of Bangor and the cultural context from which the manuscript emerges. As the Irish peregrini are known to have had an impact on the continent, and the AB was recovered in ii Bobbio, Italy, it is important to recognize the hymns not only in terms of monastic development, but what they reveal about music. -
Historical Perspective on Change & Growth in the Church
Historical Perspective on Change & Growth in the Church Don’t know much about history…. We are a historical people. God chose a people to make His own and from which would come a Savior. The Church was born not only out of the Jewish world of Pentecost but also out of the Greco-Roman world which believed that the Pax Romana was the final chapter. We, the Church, have been given the call to reveal the true Kingdom of Peace to a world still confident in its own power. The History of the Liturgy is the only way to glimpse the power of that Kingdom alive in each epoch, including our own. Jewish Roots—Meal and Word Passover and Seder Elements o Berakoth—classic blessings for food, land and Jerusalem o Todah—an account of God’s works and a petition that the prayers of Israel be heard o Tefillah—great intercessions o Kiddush—Holy is God o Haggadah—great narrative of salvation o Hallel—Psalms 113-118 recited at Passover Synagogue Elements o Readings from Torah, Prophets and Wisdom o Teachings o Singing of Cantor, mainly psalms Early Greco-Roman Elements—from home meal to House Church Paul and problem of agape in I Cor 11, from the 50’s o Divisions among you o Every one in haste to eat their supper, one goes hungry while another gets drunk o Institution Narrative o Whoever eats or drinks unworthily sins against the body and blood of the Lord o One should examine himself first, then eat and drink o Whoever eats or drinks without recognizing the body eats and drinks a judgment on himself o That is why so many are sick and dying o Therefore when -
The Search for San Ffraid
The Search for San Ffraid ‘A thesis submitted to the University of Wales Trinity Saint David in the fulfillment of the requirements for the degree of Master of Arts’ 2012 Jeanne Mehan 1 Abstract The Welsh traditions related to San Ffraid, called in Ireland and Scotland St Brigid (also called Bride, Ffraid, Bhríde, Bridget, and Birgitta) have not previously been documented. This Irish saint is said to have traveled to Wales, but the Welsh evidence comprises a single fifteenth-century Welsh poem by Iorwerth Fynglwyd; numerous geographical dedications, including nearly two dozen churches; and references in the arts, literature, and histories. This dissertation for the first time gathers together in one place the Welsh traditions related to San Ffraid, integrating the separate pieces to reveal a more focused image of a saint of obvious importance in Wales. As part of this discussion, the dissertation addresses questions about the relationship, if any, of San Ffraid, St Brigid of Kildare, and St Birgitta of Sweden; the likelihood of one San Ffraid in the south and another in the north; and the inclusion of the goddess Brigid in the portrait of San Ffraid. 2 Contents ABSTRACT ........................................................................................................................ 2 CONTENTS........................................................................................................................ 3 FIGURES ........................................................................................................................... -
Thesis Or Dissertation
SANCTI ET LINGUAE: THE CLASSICAL WORLD IN THE EYES OF HIBERNIA _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by MARIA MAHONEY Dr. Charles Saylor, Thesis Supervisor MAY 2008 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled SANCTI ET LINGUAE: THE CLASSICAL WORLD IN THE EYES OF HIBERNIA presented by Maria Mahoney, a candidate for the degree of master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Charles Saylor Professor Raymond Marks Professor A. Mark Smith ________________________________________________________ Iacobo Bogowith magistro sapienti ac benevolo hunc laborem dedico. ACKNOWLEDGEMENTS I thank all the members of the Classics Department who put up with me for two years while I traveled back and forth from Arkansas to the University of Missouri and who adjusted their schedules to accommodate mine so that I could continue to teach my Arkansan homeschoolers. They and I are profoundly grateful. Dr. Schenker helped me to catch up in Greek during my first semester and Silvia Sarais spent hours of her own study time and struggled through our language barrier to give me a thorough grounding in Greek grammar and style. I owe to them my competence in Greek Dr. Smith patiently endured my arguments and tardiness time and again and gave me wonderful, thought-provoking insights both in his medieval philosophy class and during the thesis process. Dr. Marks taught me Greek prose composition during my second year and gave me helpful suggestions for further research. -
