mediapool Veranstaltungsservice GmbH 1992 Tempelhofer Ufer 17a Expo Sevilla D-10963 Berlin Fon +49 30 236 362 0 Fax +49 30 236 362 71 all the colours www.mediapool-berlin.de 1997 Potsdamer Platz R T AT of your music R E A *

M E

S JUN 5

1 12 E * 20 World & Jazz Networking N 1992 – 2012 D I L Trade Fair every day E A D Two decades in the service of culture Showcase Festival Conference 1999 Networking Japan in Film Market Awards virtualWOMEX

2000 10 years of German unity

2009 Giants in Berlin SUBSCRIPTIONS print edition eu 62 € | extra eu 77 €

PDF edition 14 €

Thessaloniki, Greece app iPad ULTIMA KIOSK 2,39 € 17–21 October 2012 www.womex.com THE FIRST ITALIAN MUSIC MAGAZINE 2011 www.giornaledellamusica.it | [email protected] 60 years of German Federal Police

classical_cover_11mm.indd 1 02.05.12 12:44 Classical Next Level : Bob Beaman Kellerstraße Gasteig Bob Beaman Thursday 21:00 – 23:30

Carl Oesterhelt in a Quartet (Germany) Minas Borboudakis (Greece/Germany) DJ Dan-Thanh (Germany) Visuals: Philipp Stegmüller (Germany)

Bob Beaman Am Gasteig Gabelsbergerstr. 4/on the corner Amalienstr., 80333 München/Maxvorstadt Phone: +49 177 254 74 76 Carl-Or-Saal

To get to the Bob Beaman club from the main station, take the subway line U5 to ““. Live Showcases Foyer Carl-Or-Saal Gallery F To get to the club from Gasteig, take the S-Bahn lines S1-S8 to “/city centre“ and Philharmonieo y Mentoring Sessions continue one stop on the subway line U3 or U6 to “Odeonsplatz“. The Bob Beaman club can also er Meet the Artists Receptions be reached by bus line 100 to “Odeonsplatz“, departing from ‘s main station. Black Box Conference Presen- EG 0117 Classical Next Level : Harry Klein tations Harry Klein VHS Vortragssaal Friday 21:00 – 23:30 Networking Meetings Restaurant ”Gast“ Musicians of MKO (Germany)

Double Drums (Germany) Classical:NEXT Entrance < DJ Dan-Thanh (Germany) Meeting Area Bistro Visuals: Jandoon & Proximal (Germany) Rosenheimer Straße Registration Ground Floor Media Counter Internet Harry Klein Corner Cloakroom Sonnenstr. 8, close to , 80331 München 1st Floor [email protected] | Phone: +49 894 028 74 00

Ground Floor Vortragssaal To get to the Harry Klein club from the main station, take the subway line U8 or the S-Bahn der Bibliothek (city train) lines S1-S8 to “Karlsplatz“ which only takes a few minutes. The S-Bahn lines S1-S8 1st Floor IMZ Film Screenings also depart from “Rosenheimer Platz“ close to Gasteig. 2nd Floor Video Showcases Delegates must show their badges and wristbands to get free access to the Expo (1st Floor) Rosenheimer Classical Next Level concerts – subject to capacity. Platz > Showcases/Club Showcases A – Z For Directions to the Clubs > Back Flap Inside

classical_cover_11mm.indd 2 02.05.12 12:44 Index

Program Expo 5 Overview 42 Umbrella Stands A – Z 6 Schedule 43 Exhibitor Presentation/Expo Map 70 Exhibitors A – Z First Word 13 Greeting Dr. Hans-Georg Küppers, Conference Director of the Department of Arts 76 Conference Sessions and Culture, City of Munich 83 Mentoring Sessions A – Z 15 Greeting Dr. Rainer Kahleyss and 84 Networking Meetings and Presentations Werner Dabringhaus, CLASS Association 86 Biographies A – Z of Classical Independents in Germany 17 Greeting Jennifer Dautermann, IMZ Film Screenings Project Director, Classical:NEXT 92 IMZ Film Screenings

Network Showcases 21 Advisory Board 102 Opening and Closing 22 Jury Members 104 Live Showcases A – Z 24 Partners 123 Video Showcases A – Z 26 Photographer 131 Classical Next Level – Club Showcases A – Z 27 Advertisers A – Z Delegates Classical:NEXT A – Z 138 Companies A – Z 30 From Badges to ”Who is Coming“ 165 Individuals A – Z

Destination Munich Credits 34 Getting Around 178 Imprint 34 Places to Eat 179 Team 37 Things to See 39 Service Front Flap Inside Plant Layout Gasteig Back Flap Inside Directions to Clubs Classical Next Ad outline.indd 1 29/03/2012 15:04 SIE HABEN ES IN DER HAND Die Informations- und Planungshilfe jede Woche auf dem Schreibtisch Overview

Wednesday 30 May 15:00 – 18:00 Registration and Badge Pick-Up, Foyer first floor 15:00 – 18:00 Expo Set-Up, Foyer first floor 19:00 – 22:00 Opening, Carl-Orff-Saal

Thursday 31 May 09:00 – 18:00 All-Day Registration and Badge Pick-Up, Foyer first floor

09:00 – 18:00 Expo, Foyer first floor ew i

10:00 – 11:45 Conference Sessions 1 + 2, Black Box v r

11:00 – 15:00 Video Showcases, Vortragssaal der Bibliothek e 12:00 – 17:30 Live Showcases, Carl-Orff-Saal v O

13:00 – 14:00 Presentation, Black Box 13:30 – 15:00 Mentoring Sessions, Foyer Carl-Orff-Saal Gallery 15:00 – 16:45 Conference Sessions 3 + 4, Black Box a 15:00 – 18:00 Networking Meetings, VHS Vortragssaal (EG 0117) 16:00 – 22:15 IMZ Film Screenings, Vortragssaal der Bibliothek Pm r o g r / 17:30 – 18:00 Meet the Artists Reception, Foyer Carl-Orff-Saal Gallery 21:00 – 23:30 Classical Next Level – Club Showcases, Bob Beaman (Club)

Friday 01 June 09:00 – 18:00 All-Day Registration and Badge Pick-Up, Foyer Carl-Orff-Saal 09:00 – 18:00 Expo, Foyer first floor 10:00 – 11:45 Conference Sessions 5 + 6, Black Box 11:00 – 15:00 Video Showcases, Vortragssaal der Bibliothek 12:00 – 21:45 Live Showcases, Carl-Orff-Saal 13:00 – 14:00 Presentation, Black Box 15:00 – 16:45 Conference Sessions 7 + 8, Black Box 16:00 – 22:05 IMZ Film Sreenings, Vortragssaal der Bibliothek 16:45 – 17:15 Special Presentation (Live Showcase), Carl-Orff-Saal 17:30 – 18:00 Meet the Artists Reception, Foyer Carl-Orff-Saal Gallery 21:00 – 23:30 Classical Next Level – Club Showcases, Harry Klein (Club)

MusikWoche – Das Fachmagazin für die Musikbranche bietet Saturday 02 June 09:00 – 12:00 Expo, Foyer first floor Ihnen eine einzigartige Servicewelt, genau abgestimmt auf 12:00 – 14:00 Closing, Black Box Ihre individuellen Bedürfnisse. For catering times and information check > Classical:Next A – Z Die Musikindustrie in Ihren Händen – immer und überall: www.musikwoche.de/servicewelt

DER BEAT DER BRANCHE 5

MW_Infoversicherung_160x209_2012_01.indd 1 29.03.12 13:23 including Conference Sessions, Mentoring Sessions, Networking Meetings & Presentations, IMZ Film Schedule Screenings, Opening & Closing, Live & Video Showcases, Meet the Artists Receptions, Club Showcases

Carl- Orff-Saal (COS) Black Box (BB) V ortragssaal der Bibliothek (VSB) V HS Vortragssaal (EG 0117) Foyer Carl-Orff-Saal Gallery Clubs (Bob Beaman/Harry Klein) Opening, Live Showcases Conference Sessions, Presentations, Closing Video Showcases, IMZ Film Screenings Networking Meetings Mentoring Sessions, Meet the Artists Receptions Classical Next Level – Club Showcases WED 30 MAY 19:00 – 22:00 Opening day Eldar Nebolsin (Uzbekistan/) day s Tianwa Yang (China/Germany) s Barbara Kozelj (Slovenia /The ) and Jan Schultsz (The Netherlands/Switzerland)

& T H U r Florian Uhlig (Germany) & T H U r

thu 31 MAY esday esday n 12:00 – 12:30 Live Showcase 10:00 – 10:45 Conference Session 1 11:00 – 11:20 Video Showcase 15:00 – 16:00 13:30 – 15:00 21:00 – 23:30 n Carion (Denmark) The Other Europeans Israeli Chamber Project (Israel/USA) Networking Meeting Mentoring Sessions Classical Next Level : Bob Beaman Renewal through folk and popular music International Association of Music Carl Oesterhelt in a Quartet (Germany) / W E D 12:45 – 13:15 Live Showcase Dr. 11:30 – 11:50 Video Showcase Information Centers (IAMIC) 17:30 – 18:00 Minas Borboudakis (Greece/Germany) m Le Jardin Secret (Belgium) Ensemble Capilla Flamenca (Belgium) Network presentation and Meet the Artists Reception DJ Dan-Thanh (Germany) a a 11:00 – 11:45 Conference Session 2 concrete project examples Visuals: Philipp Stegmüller (Germany) 17:00 – 17:30 Live Showcase Perspectives on Music Journalism Today 14:00 – 14:20 Video Showcase De Greef (Belgium)

r o g r Sjælland String Quartet (Denmark) The present and future of classical music Ring Ensemble (Germany) P journalism and media 17:00 – 18:00 Pm r o g r / WED Dürer (Chair), Condy, Duchen 14:30 – 14:50 Video Showcase Networking Meeting Red Note Ensemble (UK) Austrian Networking Session 13:00 – 14:00 Presentation Schläfer () Break Through into a New Dimension 16:00 – 17:40 IMZ Film Screening Dabringhaus, Schmidt-Lucas Night of Love – Waldbühne Berlin 2010

15:00 – 15:45 Conference Session 3 18:00 – 19:30 IMZ Film Screening Film Music as an Ear-Opener to Operavox – Animated Operas Contemporary Music Exploring the variety of modern music 19:45 – 22:15 IMZ Film Screening genres in the context of film La Traviata at Main Station Keller (Chair), Berman, Heyne

16:00 – 16:45 Conference Session 4 What is Better, a Community or a Crowd? Funding your next music project in the 21st century Walter (Chair), Douglass

6 7 Carl- Orff-Saal (COS) Black Box (BB) V ortragssaal der Bibliothek (VSB) V HS Vortragssaal (EG 0117) Foyer Carl-Orff-Saal Gallery Clubs (Bob Beaman/Harry Klein) Opening, Live Showcases Conference Sessions, Presentations, Closing Video Showcases, IMZ Film Screenings Networking Meetings Mentoring Sessions, Meet the Artists Receptions Classical Next Level – Club Showcases Fri 1 Jun 12:00 – 12:30 Live Showcase 10:00 – 10:45 Conference Session 5 11:00 – 12:00 Video Showcase 17:30 – 18:00 21:00 – 23:30 taste (Germany) Designing for Changing Audiences Portraits (Germany) Meet the Artists Reception Classical Next Level : Harry Klein What is the future for music venues? Musicians of MKO 12:45 – 13:15 Live Showcase Harris 14:00 – 14:20 Video Showcase (Munich Chamber Orchestra) (Germany) Daria van den Bercken Augustin Maurs (/Germany) Double Drums (Germany) (The Netherlands) 11:00 – 11:45 Conference Session 6 DJ Dan-Thanh (Germany) ay Copyright Extension for Phonograms 14:30 – 14:50 Video Showcase Visuals: Jandoon & Proximal (Germany) ay d d

r 13:30 – 14:00 Live Showcase The consequences for performers and Max Richter (Germany/UK) r Seda Röder (Turkey/Austria) record companies tu tu a Prof. Dr. Pennartz (Chair), Wunderlich, Janse 16:00 – 17:20 IMZ Film Screening a 16:45 – 17:15 Special Presentation Concert for Europe & S & S Open Goldberg Variations 13:00 – 14:00 Presentation (Japan/Belgium/Germany/USA) Break Through into a New Dimension 17:30 – 18:00 IMZ Film Screening day day

i Dabringhaus, Schmidt-Lucas Place i 19:00 – 19:30 Live Showcase

/ F r Salzburger Hofmusik (Austria) 15:00 – 15:45 Conference Session 7 18:00 – 18:25 IMZ Film Screening

Promoting Arts in the Age The Neighbour m a 19:45 – 20:15 Live Showcase of Digital Reproduction a Ensemble Variances (France) Leveraging Internet and social media to engage 18:45 – 19:45 IMZ Film Screening new audiences for cultural institutions A Little Nightmare Music r o g r

P 20:30 – 21:00 Live Showcase Dr. Dehli (Chair), Gruits, Kleeblatt Pm r o g r / Fr Sax Allemande (Germany) 20:00 – 22:05 IMZ Film Screening 16:00 – 16:45 Conference Session 8 La Clemenza di Tito 21:15 – 21:45 Live Showcase Classical Club Culture A Filetta (France) Two musical worlds exchange influence and inspiration Schneider (Chair), Hartig, Kellersmann

S at 2 Jun 12:00 – 12:30 Keynote A Game of Two Halves Where big is not necessarily better James Jolly (UK)

12:30 – 14:00 Closing Moritz Eggert (Germany) Orchester Jakobsplatz München (Germany) QNG – Quartet New Generation (Germany) Updated 02 May 2012, program subject to change. Please check www.twitter.com/ClassicalNEXT or the notice-board close to the media counter for the latest updates.

8 9 160x209:Layout 1 12.03.2012 9:56 Uhr Seite 1

INTERPRETEN Klassik und Jazz hautnah

Immer hautnah dabei: Ob Anne-Sophie Mutter, , oder – in FONO FORUM sprechen erleben große Interpreten in aller Offenheit.

JAZZ

Sie wollen mehr als Klassik und lieben anspruchsvolle Musik? Jeden Monat entführen wir Sie auch in die Welt des Jazz – vom Standard bis zum Freejazz und empfehlen die besten CDs.

ENTDECKUNGEN

Stets ein bisschen früher informiert: In FONO FORUM kommen nicht nur die Stars der Szene zu Wort, sondern wir stellen Ihnen auch Newcomer und unbekannte Talente vor.

CD-KRITIKEN

Jeden Monat im gut sortierten Zeitschriftenhandel. Oder nutzen Sie die vielen Vorteile eines Abonnements. Infos unter:

Nicht den Überblick verlieren: Jeden Monat bespricht ein www.fonoforum.de Team von qualifizierten Autoren für Sie die aktuellen CDs und empfiehlt die besten Aufnahmen. www.nitschke-verlag.de Foreword

The world’s Dr. Hans-Georg Küppers, Director of the Department of Arts and Culture, City of Munich

There are several music conferences in German-speaking countries; however, up S best-selling classical G until now there has not been a forum devoted especially to classical music in all of its manifestations, from the traditional forms of past centuries to contemporary ETIN

and experimental forms. As the director of the Department of Arts and Culture E R

music magazine of the City of Munich, I appreciate, naturally, that a new music conference called G

Classical:NEXT has been initiated here in our city. / D

* Schellnegger © Alessandra Over 42,000 copies sold every issue Many renowned participants contribute to Munich‘s reputation as a metropolis O Dr. Hans-Georg Küppers of first-class classical music: of the seven professional orchestras in our city, four

are internationally ranked among the best – from the Münchner Philharmoniker S R to the Symphonieorchester des Bayerischen Rundfunks and the Bayerische FI R T W Staatsorchester to the Münchener Kammerorchester. The Staatsoper and the ARD International Music Competition are famous across the globe. The top-class spectrum of concerts is supplemented by, among others, private organizations and the Bayerischer Rundfunk. Special mention in the area of contemporary classical music should be given in particular to the international music theater festival Munich Biennale and the musica viva. The Hochschule für Musik und Theater is one of the most venerable educational institutions, and the music library at the Gasteig Cultural Center is the largest public institute of its kind in Germany. And the more than 70 labels with offices in Munich and the surrounding area make an essential contribution with their publications to the development and presence of new musical trends here.

Dear visitors to the music conference, perhaps you will also find the time, in addition to your networking activities, to enjoy the multifaceted cultural life in our city. I would especially recommend the two evening events Classical Next Level in the clubs Harry Klein and Bob Beaman.

To find out more and to discuss advertising opportunities, contact Tom Drew I wish all of the participants as well as the organizers of Classical:NEXT a successful conference.  [email protected] +44 1179 338043 *Jan-Dec 2011 42,735

13

MUS_244_Housead_1dl.indd 1 2/4/12 14:10:53 “New Brooms Sweep Best”

We proudly present three Foreword by Classical:NEXT initiating partner CLASS – Association of new productions starring Classical Independents in Germany CECILIA BARTOLI

”New brooms sweep best“ an old proverb says. And no doubt about it: against the S G background of dramatically changing markets, rapid technological development, ever-changing production conditions and shifting reception of classical music, ETIN

there is a clear need for us to do our own tidying up and renovation work, despite E R

the “spring cleaning” already taking place throughout the industry. G / Classical labels, producers, sound engineers, distributors and technology D

partners have teamed up to form CLASS – the Association for Classical O Dr. Rainer Kahleyss Independents. Together with artists, journalists, agencies and classical enthusiasts,

Editor and distributor we‘ve recognised this need. We‘ve long been on the lookout for new tools to S R www.class-germany.de complete the task. FI R T W

We are therefore very pleased to have found the tireless team of WOMEX and the interested partners from the city of Munich that provide not only new brooms, but also the rooms. The cultural spaces of Gasteig are a most appropriate location for sweeping and tending to even the most isolated and hard-to-reach niches of classical‘s varied structure.

Händel GIULIO CESARE IN EGITTO Within these few days we will know exactly how much this new model is Recorded at Whitsun Festival 2012 in already motivating international dialogue. Classical:NEXT is young, brisk, unused – cooperation with Bel Air Media, ARTE France and ORF Werner Dabringhaus the new design is malleable and versatile. Promised! Diplom Tonmeister www.class-germany.de CLASS e. V. wishes Classical:NEXT all the very best on the way to a richly- Rossini Rossini deserved success – as a meeting place, a marketplace of ideas, as a powerful LE COMTE ORY OTELLO OSSIA IL forum, as an experimental showcase. And we have no doubt: Classical:NEXT MORO DI VENEZIA will be the force which will stir up plenty of dust on the exciting path to the classical music market of the future.

Zurich Opera House, 2012 Zurich Opera House, 2012

It‘s not simply our business - it‘s our passion.

15

Anz_160x209_RZ_V6.indd 1 27.03.12 12:19 Necessity Unites

Come together, survive and thrive at Classical:NEXT

Welcome to the first Classical:NEXT. This new international professionals forum S G for classical and art music was born of necessity. Up to now, the classical music community has been fragmented: early or contemporary; traditional ETIN

or experimental; live or recorded; institutions, associations or independent E R

individuals. These groupings meet separately at their own conferences or at G

events dedicated to a particular musical approach or era. The need for an event / SUBSCRIBE TO CLASSICAL MUSIC D © Michael Mann dedicated to the entire community has become increasingly apparent. O TODAY AND SAVE €27!* Jennifer Dautermann To bring these diverse scenes together, the CLASS Association of Classical

Project Director Independents in Germany approached piranha womex, for over 17 years a music S R Classical:NEXT industry networking facilitator and producer of WOMEX – the world music expo, Classical Music is the authoritative voice of the classical music profession, www.classicalnext.com FI R T W offering a behind-the-scenes approach to a fast changing industry. Encounter the one of the leading music trade fairs in Europe. The Department of Arts and Culture of the City of Munich was enthusiastic and supportive of the concept from the biggest movers and shakers in the business very start. To our initiating partner CLASS, the Department of Arts and Culture and read their expert views on the latest news of the City of Munich, as well as to our host venue, Gasteig, we express our and developments – as they happen. gratitude. Thank you for your support and guidance. Classical:NEXT could not have happened without you! A subscription to Classical Music gives you: The aim of Classical:NEXT is to gather all elements of the wide, multifarious » 24 issues of Classical Music world of classical together under one roof. All sectors, all epochs, all approaches. These combined forces have boundless potential to create powerful synergy. » Seven FREE annual supplements » FREE delivery, direct to your door FREE Remember that this first edition in 2012 is just the beginning, the start-up » FREE monthly e-news version. In the coming years we will develop Classical:NEXT together with you. It is an open platform – a forum for your needs, your wishes, your content. It‘s SUBSCRIBE BY 30 JUNE 2012 AND GET your place to meet, greet, expand your networks and horizons, to inform and be 24 ISSUES + 7 FREE SUPPLEMENTS FOR JUST €113. informed. We invite you, international professionals from all geographical regions and musical niches, to continue your engagement and to help spread the word.

ORDER ONLINE @ WWW.RHINEGOLD.CO.UK/CMNEXT United, we can become a force for positive energy and evolution: OR BY PHONE ON +44 1371 851892. QUOTE ‘CMNEXT’ celebrating the past, working in the present, looking to the future.

