English Antiphonary

Total Page:16

File Type:pdf, Size:1020Kb

English Antiphonary ENGLISH ANTIPHONARY THE LITURGY OF THE HOURS ACCORDING TO THE ROMAN RITE ENGLISH ANTIPHONARY IN PLAINCHANT ADAPTED FROM THE "ANTIPHONALE ROMANUM" AND THE "ANTIPHONLE MONASTICUM" PREPARED BY THE MONKS OF SOLESMES ABBEY LAUDS, VESPERS, AND COMPLINE FOR SUNDAYS, FEASTS, AND SOLEMNITIES PREPARED BY AARON WILLIAMS JACKSON MMXIV THE PROPER OF TIME ADVENT FIRST SUNDAY OF ADVENT VESPERS I Introductory Rite, p. ###. Hymn Creator of the Stars of Night, p. 8. Antiphon 1 II* a P ! == RO-"--------- claim#-#===+=== * the#--------- good$----------- news#------- a-mong%-----#====- the$------ na-tions:#--------#===;=- Our&--------- God'-----( ! ==will) ------- come*-------- to+------- save"------- us.,==-==.==%=$=,==-=========================================-- Psalms and Canticle, Sunday Week I, p. ###. Antiphon 2 V a K !NOW==$=====- that,-------- the$-------- Lord/=== is,------ com-ing0-----*==-+=-= * and*--------- with+-------- him,-------- all$===- his#--------- saints;$=;-1 ! ==that$------- day$-------- will#----------- dawn2---------- with2------ a$ ------ won-der-ful,------+------3------- light,+==-+= al-le-lu-ia.,--4---*---*==-==5==#=2=,==-==-==== Antiphon 3 II* a T ! == HE,--------- Lord4--------- will$--------- come6====+=== * with$====- might-y7-------#===- pow-er;6------#----;--- all&------ mor-tal'---)------ eyes)----8 4 First Sunday of Advent ! ==will3=== see,9$9, ----- him.,==-==.==%=$=,==-==========-===========================-============== Reading 1 Th 5: 23-24 May the God of peace make you perfect in holiness. May he preserve you whole and entire, spirit, soul, and body, irreproachable at the coming of our Lord Jesus Christ. He who calls us trustworthy, therefore he will do it. After the reading, the responsory Lord, show us, p. 10. Antiphon at the Magnificat I f S : == EE;----- the,------- Lord<------+---- * com-$=%#- %>% ---- ing$------ from?-6----- 'a- ---far;' ==;== his2-------- splen-dor2------+------- fills2$9, =-the+==8 : ==- earth.*@2A+-B-CD==-==5==2=$=,==-=========-===============================--============== Intercessions Jesus Christ is the joy and happiness of all who look forward to his coming. † Let us call upon him and say: r Come, Lord, and do not delay! In joy, we wait for your coming, come, Lord Jesus. r Before time began, you shared life with the Father, come now and save us. r You created the world and all who live in it, come to redeem the work of your hands. r You did not hesitate to become man, subject to death, come to free us from the power of death. r You came to give us life to the full, come and give us your unending life. r Lauds 5 You desire all people to live in love in your kingdom, come and bring together those who long to see you face to face. r Our Father, p. ###. Prayer Grant your faithful, we pray, almighty God, the resolve to run forth to meet your Christ with righteous deeds at his coming, † so that, gathered at his right hand, * they may be worthy to possess the heavenly kingdom. Through our Lord Jesus Christ, your Son, † who lives and reigns with you in the unity of the Holy Spirit, * one God, for ever and ever. Concluding Rite, p. ###. LAUDS Introductory Rite, p. ###. Hymn D A ! == , ----------- THRILL-+-------------- ing,---------- voice$------- by#------ Jor-dan%-------#--------- rings,#------+- re-buk-ing$-----#-------%-------- guiltE------- and$----F ! ==dark-some#----------%------------- things:#====;-== vain#------------ dreams#---------- of%----- sinG----- and$------- vis-ions2-------,------- fly;+===+------ Christ,--------- in+------ His,--------1 ! might==$------------ shines#------------ forth%===== on#------- high.