I. a Humanist John Merbecke
Durham E-Theses Renaissance humanism and John Merbecke's - The booke of Common praier noted (1550) Kim, Hyun-Ah How to cite: Kim, Hyun-Ah (2005) Renaissance humanism and John Merbecke's - The booke of Common praier noted (1550), Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2767/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Renaissance Humanism and John Merbecke's The booke of Common praier noted (1550) Hyun-Ah Kim A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Durham University Department of Music Durham University .2005 m 2001 ABSTRACT Hyun-Ah Kim Renaissance Humanism and John Merbecke's The booke of Common praier noted (1550) Renaissance humanism was an intellectual technique which contributed most to the origin and development of the Reformation. -
The Bugnini-Liturgy and the Reform of the Reform the Bugnini-Liturgy and the Reform of the Reform
in cooperation with the Church Music Association of America MusicaSacra.com MVSICAE • SACRAE • MELETEMATA edited on behalf of the Church Music Association of America by Catholic Church Music Associates Volume 5 THE BUGNINI-LITURGY AND THE REFORM OF THE REFORM THE BUGNINI-LITURGY AND THE REFORM OF THE REFORM by LASZLO DOBSZAY Front Royal VA 2003 EMINENTISSIMO VIRO PATRI VENERABILI ET MAGISTRO JOSEPHO S. R. E. CARDINALI RATZINGER HOC OPUSCULUM MAXIMAE AESTIMATIONIS AC REVERENTIAE SIGNUM D.D. AUCTOR Copyright © 2003 by Dobszay Laszlo Printed in Hungary All rights reserved under International and Pan-American Conventions. No part of these texts or translations may be reproduced in any form without written permission of the publisher, except for brief passages included in a review appearing in a magazine or newspaper. The author kindly requests that persons or periodicals publishing a review on his book send a copy or the bibliographical data to the following address: Laszlo Dobszay, 11-1014 Budapest, Tancsics M. u. 7. Hungary. K-mail: [email protected] Contents INTRODUCTION Page 9 1. HYMNS OF THE HOURS Page 14 2. THE HOLY WEEK Page 20 3. THE DIVINE OFFICE Page 45 4. THE CHANTS OF THE PROPRIUM MISSAE VERSUS "ALIUS CANTUS APTUS" Page 85 5. THE READINGS OF THE MASS AND THE CALENDAR Page 121 6. THE TRIDENTINE MOVEMENT AND THE REFORM OF THE REFORM Page 147 7. HIGH CHURCH - LOW CHURCH: THE SPLIT OF CATHOLIC CHURCH MUSIC Page 180 8. CHURCH MUSIC AT THE CROSSROADS Page 194 A WORD TO THE READER Page 216 Introduction The growing displeasure with the "new liturgy" introduced after (and not by) the Second Vatican Council is characterized by two ideas. -
ABOUT the Middle of the Thirteenth Century the Dean and Chapter of St
XIII.—Visitations of certain Churches in the City of London in the patronage of St. Paul's Cathedral Church, between the years 1138 and 1250. By W. SPARROW SIMPSON, D.D., Sub-Dean and Librarian of St. Paul's. Read January 16, 1896. ABOUT the middle of the thirteenth century the Dean and Chapter of St. Paul's Cathedral Church made a minute and careful visitation of churches in their gift, lying in the counties of Essex, Hertfordshire, and Middlesex. The text of that visitation has been lately printed in a volume issued by the Camden Society.'1 The record of their proceedings is so copious that a clear and distinct account can be given of the ornaments, vestments, books, and plate belonging to these churches; and some insight can be gained into the relations which existed between the parishioners, the patrons, and the parish priest. The visitations now for the first time printed are not so full and ample as could be desired. But so little authentic information is to be gathered about the furniture and ornaments of churches in the city of London at this very early period, that even these brief records may be acceptable to antiquaries. The manuscript from which these inventories have been transcribed is one of very high importance. Mr. Maxwell Lyte describes it as " a fine volume, of which the earlier part was written in the middle of the twelfth century," and he devotes about eighteen columns of closely-printed matter to a calendar of its contents illustrated by very numerous extracts." The book is known as Liber L, and the most important portions of it are now in print. -