RHINEGOLD *saving on European cover price (€141.60). Offer ends 30 June 2012. UK and ROW orders also welcome – PUBLISHING please visit www.rhinegold.co.uk/cmnext for more information. UK offer price: £72. ROW offer price: $159.95. www.rhinegold.co.uk 17

CM.indd 1 03/04/2012 17:18:00 Das Magazin für klassische Musik & Lebensart Klassik lesen & hören

crescendo ist das Magazin für klassische Musik & Lebensart. Im Premium-Abo erwarten Sie 84 Seiten: Februar / März 2012 www.crescendo.de 7,90 euro n

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dition ium e Prem 34 Cd Vol. (1875–1937) PREMIUM AUSGABE Maurice Ravel inkl. and maria João pires appear by courtesy of CD 3:21

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/ 07_2011 Jahrgang 14 documentary written and directed by ralf pleger b47837 g 14 / 02_2011 ll Jahrgan Mit Beihefter B47837 as s aktue crescendo premium – das KlassiKmagazin Jahrgang 14 ausgabe 7_2011 dezember 2011 / Januar 2012 7,90 eur 7,90 2012 Januar / 2011 dezember 7_2011 ausgabe 14 Jahrgang KlassiKmagazin das – premium crescendo Cl Klavierkonzert d-moll, KV 466 14:40 Henry Purcell 6 i. allegro 8:31Premiumspeaker: rolf seelmann-eggebert edition 7 9:38 product management: euroarts music, berlin crescendo „The Plaint”. 7 ii. romance 8 iii. rondo. allegro assai dVd premastering: digital images Gmbh, halle/saale Giovanna Pessi, Susanna K. WallumrØd, Jane (ca.Achtman, 1170 – ca. 1230)Marco Ambrosini 03:09 sonderedition maria João pires, Klavier artist photos: Gonçalo rosa da silva (ECM 2226) ...... Die crescendocrescendo Abo-CD Premium-Abonnements. ist eine exklusive Leistung unseres booklet editors & subtitles: texthouse, hamburg (1881–1945) europa Konzert aus Lissabon Béla Bartók subtitle translations: adam blauhut (e); WaltHer von der vogelWeide Premium-Abonnenten erhalten sechs Mal Konzert für orchester, sz 116 Jean-claude poyet (F) berLiner phiLharmoniKer 8 9 i. introduzione. andante non troppo – music publishers: editions durand, paris (ravel); pierre bouLez „Vil wol gelopter got“. Ensemble Leones(1770 –1827) allegro vivace – tranquillo – tempo 1 9:39 Cdboosey & hawkes, newVol.35 York (bartók) jährlich eine hochwertigeAusgabe vorgestellten CD mit Werken Künstler. der in der aktuellen maria João pires (Naxos 8.572449) ...... 03:18 10 ii. Giuoco delle coppie. allegro scherzando 6:277:53 a production of euroarts music international, rbb, 11 iii. elegia. andante non troppo s c musi Profitieren auch Sie von diesem für Premium-Abonnenten12 iV. intermezzo interrotto. allegretto 4:24 10:14 nhK and brilliant media/VideaL in association with ludWig van BeetHoven Thirteen/Wnet, new York © 2003 euroart 9 13 V. Finale. pesante – presto international Gmbh, brilliant media/VideaL „Sonate für Klavier f-Moll, op. 2 Nr. 1” III. Menuetto. Allegretto. kostenlosen Bonus. Genießen Sie ab sofort Ihr „klingendes crescendo“. (1862–1918) 7:32 artwork (BR Klassik 900115) ...... (1774 –1850) 02:06 Claude Debussy © 2012 port media Gmbh Alexej Gorlatch, Symphonieorchester des Bayerischen Rundfunks, Bestellen Sie Ihr persönliches Premium-Abo: +49-(0)89-85 85 3514 48 Fêtesoder (aus: trois nocturnes) 1:16 Sebastian Tewinkel [email protected] Sie finden darin nicht nur unsere Abo-CD, sondern die FsK-Kennzeichnungen erfolgen auf der Grundlage von §§ 15 Abspann 12, 14 Jugendschutzgesetz. sie sind gesetzlich verbindliche Kenn- zeichen, die von der FsK im auftrag der obersten Landesjugend- JoHann Wenzel tomascHek auch deutlich mehr Inhaltpor tagen, in einer Interviews besonders und hochwertigen Hintergründe Ausstattung. behörden vorgenommen werden. die FsK-Kennzeichnungen sind 10 60 % mehr Re berliner philharmoniker, pierre boulez keine pädagogischen empfehlungen, sondern sollen sicherstellen, 12.01.2012 14:21:33 „An Linna“. Ildikó Raimondi, Leopold Hager 05:40 aus der Welt der Klassik. dass das körperliche, geistige oder seelische Wohl von Kindern und Bonus 19:00 Jugendlichen einer bestimmten altersgruppe nicht beeinträchtigt wird. Weitere informationen erhalten sie unter www.fsk.de. (Paladino Music pmr 0016) ...... (1732 –1809) Lissabon – ein porträt pic ture Gallery: bei der probe 11 JosePH Haydn (Genuin GEN 11218) ...... 07:24 (for promotional use only. Produziert von Port Media GmbH, München, Mastering: FARAO. „Streichquartett in g-Moll, op. 74, Nr.(1685 3“ II. –1750) Largo assai. Wir danken: Ars Produktion, Avanti Classic, Brilliant Classics, BR Klassik, Challenge Classics, Amaryllis Quartett Delos, ECM, Genuin, Harmonia Mundi, Naxos, Oehms Classics, Paladino Music) (For promotional use only.) (Brilliant Classics 94296) ...... gefragtesten Künstlern, 12 JoHann seBastian BacH „Konzert in D-Dur“ BWV 1053, I. Allegro. Erik Bosgraaf, Ensemble Cordevento

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(for promotional use only. Produziert von Port Media GmbH, München, Mastering: FARAO. Wir danken: Ars Produktion, Avanti Classic, Brilliant Classics, BR Klassik, Challenge Classics, Vorzugspreis von 49,90 EUR* – und sparen somit Delos, ECM, Genuin, Harmonia Mundi, Naxos, Oehms Classics, Paladino Music) 10 Prozent gegenüber dem Einzelkauf. crescendo_CD_0112.indd 2 12.01.2012 14:21:33 Oder 1x gratis probelesen: Sie erhalten eine Ausgabe crescendo inklusive Abo-CD.

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ClassicalNext160x209.indd 1 16.04.2012 13:32:25 Advisory Board

We deeply thank all advisory members for their guidance in shaping Classical:NEXT.

Matthias Brixel (Germany) d r

Publisher of klassik.com, director of eMusici GmbH a www.klassik.com B o

y r o s i v

Prof. Moritz Eggert (Germany) d

Pianist and composer, Professor at the University of Music and Performing Arts Munich www.moritzeggert.de k o

© Mara Eggert netwr / A Jürgen Enninger (Germany) Contact Bavaria at The Federal Government‘s Centre of Excellence for the Cultural and Creative Industries, Deputy Managing Director at RKW Bayern e.V., member of the Board of the German Association of Independent Music Companies (VUT) As the official airline network for Classical:NEXT, we’d like to thank you for choosing the Star Alliance™ network and hope that all goes really well for you here today.

Whilst you concentrate on the day’s events, we hope you’ll Christian May (Germany) consider us the next time you need to attend a conference. Founder of concert agency MELOS KONZERTE in Vienna, member of the Board of Directors With over 20,500 flights a day to 1,293 airports across 190 countries, at the International Artists Managers‘ Association – IAMA London, advisor for a number our 25 member airlines will extend a wide choice of flights to any of festivals and orchestras in Europe and South America, jury member for competitions in future conference you’re planning to attend. And no matter which of those airlines’ frequent flyer programmes you belong to, you Switzerland, , Mexico and Portugal and of the MIDEM Classical Award can earn and redeem miles across all of them.

So the next time you want to concentrate all your energies Prof. Dr. Joachim Thalmann (Germany) on your conference, we hope you’ll decide to leave the travel to us. Musician and journalist, Professor at the University of Music Detmold

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2121 Information correct as at 04/2012 Jobst Liebrecht (Germany) Conductor and composer Jobst Liebrecht studied with Hermann Michael and Peter Eötvös. He has worked Jury Members with Ensemble Modern, Klangforum Wien, Ensemble Köln, Ensemble Resonanz and Ensemble United Berlin amongst others. His conducting engagements include the Radio Symphony Orchestra Berlin, the Duisburg Philharmonic, Sinfonietta We deeply thank all jury members for their help and support in selecting Leipzig, and the Munich Chamber Orchestra. Liebrecht has led the Marzahn- the Classical:NEXT 2012 showcase and conference programs*. Hellersdorf Symphonic Youth Orchestra since 2005. His recording of H. W. Henze’s opera Pollicino was awarded the prize. In 2010 WERGO released his recording of Hindemiths Plöner Musiktag. y Maren Borchers-Fromageot (Germany) y r r

u Public relations agent : www.forartists.de u

/ J Maren Borchers-Fromageot began her career as an ensemble member at the David Orlowsky (Germany) Performing artist : www.davidorlowskytrio.com

k Hamburg State Opera, the Theater des Westens in Berlin and the Schauspielhaus, David Orlowsky studied classical clarinet with Prof. Manfred Lindner in Essen k r

o . Thereafter, she studied Applied Cultural Science in Lüneburg. She worked and with Charles Neidich at the Manhattan School of Music. He has performed at o as a press agent for Stella AG (Phantom of the Opera, Cats) and as a manager for Carnegie Hall, ‘s Lockenhaus Festival, Schleswig-Holstein Musikfestival etw press and promotion for EMI Classics, Germany. Since 2005, Ms. Borchers directs her and Lucerne Festival amongst others. Orlowsky works with artists such as Daniel n own public relations agency ”Maren Borchers – for artists“ in Berlin. Hope, Andreas Haefliger, Sergio Azzolini and the Vogler-Quartett and contemporary netwr / J Torsten Rasch, Avner Dorman and David Bruce. David Orlowsky has won Matthias Brixel (Germany) the ECHO Klassik award twice (2008, 2011). Publisher of klassik.com, director of eMusici GmbH : www.klassik.com Matthias Brixel studied French horn under Prof. Erich Penzel as well as economics with additional courses in computer science, graduating with a thesis entitled Rebecca Schmid (Germany/USA) Journalist : www.musicalamerica.com Decision model for planning the repertoire of opera companies. From 1990 to 1998 Rebecca Schmid is a classically-trained singer and works as a freelance journalist Brixel served as an assistant lecturer at the . In 1994, he as well as the Berlin news correspondent for Musical America. Her articles have realised Project Opera Online, which made the Cologne Opera the first German appeared in publications such as American Record Guide, BBC Music Magazine, opera company to utilize the Internet. Klassik.com was founded in 1995 and Magazine, Das Orchester, Deutsche Welle, Gramophone, NPR Berlin, since 2000, Mr. Brixel has served as director of eMusici GmbH, an IT-services and Positionen and The Wall Street Journal. Holding a BA in music and comparative application development company for the cultural industries. literature and an MA in arts journalism, Schmid studied the work of Ignaz von Seyfried with a grant from the Fulbright Commission. Dr. Rainer Kahleyss (Germany) Editor and distributor : www.classicdisc.de, www.class-germany.de Trained in economics, Mr. Kahleyss studied music ethnology and communication Frank Stahmer (Germany) Arts presenter and music manager : www.missionculture.net in Berlin, earning his doctorate. In 1984, Rainer Kahleyss has worked as an editor Frank Stahmer studied cello and has performed in various music projects ranging and in distribution of Bote & Bock, Berlin, and has been head of the Baerenreiter from rock bands to contemporary classical. Stahmer also studied business company Vereinigte Schallplatten-Vertriebs GmbH Disco-Center as well as the administration, marketing and international arts management. He has managed Neuwerk music shop. Since 1996 Mr. Kahleyss has run his own production and the European Composers Congress (2006, has served as General Secretary of the distribution company Klassik Center in Kassel. Dr. Rainer Kahleyss is also a co- European Composers’ Forum and Communications Manager of the European founder of CLASS, the Association of Classical Independents in Germany e.V.. Composer & Songwriter Alliance). He also was the project coordinator of the ArtMusFair forums. Stahmer is a Board Member of the European Music Council (EMC) and runs his own agency ”missionCulture“. * Please note – events marked with ”special presentation“ as well as the opening and closing artists were not selected by the jury.

2222 2323 Partners Further partners

We proudly present our growing network of Classical:NEXT partners. C3 Festival Musik Heute www.c3festival.de www.musik-heute.de

s Supported by City of Munich s r Department of r

ne Arts and Culture ne t Fono Forum Musikmarkt t r r a Department of Arts and Culture of the City of Munich www.muenchen.de www.fonoforum.de www.musikmarkt.de a / P k k r o o In cooperation with Gramophone Magazine tw e www.gramophone.co.uk Musikwoche e N www.musikwoche.de N twr / P

CLASS WOMEX www.class-germany.de www.womex.com Il Giornale della Musica www.giornaledellamusica.it Naxos www.naxos.com

Gasteig International Arts Manager www.gasteig.de IMZ International Music + Media Centre www.internationalartsmanager.com www.imz.at Steinway-Haus München www.steinway-muenchen.de

klassik.com Harry Klein Bob Beaman Klassik im Club www.klassik.com www.harrykleinclub.de www.bobbeamanclub.com www.klassik-im-club.com

2424 2525 Photographer Advertisers A – Z

Documenting Classical:NEXT Thanks to the advertisers in this year‘s Classical:NEXT guide

r Eric van Nieuwland (The Netherlands) 89 Ardalus (PolyArtes Bvba) The following companies booked inserts [email protected] 12 BBC Music Magazine in the Classical:NEXT bag A – Z phe

a www.thedigitalphotoexperience.nl/music.html 40 Chester Schirmen Berlin before the guide went to press: s

Mobile: +31 610 934 495 14 Clasart Classic r g r o 85 CLASS Crescendo ise t t o A Dutch photographer with a main interest in live music photography (classical, 16 Classical Music Magazine ECM Records r h jazz and world). Besides music photography, he also does portraits and reportages 18 Crescendo Fono Forum e © Ron Beenen v / P d for various companies. His pictures have also been used in several (photo) 10 Fono Forum Gramophone Magazine k books. Eric has been an official WOMEX Photographer for the past three years. 40 GEMA Harry Klein r o

Organizations such as MCN Music Center The Netherlands, WOMEX, North Sea 2 Gramophone Magazine IMZ International Music + Media Centre k Round Town and many artists have hired him for his live photography. Back Cover Il Giornale della Musica International Arts Manager o etw 90 IMZ International Music + Media Centre Musikmarkt n Our Classical:NEXT Photographer will be up night and day to catch the best 72 International Arts Manager

moments of the first Classical:NEXT. His work will be posted daily on his website 38 Klassik.com netwr / A and anyone needing photos can contact him directly to discuss terms. Check out FRONT FLAP Mediapool Event Services Berlin his portfolio for current and past work. 36 Musikmarkt 4 Musikwoche A selection of the photos will also be made available in small size on the 180 Naxos Classical:NEXT Flickr page under a CC-BY creative commons license which lets Back FLAP + 176 piranha womex others distribute these photos free of charge, as long as they credit the 74 Pizzicato photographers for the original creation. www.flickr.com/photos/classicalnext 28 Profil 82 RSK Entertainment Ltd 20 Star Alliance

2626 2727

Live Showcases Classical:NEXT A – Z Classical:NEXT showcases offer a wide range of artists Delegates have free access to all events and formats of and productions: from well-kept secrets to rising stars, Classical:NEXT. To enter the clubs at Classical Next Level, from early to contemporary, traditional to experimental. delegates must show their badges and wristbands. In this section, artists and productions are presented From badges to ”who is coming“ in a series of short live performances of maximum 30 Entrance to all events is subject to capacity. minutes in length – a unique opportunity for music buyers to experience many performances in a short www.classicalnext.com/public amount of time and for music makers to present their Badges and Wristbands C:N NET work to an international, professional audience. Student Tickets Classical:NEXT will issue wristbands as well as badges Our forthcoming online networking platform C:N NET > Showcases/Live Showcases A – Z Classical:NEXT is offering tickets at a reduced price to on arrival. Both must be worn at all times during is a jack of all trades: Want to present your company, students, for 80 euros plus 19% VAT. The ticket is valid for all events and formats of Classical:NEXT at Gasteig Classical:NEXT and are not transferable. For this reason, artist, event or recording? Want to find agents in Media Counter delegates may be asked to provide proof of identity. Austria, venues in the US or labels in Japan? Want to (subject to capacity) from Wednesday, 30 May to : Journalists requiring specific information, artist or : Saturday, 2 June. Classical:NEXT is unable to replace badges and/or know what is new in the global classical community? speaker contacts, recording permission or a quiet www.classicalnext.com/2012/download/CN_student_ wristbands that have been lost. Replacements are At www.classicalnext.com/net you will find everything interview room should come to the media counter info.pdf charged a full registration price . you need to boost your business. in the Gasteig entrance area, next to the registration

l counter – the media team will be happy to help you. l C assical Catering NEXT A – Z Filming and Recording Transport C assical NEXT A – Z Gasteig is situated in the center of Munich. Parking is Two bars will be open in the expo area during opening Audio and audio-visual recordings are not allowed Non-Smoking available for a fee. On public transport you can reach hours, serving coffee, drinks and snacks. There are without express, contractual permission. Forms are Smoking is not allowed indoors at Gasteig. If you need Gasteig using Tram line 16 to “Am Gasteig“ and lines also two restaurants located in Gasteig. The “Gast“ is available at the media counter in the registration to smoke, please head for the closest outside area. open Monday to Friday 11:00 – 24:00, Saturday and area at Gasteig. 15 and 25 to “Rosenheimer Platz“. You can also use the S-Bahn (city train) lines S1-S8 departing from the main Sunday 10:00 – 24:00, the “Le Copain“ is open Monday Services train station to “Rosenheimer Platz“. to Friday 08:00 – 23:00, Saturday 10:00 – 23:00 and Internet For tips on local transport, food and sightseeing Sunday 08:00 – 20:00. We have also put together a list There will be Wi-Fi free of charge at the venue, plus during your stay, check our Destination Munich Getting to the Harry Klein club only takes a few minutes, of recommended restaurants, most of them located you will find a number of public Internet terminals and Service sections in the guide. you can use the S-Bahn to “Karlsplatz“ (S1-S8, U4, U5). close to Gasteig, which you can find in our Destination near the registration counter (subject to capacity). > Destination Munich Munich section. If you want to go to the Bob Beaman club, use the subway to “Odeonsplatz“ (U3-U6). > Destination Munich/Places to Eat Language Tickets for “Classical:NEXT goes public” To keep communication between Classical:NEXT The live showcases on Friday night are open The address for each venue can be found at Cloakroom participants practical and efficient, Classical:NEXT to the general public. Tickets are available on the end of this section and in the back flap. We will have a cloakroom for your belongings at has chosen International English as the lingua franca. www.muenchenticket.de for 15 euros or 10 euros for > Destination Munich/Service Gasteig on the first floor – for a fee. Please note that, Adopted by the Internet and the professional music concessions. The entrance to the IMZ film screenings > Back Flap Inside due to fire regulations, all Gasteig visitors are obliged community, this was the logical choice for successful on Thursday and Friday is free. Tickets for the club to leave their bulky items at the cloakroom before interaction. showcases of Classical Next Level at Bob Beaman For more information regarding public transport visit they are allowed in. and Harry Klein are available at the entrance of the www.mvv-muenchen.de. clubs for 12 euros. C:N is the abbreviation of Classical:NEXT.

30 31 Updates The venues of Classical Next Level For late-breaking news about the Classical:NEXT (Club Showcases): program or anything related, check www.twitter.com/ClassicalNEXT or refer to the Harry Klein (club) official Classical:NEXT notice-board close to the Sonnenstr. 8, close to Karlsplatz media counter (please note that it is not for 80331 München postering flyers, ads, etc.). [email protected] Phone: +49 894 028 74 00 Video Showcases Subway/S-Bahn Station: Karlsplatz (S1-S8, U4, U5) Classical:NEXT video showcases are up to 20 minutes in length and present large ensembles or staged Bob Beaman (club) productions in the form of live footage, recorded Gabelsbergerstr. 4/on the corner Amalienstr. concerts, interviews or presentations about the 80333 München Maxvorstadt artistic content and context. Phone: +49 177 254 74 76 : > Showcases/Video Showcases A – Z Subway Station: Odeonsplatz (U3, U4, U5, U6)

Venues > Back Flap Inside Classical:NEXT will take place in three l

C assical venues in Munich:NEXT A – Z Entrance to all events is subject to capacity.

The main venue of Classical:NEXT Who is Coming (Conference, Showcases, Films, Expo): You can find the list of all Classical:NEXT delegates in the ”Who is coming?“ feature online. Gasteig Munich www.classicalnext.com/delegates/who_is_coming Rosenheimer Straße 5 81667 München Phone: +49 894 809 80 Fax: +49 894 809 810 00 [email protected] Tram Stations: Am Gasteig (Tram 16) and Rosenheimer Platz (Tram 15, 25). S-Bahn Station: Rosenheimer Platz (S1-S8)

> Front Flap Inside

32 Le Copain Bella Italia Destination Munich www.le-copain.eu Weißenburger Str. 2 Rosenheimer Straße 5 81667 München 81667 München Phone: +49 894 861 79 Phone: +49 89 480 98 27 44 S-Bahn Station: Rosenheimer Platz Top tips for getting around and eating out in the Classical:NEXT host city Open: Tram Station: Rosenheimer Platz (Tram 15, 25) Monday – Friday 08:00 – 23:00 Open: Monday-Sunday 11:30 – 01:00 Saturday 10:00 – 23:00 Sunday 08:00 – 20:00 In the ambience of a typical Trattoria, Bella Italia GETTING AROUND Rent a Bike offers you a varied Italian cuisine and a wide ND EAT

U Radius Tours & Bike Rental Le Copain is located at Gasteig and offers breakfast, selection of Italian wines. O O a wide range of fresh sandwiches, and salads.

R Public Transport in Munich Arnulfstraße 3, 80335 München A

Phone: +49 895 961 13 Mamounia Marrakech G The best way of getting around in Munich is to use [email protected] Kuchlverzeichnis www.mamounia-marrakech.com the public transport system, MVV. If you want to travel www.kuchelverzeichnis.de Innere Wiener Str. 18 TTIN Rosenheimerstr. 10 81667 München E within Germany you can use the Deutsche Bahn. The Munich and its outskirts are easy to explore by bike,

G MVV includes buses, trams, the S-Bahn and the U-Bahn, not least because of the extensive cycle path system 81669 München Phone: +49 894 476 05 79 and you can use all elements of public transport with and a safe driving culture. Phone.: +498 948 17 49 Open: Tuesday-Sunday 17:30 – 01:00 the same ticket. You can buy individual, group, day Open: Monday – Sunday 17:30 – 01:00 Mamounia Marrakech stands for the most high quality

and weekly tickets. Public transport operates with a MUNICH / PLACES T

limited service from 2am to 5am. Additionally, there PLACES TO EAT The old Bavarian Restaurant at Gasteig is only a few cuisine. It is characterised by the subtle use of herbs N O M U N I C H /

N are nightbuses and night trams that run at intervals of minutes away from the hotels City Hilton, Preysing Hotel and spices that make the dishes light and healthy. The O about 30 minutes all night on Fridays and Saturdays. Munich offers many possibilities for eating and and Holiday Inn. The Kuchlverzeichnis offers Bavarian Mamounia Marrakech offers a selection of excellent drinking and is known for its cavernous beer halls specialties and a menu which changes daily. wines from Morocco. Warm food is served until 23:00. The MVV area is divided into several zones: one in the and leafy beer gardens. It also has a host of ethnic

center and three in the outskirts. A day ticket is worth eateries, as well as a lively café-bar culture which Hofbräukeller Ver-O-Peso – Brazilian Bar DESTINATI www.hofbraeukeller.de www.veropesobar.de DESTINATI buying if you plan to take more than two trips on the carries on well into the early hours. same day. All tickets, except for weekly tickets, must be Innere Wiener Straße 19 Rosenheimer Straße 14 stamped to be valid. Stamping machines are found at Gast 81667 München 81669 München the entrance to the S-Bahn or U-Bahn platforms, and www.gast-muenchen.de Phone: +49 894 599 250 Phone: +49 894 449 97 99 inside buses and trams. Rosenheimer Straße 5 Subway Station: Max-Weber-Platz (U4, U5) Open: Monday-Saturday from 19:00 81667 München Tram Stations: Wiener Platz (Tram 16) and For more detailed information regarding the public Phone: +49 894 809 827 20 Max-Weber-Platz (Tram 15, 19, 25) The Ver-O-Peso bar is located directly across from the transport in Munich please visit the following site: Open: Open: Monday-Sunday 10:00 – 24:00 Gasteig Cultural Center and is a small, fine address for www.mvv-muenchen.de Monday – Friday 11:00 – 24:00 fans of good cocktails, drinks and Brazilian snacks. Saturday – Sunday 10:00 – 24:00 Enjoy savory cuisine with Bavarian specialties Taxis in a traditional and family atmosphere. Phone: +49 892 16 10 Gast offers its guests a fresh and varied cuisine in In addition, the Hofbräukeller guests enjoy Phone: +49 891 94 10 a relaxed atmosphere and convenient location. a menu which changes daily.