#==-==================================================- 2. Now let each torpid soul arise, 4. That when again he shines revealed, that sunk in guilt and wounded lies; and trembling words to terror yield. see! the new Star's refulgent ray he gave not sin its just reward, shall chase disease and sin away. but in his love protect and guard. 3. The Lamb descends from heav'n above 5. To our high Parent glory be to pardon sin with freest love: and to the Son be victory, for such indulgent mercy shewn and to the Spirit praise is owed with tearful joy our thanks we own. from age to age eternally. Amen. 6 First Sunday of Advent Antiphon 1 VIII g O : == 2 N-H ----- that<-------- day2===+=== * sweet2----------- wine2---------- will2-------- flow6---------- from2-------- the$---------- moun-tains,2----------,-----;---- I : ==milk2--------- and$------- ho-ney%------2--------- from2===== the,-------- hills,*------ ,al-le-lu-ia.---<----2---2==-==J==#=$=2==-=========-========--- Psalms and Canticle, Sunday Week I, p. ###. Antiphon 2 I f T : == HE*---------- moun-tains*----------K--------- and,--------- hills<===+=== * will$------- sing$-' ------- praise,--------- to+------- God;*==;=-= all,----- the,----- I : ==trees2-------- of$----- the2------- for-estL-----2==+== will$-------- clapM--------- their#----------- hands,$===|== for$==- he' --- is+------ com-ing,L-------,-------- the*--------- Lord,-------- of+-( : == a, ----- king-dom*---------K==;== thatN-------- lasts2-2=== for+------ ev-er,L----2----- al-+--- )le---- lu-ia.*---*==-==5==2=$=,==-=======-=====-==== Antiphon 3 II* a A : == + --------- GREAT"---------- pro-phet#-#-------#===+==- * will$===== come7==== to#---- Je-ru-sa-lem;$----#----#----#-----;--- of,------ that#-------- peo-$----I : == ple2------ he,------- will+====- make*------- +a----- new,-------- cre-a-tion.$----,-----,==-==.==%=$=,==-==================-=========- Lauds 7 Reading Ro 13: 11-12 It is now the hour for you to wake from sleep, for our salvation is closer than when we first accepted the faith. The night is far spent; the day draws near. Let us cast off deeds of darkness and put on the armor of Light. Responsory r br. C HRIST,:==+====== Son+------- of,=== the*------ liv-ing+------,--------4 God,2------;------- * have+------- mer-cyO------K----- onP=== us.+== -v=-==- YouK=-= 8 : == are3=== the+==== one+==== whoO==-= is+---- to,-------- come.2==== -v==== Glo-ry+------2 ---- to2------ the2=== Fa-ther,$------$==== and$=-== to2------ the$==== Son,+=+- Q : == and+==== to+----- the+------ Ho-ly)----*----- Spi-rit.4------2==-=======-===========================================- Antiphon at the Benedictus VIII g T : == HE2===- Ho-ly3==-,------ Spir-it<==2====== * will2===== come2--------- up-on$-----2------- you,,--------- Ma-ry;<----$----;---- you$---------- have$ : == no$-------- needM===- to$----- be2==- a-fraid.2-----2-----|------ You2-------- will2------ car-ry$------2 ----- in,------ yourR-SC-------- womb*------+---- the$------- Son2-2==- of,------- God,*----( : == al-le-lu-ia.,=<---2==2==-==========================-=======================================---- Intercessions To God our Father, who has given us the grace to wait in joyful hope for the revelation of our Lord Jesus Christ, † let us make our prayer: r Show us your mercy, Lord. 8 First Sunday of Advent Sanctify us in mind and body, keep us without sin until the coming of your Son. r Make us walk this day in holiness, and live upright and devout lives in this world. r May we become clothed in our Lord Jesus Christ, and filled with the Holy Spirit. r Lord, help us to stand watchful and ready until your Son is revealed in all his glory. r Our Father, p. ###. Prayer Grant your faithful, we pray, almighty God, the resolve to run forth to meet your Christ with righteous deeds at his coming, † so that, gathered at his right hand, * they may be worthy to possess the heavenly kingdom. Through our Lord Jesus Christ, your Son, † who lives and reigns with you in the unity of the Holy Spirit, * one God, for ever and ever. Concluding Rite, p. ###. VESPERS II Introductory Rite, p. ###. Hymn D C : == RE-+---- Ka-tor----+------ of2----- the$-------- stars$-------- of,==== night,2===+=== Thy2---------- peo-ple's$------,------- ev-er-last-ing2----,=-+==-*-====- Q : ==light,+===-;== Je-sus,2-----,------- Re-deem-er,*------+------,------- save+==== us*------ all,K===+=== andK--------- hear+--------- Thy,==== ser-vants2-------,---------- when+=====-= 8 : ==they*--------- call.