Liturgical Press Style Guide
STYLE GUIDE LITURGICAL PRESS Collegeville, Minnesota www.litpress.org STYLE GUIDE Seventh Edition Prepared by the Editorial and Production Staff of Liturgical Press LITURGICAL PRESS Collegeville, Minnesota www.litpress.org Scripture texts in this work are taken from the New Revised Standard Version Bible: Catholic Edition © 1989, 1993, Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved. Cover design by Ann Blattner © 1980, 1983, 1990, 1997, 2001, 2004, 2008 by Order of Saint Benedict, Collegeville, Minnesota. Printed in the United States of America. Contents Introduction 5 To the Author 5 Statement of Aims 5 1. Submitting a Manuscript 7 2. Formatting an Accepted Manuscript 8 3. Style 9 Quotations 10 Bibliography and Notes 11 Capitalization 14 Pronouns 22 Titles in English 22 Foreign-language Titles 22 Titles of Persons 24 Titles of Places and Structures 24 Citing Scripture References 25 Citing the Rule of Benedict 26 Citing Vatican Documents 27 Using Catechetical Material 27 Citing Papal, Curial, Conciliar, and Episcopal Documents 27 Citing the Summa Theologiae 28 Numbers 28 Plurals and Possessives 28 Bias-free Language 28 4. Process of Publication 30 Copyediting and Designing 30 Typesetting and Proofreading 30 Marketing and Advertising 33 3 5. Parts of the Work: Author Responsibilities 33 Front Matter 33 In the Text 35 Back Matter 36 Summary of Author Responsibilities 36 6. Notes for Translators 37 Additions to the Text 37 Rearrangement of the Text 37 Restoring Bibliographical References 37 Sample Permission Letter 38 Sample Release Form 39 4 Introduction To the Author Thank you for choosing Liturgical Press as the possible publisher of your manuscript. -
The Writings of Patrick, the Apostle of Ireland
CHRISTIAN CLASSICS SERIES VI ********** THE WRITINGS OF PATRICK of 3|celan&, CHRISTIAN CLASSICS SERIES. Each volume cloth uncut , boards, gilt top, edges. I. Cur Deus Homo ? by ANSELM, Archbishop of Can- terbury. Translated, with Introduction, Analysis, and Notes, by E. S. PROUT, M.A. 25. II. The Enchiridion of Augustine. 25. III. De Incarnatione Verbi Dei, by ATHANASIUS, Arch- bishop of Alexandria. Translated, with an Intro- duction, Analysis, and Notes, by T. HERBERT BINDLEY, M.A. 25. Basil IV. the Great on the Holy Spirit. Translated, with an Analysis and Notes, by the Rev. GEORGE LEWIS, M.A. 2s. V. The Obedience of a Christian Man, by WILLIAM TYNDALE, Translator and Martyr. Edited, with Introduction, Analysis, and Notes, by R. LOVETT, M.A. 25. 6d. CLASSICS SERIES VI THE WRITINGS OF PATRICK of A REVISED TRANSLATION WITH NOTES CRITICAL AND HISTORICAL BY THE Rev. CHARLES H. H. WRIGHT, D.D. Of Trinity College, Dublin, M.A. of Exeter College, Oxford, Ph.D. of the University ofLeipzig, Banip- ton Lecturer for- 1878 in the University of Ox- ford, Donncllcin Lecturer (i 880-81) in the University ofDublin, Examiner in He- brew, N. T. Greek, and Scrip. Hist., University ofLondon. RELIGIOUS TRACT SOCIETY 56, PATERNOSTER Row, AND 164, PICCADILLY. EDITORIAL NOTE. THE Committee of the Religious Tract Society have undertaken the issue of the famous theological treatises included in this Series in the hope that they will be widely read and studied, not only by professed students, but also by the thoughtful general readers of the present day. Each treatise is complete in itself, and, as far as possible, gives the full text exactly as it came from the pen of the author, even when adherence to this principle involves variation in bulk and price, and the occasional retention of a few passages not fully in accord with the general teaching of the Society. -
A Commentary on the General Instruction of the Roman Missal
A Commentary on the General Instruction of the Roman Missal A Commentary on the General Instruction of the Roman Missal Developed under the Auspices of the Catholic Academy of Liturgy and Cosponsored by the Federation of Diocesan Liturgical Commissions Edited by Edward Foley Nathan D. Mitchell Joanne M. Pierce Foreword by the Most Reverend Donald W. Trautman, S.T.D., S.S.L. Chairman of the Bishops’ Committee on the Liturgy 1993–1996, 2004–2007 A PUEBLO BOOK Liturgical Press Collegeville, Minnesota A Pueblo Book published by Liturgical Press Excerpts from the English translation of Dedication of a Church and an Altar © 1978, 1989, International Committee on English in the Liturgy, Inc. (ICEL); excerpts from the English