34 35 Restaurant No.5 THINGS TO SEE www.nummer-5.com Thierschstraße 5, 80538 München Munich is one of the main cultural centers in Europe Phone: +49 892 421 61 50 and the cultural scene is especially impressive. You can Open: spend days strolling around the numerous museums Monday – Friday 11:30 – 14:30; 18:00 – 24:00 and let your eyes rest on beautiful architecture, or enjoy Saturday 18:00 – 24:00 the never-ending list of places to eat and drink.

Under the slogan “Enjoy with all senses”, The city center is easily navigable with all the major Restaurant No. 5 offers the opportunity to relax ”must see“ sights easy to find by travellers not least SEE with fine international cuisine in a pleasant because all major sights are within walking distance atmosphere. Restaurant No. 5 also offers a lunch from each other. It is in Munich‘s center where you can O T menu which changes daily. see architectural masterpieces from the New Town S Hall (Neues Rathaus) and the Church of Our Lady G PIÙ (Frauenkirche). The heart of the city is the Marienplatz. www.piu-muenchen.de In the Middle Ages, the square used to be a marketplace Preysingstraße 20, 81667 München as well as a location where tournaments and festivities Phone: +49 894 487 676 took place. To learn more about Munich and its history, Open: it is worthwhile paying a visit to the City Museum. Even Monday – Friday 11:00 – 15:00; 18:00 – 23:00 The English Garden, Europe‘s largest city park, and the MUNICH / THIN

Saturday 18:00 – 24:00 are among the most beautiful sights N Sunday 09:00 – 23:00 in Munich. O

All day family dining with a large terrace and lounge Munich also offers excellent shopping, including floor. The PIÙ offers its guests light Mediterranean designer outlets, department stores, antique shops,

and Bavarian cuisine and stylish ambience, and excellent bookstores. DESTINATI Monday to Friday. The lunch menu changes daily. For further information please visit Restaurant Le Faubourg www.muenchen.de/int/en/tourism.html www.le-faubourg.de Kirchenstraße 5, 81675 München Subway Station: Max-Weber-Platz (U4, U5) Phone: +49 894 755 33 Open: Monday – Saturday 18:00 – 01:00 Hot meals until 23:00

In the small family restaurant Le Faubourg you will find classic French cuisine as well as new innovative designs, and an exclusive selection of the best French wines.

37 Service

Handy information for your stay in Munich

The S-Bahn lines S1-S8 also depart from “Rosenheimer

Munich Information CE I

All important information about Munich Platz“ close to Gasteig. V can be found on www.muenchen.de. To get to the Bob Beaman club from the main station, R take the subway line U5 to “Odeonsplatz“. To get to Airport the club from Gasteig, take the S-Bahn lines S1-S8 to Your main airport destination is Munich Airport, “Marienplatz/city centre“ and continue one stop on called Flughafen München “Franz Josef Strauß“. the subway line U3 or U6 to “Odeonsplatz“. www.munich-airport.de MUNICH / SE

Tram N Public Transport Map You can reach Gasteig with the tram line 16 to O You can find a map providing a good overview of “Am Gasteig“ and lines 15 or 25 to “Rosenheimer Platz“. Munich‘s subway lines, S-Bahn, tram and bus lines at www.mvv-muenchen.de/de/netz-bahnhoefe/ Bus

netzplaene/index.html. The Bob Beaman club can be reached by bus line 100 DESTINATI to “Odeonsplatz“, departing from Munich‘s main station. Train If you travel to Munich by train you will arrive at Taxi Munich‘s main station. All Classical:NEXT venues are Taxi-München Taxiverband München easy to reach from here by subway and S-Bahn lines. Phone: +49 892 16 10 Phone: +49 894 900 44 94 Phone: +49 891 94 10 Subway and S-Bahn To get to the Classical:NEXT venue, Gasteig, from the Phone Calls main station, take the S-Bahn lines S1-S8 four stops to The international dialing code for Germany from “Rosenheimer Platz“. To get to Gasteig from the airport, abroad is +49. The area code for Munich is 089. take the S-Bahn line S8 directly to “Rosenheimer Platz“ which takes about 40 minutes. Emergency To get to the city center from Gasteig or the In case of an emergency, dial 110 to contact the police, main station, take the S-Bahn lines S1-S8 to Marien- or 112 to call for an ambulance or the fire brigade. platz/city center. To get to the Harry Klein club from the main station, take the subway line U8 or the S-Bahn lines S1-S8 to You can find the directions to the clubs on the back flap. “Karlsplatz“ which only takes a few minutes.

39 MUSIK IST UNS WAS WERT. www.gema.de

_keyvisual_70x199.indd 1 12.03.2012 12:44:1 Umbrella Stands A – Z Exhibitor Presentation

List of expo stands representing more than one exhibiting company Introducing the main exhibitors at Classical:NEXT expo

Austria EPR Classic DENMARK The first edition of Classical:NEXT starts out with 34 stands and more than 80 exhibiting companies.

Flanders Music Centre This chapter is organised by stand number and introduces you to the main exhibitors. MAP

A – Z

Austria Forum Des Compositeurs Danish Arts Council You can contact the exhibitors via the contact details given or simply visit their stand. O Stand No. 30-31, 33-34 Het Collectief | Chamber Stand No. 24

ands Capriccio Music Quintet Carion t & E X P

S col legno Produktions- Le Jardin Secret Copenhagen Phil

N

und VertriebsgmbH Lena Dierckx – Capilla Flamenca Dacapo Records O lla Donau-Universität Krems Muziekcentrum De Bijloke Gent Danacord e

r Fritz & Friends International Open Goldberg Variations Danish Agency for Culture Live Showcases Trade & PR Agency and MuseScore Danish Arts Council m Opening SENTATI

Gramola Van Parys, Annelies Danmarks Radio, P2 E R

Inandout Distribution GmbH Zefiro Torna DMF Danish Musicians‘ Union P

O

paladino media gmbh Edition·S music-sound-art R O

EXP b PREISER/ U RECORDS Wallonie-Bruxelles Musiques Naxos Denmark Otto G. Preiser & Co GmbH Stand No. 15 Odense Symphony Orchestra Schläfer, Heinrich AUSONIA Sjælland String Quartet Black Box Conference Videoland – Medienvertriebs CAV&MA South Jutland Symphony Orchestra Presentations / E X H I B I T

GesmbH ClaraMusica Artist Closing Management sprl O

Festival de Wallonie FINLAND EXP BELGIUM Forum Des Compositeurs

La Boite a Musique Finnish Music Information Centre Fimic Flanders Music Centre Le Manege.Mons / Stand No. 25 < Stand No. 16-17 Musiques Nouvelles Classical:NEXT Entrance Registration Media Aquarius OFF THE RECORDS sprl Counter Ardalus (PolyArtes Bvba) Outhere SA Belgian Brass vzw Wallonie-Bruxelles Musiques BL!NDMAN

Vortragssaal der Bibliothek IMZ Film Screenings Video Showcases

42 43 Bella Musica Edition GmbH Bella Musica is one of the oldest music and radio- Hänssler Classic is an independent label for classical Hänssler Classic play production companies in Germany, as well as a music, founded more than 40 years ago. With some recording company and publishing house. Bella Musica 50 new releases a year, our catalogue includes over 800 offers thousands of titles from all areas of music: German recordings on CD, SACD and DVD. Numerous national and international folk, classical, instrumental, jazz, pop, and international awards illustrate our worldwide oldies, country and world music, as well as songs and recognition. Our focus is on world class interpretation publ/music, rec/compilation, rec/compilation, rec/distribution, radio plays for children. In the early 1990s the Antes of chamber music, orchestral or choir music as well rec/distribution, rec/label, rec/producer Edition was founded as a supplier of top-quality serious as outstanding soloists. Hänssler Classic produced rec/label, rec/producer music on CD and in print. Composers and performing the first ever complete Bach edition, recorded under s artists were thus offered a stimulatingly creative forum the direction of Helmuth Rilling. s

r Eisenbahnstr. 30, 77815 Bühl-Baden, Germany Max-Eyth-Str. 41, 71088 Holzgerlingen, Germany r

o for classical music. o Phone: +49 722 380 835 60 Phone: +49 703 174 140 Since 2000, Hänssler Classic has worked in cooperation Fax: +49 722 380 835 69 This forum has been expanded through Bella Musica’s with the SWR, one of Germany’s largest broadcasting Fax: +49 703 174 143 59 x [email protected] acquisition of the prestigious Throfon label. During networks. Three great orchestras, a world-class vocal [email protected] x its more than 35-year history, Throfon has built up a ensemble and one of Europe’s most swinging big

www.bella-musica-edition.de www.haenssler-classic.com

O distinguished catalogue that has won many prizes, bands are on SWR music! Our Archiv series presents O including several Echo Awards. rare concert recordings and recitals from the 20th EXP hibit Contact/ E person at C:N: century’s greatest artists – Dietrich Fischer-Dieskau, Contact person at C:N: EXP hibit / E Ute Rinschler, Jürgen Rinschler Elisabeth Grümmer, , Géza Anda, Lutz Seifert Co-Exhibitors: Ida Händel and many more. Mobile: +49 177 268 10 07 Musikwelt Tonträger e.Kfr. Ermitage, Wolf Sarl Musicmedia Srl

Sand t No. 01 Sand t No. 02

44 45 Farao Musikproduktions The Munich based label Farao Classics, founded in Schott Music & Media is a company within the Schott Music & Media GmbH 1995, stands for exceptional and multi-award winning Schott Music group. At Classical:NEXT, it presents GmbH / Wergo recordings of opera, symphonic and chamber music. the division Wergo.

The label was initiated by professional musicians with For half a century the Wergo label has been the aim of creating outstanding recordings with a synonymous with contemporary music. Its repertoire rec/distribution, rec/label, rec/producer, rec/label unique and distinctive artistic personality. of more than 600 CDs, which have won many awards rec/studio, mail order, online-shop and prizes, is a major record collection of 20th- and Artists and ensembles like Enoch zu Guttenberg, 21st-century music, portraying almost all established Weihergarten 5, 55116 Mainz, Germany s Kent Nagano, , Ivor Bolton, Anja Harteros, contemporary composers – from Stockhausen and s

r Widenmayerstr. 18, 80538 München, Germany Phone: +49 613 124 68 98 r

o , and the rely on Boulez to Henze, Hindemith, Cage, Nancarrow, Reich, o Phone: +49 891 433 00 80 Fax: +49 613 124 62 16 the highly acclaimed quality of the label, which has Brown, Ustvolskaya and Xenakis, and more recent Fax: +49 891 433 00 86 resulted in steady partnerships. generations of composers. [email protected] x [email protected] www.wergo.de x Farao runs its own recording facility with high-end The label‘s productions stand out not only due to

www.farao-classics.de

O digital and analog recording equipment to achieve excellent recording technology and high-quality O Contact person at C:N: maximum artistic and sonic quality. manufacturing, but also due to informative texts by EXP hibit Contact/ E person at C:N: renowned authors as well as librettos and song texts. Charlotte Wagner EXP hibit / E Felix Gargerle The releases of Farao Classics are distributed Particularly noteworthy is the long-standing availability Mobile: +49 163 307 77 61 worldwide and are also available on major digital of the repertoire since the foundation of the label. download platforms. Apart from solo, chamber music and orchestral recordings, the repertoire also comprises radio productions as well as the latest developments in the arts. As a result, the label Wergo not only is part of the history of new music but also continues to make contributions to it.

Sand t No. 03 Sand t No. 04

46 47 NGL Naxos Global Naxos – The World‘s Leading Classical Music Label Rondeau Production GmbH – a successful label from Rondeau Production GmbH Logistics GmbH is known for recording exciting new repertoire with Leipzig, the home-town of Bach – has established exceptional talent. The label has one of the largest and itself over the the past few years as a specialist for fastest growing catalogues with state-of-the-art sound artistically and technically high-class recordings and consumer-friendly prices. The catalogue includes of sacred vocal music. The label’s extraordinarily classical music CDs and DVDs as well as other genres productive cooperation with world-renowned choirs, rec/distribution, rec/label, rec/manufacturing, rec/label, rec/producer, rec/studio, such as jazz, new age, educational and audiobooks. along with its corporate strategy that is geared towards consultant, design/artwork, transport, the highest standards, have generated a unique CD mail order, online-shop, retail, wholesale Naxos.com offers high-quality streaming of the label‘s catalogue. Petersstraße 39-41, 04109 Leipzig, Germany s classical music recordings, as well as collections from s

r Phone: +49 341 308 96 22 r

o many other independent classical music labels. The catalogue encompasses famous ensembles such o Hürderstr. 4, 85551 Kirchheim bei München, Fax: +49 180 376 63 32 as St Thomas’ Boys Choir Leipzig or the Windsbacher Germany NGL Naxos Global Logistics provides services – from Knabenchor. The label also has a fruitful cooperation [email protected] x Phone: +49 899 077 49 90 manufacturing and distribution to marketing, product with choirs from Hanover, which is demonstrated by www.rondeau.de x management/creation, licensing and more – for music the label’s two Echo Klassik awards in 2006 and 2010.

Fax: +49 899 077 499 10

O labels, producers, media companies and artists. While O [email protected] Contact person at C:N: the main part of our business involves domestic and Another highlight in the label’s repertoire includes a EXP hibit www.naxos-gl.com/ E international distribution, we also offer a full spectrum ten-part CD series with recordings of Johann Sebastian Frank Hallmann EXP hibit / E of tailor-made services that cover all areas needed to Bach’s cantatas. These are performed by St Thomas’ Mobile: +49 178 356 65 12 Contact person at C:N: Mohamed El Wakil present and supply quality products around the globe. Boys Choir Leipzig and the Gewandhausorchester under the baton of Georg Christoph Biller. The series Co-Exhibitors: will be published in honor of St Thomas’ Boys Choir’s Naxos.com 800th anniversary. NGL Naxos Global Logistics GmbH Naxos Deutschland Musik & Video Vertriebs GmbH Naxos Digital Services Naxos Music Library Naxos Video Library Naxos Books Naxos Audiobooks Naxos Music Library Jazz Naxos Spoken Word Library Naxos Radio Classicsonline.com

Stand No. 05 – 06 Sand t No. 07

48 49 Profil Profil Edition Günter Hänssler – a young ambitious Distribution of fine classics to the trade. Among the Klassik Center Kassel independent classical label – unites an innovative, around 40 labels are BIS, Dynamic, Hungaroton, Claves, dynamic selection of artists with a quality repertoire Cantate, Musicaphon, Eda, Thorofon, Centaur, Tahra, policy, to ensure the highest level of artists‘ Alba, Ambitus, Stradivarius, Concerto – to name just a commitment to the label‘s program and to establish few. Participation in the new portal HD-Klassik. the basis for a label profile with a difference! Strong interest in seldom recorded repertoire, high rec/label Glöcknerpfad 47, 34134 Kassel, Germany resolution recordings, and multichannel recordings. Therefore, the catalog focus is primarily to release Phone: +49 561 935 140 Hauffstr. 41, 73765 Neuhausen, Germany the magic moments of music – concerts with great Also active in consultation and installation of High Fax: +49 561 935 14 15 s conductors like Günter Wand, Christian Thielemann, End equipment for private customers. Production of s

r Phone: +49 715 898 785 21 [email protected] r

o Semyon Bychkov, Sir , and . classics on their labels Cantate (sacred music) and o [email protected] www.classicdisc.de Musicaphon. Focus on music from the Baroque era, Telos Music chamber music from the 19th century and modern/ x Creating exemplary recordings of music one has rarely contemporary music. Contact person at C:N: x – if ever – heard: this was the target for Joachim Krist

Dr. Rainer Kahleyss

O when he founded telos music in 1995. O Mobile: +49 172 720 70 72 The label presents even well-known repertoire in a EXP hibit / E fresh and unprecedented vein. EXP hibit / E

Telos Music applies itself with a high dedication to unknown works of the 19th and early 20th century as well as to the contemporary classsical music.

Sand t No. 08 Sand t No. 09

50 51 MDG / Dabringhaus MDG – Musikproduktion Dabringhaus und Grimm: State LLC Latvijas Koncerti is a governmental Latvijas Koncerti, State LLC und Grimm / Audiovision Rare Repertoire, Outstanding Performances, Audiophile institution working in the area of professional music, (Latvian Concerts) Sound. With these or similiar phrases the trade press has collaborating with the best professional musicians GmbH / CLASS judged MDG‘s releases for over the past thirty years. from Latvia and abroad.

With its newly developed 2+2+2+2 recording About 500 concerts organized by Latvijas Koncerti take record company, label, licensing, agent, manager, governmental, conference, technique, MDG has now further improved its high place every year, including annual festivals: Riga Festival, production, classical, jazz, world, kids level of reproduction quality, proving that first-class Early Music Festival, Autumn Chamber Music Festival, concert promoter, festival, award, concert hall, sound need not remain two-dimensional. European Christmas and Vienna Classics. rec/distribution, rec/producer s s r r

o MDG‘s audio releases have achieved a three- Resident groups of Latvijas Koncerti are internationally o Bachstrasse 35, 32756 Detmold, Germany Maskavas Street 4, LV – 1050 Riga, Latvia dimensional tonal image which sets new benchmarks renowned Latvian Radio Choir and Sinfonietta Riga Phone: +49 523 193 890 in spatial imaging quality. – one of the best chamber orchestras in the region. Phone: +371 672 054 85 x Fax: +49 523 126 186 Chamber music units in Latvijas Koncerti: Radio Choir Fax: +371 672 054 90 x CLASS – Association of Classical Independents in Chamber Singers, Sinfonietta Riga String Quartet and

[email protected], [email protected] [email protected]

O Germany e.V. is an alliance of independent record Sinfonietta Riga Baroque Ensemble. O www.mdg.de, www.class-germany.de www.latvijaskoncerti.lv manufacturers and distributors from the fields of EXP hibit / E classical music, world music and jazz. Latvijas Koncerti is also the organizer of the Grand EXP hibit / E Contact person at C:N: Latvian Music Award – the highest prize in the field Contact person at C:N: Werner Dabringhaus, Manfred Görgen, of classical music given by the Latvian State. Esmeralda Bērtule Dr. Rainer Kahleyss Mobile: +371 225 642 23 Latvijas Koncerti has started producing their own CD label, also in collaboration with Wergo and Ondine.

Co-Exhibitors: Latvian National Opera Latvian Music Information Centre The State Choir ”Latvija“ Publisher ”Musica Baltica“

Sand t No. 10 Sand t No. 11

52 53 Aliud Records At Aliud you‘ll find different styles of music – from the The IMZ is the global association for all those involved IMZ – International Middle East to modern classical, jazz, brass and wind in any aspect of audio-visual music and dance. Its Music + Media Centre band music, as well as traditional classical music. 150+ members include broadcasters; performing arts Aliud provide a wide variety of musical products to companies and venues; programme producers and fulfill everybody‘s musical wish. distributors; record and DVD labels; cinema and new media specialists: all the participants in the creation rec/compilation, rec/distribution, culture institution, non-governmental, radio, Aliud produces high-class music in very diverse genres. and dissemination of music in the media. The largest rec/label, rec/producer, rec/studio, Musicians, ensembles and orchestras represented by are international brands like the BBC, Metropolitan tv, conference, festival, special event/award, rec/sound engineer, engineer, equipment Aliud are world class, recorded with the best known Opera New York, and Universal Music; the smallest are consultant, member organization s equipment and technicians, and are recorded on the individual composers, choreographers, musicians or s r r

o best carrier known, Super Audio CD, which guarantees directors. o Kyl 19, NL-8502 AW, Joure, Netherlands Stiftgasse 29, 1070 Vienna, Austria the best sound possible at home! Phone: +31 513 417 460 Since it was founded in 1961 under the aegis Phone: +43 188 903 15 x [email protected] Besides the physical product, you’ll also find Aliud of UNESCO the IMZ has dedicated itself to the Fax: +43 188 903 15 77 x Records on all known download portals in normal worldwide development and promotion through

www.aliudrecords.com [email protected]

O wave file, mp3, and 192 kHz/24 bit format. audio-visual media of all forms of classical, jazz, world O www.imz.at and contemporary music, as well as classical and EXP hibit Contact/ E person at C:N: Artists working with Aliud are Liebrecht Vanbeckevoort, contemporary dance. EXP hibit / E Jos Boerland Anneleen Lenearts, Niels Bijl, Ronald Moelker, Het Contact person at C:N: Mobile: +31 630 123 153 Lacrimae Ensemble, Concerto Barocco, Rabaskadol Visit the IMZ at stand 13 and don’t miss the IMZ Film Tatiana Petkova, Katharina Jeschke and many many others. Screenings in the Vortragssaal der Bibliothek! Mobile: +43 699 170 625 51 > IMZ Film Screenings

Sand t No. 12 Sand t No. 13

54 55 eMusici GmbH / klassik.com is our leading online magazine for classical Wallonie-Bruxelles Musiques (W.B.M.) was created Wallonie-Bruxelles klassik.com music in German-speaking countries. Independent. in 1984 to help artists, producers and publishers Musiques Critical. Up-to-date. With more than 60,000 subscribers. from the French-speaking community of Wallonia and Brussels export and make their mark in the StageKit is our software solution for artists, their international cultural industry with all kinds of music. managers, orchestras, labels and presenters to manage At Classical:NEXT the agency is hosting a wide range online, consultant, multimedia/online, governmental their websites and empower their processes in the of players on the classical and contemporary music online-shop background. scene in Wallonia and Brussels. Several ensembles who specialise in early music will be present, notably 18 pl. Flagey Bte 10, 1050 Brussels, Belgium s the instrumental and vocal group Ausonia, the Centre s

r Heckerstrasse 29, 79114 Freiburg, Germany Phone: +32 221 862 09 r

o d’Art Vocal & de Musique Ancienne (CAV&MA) and o Phone: +49 761 458 731 70 Fax: +32 221 834 24 the Belgian ensemble Le Jardin Secret, who will be Fax: +49 761 458 731 79 appearing at the live showcases of Classical:NEXT. [email protected] x [email protected] Several labels will be represented, as well as the www.wbm.be x management and promotion agency ClaraMusica

www.klassik.com

O and the Festival de Wallonie, which brings together O Contact person at C:N: seven festivals dedicated to classical music in Wallonia EXP hibit Contact/ E person at C:N: and Brussels. In contemporary music, the Forum des Liliana Graziani EXP hibit / E Tobias Pfleger compositeurs, which represents some 40 musicians Mobile: +32 477 727 821 Mobile: +49 176 688 556 40 and the Musiques Nouvelles ensemble, will be available. They can also be seen at the World Music Days to be held between 25 October and 4 November in Belgium.