+==-=========-============================================================ 2. Thou, grieving that the ancient curse hast found the med'cine full of grace, should doom to death a universe, to save and heal a ruined race. Vespers II 9 3. Thou cam'st, the Bridegoom 5. O Thou whose coming is with dread, of the Bride, to judge and doom as drew the world to evening tide, the quick and dead, proceeding from a vigin shrine, preserve us, while we dwell below, the spotless Victim all divine. from every insult of the foe. 4. At whose dread Name, majestic now, 6. To God the Father, God the Son, all knees must bend, all hearts must bow; and God the Spirit, Three in One, and things celestial Thee shall own, laud, honor, might and glory be, and things terrestrial, Lord alone. from age to age eternally. Amen. Antiphon 1 VIII g R : == E-"----- $=Tjoice,-U-VWXYZ - E ------------ * daugh-ter[------$------ of7=== Zi-on;'----2----;----- shoutH------- for+==== joy,*----+------ daugh-+==-( : == ter,----- of2---- $Je-ru-sa-lem,----2----L----R-SD ------ al-le-,---L=- lu-ia.2---2==-==J==#=$=2==-================================ Psalms and Canticle, Sunday Week I, p. ###. Antiphon 2 V a C !HRIST==)---------- our,--------- King*======== * will+--------- come"====- to#----- us:$--+--- the$--------- Lamb7===== of#=== God\-W]S ---+-- fore-&-=1 ! == told'------ by,=== John.*+*==-==5==#=2=,==-==================-===============================-- Antiphon 3 VI f I : ==
Recommended publications
  • The Antiphonary of Bangor and Its Musical Implications
    The Antiphonary of Bangor and its Musical Implications by Helen Patterson A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Music University of Toronto © Copyright by Helen Patterson 2013 The Antiphonary of Bangor and its Musical Implications Helen Patterson Doctor of Philosophy Graduate Department of Music University of Toronto 2013 Abstract This dissertation examines the hymns of the Antiphonary of Bangor (AB) (Antiphonarium Benchorense, Milan, Biblioteca Ambrosiana C. 5 inf.) and considers its musical implications in medieval Ireland. Neither an antiphonary in the true sense, with chants and verses for the Office, nor a book with the complete texts for the liturgy, the AB is a unique Irish manuscript. Dated from the late seventh-century, the AB is a collection of Latin hymns, prayers and texts attributed to the monastic community of Bangor in Northern Ireland. Given the scarcity of information pertaining to music in early Ireland, the AB is invaluable for its literary insights. Studied by liturgical, medieval, and Celtic scholars, and acknowledged as one of the few surviving sources of the Irish church, the manuscript reflects the influence of the wider Christian world. The hymns in particular show that this form of poetical expression was significant in early Christian Ireland and have made a contribution to the corpus of Latin literature. Prompted by an earlier hypothesis that the AB was a type of choirbook, the chapters move from these texts to consider the monastery of Bangor and the cultural context from which the manuscript emerges. As the Irish peregrini are known to have had an impact on the continent, and the AB was recovered in ii Bobbio, Italy, it is important to recognize the hymns not only in terms of monastic development, but what they reveal about music.