translation of Documents on the Liturgy, 1963–1979: Conciliar, Papal, and Curial Texts © 1982, ICEL; excerpts from the English translation of Order of Christian Funerals © 1985, ICEL; excerpts from the English translation of The General Instruction of the Roman Missal © 2002, ICEL. All rights reserved. Libreria Editrice Vaticana omnia sibi vindicat iura. Sine ejusdem licentia scripto data nemini licet hunc Lectionarum from the Roman Missal in an editio iuxta typicam alteram, denuo imprimere aut aliam linguam vertere. Lectionarum from the Roman Missal in an editio iuxta typicam alteram—edition iuxta typica, Copyright 1981, Libreria Editrice Vaticana, Città del Vaticano. Excerpts from documents of the Second Vatican Council are from Vatican Council II: The Basic Sixteen Documents, edited by Austin Flannery, © 1996 Costello Publishing Company, Inc. Used with permission. Cover design by David Manahan, OSB. Illustration by Frank Kacmarcik, OblSB. © 2007 by Order of Saint Benedict, Collegeville, Minnesota. -
THE DISSEMINATION and RECEPTION of the ORDINES ROMANI in the CAROLINGIAN CHURCH, C.750-900
THE DISSEMINATION AND RECEPTION OF THE ORDINES ROMANI IN THE CAROLINGIAN CHURCH, c.750-900 Arthur Robert Westwell Queens’ College 09/2017 This dissertation is submitted for the degree of Doctor of Philosophy 2 Arthur Robert Westwell Thesis Summary: The Dissemination and Reception of the Ordines Romani in the Carolingian Church, c.750- 900. The ordines romani are products of a ninth-century attempt to correct liturgy across Europe. Hitherto, scholarship has almost exclusively focused on them as sources for the practices of the city of Rome, narrowly defined, disregarding how they were received creatively and reinterpreted in a set of fascinating manuscripts which do not easily fit into traditional categories. This thesis re- envisages these special texts as valuable testimonies of intent and principle. In the past few decades of scholarship, it has been made very clear that what occurred under the Carolingians in the liturgy did not involve the imposition of the Roman rite from above. What was ‘Roman’ and ‘correct’ was decided by individuals, each in their own case, and they created and edited texts for what they needed. These individuals were part of intensive networks of exchange, and, broadly, they agreed on what they were attempting to accomplish. Nevertheless, depending on their own formation, and the atmosphere of their diocese, the same ritual content could be interpreted in numerous different ways. Ultimately, this thesis aims to demonstrate the usefulness of applying new techniques of assessing liturgical manuscripts, as total witnesses whose texts interpret each other, to the ninth century. Each of the ordo romanus manuscripts of the ninth century preserves a fascinating glimpse into the process of working out what ‘correct’ liturgy looked like, by people intensely invested in that proposition. -
I VATICAN II and the LITURGY
VATICAN II AND THE LITURGY: REVISITING LOST TRADITIONS By MARY L ZIMMERMAN A thesis submitted to the Graduate School – Camden Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Arts in Liberal Studies Graduate Program in Liberal Studies Written under the direction of Dr. John Wall And approved by Camden, New Jersey January 2011 i ABSTRACT OF THE THESIS Vatican II and the Liturgy: Revisiting Lost Traditions By MARY L ZIMMERMAN Thesis Director: Dr. John Wall The purpose of this thesis is to evaluate the changes that occurred in the Catholic liturgy either by the council fathers or by over-zealous liturgists who ignored the decree of Vatican II and chose to interpret the Vatican‟s directives in their own way. I will examine the various parts of the mass before and after Vatican II. I will visit a traditional mass (pre-Vatican II) to determine its usefulness in today‟s world. I will look at past traditions swept aside post Vatican II and determine if these traditions still hold value to Catholic‟s today. ii TABLE OF CONTENTS Abstract of the Capstone ii Table of Contents iii I. Introduction 1 II. The Tridentine Mass 2 III. Visiting A Traditional Mass 5 IV. John XXIII and Vatican II 7 V. Changes in the Ordinary of the Mass 11 VI. Scholars Debate Vatican II And Its Goofs 13 VII. Imagery, Lost Traditions, And Rituals 20 VIII. The Latin Mass Today 25 IX. Conclusion 29 X. Final Thoughts 31 XI. Bibliography 33 iii 1 INTRODUCTION “When the Christian soul in its distress cannot find words to implore God’s mercy, it repeats ceaselessly and with a vehement faith the same invocation.