Co-Exhibitors: ClaraMusica Artist Management SPRL Ausonia Centre d’Art Vocal & de Musique Ancienne / CAV&MA Le Manège.Mons /Musiques Nouvelles Le Jardin Secret Festival de Wallonie Off the records SPRL Outhere SA La Boîte à Musique SA Forum des compositeurs

Stand No. 14 Sand t No. 15

56 57 Flanders Music Centre Flanders Music Centre is an organization established by Codaex offers marketing and distribution solutions for Codaex the Flemish government to support the professional music labels. Working with independent labels only, music sector and to promote Flemish music in Belgium Codaex has proved to be one of the strongest players in and abroad. the market. We commit strongly to our labels, offering – Encouraging expertise: news and guidance marketing and press coverage as part of our package, for professionals about management, the music and sharing our long lasting experience in this field to culture institute, governmental, library/ rec/distribution industry, government policy, social and legal matters, develop custom-made distribution solutions. archive, Music Information Centre artistic programs, support for music research and collaborations; a platform for exchange of ideas and We not only distribute independent labels, we Larenstraat 58, B-3560 Lummen, Belgium s Steenstraat 25, 1000 Brussels, Belgium knowledge; are also proud of our own independence. We take s r Phone: +32 133 520 60 r

o – Information and documentation; on all aspects of each label – big or small – seriously, providing o Phone: +32 250 490 90 Fax: +32 135 567 50 the current music scene in Flanders: biographies of marketing, consultancy, and of course distribution. Fax: +32 250 281 03 composers and musicians, scores, reports, publications, On a worldwide scale, both our labels as well as [email protected] x [email protected] newspapers and magazines, databases; a music archive our distribution partners profit from the size of our www.codaex.com x www.flandersmusic.be of historical and contemporary recordings; catalogue. As many different titles make one big order,

O – Promotion – national and international publicity we can offer cost effective import of specialist repertory O Contact person at C:N: of music and artists of all genres from Flanders: from several labels at a time. We are experts, and offer

EXP hibit Contact/ E person at C:N: EXP hibit / E membership within network organizations, presence specialist solutions. Klaus Schepke Katrien van Remortel at trade fairs, creation and distribution of overview Mobil: +49 151 119 627 52 Mobile: +32 475 683 839 publications and compilation CDs, coordination Co-Exhibitors: of showcases and invitations to music industry Hyperion professionals at major events, project collaboration Coro with various music organizations. PentaTone LAWO Classics Co-Exhibitors: Annelies Van Parys Aquarius Ardalus Belgian Brass Ensemble Bijloke Music Centre BL!NDMAN Capilla Flamenca EPR Classics Het Collectief ISCM-Flanders / World Music Days 2012 Le Jardin Secret MuseScore Zefiro Torna

Sand t No. 16 – 17 Sand t No. 18 – 21

58 59 arvato Entertainment Opening the door to the digital future: The media and From its peerless – and fearless – reviews to Gramophone Europe / Sonopress GmbH entertainment industry finds itself in a situation of its penetrating interviews with leading artists, upheaval. It’s all about digitisation. New technologies Gramophone is the world’s best classical music and distribution models are needed. The digital age reviews magazine. Our writers are acknowledged brings many challenges, but opportunities as well. experts in their fields, and Gramophone is known arvato Entertainment Europe‘s portfolio includes a wide globally for the independence and intelligence of studio, manufacturing, physical & digital online, print, special event/award, range of services for the entire entertainment industry its editorial content. distribution, physical & digital archiving, (audio, video, games, playtainment and broadcasting). advertising, multimedia/online, digitisation & preservation (audio, video & film) arvato Entertainment Europe is a market leader when it Established in 1923, Gramophone continues to be publicity/pr s comes to integrated solutions for the entire value chain the most respected source of record reviews, with s r r

o from physical and digital archiving, asset management, over 100 per issue. Gramophone’s events are part o Carl-Bertelsmann-Str. 161F, 33332 Gütersloh, Teddington Studios, Broom Road , TW11 9BE A, digitisation, preservation, restoration, digital copy, of the classical music calendar: the Hall of Fame, Germany replication, fulfilment, physical and digital distribution launched this year, and the Gramophone Awards. Teddington, United Kingdom x Phone: +49 524 180 52 00 and supply chain management. Phone: +44 208 267 51 36 x Each issue is read by 26,000 classical music enthusiasts

Fax: +49 524 180 66 19 Fax: +44 207 424 07 72

O Thanks to our decades of industry experience and (2011 ABC figures) in print, and Gramophone receives O [email protected] [email protected] intelligent solutions, we create added value for our 240,000 visits per month across its online platforms. EXP hibit www.arvato-entertainment.de/ E customers and make sure that they are well equipped to www.gramophone.co.uk EXP hibit / E meet the market challenges of the future. While proud of its heritage, Gramophone always moves Contact person at C:N: with the times. An App edition was launched as soon as Apple Newsstand went live, and is now read by over Kelvin White 1,400 people. Gramophone has a strong presence on Mobile: +49 171 274 47 84 social media, too, with 25,000 followers across Twitter and Facebook.

Sand t No. 22 Sand t No. 23

60 61 Danish Arts Council – The Danish Arts Council provides support for the The Finnish Music Information Centre Fimic is the Finnish Music Information Danish Agency for Culture production and expression of Danish arts, both expert of Finnish music. We increase the awareness Centre Fimic nationally and internationally, within the fields of and availability of Finnish music, and aim to generate literature, music, performing arts and visual arts. new performances both in Finland and abroad. The Committee for Music provides financial support for: music schools, festivals, music venues, musical Our objective is to benefit the entire music business governmental Music Information Centre associations, music related transport, professional and to cover all music genres. We provide information orchestras/ensembles and international music actively, and offer customer and expert services to H.C. Andersens Boulevard 2, 1553 Copenhagen V, exchange, including Danish presence at MIDEM music professionals around the world. In addition, we Lauttasaarentie 1, 00200 , Finland s and Classical:NEXT. organise and initiate diverse promotional activities. s

r Denmark Phone: +358 968 101 313 r o o Phone: +45 337 445 00 Co-Exhibitors: Fax: +358 968 207 70 Fax: +45 337 445 45 Carion [email protected] x [email protected] Copenhagen Phil www.fimic.fi x Dacapo Records

www.kunst.dk, www.danishmusic.info

O Danacord Records O Contact person at C:N: DMF Danish Musicians’ Union EXP hibit Contact/ E person at C:N: DR P2 Kristiina Vuorela EXP hibit / E Bodil Høgh Edition·S – music¬sound¬art Mobile: +358 405 160 656 Mobile: +45 408 127 66 Naxos Denmark Odense Symphony Orchestra Sjælland String Quartet South Jutland Symphony Orchestra

Sand t No. 24 Sand t No. 25

62 63 White Label Productions White Label Productions works at the creative heart of In 2011 the former companies Note 1 Musikvertrieb note 1 music gmbh the world’s classical music market, providing bespoke and MusiContact merged, and so note 1 music gmbh creative, production and label management services was born. note 1 music is not only one of Germany’s fulfilling the commercial and artistic aims of our clients. leading independent distributors for classical music (with labels such as Alpha, LSO Live, Mariinsky, Zig Zag WLP offers a comprehensive range of creative and Territoires, Ramee, Opera Rara, Wergo) and exporters online, photo, print, rec/label, rec/producer, rec/distribution, rec/label, rec/producer management services tailored for the classical music (mostly for German labels such as Carus, Coviello, accomodation, design/artwork, industry, including art direction, artist imaging, design, Ars Produktion), but also the producer and owner merchandising, multimedia/online full digital service, pod and VoDcasts, video and advert of the labels Accent, Christophorus, Glossa and Carl-Benz-Str. 1, 69115 Heidelberg, Germany s production, product management, label management, Pan Classics. Phone: +49 622 172 03 51 s r r

o multi-lingual editorial, pre-press, print production o 45-51 Whitfield Street, W1T 4HD, London Fax: +49 622 172 03 81 management United Kingdom [email protected]

x Phone: +44 203 031 61 00 Our teams work across all forms of traditional media, www.note1-music.com x including custom design and print, and everything

[email protected]

O from standard to luxury packaging, and our in-house O www.whitelabelproductions.co.uk Contact person at C:N: digital team specialises in website design, build and

EXP hibit / E Sandra Kohlheyer EXP hibit / E management, online and social media marketing, and Contact persons at C:N: rich media advertising. Matt Hall Mobile: +44 779 633 34 02 We bring creativity, skill, reliability, experience and expertise coupled with an ability to manage and meet Cat Gill realistic budgets and deadlines. Mobile: +44 788 418 35 83

Sand t No. 26 Sand t No. 27

64 65 New Directions Norrbotten New Directions – Norrbotten Music Center – is an Founded in 1984, Divox set off in 1990 with the vision, Divox AG International Music Center initiative launched by Norrbottensmusiken/Norrbotten to discover and promote emerging chamber music county council, Piteå municipality with development artists and to bring outstanding music into the world. (Norrbottensmusiken) funding from the Swedish National Council for Cultural We started to release selected recordings in audiophile Affairs. It is the product of a partnership between quality with young and talented musicians from all New Directions, the Luleå University of Technology/ over the world while contributing at the same time to agent/booker, band/soloist/ensemble, rec/distribution, rec/label, rec/producer, KKL, and Studio Acusticum, merging music, education, the enlargement of chamber music repertory. manager, educational, network/association, technology and research. This is a creative environment mail order, online-shop research/science, concert promoter, festival, for music to grow and flourish. Collaborations are Every new release is a ”déclaration d‘amour”, to specific s encouraged, providing opportunities for the cross- aspects of chamber music as well to the artists. The s

r tour, venue/club/concert hall, rec/label, Hinter Den Gaerten 7a, CH 4452 Itingen r

o fertilisation of different artistic media. The center state-of-the-art recording technique underlines our o rec/producer, rec/studio, rec/sound engineer ( Land), Switzerland is envisaged as an international platform for music commitment to the artists and their interpretations. creators, musicians, students, researchers. Phone: +41 618 369 136 x Box 972, 97129 Luleå, With six to eight recordings released a year, every Fax: +41 618 369 139 x It offers the latest advances in sound, acoustic research CD/SACD/BD stands for mindfulness and exceptional

Phone: +46 722 436 790 [email protected]

O and a state-of-the-art concert hall. The public can qualities of the presented artist and the repertoire. O [email protected] www.divox.com access several modern concert rooms with the latest Since 2002 Divox has contributed strongly to develop EXP hibit www.norrbottensmusiken.se/ E technology, and facilities for transmitting live broadcasts the three-dimensional music reproduction System EXP hibit / E via a direct link from the Acusticum area (Digital Live AUROPHONIE (www.auro-3d.com), formerly 2+2+2. Contact person at C:N: Contact person at C:N: Arena). Wolfram M. Burgert Discover the passion of chamber music and share it! Odd Sneeggen Mobile: +41 794 357 490 Several professional ensembles are associated with the Mobile: +46 722 436 790 center, including Norrbotten NEO, Norrbotten Big Band and Piteå Chamber Opera, as well as youth initiatives such as the Arctic Light girls’ choir. Collaborations include Erik Westberg Vocal Ensemble, which is affiliated with the university. This autumn sees the official opening of the Acusticum studio’s new concert house organ.

Sand t No. 28 Sand t No. 29

66 67 Austria It’s almost impossible to think about classical music “Music to carress your soul” ® Musik zum Streicheln without thinking about Austria and Vienna – so get in Johannes R. Köhler – Johannes R. Köhler touch with Austria’s classical music scene of today. At our booth you can get in touch with producers, labels, If there are still classic-romantic composers nowadays, associations, promoters, artists, educational institutions then Johannes R. Köhler is one of them. His music is not – you will find the complete spectrum of music business constructed, but consists of melodies and emotions labels, distributions, publishers, composer/songwriter, conductor, at our booth. Get the lastest news, explore new CDs, which take a musical form. With the large velvety string educational institutions, promoters, DVDs and fascinating artists. orchestral sound of the Munich Symphonic Orchestra, publ/music, rec/label, mail order, producer artists he uses these emotions in his “music to be caressed by”. s We also want to invite you to both Austrian live This musical language of the soul opens up a whole s

r Untere Marktstr. 2, 97666 Bad Kissingen, Germany r

o showcases – don’t miss Seda Röder and come enjoy new world of sensation for the listener. The music is o Contact person at C:N: Phone: +49 971 22 59 the ”Salzburger Hofmusik“. And also visit our networking used successfully in many areas of medical therapy Heinrich Schlaefer session (Thursday 17:00) to get some inside views about and it is a “closely sounding medicine” for the soul – Fax: +49 971 10 30 x Mobile: +43 699 120 028 833 Austria’s classical music scene. if you can find no rest – if you are depressed about [email protected] x your illness – if you can not cope with your grief – if

www.musik-zum-streicheln.de

O Just be our guest – see you at the Austrian booth! you are looking for security – if you are sickened by O your environment – if you can not sleep – if you are EXP hibit / E Co-Exhibitors: burdened by stress – if you´re annoyed when driving – Contact person at C:N: EXP hibit / E Capriccio if you want to reassure your children – if you are in love Johannes R. Köhler col legno Produktions- und VertriebsgmbH – if you just do not know how you should carry on… Mobile: +49 171 312 34 26 Donau-Universität Krems and many others. Fritz & Friends International Trade & PR Agency Gramola You are looking for music that fills your need for inner Inandout Distribution GmbH spiritual harmony, music that radiates total peace, paladino media gmbh music that calms and smoothes your tortured soul, PREISER RECORDS Otto G. Preiser & Co GmbH just as Köhler’s “music to be caressed by” does. Schläfer, Heinrich Videoland – Medienvertriebs GesmbH

Sand t No. 30 – 31, 33 – 34 Sand t No. 32

68 69 Forum Des Compositeurs Lena Dierckx – Capilla Flamenca Outhere SA Exhibitors A – Z Stand No. 15-17 Stand No. 16-17 Stand No. 15 Fritz & Friends International Musicmedia Srl asu paladino media gmbh Trade & PR Agency Stand No. 01 Stand No. 30-31, 33-34 Stand No. 30-31, 33-34 All exhibiting companies at Classical:NEXT expo Musikwelt Tonträger e.Kfr. Parys van, Annelies Gramola Stand No. 01 Stand No. 16, 17 Stand No. 30-31, 33-34 ® Musik zum Streicheln – PREISER RECORDS Aliud Records CLASS – Association of Classical Danmarks Radio, P2 Gramophone Magazine Johannes R. Köhler Otto G. Preiser & Co GmbH Stand No. 12 Independents in Germany Stand No. 24 Stand No. 23 Stand No. 32 Stand No. 30-31, 33-34 A – Z A – Z

Stand No. 10 s Aquarius Divox AG HänsslerCLASSIC c/o Muziekcentrum De Bijloke Gent Profil s r r o Stand No. 16-17 Codaex Deutschland GmbH Stand No. 29 SCM-Verlag GmbH & Co KG Stand No. 16-17 Stand No. 08 o Stand No. 18-21 Stand No. 02 Ardalus (PolyArtes Bvba) DMF Danish Musicians‘ Union Naxos Rondeau Production GmbH hibit Stand No. 16-17 Codaex GmbH Stand No. 24 Heinrich Schläfer / Austria Stand Stand No. 05-06 Stand No. 07 x x Stand No. 18-21 Stand No. 30-31, 33-34 / E arvato Entertainment Europe / Donau-Universität Krems Naxos Denmark Schott Music & Media GmbH / O Sonopress GmbH Codaex International Stand No. 30-31, 33-34 Het Collectief | Stand No. 24 WERGO O Stand No. 22 Stand No. 18-21 Chamber Music Quintet Stand No. 04 EXP EXP hibit / E Edition·S music-sound-art Stand No. 16-17 Naxos Deutschland Musik & AUSONIA col legno Produktions- und Stand No. 24 Video Vertriebs-GmbH South Jutland Symphony Orchestra Stand No. 15 Vertriebs GmbH IMZ – International Music + Stand No. 05-06 Stand No. 24 Stand No. 30-31, 33-34 eMusici GmbH / klassik.com Media Centre Belgian Brass vzw Stand No. 14 Stand No. 13 NGL Naxos Global Logistics GmbH Sverkman Consulting Agency AB Stand No. 16-17 Copenhagen Phil Stand No. 05-06 Stand No. 28 Stand No. 24 EPR Classic Inandout Distribution GmbH Bella Musica Edition GmbH Stand No. 16-17 Stand No. 30-31, 33-34 Norrbottensmusiken Videoland – Medienvertriebs Stand No. 01 Dabringhaus und Grimm / Stand No. 28 GesmbH Audiovision GmbH Ermitage, Wolf sarl Klassik Center Kassel Stand No. 30-31, 33-34 BL!NDMAN Stand No. 10 Stand No. 01 Stand No. 09 Note 1 Music GmbH Stand No. 16-17 Stand No. 27 Wallonie-Bruxelles Musiques Dacapo Records Farao Musikproduktions-GmbH La Boite a Musique Stand No. 15 Capriccio Stand No. 24 Stand No. 03 Stand No. 15 Odense Symphony Orchestra Stand No. 30-31, 33-34 Stand No. 24 White Label Productions Danacord Festival de Wallonie Latvian Music Information Centre Stand No. 26 CAV&MA Stand No. 24 Stand No. 15 Stand No. 11 OFF THE RECORDS sprl Stand No. 15 Stand No. 15 Zefiro Torna Danish Agency for Culture Finnish Music Information Latvijas Koncerti Stand No. 16-17 ClaraMusica Artist Management sprl Stand No. 24 Centre Fimic Stand No. 11 Open Goldberg Variations Stand No. 15 Stand No. 25 and MuseScore Danish Arts Council Le Manege.Mons / Stand No. 16-17 Stand No. 24 Flanders Music Centre Musiques Nouvelles Stand No. 16-17 Stand No. 15

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Annonce Don't Miss Pizzicato 160x209.indd 1 20/03/12 12:25 ANNONCE Dont miss piz 21x27,5.indd 1 20/03/12 12:24 Thursday 10:00 – 10:45 Thursday 11:00 – 11:45 Conference Session 1 : Black Box Session 2 : Black Box

Keep up with changes, trends and innovations The Other Europeans Perspectives on Music Renewal through folk and popular music Journalism Today The present and future of classical music Presented by Dr. Alan Bern (USA/Germany) journalism and media

The conference section is set up to offer expert panels, Mentoring Sessions Artistic Director, The Other Europeans S N

nce Chaired by Carsten Dürer (Germany), lectures, keynotes, mentoring and networking sessions Mentoring sessions offer individual, free O e Throughout history, classical music has been revitalized Editor in Chief, PIANONews & ENSEMBLE r and presentations to help delegates keep up-to-date consultations with experienced colleagues by the sounds and techniques of folk and popular fe with new developments and current issues, as well as from a wide variety of fields. n to orient towards the future with new connections, music. In Eastern Europe, klezmer (Yiddish) and with Oliver Condy (UK),

Co new approaches, and the right know-how. Networking Meetings and Presentations lautar (Roma) urban professional musicians created Editor, BBC Music Magazine; Classical:NEXT offers professional, international networks a music of unmatched virtuosity and nuance that Jessica Duchen (UK), inspired composers from Liszt, Bartok, Kodaly and Music journalist, The Independent E The international and diverse orientation of a platform for their meetings and the chance to get R Classical:NEXT is highlighted by the wide range of together, brainstorm, discuss, develop ideas and Enescu to Golijov and Zorn. But for many audiences,

speakers and topics at the Classical:NEXT conference. welcome potential future members. Presentations performers and composers today, the original sources Journalism and the media have undergone radical N O

Bearing the international aspect of the conference can be booked by any delegate wishing to introduce of inspiration are often unknown – and fascinating to changes in recent years and will continue to do so C FE NCE / SESSI in mind, all formats will be presented in English. a particular topic to the Classical:NEXT audience. discover. The Other Europeans, born of an EU-funded in the future. What is the current situation? What can music ethnography project, is dedicated to uncovering we expect from classical music journalists at a time Conference Sessions Biographies these sources and renewing a centuries-old musical when the landscape has shifted towards PR-media The Classical:NEXT conference will discuss the state There is a short biography of each Classical:NEXT partnership that was cut short by the Holocaust. This and Internet platforms? These are vital questions of the art, today‘s challenges and the future potential conference speaker and mentor at the very end music opens new horizons for audiences and musicians which require answers. Otherwise we risk losing the of classical music. At the heart of the conference are of this chapter. alike, exemplifying the ongoing creative fermentation most important resource we have: our listeners, who the jury-selected conference sessions, focusing on between classical, folk and popular music. Dr. Alan Bern, also constitute the readership for classical music the following areas: creator and artistic director of The Other Europeans, publications. All Classical:NEXT conference rooms are will lecture on the subject while providing musical NEXT:Income – new markets and the future at Gasteig: examples. NEXT:Generation of funding and financing NEXT:Generation – future listeners and Conference Sessions – Black Box NEXT:Sound audience engagement Mentoring Sessions – Foyer Carl-Orff-Saal Gallery NEXT:Technology – new methods for Networking Meetings – VHS Vortragssaal (EG 0117) new challenges Presentations – Black Box NEXT:Sound – new music, new formats, sonic influences and inspirations

76 77 Thursday 15:00 – 15:45 Thursday 16:00 – 16:45 Friday 10:00 – 10:45 Friday 11:00 – 11:45 Session 3 : Black Box Session 4 : Black Box Session 5 : Black Box Session 6 : Black Box

Film Music as an Ear-Opener What is Better, a Community Designing for Changing Audiences Copyright Extension for to Contemporary Music or a Crowd? What is the future for music venues? Phonograms Exploring the variety of modern music Funding your next music project The consequences for performers genres in the context of film in the 21st century Presented by Rob Harris (UK), and record companies

S Director, Arup, Arts & Culture Business Leader, UKMEA S N Chaired by Matthias Keller (Germany), Chaired by Steven Walter (USA/Germany), Chaired by Prof. Dr. Stefan Pennartz N O O Radio producer/editor, BR Bavarian Broadcasting Artistic Director, PODIUM Festival Esslingen Can we afford more of the kinds of music venues we (Germany), have built in the past? What is sustainable fiscally, Lawyer, Schoepe Fette Pennartz Reinke, with Laura Berman (USA/Germany), with Robert Douglass (USA/Germany), environmentally and programmatically? If we can afford Lawyers for Culture and Entertainment Artistic Director, Art of Our Times, Bregenzer Festspiele; Director, Open Goldberg Variations them, will they attract audiences (and performers) and Christian Heyne (Germany), provide the ever-evolving experiences that people with Barbara Wunderlich (Germany), E Composer, producer, Chris Heyne/Listen And See Music has always been a phenomenon associated with expect? Concentrating on the next generation of Director, Wunderlich Medien; E R R communities of socially and aesthetically like-minded concert attendees, this talk will mainly examine the Paul Janse (The Netherlands),

N For many people, contemporary music evokes atonal, people. In order to adapt to rapid changes in society, physical facilities and buildings that we need and how Chief of Sales and Marketing, Codaex International N O O

C FE unstructuredNCE / SESSI sounds that are difficult to listen to or taste, and technology, the classical music industry needs these relate to a comprehensive (physical and digital) C FE NCE / SESSI reserved for exclusive circles. Yet the same musical to nourish dynamic and passionate communities around experience. Rob will suggest that the need for such an In 2011, an EU Directive (EU Directive 2011/77/EU) content often appears in film scores which mix a the art form. This session addresses the opportunities experience is not primarily passive, as it is at present, extended the copyright terms for performers and wide variety of styles and genres. This session outlines and challenges in community-building as ushered in but rather interactive and participatory. producers of recordings for all license agreements, possible ways to push contemporary music forward – by new technologies such as social networking and including buy-outs. Under this new legislation, all with film music as a vehicle – to find a wider audience. crowd-funding websites like Kickstarter.com. In addition NEXT:Generation recordings which are still protected on 1st November It also explores whether such an approach is attractive to crowd-funding, we will discuss the importance of 2013 will receive an additional 20 years of copyright to concert halls and promoters and whether it does open formats, audience development and transnational protection. The conference will debate the justice to the contemporary music scene overall. networks (social media). Join us to learn about practical consequenc­ es and implications of this copyright examples, thought-provoking theories, and experience extension for composers and labels, drawing on NEXT:Generation inspiring showcases based on the speakers’ successful the perspectives of a composer, a lawyer and a experiences with the PODIUM Festival (Steven Walter) label representative. It will explore how performers and “Open Goldberg Variations” (Robert Douglass). – or their beneficiaries – and record companies should deal with the situation and how it may transfer to NEXT:Income EU legislation.