    [Show full text]
  • Historical Perspective on Change & Growth in the Church
    Historical Perspective on Change & Growth in the Church Don’t know much about history…. We are a historical people. God chose a people to make His own and from which would come a Savior. The Church was born not only out of the Jewish world of Pentecost but also out of the Greco-Roman world which believed that the Pax Romana was the final chapter. We, the Church, have been given the call to reveal the true Kingdom of Peace to a world still confident in its own power. The History of the Liturgy is the only way to glimpse the power of that Kingdom alive in each epoch, including our own. Jewish Roots—Meal and Word Passover and Seder Elements o Berakoth—classic blessings for food, land and Jerusalem o Todah—an account of God’s works and a petition that the prayers of Israel be heard o Tefillah—great intercessions o Kiddush—Holy is God o Haggadah—great narrative of salvation o Hallel—Psalms 113-118 recited at Passover Synagogue Elements o Readings from Torah, Prophets and Wisdom o Teachings o Singing of Cantor, mainly psalms Early Greco-Roman Elements—from home meal to House Church Paul and problem of agape in I Cor 11, from the 50’s o Divisions among you o Every one in haste to eat their supper, one goes hungry while another gets drunk o Institution Narrative o Whoever eats or drinks unworthily sins against the body and blood of the Lord o One should examine himself first, then eat and drink o Whoever eats or drinks without recognizing the body eats and drinks a judgment on himself o That is why so many are sick and dying o Therefore when
    [Show full text]
  • The Bugnini-Liturgy and the Reform of the Reform the Bugnini-Liturgy and the Reform of the Reform
    in cooperation with the Church Music Association of America MusicaSacra.com MVSICAE • SACRAE • MELETEMATA edited on behalf of the Church Music Association of America by Catholic Church Music Associates Volume 5 THE BUGNINI-LITURGY AND THE REFORM OF THE REFORM THE BUGNINI-LITURGY AND THE REFORM OF THE REFORM by LASZLO DOBSZAY Front Royal VA 2003 EMINENTISSIMO VIRO PATRI VENERABILI ET MAGISTRO JOSEPHO S. R. E. CARDINALI RATZINGER HOC OPUSCULUM MAXIMAE AESTIMATIONIS AC REVERENTIAE SIGNUM D.D. AUCTOR Copyright © 2003 by Dobszay Laszlo Printed in Hungary All rights reserved under International and Pan-American Conventions. No part of these texts or translations may be reproduced in any form without written permission of the publisher, except for brief passages included in a review appearing in a magazine or newspaper. The author kindly requests that persons or periodicals publishing a review on his book send a copy or the bibliographical data to the following address: Laszlo Dobszay, 11-1014 Budapest, Tancsics M. u. 7. Hungary. K-mail: [email protected] Contents INTRODUCTION Page 9 1. HYMNS OF THE HOURS Page 14 2. THE HOLY WEEK Page 20 3. THE DIVINE OFFICE Page 45 4. THE CHANTS OF THE PROPRIUM MISSAE VERSUS "ALIUS CANTUS APTUS" Page 85 5. THE READINGS OF THE MASS AND THE CALENDAR Page 121 6. THE TRIDENTINE MOVEMENT AND THE REFORM OF THE REFORM Page 147 7. HIGH CHURCH - LOW CHURCH: THE SPLIT OF CATHOLIC CHURCH MUSIC Page 180 8. CHURCH MUSIC AT THE CROSSROADS Page 194 A WORD TO THE READER Page 216 Introduction The growing displeasure with the "new liturgy" introduced after (and not by) the Second Vatican Council is characterized by two ideas.
    [Show full text]
  • Liturgical Press Style Guide
    STYLE GUIDE LITURGICAL PRESS Collegeville, Minnesota www.litpress.org STYLE GUIDE Seventh Edition Prepared by the Editorial and Production Staff of Liturgical Press LITURGICAL PRESS Collegeville, Minnesota www.litpress.org Scripture texts in this work are taken from the New Revised Standard Version Bible: Catholic Edition © 1989, 1993, Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved. Cover design by Ann Blattner © 1980, 1983, 1990, 1997, 2001, 2004, 2008 by Order of Saint Benedict, Collegeville, Minnesota. Printed in the United States of America. Contents Introduction 5 To the Author 5 Statement of Aims 5 1. Submitting a Manuscript 7 2. Formatting an Accepted Manuscript 8 3. Style 9 Quotations 10 Bibliography and Notes 11 Capitalization 14 Pronouns 22 Titles in English 22 Foreign-language Titles 22 Titles of Persons 24 Titles of Places and Structures 24 Citing Scripture References 25 Citing the Rule of Benedict 26 Citing Vatican Documents 27 Using Catechetical Material 27 Citing Papal, Curial, Conciliar, and Episcopal Documents 27 Citing the Summa Theologiae 28 Numbers 28 Plurals and Possessives 28 Bias-free Language 28 4. Process of Publication 30 Copyediting and Designing 30 Typesetting and Proofreading 30 Marketing and Advertising 33 3 5. Parts of the Work: Author Responsibilities 33 Front Matter 33 In the Text 35 Back Matter 36 Summary of Author Responsibilities 36 6. Notes for Translators 37 Additions to the Text 37 Rearrangement of the Text 37 Restoring Bibliographical References 37 Sample Permission Letter 38 Sample Release Form 39 4 Introduction To the Author Thank you for choosing Liturgical Press as the possible publisher of your manuscript.