NEXT:Income

78 79 Friday 15:00 – 15:45 Friday 16:00 – 16:45 Saturday 12:00 – 12:30 Session 7 : Black Box Session 8 : Black Box Keynote : Black Box

Promoting Arts in the Age Classical Club Culture A Game of Two Halves of Digital Reproduction Two musical worlds exchange influence Where big is not necessarily better Leveraging Internet and social media to en- and inspiration gage new audiences for cultural institutions James Jolly (UK),

S Chaired by Matthias Schneider (Germany), Editor in Chief, Gramophone S N Chaired by Dr. Martin Dehli (Germany), Music Manager, schneider+ music management and consulting N O O Head of Department Corporate Clients, actori with Kai-Michael Hartig (Germany), In the past three or four decades the classical music with Christopher Gruits (USA), Head of Culture Department, Körber-Foundation, Hamburg; landscape has shifted dramatically. The independent Director of e-Strategy, Carnegie Hall New York; Christian Kellersmann (Germany), sector is strong, dynamic and full of imagination, Anna Kleeblatt (Germany), Managing Director of Classics & Jazz, and those qualities are strengthening every year. The E Head of Sales & Marketing, Bavarian State Opera Munich Universal Music Classics & Jazz major companies, often indebted to capital venture E R R companies and boards who are no longer seeing the

N strong return from their pop and rock acts, are having N O O

C FE InternetNCE technology/ SESSI and social media offer new Classical music is increasingly conquering new venues, to embrace a very different business model, and C FE NCE / SESSI horizons for music and performing arts: a ”Digital moving beyond traditional locations to alternative because of their relative size lack the nimbleness of their Concert Hall“ can reach audiences far beyond a single venues such as bars and clubs, attracting younger independent competitors. Are we now living in a world venue; interactive ticketing systems provide more audiences in the process. In turn, electronic musicians where the two industries have diverged to such an convenient access for concertgoers; mobile apps can have increasingly penetrated classical concert halls. extent that they no longer operate in the same field? place marketing messages easily within the private The cross-fertilization of classical and electronic music sphere of a possible target audience. On the other can be found in event series such as the Yellow Lounge > Showcases/Opening & Closing hand, digitalization could be perceived as a threat to or recorded music series such as Recomposed, initiated the unique live experience of a performance on stage, by Deutsche Grammophon’s Christian Kellersmann. Closing and some critics are already foreseeing the end of The Hamburg’s concert series ePhil, performing arts in an age of digital reproduction. supported by the cultural department of the Körber- Two case studies exemplify the opportunities and risks Stiftung under Kai-Michael Hartig, represents yet of Internet technologies and social media for cultural another example. Classic goes club – just a flash in the institutions: Anna Kleeblatt, Head of Sales and Marketing pan or a foretaste of the future? What new opportunities at the Bavarian State Opera, will describe activities in does the opening of the classical world bring for the direct marketing and social media at a leading opera music market as well as for composers and musicians? house; Christopher Gruits, Director of e-Strategy at Christian Kellersmann and Kai-Michael Hartig will Carnegie Hall, will illustrate the digital content strategies discuss the issue with music agent Matthias Schneider. of one of the world’s most prominent concert halls. NEXT:Sound NEXT:Technology

80 81 Mentoring Sessions A – Z

Take advantage of a private 15-minute consultation free of charge with any of our special mentors from various fields and occupations. If you haven’t already signed up, stop by to see if there are still slots available or to be put on the waiting list.

Thursday 13:30 – 15:00 : Foyer Carl-Orff-Saal Gallery S A – Z N

Kathleen Alder (Germany) O Founder and Managing Director, WildKat PR

www.wildkatpr.com SESSI

G N

Topic: PR and Social Media Tools I R O © Ben Wright Penny King (UK) Senior Officer, Dance and Music, Arts Council England www.artscouncil.org.uk E

Topic: Public Funding & Touring Structures in the UK R N O Philip Krippendorff (USA/Germany) C FE NCE / MENT Senior PR Consultant, artefakt Classica www.artefakt-berlin.de/artefakt-classica.html

Topic: How to Get Classical Music into the Media

Michaela Ludyk (Germany) General Manager, Monogenuss Records / Andy K. Productions oHG www.monogenuss.com

Topic: Classical Music Download

82 83 Cofencen r e / N e two r k in g M e etin g s & P r e sentati o n s networks fromallacrosstheglobewithaplatformfortheirmeetings. Get together, brainstorm,discuss,develop.Classical:NEXTprovidesprofessional Networking MeetingsandPresentations difference inthispresentation. is 2222+Recording. Come, listen, hearanddiscuss the another pairofelevated rear loudspeakersandtheresult digital download. complete So the2+2+2System with only that cansimplybeprovided orin by Blue-ray reach thesoundofnearfuture. With eight channels reproduction at home?MDGneedsonlyonestep to 10.2 channelsormore. Will thisbethefuture for music dimensional filmandsound reproduction withup to Now are film industries about to move into three- ”sweetjob, theso-called butinoneplace only: spot“. definitelydimensional soundimage. doesagood It 5.1 Surround that physically Sound reproduces atwo or cathedral... Upto now, have filmindustries used within your hall, private chambermusicroom concert listening room: you canbeabsolutely free andmove the musiclover isnolonger fixed to oneplace inthe that are at theirbest. stillworking The overall benefit: the sixchannelsofcurrent mediaDVDandSACD way for natural-sounding musicreproduction using offerd theirfirst2+2+2 recordings, athree-dimensional … was thethememore thanten years agowhenMDG Recording producer andowner ofthelabelCybele Classics Ingo Schmidt-Lucas(Germany) Diplom Tonmeister, andManagingPartner, co-founder MDG; Werner Dabringhaus(Germany) Break ThroughintoaNewDimension... Presentation 14:00 – 13:00 Friday & Thursday : Black Box Black transnational mobility ofmusicians.transnational mobility musicexchangesas well andthe asto support worldwide localmusic, information andprofessionals Resources at European Level). aimisto promote Its Transnational exchange anddissemination ofmusic Supporting is theMINSTRELproject (MusIcNetwork withIAMIC,Music InformationCenters inpartnership One oftheseprojects, created andleadby eleven and bestpractice, aswell as to facilitate joint projects. information, stimulate exchanges ofideas, experiences members, butalsoto encourage andenhance access to is notonlyto provide aninternational contextfor its worldwide together. The ideabehindthenetwork MusicInformationCenters hubbrings and aknowledge both nationally andinternationally. IAMIC asaplatform works anddissemination ofartistic circulation ofartists These MusicInformation Centers play role akey inthe of theircountry, musicalfield. region oracertain organizations that document andpromote themusic Information Centers –isaninternational of network IAMIC –theInternational Association ofMusic Executive Manager, IAMIC, Representatives ofMusicInformation Centers An-Heleen DeGreef(Belgium) Documentation andpromotionofmusic Presentation andConcreteProjectExamples Information Centers(IAMIC):Network International AssociationofMusic V 16:00 – 15:00 Thursday H S S V o rtragssaal (E rtragssaal G

0117) 84 V 18:00 – 17:00 Thursday pleasedropSo in andjoinus! get intouch personallywithallourexhibitors at onego. inAustria.market Andofcourse you have thechance to music, andtalkabouttrends inthemusic andnews an association ofindependent producers ofclassical – communication, andthe”VMG Vienna MusicGroup“, one oftheleadingcompetence centers for music new UniversitätDonau Krems/DanubeKrems, University classical musicscene oftoday! We willintroduce to you session–getintouch withAustria’sour networking With words, theseinspiring invite we kindly you to Organization &administration oftheAustrian Booth Heinrich Schläfer(Austria) but thepreservationoffire!“(GustavMahler) ”Tradition isnottheworshipofashes, Austrian NetworkingSession 85 H S S V o rtragssaal (E rtragssaal G

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CLASSc i n a o i t Jessica Duchen (UK) Rob Harris (UK) Biographies A – Z is a music journalist for The Independent. She is also is an acoustic and theatre consultant who has the author of four novels, several stage works and worked in prestigious concert halls and opera houses two biographies (Korngold and Fauré), besides internationally. He currently has projects in Kuwait, contributing to a variety of publications in print and Singapore and the UK. As director of the design Including keynote, conference speakers and mentors online. Her blog, “JDCMB”, has a large international consultancy Arup, he leads UKMEA Arts & Culture. readership. She lives in London and is a keen pianist. He is a fellow of the Royal Academy of Engineering Speaker > Conference/Session 2 and the Institute of Acoustics as well as a chartered engineer and member of the Society of Theatre Kathleen Alder (Germany) Oliver Condy (UK) Carsten Dürer (Germany) Consultants. He holds degrees in physics as well is the founder of WildKat PR. Based in London and is the editor of BBC Music Magazine, the world’s biggest- studied musicology and worked for several music as sound and vibration. Berlin they offer media relations to musicians and selling classical music magazine since 1992. During his magazines as a freelancer and chief editor before Chair > Conference/Session 5 cultural organizations. WildKat PR has built an excellent eight years as editor, Oliver has seen BBC Music increase founding his own publishing house, Staccato-Verlag, reputation in the classical music industry through its share to over 62 per cent of the UK classical music which publishes PIANONews – magazine for piano Kai-Michael Hartig (Germany) PHIES A – Z PHIES A – Z

A innovative campaigns combining social media and magazine market. Oliver is also a recital organist and a and ENSEMBLE – magazine for chamber music. has worked for several cultural institutions, serving A the unique stories of each of their clients. tenor with the Bristol-based Exultate Singers. g r He sits regularly on the juries for international as the personal assistant to the cultural senator g r O Mentor > Conference/Mentoring Sessions A-Z Speaker > Conference/Session 2 competitions such as ECHO Classic and serves as of Hamburg from 1998 to 2001, as well as in the O a board member to the ECMTA (European Chamber sponsoring department of a north German bank. Since Laura Berman (USA/Germany) Dr. Martin Dehli (Germany) Music Teachers Association). Carsten Dürer plays 2005 he has led the department of culture at the Körber Her main interest lies in the interaction between music is currently responsible for corporate citizenship the piano and the viola. Foundation in Hamburg. Born in 1966, he studied piano

E and other artistic disciplines. She is the artistic director strategies at actori GmbH. Prior to joining actori, Martin Chair > Conference/Session 2 and arts management in Düsseldorf and Hamburg. E R R of Art of Our Times at the Bregenz Festival, where she Dehli worked as a consultant for The Boston Consulting Speaker > Conference/Session 8

N commissioned Benedict Mason, Morton Subotnick, Group. Martin Dehli holds a PhD in the History of Christopher Gruits (USA) N O O

C FE BernhardNCE / BIGander, Bernhard Lang, Francois Sarhan, et al. Science from the European University Institute in is director of e-strategy at Carnegie Hall where Christian Heyne (Germany) C FE NCE / BI She is preparing a new work with Ben Frost. Florence, Italy. he guides the institution’s digital strategy across He made his first steps into composing in projects with Speaker > Conference/Session 3 Chair > Conference/Session 7 all online platforms. He is the creator of the jazz and contemporary ensembles. He also received an web’s first ”Digital Composer in Residence“ for in-depth look into the work of film composers through Dr. Alan Bern (USA/Germany) Robert Douglass (USA) DilettanteMusic.com with the London Sinfonietta his activities as a sound designer. After completing is a composer, pianist, accordionist, cultural activist (M.M. Indiana University) is a classically-trained and has worked on programming and production his music studies with a Master of Arts degree, he and educator, acclaimed as a pioneer of contemporary musician who completed a career as an orchestral with the Seattle Symphony and Hungarian Consul concentrated on composing film scores, earning Jewish music. Equally at home in classical as in jazz, horn player before pursuing his passion for web General of NY. nominations such as the ”German Film Award“ for folk and popular music, his ensemble The Other technology. He is an acclaimed specialist on the Speaker > Conference/Session 7 his music to Magarethe von Trottas movie I Am The Europeans brings together a lifetime exploration into crossroads of the Internet, music, copyright, open Other Woman in 2007. the intersection of these various styles. Bern holds an standards and the public domain. Speaker > Conference/Session 3 M.A. in philosophy and a D.M.A. in composition. Speaker > Conference/Session 4 Chair > Conference/Session 1

86 87 Paul Janse (The Netherlands) Penny King (UK) Prof. Dr. Stefan J. Pennartz (Germany) Steven Walter (USA/Germany) is chief of sales and marketing at Codaex International. is senior officer of the Music and Dance Department is an attorney at law and, since 2008, law professor at is a Berlin-based cultural entrepreneur, founder and Following an active career as an oboist and conductor, at Arts Council England, supporting music and dance the FOM University of Applied Sciences in Munich. artistic director of the PODIUM Festival Esslingen as he began working in the recording industry in 1996. developments across the country. She previously From 1995 to 2000, he was Head of Legal Affairs at the well as a performing cellist. In recognition of his work He now runs a successful branch of the Codaex Group produced national tours alongside some of the KOCH International Firm, which specializes in copyright, as an innovative music promoter, he has received in the Netherlands and serves as managing director to world’s most celebrated musicians with a focus on employment and sales & distribution law. Since 2000 prizes such as the ECHO Klassik Award in 2010 and Etcetera Records & Globe Records. contemporary and Asian music. As a musician, she he has been a partner at the Munich law firm Schoepe a nomination for Cultural Manager of the Year 2011. Speaker > Conference/Session 6 is a member of the Southbank Gamelan Players. Fette Pennartz Reinke, which specializes in intellectual Chair > Conference/Session 4 Mentor > Conference/Mentoring Sessions A-Z property and business law. Chair > Conference/Session 6 James Jolly (UK) Barbara Wunderlich (Germany) was editor of Gramophone for 15 years before stepping Anna Kleeblatt (Germany) Matthias Schneider (Germany) studied piano at the University of Music, Munich. Head aside to become Editor in Chief. He appears regularly on worked for music theater institutions such as Bay­ is a cultural scientist and freelance journalist for various of Family Archive. CD-Releases in co- BBC Radio 3 and currently co-hosts Sunday Morning. He reuther Festspiele and Ludwig Musical while studying clients including ARTE, INTRO and the Goethe Institute. production with record labels/publishers (2012: Fritz has also edited the Gramophone Classical Music Guide business administration. In 2006, she joined the staff He is the owner of the agency schneider + music Wunderlich Last Recital), associate owner of Wunderlich PHIES A – Z PHIES A – Z

A and is currently working on a documentary of the Bavarian State Opera, where she is responsible management and consulting, seamlessly encompassing Medien film- and music production (TV documentaries: A about Tchaikovsky’s 1812 Overture for the BBC. for marketing strategy, marketing development, g r contemporary classical and electronic club music and Fritz Wunderlich, , Lisa Della Casa, g r

O Keynote Speaker > Conference/Keynote and international sales as well as the planning and serving clients such as Max Richter, Matthew Herbert Robert Stolz, , High-Performance O regulation of opera and concert activities. and Dustin O’Halloran. Chair > Conference/Session 8 Sports Singing Opera). Speaker > Conference/Session 6 Matthias Keller (Germany) Speaker > Conference/Session 7 studied piano, music teaching and church music.

E Since 2000 he has worked as editor and producer Philip Krippendorff (USA/Germany) E

R R for BR-Klassik (Bavarian Broadcast). He wrote the film is responsible for Artefakt Classica, promoting classical  

N music book Stars and Sounds and is juror of the German music, labels and individual artists. ARTEFAKT was  N O founded in 1994 in Berlin. Services include press work,   O C FE RecordNCE Critics / BI Award. As composer and arranger, he C FE NCE / BI has worked with artists such as Lang Lang, Placido editing, event management and cultural marketing.  Domingo, and Sarah Connor. The team works in flexible combinations to serve each   Chair > Conference/Session 3 client’s needs and develop creative, individual concepts.    Mentor > Conference/Mentoring Sessions A-Z  Christian Kellersmann (Germany)   has played in various bands, touring the world Michaela Ludyk (Germany)  and releasing records on major and indie labels. worked as booking manager and customer consultant   Following his studies in musicology, he joined at Sat.1/Seven Senses. She then went on to become  Polydor as a product manager for jazz and later senior creative manager at Universal Music Group. She   headed the jazz department at Motor Music. Since brought her expertise in the music and technology  2002, he has been managing director of Universal business as head of music programming to Musicload,   Music Classics & Jazz. where she now serves as shop and content manager. Speaker > Conference/Session 8 She is also marketing manager at Stereogenuss™  Entertainment, a division of Andy K. Productions  Ludyk oHG. She is an expert in digital sales &   information structure.   Mentor > Conference/Mentoring Sessions A-Z  

88 89

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danCE sCrEEn on tour Worldwide non-commercial distribution and screenings at various festivals www.dancescreen.com

IMZ FIlM databasE More than 30.000 programme-entries of classical, jazz and world music concerts, opera, ballet and contemporary dance films © Cirque Eloize www.imz.at

IMZ Inserat 160x209 Neuer 1.indd 1 02.04.12 13:54 Night of Love – IMZ Film Screenings Waldbühne Berlin 2010

© Thomas Rosenthal Thomas © An evening with Renée Fleming

The IMZ International Music + Media Centre in Vienna collaborates www.euroarts.com with Classical:NEXT for its very first edition.

s With a selection of eight full-length music films shown The IMZ International Music + Media Centre in Thursday 16:00 – 17:40 s g g for free for both Classical:NEXT participants and public Vienna is a global non-profit association for all those Vortragssaal der Bibliothek audiences, the two screening days complement the involved in any aspect of audio-visual music and dance. enin enin e overall busy schedule. Its 150-plus members include leading audio-visual Recorded: Waldbühne Berlin, Germany, 2010 : Conductor: Ion Marin : The Waldbühne in Berlin, one of the most stunning e r r c programme producers and distributors; broadcasters; Orchestra: Berliner Philharmoniker (Germany) : Soloist: Renée Fleming : outdoor amphitheatres in Europe, is the home of the c The IMZ brings more than 50 years of experience performing arts companies and venues; record and Duration: 100‘ Berliner Philarmonic‘s summer concerts. One of the when it comes to music and dance in film. Both the IMZ DVD labels; cinema and new media specialists – all

i highlights in the history of these Waldbühne concerts i Modest Mussorgsky Night on Bare Mountain and Classical:NEXT believe that film is one of the most participants in the creation and dissemination of music was undoubtedly the appearance of the charismatic powerful media for the future art of classical music. and dance in the media from 35 countries around Antonín Dvořák Song to the Moon from “Rusalka”, Op. 114 American soprano Renée Fleming, who brought IlmS M Z F the world. Founded in 1961 under the patronage of her soft-toned but richly coloured voice to this IlmS M Z F Check the screening programme to make sure you UNESCO, the IMZ has established its position as an Bedřich Smetana Dobrá! Já mu je dám! Jak je mi? Night of Love. don‘t miss this year’s presented works. Aiming to create information and communication center for audio-visual from “Dalibor” cross-sector networks and to find new solutions for music and dance productions, as a mediator between Aram Khachaturian Adagio from “Spartacus” Renée Fleming‘s incomparable charisma as a singer the future challenges of classical music, the screenings music and dance creators and the media, and as a takes its full effect only when combined with the are your place to be if you are a filmmaker, TV/film strong advocate of using modern technology for the Richard Strauss Final Scene from “Capriccio”, Op. 85 facial expressions of the great diva, captured here programmer or producer, festival organizer, DVD label visualisation of music and dance – an international in some wonderful images. owner, or if you are just interested in classical music on platform for each and every aspect of music and Richard Wagner Overture from “Rienzi, der Letzte screen. Plus if you are producing, buying or selling visual dance in audio-visual media. der Tribunen“ material or planning new projects, this is the place to be. www.imz.at E. W. Korngold Mariettas from “Die tote Stadt” www.facebook.com/IMZMedia Richard Strauss Zueignung, Op. 10, No. 1

Sir Edward Elgar Salut d’amour

Giacomo Puccini Donde lieta uscì al tuo grido d’amore from “La bohème”

Ruggero Leoncavallo Musette svaria sulla bocca viva from “La bohème”, Mimì Pinson, la biondinetta, from “La bohème”

Giacomo Puccini “Tu che di gel sei cinta” from

Piotr Tchaikovsky “Romeo and Juliet” (Fantasy Overture)

92 93 Operavox – Animated Operas La Traviata at

The Magic Flute// © Operavox Zurich Main Station

Carmen Bertschi© Markus

www.parthenonentertainment.com www.latraviata.sf.tv

Thursday 18:00 – 19:30 s Vortragssaal der Bibliothek Thursday 19:45 – 22:15 s g Vortragssaal der Bibliothek g enin enin e Operavox uses state-of-the-art animation techniques, Recorded: Zurich Main Station, Switzerland, 2008 In September 2008, commuters at Switzerland‘s busiest e r r c music and stories, distilled into thirty-minute films. Composer: Wolfgang Amadeus Mozart : Director: Valeri Ugarov : Conductor: Paolo Carignani railway terminal in Zurich were surprised with a live c Breaking free of the confines of the stage, their visual Recorded: Welsh National Opera, United Kingdom, 1995 : Orchestra and Choir: Opera Zurich performance of Verdi‘s opera La Traviata Zurich‘s station

i style brings a new accessibility to these masterpieces. Technique: Cell Animation : Duration: 30‘ Composer: remained open for business, while the soloists, the choir i The Operavox series consists of six half-hour abridged Duration: 149‘ and the orchestra of Zurich Opera House, conducted by adaptations of the world‘s great operas, presented in Pamina is imprisoned by the wise wizard Sastro. Paolo Carignani, performed around the passengers. La IlmS M Z F animated form. Others operas featured in this collection Her mother, the Night Queen, convinces Prince Violetta Valéry: Eva Mei Traviata at Zurich Main Station brought Verdi‘s tragic love IlmS M Z F are Wagner‘s Das Rheingold, Puccini‘s Turandot Tamino to liberate her from Sastro‘s grip. For this Alfredo Germont: Vittorio Grigolo story to a daily stage and became the most successful and Verdi‘s . mission, Tamino is given the magic flute... Giorgio Germont: Angelo Veccia culture programme ever produced by National Swiss Television. The cast featured Eva Mei as Violetta, Vittorio The Barber of Seville Grigolo as Alfredo and Angelo Veccia as Germont. Composer: Gioacchino Rossini : Director: Natalia Dabizha : La Traviata at Zurich Main Station is part of a trilogy Recorded: Welsh National Opera, United Kingdom, 1995 : produced by ”Schweizer Fernsehen“ (Swiss TV). The Technique: Stop motion with puppets : Duration: 30‘ other two productions are La Bohème im Hochhaus and am Rhein. Assisted by Figaro, Count Almavila approaches Rozina in disguise, although she is well guarded. The two young lovers unite their efforts and overcome all obstacles.