    [Show full text]
  • A Commentary on the General Instruction of the Roman Missal
    A Commentary on the General Instruction of the Roman Missal A Commentary on the General Instruction of the Roman Missal Developed under the Auspices of the Catholic Academy of Liturgy and Cosponsored by the Federation of Diocesan Liturgical Commissions Edited by Edward Foley Nathan D. Mitchell Joanne M. Pierce Foreword by the Most Reverend Donald W. Trautman, S.T.D., S.S.L. Chairman of the Bishops’ Committee on the Liturgy 1993–1996, 2004–2007 A PUEBLO BOOK Liturgical Press Collegeville, Minnesota A Pueblo Book published by Liturgical Press Excerpts from the English translation of Dedication of a Church and an Altar © 1978, 1989, International Committee on English in the Liturgy, Inc. (ICEL); excerpts from the English translation of Documents on the Liturgy, 1963–1979: Conciliar, Papal, and Curial Texts © 1982, ICEL; excerpts from the English translation of Order of Christian Funerals © 1985, ICEL; excerpts from the English translation of The General Instruction of the Roman Missal © 2002, ICEL. All rights reserved. Libreria Editrice Vaticana omnia sibi vindicat iura. Sine ejusdem licentia scripto data nemini licet hunc Lectionarum from the Roman Missal in an editio iuxta typicam alteram, denuo imprimere aut aliam linguam vertere. Lectionarum from the Roman Missal in an editio iuxta typicam alteram—edition iuxta typica, Copyright 1981, Libreria Editrice Vaticana, Città del Vaticano. Excerpts from documents of the Second Vatican Council are from Vatican Council II: The Basic Sixteen Documents, edited by Austin Flannery, © 1996 Costello Publishing Company, Inc. Used with permission. Cover design by David Manahan, OSB. Illustration by Frank Kacmarcik, OblSB. © 2007 by Order of Saint Benedict, Collegeville, Minnesota.
    [Show full text]
  • I VATICAN II and the LITURGY
    VATICAN II AND THE LITURGY: REVISITING LOST TRADITIONS By MARY L ZIMMERMAN A thesis submitted to the Graduate School – Camden Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Arts in Liberal Studies Graduate Program in Liberal Studies Written under the direction of Dr. John Wall And approved by Camden, New Jersey January 2011 i ABSTRACT OF THE THESIS Vatican II and the Liturgy: Revisiting Lost Traditions By MARY L ZIMMERMAN Thesis Director: Dr. John Wall The purpose of this thesis is to evaluate the changes that occurred in the Catholic liturgy either by the council fathers or by over-zealous liturgists who ignored the decree of Vatican II and chose to interpret the Vatican‟s directives in their own way. I will examine the various parts of the mass before and after Vatican II. I will visit a traditional mass (pre-Vatican II) to determine its usefulness in today‟s world. I will look at past traditions swept aside post Vatican II and determine if these traditions still hold value to Catholic‟s today. ii TABLE OF CONTENTS Abstract of the Capstone ii Table of Contents iii I. Introduction 1 II. The Tridentine Mass 2 III. Visiting A Traditional Mass 5 IV. John XXIII and Vatican II 7 V. Changes in the Ordinary of the Mass 11 VI. Scholars Debate Vatican II And Its Goofs 13 VII. Imagery, Lost Traditions, And Rituals 20 VIII. The Latin Mass Today 25 IX. Conclusion 29 X. Final Thoughts 31 XI. Bibliography 33 iii 1 INTRODUCTION “When the Christian soul in its distress cannot find words to implore God’s mercy, it repeats ceaselessly and with a vehement faith the same invocation.
    [Show full text]
  • History of Liturgical Books, Part I
    Welcoming the New Roman Missal The History of Liturgical Books eventually developed into three different products. In 785, Pope Hadrian gave one of these to Charlemagne (d. 814), who Part I: An Unbroken Tradition extended its use throughout his empire. Extensive additions gradually were made for local use. We reverently carry in the Book of Gospels in the Other liturgical books, too, were developing in the first opening procession of Mass. The server brings the nine centuries. Where once a Bible had simply been marked Sacramentary to the priest so that he might recite the with marginal notes, it became a more practical matter to organize the readings into epistle books (epistolaries) or gospel opening prayer. The reader approaches the ambo books (evangeliaries). As early as the fifth century, lectionaries and reads from the Lectionary. But what is the history organized selected passages (pericopes) according to the of these sacred books and why are they so important liturgical year. to how we worship? Early church ordos (plural – ordines) contained rubrics or instructions for how the Mass, sacramental rites and other Our liturgical texts bear witness to an “unbroken tradition” ceremonies were to be performed. A series of famous Roman [GIRM 6] of how the church has worshipped for 2,000 years. Ordines became the norm for papal, episcopal, monastic and The third edition of the Roman Missal, which we will use in parochial practices. All these orders now provide fascinating November 2011, is the latest step in this tradition. glimpses into how early worshippers celebrated initiation, In the early church, worship was conducted by ordinations, Masses, funerals and even coronations.
    [Show full text]
  • LITURGICAL DEVELOPMENT of the MASS-Ill
    LITURGICAL DEVELOPMENT OF THE MASS-Ill ALEXIUS SIMONES, O.P. FTER the Credo, the catechumens having been dismissed, the root of the service-the repetition of what Our Lord did at the Last Supper-begins. Our Lord took bread and · wine. So bread and wine must first be brought to the cele­ brant and placed before him on the altar. St. Justin says that "bread and a cup of wine are brought to the president of the brethren." Originally at this point the people brought up bread and wine which were received by the deacon and placed on the credence table. How­ ever, in the Eastern rites and in the Gallican rite a later practice of preparing the bread and wine before the beginning of the Mass grew up. Rome alone kept the original practice of offering them at this point, when they are about to be consecrated. In the Middle Ages, as the public presentation of the gifts by the people had disappeared, there seemed to be a void. This interval was fi lled up by our present offertory prayers. But even before the disappearance of this public presentation, the choir sang merely to fill up the time while the sil ent action of offering the gifts proceeded. The offertory chant is of great antiquity. Like the Introit and Communion chants, this chant was always an entire psalm in the early ages. By the time of the first Roman Ordo, the psalm was re­ duced to an antiphon with one or two verses of the psalm. In the Gregorian Antiphonary it is still the same.
    [Show full text]
  • Virginity in Liturgy Aelred Tegels
    Marian Studies Volume 13 Article 9 1-9-1962 Virginity in Liturgy Aelred Tegels Follow this and additional works at: https://ecommons.udayton.edu/marian_studies Part of the Catholic Studies Commons, Christianity Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Tegels, Aelred (1962) "Virginity in Liturgy," Marian Studies: Vol. 13, Article 9, Pages 99-121. Available at: https://ecommons.udayton.edu/marian_studies/vol13/iss1/9 This Article is brought to you for free and open access by the Marian Library Publications at eCommons. It has been accepted for inclusion in Marian Studies by an authorized editor of eCommons. For more information, please contact [email protected], [email protected]. Tegels: Virginity in Liturgy VIRGINITY IN THE LITURGY An invitation to prepare a paper on the subject of vir­ ginity in the liturgy, with a request for emphasis on its spiritual meaning, on its theological significance, as I take it, is most encouraging evidence of the growing recognition in our time of liturgy as a locus theologicus in the full sense of that term. Until quite recently no one would have dreamed of making such demands on the liturgy. Theologians have, indeed, since the time of the Reformation, made use of the liturgy, but for the most part very sparingly, and almost exclusively for the purpose of documenting the existence of dogmas in Tradition.1 It is only in the past few decades, and more precisely since Pius XI, in a celebrated audience, characterized it as "the most important organ of the ordinary magisterium of the Church," 2 that there has been any general attempt to utilize liturgy for the purpose of elaborating the positive content of dogmas.