Carmen Composer: : Director: Mario Cavalli : Recorded: Welsh National Opera, United Kingdom, 1995 : Technique: Live action – cel animation : Duration: 30‘

This is a story of passion, jealousy and pride, in which a beautiful young gypsy‘s decision not to belong to any man leads to her tragic death.

94 95 Concert for Europe 2006 Place © Dieter Nagl © Dieter © Bengt Wanselius © Bengt

www.hey-u.com www.raf.se

s Friday 16:00 – 17:20 Friday 17:30 – 18:00 s g Vortragssaal der Bibliothek Vortragssaal der Bibliothek g enin enin e The Concert for Europe is Europe‘s greatest classical Recorded: Schloss Schönbrunn, Vienna (Austria), 2006 : Conductor: Choreograper: Mats Ek The Swedish choreographer Mats Ek has created a e r r c music open air. Combining world famous classical Placido Domingo : Orchestra: Vienna Philharmonic Orchestra (Austria) : Dancers: Mihkail Baryshnikov, Ana Laguna duet for the world famous dancer Mihkail Baryshnikov c music played by the renowned Vienna Philharmonic Soloist: Juan Diego Florez : Duration: 77‘ Music: Fleshquartet and Ek‘s leading lady Ana Laguna. The director of

i Orchestra with the magnificent scenery of the Duration: 28‘ the film is Jona Akerlund, Sweden, well-known for i Schönbrunn Palace gardens, the Concert for Europe Dmitri Shostakovich Festive Overture, Op. 96 his collaboration with Madonna. Fleshquartet is a annually enchants up to 140,000 visitors on site. Wolfgang Amadeus Mozart Symphony No. 40 Fleshquartet: Swedish ensemble, consisting of an electrical string IlmS M Z F IlmS M Z F in G minor, K 550, 1st movement Jonas Lindgren, quartet (violin, viola and 2 cellos) plus percussion and Örjan Högberg, viola electronics, whose musical style ranges from classical Symphony No. 2, Op. 61, Mattias Helldén, Sebastian Öberg, cello string music to experimental rock. nd 2 movement Christian Olsson, percussion and electronics Overture from ”Wilhelm Tell“ Before Place they had already worked together with Mats Ek for his ballet Apartment, which was Giuseppe Verdi Donna è mobile from ”Rigoletto“ commissioned for the Paris Opera in 2000, where they performed live on stage. Juventino Rosas Sobre las Olas

Manuel de Falla Interlude et Danse from This is a creative team where different worlds meet ”La Vida Breve“ to bring the music, media and dance worlds a sensational film. Johann Strauss Spanish March, Op. 433

Johann Strauss Viennese Spirit – Wiener Blut, Op. 354

Encores:

Agustín Lara Granada

Josef Hellmesberger Valse Espagnole

Joseph Strauss Ohne Sorgen!

96 97 The Neighbour A Little Nightmare Music A ballet from real life © Hallvard Bræin © Hallvard © Igudesman Joo

www.nordiskfilmtv.com www.igudesmanandjoo.com

s Friday 18:00 – 18:25 Friday 18:45 – 19:45 s g g Vortragssaal der Bibliothek Vortragssaal der Bibliothek enin enin e A ballet from real life by Jo Strømgren and Stein-Roger Ass. Production Company: Jo Strømgren Kompani (Norway) Recorded: Live from Musikverein, Vienna (Austria), 2008 The concert begins. The music is sublime. Not even e r r c Bull. In a big apartment in Frogner, Oslo, Norway, a Producer: Jeanette Sundby, Cecilie Sjølett Conducted and performed by Aleksey Igudesman and Hyung-ki Joo a pin would dare drop. Suddenly, a cell phone rings c couple argues and fights about their relationship. Director: Stein-Roger Bull, Jo Strømgren Duration: 59‘ and the madness starts. The pianist loses his hand;

i Boxes with separate belongings have already been Choreography: Jo Strømgren, Line Tørmoen, Dimitri Jourde the violinist, while tuning, falls asleep and later wakes i outside the flat. Their neighbour is a lonesome pianist, Duration: 22‘ up in the middle of a motorway, transformed into a annoyed by the couple’s endless quarrels. He plays the ”River Dancer“. When the pianist returns, the piano is IlmS M Z F piano, Leos Janáček’s In the Mists. The sound penetrates : The Neighbour, pianist locked, telling him to insert his credit card. These and IlmS M Z F through the walls. Slowly, the couple unconsciously Line Tørmoen: dancer many other ”nightmares” unfold before audiences‘ eyes. succumbs to the influence of the music and ends up Dimitri Jourde: dancer A Little Nightmare Music is a unique show, full of ceasing to fight and resolving their argument, and virtuosity, enchanting music and zany, outrageous maybe unpacking the boxes again. Leos Janáček humour. The two extraordinary masters of humour In the Mists Aleksey Igudesman and Hyung-ki Joo will mislead you into a new world of classical experience. Käch Artist represents Igudesman & Joo in Germany.

www.facebook.com/IgudesmanJooOfficial www.twitter.com/igudesmanandjoo www.youtube.com/user/igudesmanandjoo

98 99 La Clemenza di Tito

www.tmg.de © Suzanne Schwiertz/Opernhaus Zürich

s Friday 20:00 – 22:05 g Vortragssaal der Bibliothek enin e Rarely has a Mozart opera seria leapt to life with Recorded: Live from Opera Zurich, Switzerland, 2005 r c such intensity and power. And much of its rousing, Production: Jonathan Miller bounding spirit is due to Vesselina Kasarova, one of Conductor: Franz Welser-Möst

i the greatest mezzos of our time. As Sesto she clearly Orchestra and Choir: Opera Zurich dominates the stage, infusing each expression and Soloists: Vesselina Kasarova, Eva Mei, Malin Hartelius, gesture, every note and coloratura, with breath-taking Liliana Nikiteanu, Jonas Kaufmann, Günther Groissböck IlmS M Z F vitality. Kasarova is surrounded by so many high-caliber Composer: Wolfgang Amadeus Mozart colleagues that the result is a feast for the ears and the Duration: 124‘ eyes. As the scheming Vitellia, Eva Mei lets not only the ambitiousness of a proud princess but also the stinging humiliation of a wronged woman reverberate in her coloraturas. Jonas Kaufmann endows his sonorous Tito with depth and reflectiveness. Director Jonathan Miller focuses almost exclusively on the inner life of the characters, a concept reinforced by the subtle musical accompaniment of conductor Franz Welser-Möst.

100 Opening: Wednesday Opening and Closing 19:00 – 22:00, Carl-Orff-Saal

Tradition and innovation – two halves which together make the whole Cin los g: Saturday 12:00 – 14:00, Black Box

G The opening and closing events of the debut edition of Florian Uhlig, described by the Sunday Tribune as an The Orchester Jakobsplatz München is a young of the classical music record industry will be examined G

IN Classical:NEXT reflect the wide scope of what classical “involved, daring and high-voltage pianist” interprets ensemble founded in 2005 by a young conductor, by James Jolly, Editor in Chief of Gramophone, a leading IN S S

O music can be today. In analogy to the forum’s name, short works by two of the undisputed greats of the Daniel Grossmann. Musicians from more than publication which, since 1923, has been devoted to the O the opening will present a program commemorating romantic era, Schumann and Beethoven. In addition, twenty countries currently play in the orchestra. The review of classical music recordings. & C L & C L

the long and hallowed tradition of Western art music Dutch mezzo-soprano Barbara Kozelj and Swiss programming focuses on rarely played works by Jewish

G – the conditio sine qua non of “Classical” – while the pianist Jan Schultsz are to perform selections from composers combined with music of the 20th and 21st You can find more information about the artists in G closing will place emphasis on the “NEXT” generation of the song cycle Sanges-Frühling by Swiss composer centuries. For the Classical:NEXT closing concert, they the short A – Z descriptions on the following pages.

ENIN classical music making with modern works and novel Joseph Joachim Raff, a prolific yet often overlooked present a short work by Ernst Krenek, a 20th century ENIN P P

O approaches. contemporary of Liszt and Schumann. composer of myriad styles and methods such as late We, the organizers, wish you much enjoyment O romantic, jazz, atonality and serialism. at both events! The opening’s repertoire hence ranges from baroque The opening concert also commemorates two to late romantic, presented in the traditional manner: groups which have been instrumental in bringing An appropriately named group will bring the > Conference/Sessions, Keynote C A S E S / using voice or acoustic instrument, playing from a the initiative that is Classical:NEXT to life: CLASS, the musical offerings of the debut edition of Classical:NEXT > Conference/Biographies A – Z, James Jolly W W

O concert hall stage directly to a live audience – a time- Association for Classical Independents in Germany to a close, the Quartet New Generation. These four > Showcases/Live Showcases A – Z O H

S proven method for conveying a musical message to the and our initiating partners, and Naxos, who signed young women take recorder performance to previously SH CASES / public. Today however, the venerated musical tradition on to this fledgling project at the outset, entrusting unexplored territories, incorporating and adapting of classical takes on a new, additional role: its refined Classical:NEXT with their 25th anniversary, encouraging influences from early and contemporary music as Presented by and delicate sound offers a space and emphasizes the their international network to come to Munich. well as popular genres into programs delivered with importance of a virtue often marginalized nowadays – approachability and élan. On Saturday, 2 June, they’ll sincere and focused listening. The closing concert conjures up the second half take the listeners on a contemporary classical tasting of this forum’s name, ”NEXT“, a word which looks to tour with a selection of modern delights, each short On Wednesday, Tianwa Yang, born in Beijing, based innovation and to what is yet to come. Our host city and sweet. in Germany and described by the American Record Guide of Munich is also represented on the program with as “an unquestioned master of the violin”, will perform a two performances. The concert opens with works The programs that open and close the first sonata by the Belgian “King of the Violin” Eugène Ysaÿe. from an artist placed inarguably at the forefront of the Classical:NEXT thus symbolize the duality of preser­ Antonio Soler and J. S. Bach will come from pianist Eldar 20th century avant-garde, John Cage, who has been vation and renaissance, both sides of which are crucial Nebolsin, born in Uzbekistan, trained in Madrid and the center of attention at numerous events in this, to the future of classical music. Such reconciliation is a called the “” of his generation. the centennial year of his birth. These are performed goal not only to be reached on stage. As the impulse for by a professor of the University for Music and Theater Classical:NEXT was given by CLASS – the Association in Munich, Moritz Eggert, a man of many job titles for Classical Independents, the closing concert‘s keynote including composer, pianist, conductor, and blogger. speech offers a highly fitting topic – the current state

102 103 A Filetta (France) Live Showcases Di Corsica Riposu, Requiem pour

© Didier D. Daarwin © Didier D. deux regards

Short live concerts offer a view into the current emerging scene www.afiletta.com Contact: Ensemble A Filetta (Sabine Grenard) Label: DEDA

Classical:NEXT showcase artists will present themselves Meet the Artists Receptions Friday 21:15 to an international, professional audience in a series Carl-Orff-Saal

CASES of short live performances on 31 May and 1 June in On Thursday and Friday, from 17:30 until 18:00, you

W the Carl-Orff-Saal concert hall. Each showcase act will can connect with the artists and their representatives O Jean-Claude Acquaviva The male septet A Filetta, named after a native Corsican deliver insights into their artistic portfolio within a at our Meet the Artists Receptions in the Foyer Gallery

Di Corsica Riposu, Requiem pour deux regards fern, brings an ancient tradition of a capella polyphonic CASES A – Z S H maximum of 30 minutes. The live showcase artists and in front of the Carl-Orff-Saal concert hall. E : Miserere chant into dialogue with contemporary forms of W V ensembles have been selected by an independent jury : Dies irae expression. The ensemble, founded in 1978 by the O from numerous proposals for their outstanding quality, All Classical:NEXT live showcases, opening : Rex tremendae 13-year-old Jean-Claude Acquaviva, has collaborated S H new ideas, and often unusual approaches. and closing artists will perform at Gasteig: E : Lacrymosa in film music, children operas, theater works and, most V : A’ mente recently, in choreography by Sidi Larbi Cherkaoui at The jury selection offers a wide range of high-quality Opening: : Figliolu d’ella the Théâtre de la Monnaie (Opernwelt’s 2011 “Opera W artists: from well-kept secrets to rising stars, from early to Wednesday 19:00 – 22:00, Carl-Orff-Saal : Meditate House of the Year”). The group created its own requiem, O contemporary, traditional to experimental. There will be : Pater noster Di Corsica Riposu, on commission from the Festival de SH CASES / LI compositional adventures – including the artists‘ own Live Showcases: Saint-Denis in 2004, releasing the work on its fourteenth

: Nanzu à Agnus dei W

compositions – as well as courageous arrangements or Thursday 12:00 – 17:30, Carl-Orff-Saal : Agnus dei album. Acquaviva describes the music as “singing about O alterations of well-known masterpieces. Improvisation Friday 12:00 – 21:45, Carl-Orff-Saal : In Paradisum death in order to better celebrate life.” SH CASES / LI provides a basis for some of the acts, while others focus on sheet music paired with digital technologies, or – Closing: A Filetta has also entered ambitious cross-cultural quite the contrary – blend the written classical with oral Saturday 12:00 – 14:00, Black Box exchanges, collaborating with the Japanese percussion traditions. While the approaches and the material may ensemble, Kodo. differ, all 2012 showcases handle the classical repertoire Meet the Artists Receptions: with self-assurance and respect. Thursday & Friday 17:30 – 18:00, Jean-Claude Acquaviva, tenor and conductor Foyer Carl-Orff-Saal Gallery Paul Giansily, tenor You can find more information including the label Jean-Luc Geronimi, tenor and the contact person of each live showcase in the For full artist contact details Jean Sicurani, short A – Z descriptions on the following pages. > Delegates/Companies A – Z Maxime Vuillamier, bass François “Ceccè“ Acquaviva, bass Daniele di Bonaventura, bandoneon

104 105 Carion (Denmark) Daria van den Bercken Woodwind Quintet 3D (The Netherlands) © Thomas Ronn Thomas ©

© Marco Borggreve © Marco Handel At The Piano

www.carion.dk www.dariavandenbercken.com Contact: Rosenthal Musikmanagement Contact: Handel At The Piano (Katharina Lenke) (Ilonka van den Bercken) Label: Cornon Friday 12:45 Thursday 12:00 Carl-Orff-Saal Carl-Orff-Saal Georg Friedrich Händel The Dutch pianist Daria van den Bercken has won CASES A – Z Whether in the interlocking textures of Ligeti or the Johann Sebastian Bach, Chaconne in G major, HWV 435 attention not only for her award-winning performances CASES A – Z W cascading melodies of Bach, the woodwind quintet arr. Mordechai Rechtman in European concert halls but for her innovative W O Carion brings a fresh concept to chamber music Concerto No. 2, BWV 593 after Antonio Vivaldi Video: Create a New Audience: Catch Them by Surprise! approaches to audience development, documented O S H performance. Playing from memory in unusual : Allegro moderato (2:47 min) / Director: Erwan van Buuren on vimeo.com. In February, she invited total strangers S H E E V formations with a slightly theatrical approach, the : Adagio from around her neighborhood to attend a recital V Danish ensemble seeks to defy convention and make : Allegro Georg Friedrich Händel of keyboard works by Georg Frederic Handel at her classical repertoire more appealing for a wider audience. from Suite No. 2 in F major, HWV 427 apartment. Her fleet fingers and musical “What at first appears to be an extra ingredient in György Ligeti : Adagio intensity evoke anything but a casual musical get concocting an event turns out to be a well-rounded Six Bagatelles for Wind Quintet : Allegro together. Her first online video Handel hits the road! concept,” wrote the Süddeutsche Zeitung. The ensemble, features van den Bercken performing on a small W : Allegro con spirito W O founded in 2002, has worked with everyone from : Rubato. Lamentoso Georg Friedrich Händel grand piano as it is towed through the streets by car. O SH CASES / LI the legendary flutist Sir to the DJ and : Allegro grazioso from Suite No. 3 in D minor, HWV 428 A girl with pigtails smiles in the background, while an SH CASES / LI producer Bjørn Svin, known for his experimental : Presto ruvido : Presto older man starts gesturing outside a bar as if about to electronic dance music. Carion has won prizes at : Adagio. Mesto – Béla Bartók in memoriam conduct. “Handel’s music has an urgency that especially chamber music competitions in Denmark, Italy : Molto vivace. Capriccioso Claude Debussy fits this day and age,” says the pianist in the video. and Japan. 2 Préludes from book II “I want everyone to hear and get to know this music.”

Dóra Seres, flute Video: Handel Gives a Twist to Your Day Planning Daria van den Bercken, piano Egils Upatnieks, oboe (3:46 min) / Director: Erwan van Buuren Egīls Šēfers, clarinet David M.A.P. Palmquist, horn Igor Stravinsky Niels Anders Vedsten Larsen, bassoon Circus Polka (Composed for a Young Elephant)

106 107 Eldar Nebolsin Ensemble Variances (France)

(Uzbekistan/Spain) Guir © Cyrille © Kirill Bashkirov

www.naxos.com www.ensemblevariances.com Contact: Naxos Contact: Ensemble Variances (Daniela Martin) Label: Naxos Label: Harmonia Mundi

Wednesday 19:00 Friday 19:45 Carl-Orff-Saal Carl-Orff-Saal

Eldar Nebolsin has been called the Sviatoslav Richter of Padre Antonio Soler Thierry Pécou Oral tradition, while often associated with non-Western CASES A – Z his generation since winning a prize in the legendary Sonata in F minor, No. 78 Soleil Tigre, for cello and piano forms of expression, has inspired many innovations in CASES A – Z W pianist’s name at Moscow’s first International Piano classical music. One need only look to the field work W O Competition in 2005. His second album on Naxos Johann Sebastian Bach Thierry Pécou of Béla Bartók or the Basque rhythms that drive the O S H featuring Liszt’s First and Second Piano Concertos Italian Concerto, BWV 971 Manoa, for bass-flute, bass-clarinet and cello scores of Maurice Ravel. Ensemble Variances, founded S H E E V and the Totentanz with the Liverpool Philharmonic by pianist-composer Thierry Pécou in 2010, creates a V under Vassily Petrenko occupied the top place on the Opening platform to carry this tradition into the 21st century, label’s best-selling digital platform for six consecutive performing original compositions that blend avant- months. He most recently released an album of works garde experimentalism with the native sounds of by Schubert, and Brahms’ piano quartets are to follow. cultures from Latin America to the Caribbean. Pécou Nebolsin, an Uzbekistan native, has performed with and his ensemble recently collaborated with Mexican W W O orchestras throughout Europe and the U.S. under composers for the premiere of Mexico se pone de fiesta at O SH CASES / LI conductors such as Ricardo Chailly, Charles Dutoit, and the Opéra de Rouen and will next unveil a premiere with SH CASES / LI Leonard Slatkin. A former student of Dmitri Bashkirov the American composer Lisa Bielawa. The ensemble has in Madrid, he has stayed in the Spanish city to serve on also explored dialogue with the visual arts, collaborating faculty at the International Institute of Chamber Music. with the painter Rodrigue Glombard.

Eldar Nebolsin, piano Thierry Pécou, piano Anne Cartel, bass-flute Carjez Gerretsen, bass-clarinet David Louwerse, cello

Sponsors: Arsenal, Bureau Export, Harmonia Mundi, Ministère de la Culture et de la Communication, Région Haute Normandie, Sacem

108 109 Florian Uhlig (Germany) Jan Schultsz (The Netherlands/Switzerland) Barbara Kozelj (Slovenia/The Netherlands) © Friedrun Reinhold © Friedrun

www.florian-uhlig.com www.schultsz.com Contact: Sören Meyer-Eller Contact: Divox (Wolfram Burgert) Label: Divox Wednesday 19:00 Carl-Orff-Saal Wednesday 19:00 Carl-Orff-Saal

The German pianist Florian Uhlig has launched a Robert Schumann Joseph Joachim Raff Mezzo-soprano Barbara Kozelj and pianist Jan Schultsz CASES A – Z versatile career ranging from contemporary to the Abegg Variations, Op. 1 Sanges-Frühling, Op. 98 join for a performance of songs by the Swiss-German CASES A – Z W baroque, performing with orchestras such as the BBC : Die Nonne composer Joseph Joachim Raff, whose complete cycles W O Symphony Orchestra, the Dresden Philharmonic, and Ludwig van Beethoven : Der Ungetreuen they will release this fall in a double-SACD set on Divox O S H the Stuttgart Philharmonic. He recently appeared with Five Variations on “Rule Britannia”, WoO 79 : Rastlose Liebe in co-production with Swiss Radio DRS 2. A native of S H E E V the Iceland Symphony Orchestra and the Simon Bolivar : Das verlassene Mädchen Slovenia, Kozelj is increasingly in demand for baroque V Youth Orchestra of Venezuela in Krzysztof Penderecki’s Opening music and concert repertoire. She recently made her Piano Concerto under the composer’s baton. Also Joseph Joachim Raff debut with the Royal Concertgebouw Orchestra under active as an accompanist and chamber musician, Maria Stuart, Op. 172 Ivan Fischer in St. Matthew’s Passion. The Amsterdam- he has collaborated with the late Hermann : Gebet born Schultsz, currently a professor at the Winterthur Prey, the violinist Mirijam Contzen, the Philharmonia Conservatoire and co-founder of the Basel Chamber W : Von dem Gang zum Schafott W O Quartet Berlin and others. He additionally writes his : Abschied von der Welt Ensemble, is also active as a conductor. He has presided O SH CASES / LI own cadenzas and arrangements as well as original over the Tonhalle Orchestra, the Mozarteum Orchestra, SH CASES / LI compositions. He has released albums with Hänssler Opening the Hungarian State Orchestra and others. His recording Classics, WERGO, EMI and others. Uhlig has served as of Schubert’s Die schöne Müllerin, released in 2000, was artistic director to the Johannesburg International Mozart awarded the “diapasson d’or.” Festival since 2008. Jan Schultsz, piano Florian Uhlig, piano Barbara Kozelj, mezzo-soprano

110 111 Le Jardin Secret (Belgium) Moritz Eggert (Germany) Musique pour Mazarin! Moritz Eggert plays Cage © Mara Eggert© Mara Qui a le coeur a tout Dirckx © Lieven

www.lejardinsecret.com www.moritzeggert.de Contact: Le Jardin Secret (Sofie Vanden Eynde) Contact: Moritz Eggert

Thursday 12:45 Saturday 12:30 Carl-Orff-Saal Black Box

Baroque music has enjoyed a comeback in recent Orazio Michi John Cage Composer and pianist Moritz Eggert has penned a CASES A – Z decades, thanks to quality ensembles founded Spera mi disse Amore Sonatas and Interludes, for prepared piano wide range of experimental stage works, including a CASES A – Z W by conductors such as William Christie, Nikolaus : Sonata I Foot Ballet to open the 2008 Viennese Opera Ball and W O Harnoncourt and . Le Jardin Marc-Antoine Charpentier : Sonata II a Soccer Oratorio for the World Cup in 2006. His opera O S H Secret has entered as a new potential player on Ah! Qu’ils sont courts : Sonata V All these Days was recently unveiled in Bremen. Among S H E E nd V the scene since winning the Early Music Network : 2 Interlude his piano works, the Haemmerklavier cycle is most V International Young Artists’ Competition in York, England Luigi Rossi : Sonata XII widely performed. A professor for composition at the in 2007. The group’s debut album Musique pour Mazarin! Non pianga : Sonata XIV/XV Music University of Munich, Eggert maintains a well- Qui le coeur at tout, featuring music by 17th century read blog, “Bad Blog Of Musick”, about contemporary composers such as Rossi and Charpentier, was praised Jean-Baptiste Lully music and contributes to other publications. Since by The Independent as “a confident and attractively 2009 he has been member of the “Akademie der W Deh, piangete Closing W O programmed recording.” Le Jardin Secret has since Wissenschaften und der Literatur in Mainz”. He is a O SH CASES / LI released a musical homage to the Habsburg imperial Jean-Baptiste Lully recipient of the German Rome prize, the Schneider- SH CASES / LI court entitled Auf Wiener Art. The ensemble has also Tranquilles coeurs Schott prize, the “Siemens Förderpreis” for young created original programs such as Orpheus through composers and others. His music is published by the ages, bringing together compositions by Rameau, Giacomo Carissimi Sikorski, Hamburg. At Classical:NEXT, he will perform Monteverdi, Telemann and others. Deh, memoria piano sonatas by John Cage.

Elizabeth Dobbin, soprano Anonymus Moritz Eggert, piano Romina Lischka, viola da gamba La chasse donnée à Mazarin par les paysans des Sofie Vanden Eynde, theorbo and baroque guitar bourgs et des villages sur le tocsin (Mazarinade) David Blunden, harpsichord Marc-Antoine Charpentier Tristes Déserts

Marc-Antoine Charpentier Sans frayeur

112 113 Open Goldberg Variations Orchester Jakobsplatz © MuseScore © MuseScore (Japan/Belgium/Germany/USA) Presented Gurian © Erol München (Germany) by MuseScore and Kimiko Ishizaka

www.musescore.com www.orchester-jakobsplatz.de Contact: Open Goldberg Variations Contact: Dr. Julia Grossmann and MuseScore (Robert Douglass)

Friday 16:45 Saturday 12:30 Carl-Orff-Saal Black Box

The Goldberg Variations, one of J.S. Bach’s most Johann Sebastian Bach Ernst Krenek The Orchester Jakobsplatz München champions 20th CASES A – Z ambitious keyboard works, has been transcribed Goldberg Variations, BWV 988 Symphonic Music, Op. 11 century and contemporary music with an emphasis on CASES A – Z W for everything from guitar to jazz trio. Now it is about : Adagio composers of Jewish origin. The ensemble, founded in W O to meet the next frontier: Internet technology. The Score following technology by MuseScore.com 2005 by Artistic Director Daniel Grossmann, includes O S H Open Goldberg Variations Project, launched by musician Selected variations, with score following demonstration musicians from over 20 countries and has formed S H E E V and web scholar Robert Douglass with his wife, the Closing partnerships with institutions such as the Bavarian V German-Japanese pianist Kimiko Ishizaka, brings a State Opera and Theater as well as Munich’s Jewish new album (recorded earlier this year on a Bösendorfer Special Presentation Community Center. “The orchestra has successfully grand piano) together with the open source notation positioned itself in the orchestra city of Munich with of Musescore.com. The sheet music sharing website new and Jewish music,” wrote the Neue Zürcher Zeitung allows for sharing, embedding video, transposing and last year. In 2009, the group embarked on a tour of Israel W W O more. Both the recording and the digital score, made and released an album of works by the little-known O SH CASES / LI possible through crowd-funding, will be available on composer Paul Ben-Haim. The following season it SH CASES / LI the public domain. At Classical:NEXT, Douglass and traveled through Moldavia, the Ukraine and Romania Ishizaka will present the project along with a live with the violinist Tanja Becker-Bender. In June, the performance. Have your smartphones and mobile orchestra will perform works by Hanns Eisler at Munich’s devices ready to follow along. Schauspielhaus.

Kimiko Ishizaka, piano Daniel Grossmann, conductor : Sandor Galgoczi, violin : Emanuel Wiesler, violin : Charlotte Walterspiel, viola : Sponsor: MuseScore Aniko Zeke, cello : Andreas Brand, doublebass : Noemi Györi, flute : Hideki Machida, oboe : Sofija Molchanova, clarinet : Theimuraz Bukhnikasvili, bassoon

114 115 QNG – Quartet New Salzburger Hofmusik (Austria) Generation (Germany) Improvisation for Salterio and Dulcimer © Astrid Neumann © Wolfgang Brunner Wolfgang ©

www.quartetnewgeneration.com www.hofmusik.at Contact: Quartet New Generation (Susanne Fröhlich) Contact: Salzburger Hofmusik (Wolfgang Brunner) Label: Genuin Label: Orifl Medien

Saturday 12:30 Friday 19:00 Black Box Carl-Orff-Saal

Recorders aren’t the first instruments that come to Michiel Mensingh Anonymus Salzburg, otherwise known as “Mozart city”, remains a th CASES A – Z mind when one thinks of new music. Yet the Quartet Wicked, composed for QNG Fandango after a manuscript of salterio of the 18 nexus of traditions one would more readily associate CASES A – Z th W New Generation (QNG), with an armory of all shapes century, improvisation for piano forte and salterio with the 18 century. Yet in the right hands, the music W O and sizes, proves an exception to the rule, regularly Fulvio Caldini, arr. QNG of this time remains as fresh and relevant as it was then. O S H inspiring composers to conceive works for them. At Clockwork Toccata, Op. 68 Antonio Vivaldi/Wolfgang Brunner The ensemble Salzburger Hofmusik, founded in 1991 by S H E E V Berlin’s Ultraschall Festival this season, the female quartet Die vier Jahreszeiten im Klimawandel, for dulcimer Wolfgang Brunner, has dedicated itself to a court music V premiered its own of Sofia Gubaidulina’s Wojciech Blecharz and piano forte tradition that ranges from J.C. Bach to Schubert. The Flute Quartet alongside a premiere for prepared Airlines, composed for QNG group draws upon a flexible formation ranging from trio recorders by the young Greek composer Marianthi Pietro Metastasio to small orchestra, applying scholarly research about Papalxandri-Alexandri. Concerts have brought QNG from Moritz Eggert La Partenza ”Ecco quel fiero istante“, for tenor and harp performance practice to their interpretations on historic Schleswig-Holstein to the New York festival Bang on a instruments. Salzburger Hofmusik has toured Central W Flohwalze, composed for QNG W O Can and as far as South America, Asia and Russia. The Carlo Broschi aka Farinelli and Eastern Europe as well as Israel and Turkey, while O SH CASES / LI 1998-founded recorder collective has won prizes from La Partenza ”Ecco quel fiero istante“ (Pietro Metastasio), maintaining a prolific discography. “Salzburger Hofmusik SH CASES / LI contemporary music competitions in The Netherlands, Closing for tenor and piano forte is more than capable of competing with period Poland, France and Germany. “A self-consciously fresh instrument ensembles in Freiburg and Köln,” wrote concept in chamber music,” wrote The Irish Times. the Süddeutsche Zeitung.

Susanne Fröhlich, recorders Wolfgang Brunner, fortepiano Andrea Guttmann, recorders Heidelore Schauer, salterio and hammered dulcimer Miako Klein, recorders Leonore von Stauss, baroque triple harp Heide Schwarz, recorders Maximilian Kiener, male soprano and tenor

Sponsors: Mollenhauer, KÜNG – Die Flötenmanufaktur

116 117 Sax Allemande (Germany) Seda Röder (Turkey/Austria)

© Dana Tarr © Dana Face to Face with Cage © Christine Schneider© Christine

www.saxallemande.de www.sedaroeder.com Contact: Farao Musikproduktionsgesellschaft Contact: Seda Röder (Angelika Vitzthum) Label: SedaRoeder.com Label: Farao Classics Friday 13:30 Friday 20:30 Carl-Orff-Saal Carl-Orff-Saal Wolfgang Amadeus Mozart, John Cage Pianist, composer, scholar, lecturer and producer Seda CASES A – Z While the saxophone might conjure up Charlie arr. Rainer Schottstädt Dream Röder embodies the virtues of a modern-day hyphenate CASES A – Z W Parker more easily than the classical concert hall, the Arias from Don Giovanni artist, disseminating her passion for contemporary W O instrument’s importance in 20th century repertoire : Madamina, il catalogo e questo Seda Röder music in an intelligent but accessible fashion. With O S H from Claude Debussy to Paul Hindemith often goes : Giovinette che fate all´amore Flight (improvisation) Listening to Istanbul, she has dedicated a website and S H E E V overlooked. The German trio Sax Allemande, formed in : Non mi dir, bell´idol mio album to the work of Turkish composers. Her album V 1996, has set out to prove the instrument’s elegance : Finch´han dal vino valda la testa John Cage Tales from Silent Lands explores the legacy of American in a wide variety of repertoire. Blending soprano, alto In a Landscape composers John Cage and Morton Feldman through and bass saxophones, the group’s discography so far Felix Mendelssohn Bartholdy, commissions that include one of her own works. Röder includes arrangements of opera and ballet numbers, a arr. Margarita Oganesjan is an Associate at the Harvard Department of Music and rendition of the Goldberg Variations, and a Schubert- has assisted the legendary scholar/performer Robert W Songs without words W O Kagel project juxtaposing two seemingly disparate : Op. 62, No. 6 Levin, who has praised her “exem­plary understanding O SH CASES / LI musical worlds. The group recently won support from : Op. 38, No. 2 of a wide range of musical styles.” SH CASES / LI the Siemens Foundation for a work it commissioned : Op. 67, No. 2 from the Lithuanian composer Vykintas Baltakas. Sax : Op. 30, No. 6 Her podcast series Blackbox about New Music breaks Allemande also has to its credit two consecutive Echo : Op. 38, No. 3 down elements of contemporary music and explains Klassik Awards in 2009 and 2010. : Op. 102, No. 3 them in their historical context. : Op. 62, No. 1 Frank Schüssler, soprano saxophone : Op. 67, No. 4 Seda Röder, piano Arend Hastedt, alto saxophone Markus Maier, baritone saxophone Sponsor: Moon and Stars Project, New York

118 119 Sjælland String Quartet taste (Germany) © taste (Denmark) Discover Edition “Zeitgenössische © Nikolaj Lund © Nikolaj Musik” by the German Music Council and WERGO www.4tet.dk Contact: Dacapo Records (Cecilie Rosenmeier) www.stock11.de Label: Dacapo Records Contact: Deutscher Musikrat (Daniel Mennicken)

Thursday 17:00 Friday 12:00 Carl-Orff-Saal Carl-Orff-Saal

The Sjælland String Quartet, founded in 2004 by Ludwig van Beethoven 1. Ich oder jemand in meiner Familie spielt ein Instrument : The electronic music duo brings together Martin 2. Malstaffel Mengenstaffel : 3. Orientierung : 4. (erweiterbar) : CASES A – Z instrumentalists of the Copenhagen Philharmonic, from String Quartet in F major, Op. 95 Schüttler and Mark Lorenz Kysela, German performer- CASES A – Z W has dedicated itself to exploring a broad range of : Allegro con brio 5. Gern kontrovers, aber immer begeistert : 6. 1 Woche composers who explore the possibilities for electro- W O repertoire from little-known Danish composers to für 1 Woche für 1 Woche für 1 Woche : 7. Inspirationen acoustic sounds in their work. But don’t believe their O für Geschenke : 8. Auflage, Beilage : 9. Ansprüche : S H Nikos Skalkottas. They also find time for Haydn and Anders Koppel Myspace page: neither are nuclear physicists. Schüttler, S H E 10. Kulturachse SÜD : 11. WELTKUNST : 12. Stil: HighFidelity : E V Beethoven. The ensemble is well-established on the from String Quartet No. 2 a professor at the Musikhochschule and the V 13. Ich interessiere mich : 14. Farb- und Tonabweichungen : Danish music scene, performing at Copenhagen’s Tivoli University of Frankfurt, has received commissions from : Larghetto 15. DU-Schluss : 16. Chapeau! : 17. Musikalisch verwöhnen wir Gardens and Royal Opera House, where it appeared unser Publikum : 18. Marke Marke : 19. Absolutes Charisma : ensembles such as Ensemble Modern and musikFabrik. in The Juliet Letters by English singer-songwriter Elvis Leoš Janáček 20. Die Wahl des nächsten Reiseziels : 21. Skyscraper* : He has also delved into sound installations and media Costello in 2007. That same year, the quartet recorded from String Quartet No. 1 “Kreutzersonate” 22. 10 Tipps für den Fernseher-Kauf : 23. Höchstformat 2 : art. Kysela is active as a saxophonist and electronic the two string quartets by Sunleif Rasmussen, a native 24. (plus Wien) : 25. Wallpaper* : 26. 68,6% : 27. Der Kauf von engineer in ensembles such as Oh-Ton, Ensemble W : Adagio – Con moto W O of the Nordic Faroe Islands. Other albums include works Markenprodukten lohnt sich meist : 28. “Das Bessere ist des Atmosphere, and Strom, Ensemble der Autoren. He has O SH CASES / LI by Danes Anders Koppel and Paul von Klenau. Earlier Peter Heise Guten Feind” : 29. Kulturachse NORD : 30. Papiertyp 1 : entered collaborations with choreographers such as SH CASES / LI this season, Sjælland made an appearance at the ORF from String Quartet No. 4 in C major 31. Hochwertige Anmutung : 32. Schrift eingebunden: Ja : the Stuttgart-based Fabian Chyle and the video artist Radiokulturhaus Wien in works of Mozart and Koppel. : Largo – Allegro molto 33. State of the Art (ist heutzutage vielfältig) : Matthias Siegert. Schüttler and Kysela are members of 34. Die Feuilletons in den nächsten Monaten prägen! : the stock11 consortium for new music. 35. vom Beschnitt entfernt : 36. Superbanner* : 37. Qualität Jon Gjesme, first violin der mitgelieferten CD: 88% : 38. Gratulation! Auch an die John Bak Dinitzen, second violin Martin Schüttler, electronics Kollegen! : 39. Kopf der Seite & Größte Tradition : 40. Ein Bernd Rinne, viola Klassiker ist gerade auch deshalb ein Klassiker, weil man Mark Lorenz Kysela, saxophone Richard Krug, cello ihn sofort am kleinsten Detail erkennt. : 41. prooflose Datenanlieferungen : 42. Optik entwickelt sich prächtig! : Sponsors: Deutscher Musikrat gemeinnützige Projektgesellschaft, Sponsor: Statens Kunstraad 43. Nielsengebiete: 3a, 3b, 4 und 7 : 44. Premium : Förderprojekte Zeitgenössische Musik 45. ihre Lieblingskünstler : 46. 61% : 47. Papiertyp 2 : 48. Für Qualität und hohe Konsumbereitschaft : 49. 61% / 26% : 50. Kurz vor dem Weihnachtsfest wird es bei uns nicht nur in der Musik klassisch

Special Presentation

120 121 Tianwa Yang (China/Germany) Video Showcases

www.naxos.com Artists and projects present themselves on screen Contact: Naxos Label: Naxos

Wednesday 19:00 Classical:NEXT video showcases are a new presentation A broad spectrum of presentations awaits our Carl-Orff-Saal format which complements the live showcases. The delegates. Stylistically, they range from jazz and baroque

20-minute videos show recent projects of musicians, improvisations to modern electronic approaches. Some cases

ensembles or larger productions via live footage, presentations describe concerts in a special setting e.g. w The young violinist Tianwa Yang has been turning heads Eugène Ysaÿe o

interviews or documentaries about the artistic content pitch black, such as “Augustin Maurs – SOLO Bach Suites h

CASES A – Z towards her precocious career. This season includes Sonata Op. 27, No. 2 in A minor and context. Exhibited”. There will be sketches and documentations S W debut performances with ensembles such as the : Obsession o O Cleveland Orchestra, the Warsaw Philharmonic and the : Malinconia of projects as well as videos that are art in themselves, The video showases are thus an ideal opportunity and some video showases that show that these two ide S H Deutsche Radio Philharmonie. A native of Beijing, she : Danse des ombres V E

to present large ensembles or staged productions aspects are not mutually exclusive. /

V recorded the Paganini caprices at the age of thirteen. : Les furies Her first Naxos album of works by Sarasate with the such as operas. At the same time, this format is Orquesta Sinfónica de Navarra and Ernest Martínez designed to enable artists, ensembles or productions Izquierdo received the Pizzicato Supersonic Award Opening to present themselves when traveling or scheduling All Classical:NEXT video showcases will be issues make a live appearance impossible. Moreover, screened at Gasteig: w last year. Further upcoming releases include the solo o

the video showases are an appropriate way to present h

sonatas of Eugène Ysaÿe, Wolfgang Rihm’s Works for S cases W

O violin and piano, Lalo’s Symphonie Espagnole, Manen’s work in progress to the professional community at Video Showcases: Classical:NEXT – be it a large, complex or unfinished Thursday 11:00 – 15:00, Vortragssaal der Bibliothek SH violinCASES / LIconcerto and the remaining albums for an eight- disc set of Sarasate works. Yang is the recipient of the production. By combining the audio-visual ele­ment Friday 11:00 – 15:00, Vortragssaal der Bibliothek Volkswagen Foundation prize “Star of Tomorrow” from with the onsite presence of one or several represen­ Seiji Ozawa and the 2006 “Prix Montblanc.” tatives, the video showases allow ensembles and For full artist contact details productions, who would otherwise not be able to > Delegates/Companies A – Z Tianwa Yang, violin perform, to make a professional and informative impression at Classical:NEXT.

The video showases offer music distributors such as concert promoters, labels and journalists a unique opportunity to experience many performances in a short amount of time. This format allows the gist of a complex project to be grasped quickly and personal contacts can be collected to deepen the exchange afterwards.