    [Show full text]
  • The Book Collection at St Guthlac's Priory, Hereford, Before 1200
    The Book Collection at St Guthlac’s Priory, Hereford, Before 1200: Acquisition, Adaptation and Use Christopher Ian Tuckley Submitted in accordance with the requirements for the degree of PhD The University of Leeds Institute for Medieval Studies June 2009 The candidate confirms that the work is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. ACKNOWLEDGEMENTS I have been particularly fortunate in having had the benefit of sponsorship throughout my research: the first three years of study were funded by the White Rose Consortium of universities, which also paid a stipend. A generous grant from the Lynne Grundy Trust allowed me to present a paper on the priory book collection at the International Congress on Medieval Studies at Kalamazoo, Michigan, in May 2008. Thanks are due to a number of individuals within the academic community for their assistance and advice in the completion of this thesis. Debby Banham, Orietta Da Rold, Sarah Foot, William Flynn, Richard Gameson, Monica Green, Thom Gobbit, Michael Gullick, Juliet Hewish, Geoffrey Humble, Takako Kato, Bella Millet, Alan Murray, Katie Neville, Clare Pilsworth, Richard Sharpe, Rodney Thomson, Elaine Trehame, Karen Watts, and the staff of the Bodleian, Jesus College, Hereford Cathedral and York Minster libraries have all given guidance at one point or another. I also gratefully acknowledge the help of the Dean and Chapter of Hereford Cathedral. Julia Barrow’s advice has been especially valuable in making sense of a number of medieval charters relating to St Guthlac’s Priory, and I owe her a great debt of gratitude in this respect.
    [Show full text]
  • Theological Studies Spelling, Abbreviations, and Preferred Usage
    Theological Studies Spelling, Almighty, the Abbreviations, and Preferred Alpha and Omega (Christ) Usage Guide Ambrosian Rite, Missal, chant Revised August 9, 2017 Amendment, First, etc. (For words not covered here, consult CMOS chap. 8. Note that TS favors anamnesis American usage, not British.) anaphora ancient Near East A angel Gabriel, the Angelus a fortiori Anglican Church a posteriori Anglican orders a priori Annunciation, the (feast of) a.m., p.m. annunciation, the (to Mary) Abba (for Jesus’s reference to the Anointed One (Christ) Father) anointing, sacrament of abba, amma ante-Nicene abbey, abbot, abbess anti-Semitism, anti-Semitic AD 68, avoid: use 68 CE or 68 BCE Antichrist ad hoc Antiochene Rite ad hominem antiphon ad limina Antiphonary, the Adoptionism, Adoptionists Apocalypse, the Advent season Apocrypha, apocryphal Advocate, the (Holy Spirit) apologetic African-American (noun & adj.) Apologists (Justin Martyr, etc.) agape apostasy Age of Reason, Enlightenment, etc. apostle Paul, the aggiornamento Apostle to the Gentiles Agnus Dei apostles agony in the garden, the Apostles’ Creed Alexandrine Rite apostolic All Saints Day apostolic blessing All Souls Day apostolic church Alleluia (before the Gospel) apostolic constitution almighty God apostolic exhortation (by a pope) beatific vision Apostolic Fathers Beatitudes, the Apostolic See Being (God) appendixes Beloved Apostle, the archabbot Beloved Disciple, the archangel Michael, the Benediction of the Blessed Sacrament archdiocese Benedictus Archdiocese of Seattle berakah (pl.:
    [Show full text]
  • English Chant English Chant
    ENGLISH CHANT Resources for Singing the Propers and Ordinary of the Roman Rite Mass in English Presentation by Steven W. Medicis, Director of Music, Saint James Church, Syracuse, New York The Role of Chant in the Roman Rite Liturgy According to the Constitution on the Sacred Liturgy (Sacrosanctum Concilium), one of the constitutions of the Second Vatican Council solemnly promulgated by His Holiness Pope Paul VI on December 4, 1963, • 116. The Church acknowledges Gregorian chant as spypecially suited to the Roman liturgy: therefore, other things being equal, it should be given pride of place in liturgical services. But other kinds of sacred music, especially polyphony, are by no means excluded from liturgical celebrations, so long as they accord with the spirit of the liturgical action... • 117. The typical edition of the books of Gregorian chant is to be completed; and a more critical edition is to be prepared of those books already published since the restoration by St. Pius X. It is desirable also that an edition be prepared containing simpler melodies, for use in small churches. The Roman Gradual • The “typical edition” specified in Article 117 is the Roman Gradual (Graduale Romanum), available in hardcopy form from several Catholic publishers of sacred music including CanticaNOVA Publications, GIA Publications, and OCP. • The Roman Gradual is the primary official book of liturgical music for the Roman Rite. • First published in 1908 at the request of Pope Saint Pius X by the Benedictine monks of Abbaye Saint‐Pierre de Solesmes in France and revised in 1974 following the issuance of the Roman Missal (Missale Romanum) of 1970.
    [Show full text]