122 123 SH OWCASES / V ide o S h owcases A – Z SOLO –BachSuitesExhibited Augustin Maurs, cello stage director Christoph Schlingensief. Lachenmann, thechoreographer Sasha Waltz andthe andHelmut Kagel with composers suchasMauricio marketed,” heexplains. hasentered Maurs collaborations visualized and the way classicalmusic isotherwise invisible sound. isanalternative inthedark “Bach to experience to apurely acoustic one, aconcept of recordings ofPablo Casals, hopesto distillthemusical exposed to theworld ofBach’s suites at agesixthrough soloist are allat once. rarely Maurs, performed first one level, asthesixmovements for unaccompanied inpitch dark. performed This isunusualonmore than listeningnew contextfor Bach’s cello suites: are they b SOLO V 14:00 Friday Schneider) (Matthias schneider+ Contact: www.bachsuitesexhibited.com Augustin Maurs y cellist andcomposer Augustin Maurs, creates a o rtragssaal der Bibliothek der rtragssaal

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© Manu Theobald Year 2010 ofRelease: Director: Yan Proefrock Papier ámusique–Jörg Widmann Year 2010 ofRelease: Director: Daniel Mennicken Oliver –Composer Schneller Year 2011 ofRelease: Director: Daniel Mennicken Samir Odeh-Tamimi –Composer 125

Special Presentation Special Discover “Edition Zeit WERGO by theGermanMusicCounciland Förderprojekte Zeitgenössische Musik MusikratSponsors: Deutscher gemeinnützigeProjektgesellschaft, Musica theDonaueschingen , native Arabic roots andhasreceived commissions from Odeh-Tamimi synthesizes European idiomswithhis Orchestra. Finally, thePalestinian-Israeli composer andthe as EnsembleModern Tanglewood MusicCenter by groupsinstrumentation, hasbeenperformed such the relationship computer between musicandclassical “a revelation” inLe and theCleveland Orchestra. Schneller, as described such astheSalzburg season.Hehasbeeninresidencenext withinstitutions The Bavarian State Opera premieres hisopera Babylon increasingly prominent inGermanyandbeyond. Tamimi. The works of Widmann have become Jörg Widmann, Oliver Schneller, andSamirOdeh- ontoThree openaview thecomposers videoportraits V 11:00 Friday Mennicken) (Daniel Musikrat Deutscher Contact: www.musikrat.de Composer Portraits o rtragssaal der Bibliothek der rtragssaal

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SH OWCASES / V ide o S h owcases A – Z SH OWCASES / V ide o S h owcases A – Z Music intotheHomesofToday‘s People Sponsor: Flemish authorities Jan Van lute :Patrick Outryve, Denecker, recorders Thomas Baeté, violadagamba:Piet Stryckers, violadagamba: Snellings,Dirk bass:LiamFennelly, violadagamba: Cat,Marnix De alto : possibilities for creating emotionalresonance. streetas acity car, Capilla Flamenca explores new Agricola inamontage againstmundanescenes such historic Belgian church orsinging musicby Alexander recording Isaac’s Heinrich “Ich mussdichlassen” ina transparent, celestial textures oftheirmusic. Whether formations andsettings, giving spinonthe anew clipspresentThese thegroup documentary invarious Stockhausen. music withthesoundsofKarlheinz Het Collectief, weaving together 14 musicensemble andthecontemporary Sidi Cherkaoui suchasthechoreographerworked together with artists life.instrumentalism witheveryday The group has Franco-Flemish polyphonicchant andRenaissance ofprojects toseries illustrate thecross-relevance of The EnsembleCapilla Flamenca ona hasembarked V 11:30 Thursday Wallonie en Musique Ricercar, Label: Dierckx) (Lena Flamenca Capilla Contact: www.capilla.be (Belgium) Ensemble CapillaFlamenca o rtragssaal der Bibliothek der rtragssaal

Capilla FlamencaBringsEarly Tore Denys, tenor :Lieven Termot, baritone : th century arsnova century Year 2012 ofRelease: Director: Yves Gervais and Beauty Wisdom inFlemish Polyphony 126

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© Avshalom Levi Introduction andAllegroIntroduction Maurice Ravel Year 2009 ofRelease: Director: Ritter Diana Israeli Chamber Project 127 Assaff Weisman, piano:ItamarZorman, violin Yael Kareth, Korman, piano:Michal cello :Sivan Magen,harp: Daniel Bard, Ben-Ziony, violin:Guy viola: and itsCarnegie Halldebut. This seasonsees therelease ofthegroup’s firstalbum have itwillbemuchharder noknowledge to enjoy.” art,” Director explainsArtistic Tibi Cziger. “And ifyou work. contemporary “Classical musicisahighform of lectures to usedina explaintheeffects givenconcert as Jonathan Keren andAmitGilutz, alsogiving pre- has commissioned works from Israeli composers such something ofitsnative musicalculture abroad. ICP music more accessible. hopeto they bring turn, In chamber inthehopeofmaking classes andconcerts and remote towns throughout Israel withmaster into asinglemission. The ensemblehas toured cities Aviv, education andoutreach combines performance, by young musiciansbasedinNew York, and Berlin Tel The Israeli Chamber Project, founded four seasonsago V 11:00 Thursday Records Azica Weisman) Label: (Assaff Project Chamber Israeli Contact: www.israelichamberproject.org (Israel/USA) Israeli ChamberProject o rtragssaal der Bibliothek der rtragssaal Tibi Cziger, clarinet:

SH OWCASES / V ide o S h owcases A – Z SH OWCASES / V ide o S h owcases A – Z Recomposed –TheFourSeasons Daniel Hope, soloist André deRidder, conductor in thebackground. ambientkindof musicofferscounterpointHis a abouttheproject. sessions aswell asinterviews shows scenes from therehearsals andrecording project by An ongoingdocumentary Yulia Mahr sub Grammophon’s Recomposed series. Richter ofDeutsche underAndré aspart Berlin deRidder OrchesterDaniel HopeandtheKonzerthaus Vivaldi adaptation Die Waltz Academy’s 2008prize for bestscore to Folman‘s Ari and Perfect for hismusicto suchasShutter blockbusters experimental electronica. Heremains bestknown Richterrange fromMax balletto installations to composer British The projects ofGerman-born V 14:30 Friday Grammophon Music/Deutsche Universal Label: Schneider) (Matthias schneider+ Contact: www.schneiderplus.com Max Richter o rtragssaal der Bibliothek der rtragssaal ­ sequen

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Special Presentation Special 128

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© Amelia Jacobsen Malcom MacFarlane, guitar:Allan Neave, guitar Keaney,Judith piano:Flavia Casari, piano:Chick Lyall, piano: percussion Semple, percussion :Stuart :SimonSmith,piano Neil Gallie, trombone :IainSandilands, percussion :Tom Hunter, McClenaghan, horn:JohnKenny, trombone :Emily White, trombone : trumpet :Tom Poulson, trumpet :Andy Saunders, horn:David Frazer Gordon, bassoon:MarkOKeefe, McGinley, trumpet :Brian Sweeney,Jo Nicholson,clarinet:Bill clarinet:Paul Boyes, bassoon: Ruth Morley, flute :Yann Ghiro, clarinet:Alan Bacchetti,: clarinet Joe Houghton, oboe:Stella McCracken, oboe:JamesHoran, oboe: double bass:Tom Standley, Berry, doublebass:Rick doublebass: Louise McMonagle, cello :David Pellar, doublebass : Alison Gornall, Hannah Craib, cello :RudideGroote, Irvine, cello viola:Robert : Fiona Winning, viola:Scott Dickenson, viola:JaneAtkins, viola: Lise Aferiat, Grant, violin:Donald violin:Kay Stephen,: violin Greg Lawson, violin:Tony Moffat, violin:RuthCrouch, violin: conductor :JackieShave, violin : Darragh Morgan, violin: Garry Walker, conductor :Jessica Cottis, Allen, conductor :Bryan Year 2012 ofRelease: Director: Laurie Irvine Introducing Note, Red Scotland‘s Contemporary MusicEnsemble 129 Traverse Theatre, Year ofCreative Scotland 2012 PRS forMusicFoundation, Royal ofScotland, Conservatory Creative Scotland, EsméeFairbairn Foundation, HopeScott Trust, Sponsors: Conservatoire andGlasgow ofScotland University. withthe Royal also formed educational partnerships global musicaswell asmaster classes. Note Red has of and atour islandsinfree of theHebridean concerts artist with Glasgow-based German Torsten Lauschmann incollaboration experimental performance-installation space that stole theshow.” This seasonhasincludedan sound,” reported ensemble took care to recreate aclassic1980sGlassian hangar beneath aConcorde. Note‘s“Red nine-piece Glass’ musicdrama audiences.new Last fall, Philip thegroup performed whileattracting for musicperformance contemporary dedicated itselfto innovative exploring possibilities Carolyn Sparey, Note ensembleRed theScottish has From JohnCage to emerging composers suchas V 14:30 Thursday Harris) (John Ensemble Note Red Contact: www.rednoteensemble.com (UK) Red NoteEnsemble o rtragssaal der Bibliothek der rtragssaal

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SH OWCASES / V ide o S h owcases A – Z SH OWCASES / V ide o S h owcases A – Z Demian Kappenstein,Demian drums andpercussion Felix Otto Jacobi, doublebass fenderrhodesandelectronicsSimon Slowik, Matthew Cellan Jones, baroque guitarandtheorbo Diethard Krause, violoncello andvioladagamba Stupka, baroqueMartin viola Ulrike baroque Slowik, violin Dresden. so farreleasing albumsandalive two DVDfrom throughout Germany,The ensemblehas performed baba yaga” from Mussorgsky’s Pictures traditional projects, suchasrearranging the “Hut of dancer Antonio Ramos. They have alsotakenonmore rapper Flowin‘with theGerman andthemodern Immo hip hopandLatin rhythms, American collaborating to justaseasilyforayensemble hasbeenknown into technique withfree, jazz. modern The chambermusic improvisation to fixed motives, blendingbaroque musicians create original compositions basedon double bass, keyboard andpercussion, theyoung Bringing original baroque instruments together with share acommon impulsefor structured improvisation. musicaltraditions two that thegapbetween bridged Ensemblehas for thevioladagamba, theRing While jazzgrooves may seemanunlikelymatch V 14:00 Thursday Records Enja Label: Slowik Simon Contact: www.ringensemble.de (Germany) Ring Ensemble o rtragssaal der Bibliothek der rtragssaal

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Exhibition. La Truviata Winzer N°212 Electrain Simon Slowik Year 2010 ofRelease: Director: Schindler Ben Live inDresden 130

© Stefan Kraul The ”ClassicalNextLevel“festivalpresentsanighttimeprograminMunich‘sclubs. Classical NextLevel 131 Oesterhelt willpresentOesterhelt pieces composed especially On thesameevening thecomposerBeaman. Carl plays hisown works for pianoandelectronics at Bob On 31May, their performances. Borboudakis Minas classical andclubmusicwith between boundaries about theirmusic. blurthe effortlessly The artists speakto theaudience theartists traditional concerts, enhance theaural andvisualexperience. Unlike artists andmixedselected by subtletransitions. Video andlight a DJ setthat features classicalrecords, eclectic well fullyloadednights.two The program isframed by im joined forces withtherenowned event Klassik series –have Klein andHarry Beaman music clubs–Bob Culture, Munich. and ofArts Küppers, HeadofMunicipalDepartment The project isunderthepatronage ofDr. Hans-Georg classicalandclubmusic. between the boundaries surroundings, contextandnew contemporary breaking Nex alternative experience. andinteractive Classical concert cultureHigh meetsclubculture: Classical public that builds a bridge between two musicalworlds. two public thatbetween buildsabridge loyal guestsofits collaborating club venues. Amixed established classicalaudience aswell asthediverse and rather boththe hallandattracts thanastandard concert

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metallophone; SachikoHar G www.bobbeamanclub.com Beaman Bob to capacity.subject to getfree access to the Delegates mustshow theirbadgesandwristbands evolution ofmusic! violin; Ulrich Wangenheim, bassclarinet). for Classical You canfindthedirections to theclubsonbackflap. Admission: Friday 21:00 20:00,Start: Goethestr. 21,80336München www.harrykleinclub.de Klein Harry Admission: 21:00 Thursday 20:00,Start: 80333 München Classical butalsofor theaudience,Not onlyfor theartist by thepercussion Drums. duoDouble performance Pärt andPhilip GlassfollowedArvo by asecond works by cello) willperform MacRae, Tom Johnson, Yoshikawa, violin;KelvinHawthorne, viola;Bridget Kammerorchester (David Schultheiss, violin;Kosuke on1June. MusiciansfromKlein theMünchener abelsbergerstr. 4/onthecornerAmalienstr., T he second festival night will be held at Harry he second festival night willbeheldat Harry

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SH OWCASES / C lub S h owcases Carl Oesterhelt in a Quartet DJ Dan-Thanh (Germany) (Germany) © Grieg Vargas © Grieg

www.carlofashion.de www.mixcloud.com/klassikgoesclub Label: Alien Transistor

Thursday 21:00 Thursday + Friday 21:00 Bob Beaman Bob Beaman + Harry Klein A – Z A – Z

Jazz riffs, symphonic e-music, minimalism, sampling, Carl F. Oesterhelt Pianist Maria Nguyen-Nhu a.k.a. DJ Dan-Thanh occupies cases or ambient sounds, there‘s nothing the Munich native Die Simulanten, for quartet, premiere the growing interface between classical music and club cases w Carlo Oesterhelt isn’t afraid to try. “There are few vibes, remixing everything from Philip Glass to J.S. Bach w o o h people who make classical music without classical Carl F. Oesterhelt while maintaining active as a soloist. Nguyen-Nhu, born h S S

structures,” he says of his compositions. The drummer, Johan Arnold van Monk, for quartet, premiere in Witten, Germany, to Vietnamese parents, hopes to ub keyboardist and composer runs the gamut from house liberate classical music from its stuffy image and attract ub l to contemporary classical music, collaborating with Carl F. Oesterhelt a younger audience by casting the likes of Händel and l German pop bands such as FSK and The Merricks while En raison de cette seule étoile, je ne vois pas la nuit, Mozart in a more contemporary framework. She is producing a wide-ranging discography. His sixth and for quartet, premiere the founder and artistic director of the Munich-based most recent album Requiem explores a neo-Romantic event series Klassik im Club, as well as artistic director chamber idiom, while his debut This is Carlo Fashion of Classical Next Level , which similarly brings classical W W O creates a series of electro-pop miniatures – a kind of music to clubs alongside DJ and VJ events. During O SH CASES / C “recorded diary“, in his words. At Classical:NEXT, he Nguyen-Nhu’s piano studies at the Real Conservatorio SH CASES / C appears with an unnamed quartet of piano, violin, Superior de Música in Madrid, she received a grant from bass clarinet, and metallophone in music for theater the Spanish Ministry of Culture. She also holds a degree productions and radio plays. in music journalism.

Sachiko Hara, piano Maria Nguyen-Nhu, turntables Gertrud Schilde, violin Ulrich Wangenheim, bass clarinet Carl Oesterhelt, metallophone

132 133 Double Drums (Germany) Minas Borboudakis

© Lars Ternes © Lars (Greece/Germany) © Marianna Karali © Marianna Karali

www.agentur-zweigold.de www.minasborboudakis.com

Friday 21:00 Thursday 21:00 Harry Klein Bob Beaman A – Z A – Z

Double Drums, founded in 2004 by Alexander Glöggler Jungk Minas Borboudakis The Greek Munich-based composer Minas Borboudakis cases and Philipp Jungk, combines wild percussion acts Deep Stream Metal Mechanics I, for audiotape has been praised for his experimental yet highly cases w with entertaining music and video effects. Their sound expressive sound worlds. Ethereal microtonal textures, w o o h battery can include snare drums and marimbas as Double Drums Minas Borboudakis driving rhythms and intricate melodic patterns are some h S S

easily as electric drills, ladders and buckets. Winner of Savanne Modular Loops, 2011, for piano of the features that distinguish his work. Commissions ub the 2010 “Kunstförderpreis” from the Bavarian Ministry have included the Radio Sinfonieorchester Stuttgart ub l of Science, Research and Art, the group has appeared Jungk Minas Borboudakis (SWR), the Orchestra Sinfonica Nazionale della RAI, the l on German television stations such as ZDF and CCTV. Taklamakan Cycloids I, 2006, for piano Athens State Orchestra (KOA), and the American Wind Tours with the Li Biao Percussion Group has brought Symphony Orchestra. He has served as composer in the duo to concert halls throughout China including Double Drums Minas Borboudakis residence at Gidon Kremer’s Lockenhaus International the Peking National Centre of Performing Arts and the Drum Derby Metal Mechanics V and III, for audiotape Chamber Music Festival and les muséiques in Basel. His W W O Xinghai Concert Hall in Ghuangzhou. Double Drums first music theater work liebe. nur liebe was premiered O SH CASES / C offers creative workshops to school children as well as Double Drums Minas Borboudakis at the Bavarian State Oper under the direction of Kent SH CASES / C the visually-impaired in Bavaria. Its debut album Alpha Baumarkt Cycloids I, 2006, for piano Nagano in 2007. His ”Diffracted Thoughts” for accordion was praised by the Süddeutsche Zeitung for “a rhythmic solo (2011) recently appeared on the Oehms Classic melodic sound cosmos of irresistable conciseness.” Jungk Minas Borboudakis album Unanswered Questions. Voices in Between Metal Mechanics II, for audiotape Alexander Glöggler, percussion Minas Borboudakis, piano Philipp Jungk, percussion Paul Smadbeck Minas Borboudakis Rhythm Song ROAI III (Dataflow), 2008, for piano, electro acoustics and synthetic sound Double Drums Breaking Ice Minas Borboudakis Metal Mechanics IV, for audiotape Double Drums Karton

Double Drums Leiter

134 135 Musicians of MKO (Munich Chamber Orchestra) © Marek Vogel © Marek (Germany) Works by Tom Johnson, Arvo Pärt, and Philip Glass

www.m-k-o.de

Friday 21:00 Harry Klein A – Z

The Munich Chamber Orchestra, founded in 1950, has Tom Johnson

cases created a strong community around its commitment Formulas for String Quartet w to new music. “It is possible to see long lines when o

h today’s music is performed,” reported the Frankfurter Arvo Pärt S Allgemeine. “Not everywhere, but here.” In 2008, the Solfeggio

ub ensemble received the “Neues Hören” prize for its l innovations in audience development. The ensemble Philip Glass holds a Nachtmusik series at the Pinakothek Museum, String Quartet Nr. 2 offers local workshops and has established a partner­ ship with the Puchheimer Youth Chamber Orchestra, commissioning repertoire from a wide range of W

O composers including Jörg Widmann, Wolfgang Rihm,

SH andCASES Marc / C Andre. The ensemble has released albums with its home label ECM records as well as Deutsche Grammophon and Sony Classical. At Classical:NEXT, the orchestra’s string quartet will perform works by Tom Johnson, Arvo Pärt, and Philip Glass.

David Schultheiß, violin Kosuke Yoshikawa, violin Kelvin Hawthorne, viola Bridget MacRae, cello

136 www.syncglobal.de

With music markets shifting, sync licensing and other sequenced-based use of music grows increasingly important. Our research project SyncGlobal aims to create a computer-based analysis of the temporal features of audio and video. This technology manages sync licensing requests and finds the best match to any video sequence in large music catalogues. ANNOTATION TOOL In order to be found, you need professional metadata. Our innovative tool for advanced tag editing gathers all metadata your catalogue needs, including computer-generated segmentation and similarity. Get ready to share details about your tracks with platforms and distributors. Improve your music‘s performance in recommendation system and online marketing.

SyncGlobal is a Piranha IT research project in coorperation with Bach Techno- logy GmbH, 4FriendsOnly AG, and Fraunhofer Institut für Digitale Medientech- nologie, funded by the German Ministry of Education and Research.

PARTNERS FUNDED BY

www.piranha.de Imprint Classical:NEXT Team

Classical: NEXT – the international professionals Hannah Asen (Media & Communications) Classical:NEXT Guide forum for classical and art music Paul Bräuer (Media & Communications) Hannah Asen (Proofreader) Claudia Budke (Registration) Paul Bräuer (Author) Nora Bullien (Showcases) Jennifer Dautermann (Author/Proofreader) A Production of Julien Clavel (C:N NET) Fabienne Krause (Editor/Author/Guide Coordinator) NT

I Jennifer Dautermann (Project Director) Anna Pötzsch (Advisor/Author)

R piranha womex AG Mitko Eckert (Registration) Rebecca Schmidt (Author/Proofreader) Bergmannstr. 102, 10961 Berlin, Germany Isabel Herold-Klemm (Accounting) Tel: +49 30 318 614 47, Fax: +49 30 318 614 10 Matoula Koutsari (Production) ELEPHANT & CASTLE (Artwork) [email protected], www.classicalnext.com Fabienne Krause (Project Manager) www.elephant-castle.de E

Anna Mechelhoff (Conference) R

Brigitte Bieg (Chairwoman) C DITS / TEAM E Luise Müller (Conference) Ta-Trung (Artwork Cover & Divider) R Christoph Borkowsky (President) C DITS / IMP Anna Pötzsch (Director of Media & Communications) www.ta-trung.com Frank Klaffs (CEO) Toshi Rösner (Technical Director: Showcases) Yusuf Sahilli (Showcases) Photographer Daniela Teuber (Director of Production) Eric van Nieuwland Michael von Petrykowski (Production) Supported by City of Munich Elsbeth Wacker (Production) IMZ Film Screenings Department of Alexander Walter (Showcases) Katharina Jeschke Arts and Culture Department of Arts and Culture of the City of Munich Tatiana Petkova IT Services Ruth Pfletschinger Oliver Dobros (Administration System & Network) Umut Erdogan (Junior Software Developer) In Cooperation with Thomas Glase (Junior Software Developer) Robert Haß (Junior Software Developer) Karsten Schiela (Junior Software Developer) Andreas Sebayang (Administration System & Network) Alexander Vipach (Senior Software Developer)

CLASS Association of Classical Gasteig IMZ International Music Independents in Germany e.V. + Media Centre

> Network/Advisory Board > Network/Jury Members > Network/Partners > Network/Photographer Copy deadline 02 May 2012

178 179 25years

Naxos celebrates 25 years!

The classical music pioneer celebrates its silver anniversary in Munich on the 31st of May. All Classical:NEXT delegates are invited to an anniversary concert at Carl-Orff-Saal, at 19:00-20:00 hours.

Tianwa Yang (violin) Eldar Nebolsin (piano) Thomas Bauer (baritone)

The Story Of Naxos Available from Piatkus The extraordinary story of the independent record label that changed classical recording for ever

In 1987, a budget classical record label was started in by Klaus Heymann, a German businessman who loved classical music. Swiftly, it gained a world wide reputation for reliable new digital recordings of the classics at a remarkably low price. Despite opposition from the classical record establishment, it grew at an amazing pace, and soon expanded into opera, early music, contemporary music and specialist repertoire so that it became appreciated by specialist collectors as well as the general music lover. It is now the leading provider of classical music and as an innovator in digital delivery.

This fascinating book explains how it happened, how a one-time tennis coach in Frankfurt became a classical recording mogul in Hong Kong and how, at the age of 75, he still holds the reins as firmly as ever.

www.naxos.com www.naxosmusiclibrary.com www.classicsonline.com Classical Next Level : Bob Beaman Kellerstraße Gasteig Bob Beaman Thursday 21:00 – 23:30

Carl Oesterhelt in a Quartet (Germany) Minas Borboudakis (Greece/Germany) DJ Dan-Thanh (Germany) Visuals: Philipp Stegmüller (Germany)

Bob Beaman Am Gasteig Gabelsbergerstr. 4/on the corner Amalienstr., 80333 München/Maxvorstadt Phone: +49 177 254 74 76 Carl-Or-Saal

To get to the Bob Beaman club from the main station, take the subway line U5 to “Odeonsplatz“. Live Showcases Foyer Carl-Or-Saal Gallery F To get to the club from Gasteig, take the S-Bahn lines S1-S8 to “Marienplatz/city centre“ and Philharmonieo y Mentoring Sessions continue one stop on the subway line U3 or U6 to “Odeonsplatz“. The Bob Beaman club can also er Meet the Artists Receptions be reached by bus line 100 to “Odeonsplatz“, departing from Munich‘s main station. Black Box Conference Presen- EG 0117 Classical Next Level : Harry Klein tations Harry Klein VHS Vortragssaal Friday 21:00 – 23:30 Networking Meetings Restaurant ”Gast“ Musicians of MKO (Germany)

Double Drums (Germany) Classical:NEXT Entrance < DJ Dan-Thanh (Germany) Meeting Area Bistro Visuals: Jandoon & Proximal (Germany) Rosenheimer Straße Registration Ground Floor Media Counter Internet Harry Klein Corner Cloakroom Sonnenstr. 8, close to Karlsplatz, 80331 München 1st Floor [email protected] | Phone: +49 894 028 74 00

Ground Floor Vortragssaal To get to the Harry Klein club from the main station, take the subway line U8 or the S-Bahn der Bibliothek (city train) lines S1-S8 to “Karlsplatz“ which only takes a few minutes. The S-Bahn lines S1-S8 1st Floor IMZ Film Screenings also depart from “Rosenheimer Platz“ close to Gasteig. 2nd Floor Video Showcases Delegates must show their badges and wristbands to get free access to the Expo (1st Floor) Rosenheimer Classical Next Level concerts – subject to capacity. Platz > Showcases/Club Showcases A – Z For Directions to the Clubs > Back Flap Inside

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